ub_ΜΐHSw@@@A{bEX}iT[
āāāāāā
ḿṭḍḷṇṅñṭṭññāīūṃ@ Ā@
ṇaṃ
ΌmΖ§³Μα’
|
ΰΎ |
|
|
|
ΌmNw |
¨xΕΰΎ |
L_ |
ΐΜ_ |
~_ |
§³Nw |
SxΕΰΎ |
³_ |
φΚ_ |
_ |
_}ΖΝ
Ά½Ζ¨ΏΜ’EͺΗ€’€Σ€ΙΆΆΔΕ΅ΔΟ»΅Δ’ιΜ©A»Μ\’©ΜπΎη©Ι΅½ΥIΘ^B
Ar_}Ν§ΰΕ ιBiub^S[Tj
ΘwIΘm―πΎι±ΖͺΪIΕΝΘA½©Μ©AπΙζΑΔΙΟYͺΆάκι©Η€©πβθΙ·ιB
lΤΜ³πSΙ΅ΔΰΎ΅Δ’ιB»κΘOΙΒ’ΔΝ άθΰΎ΅Δ’Θ’B
}lͺSπς»΅ΔΉlΙΘιάΕΜvZXπΰΎ΅Δ’ιB
΄ςΖwΝ
^ΐπ{Ι[Ύ·κΞA±±λͺ΄η©ΙΘιB
qgΝ{\Ζ΅ΔΒΜΉπΛ«iρΕ’ιΜΕAP·ι½ίΙΝwΝ΅Θ―κΞΘηΘ’BwΝͺΘ―κΞqgΝKΈ«ΘιΖ’€^Μ@₯ͺ ιB
^Ζ’€@
§³ΙΝ_ΰΘAxzΰ’Θ’ΜΕAΣ]·ι©{ͺΘ’B
»±Ε©{βΊ΅ΜγνθΙAΖ±Ζρ^ΜpπέΉζ€Ζ΅½B
ΗρΘΚͺΕι©πΘwIΘ_ΕͺΝ΅Δ’±ΖπOκIΙ΅½B
^πΖ±Ζρ[Ύ΅½ηAβθ½’υyπΗ’©―ιΆ«ϋͺoJoJ΅A΅AF ΉΔAO«ΔAΒάηΘAΙ΄ΆΔ΅ά€B
±ΜCͺΆάκΔCsπ΅½Θι½ίΎ―ΙAAr_}πάΖί½B
±±λͺVXeπ³¦ιΜͺAr_}B
Ar_}b^TKn
Abhidhammattha SaṅgahaAΫ’ωB`_ΝA§³Μμ`γΐεhΙ·ιm΅Akb_iAnuruddhajΙζΑΔ11’I Ι©κ½A§³jvBθΌΝAu_iAr_}jΜΣ‘ΜW¬v
SaṅgahaΖΝcompilationAcollectionΜ±ΖΕAΫ·ΘνΏAνΉΰΒAΖ’€±ΖB
vibhāgaFmD[vibhajati] ζͺCzͺCͺή
ζ1Ν SΜͺΝ yΫSͺΚz@@@@@@@@@@ib: Citta-saṅgaha-vibhāgaj
ζ2Ν SiSΜgjΜͺΝ yΫSͺΚz@@ib: Cetasika-saṅgaha-vibhāgaj
ζ3Ν G½ΘΰΜΜͺΝ yΫGͺΚz@@@@@@ib: Pakiṇṇaka-saṅgaha-vibhāgaj
ζ4Ν HiSΜΆΕjΜͺΝ yΫHͺΚz@@@@ib: Vīthi-saṅgaha-vibhāgaj
ζ5Ν £HiΖΖΦτjΜͺΝ yΫ£HͺΚz@@ib: Vīthimutta-saṅgaha-vibhāgaj
ζ6Ν ¨ΏΜͺΝ yΫFͺΚz@@@@@@@@@ib: Rūpa-saṅgaha-vibhāgaj
ζ7Ν άΖίΖ’€ͺΝ yΫWͺΚz@@@@@@ib: Samuccaya-saṅgaha-vibhāgaj
ζ8Ν NΜͺΝ yΫͺΚz@@@@@@@@@ib: Paccaya-saṅgaha-vibhāgaj
ζ9Ν ΖΜͺΝ yΫΖͺΚz@@@@@@@@ib: Kammaṭṭhāna-saṅgaha-vibhāgaj
aCΙΘι2ΒΜ΄φΖRΒΜΚ@@ΟνηΘ’±Ζ
OΜ΄φ@@Ω¨iECXβ»w¨ΏjjͺgΜΙόΑ½±ΖΙζι
ΰΜ΄φ@@νͺ€ά©Θ’±ΖΙζι
ΚΝ‘ιlA‘ηΘ’lAΚlΜ3νή
‘Γ@ΝNΟνιB
ρd\’@@’ϊΜͺκΙ ι`ϊ
’ϊ@sammuti sacca@@@@
»Μζ€ΙάΑΔ’ι©ηA»κπ^ΐΖ΅ΔFίι@conventional truth
OκIΘ^ΐE^E_IͺΝΘ’BέρΘΕί½©η]€B
Ο»΅±―ιΆέ
’ΜΜSΔΝ’ϊ@@@ΘwAΎt
lΜόΝ»κΌκα€ΜΕAlΙζΑΔΟ»·ι^ΐB@πίΙζιe©Μ»fB
©RH€DΖΝ άθΙΰζς΅·¬ΔoΔι½A½μp@@@@½aΖ©RH€DΖ@^~l
ΘOΝ¨«Μ^pNΏπζηΘ’ΖgΜΝμκΘ’ΖΘwΝΎΑΔ’½B
ά΄oν―Ζ]ΕF―΅½ΰΜπA½ΏΝmΑΔ’ιΒΰθΕ’ιͺA»κηΝ·ΧΔ½ΏΜF―πξΙ΅Δμθγ°½A½ΎΜΟzΕ ιB
κ»±Ι ιζ€Ι¨ΏππΉζΖίΈΝΰ’½B
SΔΝuσΕΐΜΝΘ’vΕ ιΖΝΎνΘ’ΜΝAΘρΜζΚΰΒ©ΘΘι©ηΕ ιB
@@@@
`ϊ paramattha sacca@@ parama@@+@attha@`iΣ‘j
paramaF[adjD] superiorG bestG excellent
atthaF[mD] welfare; gain; wealth; need; want; use; meaning; destructionDiattha presD2nd pluDof atthiDj
DκΔ’ιΙΜ^ΐ
Ο»΅±―ι’ϊπOκIΙͺπ·ιΖs« ΙΜI_@@¨Ώ©ηΚqA»΅ΔGlM[Μ
uΎtvΖ’€’ϊπgΑΔ΅©A`ϊΜ±ΖΝΰΎΕ«Θ’B@@@@
±κͺ`ϊΎΖΰΎ΅ΔΰA»ΜΰΎΝ’ϊΕ΅©Θ’B
`ϊ©ηέ½±Μ’ΝSΒΎ―
Tattha vutt' abhidhammatthā - catudhā paramatthato
Cittam cetasikam rūpam - Nibbānam' iti sabbathā.
΄ΆΝvutt'
abhidhammatthā ΘΜ©vuttābhidhammatthā
Nibbānam'@ΘΜ©Nibbānaṃ
±±ΙΎνκιAr_}Μ`ΝA`Ζ΅ΔΝASΕuSvuSvuFvuΈΟvΜ4νήΕ ιB
Citta@@@S@@F―@\
F―·ι«A·ΘνΏF―@\Μ±ΖB@TΒΜ΄oν―ΖΣ―Μ6νήΜF―·ι«
ΰOΜ¨π΄ΆACΓ«A@m·ι«
Cetasika@@S@@@F―ΖκΙΆάκι΄ξ@@@SΙΆάκισΤ
Τπ©κΞA©ι«ΕF―·ιicittajΎ―ΕΝΘA«κ’AΎΖ©’ΎΖ©A»κπΐθ·ι΄oͺΊ’ASΜ΄ξͺΟ»·ιB’λ’λΘΰΜͺSΙΆάκιBΎι³AμΡAYέAκ΅έA°CΘΗ ηδι΄ξͺ·ΧΔCetasika
uoθΜqdvΰSΙΆάκισΤΘΜΕCetasika
P«ΙΦνηΈSΙΆάκικΨΜ΄ξ
rūpa@@@@F@@@@F―·ι½ίΜ@B
F―·ι½ίΜ@BΕ ι¨Ώ@ΰ€ΜgΜAO€Μ¨Ώ
ΰ€ΜεΟIΘ¨ΏΕ ιgΜΖO€ΜqΟIΘ¨ΏΕ ι»ΫΜρνήͺ ιB
±Μ3Βͺ`ϊΜ^ΐΕ θA±ΜRΒΜΚΌΝloka-sacca@’ΤϊΕA±Μ’Ν±ΜRΒΎ―ΕA»κΘOΝΘ’B±ΜΕΆ«Δ’ιΆέͺδXΎΖ’€Μͺ`ϊΜ^ΐΕ ιB
ΰ΅A±Μ3ΒΜ«ͺ~άΑ½ηA±Μ’Τϊ©η£E·ι±ΖΙΘθA»κπlokuttara-saccao’ΤϊΖ’€B
F―@\ͺ~άΑ½σΘΜΕF―Ε«Θ’B
Nibbāna@@@ΈΟ
γLΜRΒΜνΟπΜ΄·ι±ΖΕA½ΰΜΙΰϊνκιΣ‘ΘΗΝΘ’Ζ’€qdΜ΄ξͺΆάκιB
·ιΖA»±ΕΜ±·ι’EΜσΤͺ ιB»κͺΈΟΕ ιB
ΐHϋ@@BpbTi[αzΕAF―@\πκΒΓΒ@m΅Δ’BΰΜ²Ζ»ΜΰΜπ΄ΆιΜΕΝΘA©¦Δ’ιA·±¦Δ’ιAΖ’€©ι@\A·@\»ΜΰΜπCΓ«±―ιB
½Ζ¦ΞA ιΉiιςΜΒΊjͺ ΑΔA»κͺ·±¦½A»€΅½ηSͺ½΅Δ½iπ΅³jͺΆάκΔ«½AΖ’€κΒΓΒΜΐΦWπc¬·ι±ΖΕAF―ΜdgέπΜΕiNZΖ΅Δj[Ύ΅±―ιB
±Μζ€ΘF―ΜdgέͺνΟΕ θ±ΖπΜ΄΅±―ιΖASͺΟ»·ιB
±ΜΟ»ΜΩρΜuΤΙ¨’ΔA»Ϋ©η£E·ισΤπΜ΄·ιB
±ΜuΤͺΈΟΕ ιBΎ©ηF―ΜO€Ι ιΰΜΘΜΕAϊνΜά΄ν―Ζ}ChΙζιF―\ΝΕΝ¨¦ι±ΖͺΕ«Θ’ΰΜΕ ιB
`ϊP@cittaSΖΝuF―·ι@\v
θ`@@ārammaṇa-vijānana-lakkhaṇaṃ-cittaṃ@@
ārammaṇaΞΫ-vijānanamι±Ζ-lakkhaṇaṃΑ₯i{«j-cittaṃ
ΞΫπmιiF―j{«ͺcittaΕ ιB
½Ζ¦ΞAqgΙΝ©¦ιΖ’€@\ͺ θA»κΕ©ιΖ’€F―·ΘνΏoΖ’€F―ͺN±ιB
±κͺcittaΕ ιB
uF―·ι@\ͺ ιΰΜvΜ±ΖπSͺ ιΰΜA»κπΆ½ΖΔΤB
Ά½ΖΝF―·ιΰΜΜ±ΖA»€ΕΘ’ΖΆ½ΖΝΎ¦Θ’B
F―·ι@\Ζ’€pxΕέιΖAΆ½ΝκΒB
F―·ι©ηuΆ½vͺaΆ·ιΜΕ ΑΔAuΆ½vΖ’€ΰΜͺ ιΜΕΝΘ’B
F―·ι@\ΝΈΑΖxέΘ±’Δ’ιΜΕA»κηπ’ϊΖ΅ΔΌΙuΆ½vΖΔρΕ’ιΙ·¬Θ’B
uΆ½ͺ ιvΖ’€’ϊπ`ϊΖ¨α’΅ΔAΆ½πT΅ΔΝAθ`΅ζ€Ζ΅Δ’ιB
F―Ν½ΎΜ«Ε θAGlM[Μ¬κΕ ιB
uvͺF―΅Δ’ιΜΕΝΘAGlM[Μ¬κπuvΖΌΙΔρΕ’ιΙ·¬Θ’B
A[o[ΰECXΰΆΆΕ«ιΒ«π»f΅A½΅Δ’ιΜΕAίΈΙ’νΉκΞcittaΜ ι§hΘΆ½Ε ιB
ECX©ηqgάΕ·ΧΔͺΆ½ΜΕ ιB
Ά½ͺ ιΘηΞAKΈF―·ι@\ͺ ιB±κπcittaΖ’€B
cittaΝgΜΙ ιB΅©΅cittaΖ’€u¨vΝΘ’B½ΎΜ«Ε ι©ηΎB
©δΝ³Ν
erΜXCb`πόκιΖA»±©ηΉΖfͺ¬κo·B·ιΖ»κπu©δvΜΣvΙΦνηΈAθΙF―΅Δ΅ά’AcittaͺΆάκΔ΅ά€B
’η©δͺF―΅Θ’ζ€ΙέΔΰ³ΝΕ ιB
©δΕ½©ͺΕ«ιΜΕΝΘAF―ΙζΑΔ©δͺ ιB
·ΘνΏ©δΘΗΝΘ’±Ζͺν©ιB
©δͺ θΝͺ ιΜΘηΞAuSΝ©ιͺIΝ©Θ’A·ΘνΏF―΅Θ’vΖS΅ΔΰA»κΝsΒ\Ε ιB©δΝIπ·ι±ΖͺΕ«ΈA©¦½η»κπF―·ιΎ―Ε ιB
©δΝ³ΝΕ ιB
©δΝ°Ζ―lΙA¨Μ«A·ΘνΏGlM[Μ¬κΕ΅©Θ’B
©δi©ͺjΝΘ’ΜΎͺAF―΅±―Δ΅ά€»ΫΜXπq¬νΉι±ΖΕAu©ͺΖ’€ΐ΄vΖ’€φoͺΆάκΔ΅άΑΔ’ιΙ·¬Θ’B
’Μm―ΝmιΩΗΟYβκ΅έͺ¦ιB
§³Μm―ΝmιΩΗCΏͺyΘθAmηΘΔΰ’’Ζ’€ϋόΙlπ±B
Έβ©Ε΄η©ΘΰΜΙΘιB
ΘwΖ§³ |
ΞΫ |
sΧ |
Cͺ |
mΜΣ‘ |
SΜσΤ |
Θw@’ |
ͺ |
ͺf |
ΟYͺ¦ι |
mιKv« |
ΙG |
§³ |
SΜ |
άΖίι |
CͺyΘι |
mηΘΔΰ’’ |
Έβ©E΄η© |
`ϊ2@@ cetasikaSΝF―·ιΖΆάκι΄ξ
F―·ι»ΜΙA»±ΕΆάκι΄ξAά½Ν»±Ε©Β―ιΥIΘ^πcetasikaΖΎ€B
cetasikaΖΝSπZΖ΅ΔgΑΔ’ιA·ΘνΏucittaΜΙ ιΰΜvΖ’€Σ‘A
gΜΜ΄oΰSΙΆάκιSΕ θAΙέΕΐκΘ’Ζ’€lΰψΙαz³ΉA{lͺ±±λiF―@\Ζ―ΙΆάκι΄ξjππ΅Δ»Μ«π@m΅Δ’κΞA©ͺΜΕθΟOͺΑ¦ΔΏι±ΖͺΕ«ιB
ΙέΝΎι³Νγ³ΘΗΝSAgΜΜΐΕΝΘA±±λΜ΄ξΜβθΎ©ηΕ ιB
Cetasika = Ceta + s + ika
That which is associated with mind or consciousness is cetasika.
Cetasika is
Readers will note that the author has not given here a logical definition according to genus and species. Instead he speaks of four characteristic properties of a cetasika. The Commentator cites reasons for attributing these four properties.
No consciousness exists apart from its concomitants. Both consciousness and its respective co-adjuncts arise and perish simultaneously. But there are some material qualities such as viññatti rūpa* (Modes of Intimation) - that arise and perish simultaneously with the consciousness. To exclude them the third property of having a common object has been attributed. That which possesses these three characteristics must necessarily be endowed with the fourth - a common basis.
SΜ4ΒΜΑF
Ekuppāda-nirodhā ca - ekālambanavatthukā. Cetoyuttā dvipaññāsa - dhammā cetasikā matā
―NA―ΕA―A―ξΜASΖΡΒ’½52@ͺSΖ³κι
―NEkuppāda@@eka κΒOne @+ uppāda@ΆN·ι
κΒΙκΙΆάκιB
α¦ΞA ͺ»κιΖ―ΙA»±ΙΖ―Δ’ιΰΜΝΰ€»±Ι ιB
±κπκΙΆάκιΖ\»΅Δ’ιB
±κπAF―@\ͺ·ιΖAκΙSΜσΤi΄ξjΰΆάκιAΖ\»·ιB
―Ε@eka-nirodhā
F―@\ͺΑ¦ιΖ»κΙΊΑΔ’ιSΜσΤΰΑ¦ιB
α¦ΞA€ι³’Ήͺ·±¦Δ’ιΖ€ι³’Ζ΄ΆΔ’ιͺA»ΜΉͺΑ¦ιΖA»Μ΄ξΰΑ¦ιB
―ekālambana@@@eka@+@ālambana@ΞΫ@@@@ΞΫπF―·ι΄φEA«Α©―ͺ
F―@\ͺ ι©ηΆ½ͺaΆ·ιB@@B―wh@@
F―·ιSͺζΙ θA»κͺ½©πF―΅Δ΅ά€©ηAΆ½ͺΆάκ½B
ΞΫͺ ι±ΖΕΆ½ͺaΆ΅½B@@@ΰκΨLΜδΙ_
F―@\Ύ―ͺ ΑΔΰΞΫͺΘ―κΞAΘΙΰΘ’B
ΗΏηΜ§ΏΚuΕ ι©Μα’
ΌϋͺGκ€±ΖΕF―ͺΆ·ιBΎ©ηΗΏηͺζΕΝΘ―Ε ιB
―ξeka-vatthuka@@@vatthuΖΝξΜΣ‘ΕF―ͺN±ιuσΤvπw΅Δ’ιB@@@@@@@@@@
F―@\ͺN±ισΤΝASΜσΤΰKΈN±ιΖ’€±ΖB
εζ§³Νu°ͺ ιvTO©ηnάΑΔ’ι
°Ζ’€κεΝgνΈΙA@gdharma-kayaͺ ιΖ’€B
ζΙu°Ν ιvΖ_πίΔAΙΐΨ΅ζ€Ζ΅Δ’ιB
NͺΖz³ΖV½Θπί@@ΰqp
@g@@_}»ΜΰΜΖ΅ΔΜ§Bίήͺ_}πoθA±κπΜΎ΅½BoΖΘΑΔ@gπο»»΅½B
ρg@@μFΜ©ΌsΜΚΖ΅Δ§ΙΘΑΔuρνκ½v§gBίήζθOΙμFͺ ιB
g@@@g½ιΙu΅’vl¨Ι@gͺ»΅½§BπjIΐέΖ΅ΔΜίήB
ρgΙζΑΔζs·ι`MΒβyMΒπΰζθή±ΖͺΒ\ΙΘιB
_ΝμFΕ θA`γΙΝ§A·ΘνΏ@Ε ιB
`ϊR@¨ΏΝΟ»·ι{ΏΜΰΜ@@@`ͺΟ»·ιΰΜπ¨ΏΖ’€
(·Ι)Ο»·ιΰΜπ¨ΏΖΔΤ@@@@ruppatīti rūpaṃ
¨ΏπGlM[ΜxΕF―·ιB
ΉΝGlM[ͺ¬κA»κͺΟ»·ι±ΖΕoΕF―³κιB
SΝυπ½Λ΅A»κͺΌΖα€±ΖΕΟ»΅Δ»κι±ΖΕoΕF―³κιB
ΒάθAυGlM[ͺASΜGlM[ΙΤΒ©θA»±ͺΟ»iς»ED»j΅ΔΗΏηΕΰΘ’GlM[ͺΪΙ½ιΖAΪΰΟ»΅ΔuSͺ©¦ιvΖF―·ιB
υΜΟ»¨ΪΜΟ»¨F―
Ο»ͺ ιΖ±λΙF―ͺΆάκι@@@
GlM[ΖGlM[ͺΤΒ©ι±ΖΕF―ͺΆ·ι
`ϊS@ΈΟΝβΓ
GlM[ΖGlM[ͺΤΒ©ι±ΖΕF―ͺΆ·ιͺA¬κπ~ί½ηΗ€ΘιΜ©E
b·±Ζΰ±ΖΰSΙ½©πv€±ΖΰΕ«Θ’’EΙΘιB
z·ι±ΖΰΕ«Θ’B
SΖSΖ¨ΏΕ ι»ΫΜ’EπΏαρΖπ·ιΖAΝΆίΔ»κπζθz¦Δ΅ά€B
»κπnibbānaΖ’€B
»ΫͺΑ¦½σΤͺΈΟΕ ιB
Α¦½Ζ’€κΒΜ±ΖΎ©ηAκΒΘΜΕ ιB
ζκ@¨ΏΜͺΝ
Ar_}Ν»ΫπOκIΙ_IΙΎmΙͺΝ·ιB
l¦ιΜΝ¨ΏΜ±ΖΕ ι
’¦’AΙ’°’ΝgΜi¨ΏjΜ±ΖB
{ηΘ’AΉΏπηηΘ―κΞΘηΘ’AΘΗΝ±±λ±Ζπl¦Δ’ιζ€ΎͺA{Α½θΉΏπjιΖΠοΜΕκ΅’ΪΙ €A»κΝCΎBΖvl΅Δ’vZXΙΘιΜΕAΗAgΜΜ¨ΏΜ±Ζπl¦Δ’ιB
ΏTΘΗΜCsΙγήΜΝA±±λΕΝΘgΜΜ½ίΙβΑΔ’ιB
HΧ¨βVΡβJbR’’±ΖζθΰιADκ½y΅’±ΖΐH΅Δ’ιΎ―Ε·B
y΅έΰgΜ©ηΆάκΔιΜΕA»κΙeΏπσ―ιΜΝαzπy΅ή±ΖΰVΡπy΅ήΜΰΘρΜΟνθΰΘ’B
α’ΝΤα’iπ©³jΙCΓ’Δ’ι©Η€©
QΒΜα’ΝA©ͺͺΤαΑΔ’ι±ΖΙCΓ’Δ’ι©Η€©B
©ͺΝΤαΑΔ’ιΖ’€{ΜσΤΙCΓ’½ηA»±ΙqdͺΆάκιB
_}p_63
gΜΖ±±λπΜΔιΖπE·ι
SΔπΜΔι±±λͺΆάκιKvͺ ιB
gΜΙξΓ’ΔKπ‘ν¨€Ζ·ιΜΕΝΘA±ρΘΎηΘ’gΜΝΗ€Εΰ’’Ζ’€CΏΙΘιKvͺ ιB
±±λπb¦AqdπΝB³ΉΔΛ\²QΜlΙΘιΜΕΝΘA±±λiuΤuΤΙΟ»·ιΰΜjΝΖρΕΰΘ’S~ΎΖCΓ’ΔSπόκΦ¦ιμΖπ΅Θ’ΖAπEΜ’EΙΝηΘ’B
¨ΏΜͺΝΜdϋ
samuddesā vibhāgā ca, samuṭṭhānā kalāpato, pavattikkamato ceti, pañcadhā tattha sagaho.
»κΙΝAρAͺΚANφAγΪAΆNΜΖ’€TνήΜdϋͺ ιB
Tsamuddesaρ@@@@@@Xg
UvibhāgaͺΚ@@@@@@@@O[vͺ―
VsamuṭṭhānaNφ@@@@@@φΚ@₯
WkalāpaγΪ@@@@@@@@@@gένΉ
XpavattikkamaΆNΜ @@ΗΜζ€ΙΟ»·ι©
Trūpa-samuddesa@¨ΏΜρ@@@@@@Xg
lεFcatu-mahābhūta-rūpa @@@@@@@@@ξ{IΘ¨Ώ
ΖlεΛ~Fcatu-mahābhūta-upādāya-rūpa@@hΆI¨Ώ@@@@mahābhūtaΙΛΆ·ιρIΘ¨Ώ
ΖΜQνήΜFͺ θASΕ11νήΙάΖίηκιB
mahābhūta κΤξ{IΘ¨@@¨ΏπͺΝ·ιΖΕIIΙ©Β©ιΰΜ
Cf. ·ΧΔΜΆ½ΜΝbhūtaiHμjΙΔ’ά·B{ΏIΙAΆ½ΝA©ι±ΖΰκIΙΆέ·ι±ΖΰsΒ\Θ΄χΧΘΜΙζΑΔΫ³κΔ’ά·B
qhD[³ΕΝlε³fΙākāsaiσjπΑ¦ι±Ζͺ ιB
TXNbgκΜākāsaiσjΖ§³ΜuσvΖΝΗΜζ€ΘΦWΘΜ©H
³fΙ½’΅Δf±qͺ ιB±κπΙχparama-aṇuΕΰχΧΘΰΜAΖ·ι
MVκΜa-tomͺΝΕ«Θ’ΰΜΙ·ιB
ΙχΝuΕ¬Μ¨ΏΕ ΑΔAΨι±Ζΰσ·±ΖΰζΑ½θΒ©ρΎθ·ι±ΖΰΕ««Θ’B·ΰZΰΘlpΕΰ~ΕΰΘ’BͺΝ·ι±Ζΰ©ι±Ζΰ·±ΖΰGι±ΖΰΕ«Θ’v
ΙχΝΟ»ΖσΤθΜ«Ώπ½Θ’ͺA±κͺ½WάιΖ»Μζ€Θ«ΏπL·ιB
ΙχΝPΖΕΝ΅ΔΆέΉΈAνΙWάΑ½`ΕΆέ·ιB
1@nvf@@paṭhavī-dhātu
¨Μ³Ζd³πμιGlM[@@ΏΚπμιGlM[@@@ξη©³Ε³πμι
gΜΕGκΔ΄ΆηκιΰΜ
gΜΜ΄oΝAgΜΙ`νιGlM[ΙζΑΔμηκιB±ΜunvͺgΜΙGκιΖAd³β³π΄ΆA»κͺF―³κι
ΣjΜ³ΝAd³AΝ©Μ³Ζ’€unvΜ³fͺgΜΙGκιΖAπ΄ΆιB
uvΜ³fΕΝΘ’B
ΙΰΞΙΰd³β³Ε ιunv³fͺ ιB
±Μunv³fΖΝ¨ΏΜΏΚΜ±ΖΕAGlM[ΜgΜ±ΖΕAνΙΟ»΅Δ’ιB
2@
vf@@āpo-dhātu
ψ«t―’AkίAq°ιΝΜ±ΖB
2ΒΜnvfπψ«Β―ιΝ
2ΒͺκΒΙΘθA»ΜκΒͺΕγΙΝΑ¦Δ΅ά€Ν
3@vf@@@vāyo-
dhātu
ψ«£·Ν@@ vfΙΞ·ιΝ
Α¦Δ΅ά€±Ζπj~΅Δ’ιΝ
nvfΜ`ͺkή±Ζπj~΅Δε«Θλ€Ζ·ιΝ
ΖΜoX
vfΎ―ΎΖ`[NΝ²XΙςΡUΑΔAnvfΝiΙΗρΗρ¦°Δ’
FΙΝnvfͺΩΖρΗΘA ΜΝΰ©Θ’σͺ½ ιB
΅©΅ΜΝΝ’Δ’ιB
2ΒΜoXͺζκΔ’ιΖ±λΕΝ¨ΏΖ΅ΔF―Ε«ιζ€ΙΘιB
4@Ξvf@tejo-dhātu
β¦ΤΘΟ»·ιΝ
β½³ΰ·xΘΜΕM³Ζ―ΆΞΜ«
¨Μ\’πΟ¦ιGlM[ΕA»ΫπΟ»³ΉιΝ
nE EΜ³fΜoXΙζιΏ «π³·ϋόΙΝ
Ο»΅ΔΩ΅Θ’ΙΝAΞΜGlM[πζθ’Δβp·ι±ΖΕAΟ»ͺxΘιB
n
ΞΜGlM[πp·ιϊνΆ
oπt[YhC΅Δ²Ι·ιB
ΞΖΖ ΜGlM[πζθ’ΔAnGlM[Ύ―Μ²Ι·ιB
¨ΏπΫΆ΅½―κΞββ·B
Ο»΅ΔΩ΅―κΞgίιB@pΜC[XgyΘΗB
_CΜͺq\’Ν«ͺέAYfΜGlM[ͺ’’oXΕΏ ’ΔA¨έ’Ι€άqͺΑΔ’Δ’ιΜΕA ΰΰθͺo΅ο’BΒάθnΜ³fΎ―ͺζ’Δ’ιΜΕu’v
l³fͺ΅ΑΔ’Θ’ΖΑΕ·ι
l³ofͺ΅ΑΔίΔAqgͺF―Ε«ιΕ¬Μ¨ΏjbgͺΆάκιB
n³fͺΘΘιΖAΏΚ»ΜΰΜͺΆέ΅ΘΘιB@@@ ιΖ¨ͺΆέ·ι
³fͺΘΘιΖA¨ΏΝoΙςΡUΑΔ΅ά€B@@ ιΖκςΙΘΑΔ£κͺ½’
vfͺΘΘιΖAέρΘͺΑΒ’ΔΑΕ΅Δ΅ά€B@ ιΖ©Θθε«Θι
ΞvfͺΘΘιΖAΟ»Μ«ͺΘΘθAiͺKκι@@@σͺβ~·ιH@ ιΖΗρΗρΟ»·ιB
υΜF―·ιvZXAJjY
Ηκ©κΒΜ³fΎ―πζθo΅½θΑ¦½θ·ι±ΖΝΕ«Θ’B
υΰΉΰd³ͺ ιB
tHgiυ±qjͺΪΙΤΒ©ΑΔA`[NΜfͺ©¦½ΘηA»κΝΪΙΤΒ©Α½υΜ±π©Δ’ιΜΕ ΑΔA`[N»ΜΰΜπ©Δ’ιΜΕΝΘ’B
υGlM[ͺ`[NΙΤΒ©ι
ΤΒ©Α½υGlM[ΝΚIΙΰΏIΙΰΟ»·ιB
Ο»΅½GlM[ͺOΙoΔ’±ΖπυΜ½ΛΖΔΤB
»Μ½Λ΅½υͺΪΙόΑ½ΙA»κπ`[NΎΖF―·ιB
F―΅½uΤΙgΜΜGlM[ΜoXͺφκιB
»ΜͺA]ͺΘGlM[πOΙo³ΘΔΝΘηΘ’B
±€΅ΔgΜΰΟ»·ιB
FΜΑ¦ϋ
³fͺΑ¦Δ¨Ώͺ£κΔc£·ι
³fͺΑ¦Δ¨Ώͺϋk΅ΔΑΒ’ΔΑΕ·ι
΄qf
Ζ ΜGlM[ΜΗ’oXΜΖ±λΕzqΖ«qΖdqͺ ιB
΄qΝu ιvΰΜΕΰΘuvΰΜΘΜΕAu©ιv±ΖΝΕ«Θ’B@@p98
2020.01.21 16:20@BeI΄qͺ·ιlqπfΕ
CMXΜmbeBKεwΘΗΜΫ€`[ΝA΄qͺέ’Ι΅ΔͺqΙΘΑ½θAͺ£΅½θ·ιlqπζΖ΅ΔBe·ι±ΖΙίΔ¬χ΅½Ζ\΅ά΅½B
dq°χΎΖΝAΘw@₯©ηͺAvZ΅ΔAf[^π\z΅ΔζπμΑΔ’ιB
»Μζπ΄qΎΖΎΑΔ’ιΎ―B
΄q»ΜΰΜΝυ¬Εβ¦Έ«ρΑΔ’ιΜΕA{Ν±Μζ€ΙΪΙ©¦ιΰΜΕΝΘ’B
±κΝu©ιvΕΝΘumιvͺΕ«ιΖ’€ΜͺΐΙί’B
NI[N
ψΝΝ2ΒΜ¨Μ£ͺ£κιΖγάιBΖ’€±ΖΝΰΜͺκU£κ½ηAγΝooΙΘιΞ©θΕAΕγΙΝ` ι¨Ν½ΰΆέ΅ΘΘιB
Ζ·ιΖAΙ ιΖ«ψ«€ͺA¨έ’ΙΑΒ’Δ΅άΑ½ηΰ€ψ«€ΝΝS©ΘΘιζ€ΘGlM[ͺΆέ·ιΝΈΎΖl¦½B
»ΜGlM[πNI[NΖΌt―½B
NI[NΝ¨έ’ΜΰΜΜ£ͺΘιΩΗΝΙψ«€B»΅ΔΑΒ’½ηGlM[Ν[ΙΘιB
¨Ιΰ±±λͺ ι@@@ΤαΑ½©π
±±λΰ¨ΏΰGlM[Ύ©ηAΗΏηΰ―ήΘΜΕA¨Ιΰ±±λͺ ιB
±±λΖ¨ΏΜGlM[ΖΝ«ͺα€B
¨ΏΜGlM[Ν§xͺΘιΖ¨ΙΘθAσΦWπΒιB
±±λΜGlM[ΝΗρΘΝ©ΘσΤΰμηΘ’B·ΘνΏΤΰΆ΅Θ’ΜΕηκι±ΖΰΘ’B
±±λΖgΜΝΨθ£ΉΘ’ΖΎΑΔA2Βπ¬―·ιͺAΏαρΖͺΝ·ιKvͺ ιB
±±λΖ¨ΏΝA¨έ’ΙeΏ·ιB
±±λGlM[Ζ¨ΏΜn ΞΜGlM[Ν―ΆGlM[Ζ’€JeS[ΘΜΕeΏ΅ €B
¨ΏGlM[Ι±±λGlM[ΝΝπeΏ³Ήι±ΖͺΕ«ιB
»ΫΝΘρΕΰΟ»·ιBGlM[Μ¬κπΟ»³ΉκΞ»ΫΝΟ»·ιB
½Ζ¦Ξ|SπμιΜΰ¨ΏπΟ»³ΉιsΧB
ςB
aCΙΘΑ½ηgΜΜGlM[ͺΟνιΜΕA»κπςΕά½Ο»³ΉΔA»κπ‘Α½Ζ’€B
aCΖ’€»Ϋͺ ιν―ΕΝΘADά΅Θ’΄oπDά΅’΄oΙΟ¦ΔA‘ό΅½ΖΎΑΔ’ιΎ―B
ςΖ±±λΜΦWΜg¦ͺζπΕ«Θ’B
βΞΖΞ@@@@ātmanβpurisa [SkDpuruṣa]Ν©Β©ηΘ’
lΤͺμθγ°½½ΎΜTO
Lΐΰ³ΐΰ½ΎΜTOB
βΞΜ_βiΜ°Ν ιΖΰΘ’Ζΰ’¦Θ’BΌΙ Α½Ζ΅Δΰ»κπΜ±΅½θF―·ι±ΖsΒ\B
βΞ©ηΞIΘΰΜͺΆάκιΜΝ_IΙ¨©΅’B
βΞͺΞπB΅ΑΔ’½Ζ©AβΞͺ΄φΕΞͺΆάκ½Ζ·ιΖAβΑΟθnί©ηβΞΕΝΘ©ΑΖΎν΄ιπΎΘ’B
ΉοΖͺ
|
Ήο |
|
|
|
Μ± |
F― |
Θw |
Ήοg€ |
ͺ |
TO |
m― |
ΤΪ |
anumāna@@@vlΙ]€ |
§³ |
ΉοgνΘ’ |
ΌΟ |
Μ΄ |
qd |
ΌΪ |
pratyakṣa@@@ΪΜ½θΙ·ι |
α¦Ξ¨·΅πg€Ζ’€±ΖΝAΌΪΜ±·ιΌΟΕΝΘATOΕl¦Δgέ§ΔιͺΕ ιB
ͺΕlΜ¦Ύ·±ΖΕίlͺoιB
ίΜo±πξiΉοjΖ΅Δͺ·ιΜͺΘwΕ ιB
ͺΎ©ηRΕΝΘ’B΅©΅½ι©Η€©Νν©ηΘ’B
§³ΜF―@@@h§³γ
©ͺͺmΑΔ’ιΒΰθΜ±ΖͺA©ͺͺΐΫΙΌΟ΅½±ΖΘΜ©AͺΜΕͺ΅½±ΖΘΜ©ζΚ·ιB
pratyakṣa ΪΜ½θΙ·ι±Ζ@ΌΟ
anumāna@vlΙ]€±ΖA@@@ͺ
§³ΕΝͺ·ι½ίΙΝΌΟͺΘ―κΞΘηΘ’B@
ΐΫΜΜ±ΖΌΟͺ ΑΔͺͺ ιB
»±Ε§³ΝmΐΙͺ·ι½ίΙKvΘ_Μg’ϋπ€·ιB
ΰΗ«ābhāsaΖΝ_wΕu{Μζ€Ι©¦ιAΕΰ{ΕΝΘ’ΰΜvΖ’€Σ‘B
n
ΞΜΌΪΜ±
nΖΞΝgΜΙGκι±ΖΕΌΪΜ±Ε«ιB@@@@@@@@@αA¨A@AγΕΝΌΟΕ«Θ’B
ΖΝgΜΜΜ±πΚ΅ΔA±±λΕπiͺj·ιB
SΜςπΒΖAεΚΜnπ΄ΆιΜͺΌΟBεΚΜnπd’ΖίιΜΝͺB
κΜπΒΖAΚΜnπ΄ΆιΜͺΌΟBΚΜπy’ΖίιΜΝͺB
d³βy³Μ΄oΝΐΕΝΘ½ΎΜͺΕ ιΜΕXΙΟ»·ιB
ΖΜΜ±Μdϋ
DπΑΔΌθΕ}¦ιΖAθΜnΜGlM[ΙΞR΅ΔDΝΜGlM[πo·B
±Μ½μpΜΝΖΝAψ«£·ΝΕ ιΜGlM[ͺ ιΖA±±λiΣjΕν©ιB
ϊΛ\πF―·ιJjY
ϊΛ\Μ¨ΏGlM[ͺ·ϊΙnΑΔgΜΙGκ±―ιΖAgΜΜn ΞͺΟ»·ιB
±ΜΟ»πF―·ιΖAuNΘσΤΖΝα€vΖ±±λΕͺΕ«ιB
Λ~Fupādāya-rūpaiderived mattersjΝ24νή@@@@@@mahābhūtaΙΛΆ·ιρIΘhΆI¨Ώ
pasāda rūpaςFΝ5νή@@@@pasāda ςΖΝ΄σ«ApκΜsensitivity
Ά½ΜgΜΜΙΝA½ΎΜ¨ΏΖΝα€TΒΜ΄σ«Μ«ͺ ιB
cakkhu sotaṃ ghānaṃ.jivhā
kayo pasāda- rūpaṃ nāma.
αE¨E@EγEgͺςFΖΔΞκι
αF@cakkhu rūpa
u©ιv@\παcakkhuΖ’€B
n ΞΜgένΉΙζΑΔu©ιvΖ’€ΑΚΘ«ͺΆάκA±κͺu©ιvΝ½η«π·ι©ηA±Μ¨ΏGlM[πuαvΖ’€B
α Ν¨ΏΕAχΜΜκΕ ιͺAαΙΝΑΚΘ΄σ«iFπ΄σ΅ΔA»κΙ½·ι«jͺ ιB
§³ΕΝ±Μ«πuαvΰ΅ΝuΪvΖ’€B
©¦ι©η±±λͺΟνθA’λ’λΘ±Ζπl¦ιBP«ΜsΧAκ΅έΜ’EΜSΔͺA©ι±Ζ©ηΆάκΔιB
α ΙΝ³fͺ ιΖ’€όΕΝΘA
u©ιA©¦ιvΖ’€@\ͺA θΖ ηδιKΉEsKΉA»΅ΔS~Μζ€Θm―πΆέo·εΟΘ¨ΏIvfΕ ιB
αΕF―·ι¨ΝυΕΝΘFi’λj
ΘwIΰΎΖΝͺΕ ιBυͺΤΙ½θA»κͺMΖ΅Δ]ΧEΙB΅ΔAfπμιB
§³ΜΌΪmoΜ§κΕΝAΪπJ―ιΖA»ΜuΤΙ±±λͺ½©πF―·ιBΘγB
½πF―·ι©Ζ’€Ζ`ΖFBυΝFͺΘ’©η©¦Θ’ΜΕυΕΝΘ’B
FΜζΚΙζΑΔ`ΝF―΅Δ’ιΜΕA`ΝFΙάάκιB
FΖΝΘΙ©H
¨ΏΖ’€ζθΰA·ΩAα’AνήAοΜ¨AοΫ»AoG[VB½l«
¨F@sota rūpa
@F@ghāna rūpa
γF@jivhā rūpa@@@@γΕ΄Άι‘oΎ―@@²½¦AG΄AM³ΘΗΝάάκΘ’
gF@kāya rūpa
«Fgocara rūpaΝ7νή@@@@gocaraΰ¨κ£θ¨«@@@F―@\Ιuσ―όκηκιvrūpa
Rūpaṃ saddo gandho raso
āpo-dhātu-vivajjitaṃ bhūta-ttaya-sakhtaṃ phoṭṭhabbamṃ gocara rūpaṃ nāma.
FAΊAA‘ΖA
Eπ’½inΞjOεFΖΜ·ιGͺ«FΖΔΞκι
F―ν―ΙΞ·ιFAΊAA‘AG@@@¨ΏπΚ΅ΔΜqgΜF―ΝA±ΜTΒπζθz¦ηκΘ’B
OΜ’EiFjΙΗρΘνήΜGlM[ͺ ιΜ©Aά΄ν―ΕF―Ε«Θ’ΰΜΝqgΝν©ΑΔ’Θ’B
ν©ιΜΝα¨@γgΙGκΔ’ιAO€Μ¨ΏΕ ιFΉ‘GΖ’€TΒΜGlM[Ύ―B
qΟIΘ’EiFjΖΝ±ΜTΒΎ―B
«F
Frūpa α
ΕσMΕ«ι¨ΏΜ±Ζ
Ίsadda gandha ‘rasa
Gphoṭṭhabba
ͺGlM[πσM·ι±ΖΕA±±λΖgΜΙΟ»ͺN«ιB±κͺΆ«Δ’ι±ΖΘΜΕA±Μ¨ΏGlM[πΑΚΘΰΜΖ΅Δ«FΖΔΤ±ΖΙ·ιB
gΜΕ΄ΆιGphoṭṭhabbaΝRνή@@
paṭhavī-dhātu@
tejo-dhātu
vāyo-dhātu@@X}iT[ΜwρΕ«½h΄ΕΝάάΘ’
ά½Aα¨@γΜSΒΙΰugvGlM[π΄ΆιuGvͺ ιB
uΰ€Μ¨Ώͺα¨@γgAO€Μ¨ΏͺFΉ‘GvΖ΅Δ¨΅ά’B
΄oν―Ε ιςFΖ΄σ³κι¨ΏΕ ι«FπAεΟi©jΖqΟiΌjΙͺ―ιΖλππ΅«ΐΘιΜΕA»Μζ€ΘNwITOπσ―όκΘ’B
εΟiςFjΰqΟi«FjΰΘAu·ΧΔΝσΖΝΎνΘ’vR
©ͺΌπF―΅ΔΟYπμι±ΖΙ·¬Θ’½ίB
u^ΐΝ©ΰΌΰΘ’vΖΎΑΔΰAΜΟYΝΑ¦Θ’B
^Ζ»κΙιΉΙΒ’ΔΘρΜΰΎΰ΅ΔκΘ’PΘσ_ΝAΗANwΕΰΘ’AΐHΕΰΘ’A½ΎΜΎtVΡATOΜσρθΎ―Ε ιB
ά½APΙu·ΧΔΝσvΖ¨¦ιΎ―ΕΝAΘPΙΘρΕΰα»Ε«A±Μvlp^[ΙζΑΔ¦πΎι±ΖͺΕ«ιΜΕAΪΜOΜΰΜΙΌΙό«€u’άE±±vππ―Δ΅ά€Xόͺ ι
ΟYΜΑ΅ϋ
ΪΕlπ©ΔΟYͺΆάκ½ηA
u»ΜΟYΝͺFi’λjπlΖ©ι±ΖΕΆάκ½ΜΎ©ηA·ΘνΏΟzΕlΖͺ΅½ΜΎ©ηA»€©¦½ΜΎvΖCtB
»΅ΔΪΙA±ΜvZX@\Νu½ΎΜFi’λjΕ΅©Θ’vΖF―πγ«³ΉΔΟYπΑ·B
±Μζ€ΙxAΟYπΑ΅Δ’B
·ιΖΕγΙΝΟYͺΆάκΘ’ζ€Ι±±λΜ«icittaΖcetasikajͺΆάκΔιB
bhāva rūpa «F
Itthattaṃ purisattaṃ bhāva rūpaṃ nāma@@«Aj«ͺ«FΖΔΞκι
bhāvaΖΝ«ΏΖ’€Σ‘ΎͺA±±ΕΝ«ΚΜΣ‘ΕgΑΔ’ιB
^β@@bhāvaΖΝ^Μβ ικθΜΤΝΆέ·ιΦτ·ικΜΜ±ΖΕΝΘ’Μ©H
VΙΆάκ½Ά½ΝAΰΖͺjΕΰΕΰAέρΘj«FΎ―Ε ιB
j«FΝ«Fζθγ’GlM[Ε ιB
VΙΝkoAoͺΘ’H
αzͺiήΖjΜβθΝΑ¦ιBjΗΏηΰ«FGlM[Μ@\ͺβ~·ιB
FSΜΜ¨ΏΜΚΝvX©}CiX©ΜΗΏη©ͺ½Θ’Ζ¬θ§½Θ’B
¨ΏGlM[Ν’ΒΰΆΖAvXΖ}CiXΕ¬θ§ΑΔ’ιB
2ΒͺκΒΙΘιΖAΆέΝΑ¦Δ΅ά€B±κͺ[A³Μ’EB
΅©΅A½ΏͺΎ€u³Μ’EvΜΐΫΝ{Μ[ΕΝΘAvXΕ ιΆ¨ΏΜ’EΙ’ιB
qgπΝΆίAΎtA¨ΏΖΆέ΅Δ’ισΕA±κͺκηκΔ’ι©ηΕ ιB
±±ΕΝΌΙΆ¨ΏΜ’EΖ©ͺΜ§ΏΚuπΌθ΅Δ’ιͺA½¨Ώ©ηέιΖA©ͺͺ}CiXΎΖvΑΔ’ιΜ©ΰ΅κΘ’B
«FͺvXΖ}CiXͺ ιΜΝq·πμι½ί
β`q
A[o[ΰβ`qͺͺτ΅Δ’ιB
Y―Μ
J^cβ~~YΕΝΜΙOγΙΐρΕY«νΖ«νͺ θA2ΒΜͺs«α€ζ€Ιtό«ΙΐρΕAέ’ΜΈqπ«νΙό΅€B
§³Ε’€«ΚGlM[ΝAgΜΙ ιj©ΜGlM[Μ±ΖB
q·πμι½ίΙΝθͺKvB
hadaya rūpa
@@@@hadayaΖΝheart±±λASΜ±Ζ@@@±±ΕΝ¨ΏΜΣ‘Bvattu
= rūpa
Hadaya vattu hadaya rūpaṃ nāma SξͺSFΖΔΞκι@@@@
SFΝΣ―ͺθΖ·ι¨ΏB
Σ―ͺ¨ΏΙΛΆ΅Δ’ιΜΕA¨ΏΜΟ»ΝF―Μρ]ΙΘιB
FAΊAA‘AGΜF―ΖΦWΘN«ιF―Ε ι±±λΝA¨ΏΙξΓ’Δ’Δ’ιB
±ΜξΥΙΘι¨ΏπSFESξΖΌt―ι
dCiF―jΖdrigΜj
qgΜF―ΝαA¨A@AγAgAΣͺgΜΖ’€¨ΏΜΙΆάκιB
dCΝ’ΒΕΰdrΖ’€¨ΏΜΙΆάκιζ€ΙB
±±λiF―Μ«jΜGlM[ΝgΜΙΛΆ΅Δ’ιB
gΜͺΘ―κΞ±±λΝ½ΰmι±ΖΝΕ«Θ’B
gΜ©gΕOΜ’EπF―΅Δ’ιB
gΜ©gͺ±±λͺ¨ΏiSFjΕ ιB
±±λΜκH
SΜΜtπθΙ΅ΔAΣ―ͺ’Δ’ιB@@@@@@Ar_}b^TKn@@10c
qhD[³Εl¦ηκΔ’ιSΜTOπζθόκ’ιB@@@ub_S[T5c
lΜ°ΝSΜΙ ιB
°ΝqgΜΆ½AΆ½EΈ_Μ±ΖΕAsΕΕ ιB
΅©΅tΝκΣΙΖΗάΑΔΝ¨ηΈAbAρΕΝV΅’ΰΜͺΆάκιΜΕAiΜ°ΕΝΘ’B
ίΈΝΝΑ«θΎνΘ©Α½B
^ΜΙΒ’ΔΎy΅Θ©Α½ΜΝΘΊΘΜ©H@ΐΨΕ«Θ’©ηH@¬³ΉιΎ―Ύ©ηH
EΝOΖΜΦWAΆΝΰΖΜΦWΙΒΘͺιH
uν½΅vπΐ΄·ιΝA©RΙ©ͺΜΆΉπΣ―·ιB
EθΝOΜdπ·ιθBEθΖΒΘͺιΆ]ͺ«ΘΗΜqΟ«
ΆθΝ©ͺΜ’EΖΘθAΆθΖΒΘͺιE]ΝΆέ΄o
wK΅Θ―κΞAqgΝ©RΙΆ«ΙΘιH
¨ΜΖ¨ΏΜα’
¨ΜΙΝΆ½ͺ θAF―@\ͺ ιB@@@@@u©ͺͺ’ιBOΜ’EͺιBv
¨ΏiχjΝΆ½ΕΝΘAF―@\ͺΘ’B
SFΜθ`
F―·ι«E±±λͺA±ΜgΜΙΝ’Δ’ι©ηAgΜΜΗ±©Ι»κͺ ιB
F―·ι«i±±λjπ³ΉΔ’ι¨ΏIΘξΥΖΘιGlM[Μ±ΖπSFΖθ`·ιB
ΘwI©n©ηΰA_oΧEͺίιgΜΜ θΖ ηδικΙ±±λiF―·ι«jͺΆάκι
oTΜθ`@κΝΑθ΅Δ’Θ’B
u±±λͺθΙ΅Δ’ιFΝi½Ε λ€Ζΰj»κͺSFΖΎ€ΜΕ·BvoTH
ζκTθΦΜΉ@@@@αzͺiάΘ’ΜΝAgΜΙ·
΅Δ’ι©η@@@
F―ΝgΜΙΛΆ΅Δ’ιΜΕAF―ΖΝ±ΜgΜΙ· ΅Δ΅ά€±ΖB
gΜπεΜΙ΅Δ΅άΑΔ’ιΖAgΜ©ηF―VXeπ£E³ΉΘ’ΖAαzΝiάΘ’B
gΜΙΛΆ·ι±ΖͺΘΘιΖA»ΜͺAαzͺiρΎ±ΖΙΘιB
gΜΙgνκΔ’ιΜΕΝΘAgΜπp·ι§κΙΘιΜͺζκΰB
άWΜ€Κ«ΝgΜΙΛΆ΅Δ’ισΤΕ ι±ΖB
€ΖΝigΜΰάί½jΰΜ²ΖΙΞ·ι~Μ±ΖA
{θΖΝgΜͺ³Σ―Εβ΅½MΙΞ΅ΔΜ½Μ±ΖA
¬Ύ°iTXNbgκΜstyānaiXeB[ijΙR·ιBSΜΎTBβιCͺΘΔAΣ―Δ’ισΤAuQ½ͺιlvjΖΝgΜΙ· ΅Δ’ι©ηN«ι±ΖB
{iΆε€±jΖΝASͺVΤθͺΙͺγΑ½σΤiΞ`κΝ¨ΎjΜ±ΖΕAΏ ©Θ©Α½θA©ͺπΣί½θ·ιΜΰAgΜΙΛΆ΅Δ’ι©ηB
ΰΜ²ΖigΜjΝΝΑ«θν©ηΘ’ΜΕAgΜπξΙ΅½η^ΝRΜ±ΖB
±Μ5νήΜgΜΙΞ·ι· iW°jͺΑ¦½Ζ±λΕAζκTθΜΜζΙΛόΕ«ιB
iΜ°Ζ’€πίiqhD[³AAun³jΜλπΝgΜΦΜ· ©ηΆάκΔ’ιB
ΈΑΖαz΅Δ’ιΖA½άΙgΜΙgνκΔ’Θ’ΕF―ͺΆΆΔAΑ±ΖΙΘιB
±ΜF―ΖΝgΜͺ ι±Ζ³¦΄ΆηκΘ’σΤΕ ιB
gΜΜ΄oΝΘ’ΜΙA±±λiF―@\jΝ©R©έΙ’Δ’ιB
±ΜσΤπAu^δA°AisΕΜΰΜvΖπί΅Δ»f·ι±ΖΕλπͺΆΆιB
±Μ»fΝε]ηΏΜNZAvlp^[ΙΛΆ΅Δ’ιΖA»fπ΅Θ’ΖΏ ©Θ’ΜΏΙΘιB
TθΙι½ίΙΝA»fΜΣ‘ΙCΓ±ΖͺΝΆίΜXebvΖΘιB
»fΖΝSsSΘF―Μ±ΖB
»fΖΝSΜ«πͺΙΨθͺ―ι±ΖΙζΑΔΆΆιΰΜΘΜΕAbgΝΎη©ΙΘι±ΖΎͺAfbgΝ ι_Ι§ΒΖ’€±ΖΙζΑΔSΜ«Μ ι€ΚΙ· ΅Δ΅ά€±ΖΕASΜ«©η£κΔ΅ά€±ΖΕ ιB·ΘνΏTθΙι±ΖͺΕ«ΘΘΑΔ΅ά€±ΖΙΘιB
»fΖΝ ι§κΙ§ΒΖ’€±ΖΎ©ηACR[uΞ©vΜΚΌΜ±ΖΕ ιB
»fΝTPOΙζΑΔΟνιΰΜΕ ιΜΙAvlp^[Ι· ·ι±ΖΕA―Άζ€Θ»fπ’Βΰ΅Δ’ιΖ’€±ΖΝATPOπΈΈΉΈΙAvlp^[ΙΛΆ΅Δ’ι±ΖπΣ‘·ιB
»΅ΔA±Μ»fΖΝA ι§κΙ§Β±ΖΘΜΕAΗρΘ»fΕ λ€ΖASΘ»fͺ¬§·ι±ΖΝ θΎΘ’B
§³ΜαzΜΑ₯ΖΝA»f΅Θ’±ΖΕ ιB
±±ͺ[KΜαzΖΜα_B[KΝOͺOφA»fπξ_Ι΅Δαzπ±―Δ’ΜΕATθΝΕ«ιͺAuqdͺ ηνκΘ’vΖ§³ΕΝ’€B
εlΙΝΘκιͺAπEΜ’EΙΝηΘ’B
ΎͺLψΘΐHΘΜΕAίΈΝ±Μ[KΜαzΰζθόκ½B
Μo±ΕΝA
ίθκΚ»ͺε]ηΏΜΑ₯iNZjΕ ι±Ζππ΅A
»fΝ΅ΔΰA»κΙι±ΖΘA½Ύu’άE±±vΎ―Ιg’A
vlp^[©η£κι½ίΙAgΜΜΟ»ΙCΓ«±―ιϋKπΘΙΘιάΕΟέdΛA
΄ξp^[©η£κι½ίΙA©ͺΜ΄ξΜΟ»ΙCΓ«±―ιϋKπΘΙΘιάΕΟέdΛA
t[ioK[jΜσΤπΫ·ι±ΖΕAuκΒΙΒΘͺιvσΤπo±΅A
οΜIΙΝAY_·ςΙgΑΔ’ιζ€Θ΄oβA
d₯gΕgΜͺ’νκ¨θAΜΜΰ€ΰΜΜO€Ζπ΄·ι±Ζͺ΄ΆηκιB
»ΜgΜ΄oΜσΤπΈΑΖ±―ι±ΖΕνΤ»·ιΖA½άΙgΜ©ηΜMΖΦνηΘ’ΕF―ͺΆΆι±ΖͺN±ιB
±ΜF―ΖΝgΜͺ ι±Ζ³¦΄ΆηκΘ’σΤΕ ιB
@Μͺ΅cΖ΅ΔAgΜΝβ¦Δ«ΔA΄ξΝ€ηβ΅’ζ€ΙΘθA±±λΝΏ ’Δ’ιB
gΜΜ΄oΝΘ’ΜΙA±±λiF―@\jΝ©R©έΙ’Δ’ιB
αz·ιΙAugΜΕ΄Άι±ΖA@m·ι±ΖACΓ±ΖAF―·ι±ΖπA±κΝ±±λA±κΝgΜΖ’€ζ€Ιͺ£΅ΔέιBv
±Μζ€ΙͺΝ΅½γΙA¨ΜΖ΅ΔgΜπ΄ΆΔ’ιΙAgΜΙΝF―πN±·¨ΏΖN±³Θ’¨Ώͺ ιΜΕA±Μ±ΖΙΰCt’ΔiͺΝ΅ΔjέιB
±κΝBpbTi[αzΜρΤΪΜiKΕ ιuͺ£―vΙ±B
oTΜΙ ιαzΜ±
·oTζκoΜΤoBrahmajāla-suttaΙάΖίηκΔ’ιB
wp[§T ·ifB[KjJ[jϊε]ΡIx ΠRκΗσ ε oΕ
Z\ρ©ΖΝAαzΜ±π΅½lͺκι©πiΧ©A@³Nwjπ62νήΙάΖί½ΰΜB
ίΙΦ·ιΰ ({
{©) 18ν
©δΖ’EπνZΖ·ιΰ 4ν
©δΖ’EΜκπνZΖ·ιΰ 4ν
’EΜLΐ³ΐΙΦ·ιΰ 4ν
ζkΩ_ 4ν
³φ_ 2ν
’ΙΦ·ιΰ (
©) 44ν
γLz_ 16ν
γ³z_ 8ν
γρz_iLzΕΰ³zΕΰΘ’Ζ·ιΰj8ν
γfΕ_ 7ν
»ΆΈΟ_ 5ν
ίΈΝΜ±΅½±ΖΝΐΕ ιͺA»±©η»f³κ½ΰΜiάΖί½ΰΜjΝίθκΚ»Ε θAΤα¦Ε ιAΖΰ’½B
°ͺiΎΖ΅Δ΅άΑ½ΜΝAFΜΆάκΕΡιOάΕkΑΔί’πΜ΄΅½ΝA»κΘOάΕΙkι±ΖΝΉΈΙ
uFͺΑ¦Δ³ΙΘθA»±©ηV΅’FͺΆάκά½Α¦ΔΰA©ͺΎ―Ν»κπ΄¦ΔΈΑΖΆάκΟνΑΔ«½ΜΕ ι©ηA±Μ©ͺΝisΕΕ ιvΖ»f΅Δ΅ά€±ΖB
u_ΝΎ³Θ’Ω€ͺ’’vΖίΈΝΰB
πEi§³j·ιΉΜXebv
KΜαzπwΡA»ΜΜ±Ύ―πΐΖ΅ΔFίιͺA»κΙΞ·ι»fΝλθΕ ιΜΕA»fΝκΨ΅Θ’ζ€Ι·ι±ΖΕπEΜ’EΙιΖ·ιΜͺ§³B
jīvita rūpa ½Fiέ倡«j
jīvitindriyaṃ jīvita rūpaṃ nāma@@½ͺͺ½FΖΔΞκι
jīvita rūpa ½FΖΝAuΆ«Δ’ιvΖ’€GlM[ΕA¨ΏGlM[ΜκΒB
ΞΝΟ»ΝΘ’ͺAΆ½ΜΝΆ«Δ’ΔAΗ±©ͺσκιΖAΚάΕ»±πC΅ΔuΆ«±―ιΟ»vπ·ιB
VΒγΣΜζ€ΙV΅’¨ΏiΧEjπΆέo·GlM[ͺ½FB
±κΝόΕΝΘAqdΕπ·ιΰΜB
½ΖΝ½Ε ι©Νν©ηΘ’ͺAΆ«Δ’ιAρΕ’ιA±κΝΰΖΰΖΆ«¨ΕΝΘ’A±ΖΝͺ©ιB
«ΏρΖmΑΔ’ιΜΕA±κͺqdΕ ιͺAΎtΕIΙΰΎΝΕ«Θ’ͺAΆ«Δ’ι±ΖΝmΑΔ’ιB
ΎtΕIΙΰΎΕ«ιΰΜΝε΅½m―ΕΝΘ’B
āhāra rūpa HFi΅ε΅«j@@@take iniΫζjA±όAσ―’κιA±Ζ
kabaḷīkāro āhāro āhāra rūpaṃ nāma@iͺͺHFΖΔΞκι@iͺΖΝΕάθΜ¨ΏIΘ^Μh{fB
ζθόκιGlM[B
VΝυiΈΘGlM[jπHΧιΖ’€bͺ ιB
Ά½Μ³ͺαΘιΖe’¨πHΧιB
O©ηΰΙόκιm@@@HΧ¨āhāraΖΎ’A±κ©ημΑ½ͺāhārati@@
Ϊͺ«uāvΝuΰΦvΖ’€Σ‘@@@āhārati@@@ζθόκι
Ϊͺ«uapavΝuOΦvΖ’€Σ‘@@apahārati@@ΜΔι@tiπΖιΖΌΙΘθAΜΔιΰΜAS~@
·υΜRc
©RΜHΧ¨π άθΏ΅Θ’±ΖΕΏπΟ»³ΉΈAgΜΜ©RσΤΙί’ΰΜπHΧιΖ·Ά«·ιB
«ΖΓ~@@@@ΖΌ
p[κΖκΝS©ηhΆ΅½ΰΜΕ θAΌΝΘ’B
ΗρΘΌΰAΏεΑΖ’ΆκΞͺ»κιBΎ©ηChΜΆ»ΝΫIΘΰΜͺB·ιB
Ν«ΘΜΕAV{Ε`«―ίι±ΖͺΕ«Θ’B
½Ζ¦ΞuΰvΝ`―Θ’ͺAΰlͺ~άΑΔ’ιuΤΝ`±ΖͺΕ«ιB΅©΅A»κΝ½ΎΜlΕ ιB
ΌΝΓ~΅Δ’ιΜΕAChΜΆ»ΖΏΜΓ~Ά»Νͺα€B
§³Μ³¦Ν·ΧΔA³νi«jΕ ιB
Nwβ`[gΝΓ~΅½ΰΜΘΜΕA’ηΰΎ΅ΔΰΜΆ»πΜ΄·ι±ΖΝΕ«Θ’B
’Δ΅ά€ΖAΗ€΅Δΰ~άΑΔ΅ά’A»±©ηπ΅ζ€Ζ·ιΖA~άΑ½ζ€ΙΓ~Δ«Ιπ΅ζ€Ζ΅Δ΅ά€B
ΐΫΙu ιvΜΝu«vΎ―ΕA¨ͺ»±Ιu ιvΜΕΝΘ’ΜΕA~άΑ½ΰΜΙΣ‘ΝΘ’B
ΗΏηͺ³΅’ΜΕΰΘ’B
«ͺΘ’Ζu ιiΆέjvΝΘ’B
«π\wΎ―Ε©ιΖΓ~΅Δ’ιζ€Ι©¦ιB΅©΅±κͺλπΜnάθΎΖqhD[³ΰ§³ΰΰB«ΝA`±ΖͺΕ«Θ’ͺA`ΘηΞA»Μζ€Ι©¦ιC[Wπuΰ’Δ’ιvAuΞΑΔ’ιvΖ΅Δ`«AC[W»βΎκ»·ι΅©Θ’B
ζΝ«πΘρΖ©\»΅ζ€Ζ·ιwΝB
pariccheda rūpa @@ͺfF@@@@@@@@
ākāsa dhātu pariccheda rūpaṃ nāma σEͺͺfFΖΔΞκι
σΤΝ¨ͺ ιΖ»κιB¨ͺΘ―κΞσΤΰ¬θ§½Θ’B
qgͺz΅Δ’ιu³ΐΜvσΤΝΤα¦Ε θAqdΜ©nΙ§ΒΖAuLΐvΜσΤπl¦Δ’ιΙί¬Θ’B
³ΐπl¦ι±ΖΝsΒ\ΕAl¦ηκιΜΝSΔuLΐvΕ ιB
³ΖLΜ»fΜξΝA©ͺ©gΕ΅©Θ’B
©ͺΜ»fͺuLvπξΙ·ιΘγAΎκβTOΜ’EΕΝu³vπΌΪΙΜ΄·ι±ΖΝΕ«ΈA
C[WΕ«ιΜΝuLvπΫθ·ιvZXπoΘ―κΞΘηΘ’B·ΘνΏu³vπ΄Άζ€Ζ΅ΔAuLvΙΝάιΖ’€΅ ιvlΖsπΖΑΔ’ιB
¨ΏΖ¨ΏΜΤΙσΤākāsaͺ ιB»κͺͺfFΕ ιB
viññatti-rūpa @@\F@@@@@@@viññattiΖΝR~
jP[VAmηΉι±ΖA\»·ι±Ζ
kāya- viññatti vacī- viññatti
viññatti-rūpaṃ nāma g\Aκ\ͺ\FΖΔΞκι
¨ΏΕΝΘA¨ΏπgΑΔ½©πu\·±ΖvB
gΜπ©΅Δ{fB[Q[WΕΌlΖR~ jP[Vπ·ιB
¨ΏiGlM[AFjͺ ιΜΕΝΘAΌέΜΰΜi\»jΕ ιͺA{bgΖΝα’AlΤΎ―ͺg€±ΖͺΕ«ι{fB[Q[W+ΏiσCπΗήέR~ jP[VjB
»κΕΌlΜ±±λΙV½ΘF―β΄ξͺΆάκιB»κͺΟYΕ ιB
ΎtΖ±±λΝ―ΆΕΝΘ’
ΐΫΜοbΕΝAu«Ι ιΎtΜΣ‘vΖu\»΅Δ’齩vΝα€ΰΜΕ ιB
u«Μ 齩vπuΎtvΖ΅ΔΓ~³ΉΔ`¦ΔΰAκuΰ~άι±ΖΜΘ’’Δ’ιΰΜ©η£κΔ’ΑΔ΅ά’AΆ«Δ’ιΰΜΝρΕ΅ά€B
tΙuΓ~΅Δ’ιΎtvπ«ΜΙί»€Ζ΅ΔΰATPOΜξρͺΘ’ΜΕAοΫ»³κ½uΆ«½ΰΜvΙ·ι±ΖΝΕ«Θ’B
’mΜOκΕΎtΜΣ‘ͺν©ηΔΰA{lΜ±±λͺ`¦½’ΰΜπ΄Άι±ΖΝΕ«ιB
±ΜuΘρΖΘ΄ΆιΖ±λvͺκ\Ε ιB
¨Ιbπ·ιΜR~ jP[VΝΎtΕΝΘ±±λB
π½ΛΜp^[ͺΕ«κΞAΎtΙζΑΔΰ¨Ι`¦ι±ΖͺΕ«ιB
vikāra-rūpa @@Ο»F@@vikāraΖΝ¨Ώ©ΜΜΑFͺΟ»·ι±Ζ
rūpassa lahutā mudutā kammaññatā viññatti-dvayaṃ vikāra-rūpaṃ nāma
Fyυ«AF_ξ«AFKΖ«AigEκΜjQ\ͺΟ»FΖΔΞκιB
lahutāyυ«@@@±±λͺ΄η©ΙΘιΖgΜͺyΘι@@@CΏΗ’σΤΘΜΕ· ΜΞΫΙΰΘι
mudutāF_ξ«@@αzͺiέWΝͺoΔA±±λͺ΄η©ΙΘιΖΘPΙ«ͺgίιζ€ΙΘι
kammaññatāKΖ«@±±λͺW·ιΖAgΜΙKΖ«ͺΕΔAσθΖΜΝΕΘιB
dvayaQ
Ο»·ι±ΖΕΆ«Δ’ηκιB
Ο»΅Θ―κΞΆ«Δ’ηκΘ’B
Ύ©ηAgΜ§½Θ’iπθ€±ΖΝAΆ«ι±ΖπΫθ·ι±ΖΙΘιB
Η€΅ΔA»ρΘΙΟ»ͺ’ΘΜ©H
©ͺΙu©Θ―κΞΘηΘ’B
lakkhaṇa-rūpa@@F@@lakkhaṇa@ΑFΖΝA©ͺΙΝ©ͺ½ιΘΙ©Μν―ͺ ιAΖ’€±ΖB
rūpassa upacayo santati jaratā
aniccatā lakkhaṇa-rūpaṃ nāma
FΟWAF±AFV«AF³ν«ͺFΖΔΞκι
FΟWupacayo@@@ζΎ@Α@@@@@@@@@V΅Άάκ½ΰΜͺWάι±ΖΕ@\ͺnάι
F±santati@@ @±@Ψέ@@@@@@@@@¨wΕΎ€gΜ±Ζ@ΑFΝ―Ά«ΏΜΰΜB
FV«jaratā@@@@pό@Έ@@@@@@@@@Άάκ½uΤ©ηV»ͺnάΑΔ’ιB
F³ν«aniccatā@@ΑΕ@νΟ@@@@@@@@@ΤΝ©©ιͺAΕIIΙΝSΜΰΜΝσκι
³νͺͺ©ηΘ’lΜ½ίΙ
ΟW«A±«AV«ΖRΒΙͺΝ·ι±ΖΕA}vΝSΜ«ππΉΈΙAͺΝ³κ½Ηκ©κΜ€ΚΎ―ΙX|bgCgπΔΔ’ι±Ζπ©o·ι«Α©―ΙΘιB
»΅ΔASiKΪΕ ιAΕIIΙΝ·ΧΔΜΰΜͺσκΔ΅ά€Ζ’€u³νvπͺΝ·ι±ΖͺΕ«ιB
±κηΝ¨ΏiFjΕΝΘAΟ»·ι«ΏΎ―ͺͺΝ³κΔ’ιB
εζΜuσvΜΐE
u·ΧΔΝσvΖΎΑΔΰA¦―κΞ¦’΅AΧπΠ’½ηΜͺΎιΘιB
·ΧΔͺσΕ ΑΔΰAΒXΜ»ΫΝΪΜOΙ ιB
NwΝΫxπγ°ι±ΖΕ€Κ«πwEΕ«ιζ€ΙΘιΎ―Ι·¬Θ’B
¬ζΕΝΆΕ ιΆέͺΑ¦ιΖ±λάΕ«ίΧ©ͺΝ·ιB
Ζ±ΖρͺΝ΅Δ¨α’Ε ι±ΖΙCΓΜͺe[[_§³ΜΑ₯B
ΞΖIΙAεζΜσΝuSΔΝvuκΨΝvΖάΖίΔΰΎ΅ζ€Ζ·ιB
±κΕΝΆπΑ·±ΖͺΕ«Θ’B
ͺΝ΅Θ’ΕΝΆί©ηάΖίΔ΅ά€ΖuSΔΝδκ@vΖ’€l¦Ι±©κβ·’B
a¬ΚΙΘιΖTOΙΘρΜΣ‘ΰΘ’±Ζͺͺ©ιζ€ΙΘιΜΕANwΙΞ·ι’ϋͺΑ¦Δ΅ά’AΆΤρΝ»±ΙόθάΈA»‘ΰ· ΰΘΘιB
a¬ΚΙΘιΖRΒΜΟYͺΑ¦ιBLg©AϊΦζ©A^
uδvͺ ιΖv€λθΖ ιͺA±ΜπίΝλπ³κβ·’
¨ΏΜͺΚ@rūpa-vibhāga
γΐ§³kΝ©ͺΜ±ΖπuͺΚ_vibhajja-vādinvΎΖΦΑΔΎ€B
ΆΕ ιΆέͺΑ¦ιΖ±λάΕ«ίΧ©ͺΝ·ιB
ͺΚ΅±―ι±ΖΕu©ͺvΖ’€Άπ
rūpa-vibhāga ¨ΏΜͺΚ
sabbañ ca panf etaṃ rūpaṃ ahetukaṃ sappaccayaṃ sāsavaṃ sakhataṃ lokiyaṃ kāmāvacaraṃ anārammaṇaṃ appahātabbam evā ti ekavidham pi ajjhattika-bāhirādi-vasena bahudh bhedaṃ gacchati.
ΙA±κηSΔΜFΝA³φALALRALΧA’ΤA~EA³AρfΜPνήΜέΕ ιB
΅©ΰΰEOΘΗΙξΓ’Δ½νΙͺΚ³κιB
SΔΜ¨ΏΝA
ahetuka³φ@@@@ΉΏIΘ΄φΙΘηΘ’@@@΄φΙΘιΜΝRΒΜΟYΖRΒΜρΟYΕ ιB
sappaccayaL@@@φͺ ΑΔΆάκι@@@@τRΕΝΘAπΖφΙζΑΔ
sāsavaLR@@@@@ΟYΙΦνι@@@@@@@@¨ΏGlM[ΝgΜΜGlM[ΖΡΒ
sakhataLΧ@@@@μηκ½ΰΜ@@@@@@@@»ΫΝκIΙuΣvΙζΑΔμηκ½ΰΜ
lokiya’Τ@@@@@ΆέΜΜβθΕ ι@@@@¨ΏΝ±Μ’ΤΜ³Ι΅AΈΟΜ«nΙΝ¨ΏΝΘ’
kāmāvacara~E@@@~EΕΝLψΕ ι@@@@¨ΏπΚ΅Δ±±λπh΅ΔΆ«Δ’ι~E
anārammaṇa³@F―·ιΞΫπ½Θ’@@@¨ΏΝ½ΰF―Ε«Θ’A½ΎΜ¨ΏGlM[Μ¬κ
appahātabbaρf@ΟYπf½κιΧ«ΰΜΕΝΘ’@½ΎϊΑΔ¨―AfΒΜΝ©ͺΜ±±λΜκ
§³ΕΝAgΜi¨ΏjΝCsΜΞΫΙΝΘηΘ’BΧΙΰΘηΘ’ͺAgΜΙΞ·ι· ͺΧΙΘιB
u«ͺΙ’©ηαzΕ«Θ’vu³Ύ©ηκΤΐΑΔηκΘ’vΘΗΖ½ΎΜ¨ΜΜ±ΖͺCΙΘΑΔ΅ά€B
ugΜΝ½ΎΜ¨ΜΎA»κΙΦνΑΔΰΦνηΘΔΰ’’vΖ’€CΏΕαz·ιKvͺ ιB
uCsΝgΜΕΝΘA±±λΜdΕ ιv
16
ajjhattika-rūpa, bāhirā-rūpa @@ΰFΖOF
Kathṃ? Pasāda-saṅkhātaṃ pañcavidham pi ajjhattika-rūpaṃ nāma Itaraṃ bāhirā-rūpaṃ
’©ΙH@ςΖΜ³κι5νΝΰFAΌiΜ23νjΝOFΖΔΞκι
5ΒΜ΄oν―πuςvFΖΎ€ΜΝAΚΙ΄η©Ύ©ηΕΝΘ’BOΜGlM[ΙΞ΅Δq΄ΕA·ΙF―΅Δ΅ά€±ΖπuςvΖ’€ΏΙΔΝίΔ\»΅½B
17
vatthu-rūpa, avatthu-rūpa @@ξFΖρξF
Pasāda-hadaya-saṅkhātaṃ chabbidham pi vatthu-rūpaṃ nāma. Itaraṃ avatthu-rūpaṃ.
ςΖSΖΜ³κι6νΝξFAΌiΜ22νjΝρξFΖΔΞκι
±±λͺΆάκιξΥͺSFB
lHSπΒ―Δ’ιlΰ±±λiF―VXejͺ ιΜΕASΕ±±λͺΆάκιΜΕΝΘ’B
gΜΜ’λ’λΘΕ±±λπN±΅Δ¨θAl¦Δ’ιBl¦ιΜΝε]ηΏΎͺAΆ«ΔF―·ιΜΝΧESΕ θA±ΜSͺ±±λΕ΄ΆΔ’ιB
α¦ΞAQΔ’ιΝ½ΰl¦Δ’Θ’ͺA±±λΝ’Δ’ιζ€ΙB
ξFΖρξFΙͺ―ιΜΝBpbTi[αzΜρΤΪΜiKΕ ιuͺ£―vΙ±½ί
αz·ιΙAugΜΕ΄Άι±ΖA@m·ι±ΖACΓ±ΖAF―·ι±ΖπA±κΝ±±λA±κΝgΜΖ’€ζ€Ιͺ£΅ΔέιBv
±Μζ€ΙͺΝ΅½γΙA¨ΜΖ΅ΔgΜπ΄ΆΔ’ιΙAgΜΙΝF―πN±·¨ΏΖN±³Θ’¨Ώͺ ιΜΕA±Μ±ΖΙΰCt’ΔiͺΝ΅ΔjέιB
±ΜαzͺΕ«ιΖAcεΘ±ΖπmΑΔ΅ά€Β\«ͺ ιB
18
dvāra-rūpa, advāra-rūpa @@εFΖρεF
Pasāda-viññatti-saṅkhātaṃ sattavidham pi dvāra-rūpaṃ nāma.Itaraṃ advāra-rūpaṃ.
i5ΒΜjςΖi2ΒΜj\ΖΜ³κι7νΝεFAΌiΜ21νjΝρεFΖΔΞκι
Ά½ΝOΜ’EπF―Ε«ιAΆ½ΕΘ’½ΎΜ¨ΏΝAOΜ’EΜΆέπF―΅Θ’B
εFͺͺ©ιΖAu¨ΏΜGlM[ΜF―vΜέμpͺπΕ«ιB
όΑΔ«½ξρiFEΊEE‘EGjͺάςΜεπΚΆΔAGlM[ΖΘθ±±λΙGκΔF―ͺnάιB
ά½AΣ}ΜGlM[ͺu\»vΜεπΚΆΔAgΜΜ\»iFEE‘EGjΖΘθAΎκΜ\»iΊjΖΘθAθΙ`νιB
19
indriya-rūpa, aindriya-rūpa @@ͺFΖρͺF@@indriyaΝuκvAdκAfaculty, institution
Pasāda-bhāva-jīvita-saṅkhātaṃ aṭṭhavidham pi indriya-rūpaṃ nāma.Itaraṃ aindriya-rūpaṃ.
i6ΒΜjςΖi2ΒΜj«ΖΜ³κι8νΝͺFAΌiΜ20νjΝρͺFΖΔΞκι
indriya-rūpaΝuF―·ιvdκΜ±ΖB
Ά½Μ«ΝF―·ι±ΖΎ―B«ͺΙ’Aχ΅’AΟzA±κηΝSΔF―Ε ιB
bhāva- rūpa«FΖΝAΆ½Μ«Κπμι«π·ιgΜΜGlM[ΕA±κπuκvΖ΅ΔF―·ι±ΖΕAjΜ«ΜϋόͺΟνιB
α¦ΞAN}m~Μ«]·B
άΈΝ«FΜGlM[ͺ±ΖΕAgΜͺΟ»·ιB
jīvita-rūpa½FΖΝA±ΜΆ½Μͺσ껀ΙΘΑΔΰC΅Δ½t«πΫΒGlM[Μ±ΖB
α¦ΞAA¨Ν±ΜGlM[ͺΔA°ηκΔΰ΅ΞηΆΆΕ«ιͺA¨Ν·ΙΚB
±κπuκvΖ΅ΔF―·ι±ΖΕA
BpbTi[αzΕΝF―ͺΟzΕ ΑΔΰβθΝΘ’B
εΘΜΝ»κͺΟzΕ ι±ΖΙCt’Δ’ι±ΖΎ©ηΕ ιB
ΟzΰxΘTθΰAΗΏηΰ½ΎΜF―Ε ιB
ͺFͺͺ©ιΖA
ΌlΖ©ͺΖ’€ν―ϋΰ ιͺA±ΜgΜΰ ΜgΜΰA¨ΏΜͺΖF―·ι«ΕΕ«Δ’ιΜΕA±Μ_Ι§ΒΙΝAF―·ιΰΜΖF―΅Θ’ΰΜͺ ιΎ―ΕA©ΌΜ·ͺΘΘιB
u°Μi±«vΜΐ΄ͺΆάκιΜΘηΞAF―Μ«π³ΉΔ’ι¨Ώβ»ΜκπΟ@·κΞ’’B
ΟzΕ ΑΔΰA»ΜΝπF―΅Δ’ιΤΝA»ΫigΜβ¨ΏjΝΟ»·ιB
ͺFπF―΅Θ’Ζjη΅³Aη΅³ͺθΆ¦ι
tΙA±κπ½ΎΜ¨ΏGlM[ΎΖF―·ιΖAjΕ ιAΕ ιAΖ’€TOͺΑ¦ιB
½t«i―½ͺπβ΅A]ͺΘͺπrjπΫΖ€·ιB
΄ΖΝAΪ©ηόΑ½ξρΙΒ’Δ©ͺΜF―ͺμηκΔ’ι±ΖB
20
oḷārika-rūpādi, sukhuma-rūpādi @κeFΘΗ@ΧFΘΗ@
Pasāda-visaya-saṅkhātaṃ dvādasavidham pi oḷārika-rūpāṃ santike- rūpaṃ, sappaṭigha-rūpañ ca.
Itaraṃ sukhuma-rūpaṃ dūre- rūpaṃ appaṭigha-rūpañ ca.
ςΖ«ΖΜ³κι12νΝκeFAίFALΞFAΌΜi16νήjΝΧFAFA³ΞFΖΔΞκι
κeΖΝe’Ζ’€Σ‘ΕAΝΑ«θΖF―Ε«ιFB
οΜIΙΝAςFT{«FVΜvPQΜ±ΖB
α¨@γg
FΊ‘GinAΞAj
LΞΖΝ½·ι±ΖA·ΘνΏΞ§΅Δ’ιΖ’€±ΖB
ςͺψΜΝΞ§΅Δ’ιΖ’€±ΖBςͺψ©Θ’ΜΝΞ§΅Δ’Θ’Ζ’€±ΖB
ΟzΝAάςFΜα¨@γgΖ«FΜFΊ‘GinAΞAjΖ«FΜjΖ½F©ηΆάκι
·ΘνΏͺFΖ«FΜ±ΖΕ·B
ΌΜ¨ΏΝΤΒ©ΑΔཡȒΜΕA»κηΙΒ’Δl¦½θ¨¦½θ·ι±ΖΝΕ«Θ’B
ͺFΖ«FΎ―ΙξΓ’ΔAlΤΜ·ΧΔΜΟzΜ’EΝμθγ°ηκΔ’ιB
u_Ν’ιΜ©v
uΗ±©ηΆά꽩v
uΗ±ΦsΜ©v
°_
δ_
ΘΗΜNwΕ·B
ΘΊqgΝΟzΎΖΝͺ©ηΘ’Μ©H
½ΜP[XΝΜεΘlΜΎtπLΫέΙ΅ΔA»κπMΆΔ΅ά€©ηB
ΌlͺΎΑ½±ΖπA»Μάά^ΐΎΖv’ήϋͺ¨©΅’B
ΘΊMΆιΜ©H
ΟzπκιlΜvlp^[ΖΟzπ·lΜvlp^[ͺΔ’ι©ηB
―²ΝyΕ ιB
ςΖ«ΖΜ³κι12νΝκeFAίFALΞFΕ ι±Ζͺͺ©ιΖ
ΟzΜ΄φͺ»Ύ·ιB
21
upādinna-rūpa, aupādinna-rūpa @·σFΖρ·σF
Kammajaṃ upādinna-rūpaṃ Itaraṃ aupādinna-rūpaṃ
ΖΆiΜ18νjΝ·σFAΌiΜ10νjΝρ·σFΖΔΞκιB
J}ΙζΑΔΆάκιΖNφFΝ18νή θA»κηπ·σFΖΎ€B
οΜIΙΝAΖΜέΙζΑΔΆάκιςFTA«FQA½FPASFPΜXΒB
»΅ΔAΌΜ΄φΙζΑΔΰΆάκιͺAΖΙζΑΔΰΆάκιΒ\«Μ ιsΘΚFWAͺfFPΜXΒB
νΉΔ18ͺΖNφFi·σFjΖΘιB
ζΙρ΅½28νΜ¨ΏΜAFnipphann- rūpaΖΔΞκιAοΜIΘ¨ΏGlM[SΜ±ΖB
¨ΏGlM[ͺΆάκι4νΜ΄φ
|
GlM[ |
|
|
|
|
|
kamma Ζ |
±±λ F―Μ« |
|
|
|
|
|
citta@@S |
±±λ |
|
|
|
|
|
utu@@ί |
¨Ώ |
|
|
|
|
|
āharā@H |
¨Ώ |
|
|
|
|
|
ΖΖΝ|eViΒ\«EφέΝjΜ±Ζ
©δΜTOAe©ΜζΚAe©ΜΛ\Νkamma©ηΆάκιB
ACfeBeBΖ’€Βl·Νkamma©ηΆάκι¨ΏGlM[Μ±ΖB
kammaͺΟνιΖAgΜΰΛ\ΰβθ½’±ΖΰNZΰΟνιB
ΟνηΘ’ΖvΑΔ’½nDβMO³¦ΰΟνιB
kammaπͺ©ιiͺΝ·ιj±ΖΕAiΜ©δΝΘ’±Ζͺν©ιB
αz΅ΔεηΘ’±Ζͺε
½©ΙψΑ©©ΑΔA’ϋͺ ι©ηεηΘ’B
»κΝ½©HπT·±ΖͺΕ«ιB
±±©ηqdͺΆάκιB
ψΑ©©ΑΔ’ιΰΜͺ©δB
»Μ³ΜπέΒ―ιΖqβdβaCβL―β«βΟzΘΗAΗκΰJ}©ηΆάκΔιΰΜΎΖν©ι
εθ½―κΞALθο’ΖvΑΔ’ιΰΜ©ηάΈΜΔΘ―κΞΘηΘ’B
½Ζ¦ΞAεΨΙ΅Δ’ιuΖ°πΜΔΔΖoπ΅λvΖ’€ΜΕΝΘAΖ°Ζ’€¨ΏGlM[Ι· ΅ΔAuδͺΰΜvΖvΑΔ’ι· πΜΔιΖ’€Σ‘Ε ιB
22
sanidassana-rūpa, asanidassana-rūpa @L©FΖ³©F
rūpayatanaṃ sanidassana-rūpaṃ. Itaraṃ asanidassana-rūpaṃ
FͺL©FAΌiΜ27νjΝ³©FΕ ιB
©ΉΔΰΎΕ«ιΰΜΝ½Α½κνή΅©Θ’A»κΝΪΙ©¦ιΰΜΕ ι
23
gocaraggāhika-rūpa, agocaraggāhika-rūpa ζ«FΖsζ«F
cakkhadi-dvayaṃ asampatta-vasena ghānadi-ttayaṃ sampatta-vasena ti pacavidham pi
gocaraggāhika -rūpaṃ. Itaraṃ agocaraggāhika-rūpaṃ
(«ͺ©gΙ)Ν©Θ’iΕΆΆΔ’ιjαΘΗΜQΒΖΝi±ΖΙζΑΔΆΆιj@ΘΗΜ3ΒΜ5νΝζ«FAΌiΜ23νjΝsζ«FΕ ιB
GκΘΔΰΞΫπσ―ζΑΔF―·ι¨Ώͺζ«FB
24
avinibbhoga-rūpa , vinibbhoga-rūpa sΘΚFΖΘΚF
vaṇṇo gandho raso ojā bhūta-catukkañ
ceti aṭṭvinibbhoga-rūpaṃ. Itaraṃ vinibbhoga-rūpaṃ
’λAA‘A {fΖlεΜ8νΝsΘΚFAΌiΜ20νjΝΘΚFΕ ιB
{fΖāharā -samuṭṭhāna-rūpaHΆFΝΦWͺ[’ͺA’λAA‘ΝΗ€ΘΜ©H
lεͺ΅Α½ΙA³ηΙ4ΒΜvfi’λAA‘A {fjͺ»κιjbgπsΘΚFΖΎ€B
α¦ΞAΏΝA ͺΜΌΙθA‘Ah{fΘΗΜvfΘΗΰ ιͺA‘Ύ―ζθ±ΖΝsΒ\Μζ€ΙA»κΎ―πζθ―Θ’¨ΏΜΕ¬PΚΜ±ΖπsΘΚFΖ’€B
lεͺ΅€ΖA¨ΏGlM[ͺΆάκA―ΙσΰΆάκιB
ε«³ͺ ιΜΕσΤπΫ΅AgένΉΝβ¦ΈΟ»ͺ ιΜΕAΤπΫ·ιB
Ο»ΝσΙζΑΔ\»³κι
ΤΖσΤΝΟ»ΜΚΌΕ θA¨ΏΜΚΌΕΰ ιB
ά½AΟ»ͺΘ’ΖF―Ε«Θ’ΜΕAΟ»ΖΝF―ΜΚΌΕΰ ιB
ά½φΚΝ――ΙΝN±ηΘ’ΜΕAΟ»ΖΝφΚΜΚΌΕΰ ιB
vaṇṇo ’λ@@
΄qΖdqΜΤΙΝGlM[tB[hͺ θAΚΜGlM[ͺιΖΤΒ©ΑΔ΅ΛΤιB
©¦ιΜΝυΕΝΘu’λv
gandho
raso@@‘
ojā {f@@OΜ¨ΏGlM[πΰΙόκΔΟ·Ezϋ·ι±Ζ
rūpa-samuṭṭhāna-naya ¨ΏΜN±θϋ@@@»Ι ι¨ΏͺΗΜζ€ΙΆΆι©@@naya ϋ@
26
rūpa-samuṭṭhāna FΜNφ
Kammaṃ citta utu āharo ceti cattāri rūpa-samuṭṭhānāni nāma.
ΖESEίEHΜSΒΝFΜNφΖΔΞκι
¨ΏGlM[ͺΆάκι4νΜ΄φ
|
GlM[ |
Rg[ |
Α₯ |
πEͺΝ |
σ |
|
kamma Ζ |
±±λ |
Ε«Θ’ CsΕόP |
sφλΜo± wΝEσ] O’E»’ |
ΩΗΩΗ |
Θ΅ |
|
citta@@S |
±±λ (F―Μ«) |
Ε«ι αz |
Σv «Α©― |
Ύ’Τ |
Θ΅ |
|
utu@@ί ΞΜ³f |
¨Ώ |
Ε«Θ’ xΝΒ\ |
ίΘιΔΆ @₯EgένΉΟ» |
Ε«ι |
θ |
|
āharā@H |
¨Ώ |
Ε«ι βE |
{f GlM[β Ϊ]AΟ· |
Ε«ι |
θ |
|
4ΒΜ΄φͺΦνΑΔ¨ΏGlM[ͺΆέo³κιB
kamma -samuṭṭhāna-rūpa@ΖΆF
qgΝKΈζΈΝΆίΙ±±λΙv’A½©πsΧ·ιB
ΖΖΝA»ΜsΧΙζΑΔKΈcι|eViφέΝjΜ±ΖB
ΖΖΝA½½Μ±ΖBsΧΖΚΝrΕ~άι±ΖΘΐθΘqͺΑΔ’ιB
ΖΖΝA©ͺΜΣvΕ½©π΅½±ΖΙζΑΔA»Μ΅½±Ζͺ~Ο³κι|eVEGlM[Μ±ΖB
iAr_}j
ΖΖΝA©ͺΜlΆπUθΤιΖ«Ι©Β©ιA ιp^[Μ±ΖB
ΖΖΝA¨ΏπΆέo·|eViφέΝEΒ\«jΜ±ΖBΖΝ±±λΙ ιΜΎͺ¨ΏΙΝΘΑΔ’Θ’GlM[Ε θAΖΆ½’ΕΝ½©πF―·ι±ΖΝΕ«Θ’B
GlM[ΕΕ«Δ’ιuνvΜζ€ΘΰΜΕA±κΙζΑΔσA·ΘνΏ¨ΏͺΆάκΔιΜΕA½ΏΝAΤΪIΙόΝΜΒ«π¦ι±ΖΝΕ«ιͺA±ΜuνvπΌΪΙμ·ι±ΖΝΕ«Θ’B
©ͺΜ±±λζΕόΝͺΟνι
±±λΜΏϋΙζΑΔA±±λΜΖiA½½jΝΟνιB
―ΆlΙoοΑΔΰAP’Ζ±λΎ―π©κΞA»ΜlΝD΅A«’Ζ±λΎ―π©κΞA»ΜlΝιx·B
ΖΖSΜα’@@kammaΖ citta
ΗΏηΰGlM[Ε ιͺASΝ’η©Rg[·ι±ΖͺΕ«ιͺAΖΝ»κΩΗRg[Ε«Θ’B
«igatiΝΖkammaͺΒι
«iπ\¬΅Δ’ιΜΝAΩΖρΗͺΖΕ ιB
Ύ©η«iπΟ¦ι±ΖΰΕ«ΈA½Μ»Μζ€Θ«iΘΜ©{lΝν©ηΘ’B
Σ―Ε«ι«iΘηΞΟ»³Ήι±ΖͺΕ«ιB
΅©΅ΆάκΒ«Μ«iΝΖΙζΑΔωΙέθ³κΔ’ιΜΕAΟ¦ιΙΝCΖͺKvB
uΖπμηΘ’½ίΙsΧπ΅Θ’vΖ’€ΜΝsΒ\
½©π΅½’A΅ΘΔΝΘηΘ’AΖ’€EYEY΅½σΤͺΑ¦Θ’ΐθASΝhκ«ΒΓ―ΔAΖͺμηκ±―ιB
±ΜEYEYͺΑ¦ιΜΝASΙΟYπΘ΅ΔεΑ½Ύ―Ε ιB
εθΖΝA½©΅½’Ζ’€CΏͺSΙΑ¦ι±ΖB
}vΜu½ΰ΅½Θ’vΖΝ³ͺΘΘΑΔ€ΒσΤΙΘΑΔ’ιΎ―ΕAOκIΘΟYΕAu«½Θ’AΣ―Δ’½’A¦°½’vΖ’€ΟYΙxz³κΔ’ισΤΕ ιB
PSͺΑ¦ΔA{θβsΘΗΜΓ’±±λͺε«ΘΑΔάθA―Θ’σΤΙΘιB
yυΕ³CΘ±±λΕ’ιζθΰA΅΅’Ζπ΅μΑΔ’ιB
u½ΰ΅Θ’ΕΣ―Δ’½’vΖu½©π΅½’vΖu½©π΅Θ―κΞvΝΗκΰ―ΆxΜ±±λΜσΤΕ θAΏε€ΗRCΜ \ΘΜΕAanicha, anattaπ³΅π·ι±ΖΕA»±©η£E·ι±ΖͺΕ«A±±λΜsΘσΤͺΑ¦ΔA±±λͺΓ~σΤΜάά¬κ±―ιB
·ιΖu½©π΅½’A΅Θ―κΞAΰ΅½Θ’vΖ’€sPΘσΤ©η£κΔA±±λΙPSͺΆάκAΙAsIΙACͺ£ΑΔAΎιyβ©ΙA½Ύu½©π·ιv±ΖΙΘιB
ΖΝπΕ«Θ’
ΩΗΩΗπ·ιΎ―Ε\ͺΕ
ίΈΝuJ}ΙΒ’Δl¦Θ’Ω€ͺ’’AlΤͺl¦ηκιxΕΝΘ’Aΰ΅θΙ{CΕl¦ιΘηA©ͺΜͺͺΆ€Ύ―Ε·AΗ€Ήc¬Ε«Θ’ΜΕ·©ηv
u±κ©ηζ£θΘ³’AJ}ͺΗ€Ε ΑΔΰΦWΘAwΝ΅½η»ΜͺΜΚͺΎηκά·©ηAJ}Ν³Ε«ά·vΖΰ’Δ’ιB@oTH
citta -samuṭṭhāna-rūpa@SΆF
΄ξΝSΕΝΘu±±λvΜ»ΫΕ ιB
½Ζ¦ΞA{ΑΔ’ιlΝASΙΆάκ½{θΖ’€Si΄ξjπΒlΜ±ΖΘΜΕAζOΝ»κπ©ΔASπͺ·ι΅©Θ’B
S»ΜΰΜΝF―sΒ\ΘΜΕA±±λΜ»Ϋ΅©π·ι±ΖͺΕ«Θ’B
F―ΖΝΟ»Ε ιB@@SͺF―Ε«Θ’R
Ο»΅Θ’ΖF―·ι±ΖͺΕ«Θ’B
½Ζ¦Ξ―ΆΉπΈ[Ζ·’Δ’ιΖA»ΜΉͺ·±¦ΘΘιB
―Άυ’πΈ[Ζk’Ε’ιΖA»Μυ’ͺ΄ΆηκΘΘιB
S»ΜΰΜΕΝAΩΖρΗ―Ά»Ϋͺβ¦ΈA±΅Δ’ιΜΕAF―·ι±ΖΝρξΙο΅’B
¨ΏΜΌͺΝΝ±±λ©ημηκι@@@ΖΖS
PFΜSΔπΆ½ΜΖ΅Δπ·ι±Ζ@@@@@@ubNz[
QFΜκΕ ιΆ½ΜΎ―ππ·ι±Ζ@@@@Ά½ΖΖΰΙ ι¨ΏΎ―πέι±ΖB
¨Ώζθΰu±±λvΜΚͺ½’
’ΒΕΰ±±λͺζs΅ΔA»κ©η¨ΏΕ ιB
¨Ώ’EΜFͺωΙ ιΘηΞA»κΘOΙ±±λΝ θAΚIΙΝSFζθΰ±±λΜΩ€ͺ½’B
κ
@@l
ΜTCNH»κΖΰρ
H
c£΅nίΔ©η»κΘγc£Ε«Θ’άΕΜσπκ Ζ§³ΕΝζΤBrbNo©ηc£΅ΔΑΕάΕB
ϋk΅nίΔ©η»κΘγϋkΕ«Θ’άΕΜσπκ Ζ§³ΕΝΔΤ
c£΅«ιΖAf±qΰΘΘιΜΕA¨ΏΝΘΘιΜͺσ B@@Α¦Δ΅ά€JjYΝH
wNΉox Aggañña-sutta@@p[§To ·Μζ27oB@@@@@w’NoxwN’φ{oxΖΰB
ήΰeΜ`ΏσoTΖ΅ΔΝAw·’άoxiε³ 1jΜζ5ou¬ovAwίΰορk εNoxiε³ 10jAw’άoxiε³ 26jΜζ154ouk k°ovͺ ιB
https://suttacentral.net/dn27/en/sujato
FΜaΆ
¨ΏΝFSΜΩΗΜε«ΘXP[ΕAκΔΙΆάκnίιB
ΝΆίΜκΒ©ηά½κΒͺΆάκιΜΕΝΘ’B
κΔΖΎΑΔΰuΤIΙpbΖΛRΙo»·ιΜΕΝΘAΆνΆνΖδΑθΖ»κΔιB
©R’EβΆ½ΜΎ―ΕΝΘFΜΆ¬Ι ½ΑΔΰAάΈχΧΘͺΩ΅ΝΆίιB
»κͺΩ΅A ΦͺlU΅Θ’ΕκΒΜΦπ`¬·ιΜΰuΰλΰλΜLξΜΖkammaΜΝΙζΑΔvΕ ιB
nβVEπΒιΜΰAOΆΜ€―ΜΖkammaΜΝΕ ιΜΕ€ΖΖ’€B
ΖkammaΖΝAζ’΄φπΒκΞζ’ΚΙΘθA«’΄φπΒκΞ«’ΚΙΘι@₯Ε ιB
n
ΜΑΕ
uΞΜ³fͺε«ΘΑΔA»κΙζΑΔSͺR¦ΔΑ¦Δ΅ά€v΄TH
Ύzͺ7ΒoΔAn Ύ―ΕΝΘA·ΧΔΜΆ½ͺΑ¦Δ΅ά€B
»ΜΙΝΆ½ΜΝCsΉΈΙVΙκπο·ι½ίΙΪ·ι±ΖΘιB
oT28ΜuεΫΥgovΖuAOb^EjJ[v2.2.2ΜTb^X[Xb^ΙΪΧ³κΔ’ιB
±±λͺ¨ΏπΆέo·R
ΘΊ¨Ώͺ»κιΜ©H
Ά½iF―·ιΰΜjͺ»ΫE¨ΏiF―Ε«ιΰΜjπφ΅ͺΑΔA»κηπ~΅ͺΑΔ΅ά€©ηB
±±λΖ»μ¨
Έβ©Ε ιΖΗ’ΰΜͺΕ«A{θΜ±±λΕΘwͺW·ιΖlΤͺsKΙΘιΰΜͺΕ«ιB
³©ηLπΆέo·ΜΝ±±λ
’Ύ¦Δ³©Α½ΰΜπίΔΆέo·ΜΝ±±λ΅©Θ’B
±ΜΖ«Μ³ΖΝA¨ΏͺGlM[ΙΘΑΔ΅ά’AFi¨ΏjͺΑ¦Δ’ισΤπw΅Δ’ιB
ΦτΜgΝ°|Ζsΐ
ΦτΜΕΝqgπΝΆίΆ½ΜΝ©RΙE³κΔ΅ά€B½π΅ΔΰΕϊΝ©RΜ@₯ΙζΑΔE³κιB
ΎtπΟ¦κΞAρΕ΅ά€B±κΝuΆ½v·ΘνΏF―·ιΰΜA©η©κΞΘ±ΖΕ ιB
ά½ΦτΙζΑΔΗΜ³ΙΆάκΟνΑΔΰAά½£Ξ©θΕToCoπ΅ΔKΙνΑΔAΆ«ΡΘ―κΞΘηΘ’B
»κΕΰΗΝa΄ΫβχΆ¨β@BβlΤΙβηκΔA―ΔAρΕ΅ά€΅©Θ’B
ΦτΜΙ’ιΐθA±Μζ€Θ°|΄βsΐ΄ͺ ιB±κͺ±±λΙυέt’Δ’ι{θΖ°|Ε ιB
ΗΏηΰ±±λΜGlM[Ε ιΜΕA’ΒΕΰΏ ±ΖΘfrΑΔ’ιB
Ώ ©Θ’©ηu½©΅Θ―κΞvΖl¦ΔA½©πμλ€Ζ·ιB
μιΰΜΝQΒΜJeS[ΙWρ³κιB
©ͺπηι½ίΜΰΜiΖA₯AHΏjAΰ΅ΝΌπE·½ίΜΰΜiA―AEΫAνjB
ίΈͺ_Xͺ’ιΖΎνΘ©Α½R@@@oTπΗήΙΝqdͺsΒ
±Μ’ΕΝ©ͺΜΣ―Η¨θΙΆ«ι±ΖΝΕ«Θ’B
Σ―Ι½·ιoΰSΟ¦ι±ΖΜoΰN±ιB
΅©΅A»κηΰA©ͺΜ±±λΜ«Ε ιΜΎͺA©ͺΜΝΜyΞΘ’«Ε ιΖvΑΔ΅ά€ΜΕA»κπ΄z΅½ΰΜΜΆέΖ΅ΔJeSCY΅Δ΅ά€±Ζͺ ιB
ΰ΅ΘPΙu_XΝ’ιvΖΎ€ΖA»κπ·’½κΚΜlXΝA©ͺΜwKβo±΅½iΕθjΟOβζόΟπξΙ΅ΔA»κηπ_XΖθΙίΒ―ιΞ©θΕΝΘA¨ίήlເΎΑ½Ζ΅Δ©ͺΜΟzΜFΨΙ³Ήζ€Ζ΅Δ΅ά’A©ͺΜF―π³»·ι©ηB
±Μζ€Θλππ³ΉΘ’½ίΙAΘPΙu_XΝ’ιvΖΝΎ¦Θ’B
Ύ©ηΖ’ΑΔA΄³IΘΆ½ͺ’Θ’ν―ΕΰΘ’ΜΕA_XΜΫθΰ΅Θ’B
€ΜΧ―
lXΜ±±λΜ¬κͺό©€SΜIΘgΙq΄Ε ι±Ζ
V΅’TOͺΆά껀ΙΘιΙΝA»ΜgͺCΓ©ΈΙέρΘΜ±±λΙObΖόΑΔι©ηB
νΜ€―ΜA½ΜΒlε`@@@@¨έ’ΙΒΘͺι―ΆxΜ±±λΝuΤΙ€Β·ι
SΝ¨ΏΕΝΘ’ΜΕσͺΘAxͺ―ΆΙΘιΖΘPΙΒΘͺΑΔ΅ά€B
½Ζ¦ΞAνΘΗΜΩ}σΤΙΘιΖAP’±Ζͺl¦ηκΘ’Ζ’€xΙWάθβ·ΘθA½ΜlΜ±±λͺ·ΙκΙΘΑΔέ’Ι―ΑΔ€―ΜͺΕ« ͺιB
½aΘΝAέρΘΜ±±λΝooΘΜΕAΒlε`ΙΘθA¨έ’ΙqͺηΘ’ΜΕͺ«’B
Peace ΖharmonyΝ€Ά΅Θ’B
ZάιΖ½aͺΑ¦AΞηΞηΙΘιΖ½aͺΆάκιB
€―ΜΜcΝAάπ·ιGͺ ι©ηΕ ιB@p261
Peace harmonyͺΐέ·ιζ€Ιέ¦ιΜΝA½aΜ½ίΙ»κΙ½·ιO[vΖ’π΅Δ’ισΤΎ©ηB
α¦Ξu½{^vuA―nτvuΣ―Μ’l½ΏΜO[vv
utu -samuṭṭhāna-rūpa@ίΆF
utuΖΝuΟ»vΜ±ΖBΓ’¨ΏΝσκΔΘΘθAV΅’¨ΏͺΆάκιB
utuΝGίAlGΖ’€Σ‘BΟ»΅Δ’ι±Ζπ\»΅½’Μ©H
Ar_}ΕΝAu¨ΏΝΞΜ³fΙζΑΔV΅ΆάκιvΖΎνκΔ’ιB
Ο»ΖΝσΜ±ΖΘΜΕAΏσ·ιΙAπ²·ι½ίΙuίvΖ΅½Μ©ΰ΅κΘ’B
āharā -samuṭṭhāna-rūpa@HΆF
āharāΝHΧ¨A·ΘνΏ {fΜ±ΖΕA³ΜΰΜπAΚΜ`ΙΟ··ιGlM[Μ±ΖB
Ύι’±±λΕζ£κ
NβθΝΰΜ·²ΒάηΘ’βθΘΜΙAlΝ»κ΅©»‘ͺΘ’©ηAκΆͺ»κΎ―ΕIνΑΔ΅ά€B
lΆͺ»ρΘζΓαΡs΅©Θ’ΜΙNΕ’ηκιΜΝO’ΜΖΜ¨©°B
νΙ¨ΏGlM[ͺgΜΙΆάκΔ’ιΜΕA±±λͺΎι―κΞAΆάκιGlM[ͺΗρΗρΗ’²qΜΰΜΙΘιB
±±λGlM[Μ1/4
ΖGlM[Ν1/4Ε»ΜΌͺΕ ι 1/8ͺζ’ΰΜAΖΌθ
{fGlM[Μ1/4
«·ΖΌͺπ΄¦ιΜΕAΎι’±±λπ±·ιΖA«ΖΜeΏΰHΧ¨Μ«eΏΰXΙΈ·ιB
΅©΅AΗρΘ’NΘgΜΕΰV»·ι΅A»κπXgbv΅Δ’ΔΰA»κΙζΑΔ’«ΘθV»΅½ΙΈ_VbNπ€―Δπ―ι±Ζͺ ιB
»±ΕAgΜΝΗ€ΉφκΔ’ΰΜΎ©ηASΙNΙ·ιΖ’€±ΖΝϊΑΔ¨’ΔAΎι’±±λΕΆ«Δ’B
·ιΖΎι’±±λͺβ©ΘgΜπμιB
ίΈΜΰ«ϋ
§ΏUΙ³ΚΘ«ͺΘ’B
ΰΝ½ΎΰΎ―B
±±λͺ²ΑΔ’ιΜΕAΰ«Ύ―ΙΣvͺόΑΔ’ιB
RcΝΣvπΏ
©Ήι±ΖB
pπ©ιΎ―ΕlXΜYέβ¬ͺΏ ’½B
Ά½ΖΣvΖ±±λΖF―
Ά½ΖΝF―·ιΰΜA±±λͺ ιΰΜAΣvͺ ιΰΜB
Ζ±λͺ©ͺΜΣvπp±΅Δ’Θ’ΖAΣvπΑΔs·ι±ΖΙuΟ@vΝCΓ©Θ’B
ΣvΜΚͺJ}πΆή@@J}ͺΣvπΆή
kammaΝΣvcetanaΜ±ΖΕ ιB
kammaΖ’€uνv©ηΣvΖ’€θͺo½ΜΎB
½©π΅½ͺιΖ’€ΣvΜGlM[πkammaΖΔΤB
ΕΝkammaΝΗΜζ€Ι΅ΔΕ«ιΜ©H
’ΣvΕs·ι±ΖΕAkammaͺΕ«ιB
KRΕΰτRΕΰΘ’@@@@_Μh½ΖlΜ©R
ΖͺΞΙΘιΜΝAvφΖπͺ΅ΑΔίΔN±ιφΚΦWAh½iKRjΕΰ©RiτRjΕΰΘ’B
±ΜφΚΦWͺπΕ«Θ’Ζ
u_ͺSΔπμθθ΅½ΜΎͺAlΙΝ©RΣvπ^¦Δ’ιvΖ’€ζ€Θ¨α’ͺN±ιB
u_ΝSmS\vΖ’€TOπΝΆίΙμθγ°AΙ»€ΘΑΔ’Θ’»ΐΙΖη΅νΉ½ΚAγLΜζ€Θε£πl¦ιB
±κΝMΒΕΝΘθΘTOA»΅Δ_ΕΝΘ KνΉΕ΅©Θ’B
»΅Δ_πSmS\Ζ΅½±Ζ©ηAlΜ©RͺίπΆέo·Ζ’€bπμθγ°Δ΅ά€B
27
kamma -samuṭṭhāna-rūpa@ΖΆF
tattha kāmavacaraṃ rūpavacarañ ceti pañcavīsati-vidham pi kusa-lkusala-kammaṃ abhisaṅkhataṃ ajjhattika-santāne kamma-samuṭṭhāna-rūpaṃ paṭissandhim upādāya khaṇe samuṭṭhāpeti.
»ΜAΧ΅½A~EAFEΜ25νΜPEsPΖͺA©gΜiί²ΖΜj±Ι¨’ΔΖΆFπΆΘί²ΖΙN±³ΉιB
santāne santānaFnD[saṃ-tan] ±Cp±
paṭissandhim paṭissatiFfD―OCL― paṭissata paṭi-smṛ Μ ppD ―OΉιCL―Ήι
upādāya@@@[absDof upādāti]@@ having grasped@@@taking it up
khaṇe 剎ίCuCί
ΆΖΝA±Μ’ΕρΕAΜuΤΙΚΜΆ½Ζ΅Δ]Ά·ιA»ΜκίB
’Ι]Ά΅ΔAΆπΤSπuΆ(―Α΅ε€)SvΖΎ€B
J}πμι±±λΙΝ25νήͺ ιB«’±Ζπ·ικΝ12AΗ’±Ζπ·ικΝ8ATθΜκΝίΜ5AvΕ25ͺ¨ΏπμιB
NΖoΟ
oΟͺW΅½ͺΎ―A―ΙaCΰW·ιB
oΟͺL©ΙΘθA³ηΖm―ͺ¦κΞAa@ΝΙ··ιB
tΙn΅―κΞA³ηΝ«ΙΘ’ͺAςπωάΘΔΰ½CΕιη΅Δ’ιB
―Άσ΅ΙΆΎlͺΧκΞASz΅·¬Δ·ΙρΕ΅ά€ΜΕΝΘ’©H
O’ΜJ}ͺ»’Μ±±λ
Άάκ½Ξ©θΜΆSΝAO’ΜΖΜΚΕ ιB
ΖͺκΆUΜξ{πίΔ’ι
NβθΝΰΜ·²ΒάηΘ’βθΘΜΙAΆΎlΝ»κ΅©»‘ͺΘ’©ηAκΆͺ»κΎ―ΕIνΑΔ΅ά€B
lΆͺ»ρΘζΓαΡs΅©Θ’ΜΙNΕ’ηκιΜΝO’ΜΖΜ¨©°B
ζΓαΡsΜs’ΕΝAsKΜΗρκΕZ½ΜΝΈͺ»€ΘηΘ’ΜΝO’ΜΖΜ¨©°B
ζΩΗP’J}ΕΘ’ΖAqgΖ΅ΔΆάκι±ΖͺΕ«Θ’©ηB
ΰ΅«ΖπΖ΅Δ’κΞAqgΙΝΆάκηκΘ’©ηB
SΆFπμιSΝ75νή
28
citta -samuṭṭhāna-rūpa@SΆF
arūpa-vipāka-dvipañca-viññāṇa-vajjitam pañca-sattati-vidham
pi cittaṃ
citta-samuṭṭhāna-rūpaṃ paṭhama-@bhavaṅgam upādāya jāyantam eva samuṭṭhāpeti.
³FΜΩnSΖ2νΜOά―π75νSͺAΕΜLͺSΜΆΚΜίπnίΖ·ιA·ΧΔΜΆΚΜίΙSΆFπΆΆ³Ήι
89-4i³FEΜTθΜ4νήj-5-5iPΜά―ΖsPΜά―j=75
arūpa-vipāka@@@³FEΜΚ
Ωnvipāka@@ΚAΖΜρCρAΚρ
vajjitaF[ppDof vajjeti] avoided@@’Δ
paṭhamaFaD ζκΜCΕΜCΜ
jāyantaCiprDpDof jāyatijCarising
bhavaṅga@LͺS@@³Σ―
ΆΚ
Sͺ¨ΏπμΑΔ’ιB
l¦ιuΤAιuΤAgΜΕs·ιuΤΙV΅’¨ΏπμΑΔ’ιB
±ΜSπRg[·ι±Ζͺ½ΏΙΕ«ι±ΖB
±±λΝp¨πx·ι
29
iriyāpatha-upatthambhana@@@ΠVΜx@@@@iriyāpathap¨
tattha appanā-javanaṃ iriyāpatham pi sannāmeti.
»ΜAΐ~E¬siΜ26SjΝΠVπΰx¦ι
TθΙόΑ½ηAqgΜΚΜ@\ΝΩΖρΗ~άιBαͺ ΑΔ੦ΈA¨ͺ ΑΔΰ·±¦ΈAgΜΝGηΔΔΰCΓΈAOEΜΰΜΝ½ΰF―΅Θ’B
΅©΅A{lΜScittaΝ°XΖs΅Δ’ιBΎ©ηΖ’ΑΔ½ΰl¦Δ’Θ’B
ΘΊΘηΞΣvͺκΒΜΞΫΎ―ΙW΅Δ’ι½ίΕ ιB
»κΘOΝϊΑΔ’ιB
ΕΝAp¨πΫ΅ΔΏι±ΖΰΕ«Θ’ΜΕΝΘ’©H
εδvΕ ιAκ_ΙW΅½ΐ~σΤΙΘιΖAgΜΝ©ΘΘιB
±κΝκ΅½Sͺp¨πηΑΔκΔ’ι©ηΕ ιB
p¨πΫΒΖ’€GlM[ͺS©ηΆέo³κΔAgΜΖ’€¨ΏΜ`πΫΏ±―Δ’ι©ηΕ ιB
30
viññānati-samuṭṭhāna@@@\ΜΆφ
voṭṭhabbana-kāmavacara-javanabhiññā pana viññattim pi samuṭṭhāpenti.
iΙAjmθiSjE~E¬si29SjE_ΚiQSjΝA\πΰN±³ΉιB
voṭṭhabbana@@@ VoṭṭhabbanaCmθ
gΜEΎκΕ½©π\»΅ζ€Ζ·ιΖA»ΜsΧπN±³Ήι½ίΙKvΘ¨ΏͺΆάκιB
31
hasana-janana ΞΜΆφ
somanassa-javanāni panf ettha
terasa hasanam pi janenti.
ά½±Μi32SΜjA13Μμiδj¬siSjΝΞπΰΆΆ³ΉιB
jananaFaD[cfDjanati] ΆΈι
javanaFnD[V] ¨¬C¬sC¬Ύ@@Sͺ17ί·ιΕASΘF―π·ι½ίΙ7ρA±΅ΔΆΆι
SͺΛRy΅ΘΑ½ΙΰV½Θ¨ΏͺgΜΙΆάκA»ΜΙqgͺΞ€B
32
utu -samuṭṭhāna-rūpa@ίΆF@@@@utuΖΝΞΜ³fΜ±Ζ
situṇhotu-samaññatā tejo-dhtu ṭhitippattā eva utu -samuṭṭhāna-rūpa ajjhattañ ca bhiddhā
ca yatharahaṃ
samuṭṭhāpenti
¦βΖ©MΜGΖΔΞκιΞEΝAZiΚjΙB΅½ijΜέAίΆFπigΜΜjΰEOΙΦXN±³ΉιB
ṭhitippattā@@
ṭhitiFfD ZC~ZCθ§@Zθ
ΞΜGlM[ͺV΅’¨ΏπμιBGlM[ΝκuΕΆάκΑ¦Δ΅ά€B
GlM[ΜLιuΤiZΚjΙA¨ΏπμΑΔ΅ά€A·ΘνΏΟ»³ΉιB
±ΜΞΜΝΝ¨ΏΜΰ€ΙΰAO€Ιΰ ιB
33
āharā-samuṭṭhāna-rūpa@HΆF
ojā-saṅkhato āharo āharā-samuṭṭhāna-rūpaṃ ajjhoharaṇa-kāle thānappatto va samuṭṭhāpenti
{fΖΜ³κιHΝAΰigΜjΙζθήΙAZiΚjΙB΅½ijΜέAHΆFπN±³Ήι
kāle
va@@@Μέ@only
OΙLι²Ρih{jΜGlM[AΰΑΖ³mΙΎ€ΖξΝΎzΜGlM[ͺgΜΙόθA»ΜGlM[ΕB
σ ΝaC
―Δ’ιΰΜπβ·ι±ΖΕAgΜΝΚΜσΤΙίιB
Nͺ―Δ’ισΤiaCjΙΘΑ½η―Δ’ιΰΜiςjπωήB
±Μζ€Ιl¦ιΖAGlM[ͺ―Δ’ιiσ jΖΝANͺ―Δ’ισΤiaCjΎΖA§³ΕΝJeSCY·ιB
GlM[ͺ«θΘΘΑΔA―Δ’ιGlM[πβ΅Θ’²qͺ«ΘθAΜͺσκΔ΅ά€AΖ©ι©ηΕ ιB
¨ΏΜΆάκ
Ζ©ηΆάκι¨ΏΝXΒ
kammaja –rūpādi-sarūpa@@@ΖΆFΘΗΜ©«@@@@@sarūpa@{ΜΖ©Μ«Ώ
kammaja –rūpa
tattha hadaya-indriya-rūpāni
kammajānf eva,
»ΜASFΖͺFiΜXjΝΖΆiFjΜέΕ ιB
J}Ύ―©ηΆάκA½π΅ΔΰΟ¦ηκΘ’¨ΏΝhadaya rūpaΖάςFΖ2νήΜ«FΖ½FΜXΒΕ ιBΆάκ½ηΟ»³Ήι±ΖͺΕ«Θ’B
hadaya
rūpaSF
gΜΜΙ ιAF―·ι±Ζπx¦ιGlM[Μ±ΖπSFΖΔΤB
ΆάκιΙSFΖυ½Ε ι½FΝάΑΔ΅άΑΔ’ιB
yΖΝAΙέπXΖ]Ϊ³ΉΔ’±Ζ
ΧEΝΙέ΅©΄ΆΘ’B
gΜΜΕΆάκιΜΝΙέΎ―BΙέͺ½’©Θ’©Ύ―B
yΎΖv€ΜΝAΙέΜκΖ΄ΆͺΟνιΜπφo΅Δ’ιΎ―B
ΙέΜκͺΪΑΔA»κάΕΖΝα€ΙέͺΆάκ½Ι·¬Θ’B
ιΙέπ΄ΆA»κͺΘΑΔιΖα€ΙέΙ]Ϊ³ΉΔAΙέ©ηΙέΦΖnΑΔ’ιΜπ
ulΆΝKΕ ιAyΝ’ΑΟ’ ιvΖλπ΅Δ’ιΎ―B
indriya-rūpā@ͺF
αA¨A@AγAgA»΅ΔjΜ«AΫ·ι½ΜGlM[ΝJ}ΙζΑΔμηκΔ’ιΜAΟ¦ι±ΖͺΕ«Θ’B
J}ΙζΑΔΗκη’ΜGlM[ͺ ι©ΝάΑΔ’ιB
S©ηΆάκι¨ΏΝ2Β
cittaja –rūpa@@SΆF
viññatti-dvayaṃ cittajam eva, @@2ΒΜ\ΝSΆiFjΜέΕ ιB
\»·ιGlM[Νκ\Ζg\Μ2Β΅©ΘAΗΏηΰS©ηΆάκΔιB
SΖίΜΌϋ©ηΆάκι¨ΏΝPΒ
dvijja–rūpa@@ρΆF
saddo cittotujo. @@ΊΝSEίiFjΕ ιB
½ΎΜΉΕΝΘA½©π\»·ιΉA·ΘνΏΊβΒ«ΊΜ±ΖB
ίESEHΙζΑΔΆΆι¨ΏΝRΒ
tija–rūpa@@OΆF
lahutādi-ttayaṃ utu-cittāhrehi sambhoti. @@yυ«ΘΗΜRΒΝAίESEHΙζΑΔΆΆιB
ΖESEίEHΙζΑΔΆΆι¨ΏΝXΒ
catuja–rūpa@@lΆF
avinibbhoga-rūpani ceva
ākāsa–dhātu ca catūhi sambhūtāni. @@
WνΜsΘΚFΖσEΖΝiΖEίESEHΜjSΒΙζΑΔΆΆΔ’ιB
ΗκΙΛΑΔΰΆΆΘ’¨ΏΝSΒ
na kutoci–rūpa@@³ΛF
lakkhaṇa-rūpāni na kutoci jāyanti. @@iSνΜjFΝ½κΙζΑΔΰΆΆΘ’
FΟWupacayo@@@ζΎ@Α@@@@@@@@@V΅Άάκ½ΰΜͺWάι±ΖΕ@\ͺnάι
F±santati@@ @±@Ψέ@@@@@@@@@¨wΕΎ€gΜ±Ζ@ΑFΝ―Ά«ΏΜΰΜB
FV«jaratā@@@@pό@Έ@@@@@@@@@Άάκ½uΤ©ηV»ͺnάΑΔ’ιB
F³ν«aniccatā@@ΑΕ@νΟ@@@@@@@@@ΤΝ©©ιͺAΕIIΙΝSΜΰΜΝσκι
¨ΏͺΟ»·ιΜΝRΜ΄φΰΘ’FΜ@₯Ε ιB
uΟ»vi¨ΏAF―AσΜ[wjΖ’€σ΅©ΜΝAΚΙΆέ·ιΰΜΕΝΘA»€’€¨Ώͺ ιν―ΕΰΘ’B
Ar_}Μ_
lεcatu-mahābhūta-rūpaΘOΝΛ~Fupādāya-rūpaiΛΑΔ’ιAΦA΅Δ’ιjΖΎ€ͺA»κηΝA¨ΏΖΝΔΧΘ’¨ΏΜΑFβ«πA¨ΏΖ΅ΔΰΎ΅Δ’ιΜΕAελͺνΘΘιB
Λ~Fπ¨ΏΖ΅Δ΅€±ΖΕA¬βλππ΅B
lεΙ΄σ«ΜTΒA«ΚΜQΒΜPPνήΕ’’ΜΕΝΘ’©H
Ar_}ΜΪIΝAΆ½ΖΝ½©Ζ’€±ΖπΎη©Ι·ι±ΖΘΜΕA¨ΏΜΰΎΙψΑ£ηκΔ΅άΑΔ’ιΜΕΝΘ’©H
±ΜάάΕΝ»γΜNwΙΝΘηΘ’BCsΜ½ίΜ}j AiNwjΜάάΕ ιB
ςSiPSjsobhana(kusala)-citta@πsζΓEsαΡEssΕΰΎ΅Θ’B
¨ΏΜWάθ
36
rūpa-kalāpa- lakkhaṇa (3ΒΜ) FγΪΜΑ@@@kalāpa γΪΖΝςΖ΅ΔWάθΜ±ΖB
ekuppādā ekanirodhā ekanissayā
sahavuttino ekavīsati rūpa-kalāpā nāma.
―NE―ΕE―ΛΖ΅Δ€ΙΆΆι21ΝFγΪΖΔΞκιB
FγΪΜΑΖΝ¨ΏΜO[vΜ«ΏΜ±ΖB
―NEEE―ΙΆΆι
―ΕEEE―ΙΕ·ι
―ΛEEE―ΆΙΛΆ΅ΔΆΆι
Ζ’€3ΒΜ«Ώͺ ιB
37`40ΜΖΆγΪ@SΆγΪ@ίΆγΪ@HΆγΪΝ·’ΜΕΘͺ@@EFuΕ©Β―½η}ό·ι\θB
»ΜͺAΊΜ\πΑ¦ιΜΕπ·ι
¨ΏΜO[vΝ21O[vΙͺή³κιB
ΖΆγΪEEEΖΙζΑΔΆΆι¨ΏΜO[v
SΆγΪEEESΙζΑΔΆΆι¨ΏΜO[v
ίΆγΪEEEίΙζΑΔΆΆι¨ΏΜO[v
HΆγΪEEEHΙζΑΔΆΆι¨ΏΜO[v
ΖΆγΪ
ΖΆγΪΖΝΖΙζΑΔΆΆι¨ΏΜO[vͺ―Μ±ΖB
οΜIΙΝΊLΜζ€ΙΘθά·B
ΖΆF18 |
½γW |
α\W |
¨\W |
@\W |
γ\W |
g\W |
«\W |
j«\W |
ξ\W |
sΘΚF8 |
|
|
|
|
|
|
|
|
|
½F |
|
|
|
|
|
|
|
|
|
αF |
|
||||||||
¨F |
|
||||||||
@F |
|
||||||||
γF |
|
||||||||
gF |
|
||||||||
«F |
|
||||||||
j«F |
|
||||||||
SF |
|
||||||||
ͺfF |
|||||||||
v |
9 |
10 |
10 |
10 |
10 |
10 |
10 |
10 |
10 |
±κηΙΝA―NE―ΕE―ΛΜ«Ώͺ θά·B
½Ζ¦ΞΖΆγΪΜαFΝAsΘΚF8νήΖ½FΰκΜ10νήΖκΙΆάκΔAκΙΑ¦ιB
J}©ηΝ½ΎΜ¨ΏΝΆάκΈAKΈ½FΖZbgΙΘΑΔ¨θAΆ½ΜgΜΙΘιB
α¦ΞA½γWΙάάκι9Μ¨ΏΝA―ΙΆΆA―ΙΕ΅A―ΆΰΜΙΛΆ΅ΔΆΆιΖ’€πίΙΘιB
SΆγΪ@@@@SΆγΪΖΝSΙζΑΔΆΆι¨ΏΜO[vͺ―Μ±ΖB
SΆF15 |
ͺW |
g\γW |
κ\\W |
yυΘΗ\κW |
gyυΘΗ\ρW |
κyυΘΗ\OW |
ΊγW |
ΊyυΘΗ\ρW |
sΘΚF8 |
|
|
|
|
|
|
|
|
g\ |
|
|
||||||
κ\ |
|
|
||||||
Ί |
|
|
|
|
||||
Fyυ« |
|
|
|
|
||||
ͺfF |
||||||||
v |
8 |
9 |
10 |
11 |
12 |
13 |
9 |
12 |
ίΆγΪ@ΖΝίΆFπO[vͺ―΅½ΰΜBίΆFΝSΆF©η\Fig\Aκ\jπ’½ΰΜB
SΆF15 |
ͺW |
yυΘΗ\κW |
ΊγW |
ΊyυΘΗ\ρW |
sΘΚF8 |
|
|
|
|
Ί |
|
|
||
Fyυ« |
|
|
||
ͺfF |
||||
v |
8 |
11 |
9 |
12 |
HΆγΪ@ΖΝHΆFπO[vͺ―΅½ΰΜBHΆFΝίΆF©ηΊFπ’½ΰΜB
SΆF15 |
ͺW |
yυΘΗ\κW |
sΘΚF8 |
|
|
Fyυ« |
|
|
ͺfF |
||
v |
8 |
11 |
41
ajjhatta-bhiddhā-kalāpa@@ΰΖOΜγΪ
tattha suddhaṭṭhakaṃ sadda-navakañ ceti dve utu-samuṭṭhāna-kalāpā bhiddhā pi
labbhanti. Avasesā pana sabbe pi ajjihattikam evā ti.
»ΜAͺWAΊγWΜQίΆγΪΝAigΜjOΙΰΎηκιB΅©΅AcθΜSΔΝΰΙΎ―ΎηκιB
gΜΙΦWΘ’AΒάθΆ½ΖΦWΘ’¨ΏΝO€ΜΞβyB
gΜΜΰ€ΝA½FͺόΑΔ’ιΜΕA½ ιgΜΙΘιB
ΉΝΗΏηΙΰ ιͺAXs[J[©ηΉͺoικΝAOΜΉΕ ιB
ζQͺ@SΜͺΝ@@@@yΫSͺΚziCitta-saṅgaha-vibhāgaj
ΝΆίΙ
±±λΖΝmιΖ’€@\
±±λΖΝuF―·ιΝ½η«vΜ±ΖΕAScittaΖScetasikaπνΉ½ΰΜB
SΖΝAuΆΕΟ»΅±―ι³νΜ»ΫΕAκIΙ»κΔ’ιΰΜv
mι@\ͺΘ’¨ΜΝΘ¨Ώ
mι@\ͺ ι¨ΜΝugΜv
½πmιΜ©H@ΰ€ΖO€Μ»Ϋ
©ιAͺιAί΅ήAl¦ιAQιA―ͺLΡιAΖ’€«πάΖίΔuSvΖΎΑΔ’ιB
s·ι±ΖπΛRΙΟ¦½θA»ΜκΕΚΜ»fπΊ΅½θ·ι«ͺuSΜΝ½η«vΕ ιB
ΗρΘΆ½ΙΰA~~YΙΰχΆ¨Ιΰ±Μ»fA·ΘνΏuSΜΝ½η«vͺ@\΅Δ’ιB
ΒάθΒ«π΄ΆζΑΔ½΅Δ’ιB»΅ΔA©ͺπΫ΅ζ€Ζ΅ΔBSnΜΗ’Ζ±λΦ©ͺΕΪ·ιB
©ͺΕ»f΅Δ½΅Δs·ιAΆ«Ρζ€Ζ·ι«ΰuSvΕ ιB
q·πμι±ΖΰΆ½Ύ―ͺ΅Δ’ι±ΖB
SmanaΜΉςΕ ιΝAmιmāna
±±λΝ¬΄ηΈ€Β·ι
Ή³ΕΉπ`¦½θAhκβgͺdΘΑΔε«ΘΑ½θA¬³ΘΑ½θ·ι€Βͺ±±λΙΝ ιB
εζ§³Ζi
εζ§³ΕΝiΙΟ»΅Θ’ΐΜββΞIΘΆέπMΆΔ’ιB
@ A§«A@gAεϊ@Avΐ¬Μ§ΙΖΝA@@
n’εAiΜ°A^δΘΗAiΙΟ»΅Θ’ΰΜπΣ‘΅Δ’ιB
isΕΝΟ»΅Θ’ΜΕqͺθͺΘ’
iΕSΟ»΅Θ’ΰΜAΖΝAΌ©η½ΰeΏπσ―Θ’ΰΜB
GΑΔΰΔ’Δΰ½ΰΟ»΅Θ’ΘηΞA»κΝisΕΜΰΜB
ΰ΅»Μζ€ΘΰΜπΌθ·ιΖA±ΜisΕΜΰΜΝA½ΰΜΖΰΦWπΒ±ΖͺΘ’ΜΕAAπζι±ΖΰΕ«Θ’B
ΘΙ©ͺΟ»·ι©ηΝΆίΔ½·ιΜΕ ιB
Ο»·ιΘηΞA»κΝuβΞIΘivΖΝΎ¦ΘΘι
uν½΅vΖ’€Άz
ί΅Δ½άηΘ’AΖ’€lΰ·Ιy΅Θι±Ζͺ ιB
uν½΅vΝΝέΗ±λΜΘ’AΐΜΜΘ’γ¨ΕAΆάκΔΝΑ¦ΔA½ΎNNΖΟ»·ιΎ―B
uν½΅vπξΙ·ιΖA θΰ΅Θ’ΆΙUθρ³κΔ΅ά€ΚΙIνιB
SΰGlM[Μ¬κ
gΜβμΖ―ΆGlM[Μ¬κΕ θA½ΰΐΜΜΘ’ΰΜ
u¨ͺ·ΧΔ³νΕ ιΜΖ―ΆASΜ·ΧΔΜΝ½η«ΰ³δΕ ιBuν½΅vΖ’€ΐΜΝΘ’v
±ΖπίΈΝ©΅½B΄TH
ίΈͺmF΅½^δΜέ
uTθΙόΑΔA θΖ ηδιΰΜ©ηSͺ£κιΖAΖΔΒΰΘLεΘSΜ]Tͺ΄ΆηκιB½ΎA»κΎ―Ε·BSͺ θΎΘ’ΩΗLεΙΘΑΔCͺuυΙΘΑ½©ηΖΎΑΔA»κͺu^δvΘΜΕΝ θάΉρBv
uβΝθAΗ±Ιΰ^δΝΘ©Α½vΖίΈΝmF΅½B@@΄TH
@@
ΫSͺΚ@Citta-saṅgaha-vibhāga@T_
SΝSν ι
bhūmi-citta-bheda@@nSΜνή
tattha cittaṃ tāva catubbidhaṃ hoti, kāmāvacaraṃ rūpāvacaraṃ arūpvacaraṃ lokuttarñ ceti.
»κΙΒ’ΔASΙΝ~EAFEA³FEΖo’ΤΖΜlνήͺ ιB
bhūmi@@@@ nAground; earth
bheda@@@@νήCζͺ
catubbidha@@Sνή@@catu+vidha
ceti.@@@@@ cita+ṇiΜpp@ cinātiF[ci + nā] heaps upG collectsG accumulates@Οή@ΝΟ·ι
kāmāvacara-citta~ES@@@54νή
kāmāΝu~vΕΝΘAα¨@γgΜά΄oν―ΙGκιΞΫiFEΊEE‘EGjΜ±Ζ
~ESΖΝFEΊEE‘EGΙR^Ng΅ΔΆΆιSA»΅Δ»±©ηΆΆιuΣvΜ±Ζ
uΣvΝίΜo±πv’o΅½θAo±©ηΟz΅½±Ζ©ηΆΆιS
uΘ’v±ΖΕΰΆΆιSͺ ιB½Ζ¦ΞaΆϊΜv[gΘΗπϊ΅½ΰΜͺΘΔΰί΅έͺΆΆιB
ΞΫΘ΅ΙΝF―·ι±ΖͺsΒ\Θ³B
’©ΘιvlβTOΰu½©vΜΞΫΙξΓ’ΔΒηκΔ’ιB
~EΜF―Μdϋ@@@@ΗΝά΄oν―©ηΜMΎ―
ΌΙF―Ε«Θ’dgβ₯ΝόΘΗΝAά΄ν―Εσ―ζκι`ΜMΙΑH΅ΔA»κπF―΅Δ’ιΎ―B
½π΅½ηigΜΙj’’Μ©H
m―ΙϊνκΘ’ΕASͺΏ ’Δ’ι±Ζ
SͺΏ ’Δ’ιΖA½π΅ΔΰAgΜͺ«ΏρΖzϋ΅ΔNπΫΕ«ιB
SͺΕΑΔ’ι©ηAΜ±πζΚΕ«Θ’Ε’ιB
SΜΝ½η«ΖgΜΜΦWπͺ©ι±ΖͺζΈκΤίΙπ·ιξ{IΘ@₯B
rūpāvacara-cittaFES@@15νή
FEΊEE‘EGΙR^Ng·ι’EΙ’ιͺAαzπ±―ιΖASͺς»³κΔιΖA
u©ΘΔΰ·©ΘΔΰ’’ΜΕΝΘ’©A©·«·ι±ΖΙy΅έͺΘA»κηΙ©³κΔ’ιv
ΖCΓζ€ΙΘιB
·ιΖAm―βTO©ηΰ£κι±ΖΙΘιB
»κΝzΕ«ΘΩΗf°η΅’±ΖΕ ιB
©·«Ν·ιͺA»κΙΛΆ΅Δ’Θ’σΤΕ ιB
gΜΖ’€¨ΏI\’ΖΝΦWπΑΔ’ιͺA»κηΙΛΆ΅Δ’Θ’ΜͺFEΕ ιB
arūpvacara-citta³FES@@12νή
]ΧEΙΛΆ·ι±ΖΰΘ’ͺAF―·ι\ΝΝ΅Α©θ’Δ’ιB
¨ΏΙSΛΆ·ι±ΖΘAΘSΎ―ͺρ]΅Δ’ισΤB
lokuttara-cittao’ΤS@@@8νή
umιvΖ’€GlM[ͺΑ¦ιuΤΙΆάκιSB
Άέπ΄ΆΘΘιB
πEΜSB
FEΕBpbTi[αzπΐH΅ΔμιSB
kāmāvacara-citta~ES@@@54νή
akusala-citta sPS
sobhana(kusala)-citta@@ςSiPSj
ahetuka-citta@@@@@@³φS
akusala-citta sPS@@12νή
ζΓαΡsΜΟYͺΊ€S
ζΓͺS@lobha-mūla-citta 8
αΡͺS dosa-mūla-citta 2
sͺS moha-mūla-citta 2
ΦτΝSΜφΚ@₯
SΙ©³κΔs€ΖAKΈΚͺΕιB
κ½SΕs·ιΖA»ΜΚΰRζΘ’B
±ΜφΖΚΜ¬κΝ΅Δ~ίι±ΖͺΕ«Θ’B
΄φΖΚΝ―ΙΆέΕ«Θ’BΒάθ΄φΖΚΝΚΜΰΜΕ ιͺAψ«p’ΎΰΜΕ ιB
±ΜSΜφΚ@₯ͺAΦτπψ«N±·
Ά½ΝAΧEΝAνΙμΡAhAυyπίΔ’ιB
ΰ΅Ά½ͺ{Ιυ΄πΎΔ’ιΜΘηΞASΙ«΅Δ»κΘγΙΆ«Δ’ΘΔΰΗ’±ΖΙΘιΜΎͺA’ηT΅Δΰ©Β©ηΘ’Μͺy΅έΕ ιB
y΅έͺ©Β©ΑΔ’Θ’ΜΎ©ηΆ½ΝXΖΆ«±―Θ’Ζ’―ΘΘιΜΝdϋͺΘ’B
½Ζ¦ΞAό‘΅’Hπ΅½ΙAy΅ρΎζ€Ι΄Άι±ΖΝζ ιB
΅©΅SΘ«΄ΝΎηκΘ’ΜΕAά½HΧ½Θιζ€ΙA’ηΆ«±―ΔΰASΙΝ«Ε«Θ’B
‘ΰ½ΏΝ«΅Δ¨ηΈsΕAάΎβθ½’±Ζͺκt θA³ηΙΗΘθ½’ΖvΑΔ’ιB
Ύ©ηAρΕΰά½―Ά~EΕΆάκΔ΅ά€B
Φτ]ΆΝ±Μζ€ΘPΘ@₯ΙζΑΔN±ΑΔ’ιB
Φτ]ΆπJθΤ·±ΖΝA·ΧΔSͺ»€³ΉΔ’ι©ηΕ ιB
σ]ΖΝΖΔΰΓ’TO
uΎι’Ύϊͺ ιvΖ’€ΜΝA‘ϊΝu’άE±±vͺΘAuΓ’vΖ’€±ΖΜ\ΎΕ ιB
±€\Ύ·ι±ΖΝAu’άE±±vΝΘ»έΝiΙΓ’άάΕ ι±Ζπmθ΅½±ΖΙΘιB
uΎι’Ύϊͺ ιvΖΝAuίπψ«ΈκA»έπYκλA’ΜΟzπΗ¦v·ΘνΏ
uΟρΎ±ΖπNN΅λAΐ©ηΪπνηΉAΆΙ΅ͺέΒ―vΖ’€±ΖΕ΅©Θ’B
uΎι’Ύϊͺ ιvΖΎΑΔAΎιΘΑ½±Ζͺ±κάΕΙNͺ Α½Μ©H
ΈΑΖsΕΆ«Δ«½ηA±Μ’ͺIνΑΔ΅άΑ½ηAάΎKͺΎηκΔ’Θ’ΜΕAγΙVͺΘ’Ζ’ΑΔ΅ά€B
±Μζ€Ι@ζΙlQπΤηΊ°ηκΔA΅ά’ΙΝΦτ]ΆάΕ³ΉηκιB
sPΖΝΆπΗ’©―ΔAu’άE±±vͺΘA»έπκ΅ρΕ’ι±Ζ
Ά½Ν{ΜμΡπ‘ν’½ΔΆ«Δ’ιB
Εΰ»κηΘOπ‘ €ΜΕ κΞA»ΜΆ«ϋΝΤαΑΔ’ι±ΖΙΘιB
±κπsPΖ’€B
Έ_a
KπͺιlB
DρΕκ΅έπo±΅ΔAΕ«ιΐθΓ’Οzπ΅ΔAιη·±ΖπίΔ’ιlB
κ΅έπ‘ν€±Ζͺυ΄ΕA»κπίΔ’ιlB
ζΓαΡsπξΙ΅Δ’ιlB
³mΜΉ’ΕAσΘhπϊ΅ΔιlB
lobha-mūla-citta ζΓͺS8
tattha katamaṃ kāmāvacaraṃ?
somanassasahagataṃ diṭṭhigatasampayuttaṃ
asaṅkhārkam ekaṃ sasaṅkhārikam ekaṃ,
somanassasahagataṃ diṭṭhigatavippayutta
asaṅkhārkam ekaṃ sasaṅkhārikam ekaṃ,
upekkhāsahagataṃ diṭṭhigatasampayuttaṃ
asaṅkhārkam ekaṃ sasaṅkhārikam ekaṃ,
upekkhāsahagataṃ diṭṭhigatasampayuttaṃ
asaṅkhārkam ekaṃ sasaṅkhārikam ekan ti
imāni aṭṭha pi lobhasahagata-cittāni nāma
»Μ€ΏA~EiSjΖΝ½©H
μδΕi«j©ΜΰΜΝ³sͺκΒALsͺκΒB
μδΕi«j©sΜΰΜΝ³sͺκΒALsͺκΒB
ΜδΕi«j©ΜΰΜΝ³sͺκΒALsͺκΒB
ΜδΕi«j©sΜΰΜΝ³sͺκΒALsͺκΒB
Ζ’€±κηWνiΜSjͺζΓδSΖΔΞκι
katama@@@@ whichG whatG which of the many@@@@’Έκ©HΗΏη©H
sahagata@@@ connected Aendowed with@@δ΅Δ’ι@@AκΎΒAΙ ι
somanassa@@@ su+manas+sa@@@@Η’+S+t’Δ’ι
sampayutta [saṃ-pa-yuj Μ ppD] ΉιC
vippayutta vippayuttaFaD[vi-payutta] sΜ separated
asaṅkhāra@@@[a-saṅkhāra] ³sΜ@@p^[»ΉΈΙ½ͺΘ’@@@Σuͺ’H s’H
sasaṅkhāra @@[sa-saṅkhāra] LsΜ@@p^[»Ι½΅Δ’ι@@@@Σuͺγ’H@@έ’H
lobhaζΓ
Ά½ͺσ―όκ½ΘιΞΫβ»ΜΙN±ιSπuζΓvβu~vΖΔΤB
R^Ng΅Δ«Ζ΄ΆιΜΕΝΘAuy΅’vuΰΑΖ©½’vuσ―όκιvu’’ΰΜvuζ’ΕΝΘ’©vΖ·ιSB
οΜIΙΝAΞΫπσ―όκιAζιAΝήA£κΘ’ASΜ±ΖB
uζΓθvΕΝΘ’B
ζΓͺSΖΝA±ΜϊνΜ’EΕ©ͺͺy΅ρΎθAσ―όκ½ηA»κηΝ·ΧΔζΓͺS
οΜIΙΝAP[Lπσ―όκιΜͺζΓͺSAωΜtΑΟπβ·ιΜͺαΡͺSB
»ΜΞΫπζΓlobhaΖ’€B
~ΜSΜ±ΖΎͺAκΚIΙg€w~xΖΝα’AUΒΜν―iά΄{SjΕA΄Ά½ΞΫπwΰΑΖxΖAίιSͺζΓͺS
Q~Q~Q@Ε@WΒΜζΓͺSΜνήͺ ι
1. NN΅Δι©A½νS©
2. «’Ζπ΅Δ’ι©Aπ΅Δ’Θ’©
3. Σuͺ’©Aγ’©
μδE«©E³s
μδE«©ELs
ΜδE«©E³s
ΜδE«©ELs
μδE«©sE³s
μδE«©sELs
ΜδE«©sE³s
ΜδE«©sELs
α¦ΞANN΅Δ’ΔA«’±ΖπβΑΔΰβθΘ’Ζv’ρΕ’ΔAΣuͺ’ζΓͺSΜκB
ΗλΪ€ͺy΅ΔdϋΘ’ρΎB©Β©ι©©Β©ηΘ’©ΜXͺ½άρΘ’ΛI
±ρΘy΅’ΘρΕέρΘβηΘ’ρΎλB±Μ’ΙκlΙΘΑΔΰ±―ιΌI
diṭṭhi©π±»ͺlΤΜψ¦ιβθ
lΝ¬·Ι]ΑΔAΚΜ©ππΒB
lΝΆ»ΙζΑΔAΚΜ©ππΒB
lΝγΙζΑΔAΚΜ©ππΒB
lΝκΙζΑΔAΚΜ©ππΒB
lΝσ΅ΙζΑΔAΚΜ©ππΒB
±Μζ€Ι©πΝeTPOΕΝKΨΕ ΑΔΰAκΒΜ©ππΗ±ΙΕΰKΕ«ιΰΜΕΝΘ’B
©πdiṭṭhiπΑΔs·ιΜͺlΤΜΑ₯ΎͺA§³ΕΝu»Μ©πΝ·ΧΔΤαΑΔ’ιvΖέΘ·B
ΘΊΘηΞA©πΖΝκΒΜp^[ίθκΚ»΅½ΰΜΕ ι©ηΎB
qdpaññāΜ½ΞΜ§κͺ©πΕ ιB
©πΜΘ’ζΓͺSΜQΒΜ^Cv@@³ΎΙΒΆίι΄φΙΘι©π@@@@@
J}ΖΦτπΫθ·ιl½Ώ@@©πͺ ιζθΰ½Ώͺ«’
J}φΚ_ΰΦτ]Ά_ΰu©πvΕ ιͺA»κπFίΘ’iJ}βΦτΜ©πͺΘ’jB
έΖΜ§³kΙ½’^Cv@@@@ΕΘ©ππ½Θ’ΜΕAζΓͺSͺ ι±ΖΙCΓ©Θ’
κΚΜlΝΰYπ~΅A~΅’¨πΎζ€Ζ·ιAΕΘ©πͺ ι
Ξ΅ΔAέΖΜlΝΰYπζκΖΝΉΈA’~ΰΘ’ͺ½’ΜΕAΕΘ©ππ½Θ’
΅©΅A’ΎΰΝβsΙa―Δηι΅AαΑ½ΰΜΎ―ΕΆπ΅Δ’ιΜΕΝΘ’ΜΕAκΙζΓͺSͺ ι±ΖΙΝΟνθͺΘ’B±Μζ€Θ±Ζπu©πΜΘ’iζ€Ι©¦ιjζΓͺSvΖ’€B
©πΖΝ³νππ΅Δ’Θ’±Ζ
Εΰͺ{IΘ©πΝu¨ͺmΐΙΆέ·ιvBu¨ΝνΙ ιvΖ’€πΜdϋB
±κΝu³νΜ^vΜ³½ΞΙ ιΰΜB
±Μ©πͺuν½΅vAuΜΰΜvAu±κΕΘ’Ζ’―Θ’vΘΗΙ΅ͺέΒ±ΖΙΘιB
±Μ΅ͺέΒ«A· ͺu©πvA
·ΘνΏu©πvΖΝ· Μ±ΖB
u±Μ’Ν³νvπνΙΜ΄΅Δ’ιΖAiΖ’€TOΝ©RΙΑ¦Δ’B
a¬ΚΜoθΕu©πvͺΘΘι
΅©΅Au©πvͺΘΘΑΔΰAy΅’ΰΜΝy΅’B
μΡͺΘΘθνΙΏ ’½S«ΙΘιν―ΕΝΘ’ΜΕAuό‘΅’ΰΜπHΧ½’vΖ’€CΏΝΆέ·ιB
©πͺΘΘΑ½ζΓͺSΙΰA©πΜΘ’μδSΖΜδSͺάΎcΆ΅Δ’ιB
ΒάθA ικ΅έ©ηΜκ΅έΦΪs΅±―Δ΅ά€Ζ’€NZ©ηπϊ³κ½ν―ΕΝΘ’B
a¬ΚΜXe[WΝAάΎuμΡvΖΝ ικ΅έ©ηΚΜκ΅έπnθΰCͺ]·Ε ιΖ’€ΐͺAπΰΜ΄ΰΕ«Δ’Θ’Xe[WΕ ιB
X}iT[Μπί
uTJ[sΖΝAGlM[ͺ ιφxάΑΔAΘPΙΪΙΪΉισΤΜSΕ·BΘSΎΖΎΑΔΰζ’Ε·BvP66
±ΜπίͺͺAΆ¬ΜΗππβⱡ΅Δ¨θAwu[d΅ΘΔΰζ’SvΎΖo¦ΔΎ³’xP66βs’lΖέ’lP67 Ζλππ^¦ι\»π΅Δ΅ά€RΎΖͺ·ιB
ͺ³ΉΜκΝtΙ§ΐ΅Δ’ά·BΧ―ΙΞ΅ΔΆ©B±κΝ½ͺΧ©Ε½ͺ³©©ΖάΑΔ’ιΜΕ·B
EEEΗ±ΕΰKΙΫθ`πgΑΔΑΔ’ιΖ’€±ΖΕΝΘA΅§ΙCπΒ―ΔA³§ΐΙ΅½―κΞΫθ`Ι΅ΔA«ΏρΖΐθEθ`΅½―κΞΚΜΎtπgΑΔAΰΜ·²΅§ΙpκπgΑΔ’ιΜΕ·B
ζ2ͺP148
sammādiṭṭhiΜsammāΝsan©η£κιΖ’€Ϋθ`Ε ιB
SΜ·ΝμρΕ’ι©Η€©ζθΰqdͺ ι©Θ’©ΜΩ€ͺdvΕ ιBζ2ͺP165
«βΎtΜ’E©η©ιΖ»€Ε ιͺAqdΜΘ’ͺΐH·ι ½ΑΔΝAqdΜψpπΰζθΰAμΡΜbgπΰ±ΖΜΩ€ͺψΚͺ ι½ίΙAAr_}b^ETKn ΕΝμΡπξΙ΅ΔΤπ’Δ’ιΖͺ·ιB
IE^³ΜΒRΩμmΝqΕΆάκ½lΖΎ¦ά·Bζ2ͺP168
ñāṇaqΖpanñaqdΖΜα’Ν½ΘΜŠ뀩H
ñāṇaqΜθ`ΝX}iT[ΙζιΖiP170juJ}ΜΝ½η«ππ΅Δ’ι±ΖvΕ ιAΖ ιB
P’±Ζπ΅½ηP’ΚͺoιB«’±Ζπ΅½η«’ΚͺoιB»κη’Μπͺ κΞqñāṇa-sampayuttaΕ·B
umι±Ζvπm―AmbAqdΖͺή·ιΜΘηΞA»κΌκΜΝΝAΞΫAΰeΝΗΜζ€ΘΰΜΘΜŠ뀩H
©ΕΝmbΖqdΜα’ΝFΜ@₯Ε ι_}πΜ»΅Δ’ι©Η€©ΙζιB
ΒRΩμmͺΑΔΆάκ½ΰΜqdΕΝΘmbΕ΅©Θ’ΜΕΝȩ뀩B
qΙΞ·ιθ`βͺήβπΰͺKvΖ³κιB
ρͺP330
uFε]ΝΟ»·ιBΟ»·ιΰΜΝ³νBΟ»΅Δ³νΕ ιΰΜΝκBΟ»΅Δ³νΕκΕ ιΰΜΝAΜδΕ ιΖΎ¦Θ’Bδ¦ΙFε]Ν³δΕ ιBvoTH
·ΧΔΝ³δΕ ιA³δ_ ιΜέΖ½ΎδπΫθ΅Δ΅ά€ΖAU³κιΜΝAκθϋΜβθΕ ιB
ίΈΝu^δ»ΜΰΜπΫθ΅Δ’Θ’vAΖ’€wΰ’ιB
ά½ ιwΝu©δΝΫθ΅Δΰ©ΘΝΫθ΅Δ’Θ’vΖΎ€B
ΗΏηΰίΈΜs³iΫθ΅Θ’ΕqdΜϋόΙ±jπ΄ΆΔ’Θ’ΜΕAsgOκB
v
ρͺP358
ΗΜζ€Θ©ΘΣ―ͺΆάκιΜΝΗΜζ€ΘvZXΘΜ©H
©ΘΟ@π·ιΖAα¨@γgΙ¨ΏGlM[Ε ιFΊ‘GͺGκιB
PGκιΙ΄oΜσvedanaͺΆάκιB
Q±ΜσΖΝυEsυE§Μ^OΜζθt―π©IΙσ―ιΖ’€Σ‘Ε ιB
R±Μ΄oΖ’€κIΘ@\ͺΆάκ½ΙA’«Θθuvͺ»κAuͺ΄o΅½vΖqgΝz€B
OͺP212
Fε]Μπί@@±±ΕΜFΝ¨ΏΕΝΘA¨ΏΜC[W
±Μζ€ΙuvΖ’€TOΝA^Oπσ―ζΑ½ΙΆάκιB
ά½AuvΖ’€TOͺΘ’ΖAqgΝvl·ι±ΖͺΕ«Θ’B
ζΑΔ·ΧΔΜm―ΝAuvΖ’€ΐΜͺ ιAΖ’€ΐΖΝα€OρΙξΓ’Δ¬§·ι΅©Θ’B
ΙσvedanaΙΒ’Δl@·ιΖA
΄Άι±ΖΝuΤ½θΖΰ~άι±ΖΘ±«Aβ¦ΈΟ»΅A³νΕ ιB
©ΘΣ―Ε ιuvΝνΙΟ»΅³νΕ ιΜΕAΕθ³κ½usΟΜΐΜͺ ιvΘΗΝΆέ΅Θ’B
±κπ³δΖζΤB
ζOͺp156
tatra»±Ι-majjhattatā§IΙΘι@@§³Ύ―ΜΎt@ pκΕΝequanimity½H
ζOͺP159
Ar_}ΜκΤΪΜeLXgΜDhamma-sanganiΕ±±λΜΝ½η«πΰΎ΅Δ¨θA
Fε]Μ±ΖπχΜΖ’Δ’ιͺAχΜΜC[WΕΝΘ’©Hά½FΊ‘GΰάάκιΜ©Η€©H
ζάͺP78
νͺΌΙΘιίφΕA΅§ΙΎ€ΖAn ΜΏΚͺε«ΘΑΔ’ιΜ©ΰ΅κΘ’B
½Νn Μ ͺΖh{Ε ιͺA΅§ΜΰeΖΝAΎzGlM[Μ~Ε ιB
ΎzGlM[Μ~ΝA¨ΙΐηΈAΗΜ¨ΏΙΰ€Κ·ιβθΕ θA»ΜGlM[ΝFΙίθ³³κΔ’κIΘΰΜΘΜΕΝΘ’©H
p79@ΎzͺyΘιͺA»ΜGlM[ΜκΝA¨ΙόΑΔd³ͺ¦½B
ζZͺp305
Fε]ΖΈΟπΜ΄·ι±ΖΙΒ’ΔΜπί
#26 rūpa-nāma-pariccheda@@@ΌΖFΜͺΚ
Tattha rūpa-dhammā
rūpa-kkhandho va, citta-cetasika-saṅkhātā cattāro arūpino khandhā,
nibbānañ ceti pañca-vidhaṃ pi arūpan ti ca nāman ti ca pavuccati.
Fε]Μ±ΖπF@ΖΎ€BSΖSΖ’€SΒΜρFε]ΖAΈΟΖ’€5νΝAρFΖΰΌΖΰΎ€B
F@@@@@@@ΣͺmιΞΫΕ ιdhamma-dhātu@E@ΣΙζΑΔFπmιF@EπFε]Ζ’€B
SΒΜρFε]@@―ε]Ζ’€SΙAσEzEsε]Ζ’€Sπ«΅ΔSΒ
ΈΟΝunāmaΌvΘΜ©A»κΖΰrūpa-nāma©η£E΅Δ’ιΜΕAγLͺΤαΑΔ’ιΜ©H
rūpa-nāmaΜ³ΕΜζͺΕΝnāmaΕ ιΜΕAnibbānaΝΣΙζΑΔmι±ΖΕ«ιB
΅©΅»κͺκuΕ΅©Θ’ΜΝAnāmaΙe΅©fηΘ’urūpa-nāmaΜ³vπ£E΅½ΰΜΘΜΕAΏαρΖ’ΒΕΰmι½ίΙΝA{lͺPϋπdΛΔurūpa-nāmaΜ³v©η£E·ιKvͺ ιB
ζVͺ
p138
³FEΜTθΙB΅½ζ€Ζ·ιlΝAΕΙoIΘΖπΞΫΙ΅Δαz·ιB
δΧιSmāna@S@@ΖRvbNX
mānaΖΝͺιAδΧιΖ’€Σ‘ΜB
uδΧιv±Ζΰu~vΜκΒΕ ιB
ΙΘιΜΰARvbNXπΒΜΰΗΏηΰuδΧιv±Ζ©ηΆ·ιB
P«ΙΦνηΈAl©ηΗ€vνκι©πCΙ΅½ηuvΕ ιB
»κΝ©ͺΜΗSΙ]Α½θ₯΅½θ·ιΜΕΝΘA©ͺΜδΧΔ΅ά€SΙ· ΅Δ’ιζΓͺSΕ ιB
δΧιSͺΔΠοπμθo·
ΰ΅ΌΖδΧι±ΖπβίκΞΗ€Θι©H
RA©ι±Ζπβίι±ΖΙΘιB
ΌΖδΧιΙΝu©ιv_ͺKvΖΘιB
βθΝA±Μu_vΙ±ΎνθACΙ©―AεΙ΅A΅ά’ΙΝΛΆ·ι±ΖΙ ιB
±±ΕΜΛΆΖΝοΜIΙ½©H
_Ε©£θA©£κι±ΖΙζΑΔA©ͺΜsͺA·ΘνΏ©ͺΜSͺΆE³κι±ΖΕ ιB
ΒάθA±Μ©£ηκιΖ’€_ͺΘ―κΞA©ͺΜSπRg[·ι±ΖͺΕ«ΘΘΑΔ΅ά€B
θͺΏΘΜΝAΣ―½θρΎθ΅Δ΅ά€±ΖΎB
Θ’P[XΕ ιͺAtΙΔ³κΔ’Θ’©ηA΅½’ΧπΰΑΖ·ιΖ’€±Ζΰ ιΎλ€B
ΗΏηΙ΅Δΰu ιO[vͺuΗ΅vΖ·ι_vΖδΧΔ΅ά€±Ζπ±―A»κΙΛΆ΅Δ΅ά€ΖA
©ͺ©gΜSπRg[·ι@οͺΈθAΔπξΙ΅Θ’ΖAΠοΜΎ―ΕΝΘ©ͺ©gΜ±ΖΰΫΔΘ’lΤΙΘΑΔ΅ά€Ζ’€±ΖΕ ιB
ΖΗΜΒάθuoΘ«α’’vΖ’€ξΕιη·lΤ½ΏΙΘΑΔ΅ά€AΖ’€±ΖΎB
FΜ@₯ΝPΎBg€ΰΜΝB΅AgνΘ’ΰΜΝή»΅Δ’B
ΌΜ_ΕΝΘA©ͺΜ_Ε©ͺΜSπRg[·ιϋKπ΅Θ’ΝAνΙΔ³κΔ’Θ’Ζ©ͺΜSΰ₯·ι±ΖͺΕ«Θ’lΙΘΑΔ’Ύλ€B
‘ϊΰ@₯ΙθAΔJΙισͺ¦Δ’B
©ͺπ₯·ισΝ©ͺ©gΕμθo·Kvͺ ιB
©ͺΎ―Μ[Ε©ͺ©gπ₯΅ΔέιB
»±ΙΝε«Θ©RΖπϊΖμΡͺ ιB
Έ_Ύ³ΜεΌΝδΧιS©ηΆ·ιH@@Έ_a
©ΘΣ―ίθ©ηΆάκιuvδr·ιSB±ΜuvπRg[·ιPϋπ΅½ηA»γSwͺ΅ΑΔ’ιΈ_Ύ³πΌͺΩΗ‘ΉιΜΕΝΘ’©H
©ΘΣ―ίθΕuΟz΅½l¦vπJθΤ·±ΖΕA{θπ{³ΉΔA»κΕSΖgΜΜβθͺ©ηΦΖN±ιB
Έ_Ύ³ΜΌͺͺ{θΕaCΙΘΑΔ’ιBζΓ~ζθΰ½’ΜͺαΡΙζιaB
{θπRg[·ιζ€ΙγίΞAΈ_Ύ³Ν‘ιΒ\«ͺ ιB
dosamūla-citta αΡͺSQ
domanassasahagataṃ paṭighasampayuttaṃ asaṅkhārkam ekaṃ,
sasaṅkhārikam ekan ti imāni dve pi paṭigha-sampayutta-cittāni nāma
JδΕαΡiΜSjΙ³sͺPΒALsͺPΒAΖ’€±κηρνήͺAαΡSΖΔΞκιB
somanassa@@@ su+manas+sa@@@@Η’ +S+t’Δ’ι
domanassa@@
@du+manas+sa ζΘ’+S+t’Δ’ι
SmanaΜΉςΕ ιΝAmιmāna
paṭigha-sampayuttaαΡ@@{θͺΰφ
paṭighaΖΝA½Ξ·ιAΤΒ©ιAΫθ·ιAΫ·ιAcofrontationB
F―·ιΖ―Ι»ΜΞΫπΫ΅½Θι±ΖB
ΒάθAαΡA{θpaṭighaΜ±ΖB
paṭiiΞ΅Δj+ghaihata ihanΜίͺ@E΅½j + ta ¨@ghaj
uΞ΅ΔAΫ΅ΔE·Aΰ΅ΝAΘ·v
uF―΅½ΞΫπΘ΅½ΘιAΫ·ιv
άΈACΎΖ’€Γ’Sidomanassa-sahagataJδjͺΆάκιB
©½Θ’ΰΜA·«½Θ’ΰΜΘΜΕΓ’SΙΘιB
Ι»κπσ―όκ½ηί΅έAΫ΅½η{θΖΘιB
SͺΓΘιΜΝΞΫπΫ΅Δ’ι©ηΕ θA±κηͺί΅έΖ{θΜSΕ ιB
Γ’lΝσΘί΅έβ{θπΑΔ’ιB
SͺΓ’ΤΝAί΅έΖ{θπηρΕ’ιB
±κπ©oΕ«Δ’Θ’{lB
ψ«±ΰθA©EA©sΧAΑQsΧA
ΆεAs½AsAgΜΜ Ώ±ΏΜΙέA
νAv½A
CoΣ―
uΈs΅½vuα»³κ½v
ΜξΙ ιΜΝu{θΜSv
dosaΖpaṭighaΜα’
dosaΝγdusuκιvΖ’€κΉ©ημηκΔ¨θArāga-dosaΖΝ~Ζ’€κΜ±ΖΕAu~vΜκΕ ιB
κιΖ’€±Ζ©ηuΓ’SvΜ±Ζπw·B
paṭighaΝA½©ΙΞ΅Δ½·ιΖ’€Σ‘ΙΘιB
δΧΈΙ©ͺΜΗSΙ]ΑΔs·ι
ΌlΜ]ΏπCΙΉΈΙAΎι°X΅Δ’ισπμι
οΦΙσ©Α½ηAΑ½ΌAΕΝΘA½ΎΐπFίA
u©ͺΙΝ\Νͺ Α½ΜΎ©ηAσ©ΑΔζ©Α½BΌΜlΝcOΎΑ½v
l¦ιΘ
ͺΜΕTOπJΤ΅Δ’ιΜͺAβΓΙ©½l¦ΜJjYB
±κΝ{lΝRg[·ι±ΖͺΕ«Θ’B
JθΤ·±ΖΕΜGlM[ΜΟzπΙB³ΉΔ{΅Δ’ιΎ―B
Ξ΅ΔA§³Μul¦ιvΝφΚ@₯π½Ηι±ΖB
moha-mūla-citta sͺSQ
upekkhāsahagataṃ vicikicchāsampayutta ekaṃ,
upekkhāsahagataṃ uddhaccasampayutta ekan ti
imāni dve pi momūha-cittāni nāma
ΜδΕ^iΜSjͺPΒAΜδΕ{¨iΜSjͺPΒA±κηΜQνήͺΙπSΖΔΞκιB
vicikicchā-sampayutta^
³mΜu^v@@©ͺΕ²Χ½θm©ί½θΉΈAmηΘ’ΜΙAu―ΆΎvΖ»θ·ι±ΖB
α¦ΞA
u@³ΝέρΘΗ’±ΖπΎΑΔ’ιAέρΘ―ΆΎB
uέρΘ’λ’λΘΣ©ͺ ιBΗκͺ{Ύ©ν©ηΘ’Bv
u΅«½θΎ©ηv
uddhacca{¨
Sͺ¬σΤΕ¨πΝΑ«θF―΅Δ’Θ’σΤΜ±ΖB
Β«A\\AΪρβθA°CAEgEg
nigamana@κ
icc evaṃ sabbathā pi
dvādasākusala-cittāni samattāni.
ΘγΕA12νήΜsPSΜ·ΧΔπiΰ«jI¦½B
PEsPΜζΚ
§³ΕΝSΜ§κ©η¨π©ιB
uκΔ’ιSͺ ιvΖmF΅ΔA»ΜuκΔ’ιSΕs·ιΘηΞA»ΜsΝsPΘsΧΕ ιv
ΖFίηκιB
SΎ―ΕΝΘ±κΙ_}Μ§κπΑ¦Θ’ΖAδΛ@θβΜβθΙΝKΕ«Θ’
u©ν’’vΖη·ι±ΖΰsP
qͺΖ§΅½ΠοlΖ΅ΔΆ«ηκιζ€ΙqηΔ΅Θ―κΞΘηΘ’B
©ν’’Aΰ€ Aκ½SΕ ιB
99ͺsPH
Άάκ½ΝζΓA»κ©ηαΡͺΆάκA¨ΰͺ©ηΈΙsΜSΕs·ιB
sΧ©ΜΜP«Ν10νήΎ―@@@@ΣϋΜ
gΜ@@EΆAχAΧϊ
Ύκ@@ΟκAΌγAγYκAκe«κ
Σ―@@αΡAζΓ~AΧ©
ΉΜλπί
_ͺlXΜ½ίΙ¨πφ―½
u_ΝC³ά΄άΘνήΜμΆ¨C³ά΄άΘνήΜΖ{CnΚπ³ά΄άΘνήΜΆ«¨π’Α½B_ͺ©ιΖC»κΝΗ©Α½Bv@@@@@@@@@@@@@@@@@@@@@@@@@n’L1.25
u_Ν2lπj΅C±€ΎΑ½BuqπΆέC¦ΔCnγSΜΙLͺθCn πΗ΅Θ³’Bά½CCΜCσπςΤΆ«¨Cnγπ ηδιΆ«¨π‘ίΘ³’vv@@@@@@@@@n’L1.28
uΘρΆAE·Θ©κv@@ρΉΜoGWvgL20. 3`17A\½L5. 7`21
LXg³ΕΝA·ΕΙΖ{βμΆ¨πE·ΆπωΙ΅Δ’½ΜΕAγLΜπίπA¨ΝE΅ΔΰΗ’Ζ΅½B
ΐΫΙΝA¨πE΅ΔΰΗ’ΘΗΖΝΉΕ_ΝκΎΰΎΑΔ’Θ’B
ΎΑ½ΜΝuE·Θ©κvΕ ιB
³ηΙ
uAunΜ_πMΆΔ’ι½ΏΎ―ͺVΦs«AMΒΜΘ’Ν_ΙtηΑΔ¨θAρΎηnΦsl½ΏΜ½ΜΏlΝα’Bv
u_πMΆΘ’lXΙΝΆ«ι ͺΘ’v
ΖάΕπίπ··ίΔ΅ά’AlΕ³¦ΰ½CΕE·ζ€ΙΘιB
_πMΒ·ιl½Ώΰ΅Ξ΅Ξ@³νπψ«N±΅Δ«½B
§³Μ©ΘΣC
©ͺͺVΦs©AnΦs©Ν©ΘΕίηκιΜΕAγΜ’EΦΜIπΙΦ΅ΔΝ©ͺͺ_Ζ―ΆΝπΰΒB
©ͺͺsKΘηΞA©ͺͺCͺt©Θ’άάΙ«’±ΖπβΑΔ«½ΚΕ ιB
kāmāvacara-
sobhana- citta ~EςS@@@
sobhana-citta@@ςS@59-91
pāpāhetukamuttāni sobhanāni ti
vuccare,
eknasahi cittāni, athf ekanavutī pi vā
«iSjΖ³φiSj©ηE΅½iSjͺςiSjΖΎνκιB
59Sͺ ιB ι’Ν91SΖΰB
vuccare@@@ vuccatiF[vac + ya] @@@ΖΎνκι@@to be said or called
kāmāvacara- sobhana- citta @@~EςS24
mahākusala-citta @@ εPS8
somanassasahagataṃ ñāṇasampayuttaṃ
asaṅkhārkam ekaṃ sasaṅkhārikam ekam,
somanassasahagataṃ ñāṇavippayuttaṃ
asaṅkhārkam ekaṃ sasaṅkhārikam ekaṃ,
upekkhāsahagataṃ ñāṇasampayuttaṃ
asaṅkhārkam ekaṃ sasaṅkhārikam ekaṃ,
upekkhāsahagataṃ ñāṇavippayuttaṃ
asaṅkhārkam ekaṃ sasaṅkhārikam ekan ti
imāni aṭṭha pi kāmāvacara-kusala-cittāni nāma
μδΕqΜΰΜΝA@³sͺκΒALsͺκΒB
μδΕqsΜΰΜΝA³sͺκΒALsͺκΒB
ΜδΕqΜΰΜΝA@³sͺκΒALsͺκΒB
ΜδΕqsΜΰΜΝA@³sͺκΒALsͺκΒB
Ζ’€±κηWνiΜSjͺ~EPSΖΔΞκι
PSΙζΓαΡsΜκΒΕΰόκΞsPSΙΘι
VΡ½ͺιSΝΓ’S@@@@^ιA²ΙΘιΜΝΎι’±ΖΕΝΘ’
Q[AVΡAΞνΈΙ’ηκΘ’Ay΅άΈΙΝ’ηκΘ’AΖ’€Ώ «ΜΘ³ΖΝA^ι±ΖͺΘ―κΞ’ηκΘ’σΤΝAΗκΰΓ’SB
²ΘσΤͺIνκΞAlE΅π·ι©ΰ΅κΘ’B
PΜSΝAΏ ’ΔΈβ©ΕΎι’SB
ñāṇaqdͺ ιΜ©Θ’Μ©H
’λ’λΘqdͺ ιͺAJ}Μ@₯πζπ΅Δ’ι©Η€©ΝεΘ±ΖB
γiΖqd
ΙεΨΘΜΝqdΜL³
θͺKvΖ΅Δ’ι±Ζπζ²ΧΔAΣCπΑΔθͺ©§Ε«ιζ€Ι·ι±ΖͺqdΜ ιsΧΕ ιB
½Ύ¨Ώβΰπn΅Δΰ«p³κιλ―ΰ θAtψΚΙΘι±Ζΰ ιB
ζΓαΡsΖsζΓsαΡss
ζΓ@½©πζλ€Ζ·ι~@@sζΓ{΅Δ °ζ€Ζ·ιS@©ΤθπίΘ’
αΡ@{θΜS@@@@@@@@sαΡ΅έΜS@D΅Ύι’S
s@³mΜS@@@@@@@@ssͺͺα¦’ΔA¨πN±ΑΔΝΑ¦ι θΜάάΜlqπ©Δ’ι
PΖΝu«ͺΘ’±Ζv@@@Ϋθ`πg€R
ΎtΜ«ΏΝAw΅¦·±ΖΕAθ`·ι±ΖΕ ιB
Βάθuΐθv·ι±ΖͺAΎtΜΑΏΕ ιB
Ύtπg€½ΡΙΣ‘πΐθ΅Δ΅ά€±ΖΙΘιͺAΫθ`πg€±ΖΕ»ΜΐθΜgπζθO·±ΖͺΕ«ιB
½Ζ¦ΞPΖΝ{΅Ε ιAΖ’€ΖPͺΐθ³κΔ΅ά’Aζθε«ΘPΜCsβΈΟͺάάκΘΘΑΔ΅ά€B»±ΕPsΧπρ·ιΜΕΝΘAPΙΫθ`πg€±ΖΕ³ΐΜLͺθπ½·±ΖͺΕ«A¬³Θ{΅©ηΕΜΈΟάΕπάίι±ΖͺΕ«ιB
qdΝΆΜΙ ι@@@@±κͺ§³ΜΑ₯Ε ιB
³νππ·ι
κππ·ι
δΝ³ΝΕAδΙΝΐΜͺΘ’±Ζππ·ι
¨ΜΆΕΟ»ππ·ιB
· ©ηΆάκικ΅έππ·ιB
· ͺΘ’SΜ΄η©³Ζyυ³πΜ±·ιB
ίΈͺΰ’½±Μζ€ΘqdπA|AτσAΏACAΦΘΗΜϊνΆΜΕΜ΄΅±―Δ’ι±ΖB
©ͺΜgΜΙN±ΑΔ’ιΟ»πνΙπ΅Θͺηs·ιB
CsΜΗ±λΝAqdΜ ιSπμι±ΖB
RcΝμΡΙ±ΎνηΈAupekkaΜδΜsκsyΕs·ι±ΖB»΅ΔA©ͺΜSπRg[·ι±ΖB
hetuΝuP«»fΜφvΜ±Ζ
φΖΝΚA΄φΖ’€Σ‘ΕgνκιͺAAr_}ΜhetuφΝAͺΑ±Ζ’€ζ€ΘΣ‘B
hetuφΖΝAφΚΦWΜφΕΝΘ’B
hetuφΖΝAζΓαΡsAsζΓsαΡssΜΗκ©πΒΰΜπΣ‘·ιB
ahetuka-citta³φSΝAPΕΰsPΕΰΘ’S
ΚπΆΆι΄φΙΘηΘ’SΕΝΘ’B
ζΓi~jαΡi{θjsi³mjsζΓi~ΞηΘ’jsαΡi{ηΘ’jssimbͺ ιjΜΗκΙΰΣάκΘ’Sπ³φSΖΔΤ
P«Μ»fͺΘA½ΎSͺ¬κΔ’ιͺ³φSΕ18νή ιB
P’±Ζπ·ιΖSnͺ«’H@@]ΰΜOΙoιΜͺ|’B
·nΙ·¬ΔAVΕΝ^oRπz€ΞͺΘ’©ηAβΑΟθnͺ’’ΖvΑΔ΅ά€B
ΗρΘΙ«’±Ζπ΅ΔΰA±Μ’Μ±ΝOHΕιY±Ζ½ΎκxΎ―ΜYΎ―Ζ«Μ³Ν¬³ΒάηΘ’’EB
«zΒ©η²―ΈΙΒ·ιΉ΅©iάΘ’ΜΝAmΑ½’EΝSnͺΗΔ»±©η£κ½Θ’ΖvΑΔ’ι©ηB
ΚΜ’EΜΩ€ͺSnͺ«’B
½Μ©H
o±΅½±ΖͺΘ’’Eͺͺ©ηΘΔASz΅Δ΅ά€©ηB
P’±ΖΙΰ΅κΔ’Θ’ΜΕAV½ΘΜ±π΅ΔΰAΪΜOΜ’Eπ ιͺάάΙ©ι±ΖͺΕ«ΈΙAL―βΟzΜ’E©η²―ηκΈΙsΐΙΘΑΔ΅ά€B
Lθο’ΜΕΝΘALιͺR@@@@@@mΆ
~Μ’EΕΝA½©πͺ―ΔΰηΑ½η¨ηπΎνΘ―κΞΘηΘ’B
PsΧΝ½θOΜ’EΘΜΕA¨ηπΎ€KvͺΘ’B
ΆπmιkataññuͺεΨΕ θAΘΙ©΅ΔΰηΑ½η»κπYκΈΙo¦Δ¨’ΔA`Xͺ½η³θ°ΘθβN©Μ½ίΙΘι±Ζπ·ιB
τόpattidāna@@
pattiF[mD] a foot-soldierG an infantryDifDj arrivalG attainmentG meritG profitG shareD
©ͺΜsΘΑ½PͺEχΏπ©ͺβΌΜΰΜΜεθΙ³΅ό―ι±ΖB
SΝgͺκΞgͺιΩΗAΎι―κΞΎι’ΩΗAJ}ΰε«ΝΘιΜΕAτόΜψΚΝε·ιB
γΐΝ©ΌΜζΚπl¦Θ’ΜΕASΆ½Ιτό΅ΔAΌsπ·ιB
ά½ΌlΜPsΧΙΞ΅Δμ΅ΔAχΏπ’½ΎBΆ½ΝFέ’Ι¦Ν΅€B
πE·ιάΕΝμS©ηVάΕΦτ]Ά·ι―ΆΆ½¬ΜΘΜΎ©ηA©ΰΌΰκΕ ιB
εζΝLXg³Μζ€Ι~€A~ΑΔΰη€Ζ’€TOͺόιΖAcΜΦWͺ¬θ§ΒB
μanumodana@@@@anu»κΙζΑΔ
modanaμΤ±Ζ@@@
ΌlΜΘ·Pπ©ΔAμΡΜSͺΆΈι±ΖB
@
ahetuka-citta³φS@18
akusala-vipāka-citta@@@sPΩnS@7
upekkhāsahagataṃ cakkhuviññāṇaṃ, tathā sotaviññāṇaṃ,
ghāna
viññāṇaṃ, jivhā viññāṇaṃ, dukkhasahagataṃ kāyaviññāṇaṃ,
upekkhāsahagataṃ sampaṭicchana-cittaṃ, upekkhāsahagataṃ santiraṇa-cittañ ceti,
imāni satta akusala-vipāka-cittāni nāma
ΜδΜα―Ζ―lΙ¨―A@―Aγ―A»κΖκδΜg―AΜδΜΜσSAΜδΜxSB
±κη7νͺAsPΩnSΖΔΞκιB
vipākaΩnΖΝAsΧΜΚπSΕ΄Άι±ΖB©ͺΜsΧπΚπ©ͺΜSΕ΄Άι±ΖB
ίΜuvΖ’€SͺsΑ½sΧΜΚπA«ΜuvΖ’€Sͺ΄σ·ιB
ΜδΜα―
©ι@\Ύ―ΕΝκ΅έΰμΡΰΘ’B
΅©΅·ΕΙ©½ρHπμΑΔlΝ ιΰΜπ©κΞ½ΛIΙACΎA©½Θ’AΖ΄ΆιB
±€΅Δκ΅έπ΄ΆιB
©ι±Ζ©ΜΕ ια―ΝAyΕΰκΕΰΘ’ΜδΜ΄oΕ ιB
κδΜg―
©ι@\ΙΝκ΅έΝΘ’ͺA’υπ©Δα ΜκΙΙέπ΄Ά½ηA»κΝgΜͺΙͺΑΔ’ι©ηΑΕ ιB
±Μζ€ΙgΜΕ΄Άιg―ΝΜδΕΝΘAκδΕ ιB
ΜδΜΜσS@saṃpaṭicchana@@@@@@saṃ-FprefD[V =sam] €ΙC³΅CWάιC―Ά
ά΄ν―©ηόιΞΫΜMπSΕσ―ζι±ΖB±κΙΝμΡΰκ΅έΰΘ’B
σ―ζθ½’ΰΜπσ―ζιPΩnΖσ―ζθ½Θ’ΰΜπσ―ζιsPΩnͺ ι
ΜδΜxS@santīraṇa
ΙAόΑΔ«½Mπ΅ΔAωΙ ι’λ’λΘJeS[ΙόκΔ΅ά€«Μ±ΖB
JeS[ΜΙΝΗ΅«΅Ζ’€JeS[ΰ θAθΙͺΚ·ιB
±κΙΝμΡΰκ΅έΰΘ’B
΅©΅AΗ’JeS[©ηy΅έͺΆάκA«’JeS[©ηΝκ΅έͺΆάκιB
½Ζ¦ΞAnΙΆάκ½Ά½ΝA·ΧΔΜξρπxSͺ«’Ζ»f·ιΜΕAnΕΝκ΅έΜέπ΄ΆιB
ίΜJ}Ε»fξπίηκΔ΅άΑ½ΜΕA{lΝΗ€·ι±ΖΰΕ«Θ’B
ahetuka-kusala-vipāka-citta@@@³φPΩnS@8
upekkhāsahagataṃ kusalavipākaṃ cakkhuviññāṇaṃ,
tathā sotaviññāṇaṃ ghāna viññāṇaṃ jivhā viññāṇaṃ, sukhasahagataṃ kāyaviññāṇaṃ,
upekkhāsahagataṃ sampaṭicchana-cittaṃ, somanassasahagataṃ santiraṇa-cittaṃ,
upekkhāsahagataṃ santiraṇa-cittañ ceti
imāni aṭṭha pi kusala-vipākāhetuka-cittāni nāma
ΜδΕPΩnΜα―A―lΙ¨―A@―Aγ―A»κΖyδΜg―AΜδΜΜσSAμδΜxSΖΜδΜxSA±κη8νͺA³φPΩnSΖΔΞκιB
μδΜxS@P’ΰΜπ©ιΖA»κπuy΅έvΖ’€JeS[Ιόκι
ΜδΜxS@ΚΜΰΜπ©ιΖA»κπuΚvΖ’€JeS[ΙόκιB
ΘγΜPΩnSΝJ}ΜΚΖ΅Δσ·ιΎ―Ε θAP«ΜφΙΘιΰΜΕΝΘ’ΜΕAAr_}ΜpγΕu³φSvΖΔΞκιB
Σvͺ ΑΔΰΘΔΰAαΙΝ©¦ιΜΕAζΓαΡsΖsζΓsαΡssΙΦWΰΘA©RΙN±ιΰΜΘΜΕA³φSΜJeS[ΙόκιB
qgΙΆάκΔΰgΜΜΙέΘΗπ΄ΆικΝA»κΝPΩnSΕΝΘAΘΙ©ΚΜ«’J}ΜΚπσ―Δ’ιB
©ͺΜίΜJ}πmιΙΝ
ά΄Εσ―ι΄oΜ·ΧΔΝίΜJ}ΜΚΘΜΕA©ͺΜά΄π©ι±ΖΕJ}πmι±ΖͺΕ«ιB
±κͺJ}©η¦°ηκΘ’AΖ’€Σ‘Ε ιB
νΙuΤuΤΙJ}πμι±―ιΜͺΣ―ΜΜΉB
π¨Α½΄φΝ±Μ»±Ε ιAΖIΡoΉιΜΝub_Ύ―Ε ιB
±Μζ€ΘφΚΦWπΐθ΅ζ€Ζ·ιΖl¦Yή±ΖΙΘιΜΕAsKπ΄Ά½ΙΝ
uίΜ«ΖΜΚΕ λ€v
u©ͺΜJ}©ηΝ¦°ηκΈAsΧΜΚΝ©ͺΙKΈΑΔιv
mΑΔΟά΅Δ¨«Au’άE±±vΙό©€ΜͺΗ’B
ί\Nβρ\NΜL―πΟ@΅ΔέιΖAuJ}Ιζι©ͺΜsΜp^[vπ©·ι±ΖͺΕ«ιB
½©ΟνηΘ’Μζ€ΘΰΜͺJ}B
P’J}ΖΝ©RΜΟ»ΦΜKΝ
M³¦³ΙKΕ«ι±ΖA©R©έΙ©RΜΕΆ«Δ’―ι±ΖͺlΤΜxΕΝP’J}B
lΜυ½ΝWN
lυͺΞΰ@iwκ’άoxAw« oxAw«πoxj
lυͺlηΞΰiw·’άoxAw]ΦΉ€CsoxAw’ά]Φ€oxAwοΙ_xjv42
https://www.jstage.jst.go.jp/article/bukkyobunka1992/2008/16/2008_16_l1/_pdf/-char/en
§ΙΜͺ{³ΰΝlυ84ηΞΰΖ’€43B±Μΰά½Σ‘ͺ ιΖΝl¦ηκΈA½Ύ’I³»ϋΦΖ΅ΔΜ½’\»Ζ΅Δgνκ½Ιί ¬Θ’B
Μ©ησxlΜΜ½’\»Ζ΅Δ84ηͺgνκ½ΜΕ λ€B
΅½ͺΑΔAlΤΜυ½ͺΙ[Ι·ΘΑΔνθΣμFͺo»·ιΖ’€±ΖΕ ιB΅©΅AlΤΜυ½ͺθ Ι·ΘΑ½θZΘΑ½θ·ιΰΜΕΝΘ’B§³ΜφΚρΜ@₯ΙζΑΔPsπΟίΞυ½ͺ·ΘθA«sπ·κΞ·ιΩΗZΘιB§³Μ{ΜΣ‘ΝlΤΜυ½ͺ84ηΞάΕ·Θιζ€ΙΒXl©ηͺ\PΖπΟίΞνθΣ§ͺo»·ιΖ’€ΰΜΕA\PΉΕΘ’\«Ήπ·ιΖνθΣ§Ν»κΘ’Ζ’€B
»±ΕνθΣMΒͺ¬sΑ½γπ©ιΖ~ΟΖΘι§Ζ΅ΔνθΣMΒͺ½M_³κ½ΜΕ ιB
±κπ§vzΖ’€B νθΣMΒͺΣ‘·ι§vzΖΝ§³IVAε`A―Ι³Ψ’EΖ’€nγVΜΖ΅Δ§³IηN€vzΕ ι±Ζͺ’¦ιB
42 ΰvuνθΣMΒΖ³Ψ’Eέ vwνθΣΉTxA_ZΠ A1992A245Ε B
43 ΰO³uνθΣMΒΜΉ¬ΖπjIWJvwνθΣvzΜ{ΏΖWJxΨvzjwοΫwpοc1993A67Ε
J}Μγ©©η²―ιϋ@
Gπ©½Ύ―ΕΝP«ΝΘ’ͺA»κΙζΓαΡsͺ½΅Δ΅άΑ½ηAJ}ͺμηκιB
»ΜGπu~΅’vΖvΑ½ηJ}ͺΕ«ιͺAu«κ’ΎvΖv€Ύ―ΘηΞAίΜJ}πσ―½Ύ―B
BpbTi[αzΕAu½©©¦½ηA»κͺuFvi`ΖFΜ ιΞΫ¨jΎΖmF·ιvPϋπJθΤ·B
uFEΉEE‘EGvΎΖmF·ιΎ―B
»ΜMπF―΅½ΜΝAίΜJ}ͺ΄φΎΖπ·ιB
±κΎ―ΕIνθB
±κπ½ΎmF·ιΎ―Ε―άιΜͺNZΙΘιάΕJΤ·B
·ιΖV΅’J}ΝμηΘ’ΜΕAV΅ΆάκιJ}ΝΘ’B
±κηͺΕ«ιΜΝ’ ΏΎ―B
Snζ’ΰΜπ©½ηAWνΜ~SͺΆάκA«’ΰΜπ©½ηQνΜ{θͺΆάκA{[Ζ΅Δ’½ηQνΜ³mΜsPSiΒ«©^’jͺΆάκι
ahetuka-kiriya-citta@@@³φBμS@3
upekkhāsahagataṃ pañcadvārāvajjana-cittaṃ,
tathā manodvārāvajjana-cittaṃ,
somanassasahagataṃ hasituppāda-cittañ ceti,
imāni tīṇi pi ahetuka-kiriya-cittāni nāma
ΜδΜάεψ]SΖA―lΙΣεψ]SΖAμδΜΞNSAΘγA±κηRΒπ³φBμSΖΎ€B
kiriyaBμΖΝAJ}πμηΘ’½ΎΜ«Ζ’€Σ‘B
ψ]SΖΝAΣ―ͺN«Δ’ΔA΄oν―©ηΜMπ·ΙσM΅Δ½Ε«ισΤΜSΜ±ΖB
άεψ]SΖΝAά΄oν―ͺMπψ«Β―ι½ίΙN«Δ’ισΤΜSΜ±ΖΕA±κΙζΑΔ΄oͺ ιB
Σεψ]SΖΝASΙ·ΙΣ―ͺΆάκιζ€ΙΏ\¦Δ’ιSΜσΤΜ±ΖB
αzͺο΅’R
άεψ]S͒Ē马θΝAgΜπκ·ι±ΖͺΕ«Θ’B
βΑΖgΜͺΏ ’ΔιΖA‘xΝΣεψ]Sͺ΅ΝΆίιB
κxAΣεψ]SͺΆάκιΖATOiΟzjͺ©ηΦΖΆάκ±―ιΜΕAαzΝΘP»€Εο΅’RΕ ιB
αzΖΝ±ΜSΜ³πjι±ΖΕ ιB
Ξ’ΝsPH
Ξ€@₯ΝAΟiΉΖΜ·Ωjπ©Β―ΔA»κΙCt’Δ’ιΖ’€±Ζπ\»΅Δ’ι½Ε ιB
Ξ’ΝζΓͺSΜκΒΘΜΕAΞ€±ΖΝsPsΧΙΘιB
μδΜΞNS
’ ΏͺuqdΙζΑΔ©ͺΝ~νκA°λ΅’’E©ηβΑΖSͺπϊ³κ½vΖ’€Ώ «ͺΆάκA»ΜμΡΜΞηΜ±ΖπμδΞNSΖ’€B
nigamana@κ
icc evaṃ sabbathā pi aṭṭārasāhetuka-cittāni samattāni,
sattākusalapākāni,puññapākāni aṭṭhadhā kiriya- cittāni tīṇiti,
aṭṭhārasa ahetukā.
ΘγΕA18νήΜ³φSΜiπΰͺj·ΧΔI¦½B
sPΩnͺVΒAΖipuññaPjΣnͺWΒABμSͺ3ΒΖ’€18Μ³φΕ ιB
SΜGlM[ΖΝAψΑ£ιGlM[
SΜGlM[ΖΝA©ͺΜϋόΙψΑ£θζθΰ€Ζ·ιGlM[Μ±ΖB
©ιΰΜ·ΰΜπ©ͺΜΰΜΙ΅½’Ζ’€GlM[Ε ιB
άΈΝΆίΙ©ͺΖ’€ΆzπμΑΔAOΜΰΜπ©ͺΙψΑ£λ€Ζζ£ΑΔ’ιB
±€΅ΔsΒ\Θ±Ζπ΅Δκ΅ρΕ’ιB
KΙΘι½ίΙΝAζθήΜΕΝΘASOΙo·±ΖB
mahāvipāka -citta @@ εΩnS8
somanassasahagataṃ ñāṇasampayuttaṃ
asaṅkhārkam ekaṃ sasaṅkhārikam ekam,
somanassasahagataṃ ñāṇavippayuttaṃ
asaṅkhārkam ekaṃ sasaṅkhārikam ekaṃ,
upekkhāsahagataṃ ñāṇasampayuttaṃ
asaṅkhārkam ekaṃ sasaṅkhārikam ekaṃ,
upekkhāsahagataṃ ñāṇavippayuttaṃ
asaṅkhārkam ekaṃ sasaṅkhārikam ekan ti
imāni aṭṭha pi shetuka-kāmāvacara-vipāka-cittāni nāma
μδΕqΝA@³sͺκΒALsͺκΒB
μδΕqsΜΰΜΝA³sͺκΒALsͺκΒB
ΜδΕqΜΰΜΝA@³sͺκΒALsͺκΒB
ΜδΕqsΜΰΜΝA@³sͺκΒALsͺκΒB
Ζ’€±κηWνiΜSjͺLφ~EΩnSΖΔΞκι
μρΕ’ιSΕΚΘηΞA»ΜlͺPsΧπ΅½J}ͺ’ΔAΆάκΟνιB
»ΜκΝΆάκΟνιuΤΙεPSΜΚΕ ιεΩnSͺΆάκιB
ΆUΙν½θ«ΖπdΛΔ’ΔΕγΜuΤΎ―PsΧπ΅½κΙΝΗΜζ€ΙΆάκΟνιΜŠ뀩H
εΩnS
ά΄κΣΕ΄Ά½±ΖΙΒ’Δ]ΰΕl¦ι±ΖΝΩnSΖ’€J}ΙΘθA»ΜsΧΜΚπεΩnSmahāvipāka-cittaΖΎΑΔ’ιB
εΩnSΖΝAίΜsΧΜΚiJ}jͺ»κ½ΰΜΘΜΕAΗ€·ι±ΖΰΕ«Θ’B
εΩnSΝκΆUͺΜSΜ\Νβ«iπίΔ΅ά€ΰΜB
±ΜεΩnSπξΙ΅ΔvlπJθΤ·ΖA©δΙΘιB
aCπ‘·ΙΝ
SΜ«ΝgΜΜ«ζθΰσΕA³CΘlͺSΜ«ΕaCΙΘΑ½θAaCΜlͺSΜ«Ε³CΙΘΑ½θ·ιB
κΆΟνηΘ’«iπΌ·ΙΝ
εΩnSΙζΑΔAΆάκΝμθA«iΝάιBΆSΖΰΎ€BSͺκUΆάκ½ηA»ΜSΜgͺκΆU±B
gΜiά΄jΜJ}ͺΰ½η·κ΅έΝε΅½βθΕΝΘAuEπ©½η«’ΰΜͺ©¦ιvΖΎ€ΜΘηAEπ©Θ’ζ€Ι·κΞπ·ιB
΅©΅SΜJ}©ηΝ¦°ηκΘ’B
½Ζ¦ΞΘΰΜi¬GArAΘjͺΙ ιΜΘηΞAcΙΦψΑzΉΞ»κΕπ·ιͺAΓ’l¦ϋͺ ιΜΘηΞcΙΙψz΅ΔΰΓ’l¦ϋ©ηΘPΙΝ¦°ηκΘ’B
lΜ«iAΆ«ϋAD«’ΝSΜJ}ΜΚΘΜΕAΘ©Θ©ΌηΘ’B
OκIΙwΝ·κΞA»ΜͺΎ―·±΅Ν«iΰΌιB
XΙΩρΜχ©Ι΄η©ΙΝΘιΜΕAεθΜΒ\«ΝNΙΕΰ ιB
Rs [^[ΜAvP[VEvOΜζ€ΙA»κΙβθͺN«½ηΌ·½ίΙΝA―ΆRs [^[Μ―ΆAvΙω³vOπόκι΅©Θ’B
±Μζ€ΙA©ͺΜSπΌ·ΙΝ©ͺΜSΕΌ·΅©Θ’B
Rs [^[Ζε]Μα’ΝARs [^[Νn[hfBXN²ΖζθΦ¦ι±ΖͺΕ«ιͺAΆ½ΜΝ»Μζ€Θ±Ζͺ±κάΕΕ«Δ’Θ’Ζ’€±ΖB
«IΙΕ«½Ζ΅ΔΰA»κΝΰ€A©ͺΕΝΘΘΑΔ’ΔA©ͺΜo±Ζω³³κ½vOΖ΅ΔΜo±ΖΜα’ͺͺΚΕ«ι©Η€©Νο΅’Ζͺ³κιB
«iͺΌηΘ’R
lΜ«iiΈ_jΜ¬·ΝΕ«ιͺA©ͺΜΑΔΆά꽫iΜΚeͺSΙΑ¦ιΖ’€±ΖΝΘ’B
©ͺΜ«iͺ«’ΖCt’ΔΰAΌ·ΜΝeΥΕΘ’ΜΕAdϋͺΘ’ΖϊίιΜͺASqΆΙ¨’ΔΝΗ’B
»κζθΰA«Ι¨’ΔAP’±ΖπΟΙIΙsΑΔAP’J}πμι±ΖΙwΝ·ιΜͺAψΚͺ ιB
·ιΖV½ΙμΑ½J}ͺΚΖΘΑΔACΓ©Θ’ΰΙAXΙ©ͺΜ«iΰόΗ³κΔ’ι±Ζͺγ©ηCΓ±ΖΙΘιΎλ€B
qgΝνΙu©ͺvbhavangaσΤΙίιΜΎͺA±Μ©ͺΖΝΆSΜ±ΖΕAΆάκ½ΜSΘΜΕAΘ©Θ©¬·Ε«Θ’B
ζ£ΑΔCs΅ΔΰAΝά½u©ͺvΙίΑΔAnί©ηX^[g·ι©ηA¬·ΰ»±»±ΘΜΕ ιB
oK@bhEM[^
νβJ[XgΜmθ@@πβ`±Μmθ@
νπYήΜΝ`±β»ΫπζΚ΅Δ’ιΖ΅ΔΫθ³κιB
Ξ΅Δ§³ΝA θΜάάΜΐΙtη€AlΜΈihΏπΫθ·ι±ΖΙΞ΅ΔΝζΖ΅Δ½Ξ·ιB
ΎtΜό΅³ΕΝΘΐs·ιϋ@ΙX|bgCgπΔιqd
©ͺͺCs΅Δoι©ΝΜ³¦ΕAΌlΜΣCΙ·ιΜΝΣ―ΎΖ΅AlΝϊXΜwΝΙζΑΔliπόγ·Χ«Ε θ»ΜΐHϋ@π§³ΕΝΰB
³ΜSΙίΑΔ΅ά€lΜϊνΆ
Έi΅ΔΰΰΖΙίιΜΝεΘ±ΖB
Έ_aΙΘιlΕu©ͺΙίΑΔAxήv±Ζπ΅Θ’±Ζͺ½’B
uxάΘ’ΜπόϊΊ΅ΔAbNX΅Δ’ιΜπFίΘ’vΖgΜΰSΰσκΔ΅ά€B
Ύιy΅Ά«½―κΞA³ΜSΙίι±ΖπεΨΙ·ι±ΖB
uvͺ ιζ€Ι΄ΆΔ΅ά€R@@@SΜΟ»ͺ·¬ι±Ζ
SΜ¬³Νυ¬ζθΰ17{’B
1bΤΙΉͺ4000ρi40KwcjΟ»·ιΖqgΝΉΖ΅ΔF―Ε«ιB
Ο»·ιρͺ¬ΘιΖA»ΜΟ»π¨¦ηκΘΘιB
SͺΟ»·ι±ΖΕqgΝF―·ιB
»ΜΙΝbhavangaσΤΖ’€u³Μ©ͺvΙίΑΔ©η17ρΜSΜΟ»ͺnάιΜΎͺA±Μρͺ άθΙΰ½ΘιΖAίιxΙu©ͺΖ’€ΐ΄vͺ ιΜΎͺA±ΜσΤͺΈΑΖ±ΖAu©ͺͺ’ιvΖλπͺΆάκιB
ΒάθAυβΉζθΰΟ»΅Δ’uSv©ΜπAuΟ»΅Δ’Θ’ΒΜvΖ΅Δ΄ΆΔ΅ά€B
·ιΖ’ΒΕΰu©ͺvΖ’€ΐ΄πΑΔ΅ά€B
»΅ΔAΟ»΅Θ’©ͺAiΜδͺ±±Ι ιΜΎΖ¨α’π΅Δ΅ά€B
εΩnSΝκΆUͺΜSΜ\Νβ«iπίΔ΅ά€ΰΜB
±ΜεΩnSπξΙ΅ΔvlπJθΤ·ΖA©δΙΘιB
uvΜΐΜΝFσzs―Ε θA©δΖ΅ΔΜuvΕΝΘ’B
uSΜ¬xvuυΜ¬xv
»γΜm―Πο©ηEΑ½ΰΜΕ·B§³©ηΟκΞΜ±±λΟ»Ν¨ΏΜΟ»¬xΖδΧιΖΝι©Ι’BΕΝA’ΜΕκΤ’ΖΎνκΔ’ιΰΜΝΖΎ¦ΞυΕ·BυΝ½ΘΜ©H@§³©η©ιΖ¨ΏΕ·BΕ ιΘηA±±λΝυζθΝ’ΙάΑΔ’ιB
F―ΜΕ¬ΜPΚπμι½ίΙ±±λΝPVρΟ»·ιΖAbhidhammaΕΝ³¦Δ’’ά·BoTH
i±κΝoΜΤΕ·ΖF―·ιΖF―PΚΝ½³ρoΔ’ά·BΪπ ―½uΤΕΪΙGκ½υΜξρΙζΑΔA½©Gκ½η’΅©F―΅Θ’B»κ©ηΤΙGκ½ΰΜΝΘρΕ·©A]XΖF―ͺ¬κΔ’ΑΔβΑΖuoΜΤvΖ’€F―ΙΘιΜΕ·BΪπJ―Δ©ηuoΜΤΎvΖF―·ι½ίΙΗκη’Τ©©ι©Εζ[ΜΘwZpπΑΔ’ιFlΙΘPΙoιΖv’ά·ͺBΰ΅³¦ΔκιΘηA»ΜTOΰΗAͺEΑΔA@πΰΎ·ι½ίΙΒ©’ά·Bj
ΘΊ±±λΝ17ρΟ»·ι©ΖΎ€β’ΙAbhidhammaΰΝ¨ΏΜuΤΝ±±λΜuΤΜ17{Ζ’€±ΖΙΘΑΔ’ά·B
iFΤΜΕΜPΚΝkhaṇauΤΕ·BΤΝΆέ΅Θ’BΰΜΝΟ»·ιB»ΜΟ»Μ¬xͺΤΖΎ€TOπμιB¨ΏΜΟ»Μ¬xΜΕ¬ΜPΚΝkhaṇa1Ε·B±±λΜΟ»Μ¬xΜΕ¬ΜPΚΰkhaṇa1Ε·B΅©΅±±λΜkhaṇa17=¨ΏΜkhaṇa1Ε·BΎtͺ―ΆΕ¬·ι©η±±λΜPΚΕ ιkhaṇaπκΚIΙgΑΔ’ιΜΕ·Bj
ΕΝAbhidhammavzΖͺ¨Ώζθ±±λΝ17{’ΖvΑΔͺ©Α½ΜΕ·ͺB
±κΝαzΜBlBͺΎ½΄z΅½qdΙξΓ’ΔΎΑΔ’ι±ΖΕAκΚIΙΝπΕ«Θ’ΰΜΎΖAbhidhammaͺTUΎΑΔ’ά·B»κΝ»κΕAAbhidhammΰκΒΜwβΎΖvΑΔl¦Δέά΅ε€B»ΜΖ«Ι©¦½±ΖΝu¨ΏΜΎmΘF―ΜΕ¬ΜPΚπN±·½ίΙ17νήΜSͺΖ’€±ΖΕ·B±±λΝκΒΜΘͺκΘΜΕA½ΜSΝκΙΜΕΝΘκΒκΒΜ±±λΝ©ͺΜ@\πN±΅ΔΑ¦ιΜΕ·B±±λΙG꽨ΏΝΑ¦ιάΕ½πN±΅ά·B»ΜΤSͺ17ρΆάκΔΑ¦ά·B»κΕ¨Ώζθ±±λΝ17{’Ζ’€±ΖΙΘΑ½ΜΕ·B
ñāṇaqΜθ`
X}iT[ΙζιΖiP170juJ}ΜΝ½η«ππ΅Δ’ι±ΖvΕ ιAΖ ιB
P’±Ζπ΅½ηP’ΚͺoιB«’±Ζπ΅½η«’ΚͺoιB»κη’Μπͺ κΞqñāṇa-sampayuttaΕ·B
ΆSΖS
ΆάκιuΤΜSπΆSAΚuΤΜSπSΖ’€B
±Μ2ΒΝΏIΙΝ―ΆΰΜΕ ιB
mahā-kiriya-citta @@ εBμS8
somanassasahagataṃ ñāṇasampayuttaṃ
asaṅkhārkam ekaṃ sasaṅkhārikam ekam,
somanassasahagataṃ ñāṇavippayuttaṃ
asaṅkhārkam ekaṃ sasaṅkhārikam ekaṃ,
upekkhāsahagataṃ ñāṇasampayuttaṃ
asaṅkhārkam ekaṃ sasaṅkhārikam ekaṃ,
upekkhāsahagataṃ ñāṇavippayuttaṃ
asaṅkhārkam ekaṃ sasaṅkhārikam ekan ti
imāni aṭṭha pi shetuka-kāmāvacara-
kiriya-cittāni nāma
μδΕqΝA@³sͺκΒALsͺκΒB
μδΕqsΜΰΜΝA³sͺκΒALsͺκΒB
ΜδΕqΜΰΜΝA@³sͺκΒALsͺκΒB
ΜδΕqsΜΰΜΝA@³sͺκΒALsͺκΒB
Ζ’€±κηWνiΜSjͺLφ~EBμSΖΔΞκι
’ ΏΜέͺΒJ}ΜΘ’sΧΜ±ΖB
gbvxΜP’J}ΙΘιΜΕΝΘAJ}ΙΘιΩΗΜΟY³¦ΰΘ’B
½ΎPΙsΧπ΅½Ύ―ΕAΚΝΘ’B
’ ΏάΕΙΘιΖJ}ͺΘ’ΜΕΏΰΘΘιB
ΏΝΆ½ͺειάΕA·ΘνΏΦτ]ΆΜΤΎ―Ι ιΰΜB
§³ΜΏiχΏjΖΝA
’A’§AΚoAF禱ΘΗΜPsΧΙΝA»έά½Ν’Ι¨’ΔKβvπΰ½η·\Νͺ ιΖ³κA
±κηΜP’ρ’πσ―ιΧ«φΖ΅ΔΜPsπPͺiΊρ²ρjχΏά½ΝχΏPͺΘΗΖ’€BPͺπΟή±ΖβCsΜΚAρ’Ζ΅ΔΎηκιΚρβbέΰχΏΖ’€B
«ΏΖ΅ΔΜΏΕ ιi: guṇajA
sΖ΅ΔΏΕ ιi: vṛttajA
ρΚΖ΅ΔΜΏΕ ιio[: puñña@ pκMeritjͺ ιB
PΜsΧΙΝ@³IΘΰΜΖ’IΘΰΜͺ θA’IΘΰΜΝ^ΐΜχΏΕΝΘ’sΐχΏΖ³κι
kāmāvacara-citta @@ ~ES@54ΜΫσ
kāme tevīsa pākāni, puññāpuni vīsati,
ekādasa kiriyā ceti, catupaññāsa
sabbathā.
~EΙΝ23ΜΩnA20ΜPΖsPA11ΜBμΖ’€ASΕ54ͺ ι
~EkāmāvacaraΖΝu³vΜ±Ζ
~EkāmāvacaraΖ’€κΜ~kāmaΖΝAuqgͺ¨πF―·ικΙΝα¨@γgΜ5ΒΜ`lπΚ΅ΔFΊ‘GΜξρπF―·ιvΖ’€Σ‘Ε ιB
ζΓαΡsΜΣ‘Μ~ΕΝΘAΆ½Μ³πw·Σ‘ΕΜ~Ε ιB
avacaraEΝus«nιvΖ’€Σ‘B
’
ΏΜsΧΝBμSΕ ιͺAΆ«Δ’ιΜΝ~E
’ ΏΰΪΕ©κΞξρΝόιΜΕ~EΜSͺ ιͺA»±ΙΟYΝΘ’B
7sPΩnS
8³φPΩnS
3³φBμS
8εBμS
v26νΎ―
κΚlΝA
12ΜsPS@@@ΐΫΙΝ±ΜsPSΞ©θB
³φPΩnS
³φsPΩnS
³φBμS
v18
8εPS
1εΩnS
Εv27
ΆάκΟνθΖΝSͺ»κ½±Ζ
§³ΕΝAΆ½ΖΝSΜ«Μ±ΖΘΜΕAΆάκΟνΑ½Ζ’€ΜΝAuSͺ»κ½vΖ’€±ΖB
uGvπSͺΙέβυ΄ΎΖͺΚ΅Δ’ιͺAΐΫΙ ιΜΝuGvΎ―B
ΙέΜSͺΆάκ½ηAuΙ’vΖ’€ͺA½ΎΜ¨ΜΕ ιgΜͺΙͺΑΔ’ιΜΕΝΘAΙͺΑΔ’ιΜΝSΕ ιB
ΙέΎΖF―·ιΖ«’J}Aυ΄ΎΖF―·ιΖP’J}Ζ»f΅ΔΎ€ͺA»κΝΎ€Ύ―Ε ΑΔAgΜΜ΄ΆΝS―ΆΕA½ΎuGκιvΎ―Ε ιB
rūpāvacara-citta @FES@
FESΜΝΝΝϊνΆΜκΚIΘSΕΝΘA΅΅’αzCsπ΅ΔASΜ³π΄¦ΔTθΙB·ιSΜΝΝΕ ιB
qhD[³Μ[KαzΙζΑΔδκ@ΜΜ±π΅ΔΎι«nΕΰ θAFEΝVEΜ±ΖΕ ιB
»γΝ@BΜ\Νπί½±ΖΙζΑΔΒ\ΙΘΑ½uF―vΕ ιͺAFESΝqgΜ\ΝπίΔΎιF―Ε ιB
uvΖ’€εκͺ ΑΔF―·ιΖA»κΝ~E³ΜF―ΕAFE³ΜF―ΝuΘρΖΘ½©©¦½vΖ’€uΤΕAuvΖ’€yδ©ηF―΅½ΜΕΝΘ’B
ΎκΝΦΘxΕ θAPκΝΕθ΅Δ’ιͺAΣ‘Ν¬IB
ΎtΜg’ϋπΤα¦ιΖACΓ©Θ’άά©ͺπκ΅ίΔ΅ά€B
½Ζ¦ΞϊΛ\Μ|³πmηΘ’qͺEΜςΕVρΕ’ιζ€ΙB
έΖΝsΚάΕ΅©εκΘ’BoTH
ϊ§³ΕΝA³oA’
ΏAub_ΝΗκΰ―ΆΣ‘B@ΕΝ±ΜRΒΜα’ΝH@TETub_
Ά½ΜΆάκϋΝ4νή
»Άopaptāika@’«Θθ»κι@@¨ΖqgΘO
Άaṇḍa-ja@@@
ΩΆjalābu-ja
ΌΆsaṃseda-ja@¨ΏͺΕάΑΔA»±ΙSͺ΅nίιB
»γSwΜuF―perceptionvΜθ`
sensoryά΄ν―ΙζΑΔF―Ε«ιΰΜB
»γSwΕΝ6ΤΪΜ΄oF―ν―Ε ιuΣvπά΄π΄z΅½ΰΜΎΖΖη¦Δ΅ά€B
±ΜuΣvπ»γSwΕΝθ`Ε«Δ’Θ’B
±κΎΖvlβΟzΰextra sensory ΖΘθAESPiextra sensory@perceptionjΖΘιB
©δπYκ½uΤΜF―πΘρΕΰ΄\ΝΖ΅Δ΅€±ΖΙΘΑΔ’ιB
»γSwΕΝAl¦ι±ΖΰRu«vΖFίιΜΕA
uvͺ’ΔAu°vͺ ΑΔA»κηͺl¦Δ’ιAΖ’€§κΙΘιB
±±Ι°Ζ’€TOπΔΝίΔλTπdΘι±ΖΙΘιB
_ιΜ±β΄\Ν𧳩ηέι
©δΣ―ͺΘ’uΤΙΆάκιmoΕAuρ©ΘΣ―IF―v
©ͺΕΉπ·±€·ιΜΕΝΘA¨iΫjΙ½ιΎ―Ι΅ΔέιB
·ΜΕΝΘϊΑΔ¨ΖAiΖΝα€ΉͺθΙ·±¦ι±Ζͺ ιB
½ΎΉͺ·ιΎ―Ι΅ΔέιΖAκΚν―Ε»κιΝΈͺΘ’moͺ»κιB
_ιΜ±ΝA{P|Ζ΅Δ©ͺi©ΘΣ―jͺ²―ιlΕA»ΜuΤΙ½©πΜ±·ιB
΅©΅±κΝ_ιΕΝΘA½© ιΰΜπ©ιΎ―Ε ιB
΅©΅±κπΰΎ·ιΙΝAm―βTOβΟzπg€΅©Θ’ΜΕA€ά`B·ι±ΖͺΕ«Θ’B
BpbTi[αzΝ±Μζ€ΘPϋπ΅Δ’ιͺA±κΝ΄\Ν_’ΕΝΘ’B
΄\ΝΝ· π·ι΅©κ΄ιqΕ θAπEΜΧπ·ιB
αzͺλΘ’ΜΝΆoπΜ±·ιΖ±λΎ―B
FESπμι
αzΞΫπkammaṭṭhānaΖΖΔΡA±ΜkammaΝdA«AṭhānaΝκπw·ΜΕA±κΝudvβu±vΜΣ‘ΙΘιB
kammaṭṭhāna-ācariyaΖΝαzw±Μ±ΖΕAdπ^¦ΔκA»Μdπ`FbN΅Δw±΅ΔκιΔΒΜ±ΖB
ub_Μ9Ώ
iti pi so bhagavā araham sammā sambuddho
vijjā charana sampanno sugato lokavidū anuttaro
purisa dammasārathī satthā devamanussānam buddho bhagavā ti
bhagavā araham’ Ώ
sammā sambuddho³©o
vijjā charana sampannoΎsο«
sugatoPΐ
lokavidū’Τπ
anuttaro purisa dammasārathī³γ²δδv
satthā deva manussānamVlt @@@@@ _XΖlΤΜΜεΘιtΕ ι
buddhoo
bhagavā’Έ
@Iti pi so bhagavā arahaṃ©Μ’ΈΝA’ ΏΕ θ
@ϊ{σΕu’ ΏvΖ’€±ΜΎtΝAΑΚΘ§³pκΕΝ θάΉρBΜκΚIΘ»zΜ’EπT΅½@³Ζ½ΏͺzIΘ«nπ\·½ίΙgΑΔ’½ΎtΘΜΕ·B»zCs΅ΔSΘzΙΑ½lΝέΘAnΖΎ€B»κπ§³ΕΰgΑΔ§³IΘθ`π΅Δ’ιΜΕ·B
@@³ΖAΑΙΜChΜCs½ΏΝέρΘ³ΌΕ΅½B½ΎΰΜ½ίΙALΌΙΘι½ίΙA ι’ΝHΧι½ίΙA@³ΖπΪw·ζ€ΘjZΝ’Θ©Α½ΜΕ·BΩΖρΗΜlXΝΰYπΜΔΔAΜΠΖΒΕCsΙo½lXΘΜΕ·ΛBΎ©η©Θθ³ΌΕANΰyX΅uΝAnΙΘθά΅½vΖΝΎνΘ’BCs·ιA[Ύ’©Θ’Aά½Csπ·ιAΈΑΖAnπΪw΅Δζ£ΑΔ’ιBΒάθΚΝACsΜlXΝφΎ΅Θ’ΰΜΘΜΕ·B
@¨ίή³άΝ^πεΑ½ΜΎ©ηuAnΙΘθά΅½vΖΎΑ½ΜΕ·ͺA»κΕ^Α½lXΰ’ιΜΕ·BuΰΜ·²·’ΤCs΅Δ«½εΟΘNρθΜεl½Ώΰ©ͺͺAJΎΖΌζΑΔ’Θ’ΜΎB Θ½Να’ΉΙζΎ€vΖ’€Σ€Ι¨ίή³άΙlβ΅½lΰ θά·BΖ’€±ΖΝA’©Ι±ΜΎt©ΜͺεΟΘΎt©Ζ’€±ΖΕ·B»κπ°XΖ¨ίή³άΙgΑΔ’ιB’νδιASΙεΑΔ’ιΖ’€Σ‘ΘΜΕ·B
AΜΎtΝAsammā sambuddho³©oΕ θ
@lήΜΕA©ͺΜΝΕSΙεΑ½ίΔΜϋΖ’€Σ‘Ε·BεθπJ―ΞNΕΰub_AoΖΔΞκά·ͺA©ΝΕεΑ½ίΔΜΖoΖ’€Σ‘ΕA³©oΖ’€ΜΕ·B
Bvijjā caraṇa sampannoΎs«iΎsο«jΕ θ
@ϊ{κΕuΎs«vB±Μϊ{κΝΗ€’€Σ‘©ͺ©θάΉρΛBκΚIΘΣ‘ΝAuΎvΝuqdvAusvΖ’€ΜΝu«ivΘΜΕ·Bqdΰ«iଡĒιB»κΰlΤΖ΅ΔKvΘ|CgΘΜΕ·B
@’ΤΙΝAͺΝ’’ͺ«iͺ«’lXͺ’ιΕΝΘ’Ε·©BκϋA«iΝ’’ͺͺΝΚΪΖ’€lΰ’ΔAΘ©Θ©Όϋ΅νΘ’B»κΝ’ΜΕΚΙ ι±ΖΘΜΕ·Bα¦ΞAͺΝ«Δ»f\ΝΝέ’΅½©βΑ½ηΈs·ιlΝA«iΕ»κπβ€B άθ΅’±ΖΝΎνΘ’΅AέρΘΙeΨΙΣιάΑ½θ΅ΔAlX©η«iΝ§hΎA³ΌΎΖ’€Σ€ΙΩί»β³κιBΕཀྵ Α½ηkΙζΑΔκι©Ζ’€ΖA»κΝ³Ε·BtΙͺΜ’’lXΝ\ΕνͺάάΕ’’ΑΈΕA«iΝ«’B»€·ιΖlXΝA ΜlΝͺΝ’’ͺ«iΝΰ€ΠΖΒΎΖ’€Σ€ΙΎ€BSΘlΖ’€ΜΝqdΰ²QΙ¬΅ΔA»Μ€¦«iଡĒιΖ’€Σ‘ΘΜΕ·B
@{ΜίΝ»κΎ―ΕΝIνθάΉρBΎsο«Ζ’€ΜΝρAOΤ©―ΔΰΰΎΕ«Θ’ΩΗεΟο΅’§³ΜκεpκΘΜΕ·BίΕΝ¨ίή³άΜuΎvΖΝ½©A’s£ΖΝ½©πΝΑ«θΖθ`΅Δ’ά·B¨ίή³άͺgΙΒ―Δ’½usvΖ’€ΜΝ«iΖ’€ζθΰ»zΜΝΘΜΕ·BεΟΘ»zΜBlΕA θΖ ηδιΈ_I\ΝπΑΔ’½ΜΕ·B»κΙt―Α¦ΔAqdΰ θά΅½B
@±±ΕF³άΜκΝAuqdΰ ΑΔAliΰΰψΕ³΅’vΖ’€κΚIΘπΕ\ͺΎΖv’ά·B
CsugatoPΐΕ θ
@XKg[ΝAuPΐvΖσ΅Δ’ά·Bsugata ΝAΙu³΅sΑ½±ΖvΖ θά·Bgata Ζ’€ΜΝusvBoΖΕ·©ηCsΝΰ€SΙ²Ζ΅ά΅½Ζ’€Σ‘ΘΜΕ·B¨V³ρͺoTπΧ·ικΝAΰΜ·²΅§ΘκεIΘίΝΚΙ θά·BΕΰκΚIΘπΕΝA©ͺΜdΝ¬΅ά΅½AΖ’€η’ΜΣ‘Ε\Ε·B
DΙAloka-vidū’ΤπΕ θ
@±Μ`IΘσΝAu’ΤπvBuπvΖ’€ΜΝAπ΅Δ’ιBu’ΤvΖ’€ΜΝΆ½Μ±ΖΕ·BlXΜ±ΖAΆ½ΜβθΝΰ€π’Δ΅άΑΔ’ιΜΕ·B»γΙΎ¦ΞAu½vΖ’€ε«Θe[}Ν½Ε·©AΖέρΘ@³Μ’EΕT΅Δ’ιΕ΅ε€BuΝNΕ·©vAu½ΑΔ½Ε·©vAuρΎηΗ€ΘιΜΕ·©vAuΘΊΆάκΔ«½ΜΕ·©vAΖ’€Σ€ΙΗρΘ@³Μ’EΕΰ΅€βθͺ θά·ΛB_Ιn’³κ½@³ΕΰAuρΎηn©VΙsvΖ©AlΤΜβθπκιΜΕ·B
@Ε·©η±Μu’ΤπvΖ’€ΜΰAΰ€Ά½Ζ’€βθππ΅½AlΤΜβθππ’Δ΅άΑ½Ζ’€Σ‘ΙΘθά·Bp[κΕΰ€ΠΖΒA·ΧΔΜ±ΖΝmΑΔ’ιΖ’€Σ‘ΰ θά·B
Eanuttaro purisa damma sārathi³γmΕ θA²δδvΕ θ
@±κΝAu³γmΕ θvΕΝΘΔAu³γ²δδvvΖ½ΏΝκΙΗέά·BanuttaraΖ’€ΜΝuΜεΘιvBϊ{σΜu³γvΝu±ΜγΘ’vΖ’€±ΖBsārathiΖ’€ΜΝu[_[vΖ’€Σ‘Ε·BpurisaΜΣ‘ΝulXvBdammaΖ’€ΜΝu²³vΜ±ΖΕ·B
@ub_ΝδXΜ«i𽽫Ό΅Δ§hΘlΤΙ·ι²³tΘΜΕ·BmηΘ’±Ζπ³¦ΔκιΎ―ΕΘAγέβδͺέΎη―Μξ―Θ’δXΜli𽽫Ό΅Δ§hΘlΤΙ΅ΔέΉιζΆΘΜΕ·BΎ©ηA¨ίή³άΙιζΆΝ’Θ’Ζ’€Σ‘Ε·B
@D΅έρΘΙjRjRη΅Δ«iΜ½½«Ό΅ΝΕ«ιν―ΝΘ’ΜΕ·BCGXlΝΰΜ·²eΨΕD΅’σοΜϋΖ΅Δ`©κΔ’ά·ͺA¨ίή³άΝεl΅ΩΑΔ©ͺκlΕέρΘΜκ΅έπσ―όκιΜΕΝΘ’ΜΕ·B»κΝA¨ίή³άͺΈηΕ\ΎΖ’€Σ‘ΕΝ θάΉρB{ΙlΜ±ΖπΰΜ·²Sz΅Δ’½ΜΕ·ͺASz΅½©η±»έρΘΙΣ―ΝFίΘ’B¨ίή³άΝ±ΜγΘ΅΅’²³tΕ΅½B
FΙAsatthā deva manussānaṃVltΕ θ
@uVltvΖ θά·B±κΝlΤΜζΆΖΎ€Ύ―ΕΘAVΙΰζΆΎΖΐθΘΠ£ΑΔ΅ά€Bu_XΕ λ€ͺoΔ±’A³¦Δ °ιΜΎvΖΎ€ΜΕ·B
@½Μ»ρΘ±ΖπΎ’ά·©Ζ’€ΖA@³ΝlΤͺ·²xπα΅ΔΈ’_ΙFιΖ’€ΜͺAκΚIΘ@³Μ`Ε΅ε€BFθΖ’€ΰΜΝ@³ΙΝ©ΉΘ’ΰΜΕ·BΕΰ§³ΙΝ_wΜFθΝ θάΉρB½ΞΜ±ΖπΎ€ΜΕ·BFΑΔ©Θ€ΘηέρΘFκΞ’’BuΰΏΙΘθ½’A«κ’ΙΘθ½’ANπΖθ½Θ’AaCΙΘθ½Θ’AΙ½ΝΘ’vXFΑΔΘκιΜΎΑ½ηA»ρΘ±ΖΝέρΘβιΜΎΖBΕ·©η§³ΝFθΜ@³ΕΝΘ’ΜΕ·B
@»Μ¨ίή³άΜΑFA§³ΜΑFπΎ€½ίΙA_ΰόκΘ―κΞ’―Θ’ΜΕ·BulΤΜtΝA_ΙΞ΅Δ½©B_Μ΅ΰΧΕ·©A ι’Ν_ΜgΕ·©vΖ’€βθͺoΔιΕ΅ε€B»κΙ«κ’Ι¦ιΜΕ·Bu_ΰoΔ±’A³¦Δ °ά·vΖB±±ΕΩ©Μ@³ΖA¨ίή³άͺ±κ©η³¦ζ€Ζ΅Δ’ι§³Μα’πΎmΙ΅Δ’ιΜΕ·B
GbuddhooΕ θ
@ub_Ζ’€ΜΝuqdΜ¬vΖ’€±ΖB
Hbhagavā’ΈΕ θ
@oK@[Ζ’€ΜΝΏͺ’lAΈhΙl·ιlΕ·Bϊ{σΕu’ΈvΕ ιΖ’Δ’ά·B±ΜoK@[ΰChΜκΚIΘΎtΕ·B@³ΖΙhκπg€κΝ’άΎΙAoK@[Ζ’€Ύtπg’ά·BΐΜ@³ΖΙΝg’άΉρBα¦ΞF³άΰmΑΔ’ιTCoo³ρΜζ€Ι©ΘθlCΜ ιε¨ΙΎ―g’ά·B
_}Μ6Ώ
Svākkhāto@ bhagavatā dhammoX[bJ[g[ oK^[ _[
’ΈΜ@Ν @PA³΅ΰ«¦³κ½³¦Ε·B
SandiṭṭhikoA AkālikoB@@@TfBbeBR[ AJ[R[
AΐΨū鳦ŷBBΥ«ͺ θAi½ι³¦Ε·B
EhipassikoC OpanayikoDG[qpbXBR[ @I[piCR[
Cu½κ©ζvΖΎ¦ιm©Θ³¦Ε·BDΐHπΈΟΦ±³¦Ε·B
Paccattaṃ veditabbo viññūhīE ti. @pb`b^ F[fB^b{[ Bj [q[ eB
E«½ΏΙζΑΔe©ΕεηκιΧ«³¦Ε·B
Dhammaṃ jīvita pariyantaṃ saraṇaṃ gacchāmi. _} W[B^ p^ Ti Kb`[~
mΘγΜΏͺονκιn_}ΙAΝΆUAΛ΅ά·B
mΎΜγΏ Saṅgha Vandanā
Supaṭipanno bhagavato sāvakasaṅgho@@@@@XpeBpm[ oKg[ T[JTS[
@’ΈΜνq½ιmimcjΝ³΅’ΉπΐH·ιΰΜΕ θA
Ujupaṭipanno bhagavato sāvakasaṅghoA@@@EW peBpm[ oKg[ T[JTS[
A^ΌΜΉiΈΟΦΜΌΉjπΰήΰΜΕ θA
Ñāyapaṭipanno bhagavato sāvakasaṅghoB@@j[peBpm[ oKg[ T[JTS[
BΈΟπΪw΅ΔCs·ιΰΜΕ θA
Sāmīcipaṭipanno bhagavato sāvakasaṅghoC@@T[~[`peBpm[ oKg[ T[JTS[
CΈhΙl·ιΉπΐH·ιΰΜΕ θά·B
Yadidaṃ cattāri purisayugāni aṭṭhapurisa puggalāfB_ `b^[ vTK[j Ab^vT vbK[
±κηΝloͺyΖ’€ͺήΙ·ιiΉΜΚπΎ½j’ΈΜνqBπw·B
Esa bhagavato sāvakasaṅgho@@@@G[T oKg[ T[JTS[
±Μ’ΈΜνqiΊ·j½ιmcΝA
ĀhuneyyoD PāhuneyyoE DakkhiṇeyyoF Añjali karaṇīyoG
A[tlC[ p[tlC[ _bLlC[ AW Jj[[
D©ηΑΔιΰΜπσ―ιΙl΅AEqΖ΅ΔΪπσ―ιΙl΅AFΏπΟή½ίΙ¦ιΰΜπσ―ιΙl΅AGηqπσ―ιΙl·ιA
Anuttaraṃ puññakkhettaṃ lokassā ti.H@@@@Akb^ vjbPb^ [JbT[ eB
H’Μ³γΜcΕ·B
Saṅghaṃ jīvita pariyantaṃ saraṇaṃ gacchāmi.@TK W[B^ p^ Ti Kb`[~
mΘγΜΏͺονκιnTKΙAΝΆUAΛ’½΅ά·B
δπYκιuΤ
Z’PΘfB[ΜJΤ΅ΘΗΙW·ιΖAδπYκιuΤͺ θA»ΜuΤΙ·ιF―©Μπ_ιΜ±ΎΖ¨¦½θA_ΖκΜΙΘΑ½AΖ¨¦ιͺAΎ’½’ΜlΙ ιΜ±Ε ιB
ψΙ ιTOiΟzjπY[bΖOΆΔ’κΞTθσΤͺΆάκιB
αzͺ»ΜΜ±ΜκΒΕ ιͺA½Μ±Μζ€Θ±Ζπ·ιΜ©Ζ’€ΖA
uΪΙΝ©¦ΘΔΰ_XΝιΙ’ιB©ͺΝΈ[ΑΖ½©Μ_Ι©ηκΔ’ιvΖ΄Άι½ίB
±€ΘιΖA©ͺΜgEϋEΣΜsΧπRg[·ι±ΖͺΕ«ιB
·ιΖSΜΙ³¦Aχ©ΙΕΰAsPΜSͺΆάκΘΘιB
±ΜsPΜSͺΆάκΘ’±ΖͺBpbTi[αzΕει½ίΜKvπΕ ιB
nΥΜαz
αzΞΫπkammaṭṭhānaΖΖζΤΜΕAunpathavīvπΞΫΙ·ιαzπnΥΖΜαzΖ’€B
yFΜΞΫπμι±Ζ©ηnάιB
ΜΝnΚΙΌa50Z`η’ΜΦπμθA»±ΙϋΑ½yπ·ΑΔ~`Ι΅½B
ΰ΅ΝAyΗπ©Βί½B
»γΝyFΜΗπΝΑΔgΑΔ’ιB
αzπ·ιOΜυ
³ͺΟνιΜΕAΌΜΆ½ΜΜκ£θΙόι©ΰ΅κΘ’ΜΕAυͺKvB
CA«κ’ΘAU―AάΨθA|AgΜΜςί
uOAΛάϊvͺu¨ηθΕ θA¨΄ίvΙΘι
nΥΙW@@ΞΫπΆ[ΑΖ©Δ’ιA»κΎ―B
gΜΝ©³ΈAl¦ι±Ζπ~ίιB
·Ιl¦Δ΅ά€ΜΕA―ΆΎtπJθΤ·±ΖΕAl¦π~ίιB
½Μ±ΖΘΪπJ―ΔA½ΎΗπέιB©ιΎ―B
ΞΫΖΦWΜ ιΎtπg€Bunpathavīvπ§B
ζκTθΦ@@nΥαz
yΎ―π©Δ’ιΖA»ΜMiξρj΅©ͺΙόΑΔ±Θ’ΜΕAͺ’ΑΟ’ͺyFΙΘιB
yFΜMiξρj΅©σM΅Θ’ΜΕA«EόΕ ιΦ੦ΘΘθA·ΧΔͺSΜIΙyFΎ―Ιέ¦ιB
½Μ±ΖΘΪπJ―ΔA½ΎΞΫ¨πέιB
·ΧΔΜΎtπ~ίΔAl¦π~ίΔAΟzπT¦ΔA©ιΎ―B
©Δ’ιΖAΞΫ¨iΗj©η½η©ΜξρͺΪΙGκιBGκιξρΎ―πF―·ιB
»±ΙTOΝΘ’BΗΖ’€TOΰΘ’BΗΖΝͺͺμΑ½TOΎ©ηB
CfD ίΜαzΜκΝAίΖΝΘρΌβΘΗΖΝl¦ΈΙA½ΎOΆιsΧΜέΙκO·ιB
OΆι±ΖΞ©θ·ιΖAm―Μ«Ν@\΅ΘΘιB
WΝͺN«ΔιΖAΞΫΜFͺ{PΔψέo΅AΖ«Η«Α¦ιB
°χΎΕgε΅Δ’ιζ€ΎΑ½θAΞΫinΥjΙ¬ΆΑΔ’½ΚΜFͺhθΙ©¦½θAΞΫͺgπΕΏo΅½θ·ιB
½ͺN«ΔΰunpathavīvΖOΆΔASΜhπ}¦ΔAWπr⦳ΉΘ’B
yFͺσΩΗε«©¦Δι±Ζΰ θAε«³Νe©ΜF―\ΝΙζιB
αz·ιΙΝΝπόκ·¬Θ’BάΎTθͺΘΔΰA10ͺΩΗyΙ©±―ιΎ―Ε’λ’λΘΰΜͺ©¦ΔιB
―ΆuyFvΙΰAFΜΒΤΒΤΜα’ΘΗ ι±ΖͺΎmΙ©¦ΔιB±κπu_ͺ©¦ισΤvΖ’€BiΝ°χΎΕΝΘ’Ζ©¦Θ’ζ€Θ_ͺ«ίΧ©©¦ΔιB
±ΜΙΑ’½θ¬΅Θ’ΜͺRcΕA½CΕ©±―ι\ΝΕ ιAκ««ekaggatāͺKvΕ ιB
αΎΕΘ’Ζ©¦Θ’Κͺ©¦½θ·ιͺAΑ©Θ’Ε’ΒΕΰβΓΘSΕ©±―ιΜͺRcB
»ΜάάunpathavīvπJΤ΅Δ₯¦ΘͺηWπ±―Δ’ιΖAyFͺΗρΗρε«©¦ιB
³ηΙyFΎ―π©½’ΖWπ±―Δ’ιΖA_iα’jͺΑ¦ΔA«κ’ΘunpathavīvΎ―ͺ©¦ΔιB
©ͺΕμΑ½¨IΘnζθΰΗ’AΰψΘnΥͺΟ¦ΔιB
·ιΖAgΜͺyΙΘΑΔCΏζΘιBΧͺΑ¦½σΤΘΜΕCΏͺΗΘιB
T}^αzΜΕΜκΰΕ ιB
ΙAαzΝΪπΒΆιB
»κΕΰnΥͺΟ¦ιΝΈΎͺAΟ¦Δ’Θ’ΜΘηΞΪπJ―ΔΞΫ¨π©ιB
απΒΆΔΰA·’ΤΙν½ΑΔAnΥπΟ±―ι±ΖͺΕ«ιάΕWΝπγ°Δ’B
―Άp^[ΜF―ίφπΤπ©―Δ΅Δ«½ΜΕA»Μ_oρHͺΘθAα©ηόιMͺΘΔΰ]Ι―Άoͺμηκι½\ΝͺN«½B
Ύzπ©½γΙcͺ ιζ€ΘΰΜH
κνΜΆoΕ ιͺA±κΝ©ͺΕRg[Ε«ιΰΜΘΜΕAΆoΙΑKvΝΘ’B
±Μζ€ΘσΤΝuuggha-nimittavζΖ’€B΄{©ηRs[πσ―ζΑ½Ζ’€Σ‘B
±κΝ]ΜΕνΙN«Δ’ι@\ΕA©½ΰΜπL―·ιΙgνκΔ’ιB
½Ζ¦ΞκxοΑ½±Ζͺ ιlΙά½ο€ΖA ΜlΎAΖ·Ιͺ©ιΜΝAίΜL―Ζ»έΜof[^π]ͺνΉΔέ½©ηΕ ιB
T}^αzΝAf[^πRs[·ιΝ½η«πΕεΐΙγ°ζ€Ζ΅Δ¨θAΪΜO©ηf[^ͺΑ¦ΔΰAL―³κ½f[^©η θ θΖΔ»΅ΔoΞΫΙ·ι±ΖͺΕ«ιζ€ΙΘιB
]vΘf[^πΜΫ΅ΔAκθΜf[^ΜέπΔ»·ι]ΜPϋΕ ιB
±Μζ€ΘWΝͺN±ιΖ]ΧEΝΙΝ½η«A±±λΙΝμΡͺ΄ΆηκιB
±κ©ηζ2iKΕ ιB
ΪπΒΆΔΰ»κΔ’ιαzΞΫiζjΙζιυή½ίΜPϋπ·ιB
ζπΟ±―Δαz·ιB’ΒΕΰΪπΒΆ½ηζπΟηκιζ€ΙPϋ·ιB
ζΝ]ͺμθo΅½oΘΜΕA©ͺΜΣuΕε«³πΟ¦ι±ΖͺΕ«ιΜΕA»¨ζθΰ΅ε«΅ΔέιBCyΙF―Ε«ιΝΝάΕζπε«·ιζ€ΙPϋ·ιB
»ΜΙΞΫͺgπΕΑ½θAcρΎθAΧͺΟ¦½θ·ιͺAαzπ±―ιΖAβͺΔΏ «AκθΜε«³Εΐθ΅½ζΙΘιB
ΙζRiKΪΜΞΫΜΟ»Ε ιB
ΞΫͺ©IΙΟνΑΔAσΘυ»ΜΰΜΙΟ»·ιB
»κ©η΄qΜσΤ»ΜΰΜͺ©¦ΔιBαzΙ©¦ι΄qΜσΤΝuυvΕ ιB
‘άΕ©±―Δ’½ζͺAΘρΖΘδΑθΖυΑΔ«ΔAυΙΘιB
g¦ιΖΉ¬Μ½ΛΒΩΗΜP«ͺ ιB
ΝΆίΝ¬³ΘυΕ ιͺAαzπ±―ιΖυͺgͺΑΔ’B
±κͺΕ ιBuvΖ’€ΜΝζκTθΖΔ’ι©ηΕ ιB
iΝuυvΝέ¦ΈA©Δ’ιυΝΞΫΙ½Λ΅ΔΤΙ½Α½όgπ]ͺπί΅ΔυΖ΅ΔΖη¦Δ’ιΜΕA ιΣ‘ΕΝΆoΖΰΎ¦ιTOΎΖΰ’¦ιB
΅©΅αzπ±―Δ’ιΖAyFΜΞΫ̩笳ΘυΜ±ͺΆάκΔA»κͺΎρΎρΖε«ΘΑΔAuυvͺ©¦ΔιB
ζΝΆoΕ ιBzΝ½ΘΜ©H
u©¦ιvΖΝυΜMΙ]ͺ½·ι±ΖΕ ιB
υΜMͺ_oΗπΚΆΔ]ΙΝ«A»ΜMπ]ͺ½Ζ¦ΞuΤvΖF―·ιB
TO»΅Θ’ΕAMΜάάΙ΅Δ¨―ΞAF―ΝυΜiKΜάάΕβ~·ιΝΈΕ ιB
±ΜΙΝϊνIΘF―iσzsjπgνΘ’Ε’ιͺAΚΙ]ͺ@\αΊ΅Δ’ιν―ΕΝΘ’B
±κΝF―@\ΙV½ΘρHπμθγ°½±ΖΕAαzΪIβFEΙ¨’ΔΝAκΒγΜ³ΙγͺΑ½ΨΕΰ ιB
]ΰΙμη꽩½ΛAvπgp΅Θ’½ίAθΙW³κΔTOͺs’³κι±ΖΰΘ’ΜΕA©Θθ’xΜ΄π΄ΆΔ’ιB
΅©΅±κΝT}[fBσΤΕΝΘAάΎT}[fBΙΔ’ισΤΕ ιB
±±ΕΰζQiKΕ΅½JθΤ·Pϋπ·ιB
οΜIΙΝAπ·ΤΙν½ΑΔΫ·ι±ΖA’ΒΕΰͺ»κιζ€Ι·ιAπε«·ιPϋΕ ιB
±ΜΔ»\ΝΙζιΞΫΚΝΒlΜΝ½η«ΙζΑΔΟνιΜΕAu½ͺΟ¦ιΜ©vΙΒ’ΔΝ§³SwΕΝΦSπ₯ΑΔ’Θ’Bo±ΙΝΒl·ͺ ι©ηΕ ιBΣ·ιΜΝζΘΜ©AΘΜ©AΖ’€±ΖΕ ιB
©Η€©π»f·ιΜΝASΙ vitakka-vicāra-piti-sukha-ekaggatāͺ ι©Η€©Ε ιB
ά½ACsͺαzΞΫͺ©ͺθΙΟνΑΔ’±Ζππ·ιζ€ΙΘιB
ΌΜαz@β@³ΕΝA±Μσ΅πAuJ~Μϋ©η»κΔκιvΖ\»·ιͺA±κΝ¨α’Ε θA©ͺΙζΑΔυͺΆάκA©ͺθΙυͺgͺΑΔ’ΜΕ ιB
ΞΫͺσΘΜΕA©ͺΜRg[ΖΝΦWΘN±ιΖ¨α’΅Δ΅ά€½ίΕ ιB
±Μζ€ΘσΘυͺN«A»κͺgͺΑΔ’ΜΝA±κάΕβΑΔ«½TO»Ζ’€F―vZXπ©ͺΕ~ί½±ΖΕN±ισΤΕ ιB
ϊνΆΕΝ©ͺͺoπnίά΄πRg[ΖvΑΔ’ιͺA±κΝφoΕAΐΫΙΝ©½’Ζ©©½Θ’Ζ©ΙΝΦWΘAΪΙGκ½Mπ]ͺTO»i»Ϋ»j΅½ΰΜΕ΅©Θ’B
Ξ΅ΔAαzΕΝAΣ}IΘV½ΘF―ρHπΒιPϋΕ ιB
uό±€€©ηβΑΔιvΖ’€Μΰu©ͺΕμΑ½vΖ’€ΜΰΗΏηΰvlp^[ΕAΐΫΙΝAuv΄φͺ΅’Aπͺ¦ΞΚΝ¨ΜΈ©η»κιvΖ’€ΜͺΐΕ ιB
ΕγΙSiKΪΜTθΕ ιB
ΜiKπΰ€κxAΗΜ±·ιΖA
©Δ’ιΜΝ¨IuΗvΕ ΑΔΰAΪπΒΆΔ੦ιζΕ ΑΔΰAA©¦ιΰΜΝΐΝuυvΘΜΕAΎρΎρΖυ»ΜΰΜͺ©¦ιζ€ΙΘιB
υͺ©¦κΞA{¨Μ¨Ώͺ©¦Δ’ισΤΙΘιB
SͺψΙ·ισΤͺ³ΑΖΑ¦ΔA©RΙ¬κισΤͺΆάκΔιB
³ηΙαz·ιΖA’«ΘθυΜΞΫΖ©ͺͺκΒΙΘΑ½ζ€Θ΄oͺβΑΔιB
±ΏηΙ©ͺͺ’Δ©Δ’ιΜΕΝΘA½ΎυΜέΙΘΑΔ΅ά€B
©ͺͺυΙΗρΗρΖz’άκΔ’Aΰ΅Νυͺ©ͺΙz’άκιB
αzΜΣuΖΦWΘAθΙ»κΔιζ€ΘCͺ·ιB
±ΜΙΝ©δΝΘA½ΎΣ―Ύ―ͺ¬κΔ’B
»κάΕΝA©ͺͺ’ΔΞΫπ©Δ’ισΤΕ Α½ͺAF―Ύ―ͺ¬κιζ€Θo±π΅ΔA’«ΘθΞΫΖ©ͺͺκΒΙn―ιζ€ΘΜ΄π·ιB
©δΣ―ΝΑ¦ΔA©ͺΝ½ΰΕ«Θ’σΤΕASͺ¬κΔ’σΤB
±κͺζκTθΜσΤΕ ιB
±ΜΙgΜΙΝΰΜ·²’μΡͺΆάκΔ’ιBϊνΕΝδΧζ€ΰΘ’K΄βμx΄Ε ιB
§³kΝαzΜ±πΆoΜPΒΖ΅ΔF―΅Δ’ιΜΕA±Μζ€ΘΆoπΟιΜͺΪIΕΝΘAT}[fBσΤΙζΑΔSΜΟYΜ@\ͺβ~σΤΙΘιΜΕA±ΜPϋπ·ιΜΕ ιB
ΗΜζ€Ι©Θ»θπ·ιΜ©H
»κάΕΝζ£ΑΔ©ͺΕΜ±΅Δ’½ΜΙA ιuΤA©ΰΌΰΘA½ΎΜ±Ύ―ͺ¬κΔ’B
±ΜuΤͺ ι©Η€©ΙζΑΔA»fΕ«ιB
ΝΆίΝ·Ι©δΙίιͺAPϋζΕ»ΜuΤπ··ι±ΖͺΕ«ιB
±κΝεΜΖqΜΖ’€ζΚͺΑ¦Δ΅ά€uΤΜoΕ ιB
±ΜuΤΙΝ©ͺΕRg[·ι±ΖͺΕ«Θ’B
©ͺͺΑ¦ΔAαzΞΫΖκΜΙΘΑΔ΅άΑΔ’ι©ηΕ ιB
ΒάθTθΕ ιB
±κΝσΘYκι±ΖͺΕ«Θ’o±ΙΘιB
±ΜuΤΜγΙΝβζΜΜΈ_σΤΙίιB
uνκvͺΘΘΑ½o±πΎΔΰASΙvl\ΝΝcΑ½άάΕ ιB
»±Ε΄ξΙάέκ½ΟzΘΗͺόθήΒ\«ΰ ιΜΕsΐθΕλ―ΘσΤΕ ιB
΅©΅αzͺά~Ι’ϋͺΘ©Α½©ηAαzΙ§ν΅½ΜΕ κΞASͺ·ΙΒ·ι±ΖΝΘ’B
»±ΕΟzβ΄ξβvlΜp^[ͺόθήSΜκ©ηηιϋ@ͺ ιB
ΜΖ«ΙOΆΔ’½ΎtinΥΕΝunpathavīvΘΗjπTθ©ηo½γΙΕΰOΆι±ΖΕ ιB
±κηΜT}^αzΜ|CgΝAuTθΙόΑΔ½πo±·ι©vΕΝΘASΜF―Ε ιB
o±ΝΒl·ΰ ι΅Aρα€±Ζΰ ιͺA€Κ_ΝASΜΙvitakka-vicāra-piti-sukha-ekaggatāΖ’€TΒΜΑFͺ ιΖ’€±ΖΕ ιB
κΙζΑΔΝuυvΘΗΜ»ΫͺΟ¦ΘΔΰTθΙόκιB
TθΙόκΘ’ΜΝAά΄ν―©ηΜMπuσzsvπoR·ιρHπgΑΔΕ΅©F―΅Θ’©ηΕ ιB
±ΜρHΘOπg€Μ±π·κΞA±κΝπΛΆΖΰ’¦ιB
±ΜuσzsvπoR·ιρHΙΕ··ι΄φΝSΙαVͺ ι©ηΕ θA±ΜTθΜSΜΝ½η«ΙWπνΉΔ’ιΰΜπάWΖζΤB
΅©΅κxTθΙόιΖsΣΕΪoίh³Θ’ΐθΝTθΜΝͺΜΕAάWΝ°σΤΙΘιB
±±Ε«΅ΔΝ’―Θ’B
SͺTθΜΝΙ³|³κΔ’ι€ΏΙuά©έvΖ’€PϋͺKvΕ ιB
PDάΈΝA©ͺͺo±΅½TθΖΝΗ€’€ΰΜΘΜ©A©ͺΜo±΅½Έ_σΤπΪέΔAgπΟ@·ι±ΖΕ ιB
QD½ρΰ―ΆTθΙόΑΔAΘPΙ±ΜσΤπΔ»Ε«ι\ΝπgΙΒ―ι±ΖΕ ιB
»€΅ΔATθΙόΑΔ’ιΤπLΞ·Pϋπ·ιB
RD±κͺΕ«½ηATθΜΈ_σΤΝΗΜζ€ΘΰΜΕAΗρΘSͺόΑΔ’ΔAΗρΘΟYͺ@\΅ΘΘΑ½Μ©AΖ’€TθΜγέΰΟ@·ιB
Eόθ©έΛTθΙόθ½’Ζ«ΙA·Ιόι±ΖͺΕ«ιΝ
Eέθ©έΛ©ͺΕί½ΤATθΙόθ±―ιΝ@@¦PΤTθΖv¦ΞA»ΜΤΝTθΙόιιΝ
Eoθ©έΛTθ©ηo½’Ζ«ΙA·Ιoηκι±ΖΜΕ«ιΝ
EΘ@©έΛTθΜΕAάΎ ι΄ξβvlπm©ίηκιΝ
Eψ]©έΛTθ©ηo½γΕATθΙάΎ ι΄ξβvlπm©ίηκιΝ
έιA©ιAιAΟι
u©vΝAuΪvΖuXvΖ©η\¬³κAuXvΝulvΜΟ`ΘΜΕAΪ𲡽lΜ`π\΅½Ϋ`ΆΕ ιB
uvuάΑ·ΙΰΜπ©ιv@@@@@@@@@@@@@@@@@uόvuvuΓv
uΟvuκΰΊͺΑΔΰΜπΘͺίιvuζΣ΅ΔΧ©©ιv@uΟάvuΟvuiΟvuΟυv
άΑ·Ι©ΔΞ©θΎΖuμvΝνΙ·’Ζ’€±ΖΙΘθ©ΛΘ’Ζ©A’λ’λΘπίͺΕ«ιΜΕAϊνΆΜxΕΝAuέιvΜκΝΏΙ άθ±ΎνηΈAu©ιvΖ’Δ¨Μͺ©R©H
uv@@
¦πΥθΜΖ«Ιg€χΕ ιΥμΜ`B©Νζμ’Δ’ιlΜγΙΪπ²΅Δ©«A©ιΜΣ‘B
視Ν_OΕA_Μpπ©ιA_ΣΜ¦·Ζ±λπgέιhΜΣ‘ΖΘιv
ml@n
μΏwΰΙΝ`ΊΜΰΎ΄ͺΘοΣIΙΰΜͺΑ₯Ε ιBά½`©ηΣ‘πψ«o·±Ζΰ»ΜΑ₯Ε ιB¦iΥμj{©i©ιj¨_OΕ_Μpπ©ιAά½Ν_ΣΜ¦·Ζ±λπ©ιΖ’€Σ‘π±B
Ιu_OΕ_Μpπ©ιvΖ©u_ΣΜ¦·π©ιvΖ’€Σ‘ͺ ιΎλ€©B
»ρΘΣ‘ΝΘ’B}`IπίΖΣ‘π¬―΅Δ’ιB
uΟv
Σ‘Ν@έιAΒάΡη©ΙέιAέ«νίι
A΅ί·A ην·A «η©Ι·ιiμ@ΓuΚvζθj
οΣ`ΊΆΕ·(雚+©)BuΪΜόΝΜΤ’±€ΜΖθvΜΫ`Ζ
uΪvΜΫ`ΖulvΜΫ`©ηA±€ΜΖθΜζ€ΙΪπε«J’ΔuζέιvπΣ‘·ιB
ΚΜπίΕΝ
u雚iJjvuϋvΖ’€π‘ΙΣ½ΒΐΧA»ΜΊΙφΜZ’ΉπΣ‘·ιρuθ°iΣιΖθjv
±κΝAρHΜREmgΜpB
REmgΝ_ΉΘΉΖ³κAΓγΕΝΉθ’ΘΗΙgνκΔ’½B
κϋAό©ΑΔE€Μu©v‘©η©½lΜ`ΜγΙε«ΘuΪvπ«AlΜΪπ²΅ΔuέιvΖ’€sΧπΣ‘΅Δ’ιB
»±©ηuΟιvΝAΉθ’Ε_ΜΣόπ@΅ΔuέιEέ«νίιv±ΖA ι’Νu΅¦½ΰΜπ©δΧιE©δΧΔl¦ιv±ΖπΣ‘·ιB
u©vΝAΪΙέ¦ι»Ϋi\wjΎ―π©Δ’ιΜΙΞ΅ΔA
uΟvΝA`ΜΘ’ΰΜAΪΙέ¦Θ’φΫi»ΫΙ»κΔ’Θ’ΰΜjπ@·ιΝπ\·gνκϋΰ΅Δ’ιB
u~ΟvuΰΟ@vuΟ©έμFvuΟvuΟ@v
uΥoviΜκεΕ64Μ¨κπSΙ\¬³κΔ’ιΜΓTjΜuΟvΖΎ€¨κΜΙuΟυvΖΎ€ΎtΜoTΙΘΑ½uΜυπΟιvΖΜ\»ͺ ιB
I³OηNOΙAuΜυv»ΜΕΆ·ιlXΜΪΙέ¦ιΆUθΰ³ι±ΖΘͺηAβ©Ιιη΅Δ’ιΜ©Aκ΅’ΆΤxΘΜ©ΜΰΚΜSΜLθlπΟΔA»ΜΖFDIΙt«€©AUίΕΪ·©Μ»fiΌΟΝA΄@Νjπ΅½lΕ ιB
αzΞΫπΏ^ΤeNjbN
ΞΫΜ~Υπ©ΞρΙόκΔΏ^Χιζ€Ι·ιB
·ιΖ ιϊAαzΙΪπΒΆΔΰΞΫͺ©¦ιζ€ΙΘιB
ΒάθΞΫͺΘΔΰAͺΕ»κπμΑΔ’ισΤΕ±κπuΏ^ΡσΤvΖζΤB
±κͺ’ΒΕΰΗ±ΕΰΕ«ιζ€ΙPϋ·ιB
Ε«ιΎ―ΠοβϊνΆ©η£κι
αzͺ¬·΅Δ«½ηAΗρΘ¨ΏΕΰάL΅Δ’ιunpathavīvΎ―π¨¦Δ©Δ΅ά€ΜΕA½π©Δΰn³fΜyFΎ―ͺ©¦ΔιB
±κͺf±qxΕυΖΦνι±ΖΕ θAF―ΜvZXΖΝf±qΖΜΦνθπΒ±ΖΘΜΕAΞΫ¨ΖF―VXeΜf±qΜxΕπ¬·ι±ΖΕAυΖΜκΜ΄ͺΆάκΔιΜΕ ιB
±Μζ€ΘRΕAΠο©η£κΔT}[fBαzπΐH΅ΘΔΝΘηΘ’B
±±ΕΜSΘΜΝA½ΎF―ΜxπΟ¦½Ύ―ΘΜΕA|ͺΑ½θASz΅½θ΅Θ’±ΖB
δκ@A³δ
[KΜαzΕuSΜ{ΜKsat, citta, ānandavπΜ±·ιBsat^, cittaSA°, ānanda
qhD[³Μδκ@ΖΝ±ΜζκTθsamādhiΜ±ΖB
ζάTθάΕ’ΖAμx΄βNwisat^, cittaSA°, ānandajΰΑ¦Δ’ιB
±κπ_ιΜ±Ζ’ΤκΚΕΝζΤB
΅©΅AίΈΝ±κΕΝ΄π΄ΆηκΘ©Α½B
αzΝu_vΖ’€`§γwIΘTOΙιΜΕΝΘA©ΘΜΟYΖΜν’Ε ιΖίΈΝΰB
T}[fBsamādhiiT}^jαzΜΐE
T}[fBiT}^jαzπ±―ιΖΟYΝx°σΤΙΘιͺAΟYͺΑ¦½ν―ΕΝΘ’B
ΟYπΎάΉιΖA¨~ΰ«~ΰΘΘθATθͺ»κΔιB
ΘΊ~πίι©Ζ’€ΖAuμΤv½ίΕ ιB
»±ΕKπT΅ίιΜΎͺA»ΜμΡͺsSΕ θAΎηκιKζθΰκJΜΩ€ͺy©Ιε«’±Ζͺν©ιΖA«Ε«Θ’ͺ~ΝΟνηΈΑ¦Θ’B
ΙΜπ΄ΆιΖ½ΰvηΘΘθA~πίΘΘιB
Ύ©ηΟYΝ΅ΘΘιB
΅©΅A±κΝπEΜn_©η©ιΖA΄ΕΟYͺΎρΎΎ―ΕAΟYͺ{ΙΑ¦½σΤΕΝΘA½ΎΟYͺ΅Δ’Θ’ζκTθσΤΕ ιΖ’€±ΖB
©ͺͺΜ±΅½_ιΜ±ΝσκιΰΜΕ ιB
φΙζΑΔ»κιTθΝφͺφκι±ΖΙζΑΔσκΔ’ΜΕA±κͺ§³ΜI _ΕΝΘ’B
T}^αz©ηBpbTi[αzΦ
T}^αzπ±―ιΖ¨~β«~ͺΘΘθAΚΜΆΙίΑΔΰAΒάηΘ΄ΆAΚΰμΡΰ΄ΆΘ’B
±Μζ€ΙΟYͺΏΒ’ΔASͺ΄η©ΙΘΑΔιΖABpbTi[αzπΐH·ιB
BpbTi[αzΕΝκΚIΙΝ_ιΜ±ΝΆάκΘ’B
rūpāvacara-citta @@FES
kusala-citta 5@@PS
vitakka-vicāra-piti-sukhekaggatā-sahitaṃ paṭhamajihāna-kusala-cittaṃ,
vicāra-piti-sukhekaggatā-sahitaṃ dutyajjhāna-kusala-cittaṃ,
piti-sukhekaggatā-sahitaṃ tatiyajjhāna-kusala-cittaṃ,
sukhekaggatā-sahitaṃ catutthajjhāna-kusala-cittaṃ,
upekkhekaggatā-sahitaṃ pañcamajjhāna-kusala-cittañ
ceti,
imāni
pañca pi rūpāvacara-cittāni nāma.
qAfAμAyAκ««Ζ€Ι ιTPSBfAμAyAκ««Ζ€Ι ιζρTPSBμAyAκ««Ζ€Ι ιζOTPSByAκ««Ζ€Ι ιζlTPSBΜAκ««Ζ€Ι ιζάTPSBΖ’€±κηάΒͺFEPSΖΔΞκι
vitakkaq@@@΅Α©θl¦ι@@@ΞΫ¨ΙΝάΑΔA»κΙζΑΔAΣvΕΑΔ’
@@@@@@@@oͺͺ©η¦°Δ’©Έ£κΈYκηκΘ’@@@·ΘνΏΟz΅Δ’ι
@ ιl¦iΟzjπv’o·
@@@@@@@@@ψΙΎtπg€±Ζ
vicāraf@@@@ΎtΘ΅ΙΘρΖΘ©Δ’ιAΟ@
@@@@@@@@ ιl¦iΟzjπNZΜζ€ΙJθΤ·
@@@@@@@@ΎtπgνΘ’ͺTOIΙ¨¦ι
pitiμ@@@@@@χΜIΙA¨ΏIΙ΄ΆιμΡ@@joy@pleasurebla
sukhay@@@@@gΜΜ΄oͺΑ¦½σΤΕΜμx΄AK΄@bliss
ekaggatā κ««@@ΞΫΖΜκΜ«Aκ«AκΡ«π΄ΆιΩΗΜWΝA
upekkhā@Μ@@@WΝͺ ΑΔ©ͺͺ’ιΎ―@uΘρΎ©A’ιvΖ’€΄Ά
@@@@@@@@@μΡΰκ΅ΰ΄ΆΘβΓΘS
@@@@@@@@±±άΕιΖ3³π΄z΅Δ’ιΜΕA¨Ώπ©R©έΙRg[·ι±ΖͺΕ«ιB
@@@@@@@@ΗΜΚθ²―ΘΗASΙζΑΔ3³ΜgΜβ¨ΏΝuΙΟ»·ιΜΕA
O³Μ’EπAΖvΑΔ’Θ’B@@
¨α’ΜTθ
Μcηέkέi}n[VETh[αzjπmF΅Δ’ΖAζκΔ½©©¦ΘΘΑΔmFΕ«ΘΘιB
±κΝAαzπ·ιΖSͺΗρΗργΘιP[XB
Sͺ~άΑ½ζ€Ι΄ΆιΜΎͺA±κΝTθΕΝΘA½ΎΣ―Δ’ιΎ―AQΔ’ιζ€ΘΰΜB
»‘ ιΞΫͺΘΘιΖASΝLͺSiξbIΘσΤAΆ½ΖΣ―ΜA±«πΫ·ιSAvlΜ·«ΤAΣ―Μ±@\jΙΖΗάΑΔ’ιΤͺ·ΘθASΝQι±ΖΙΘιB
»‘ͺ ιΖSΝ°ΘηΘ’B»‘ͺΑ¦ιΖAΒάηΘΘΑΔSΝQΔ΅ά€B
ΜΝΏΑΔ’ιΜΕA{lΝ°ΑΔ’ι±ΖΙCΓ©ΈASͺΪoίιΖu©ͺΜσΤͺΗΜζ€Ε Α½Μ©vπc¬·ι±ΖͺΕ«ΈAά½ ΜcηέkέΜΟ@π±―Δ΅ά€B
»΅Δ{lΝA©ͺΜσΤπc¬Ε«Θ©Α½ΤπATθΙόΑΔ’½ΜΎΖ@΅Δλππ·ιB
ΰ΅TθΙόΑ½ΘηΞA»ΜΙ½ͺ Α½©A«ΑΏθΖmΑΔ’ιΝΈΕ ιB
οΜIΙΝ·²μΡπ΄ΆΔ’ιΝΈBΙΝ· ΅½ΘιΩΗΜμx΄π΄ΆΔ’ιΝΈB°CΝάΑ½Α¦ΔΘ’ΝΈB
ά½TθΙόΑ½ΘηΞάWͺΑ¦Δ’ιBγqB
αzπ[ίιΖASΝά·ά·sΘθAvlΜ·«ΤiLͺSjΝά·ά·¬³ΘθA»±ΙΝ·Ν―άι±ΖͺΕ«ΘΘιBΎ©ηALͺSΜΤΝΗρΗρZΘι±ΖΕAζθ½ΜCΓ«πΰΒ±ΖΙΘιB
½’ΦρΙW΅½Sπυ¦½αzΙΖΑΔALͺSΝΈ·ιΜΕAκbΝρνΙ·’ΤΙΘθAΤͺε«cήB
vlΙζΑΔA±Μ’ΙA±«β―κ«ͺ ι©Μζ€Ι΄ΆηκιB»κΝvlΜΑ₯ͺ2ΒΜΰΜπqΰΜΕ θALͺSͺε·ι©ηΕ ιB±ΜvlΙζΑΔu©ͺvͺl¦Δ’ιΜΎΖ΄ΆΔ΅ά€B
ΰ΅Al¦Θ―κΞAκΒΜoΖΚΜoΜΤΙqͺθΝΆέ΅Θ’BvlͺΘ―κΞAqͺθΰA±«ΰ―κ«ΰΆέ΅Θ’B
ιΜΝ½©ͺΆ¬΅AΑΕ΅Δ’ιB½ΎA»κΎ―ΎBΣ‘ΝΆέ΅Θ’ΜΎB
vlΖ²ΜvfΝά΄oν―©ηΜMΜgένΉ
’ηl¦ΔΰA²π©ΔΰAάͺΖ³ΦWΘΰΜ²Ζπl¦ι±ΖͺΕ«Θ’B
svcΘ²ΜgΝAϊνΕN«½o±Ζ»κ©ηN«½΄ξπρIΙgένΉ½Ύ―ΜΰΜB
³Σ―ΜΜζΜL―πAKΙζθo΅ΔΝA»κηπΡΒ―ΔAgένΉΔ’ιΎ―ΘΜΕA]EͺσπςΤ±ΖΰΕ«ιB
N«Δ’ιΙΝ«ΕξρπRg[΅Δ’ιΜΕA»Μζ€ΘΡΒ«ΝN«Θ’B
IΙΰΜ²Ζπ©ι\ΝͺgΙΒΖA²π©Δΰ«ΏρΖ΅½IΘ²ΙΘιB
t²ΜJjY
ΰΜ²ΖΙΝ³Ζ½ͺ θA»ΜgένΉͺ±Μ’Μ@₯Ε ιB
½Ζ¦ΞόΙi΅½’Ζ’€CΏΝAζΖ’€½ΖiΖ’€³ͺZbgΕ¬θ§ΑΔ’ιB
Ϊπoά΅Δ’ιΙΠϋΎ―πvΑΔ’ιΖAQΔ’ιΙ»κΖ½ΞΜ±Ζͺ©¦ΔιB
²ΝρIΘ’EΎͺAoXπΖιΖ’€³Σ―Μ@₯ͺ’Δ’ιB
V½ΘTOΝ²ΙCΉι
V΅’m―Νl¦ΈΙ»ΜάάͺΙόκΔQιB
N«Δ’ιΝ±κάΕΜIΘ[Ι]ΑΔ’ιΜΕAV΅’±ΖππΕ«Θ’©ηΕ ιB
V½Θm―Ν±κάΕΜm―ΕΝΕ«Θ’ΜΕAQΔ’ιΕΙ»Ε«Θ’ͺΙX|bgCgͺ ½θA±κͺ²ΙΘιB
²ΖΘΑ½»ΫΝV½Θ[Ζ΅ΔΜ±³κA©Ε³κΔ’B
±κπIΙΖη¦Ό·±ΖΕAV΅’TOππ·ι±ΖͺΕ«ιB
m―ΖΝ3³ΜΕΜIΘΰΎΜ±Ζ@@@@O€πάί½©π©ηέκΞΟzΙΘι
άͺ©ηόιξρiMjπε]ηΏΜuΣvΕ΅½Ύ―ΜΰΜπA_ANwAΘwΖ’€B
±κπx[XΙ΅ΔAgένΉ½θA@·ιΜͺlΜul¦vΘΜΕAΗΝ3³ΜΙΒΆίηκΔ’ιz΅©Ε«Θ’B
±Μζ€ΘάͺΖΣΕ¬θ§ΒF―@\Ύ―ΕΝA±ΜOΙ ιΰΜA½Ζ¦ΞJ~πΜ±΅½θAl¦½θALq·ι±ΖΝΕ«Θ’B
J~π©½AΖ’€ΜΰAΗΝάͺ©ηΜξρπΣͺ΅½Ύ―ΜΰΜΕ΅©Θ’B
apparitionΜκΉΝeκΜpario/parere = to appear(»νκι)
apparentΜκΉΝ appDrent-(ap-Φ{pDrIre»κι{-ENT)@@@©©―AO©γAoIΘΎη©³
©¦½J~ΖΝAo·ΘνΏάͺΜ³i3³jΙζιόgΘΜΕAF―Ε«½M©ΜΝΚνΜξρΕ΅©Θ’B
±κηΜ¨ΏIGlM[ΝS3³ΜΰΜΕ΅©Θ’B
CsΜΣ‘
m―ΖΝA3³Μ[ΜΕΜ«Μ±ΖΘΜΕA’ηl¦ΔΰAΟz΅ΔΰAvυ΅ΔΰA»±©ηOΜ±ΖΝπΕ«Θ’B
tΙΎ¦ΞA»ΜΙ ιΰΜiΆΝβNwjΝ·ΧΔΧ·κΞπ·ι±ΖͺΕ«ιB
Ζ±λͺA»ΜOΙ ιΰΜΝA±κάΕΜάͺΖΣΜF―@\ΕΝc¬ͺΕ«Θ’ΜΕAV½ΘF―@\πgνΘ―κΞΘηΘ’B»Μ½ίΜPϋͺCsΖΔΞκιΰΜΕ ιB
V΅’TOππ·ιuSΜ@₯v
VNeBYΖͺ
Ϋxπ³βθγ°ιΔμθγ°ι±ΖΕAV½ΘTOπ[Ύ³Ήιϋ@B
\ΚΙ»κΔ’ιΐΝAΐΝ»ΜΐΜκ¬ΙV½Θvlp^[ͺ ι½ίΙ`ΙΘΑ½Ζ’€Ό\Μθ@B
±€΅Δτ]΅Aͺπ΅Δ«½lήjB
«π~ίι±ΖͺΕ«Θ’uSΜ@₯v
½π΅ΔΰF―Ζ’€SΜ«Ν~ίι±ΖͺΕ«Θ’B
SΜO€Ι ιΰOΜ»ΫΜΟ»π@miF―j΅A»κΙ½΅Δ’ιB
±κͺΆ«Δ’ιΖ’€±ΖB
Sπ~ίι±ΖͺΕ«Θ’ΜΝAGlM[ͺνΙ³κι©ηΕ ιB
SΜGlM[ΖΝAuF―·ιΞΫvΜ±ΖB
άͺ©ηΜMΝASΜGlM[Ε θAMͺSͺΆ«ι½ίΜA½ΜGlM[Ε ιB
οΜIΙ’€ΖAΞ΅ΔHΝgΜΜGlM[Ε ΑΔASΜGlM[ΕΝΘ’B
΅©΅γ©ηόι‘oΖ’€MΝSΙΖΑΔΝGlM[ΘΜΕASΜ³CͺΘΘΑ½ΝHΜΚiJ[jΕΝΘ‘oΖ’€ξρͺKvΕ ιB
Sπ³CΙ·ι½ίΙΝA©ηoΔάͺ©ηΜξρπΎι±ΖΕAΣ―ΜΝ«»³κιB
V½ΘξρͺόΑΔ±Θ’ΖASΝ·ι±ΖͺΘΘθAΎρΎρΖs«»΅AΒάηΘΘθAΓΘθA΅ά’ΙΝTΙΘιB
±Μζ€ΘσΤΕΝASΝάͺΖΝΚΜξρ©ηGlM[πΎΔ’ιB
ΒάηΘ’AήόACΎAΖ’€u©ͺΝ_ΎΖ’€ΟzvβuΚ’ΜΰΜͺΘ’Ζ’€χ΅³vβuί΅έΖκ΅έΖ{θvπuΣvΜMΖ΅ΔA»κηπΑο΅ΔGlM[Ι΅ΔASπ©΅Δ’ιB
Sπ©·½ίΙΝA»΅ΔΆ½πp±³Ήι½ίΙΝA±Μζ€ΘΐΥΘΜGlM[ΕΰΘρΕΰ’’ΜΕAhͺ 賦Β’ΜΕAΟzπβίι±ΖΝΕ«ΘΘιB
~άηΘ’SΜ@₯πgΑΔKΙΘιϋ@
«’hπΜΔΔAψΙΕΰP’hΙSπ΅ηΉΔ¨―ΞAlΝKΙΆ«Δ’ηκιB
πE΅ΘΔΰA’ΤIΘKπθΙόκι±ΖΝΘPΘ±ΖB
vlΜϋό«πΎιyΟIΙόκΦ¦ιΎ―B
«ϋπΎνκΔΰA»ΜlΜ©RΘΜΕϊΑΔ¨B
JίηκΔΰA»ΜlΜ©RΘΜΕA θͺΖ€ΖΎΑΔA»κΎ―Ι΅Δ¨B
o±π΅Δ’Θ’ͺ°|Μν―@@@@@@Άͺκ΅έΜR@@@@@dukkhas
ΦτΕ½xΰρΕ«½o±ͺ ιΜΕAuΚΜͺ|’v±Ζππ΅Δ’ιB
ΉΑ©SnΜΗ’Β«iKAΖ°AoΟA]ΏjΕCΏζΆ«Δ’ιΜΙρΕ΅ά€ΜΝAhκ΅χ΅π―½’ΜΕuΚΜΝCΎvΖv€B
±κͺdukkhaA·ΘνΏsΕ ιB
±ΜsiΚΜΝΎjͺAΙΆάκιuΤΙόθάκΔ’ιB
±κͺAΆάκΟνι±ΖͺΘRΕ ιB
»ΜάάSnΜΗ’Β«Μ’EΙ½©Α½ΜΙAψΙΘ³κΔAά½V΅’΅κΘ’Ά«ϋπ΅Θ―κΞΘηΘ’ΜΝAV½ΘΆΙΖΑΔΝΘCΏΘΜΕ ιB
Άͺκ΅έΜR@
ΦτΜL―πYκΔ’ι©ηB
ΰ΅ΦτΜ±κάΕΜo±πo¦Δ’κΞA»ΜάάSnΜΗ’Β«Μ’EΙ½©Α½ΜΙAψΙΘ³κΔAά½V΅’΅κΘ’Ά«ϋπ΅Θ―κΞΘηΘ’ΜΝAV½ΘΆΙΖΑΔΝΘCΏΕ θsΘΜΕ ιB
±κͺίΈΜΰ’½uΆΝκΕ ιvΜRΕ ιB
ΦτΜ³ΕΝAΆΝΚ±ΖΙζΑΔΝΆίΔΎι±ΖͺΕ«ιΜΎͺA»κΝ΅κe΅ρΎ’EπΜΔΔAΗΜζ€Θ±ΖͺN±ι©ΰ΅κΘ’’mΜΆΙΪs·ι±ΖΝπ―½’±ΖΕAΘ±ΖΕAκ΅’±ΖΕ ιB
Ξ΅ΔAlΝ±ΜRgπYκΔ’ιΜΕAuΆΝκdukkhaΕ ιvΖ’€{ΜΣ‘ππ·ι±ΖͺΕ«ΈAθΙπίπ΅Δu¨ίήlΝAΆάκΔ’λ’λΘκJβκ΅έΙoηuΆΝκΕ ιvΖ¨Α΅αΑ½ΜΕ·ζvΖ»γΜ§³wΝ’Δ’ιB
»κΘηΞAuΆΝκΕ ιvΖ’€ΜΕΝΘAuΆΝκ΅έΜ΄φΕ ιvΰ΅ΝuΆά꽩ηκ΅έΕ ιvΖ’€Χ«Ε ιB
ΆάκιΝΆάκιΜͺχ΅ΔAΆάκΔ’ιB
ΉΑ©SnπΗ΅½ΜΙAβήπΎΈΆάκΘ―κΞΘηΘ’B
Ύ©ηΔΆΜuΤΝΕ«ΜCͺΘΜΕ ιB
©Θρ]·ιSΜ@₯
Zͺ©ηΜMΕ ιΞΫͺ·ΧΔΑ¦Δ΅ά€ΖASΝ©Θρ]·ιB
½Ζ¦ΞAQΔ[’°θΙόΑ½ηAN«Δ’ιΜζ€ΘuF―vΝΘΘιB
±ΜΙΰSΝ©ͺͺΑΔ’ιGlM[Ε©Θρ]΅Δ’ιB
±Μ©ͺΖΝ©ͺΜSiΆ½jΘΜ©A©ͺΜgΜΘΜ©H
½Ύ±κΝΚΘ’ΜΕA»Μ€ΏΙΪͺoίιB
~άηΘ’SͺR³ΜkΙ΅ͺέΒ
Zͺ©ηόιMͺ©ͺΜ½Ύ©ηAΘΘ’½ίΙA±κηπεΨΙηλ€Ζ·ιB
MͺόηΘ’ΖA»κΎ―ΕAΖΔΰsΐΙΘθAXgXͺάθA°|ΙΘιB@iρͺp234j
ό@΅½ΙAγwIΙΝ_HΕh{βΝ\ͺΕ ιͺAΆ½IΙΝ‘Ζ΄GΖΖΪΜMͺΘ’ΜΕAsΐΙΘιB
Zͺ©ηΜMihjͺR·ιΖO«Δ΅ά€B
cΙΙ’ηκΘ’AΓΕΕΏ ©Θ’ΜΝAMͺR΅ΔA»κΙζΑΔA©ͺΜ½ͺΊ©³κΔ’ι©Μζ€Ι΄ΆιΩΗΜVbNΙΘιB
ΘΊΘηΞAΖΝSΜρ]ͺΘΘι±ΖΘΜΕASΜρ]πΧ·ιΰΜΙΞ΅Δ³Σ―Μ°|π΄Άι©ηΕ ιB
΅©΅ΐΫΜΐΝάͺ©ηΜMͺΥf³κΔΰΚ±ΖΝΘASΜρ]Ν~άηΘ’B
±κπΜ±΅ΔAmMΕ«κΞAάͺ©ηΜMΙι~Eπζθz¦AFEΜSπ ½ίΙKvΘπΕ ιB
FETθπμηΉΘ’TΒΜαQ@άWpañca nīvaraṇāni
āvaraṇa@@@WπνΉΔ’ι
ānīvaraṇa=ni+ āvaraṇa@@niΝ΅t―ιΣ‘ΕApκΜin-Aβen-Ζ―ΆΣ‘ΜΪͺ«
wΉεΚoxSāmaññaphalasutta,o ·ζ2oBw·’άoxiε³ 1jͺ17Μ27oΪΕΝA
oΖͺϊ₯πϋί½γATΙόιOΜiKΖ΅ΔA±ΜάWΜͺ³κι±ΖΕA½μEμxAgΜΜyΐi«ε€ ρjEΐyEOͺΆΆATΦΖόΑΔ’υͺ€ΖqΧηκιB
F―π’€αQΜ±ΖΕA±κͺ 马θ΄z΅½qdΝoΔ±Θ’B
΅©΅AάWπΘ·±ΖΝAΙ€γΙγͺι±Ζπ©ίιζ€ΙA{lΙΝΚΩΗΜ°|΄ͺΊ€B
άWπΘ·RcΝA±ΜΧΙoοΑ½η·ΙA»κΙCΓ«A΅Α©θΖmF·ι±ΖB
@
kāmacchanda-nīvaraṇa~€W
kāmaΖΝAFEΊEE‘EGΜ5ΒΜ¨Ώiά«jA·ΘνΏ~ΖΘιΞΫΜ±ΖB
chandaΖΝAφ΅ͺιAσ]΅Δ’ιAΖ’€Σ‘B
kāmacchandaΖΝά«ΙΞ΅ΔΣ~iy΅³jͺ ι±ΖB
±Μ~€Wͺ 马θASΝ3³ΜΙ ιΜΕA΄³ΜSͺΆάκΘ’B
ΌΜl½ΏΜζ€Ιy΅VρΕyΙιηΉ½η’’Ζ’€CΏͺ ι©ηAάͺΖά«Ιηκ½άάΙΘθA±κπkāmacchanda-nīvaraṇa~€WΖ’€B
±Μάͺ©ηΜMΜ’EΝΖΔΰ·ΔΏΑΫ―ΕΘ’EΕ θAάͺ©ηΜMͺΘΘι±ΖΙζΑΔόΑΔιMͺ ιΜΎΖAqdΙζΑΔ[Ύ·ιΜΘηΞA~€WΝ΅Έ·ιB
uαzπβίΘ³’vΖΎνκΔΰBκΔαz·ιζ€ΙΘηΘ’ΖFETθΜxΙόι±ΖͺΕ«Θ’B
vyāpāda-nīvaraṇaαΡW
vyāpādaΖΝάͺ©ηΜMΙtηΑΔA{ι±ΖB
~©η£κ½ΜΕΝΘA½Ύ~Μ½ΞΙςΡζΑ½Ύ―B
½Ζ¦ΞA ιΏπ©Δuό‘΅»€ΎΘvΖ΅πη΅Δ’ιΜlπ©ΔA~Μ’EΜ±ρΘυiΝ©½Θ’Ζv€ΜΘηΞA»κΝ{θΕ ιB
{θͺ ιΖ’€±ΖΝA~©η£κι½ίΙA3³Μ¨Ώπp΅ζ€Ζ΅Δ’ι±ΖΕ θA·ΘνΏ3³Μ’EΕ ιάͺ©ηΜM©η£κι±ΖͺΕ«ΈΙϊνκΔ’ι±ΖπΣ‘·ιB
ό‘΅’Ώπ©ΔΠ£ιi©ͺΜ³΅³ΜΦ¦·ιj±ΖΙζΑΔA{ΑΔ΅άΑΔ’ιΜΕA]vΘΉάΕ΅Δ’ιB
{θΜΞΫΝάͺ©ηΜMΕ ιB
vyāpāda@ΖΔΰσΘ{θARg[Ε«Θ’ΩΗΜσΘ{θ
dosa@@@ξ{IΘ{θAσΕΝΘ’ACΏͺ«’
αzΝαRπoιζ€ΘLcCμΖ
ΏεΑΖ΅½±ΖigΜΜΙέA°CjΙΙΘιΘηΞoRΝΕ«Θ’B
S[ΙιάΕΙΝ½xΰβ]΄ΙΤΒ©ιΜΕAEΟΝΖECͺKvΘΜΎͺA{θͺ ιΖ»κͺoΔ±Θ’B
thīna-middha-nīvaraṇa@@¨ΎE°W
SΜρ]·ιGlM[ͺΘ’σΤΜ±ΖB
thīna@@@ΕΘι
middha@@έ’A°½’AΎι’
lͺκΤβθ½’±ΖΝuBκι±ΖAQι±Ζv
ΘΊΘηΞAQΔ’ιΖάͺ©ηΜMπT΅ίΔκJ΅ΘΔΰΟή©ηB
N«Δ’ιΝάͺ©ηΜξρπT΅ίΔκJ΅Θ―κΞΘηΘ’ͺAQΔ’κΞSͺθΙ©Θρ]΅Δκι½ίΙκJ΅ΘΔΟή±ΖΕASπxίι±ΖͺΕ«ιB
Q½’Ζ’€CΏͺ 马θATθΝΆάκΘ’B
Bκ½ͺι{\@@Bκι½ίΙΆΎπz’½B
R\R\ΖBκι±ΖΙζθASΝΐS·ιB
ΠοΜOΙoιΖsΐΙΘιB
ΝΙΘιΖBκ½κπμΑΔA»±©ηΜ»€Ιw¦π΅Δxz΅ζ€Ζ΅ΔAκΚΜlΖΝϋπ©ΘΘιB
±ΜBκ½ͺιGlM[ͺ ιΐθAqdΝΆάκΘ’B
celluΧEvΜκΉΝL.celareuB·vBcoveru’€i¨¨€jvΖΝΤθͺαΑΔ’ιͺA»ΜκΉL.operireΜΣ‘ΝuB·vΖC[WͺΒΘͺΑΔ’ιB
discoveru©·ιvΝdis-(not)+cover ©ηA’νΘ’ -> ’’πO· -> ©·ιB
uddhacca-kukkucca-nīvaraṇa@@{EγχW
uddhacca@@}ΙlOΙo³κΔhLhL·ισΤ
kukkucca@@γχ@@ίΙ‘«ΓηκΔ’ι±Ζ
{ΖΝABκ½ͺιSͺABκκͺΑ¦ι±ΖΕOΙoΔ΅ά’A»ΜuΤΙ¨±ι¬σΤΜ±ΖB
J«ΌθͺRc
ΗκΩΗ«’±ΖβΈsͺ Α½©ΰ΅κΘ’ͺA»κηΝίΜ±ΖΘΜΕAΎι’SΕnίι΅©Θ’B
vicikicchā-nīvaraṇa@@^W
vicikicchā@OYOY΅Δ΅Α©θ΅Δ’Θ’Sͺγ’σΤΜ±Ζ
MΆάΉρAΖ’€Ύ―Ε²―σΤΕ θA©ͺΜεΟΜkΙΒΆβΔΰθAV΅’±ΖΙ`W΅½Θ’SΜ±ΖB
u^’Θ³’vΖΝAΰΜ²ΖπLΫέΙ·ιΘA©ͺΕΝm©ίΔπ·ιAΖ’€Σ‘
|’ΰΜmηΈΕA½ΑΥθΖ^ΑΔA©ͺΕm©ίιΌΖ’€`WΈ_Μ±ΖB
±κΝvicikicchāΕΝΘA^πmι½ίΜ³CΕ ιB
αzΝV΅’’EΦΜ§νΕ ιBV΅’’EΙΛό·ιECͺαzΙΝ©ΉΘ’B
άWͺΑ¦ιΖ
άͺβά«ΙηΘΔΰASΝεδvΕ ιΖ’€Μ±π·ι±ΖͺΕ«A©ͺΜΜ°|ΙΕΏΑ½±ΖΘΜΕA©MXΜσΤΙΘιB
άWΝΟYΜκΘΜΕAT}[fBαzΕΝΟYͺκIΙΎa·ιΎ―Α¦ι±ΖΝΕ«Θ’B
ΟYπΑ΅ιΙΝBpbTi[αzͺKvΕA»κΙζΑΔ»κΕιuqdvΙζΑΔΟYΝΘΘιB
ΟYπΑ΅ιΙΝ4iKΜXebv
a¬ΚΕΝΟYΜ3ΒͺΑ¦ΔAρxΖ»κΘ’ͺAΚΜ’IΘΆΙίιΖAάWΝά½«»·ιB
ζκTθ©ηζάTθΜΑF
αz·ιΙΝΝπόκ·¬Θ’BάΎTθͺΘΔΰA10ͺΩΗyΙ©±―ιΎ―Ε’λ’λΘΰΜͺ©¦ΔιB
±ΜΙΑ’½θ¬΅Θ’ΜͺRcΕA½CΕ©±―ι\ΝΕ ιAκ««ekaggatāͺKvΕ ιB
αΎΕΘ’Ζ©¦Θ’Κͺ©¦½θ·ιͺAΑ©Θ’Ε’ΒΕΰβΓΘSΕ©±―ιΜͺRcB
vitakkaq@@@΅Α©θl¦ι@@@ΞΫ¨ΙΝάΑΔA»κΙζΑΔAΣvΕΑΔ’
@@@@@@@@oͺͺ©η¦°Δ’©Έ£κΈYκηκΘ’@@@·ΘνΏΟz΅Δ’ι
@ ιl¦iΟzjπv’o·
vicāraf@@@@ΎtΘ΅ΙΘρΖΘ©Δ’ιAΟ@
@@@@@@@@ ιl¦iΟzjπNZΜζ€ΙJθΤ·
pitiμ@@@@@@χΜIΙ΄ΆιμΡ@@joy@pleasurebla
sukhay@@@@@K΄@bliss
ekaggatā κ««@@ΞΫΖΜκΜ«Aκ«AκΡ«π΄ΆιΩΗΜWΝAκΜ΄
ζκTθ@@qAfAμAyAκ««Ζ€Ι ι
ζρTθ@@fAμAyAκ««Ζ€Ι ι
ζOTθ@@μAyAκ««Ζ€Ι ι
ζlTθ@@yAκ««Ζ€Ι ι
ζάTθ@@ΜAκ««Ζ€Ι ι
vipāka-citta 5@@ΩnS
vitakka-vicāra-piti-sukhekaggatā-sahitaṃ paṭhamajihāna- vipāka-cittaṃ,
vicāra-piti-sukhekaggatā-sahitaṃ dutyajjhāna-vipāka-cittaṃ,
piti-sukhekaggatā-sahitaṃ tatiyajjhāna-vipāka-cittaṃ,
sukhekaggatā-sahitaṃ catutthajjhāna-vipāka-cittaṃ,
upekkhekaggatā-sahitaṃ pañcamajjhāna-vipāka-cittañ
ceti,
imāni
pañca pi rūpāvacara-cittāni nāma.
qAfAμAyAκ««Ζ€Ι ιTΩnSBfAμAyAκ««Ζ€Ι ιζρTΩnSBμAyAκ««Ζ€Ι ιζOTΩnSByAκ««Ζ€Ι ιζlTΩnSBΜAκ««Ζ€Ι ιζάTΩnSBΖ’€±κηάΒͺFEΩnSΖΔΞκι
kiriya-citta 5@@BμS
vitakka-vicāra-piti-sukhekaggatā-sahitaṃ paṭhamajihāna- kiriya-cittaṃ,
vicāra-piti-sukhekaggatā-sahitaṃ dutyajjhāna-kiriya-cittaṃ,
piti-sukhekaggatā-sahitaṃ tatiyajjhāna-kiriya-cittaṃ,
sukhekaggatā-sahitaṃ catutthajjhāna-kiriya-cittaṃ,
upekkhekaggatā-sahitaṃ pañcamajjhāna-kiriya-cittañ
ceti,
imāni
pañca pi rūpāvacara-cittāni nāma.
qAfAμAyAκ««Ζ€Ι ιTBμSBfAμAyAκ««Ζ€Ι ιζρTBμSBμAyAκ««Ζ€Ι ιζOTBμSByAκ««Ζ€Ι ιζlTBμSBΜAκ««Ζ€Ι ιζάTBμSBΖ’€±κηάΒͺFEBμSΖΔΞκι
FEBμSΖΝ’ ΏΜSΜ±ΖB
ΟYͺΘ’ΜΕJ}ΰΘA΅½ͺΑΔΔΆΰΘ’A½ΎΜsΧΕIνιB
nigamana@κ
icc evaṃ sabbathā pi pannarasa
rūpāvacara-kusala-vipāka-kiriya-cittāni samattāni,
ΘγΕA15νήΜFEΜPSEΩnSEBμS·ΧΔπiΰ«jI¦½B
§³ΜbrahmāV
qhD[³ΜVΖΝASͺ΄η©ΙΘΑ½ΕΜ³B
§³ΜVbrahmāΖΝA΄η©ΕDκΔ’ιΖ’€Σ‘B
rgΜμx΄ΝΘAβΓΘ΄Ύ―ͺcιζάTθπo±΅½lΝ~EΝΎηΘΔκ΅’Ύ―Ζͺ©ΑΔ΅’A~EΙ»‘ͺΘΘΑΔ΅άΑ½ΜΕAρΎηVΕΝΘVEbrahmalokaΙΔΆ·ιB
VEΖΝFEΜ±ΖΕA[KαzΙζιδκ@ΜΜ±΅ΔΎι«nΜ±ΖB
αzπβθ½ͺηΘ’R
νmXgbvΕm―ivlp^[jπ@\³ΉΔζ£ΑΔΆ«Δ’ιB
±Μ@\πXgbv³ΉιΜͺCsΘΜΎͺA±κΝ‘άΕΙ΅½±ΖͺΘ’±ΖΎ΅Aο΅©Α½θ΅΅©Α½θΖ΄ΆιΜΝASͺm―ivlp^[jΙίθ½ΔA@\πXgbv³Ήι±ΖΙKΕ½΅Δ’ι½ίB
m―Μ’EΜϋͺSnͺΗΔA΅κΔ’ι©ηB
½ΰl¦Δ’Θ’σΤΝAz΅½Ύ―Εΰ|ΘιB
λΘ’A³ΙίκΘ’AΘΗΖΎ’σ΅ΔA³Σ―ΕΝ~EΙOκIΙ· ΅Δ’½’©ηB
ά©έ@@pañca-vasitā @[fD] mastery
1.ψ]©έ|T}[fB©ηo½γΕASͺΗΜζ€ΙΟ»΅½©ΜΉπL^΅Δ¨\Ν
2.όθ©έ|T}[fBπ½xΰJΤ΅Aόθ½’Ζv€Ζ«A’ΒΕΰoι\Ν
3.έθ©έ|©ͺΜί½ΤΙT}[fBΙ―άι±Ζͺoι\Ν
4.oθ©έ|©RΙCΉιΜΕΝΘA©ͺΜί½Τͺ«½ηT}[fB©ηoι\Ν
5.ΘiΟj@©έ|αzσΤΜvlE΄ξπqΟIΙ»ΚEmFΕ«ι\Ν
γΙαzπqΟIΙΟ@paccavekkhaṇā΅Θ’ΖA±κ±»ͺ^ΐΎAΖ· ΅ΔA©ͺͺΙIΘ«nΙΑ½ΜΎΖ¨α’΅Δ΅ά€©ηB
ίΈͺ^πκι±ΖͺΕ«½ΜΝAγΕΟ@·ι½Θοπ΅Δ’½©ηB
±κͺΙΘΜ©H©ͺ©gΙβ€±ΖͺΕ«AΜXebvΙiή±ΖͺΕ«ιB
gΜΖSΜμΡ
gΜΝΙέΎ―ΕμΡΝ΄ΆΘ’B
w³Ιζι}bT[WΜυ΄ΰ‘ ιΙέπͺΚΜΙέΙΟΑ½Ύ―Μ±ΖΘΜΙ½ΏΝ»κπυyΎΖφo΅Δ’ιB
TθΙόιΖAgΜ©ηΜμΡΖS©ηΜsomanassaK΄π΄ΆιΜΕA±κ±»ͺ^ΎΖv€ΜΝv΅ϋΘ’BΎ©η±»AγΜΟ@ΝdvΕ ιB
somanassa@'glad-minded-ness' isu+manas+yajCgladnessCjoyG identical with 'mentally agreeable feeling'
TθΜo±ͺ ιΖVEΙΆάκι
O³Μ’Ei~EjΙκΨΜ»‘ͺΘΘιΖFEiVEjΙΔΆ·ιB
ΎtΕΝΘA~EΝΎηΘ’Ζ’€ΐ΄π{ΙΎιKvͺ ιB
~EΕΙ’ΪΙ’ATθπΒΑΔVπo±·ιΖA©RΜGlM[Μ@₯ΕAVEΙΔΆ·ιB
a¬ΚΙΑ½CsΝ½Δΰ7ρΜlΤEΕΜΔΆͺ ιΖΎνκΔ’ιͺATθπΜ΄΅½γΙa¬ΚΙΘΑ½ΝlΤEΙΔΆ·ιΜ©Aΰ΅ΝFEΙΔΆ·ιΜ©AΗ€ΘΜŠ뀩H
’ΤΝκ΅έΜπί@@qhD[³Ζ§³
αzπ·ιlͺ’Μi~Ejζθ’xΜμΡπmΑΔAu±Μ’Νκ΅έΕ ιB³Σ‘Ε ιvΖ΄ΆιΜΝ³ΌΘ΄zΕ ιB
Ξ΅Δ§³ΝA~EΎ―ΕΝΘAFEA³FEπάί½uΆέ»ΜΰΜΗ±λ©ρΆέΝκΕ ιv±ΖπΜ±΅A±κπoθΖ’€B
FEΜΜ±@usρv
FEΜΕγΜTθσΤΕΝAupekkhāiβΓΘCΏjΖekaggatāiκΜ΄jΜ2ΒͺcιB
±κηπΟ@·ιΖA
u±ΜκΜ΄ΝA¨ΏΜGlM[ΖSΜGlM[ͺ«ΏρΖκΜΙΘΑΔs΅Δ’ι©η‘νΑΔ’ιΰΜΎvΖ©·ιBuκΒΙs΅Δ’ι©ηκΜ΄ͺΆάκιv
±κͺusρv·ΘνΏuρΒΕΝΘ’AκΒΕ ιB¨ΏΰSΰ―ΆΕ ιvΖ’€±ΖΕAqhD[³ΜF[_[^iveda-anta@F[_ΜΕI`jNwΕ ιB
sρκ³_advaita-vedāntaΒάθnon-dualismΜ±ΖB
B―_βσ_ΖΜ€Κ_Ε·B
ΗΏηΙ΅ΔΰNwΝΎtVΡΕ θAnίΙo± θ«AΖ’€Μͺ§³Ε ιB
FE©η³FEΦ
ζάTθΕ¨ΏGlM[π}¦ΔAαzΙζΑΔSπΗρΗρ¬·³ΉΔ’ΖA¨ΏGlM[ͺ©¦ΘΘΑΔAuΌΪΜ±΅Δ’ιΜΝAnE EΞEΕ ιvΖͺ©ιB
ΐΫΙΝ πΜ±·ιΜΝο΅’B΅©΅ ΜΌΪΜ±ͺο΅Δΰͺ©ΑΔ΅ά€B
unE EΞEif±qHjͺκΤ·ι¨ΏΕASΝ»κΖκΙ΅Δ’ιvΖͺ©ιB
ζάTθΕΝuυΖκΙΘΑ½vΖ’€ΞΫͺ θA»ΜgΖ©ͺΜSΜgͺκΒΙgπΕΒζ€ΙΘΑΔ²a·ιB
·ιΖuΞΫΖκΜ΄π΄ΆισΤπςΡo΅Δέζ€vΖv€ζ€ΙΘιB
»±ΕCsΝA·ΧΔΜ¨ΏIΘΞΫͺΑ¦½σΤπv’©ΧΔA»κΙW·ιB
¨ΏΙηΘ’³
·ΧΔΜ¨ΏͺΘΘΑ½ηA ιΜΝ½Ύλ€©HΎtΕΎ¦ΞuσvBΞΫA¨ΏͺΘ’^σσΤB
~EΜΈ_σΤΕΝAΫIΘ±ΖΝl¦ηκΘ’BΘΊΘηΞΫIΘ±ΖiTOjΙΝC[WΙζΑΔ¬θ§ΑΔ’ιΜΕA»ΜC[W½ΏͺΊΑΔ΅ά€©ηB
wΜ_βΌόΜTOΝ ιͺA»κπl¦ιΙA»κηΜC[Wπv’©ΧΔ©ηA»κΙξΓ’Δl¦Δ΅ά€B
»±ΕAC[W©ηC[WΜΘ’uσvΜ’EΙόλ€Ζ·ιͺAͺΜ«ΙζΑΔ»κͺΕ«Θ’JjYΙΘΑΔ’ιB
A[ip[iαzͺΰΑΖΰDκΔ’ιRΝA^σσΤπΟ@·ιΤ¨Ιόθβ·’½ίB
΅©΅AΤͺKvΕAΔzΰ¨ΏΕ ΑΔA`ͺ ΑΔA·’ΔzβZ’ΔzΜζ€ΙA`Ε΄ΆΔ΅ά€B
TθͺiρΕ’ΖAβͺΔ`ΜΘ’αzΙάΕιB
³FES
arūpāvacara-citta @@³FES
kusala-citta 4@@PS
ākāsānañcāyatana-kusala-
cittaṃ,viññāṇañcāyatana-kusala-cittaṃ,
ākiñcaññāyatana-kusala--cittaṃ,
nevasaññānāsaññāyatana-kusala-cittañ ceti,
imāni
cattāri pi arūpāvacara-kusala-cittāni nāma.
σ³ΣPSA―³ΣPSA³LPSAρzρρzPSAΖ’€±κηSΒͺ³FEPSΖΔΞκι
³FEΕΜαzΜΞΫΝAΥIΘFIΘ^B
σ³ΣPS@@ākāsānañcāyatana
ākāsa@@@@σΤAXy[XA½ΰΘ’^σ
anañca@@@(ananta)[an-anta] ³ΣΜC³ΐΜC³ΚΜ
āyatana@@@B·ιAόθρΎσΤ
©ͺΜSΖ¨ΏIΘGlM[ΖͺκΜΙΘιΜπ΄ΆA±Μ¨ΏIΘΆέͺuΘ’vσΤπΟ@·ιB
π©ΔA»ΜͺΘ’σΤπΟ@·ιΜΎ©ηA―Α±€ο΅’B
FEΕΝA©ͺΖ’€©δΜΆέΝgΙΝάκΔ’ιΖͺ©ΑΔ’½ͺA¨ΏͺΑ¦½ηAΝΝβ«EβgβΨθΰΘΘιB±€ΘιΖ^σσΤͺΗκη’ε«’©AΎ’ζ€ͺΘ’B
^σσΤͺ³ΣΕA¨Ώͺ ισΤͺLΣΕ ιΜΕAani³j-antaiΣjΖ’€B
±ΜΜαzΞΫΝākāsam anantaṃ³ΣΜ^σΕ ιB
ΞΫͺΑ¦½η³ΣΘΜΕAākāsa^σΎ―πΟ@·ιB
»΅Δ±Μākāsa^σπF―·ιB
»΅Δ©ͺͺά½A»κΖκΒΙΘιB
»€·ιΖSΜgͺ³ηΙΧ©ΘθATOil¦ι±ΖjΝάΑ½ΘΘιB
½ΎA’ιΎ―B
’ιΎ―ΕA½ΰ©¦Θ’A½ΰ·±¦Θ’AgΜΜ΄oΝάΑ½΄ΆΘ’B
©ͺͺ±±Ι’ιΖ’€TO³¦Θ’B
{lΜgΜΝ«κ’ΙΑ¦Δ’ιB
Δzΰ΅Θ’
³Σ½ι^σΜσΤπΜ±΅ΔA»ΜσΤπΟ@·ιB
½Ζ¦Ξ[}NV iΜeLXgπΗρΕΰFEζκTθη’Μo±Ι΄ΆιB
σ³ΣΙόιΖAκΜΙΘΑΔ’½¨ΏΖSΜ«ͺβΑΖͺ£·ιB
»κάΕΝSͺ¨ΏΙΛΆ΅Δ¨θA¨Ώ©ηΜξρiMjπσ―ΔAgπΕΑΔ’½B
½Ζ¦ΞεΖ’€¨ΏΜhπσ―A»κπCΏͺ’’Ζ΄ΆΔ’½ζ€ΙB
~EΎ―ΕΝΘFEΕΰ¨ΏΜMΙζΑΔSͺρ]΅Δ’ιB
±Μ³FEΜ¨ΏͺΘ’σΤπΟ@·ι±ΖΕAβΑΖSͺ¨Ώ©η£κΔA©ͺΜSΎ―Ερ]·ι±ΖͺΕ«ιζ€ΘιB
TOΝ¨ΏΜMΙGκι±ΖΕΆάκιΰΜΘΜΕA³FEΙΝTOΝκΨΘ’B
Sͺ ικθΜp^[ΕK₯³΅’gΕ΅Δ’ιB
«ίΧ©AΙίΔJΙAΰε«³ΰάΑΔA΅§ΙgΕΒB
FEΜTθΝuSͺ½©πΜ±·ιvx
³FEΜTθΝuSͺ½©ΙΘιvxB@@½©ΙζΑΔΕΝΘS©gͺΟ»΅Δ’B
σ³ΣΜTθΕΝASΝ½Ύ½ΓΘσΤΕ ιuΜvΎ―ΕAμx΄ΰ½ΰ΄ΆΘ’B
―³ΣPS@viññāṇañcāyatana
viññāṇa ―
ananta@@³Σ
āyatana@AσΤ
αzΜdϋ
σ³ΣΜTθπγ©η½xΰΟ@·ιB
±κΕ^σσΤͺν©θAu¨ΏΝΰ€ΎvΖ¨ΏΜxΝIνΑ½ΜΎͺA±Μσ΅πͺΝ·ιΖA
¨Ώͺ ι±ΖΙx¦ηκΔ¨ΏΜΘ’σΤπF―΅ΔA^σσΤπΜ±΅Δ’ι±Ζͺͺ©ιB
¨ΏͺtΰIΙu^σvπx¦ΔκΔ’ιΖ’€±ΖB
»±Εu‘xΝ¨ΏΜΘ’^σσΤΙΑΔ’½ΜΎvΖ’€ΐͺν©ιB
»κΝ^σσΤΖ’€ρπΑΔAθ·θΙΝάΑΔoΑ½±ΖΙΘιΜΕA
uΝAθ·θΕoΑΔέζ€vΖ’€±ΖΙΘιB
³ΣΜSΜσΤπρΙ΅Δαz·ιΖ’€±ΖB
σ³ΣπSͺΜ±΅½ΜΕAΝuSΜ³ΣvΜXebvΙiήΖ’€±ΖB
Sπσ³ΣΙg°½ΜΕAΝu―ͺ³ΣΙ¬κΔ’vΜπΟ@·ιB
u±±λͺ³ΣΕ ι±ΖvπΟ@·ιB
±κΝ^σσΤi¨ΏͺΘ’jΖ’€θ·θΘ΅ΙAά½³ΣΜσΤπΜ±·ι±ΖΙΘιB
³LPS@@ākiñcaññāyatana
ākicana @@@@āΫθ+kiñcanaikiñci@½©somej@@½ΰΘ’nothing
@@@@@@@@^σβσΕΝΘ’B»κ³¦ΰ³’u½ΰΘ’±Ζnothingnessv
āyatana@@@@AσΤAόθρΎσΤ
u―Ν³ΣΕ ι±Ζvπ½xΰΟ@΅ΔAκΜ΄πΎΔATθͺγθΙΘΑΔ©ηAΔzΙΰSΙΰ½ΙΰηΘ’ΕA
u½ΎW·ιΎ―ΕSͺ³ΣσΤΙΘι©vΖPϋ·ιB
u½ΰΘ’±ΖnothingnessvΖ’€ΜΝF―ͺΆάκΘ’±ΖΕ ιB
·ΘνΏumηΘ’vΖ’€±ΖΕAu½ΰΘ’±ΖnothingnessvΜαzΝΕ«Θ’B
SΙ½ΰhπ^¦Θ―κΞA’«Θθ³ΣσΤΙΘιΝΈΕ ιB
ΕΝΗΜζ€Ι·κΞhπ^¦Θ’ζ€ΙΕ«ι©H
βθΝΗΜζ€Ι΅ΔνΙ’Δ’ιSAΎtπΟ¦ιΖ]ΧEΜ«πΗ€βΑΔ~ίι©Ζ’€±ΖB
{Ι~άΑ½ηA»ΜΧEΝ~άΑΔ΅ά€ΜΕA¨ΏIΘ’EΕΝuhπ΄ΆΘ’ζ€Ι·ι±ΖvΝsΒ\Ε ιB
΅©΅αzΜ’Ei³FEjΕΝ]ΧEΝ~άΑΔΰΘΘ’B¨ΏIΘ’EΖΝάΑ½ΦWͺΘ’’EB
α€³ΜbB
gΜͺA¨Ζ΅Δ’Δ’ιζ€ΘΰΜB
σθρ°Άγghātā@@εΜ`πΖθA§ΏΜ^Qβ³πqΧ½ΰΜ
ρzρρzPSnevasaññānāsaññāyatana
nevasaññā@ naΘ΅+eva½Ύionlyj+saññāizAζΚj@@zͺΘ’©Μζ€ΘσΤ
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@½Ύ~EΜzͺΘ’
nāsaññā@@ na Θ΅+asaññā@@@@@@@@@@@@@@@@ρzi·ͺν©ηΘ’jͺΘ’@@
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ρzΕΝΘFEΜgΜ·Ν ι
u©ͺΝA³ΣIΘΆέπ΄ΆΔ’ιB΅©΅½ΜΑFΰΘ’BσCΜζ€ΙA^σΜζ€ΙA©ͺͺ½ΖΘAΝ©Θ©ͺΖ’€Σ―Ύ― ΑΔA ΖΝ½ΰΘ’v
saññāzΖΝA½©uα’π΄ΆιvΖ’€«
ΰΜ²ΖΜ·πF―·ι±ΖͺA·ΘνΏF―’EΜ«Ε θA±κΝ΅§Θ΄β@₯Ε ιB
ϊνΆΕuͺͺζ’vΖ’€ΜΝsaññāzͺs’Ζ’€±ΖB
ζΧ΅½AΖ’€ΜΝsaññāzΜPϋπΗ΅½AΖ’€±ΖB
L―ΰsaññāzΜ«@@@@@@ωmΜsaññāzΖΡΒ―ι±ΖΕV½Θ±ΖπAz΅ΔL―·ι
ākicana iāΫθ+kiñcanaikiñci@½©somejΖ’€u½ΰΘ’nothingvσΤπΜ±΅ΔSͺ³ΣΙΘθA
»κπiίιΖASΙzͺΘΔΰ³ΣΙΘΑΔ’ιζ€ΙΘιB
·ΘνΏākicanaΖ’€u½ΰΘ’nothingvΰzΕ θAF―΅Θ’Ζ’€u½ΰΘ’nothingvΕΰΘASͺ³ΣΙΘΑΔ’ι«nB
ρzρρzPSnevasaññānāsaññāyatanaΜΐE
·πσ―ζηΘ’σΤΘΜΕASΝ±κΘγF―Ε«Θ’ΜΕiή±ΖͺΕ«Θ’ΜΎͺA―viññānaΖ΅ΝASΝκΌόΕΰY[bΖ¬κΔ’ιB@
±κͺuivΜσΤΕ ιΖTθΝvΑ½B
»κΝ84000 Aά½Ν’m_asaṅkha ΖΎνκA10Μ140ζΜ ΘΜΎ»€Ε ιB
κ ΖΝFͺκρΆάκΔΑ¦ιάΕΜΤB
΅©΅hͺόΑ½ηA±ΜκΌόͺΟ»·ιB
»±ΕίΈΝu‘ASΝΙΜσΤΙiρΎB΅©΅ASͺΆέ΅Δ’ιΜΎ©ηAά½’Β©rgπ§ΔιΜΎvΖͺ©Α½BoTΝH
uSΝ’Βΰ’Δ’ιBGlM[ͺ ιΐθΝTθσΤΙ’ΔAGlM[ͺΑ¦ιΖά½ΚΜgΙίιBΎ©ηΙΜΖ±λάΕSͺ¬··ιΖAΖΔΒΰΘ·’ΤA»ΜΏΜΝΕ―ΆxΕ΄π΄ΆΔ’ι©ΰ΅κΘ’ͺAβͺΔά½rgͺ§ΒΜΎBΘΊΘηSΜgͺ±±Ι ι©ηΎvoTH
S©gͺECXΖ’€Ά½ΜΕ ιΜΕAgπΑΔ’ιΜΎB
iπfΎ·ι½ίΙΝA»Μuivζθ³ηΙ·’ΤπmΑ½σΤΙ’Θ―κΞΘηΘ’BR©ΜΙ΅ͺ ιΜΕAiπw΅¦·±ΖΝΕ«Θ’B
iΝν― ιm―lͺg€ΎtΕΝΘ’B
FEβ³FEΙΞ·ι~@@@@L€bhavataṇhā@ρL€vibhavataṇhā@@@oTH
¨ΏIΘ~€kāmataṇhāΙΞ΅ΔA
L€bhavataṇhāΖΝAζθ’xΙs«½’A»΅ΔiΙΘθ½’AΖ’€Άέ~Μ±ΖΕAεlΝ±κπΫθ΅Θ’B
ρL€vibhavataṇhāΖΝAΰ€Άέ΅½Θ’Ζ’€~ΕAΆέ΅½Θ’Ζ’€~ΕAuΆέΝ’ΎAΆέ΅Θ’ϋͺ θͺ½’vΖ~·ιΖA»κΝ{θΜζ€Θ~ΙΘιB
u¨ΏIΘ~€kāmataṇhāAL€bhavataṇhāAρL€vibhavataṇhāΜ3Βͺ ιΐθΝεθΕΝΘ’Bv@@@oTH
ρzρρzπΟ@΅ΔΰAu±ΜSΰβΝθΆΕΟ»΅Δ’ιΕΝΘ’©vΖCt’½BoTH
΄φΝ’ΈκΟνθA΅½ͺΑΔΚΰΟνθAΎ©ηu±±ΰΕIπEΕΝΘ’vΖmF΅½BoTH
±Μ³FEΝ¨ΏΖΝΦWΜΘ’SΎ―Μ’EΘΜΕANΰ±Μ’EΜΆ½ΖΝR^Ng·ι±ΖͺΕ«Θ’B
σπΖηΘ’ΆέΘΜΕA³FEVΝuΗ±©Ι’ιvΖ’€±ΖΰΘ’B
§³ΘOΜ³FETθ
u°ΜΝ½η«Ν¨ΏΖΦWΘ’ΜΎv
VJĀdi ŚaṅkaraΜadvaitavedāntaiρρ³«jNw
nirguṇabrahman ¨ nirguṇa ½ΰΑFΘ΅@ brahman@΄z΅Δ’ι°iātmanj ΒδΕΝΘ^δ
u^δΙΝ½ΜΑFΰΘ’inirguṇajΜΎv
VJͺΪ΄΅½ΰΜΝΦτ©ηΜπEΕ θA»ΜθiΝA΄φπKvΖΉΈΆ§·ιΖ±λΜut}ijΖAΒlΜ{ΜΕ ιA[g}iδjΝ{―κΕ ιΖ壡½B
»ΐΜϊνo±ͺ±Μ^Ζ΅΅Δ’ιΜΝA±Μm―ποΎ΅Θ’³mi³ΎjΙζιΖ΅AχΜπΰάί½κΨΜ»Ϋ’EΝ³ΎΙζΑΔut}Ιtυ³κ½ΰΜΙ·¬Θ’ΰΜΕ ΑΔA{ΐέ΅Θ’Ζΰ’ΔΆeε`IΘκ³_isρκ³_jπ₯¦½B
μΝAF[_[^hΜͺ{ΉTΙΞ·ι»ΆΕΓΜίwut}EX[gπxwunbhEA[jJxwEpf[VET[nX[x
πjIΙέκΞAήΝ§³NwπF[_[^NwΙzϋ·ιππSΑ½Ζΰ’¦ιB
ChμΜPBJ[fBipκΕjΜnΕiu[fBΖ’€oKΜqΖ΅ΔΆάκ½Ζ’νκΔ’ι
³FETθΕΝBpbTi[αzΝΕ«Θ’
³FETθΕΝΟ@ΞΫͺΘ’½ίAFEΜζlTθπμΑΔ©ηBpbTi[αzΙόιB
BpbTi[αzΙΝAΆΕΟ»·ι»ΫΜgπΟ@΅ΔAΟ@΅ΔA³νπh[ΖΜ±΅Θ’ΖABpbTi[αzΙΘηΈoι±ΖͺΕ«Θ’B
Εsθ nirodhasamāpatti@@@ΕsΝΟYͺΑ¦½±Ζ
ίΈͺV½ΙΑ¦½Tθ@@@@nirodhaΕ·ι samāpattiθ@@
ρzρρzΜTθΕ«nάΕB΅½ηAΆέ΅½’Ζ’€ΟYΰΘ’ΜΎ©ηAu±Μgΰ~ίΔΰηΑ½ηΗ€Ε·©vΖ’€iKΙiήB
SΜgͺSΙΑ¦ι±ΖΕASΜ@\ΰΨκΔ΅ά€B
Ά«Δ’ΘͺηAΈΟΖ’€σΤπΜ±·ιB
ΰ€gΜΝ©Θ’B
oθΖi
BpbTi[αzΜoθΝAΕsθ nirodhasamāpattiHͺ Α½uΤΎ―Μ±Ε«ιB
·ϊΙν½ΑΔΜ±΅½―κΞATθπCs΅Θ―κΞΘηΘ’B
a¬ΚΙΘιΖΝA½Α½uΤΎ―A»κπΜ±Ε«ιB
·ιΖA’Β©ΜΟYΝΑ¦Δ΅ά€B
»Μ½ίΙΝASͺ’AWΝΰηέA{CΕΟYπΑ΅½ΘΑ½uΤΙ€άκιB
»κπΜ±·ιΖASΜgΜΝΝSφκΔ΅ά€B
§³ΕΝiΖ’€ΎtπgνΈAΈΟπg€IRΝAΎtΕκκΘ’©ηΐHΖ’€Σ‘H
u±€’€ΟYΖ’€Ν½η«ͺ ι©ηΦτ]Ά·ιB»±ΕAΟYΖ’€Ν½η«πΑ΅Δ΅ά€BΑ΅½ηΦτ]Ά΅Θ’vB@ΘγΕκι±ΖΝIνθB
Φτ]Ά΅Θ―κΞAΎtΰTOΰ¬θ§½Θ’B¬θ§½Θ’±ΖΙΒ’ΔAκθΎΘ’B
»±ΕuΈΟΙόΑ½ΰΜΝisΕΕ ιvuiΝΘ’vΖΎ€ζ€Θ±ΖΝTO»Ε«Θ’±ΖΕ θAϋ©ηo·ΰΜΕΝΘ’B
vipāka-citta 4@@ΩnS@p37,27
ākāsānañcāyatana-vipāka-
cittaṃ,viññāṇañcāyatana-vipāka-cittaṃ,
ākiñcaññāyatana-vipāka--cittaṃ,
nevasaññānāsaññāyatana-vipāka-cittañ ceti,
imāni
cattāri pi arūpāvacara- vipāka-cittāni nāma.
σ³ΣΩnSA³ΣΩnSA³LΩnSAρzρρzΩnSAΖ’€±κηSΒͺ³FEΩnSΖΔΞκι
kiriya-citta 4@@BμS@p37,28
ākāsānañcāyatana-kiriya-
cittaṃ,viññāṇañcāyatana-kiriya-cittaṃ,
ākiñcaññāyatana-kiriya--cittaṃ,
nevasaññānāsaññāyatana-kiriya-cittañ ceti,
imāni
cattāri pi arūpāvacara- kiriya-cittāni nāma.
σ³ΣBμSA―³ΣBμSA³LBμSAρzρρzBμSAΖ’€±κηSΒͺ³FEBμSΖΔΞκι
nigamana@κ
icc evaṃ sabbathā pi dvādasa-
arūpāvacara-kusala-vipāka-kiriya-cittāni samattāni.@
ΘγΕA12νήΜ³FEΜPSEΩnSEBμS·ΧΔπiΰ«jI¦½B
o’ΤS@lokuttara-citta
loka’EiΆ½A¨ΜA³Agjuttaraζθz¦½@¨Ά½Μ³πζθz¦½ΰΜ
~EAFEA³FEΜSΝΆ½ΜSAo’ΤSΝΆ½πΜ豦½S
o’ΤSΖΝΦτ]Άπ²―oιSεθΜSΖ’€
’Τ©ηoιSΕΝΘA’ΤΙ ιS©ηoι±ΖB
§³ΕΝTθπμηΘ’ΐθF―Ε«Θ’AFEA³FEΖ’€’³ΜΆ½ΰ ιAΖΎΑΔ’ιB
ΗρΘΆ½Ιΰ©ͺΜSπ¬·³Ήι±ΖΝΒ\ΎͺAαzΝΆάκΔιΒ«βAσβAgΜΘΗΜπΙζΑΔΕ«Θ’B
Lβ_XΰαzΝΕ«Θ’B
Lβ_XΝ»ΜgΜΕίκ½ΝΝΜΕ΅©sΕ«Θ’B
_XΜ’EΝZͺπΖ±Ζρy΅άΉΔ °Θ’Ζ’―Θ’B
_XΙΘΑ½ημΡΜgπΈΑΖμΑΔΆ―Θ―κΞΆ«Δ’―Θ’B
qgΕ’€Ζ_fπz’±―Θ―κΞΆ«Δ’―Θ’ζ€ΙB
_XΜgΜΝχ©Θ¨ΏΕΕ«Δ’ιͺAHΧ¨Εx¦ηκΔ’ιΜΕΝΘAS©ηΜhΕΆ«Δ’ιB
αzπnί½ηS©ηΜhͺΘΘιΜΕgΜπx¦ι±ΖͺΕ«ΘΘθAρΕ΅ά€ΜΕαzΝ΅Θ’B
§³π θͺ½vΑΔ’ιͺA{lΝαzΕ«Θ’ΜΕA§³kΝCs΅½χΏπ_XΙ^¦Δ{·ιΜͺτόΜΣ‘B
^¦ιΖ’€ζθΰͺ©Ώ€CΏͺ§³Μ_XΙΞ·ιΪ΅ϋB
lΤΎ―ͺΚνΜSπ΄¦ηκι
’m_asaṅkha ΜΦτΜΕAqgΖ΅ΔΆάκιΜΝΩρΜΝ©ΘuΤΎ―B
ΌΜ―βFΕΆάκΟνι±ΖΝsΒ\ΘR
qgΝn ΕΕάΑΔΆ΅Δ’ιΜΕAn ΙΝ· ͺ ιΜΕA±Μn ΕΔΆπ΅Δ΅ά€ΜΎͺA
ΚΜf―ΝzͺΒ©Θ’ΜΕAΆάκΟνι±ΖΝΕ«Θ’B
αzΜOi
gΜΖSΜπͺ΅€ΖOi·ιB
ΗΏηΰ’Βφκι©ͺ©ηΈAρΒͺ΅€ΜΝ[Ιί’MdΘm¦Ε ιB
·NΜαzͺ ΑΔΰAͺN±ιΖSΜgΝκAαzΝΕ«ΘΘιB
©ͺΜgΜΙeΨΙASΙeΨΙ΅ΔAβθ·¬ΈΣ―·¬ΈΙACs·ιΜͺKvB
‘Ύ―ͺή’HΘ`X
khaṇaṃ vo mā
upacchagā
khaṇaṃ 剎ίCuvoΐΙ māΘ©κ upacchagā ί¬ι
upaccagāF[upa + ati + gam + aG 3rd sinDpretD] he escaped
PqgΙΆάκ
QίΈΙο’
RΩΗζ’gΜπΑΔ
SΩΗΩΗL©ΕYέΜΘ’uΤ
±ΜSΒͺ΅€uΤΝAΦτΜΕ{ΙHΙ΅©»κΘ’B
FEΜTθζθΰoθΜ«nΜϋͺΈΑΖο΅’B
_ξκ
@@@@@ίΈΜvl@AqdAίA»ΐAφΚΚAκθϋ
mθIΙκιD΅’Ύtͺg¦ιζ€ΙΘιΖlΆͺΟνιB
½Εΰmθ΅Δ’ιΖA Ώ±ΏͺΘͺΑΔ΅ά€ͺAΞΖIΙζ£ιΖζΕΕνͺάάΙΘθ’ͺN±ιB
ίΈΝmθIΙA«ΏρΖ^πκιB
lπα»·ιΖ«ΰ«ΏρΖmθIΙα»·ιANΰ{ηΉΘ’SΜu«ϋBζΘ³ΈΙΌΜσΜP’Κπΰ
¨Μf°η΅’±Ζπΰ
ΜΜlΜ§hΎΑ½±Ζπΰ
§³NwζθΰAίΈΜκθϋπwΧB
ΈΟ@@@oθAπE
Φτ]ΆΜΕΆάκι±Ζπζθz¦½Ζ’€±Ζ
_ξκπgΑΔΈΟπ\»€Ζ΅ΔAΈΟEΖ’€ΖA»κΝiΜub_Μ’ιΙyςyΕΦτΜ’E»ΜΰΜΙΘΑΔ΅ά€B
ΈΟΝΰΎΕ«ιΰΜΕΘ’BΰΎΕ«ιΜΝ·ΧΔlΜm―Ε ιB
ΈΟΝΰΎΕΝΘΜ±ΕΝήΰΜB
Ύ©ηΈΟΙΝΎtͺΘ’B
ΈΟΝΆ½ΜΕΆ½Μ³Ι’ιΐθAΈΟΜSΝΆάκΘ’B
uΎtΝ±±άΕBΈΟΖ’€ΪIπw΅¦΅A»κπΎι½ίΙ±ΜCΖͺ ιvoTH
uΎtΝ»κΘγiίΘ’BΆ½Μo±ΝA»κΘγiίΘ’B»κΝΜ±·ι΅©Θ’BΜ±΅½l©η³¦Δΰ稀ΘρΔΖρΕΰΘ’voTH
lokuttara-citta o’ΤS
magga-citta 4@@@ΉS
sotāpatti-magga-cittaṃ, sakadāgāmi-magga-cittaṃ, anāgāmi-magga-cittaṃ, arahatta-magga-cittañ ceti,
imāni
cattāri pi lokuttara-citta-kusala-cittāni nāma.
a¬ΉSAκΉSAsΉSA’
ΏΉSAΖ’€±κηSΒͺo’ΤPSΖΔΞκιB
phala-citta 4@@@ΚS@p40,32
sotāpatti-phala-cittaṃ, sakadāgāmi-phala-cittaṃ, anāgāmi-phala-cittaṃ, arahatta-phala-cittañ ceti,
imāni
cattāri pi lokuttara-citta-vipāka-cittāni nāma.
a¬ΚSAκΚSAsΚSA’
ΏΚSAΖ’€±κηSΒͺo’ΤΩnSΖΔΞκιB
_ ΕΝsakadāgmiAo ΕΝsakidāgāmi
ΉS
ΉΖΝAΟYπζθΝ½η«Ζ’€Σ‘B
α¦ΞAκ{Μ^||ΜΤͺη«AΘΡΙΘθAνπςΞ΅Aά½V΅’^||ͺΆάκιͺAΰ΅ΘΡΙΘιOΙ²’Δ΅άΑ½ηΜ^||ΝΆ¦Δ±Θ’B
―Άζ€ΙAΟYπͺ±»¬ζθΜͺΉSΕ θAΉSΝψ«²κu΅©ΆάκΘ’ΜͺΑ₯B
έ¨ΜΡΪπOΉΞAγΝ½Ύ πψΑ£Α½Ύ―ΕA·ΧΔͺπ―Δ΅ά€ζ€ΙAΟYπfΒΙΝ½xΰKvΘAκxΕ’’B
ub_Μΰ@π·’ΔAε¨Μlͺ»ΜκΕa¬ΚΙB΅½ΖoTΙΝ©κΔ’ιBoTH
αzΐH΅ΘΔΰa¬ΚΜoθΙB·ι±ΖͺΕ«ιζ€Ε ιB
ΚS@@
ΚSΝAΉSiΈΟΙ’½ιΉjΜΚΜSΜ±ΖΘΜΕAΉSΝPSAΚSΝΩnSΖ’€\»π·ιB
ΚSΝΟYͺζθ©κ½γΜσΤπΜ±·ιΝ½η«ΘΜΕκuΕΝΘ’B
α¦Ξ^||πψ«²ΜΝκuΕ·ͺAψ«²’½γΜσΤΝΈΑΖ±ζ€ΙB
―Άζ€ΙAΚSΰαzπs€±ΖΕ·Μ±·ιͺΕ«ιB
u‘άΕΦτΜΕκΆ½ΙβΑΔ«½±Ζπ~ίζ€vΖϊίιuΤͺΉSB
ΜuΤΙzbΖ΅Δu±κΰβηΘΔ’’vΖ΄ΆΔ¬Κπ‘ €ΜͺΚSB
½©ͺΏ½ζ€Θ±ΖΙΘΑ½ΘAΖΈΟπ‘ €B
»΅ΔAγΙqΟIΙΟ@paccavekkhaṇā·ι±ΖΕA©ͺΜSΙcΑΔ’ιΟYπ©Ε«ιB
ΪΧΝuσorātana suttamvΙ ιBo ¬Μζ1oΕ ι¬ζuoKhuddaka-pāṭhaΜ6ΤΪΜ¨oB
a¬ΚΜΏπ]¦Δ¨θAa¬ΚΜΉΘιΝΕAκ΅έπζθ«ASπ΄η©Ι΅A«’μπζθo·B
6.εl½Ώͺά]Ή΅ΝAήΜͺy¦ΏloΜ½ΏΘθBήηPΐiub_jΜνq½ΏΝAz{{πσΙl·BήηΙ{³κ΅ΰΜΙΝεΚ θBΝmiTKjͺσ½ιRΘθBΜ^ΐΙζθAK’ͺ ηρ±ΖπB
7.Σ΅AS[^}iub_jΜ³¦ΙξΓ«ζγέA~©η£κΔ’ιήηΝB·Χ««nΙB΅ΔAsΘι«nπΜΎ΅A»ΜΈΟπ]·Ζ±λΘσΉθBΝmiTKjͺσ½ιRΘθBΜ^ΐΙζθAK’ͺ ηρ±ΖπB
8.mιΜnεͺnΙ§ΏΔ ιΘηΞAlϋΜΙhη±ΖΝΘ’BmlnΉϊπ@ΐΙΟΊ΅εlma¬ΚΜnΝA₯Μ@g¦ηιιΖδΝΎ€BΝmiTKjͺσ½ιRΘθBΜ^ΐΙζθAK’ͺ ηρ±ΖπB
9.[«qdΙζ賡ΰ©κ½ιmlnΉϊπΐH·ι½ΏΝ½Ζ’iγΙjε’ΙϊνΙΘλ€ΖΰAͺρΪΜm]nΆπψ«ρΉι±ΖLηΈBΝmiTKjͺσ½ιRΘθBΜ^ΐΙζθAK’ͺ ηρ±ΖπB
10.m©mlΉϊΜΎmnΜ¬AΖ€ΙAΘΊΜOΒΜΰΜiΟYΝΜΔηκιBLg©A^A ηδιϊΦζΘθBά½l«οΙΧι±Ζπ£E΅AZdίπΧ·±ΖΝ\νΈBΝmiTKjͺσ½ιRΘθBΜ^ΐΙζθAK’ͺ ηρ±ΖπB
11.gAϋAΣΙΔ«πΖ·±ΖΙΘθΔΰAήΝ»κπBΑ·ι±Ζ\νΈBm©ΙB΅½ΝBΑ·ι±Ζ\νΈΖΎνιιΘθBΝmiTKjͺσ½ιRΘθBΜ^ΐΙζθAK’ͺ ηρ±ΖπB
14.uΓ«mΖnΝs«AV΅«mΖnΝΆΊΈvBΔΡΆάιι±ΖΙ’ϋΝΘ’BνqmΖnͺs«½BζΓ~πͺββ΅Ι΅½BήΜ«½ΏΝAΎΜ@βΕ·B ΝmiTKjͺσ½ιRΘθBΜ^ΐΙζθAK’ͺ ηρ±Ζπ
wεΑ½lΝΈΑΖo’ΤSͺΝ½η’Δ’ιΜ©HxΖ’€ΖAo’ΤSͺΆάκιΜΝεθΜαziBpbTi[αzjπ΅Δ’ιΖ«Ύ―B
a¬ΚΜCsΝΚνΝεPSΕΆ«A’ ΏΝBμSΕΆ«Δ’ιͺAlΤΖ΅ΔΜΜͺ ιΘγA²ΡπHΧ½θAQ½θAlΙΰ@΅½θ·ιϊνΆΕΝά΄π½ζθΙ΅Θ’Ζ’―Θ’ΜΕAεPSͺΝ½η’Δ’ιB
ίΈΝSΘιOΙuiΌΜ@³ΜlXΕΰj±Μϋ@ΕSπ΄η©Ι·κΞεκά·v
ut―Α¦ιΖA‘ΝAͺ³ΉΜ³¦Ν§³Ι΅©Θ’ΜΕAsotāpatti,sakadāgmiAanāgāmi, arahattaΰA’ΜΕ§³Ι΅©Θ’BvΖΎΑ½BoTH
a¬sotāpatti@@@@oθΜΉΙόΑ½εθΜζκiKΪ
sota¬κ@āpatti@όΑ½@@@@¬κΙa©Α½
ΉΖΝAΟYπΘ·vZXΜΉBoθΦΜΉBΉlΦΜΉB
SΜi»_ΖSΜΟ»_
»κάΕΜChA»΅Δ»έΜ½Μ@³cΜΜTOΙΝAulΤΝΦτ]Ά΅ΔAXΙ°ͺς»΅Δ’BΎ©ηβͺΔ³ΙΦτ]Ά΅ΔΕIIΙJ~ΖκΙΘιvΖ’€ΰΜͺ ιB
§³ΕΝASΝ½ΎΟ»·ιΎ―ΕAi»Ν΅Θ’AΖ·ιB
΅©΅ASΜϋό«πΩρΜΝ©Ο¦ιΖA³ΙίκΘ’OΉΙθA»κͺa¬sotāpattiΜΉSΕ ιB
SΜϋό«πΩρΜΝ©Ο¦ι½ίΜCsͺBpbTi[αzΕ ιB
usΐvπζθ«½’l½Ώ
·ΧΔΜΆ½ΝΖwνΉΕsΐΖ°|Ε’νκΔ’ιΜΕNΰζθ±ΖΝΕ«ΈAΗ€·ι±ΖΰΕ«Θ’B
βθΝAΗΜζ€Θsΐβ°|Ε ι©ν©ηΘ’±ΖΕ ιB
¦ΝΆ«Δ’ι©ηsΐΘΜΕ ι©ηAsΐπζθ½ίΙΝΚ΅©Θ’B
ηδιΆ½ΝA©η£κι½ίΙAKΕζ£ΑΔΆ«ιB
Ύ©ηΏ ©ΈA»ν»ν΅ΔA\ΚIΙNIΕIΕΰͺ{©ηOκIΙΓ’B
±κͺΆ½ΜΜ{«B
³νπmηΘ’©ηκ΅ή
Ά½Μ·ΧΔͺuΆ«Δ’½’vΖθ€ΜΝAνΙΖwνΉΕιη΅Δ’ι©ηΕ ιB
΅©΅AΗ€ζ£ΑΔΰΗΝΚΜΕ ι©ηAqdΜ ιΝAΆ«ι±ΖΙζ£ηΘ’B
θΑΔΰΚπΎι±ΖͺΕ«ΈA³ΚΕ ι±Ζπ·ιKvΝΘ’ΜΕAθ€±Ζπ~ίιB
ΨͺΘ’³ΚΘwΝB
³ν©η¦°ιΖiπΟz·ι
±Μ’Ν³νΕ ιB
³νΎ©ηΆάκ½ΰΜΝKΈΚB
©ͺͺΚ©η€ͺΆάκιB
€ͺ ι©ηΆ«Δ’½’Ζ’€~]ͺΆάκιB
³νijͺΘΜΎB
γνθΙuνΙ’ΒΕΰ ιvΰΜΙ· ·ιB
»΅Δiπμθγ°ΔΟz·ιB
SΜ¬κΝ±’Δ’ιΜΕAF―ΜεΜΕ ι©ͺͺνΙ\Ι»κιζ€ΙΘιΖAάιΕ©ͺͺΈΑΖ’ιΜΕΝΘ’©Ζ’€λππ΅Δ΅ά€B
±ΜλπΙiΙΆ«Δ’½’Ζ’€θ]iσ]A€A~]jͺdΘιΖAiΜ°Ζ’€ΟzͺΆάκιB
VA½AsA°πiΖ΅ΔA©ͺ©gΕ©ΘΓ¦Ι©―Δθt―ΔκIΘΐη¬πίΔ΅ά€B
iΜ°ͺ ιΜΘηΞbNX·κΞ’’ΜΎͺANκlΰiΜ°ͺ ι©Η€©Νͺ©ΑΔ’Θ’B
³νΖό«€±ΖΕ»ΐπ©ι
ΐΝVvΕ ιAmΐΙΚ±ΖΕ ιB
βθΝA»ΫΝuΤIΘΰΜΕ΅©Θ’ΜΙA»Μ»Ϋͺ θ±―³Ήζ€Ζ·ι±ΖΕ ιB
θΜάάπέι΅©Θ’B
FΜ@₯ΜOΕΝ½π΅Δΰ³ΚΕ ιB
Ε«ι±ΖΝΏ ’ΔΟ@·ι±ΖΕ ιB
·ιΖ³νΖΝτRΕΝΘAφΚ@₯ΜA±«Ζ’€KRͺ³νΕ ιΖͺ©ιζ€ΙΘιB
Ο@΅Δ·ΧΔͺ³νΕ ιΖͺ©Α½ηAϊίιB
³νπ[Ύ·ιΖAΆ«Δ’«½’Ζ’€CΏΝβίι±ΖΕASΝΏ «πζθί·B
±ΜSͺa¬ΜΉSΕ ιB
T}[fBαzΙζΑΔAΙζΑΔgΜͺΑ¦ι±Ζͺͺ©ιͺA»κΕy΅³ΰΕΔιͺA
»κΙΞ΅ΔA
BpbTi[αzΜΑ₯ΝAΖ±ΖρΖ³νπΔF―΅AδΜ³ΝπΔF―΅AΗ±ΙΰiͺΘ’±ΖπΔF―·ι±ΖΕ ιB
³νΙΝdwIΘΣ‘ͺ θA»κπΜΖSΕΣ©ΐ΄·ιΜͺBpbTi[αzΕ ιB
Η€ΉΟz·ιΘηΞ_}ͺ’’
khaṇaṃ vo mā upacchagāu‘Ύ―ͺή’HΘ`XA±Μoο’π¦·Θ©κvΖΆ«Δ’―κΞ’’ͺA
Η€ΉΟz·ιΘηΞ_}πΟz·ιΜͺ’’B
uΘΊ³ν©H½ͺφΚ₯©H±Μ³¦ΜΣ‘ΝHv
_}πΟz·κΞqdͺB·ιB
oθΜvZXΖ»ΜuΤ
oθΖΝAOκIΙ©ͺΜgΜΖSΜ»ΫΙCΓ«ΒΓ―ΔA³νπΜ΄΅Δ[Ύ·ι±ΖB
uΆ«Δ’«½’vΖ’€SΜ€πΟΒΓ―Δ’ιΖA±κηΜΜβSΜ»ΫΝ»κΔΝΑ¦Δ΅ά’AΝή±ΖͺΕ«ιΰΜΕΝΘ’Bά½A’ηT΅Δΰ±Μ’ΙΝiΝΘ’B
±Μζ€Θ±Ζͺͺ©ιΖA ιΖ±λΕAΎι±ΖiΆ«ζ€Ζ·ι±ΖAiΜΆAiΜmjͺΕ«Θ’±ΖπίΔΰA»Μζ€ΘΚΝΘ’ΜΎ©ηA»Μζ€ΘsΧΙΣ‘ͺΘ’±Ζπ΄Άιζ€ΙΘιB
±Μζ€Θ±Ζ©ηoιOΙOκIΙΏήΜ±π·ιlͺ½’B
±ΜΙxΜΏέͺCsΖΘθA«iͺΝΘθAqdΖΆ«ϋΜξ{ͺϋηκΔA{ΜΰΜͺ©¦ιζ€ΙΘΑΔιB
°λ΅’ΰΜπ©ΔΰεδvΖΎ¦ιΎ―ΜΈ_IΘυͺoθΙΝKvΕ ιB
±Μζ€ΘPϋπΟέdΛιΖAWΝΰ²QΙΘΑΔιB
·ιΖBpbTi[αzΰε«iέA·ΧΔΝΟ»·ιΰΜΕ ι±Ζͺͺ©θA³νͺ©¦ΔAΆΕΟ»ͺ©¦ΔA’λ’λΘ±ΖΜΚ੦īΔA½ΰβι±ΖͺΘΘθAΘCΏβAsΐβ°|΄ͺΕΔ«ΔκwΏή±ΖΙΘιB
Ζ±λͺ±ΜΏέͺRΜζ€ΙΑ¦ιuΤͺ ιB
Ά«Δ’ΔΰΣ‘ͺΘ’ΜΕΆ«Δ’½ΰΘ’΅AΆ«±―ι±ΖπϊίιSͺΆΆιuΤͺ ιB
±κͺoθΕ±Μ’Μ³νπ[[Ύ΅½uΤΙΘιB
±κ©ηΝΆ«Δ’«½’Ζ’€€ΝΑ¦Δ΅ά’AΉΜ¬κΙόΑ½±ΖΙΘιB
ΰ€ΒΜΘ’i»·ιϋόΙ΅©iάΘ’B
a¬ΉSΕζθ©κιΟYΝRΒ ιBLg©i€΅ρ―ρj^i¬jϊΦζi©’²ρΆγj
±κηΝOΖΰΔΞκιΜΝAΖΝΆΜΣ‘ΕAΙΆπΒι΄φΙΘιΟYΖ’€Σ‘Ε ιB
Lg©@@@@a¬ΚΙΘΑΔζθ©κιίΜΟY
sakkāyadiṭṭhi @@@satΐΜEreality@+kāyaΜnEsystemiJ^` ιΰΜj+diṭṭhil¦ϋ
uΐΜΖ΅Δ½©ͺ ιvi±±Ι^½ιVXeͺ ιjΖl¦Δ΅ά€ΟYΜ±ΖB
½Ζ¦ΞAβΞΕsΟΜ©δβΜβ°βiΖ’Α½ΰΜπξΙ·ιΖ’Α½ΤαΑ½©πΜB
’Μ·ΧΔΜ¨ΏβSΝνΙΟ»·ι«ΏΜΰΜΎΖΐ΄·ι±ΖΕAuΐΜΖ΅Δ½©ͺ ιvu{ΜVXeπί½’vu^Μπί½’vuiΕ θ½’vΖvΑΔ±κάΕΝΧ΅½θCs΅½θ΅ΔAu³νvΖνΑΔ’½ͺA±κΙΝΣ‘ͺΘ’±Ζͺͺ©θA³νπFίι±ΖΕΎι«nͺa¬ΚB
±Μ’ΙΝA±Μ©ͺΖΝA½ΎχΜΖ’€¨ΏΜ¬κΖSΜ¬κͺ ιΎ―ΕA»κπΖΔρΕ’ιΙ·¬Θ’±ΖπF―·ιB
uvΖΝ©ͺ©gΜ±ΖΰRg[·ι±ΖΰΕ«Θ’mΕ ιΜΕARg[·ι½ίΜjΙ·ι±ΖͺΕ«Θ’Ζ’€ΨΝAV»AaCAππ―ι±ΖͺΕ«Θ’±Ζ©ηΰν©ιB
ΐHϋ@
BpbTi[αzΙζι4ΜζΜ³ν@@@±Μ’ΙΝ³ν΅©Θ’±Ζπΐ΄·ιB
΄«@@@@@ΜΜ\ΚAΰΜ΄oΜνΘιΟ»
«@@@@@κΚ»Ζ’€TOΜΦ«ΜΙ ιΜΝATPOΙΆ½νΘιΟ»
q«@@@@@«βlε³fβσΜΙ ιΜΝ@GlM[ΜΜνΘιΟ»
Tθ«@@@@SΜΙ ιΜΝAGlM[ΜΜνΘιΟ»@@ΟYΖ»Μ΄φ੦Δι
³νΜΜ±ΖΝ·ΧΔΜ¨ΏβSΝΆΕΟ»·ι¬κΖ’€GlM[Ε ιΖ’€ΐ΄Μ±ΖB
ϊνΆΕΝ€ͺ ιΜΕuν½΅ͺ’½η’’ΘvΖ’€TOͺΆάκΔιB
TOͺ ιΖuν½΅vͺ©¦ιB
€ͺΘ’Ζuν½΅vΜKv«ͺΘΘιB
»±ΕAuΘρΎA·ΧΔΝ³νΎB»κΘΜΙsΟΘ±Ζπx[XΙ΅ΔΆ«Δ’ΘρΔA’ηΦΎ©ηΖ’ΑΔΰAΐΫΜ©RΜ@ΙΝ₯΅Δ’Θ’ΜΕAψΚΝΘ’BΖΙ½ΙΦ΅ΔΝB
sΟπξΙ΅ΔΰΜ²Ζπl¦ιΘρΔAFΜ@₯Ι½΅A·’ΪΕ©ιΖAΚπΎι±ΖΰΘAΣ‘ͺΘA³ΚΕA±Μ’πεΨΙΉΈAQπ^¦AΘρΔnη΅’±ΖΘρΎv
±ΜuΤΙA^δβuν½΅vβ©Θͺ ιΖ’€TOͺΧ©iLg©jΕ ι±Ζπν©θA»κͺΑ¦ιB
©ͺΜΆέπ±κάΕλπ΅Δ’½ͺA»Μλπππ―κΞΰ€ρxΖλπΝΆΆΘ’B
κxπ΅½ηλπΝρxΖΆΆΘ’B
’Α½ρ³νΎΖͺ©κΞρxΖtίθ΅Θ’B
Χ©ͺΑ¦ι±ΖπqdΖ’€B
qdΖΝAq«ΜΜζΕΜπΜ±ΖΕ ιB
Α¦Θ’ΟY@@@«iͺ«’ΜΝRΜ±Ζ
κΤίΕ θεΘ±ΖΝLg©ΜJjYπΜ΄Ζ΅Δπ·ι±ΖB
~β{θβΉiΝSz·ιKvͺΘ’B
«iΝΖΔΰκΔ’ιΰΜΘΜΕAε°³ΙΧ«βθΕΝΘ’B
±Μζ€ΘΟYπΑ·ΙΝ·’Τͺ©©ιB
Ύ©η’ ΏΙΘιάΕΝA~ͺλ―ΘσΤΙGXJ[g΅Θ’ζ€ΙCπΒ―ιΎ―Ε’’B
~β{θͺβθΘΜΕΝΘ’B
’ΒάΕΰ{θ±―ιζ€ΘaIΘ{θϋͺ’―Θ’ΜΕ ΑΔAu{ΑΔ΅άΑ½Aά dϋͺΘ’vΖβΓΙ»κΙCt’ΔA»ΜγΝ{ηΘ’ζ€Ι·ιA»κη’Μ_η©’«iΕ’’B
ά½A©ͺΙΝ~ͺΘ’©ηΖJbRπΒ―ιΜΝ³mΘsΧΕAΐπ©ι±ΖͺΕ«Θ’³ΎΕ ιB
oθΜ½ίΙKvΘ±ΖΝA~β{θΘΗΜΟYπΑ·ζθOΙAvliλπjΜβθππ’ΔA‘·±ΖΕ ιB
ΰΜ²Ζ𳡩ι±ΖB
λπππ±ΖB
ΰΜ²Ζ𳡩Ȓ±ΖͺA½ΜΟYπΔΡρΉΔ΅ά€΄φΕ ιB
\ΚΙ»κ½~β{θΕΝΘAͺ{ΜuΏαρΖ©¦Θ’±Ζvπ‘·ΜͺζκDζΕ ιB
γ©ηΪό
ΆΎliΑοAβΙζΑΔ¬θ§ΑΔ’ι’EΕιη·ljͺίΔ’ιΜΝMΒΜΞΫΕ ΑΔA©ͺ©gͺuΉvπΰ±ΖΕΝΘ’ΜΕAuΉvπΰ’Δ’ιΜAβ_β©Β―Δ»κπwE·ι±ΖΕA©ͺΜ©δΖΑοΖ’€§ΏΚuπΫΑΔ’ιB
uγ©ηΪόvπCΙ·ιlΝ©ͺͺΌΜ_πCΓ±ΖΕ©δπΫΑΔ’ιΜΕAΌͺ―Ά±Ζπ΅Δ’ιΜπ©ιΖA©ͺ©gͺ’Βΰ΅Δ’ι±Ζπ ©η³άΙ©Δ΅ά€ΜΕ«΄πo¦ιΜΕ ιB
ͺΕΝΫθ΅Δ’ιͺAΐΫΙΝ»κπξΙ΅ΔΆ«Δ’ι±ΖπΗSͺFί½Θ’ΜΕ ιB
±Μζ€Θγ©ηΪόΖ’€ΐΥΕ\ΚIΘξΕ»fπ΅Δ’ιΝA±κͺ·ΙσκιΩΗΜγ’¨Ε ι±Ζπ³Σ―ΕΝmΑΔ’ιΜΕA»κΙΎy³κι±Ζππ―ζ€Ζ΅Δuπμθγ°ιB
±κηπΣ―·ιΜΝ±κάΕ»΅Δ»έΜ©ͺΜ©ΘmθΜVXeπΫθ΅Θ―κΞΘηΘ’h’±ΖΘΜΕA»ΜlΜ³Σ―ΝAγ©ηΪόπ©½η»κπ¦ΐΙ@Ζ’€©½AvP[Vπμθγ°ΔA©ͺ©gπ©Θ’ζ€Ι΅ΔToCo΅Δ’ιB
^ vicikicchā @@@@@ζ²ΧΰΉΈKΙ»f΅Δ΅ά€±Ζ@@
οΜIΙRΒΜ^’ͺ ιB
ίE»έE’ΙΞ·ι^’@@@»Ϋͺ ι©η¬θ§ΒTOΕAΐΫΙu ιvΖΝΎ¦Θ’B
φΚ@₯ΙΞ·ι^’@@@@@@@πΊΕ΄φͺ ΑΔκIΙΚΙΘιBuΤΜΆΕΜA±Ε΅©Θ’B
§ΉECsϋ@ΙΞ·ι^’@@@@δκ@ΙΘΑΔΰ³νπΐ΄΅Δ’Θ’©ηΆΆ~ͺΑ¦Δ’Θ’B
oΑ½lΝ³νπΐ΄΅AuΆ«Δ’½’vΖ’ηζ£ΑΔΰΣ‘ͺΘ’AΖͺ©ιΜΕA^’ͺΑ¦Δ’B
α¦Ξ
Σ―Δ’Δΰ’ΈκKΉͺβΑΔι³
©ͺΝͺρΞΑΔΰΗ€Ή_ΘρΎ
‘D«ϊθβΑΔΰρΎηZbgΎ
ΗκΰA^ΐπζ²ΧΰΉΈi³΅ΔjΟzΕ»f΅Δ’ι±Ζͺͺ©θά·ΛB
ϊΦζi©’²ρΆγjsīlabbataparāmāsa ϊΖΝϊίBΦΖΝΦ§A[iVjζΖΝζi· j
sīlaϊίbataVparāmāsa@OκIΙ· ΅Δ΅ͺέΒ’Δ’ισΤ
ΤαΑ½ϊίβVΙ· ·ιΖ’€Σ‘
½ΜͺΰΘ θͺ½ͺηκΔ’ιVΙΝΣ‘ͺΘ’B
κsΙS·ιν―
lΤΙΝΣ―ΜκΚͺ ιB
Σ―Θ’ΕΞΧΙΆ«±―ιΜΝ΅΅’B
»±ΕΞΧΙΆ«ηκΈΣ―ΘΙ―ι±Ζͺζ ιB
»ρΘΆ«ϋπ@«Χ·±ΖΙ£Νπ΄ΆΔ΅ά€B
H~β°βυK³ΝΆ½Μ{\ΘΜΙA»κΖ¬©€lΜbπ·« θͺ½΄ΆpYΙ©¦Δ΅ά€B
©ͺΰΣ―ΘΝΘΘιζ€Ι²©½θ΅ΔACΓ©Θ’€ΏΙκsΜt@ΙΘΑΔ’ιB
εOΝΘΊ©κsπα»Ε«ΈΙά^΅Δt@ΙΘιΜΕAεOΙJίΜ¦Δΰη€ΜΝAκsΙ§ν·ι±ΖB
©ͺΙΕ«Θ’±Ζπ·ι½ί©H
Ά½Ι{Ε«Θ’ΰΜπ·ι©η£Νπ΄ΆιΜ©H
ΰ΅©΅½ηκsπ·ιlΝSΜγέΙΕΏΑΔ’ιΜΕΝΘ’©ASΜκπΘ΅Δ’ιΜΕΝΘ’©ΖvΑΔ΅ά€B
Φ~Άΰ·±―ιΖ€ ͺΆάκA©ͺΜΆ«ϋΜACfeBeBΙΘΑΔ΅ά€ΜΎͺAVVηβκsΝSπ΄η©Ι·ιΜΕΝΘA· πΆήΎ―B
oθΜζρiK@@@sakadāgāmin@κΚ@@sakiκρ@@āgāminι
αzΐHͺKvB
ΟYΝΑ¦Θ’ͺΈ·ιB
kāmarāga~€Ζ vyāpādaσΘ{θ@@dosaΖΜα’ΝH
kāmarāga~€ΖΝα³Θ~ΕAό‘΅’ΰΜπHΧ½’AΗ’Ήyπ·«½’AσΘ«~¨ξ~
vyāpādaσΘ{θΖΝ@ͺ«Θιη’ΕΝΘAΤρ£θ½Θιζ€ΘσΘ{θ
±κηΜ~ͺγΘιB
σΘ«~¨ξ~
σΘ{θ¨{ιͺψ«ΈηΘ’
κΚΜS«Ν
u[Νό‘΅’±ΖΙΝό‘΅’ͺA»ρΘΙKΙΘΑΔ~πΗ’©―ιΩΗΜε΅½ΰΜΕΝΘ’B
’½Ύ―ιΰΜπ’½Ύ’ΔA©ͺΜΖ°π{€½ίΙΝζ£ιͺA]vΘΰΜΜ½ίΙ«’±Ζπ·ιΩΗε΅½ΰΜΝ±Μ’ΙΝΘAΎηΘ’±ΖΕ ιBv
oθΜζOiK@@@anāgāmin@sΚ@@@@@anΫθiκΉΜOj@@āgāminι
kāmarāga~€Ζ vyāpādaσΘ{θͺΑ¦ιB
½ζθΰζΙπ·ι±ΖͺεB³©πΎιB«πηΔιB
~β{θβΆέ~ΜΟYπΑ·ΜΝAπ΅½γΜbB
ΟYπlΜD«θΙΑ·±ΖΝΕ«Θ’B
άΈΝ_}i§@jππ·ιΖ±λ©ηnίΘΔΝΘηΘ’B
CΏΜΗ³πΗ€±Ζπ~ίι±ΖΕ~ΰ{θΰΘΘιΖAα¨@γgΜ’EΙ’ΔΰΆ«Δ’½’Ζ’€σ]ͺΘΘιΜΕuγΝlΤEΙ΅ΔίηΘ’vΖ’€Σ‘ΕAsΚΖΌt―ηκΔ’ιB
ςiΆε€²jΖΝanāgāminsΚͺΔΆ·ιΙΆάκιΉΎ―ͺ’ιFEΜVΜ±ΖB@
εζ§³ΜuςyvΝ±Μς©ηB΅½TOΕΝȩ뀩H
½ΖRRΜα’
½@@@Ά«Δ’½’Ζ’€κΒΜΪI
RR@mιiΜ΄·ιj@\@@@±κͺΆ«Δ’½’CΏπΆή
½ΈRR@@RRΜ@\π²ΧιΖΆ«ζ€ΖΥ·ιRΒΜ€ͺ ιB
Ά«Δ’ΘΔΝΘηΘ’R
Kama tanha@@@~€@@@@χΜΝνΙhπ~΅ͺιΜͺΑ₯
Bhava tanha@@@Άέ~@@@ΧEΝhΙΛΆ΅Δ’ιΜΕA±κΙζΑΔΆ«ζ€Ζ΅Δ΅ά€
Vibhava tanha@@jσ~@@@χΜΜΛΆΜ³’Ζ±λΙiͺ ιΖv’AχΜπ΄z·ι{θΜ΄ξ
Ά½ΜΝ΄oΙ^OπΒ―Δ3ΒΙͺ―Δ΅ά€ΜΕ³ΎΕ ι
Avijja ³Ύ@@ θΜάάΜ»ΐπ©΅Δ’Θ’±Ζ@@³mΜ±Ζ
Tanha@@€@
ΧEΜdΝARRΙόΝ³κιf[^πvX©}CiX©§Μ^OΖ’€tB^[Ι©―ΔAΆέ~πx¦ι©Aΰ΅ΝΧ·ι©A§Ε’ι©ΜRΒΙUθͺ―ιB
RRΝρνήΜFαΎπΚ΅Δ’Eπmλ€Ζ·ιΜΕA θΜάάΙΟ@·ι±ΖͺΕ«Θ’B
·ΘνΏA·ΧΔΜΆ½Ι³Ύͺ ιB
cf.§ΙΝ³ΦSΜsA£EΜΜupekkhāΜρνήͺ ιB
€πΑ·ΜΝs³νΜΜ΄Ύ―
Ά«Δ’½’ΥΕ ιΆέ~ΙΝIνθͺΘ’B
ΕIΜiK@’
ΏΚ@arahatta
ΆΆ~ΜΆ«Δ’½’Ζ’€~ΝΘPΙΝΑ¦ΈAuΘΘ’ΐθΝΆ«Δ’Δΰ’’ΆαΘ’©vΖ’€η’ΙΆ«ι±ΖΦΜ~ΝcΑΔ’ιB
±ΜΝ©Θ~ΰ’ ΏΙΘιΖSΑ¦ιB
’ ΏΙΘΑΔΝΆίΔΑ¦ι~Ν
rūpa-rāgaFζΓ,@@@@@@@@@FEΙsΑΔΰ³νΙΝ©νηΘ’@@Άέ~ͺΘΘι
arūpa-rāga³FEΙΞ·ι~@@@³FEΙsΑΔΰ³νΙΝ©νηΘ’
māna@@@@@@@@@@@@vΑ½θδΧ½θ·ιξΕ ιuvͺΑ¦ιB±κΕͺΘΘι
@@@@@@@@@@@@@@@@’ ΏΙΘιάΕΝͺ ι±Ζπ©o·ιΜͺεB
uddhacca{Άε€±@@@@@@¬σΤ@@@Ι[ΙQΔΔ±ΖͺKΉΕ ιΖ’€φo
avijjā³Ύ@@@@@@@@@@@@OκIΙ³νπ©·ιqdͺ»κιΜπΒ
’ ΏΙΘι½ίΙCs·ιΝAζΓαΡπΜΔζ€ΘΗΖζ£ι±ΖΝ΅Θ’Bΰ€»κηΝΘ’ΜΕ³Ύ©η£E·ιΎ―B
§ΉΝuqdΙnάθAqdΙIνιvoTH
@
oιuΤΜΞΫ¨
ΗβΊβTOΘΗΜΞΫͺ ιΐθΝo’Τ³ΕΝΘ’B
Sͺ ιASͺ·ιΖ’€±ΖΝΞΫπζΑΔ’ιΖ’€±ΖΎ©ηA’άΎ’ΤΜΙιΖ’€±ΖB
·ΧΔΝ³νΎA½πΞΫΙ΅ΔΰΚΘΘθCΏͺELELΖ««Ζ΅Θ’σΤΙΘιB
»±ΕA ικΣA ιuΤΖ’€σΕASΝΞΫπζηΘ’AΖ’€±Ζπ·ιB
»±ΕA©ͺΜwΝΕΝΘASͺνΙ΄oΜmFπ±―Δ’ισΤΕ’ι±Ζͺ ιB
»±ΕASͺA άθΙCΎ©ηAΞΫπζηΘ’uΤͺ ιB
»ΜuΤΝA©ͺͺ’ιAΖ’€TOΝΘA·ΧΔͺΑ¦ΔASͺ~άιB
·ΧΔͺΑ¦½ΜuΤΝAά½©ͺͺ’ιB
oθΜSΝATθΜSΖΝα’A ιΑθΜ΄z΅½΄oπ΄ΆAΟYͺΑ¦Δ΅ά€B
±Μζ€ΘSΝAκlΜΆ½ΙΝ4ρ΅©ΆάκΘ’B
½Ύ΅’ ΏͺΕsθπ·ικΙΐΑΔΝ½ρΰΒ\Ε ιB
oιΖumιvlΙΘι
oθΝκΚν―ΜΝΝΖΝΦWͺΘ’³Μ±ΖΘΜΕAά΄΄oβε]Επ·ι±ΖΝΕ«Θ’B
S̳𴦽±ΖΘΜΕAΜ±·ι΅©Θ’B
ΎtΕͺΚ΅Δΰ»κΝoθΕΝΘA³νΖ’€¬κπΜ±΅Θ―κΞoι±ΖΝΕ«Θ’B
³νΜΜ±ΖΝ·ΧΔΜ¨ΏβSΝΆΕΟ»·ι¬κΖ’€GlM[Ε ιΖ’€ΐ΄Μ±ΖB
oιΖl¦ιΜΕΝΘAumιvlΙΘιB
l¦ιΖΝAuvͺKvΕ ιB±Μuvͺ’ι±ΖͺOρΖΘθAvlͺΒ\ΙΘιB
΅©΅±ΜOρͺΤαΑΔ’ιΜΘηΞAlΤΜvl»ΜΰΜͺͺΜΘ’ΰΜΙΘΑΔ΅ά€B
ίΈΝuͺ’ιvΖ’€OρΙ§ν΅ΔAΘΊ©δΣ―ͺΆάκιΜ©A»ΜJjYπΟ@΅Δέ½B
»±Ε©΅½ΐͺA§³Ε ιB
_ΝAuͺ’ιvΖΝAIΘφoΕ ιAΖ’€ΐΕ ιB
ΗΜζ€Ιuͺ’ιvΖ’€OρΙ§ν΅½Μ©H
uͺ’ιvΖ’€ΐ΄ΝuvΙ ιΜΎ©ηAuvπΟ@·κΞ’’B
ΐΫΙ ιΜΕ κΞA»κπ©Ε«ιΝΈΕ ιB
±ΜuvπΟ@·ιΐHϋ@ͺBpbTi[αzΖΔΞκι©ΘΟ@ϋ@Ε ιB
SΜVXeππ·ιϋ@ΕA±κͺ³νπΜ±·ι\bhΕ ιB
ΗΜζ€Θ©ΘΣ―ͺΆάκιΜΝΗΜζ€ΘvZXΘΜ©H
©ΘΟ@π·ιΖAα¨@γgΙ¨ΏGlM[Ε ιFΊ‘GͺGκιB
PGκιΙ΄oΜσvedanaͺΆάκιB
Q±ΜσΖΝυEsυE§Μ^OΜζθt―π©IΙσ―ιΖ’€Σ‘Ε ιB
R±Μ΄oΖ’€κIΘ@\ͺΆάκ½ΙA’«Θθuvͺ»κAuͺ΄o΅½vΖqgΝz€B
±Μζ€ΙuvΖ’€TOΝA^Oπσ―ζΑ½ΙΆάκιB
ά½AuvΖ’€TOͺΘ’ΖAqgΝvl·ι±ΖͺΕ«Θ’B
ζΑΔ·ΧΔΜm―ΝAuvΖ’€ΐΜͺ ιAΖ’€ΐΖΝα€OρΙξΓ’Δ¬§·ι΅©Θ’B
ΙσvedanaΙΒ’Δl@·ιΖA
΄Άι±ΖΝuΤ½θΖΰ~άι±ΖΘ±«Aβ¦ΈΟ»΅A³νΕ ιB
³νΙζισvedanaΙζΑΔΆάκι©ΘΣ―A·ΘνΏuvΝνΙΟ»΅³νΕ ιΜΕAΕθ³κ½usΟΜΐΜͺ ιvΘΗΝΆέ΅Θ’B
±κπ³δΖζΤB
½Ζ¦ΞAΉΎ―πΜ±΅ΔέιB
Ήͺ ι©Η€©πέΔέζ€AΖW[ΖW΅ΔέιB
·ιΖu»κΝ¬κΔ’ιB―ΆΰΜΕΝΘ’v±Ζͺͺ©ιB
―ΆCDπJΤ΅ΔΰΉͺ―ΆΕΝΘ’ΜΎB
½Μ©H
Ήͺ―ΆΕΝΘ’Ζ΄ΆιΜΝA±Ώη€Μβθ©ΰ΅κΘ’ΜΕAΙΉπ΄σ·ι±ΖΙσvedanaΙW΅ΔέιΖA©ͺΜσvedana©ΜͺΟ»΅±―Δ’ι±Ζͺͺ©ιB
½Ζ¦Ξ³ΊΉΜόgβwiΜΉͺΈΑΖ¬κΔ’ιB
σvedanaΰΆΕΟ»΅Δ’¬κΘΜΕ ιB
±Μhη’Ε’ιΉΜ΄oͺ’Δ’ιΙΝuvͺ ιΜΎͺA±ΜuvΝmΕ½ιsΜΕθ³κ½m©ΘΰΜΕΝΘ’B
εΟIΘ¬κΝXΖV΅ΆάκιBΒΜβεΜΕΝΘA¬κΕ ιB
δ·ΘνΏuvΖΝqgΜε]ͺθΙμΑΔ’ιΆΙ·¬Θ’B
³δΖΝ³νΜ±Ζ
³νπΜ±·ιΖu©δͺΘ’v±ΖͺίΔͺ©ιB
©δͺΘ’Ζ’€ΜΝAΫθIΘΣ‘β³Μ±ΖΕΝΘA
u·ΧΔΜΰΜΝκuΰ―άι±ΖΘAβ¦ΤΘ¬κΔ’vΖ’€σΤΜ±ΖB
Ύ©η³δΖΝ³mΙΎ€ΖA ιΕΰΘ’ΖΰΗΏηΕΰΘ’B
©δͺΘ’ΜΕΝΘAuνΙΕθ³κ½sΟΜ©δvΝΘ’AΖ’€±ΖB
°ͺΘ’ΜΕΝΘAuνΙΕθ³κ½sΟΜ°vΝΘ’AΖ’€±ΖB
uφΚ@₯ΙζΑΔ¬κΔ’vνΙΟ»΅Δ’ιGlM[ͺ ιB
±κͺͺ©ΑΔ»κΙ]ΑΔιη·ΜͺoθΜΆΕ ιB
oΑΔΰ ιYέͺΦΜXebvΦΜ@ΙΘι
³νͺͺ©θAa¬ΚΙΑΔΰAα¨@γgπy΅άΉζ€Ζ΅A»κπT΅ίι±ΖΕκ΅έͺΆάκιB
Snζ’hͺ ιΖy΅’Ζ΄ΆιΜΕ κΞASn«’hͺ κΞCΏ«’Ζ΄ΆιΜΕ ιB
~πΗ€Μͺy΅’ΖvΑΔ’ιΐθA{θΰΑ¦ι±ΖΝΘ’B
a¬ΚΙΑΔΰζΓθΖ{θͺcιYέΝcιB
ζΓθΖΝCΏ’’ΰΜΝΜ±΅½’CΏB
{θΖΝCΏ«’ΰΜπr΅½’CΏB
»€·ιΖζΓθΖ{θΜΟYͺΆάκιB
³νππ΅Δ’ιΜΕA~ΙζικYπ‘ €π©³ΙCΓΜΕA±±Ε³ηΙΏ Kv«π΄Άιζ€ΙΘθA»ΜΏ «ͺΜXebvΙ§ν·ιΥΙΘιB
u±κΝΗ’©―ΘΔΰζ’ΜΕΝΘ’©HvΖ©β·ιB
nigamana@κ
icc evaṃ sabbathā pi aṭṭha-lokuttara-kusala-vipāka-cittāni
samattāni.@
ΘγΕA8νήΜo’ΤΜPSEΩnS·ΧΔπiΰ«jI¦½B
citta-saṅkhepa@@ΘͺS@@89
jāti-bheda-saṅgaha-gāthā@@«ͺΚΫσ
dvādasākusalānf evaṃ kusalānf ekavīsati,
chattiṃsf eva vipākni, kiriyacittāni vīsati.
ΘγAsPSͺ12APSͺ21AΩnSͺ36ABμSͺ20Ε ι
catubhūmika-bheda-saṅgaha-gāthā@@lnͺΚΫσ
catupaññāsadhā kāme, rūpe
pannarasf īraye,
cittāni dvādasrūpe, aṭṭhadhā fnuttare tathā.
ά½»ΜΕA~ESπ54AFESπ15A³FESπ12A³γio’ΤjSio’Τjπ8Ζΰͺή·ι
nigamana-nidāna@κΖ
ittham
ekūna navuti-, pabbedaṃ pana mānasaṃ,
ekavīsasataṃ vā etha, vibhajanti vicakkhaṇā.
ά½±±ΕAdα½ΏΝSπ89νΙΰA ι’Ν121νΙΰͺή·ιB
citta-vitthāra 121@@ΪΧS
lokuttara-citta-vitthāra 40@@o’ΤSΜΪΧ
katham
ekūnanavutividhaṃ cittaṃ ekavīsasataṃ hoti?
vitakka-vicāra-piti-sukhekaggatā-sahitaṃ paṭhamajihāna-
sotāpatti-magga-cittaṃ,
vicāra-piti-sukhekaggatā-sahitaṃ dutyajjhāna-
sotāpatti-magga-cittaṃ,
piti-sukhekaggatā-sahitaṃ tatiyajjhāna-
sotāpatti-magga-cittaṃ,
sukhekaggatā-sahitaṃ catutthajjhāna-
sotāpatti-magga-cittaṃ,
upekkhekaggatā-sahitaṃ pañcamajjhāna-
sotāpatti-magga-cittaṃi,
imāni
pañca pi sotāpatti-magga-cittāni nāma.
tathā
sakadāgāmi-magga-anāgāmi-magga-arahatta-magga-cittañ ceti,
samavsati
magga-cittāni;
tathā
phala--cittāni
ceti, samacattālīsa lokuttara- cittāni bhavatī ti.
ΗΜζ€Ι΅Δ89νΜSͺ121νΙΘιΜ©H
qAfAμAyAκ««Ζ€Ι ιTa¬ΉSBfAμAyAκ««Ζ€Ι ιζρTa¬ΉSBμAyAκ««Ζ€Ι ιζOTa¬ΉSByAκ««Ζ€Ι ιζlTa¬ΉSBΜAκ««Ζ€Ι ιζάTa¬ΉSBΖ’€±κηάΒͺa¬ΉSΖΔΞκιB
―lΙAκΉAsΉA’
ΏΉSΰiάTθSΖ»κΌκΞ·ιΜΕjAΏε€Η20ΜΉSͺ ιB
―lΙAΚSΰ ιΜΕAo’ΤSΝAΏε€Η40ΙΘιB
saṅgaha-gāthā@@Ϋσ
jhānaṅgayogabhedena, katvf ekekaṃ tu pañcadhā,
vuccatānuttaraṃ cittaṃ , cattālīsa-vidhan ti ca.
TθΜ»κΌκΖΡΒ―ιͺήΙζΑΔκΒκΒ5νήΙ΅ΔA
³γ(o’Τ)SΝ40νή ιΖΰΎνκιB
lokiya-lokuttara-jhānacitta-samūha@@’ΤEo’ΤTSΜWρ
yathā ca rūpāvacaraṃ, gayhatānuttaraṃ tathā,
paṭhamdjjhnabbede, āruppañ cāpi
pañcame.
FEͺζκTΘΗΜζΚΙ¨’Δπ³κιζ€ΙA»Μζ€Ι³γ(o’Τ)Siΰπ³κιjB
³ηΙά½A³FΝζάΙ¨’Δiπ³κιjB
āū ṅ
ṃ ñ ṭ ḍ ṇ ḷ ī ṇ@@@ @ ṇū ṅ ñ ṭ
ḍ ḷ īū ṅ
ñ ṭ
ḍ ḷ ī ṇ
ΘͺΘͺή89
sPS@i12j@@@@ ζΓͺSiWj @@αΡͺSiQj sͺSiQj
³φS@i18j@@@@ sPΩnSiVj@@³φPΩnSiWj ³φBμSiRj
~EPSi24j@@ εPSiWj @@εΩnSiWj εBμSiWj
FES@i15j@@@@@FEPSiTj @@FEΩnSiTj FEBμSiTj
³FESi12j@@@@@³FEPSiSj@@³FEΩnSiSj ³FEBμSiSj
o’ΤSi8j@ @@@@a¬iQj @@κiQj @@@@siQj@@@@@’
Ώi2j
sPSi12j{³φSi18j{~EPSi24j{FESi15j{³FESi12j{o’ΤSiWj89νή
ΪΧΘͺήͺ121ΙΘιΜΝAo’ΤSΜ8Ι32i8S~4iKjπΑ¦Δ40Ι¦½½ίB@
o’ΤSΜ4ΒΜXebvΜΉSΖΚSΝAFEPSΜζρT©ηζάTΙΰ ιΜΕA»κηπάίΔlΆ΅½½ίΕ ιB
T}[fBαzΘ΅ΕoκιΜ©H
BpbTi[αzΎ―ΐH΅Δ’ΔΰAa¬ΚπoιΙΝAT}[fBαzπάΑ½΅Δ’ΘΔΰASΝKΈζκTθΜxΙ¬··ιΜΎΖΎ€B
ΙIΐέ@\ͺΚΰεhiγΐjΰ |
|||
- |
ΌΪ |
Σ‘ |
@ |
paramattha |
citta |
±±λBΈ_ΜεΜΖΘιΰΜB |
1 |
cetasika |
±±λΜ«BKΈ±±λΖΊΑΔμpB |
52 |
|
rūpa |
ΰΜB¨ΏΜ{ΏB¨π¬§³ΉΔ’ι\¬vfB |
18 |
|
nibbāna |
€iO±ΖΘ~΅ΔβάΘ’~]j©η£κA½ΰΜ©ηΰ©³κΈ©RΘΐέ·ι’EB |
1 |
±κηlΒΜΝαeΙ·ι’Ώ’ΏΜ@Ν·ΧΔ^Ιΐέ·ιΜΕ θA±κΘOΜΐέπFίιΜΝλθΕ ιAΖ’€ΜͺͺΚΰΙ¨―ι©πΕ·B
»έA’ΤΕΝκΙA½πͺΙ»ΜlΙΎ€Μ©mθάΉρͺAuγΐΝ¬ζΕΝΘ’vEu¬ζΕΝ³©Α½vΘΗΖε£·ικήΜlXͺ θά·B
΅©΅AγΙ©½ζ€ΙAΒδΝΐέ΅Θ’―κΗΰA΅©΅½©^Ιΐέ·ιΰΜͺLιΖ’€©ππΔΔ’ιΘγΝA±κπεζΕΝulσ@LmΙρ€ Ω€€nvΘΗΖ]€ΜΕ·ͺAά³΅εζ©η¬ζiHīnayānaj·ΘνΏusSΘ³¦vEuςΑ½³¦vΖ©Θ³κAΜ³κ½³¦ΘOΜ½¨ΕΰΘ’±ΖΙΘιζ€Ε·B
ά½A»Ά·ιhΜ¬§ΙΒ’ΔΜ`³βA»κηΙΞ·ιεζΜ©ππL΅½TΠ©η΅ΔΰA½ͺτ΅Δ»Μ©πΜ₯ρπ£ΑΔ’½hΝAεζ©η¬ζΖΔΜ³κ½ΰΜΕ·B
Ε ιΖ΅ΔΰA΅©΅A»κηhΜ³`E³wΜnΙΝ©ιΧ«ΰΜAwΤΧ«LvΘΏͺ½ θά·BΐΫAεζΜwhΝ»κηhπ¬ζΖΔΡΘͺηΰA΅©΅»κηiΑΙΰκΨLEoΚEεOEΰ·qΘΗjπwΤ±ΖΝK{ΜΰΜΕ΅½B
ΐΫAεζΕ λ€ͺ¬ζΕ λ€ͺA’Έκΰ§ΙίΈΖ’€΄ςζθOo΅AAΘΖ¬κ½Α½ΰΜΕ·B»±©ηή ΝA»ΜL·Eσ[±» κ±κπUΈκΞA΅lπA’EπνΉΑβ©Ι·ιLvΘΰΜΙα θάΉρB
AbhidhammatthasaṅgahaiwΫ’ωB`_xjΜSΰ
±ΜhΜTΠΝAίΜxίΙ¨’ΔΩΖρΗΏσ³κι±ΖΜ³©Α½ΰΜΕ θA±±ΕΛp·ιAbhidhammatthasaṅgahaΰίΙΏσΘΗ³κ½±ΖΜΘ’ΰΜΕ ι½ίAάΈΝp[κ΄Όπ¦΅Δ’ά·B΅©΅A»κΎ―ΕΝκΚΙΣ‘sΎΕAά½ρνΙsΦΕ ι½ίΙAmnΰΙeκΙY·ιΏσκπΉL΅ά΅½B
―κΗΰ‘qΧ½ζ€ΙA±κΝίΙΏσ³κ½o±ΜΘ’ΰΜΕ ι½ίAmnΰΙ¦΅Δ’ισκΝA»ΜΌΜhΘΗ©ηY·ισκπΨp΅Δ’ιΰΜΕ·B΅©΅AͺΚΰΙΝ ΑΔΌhΙΝ³’A±ΜhΖΑΜpκͺ’Β© ιΜΕ·ͺA»ΜκΝΦXIΙwμ`ε oxΘΗΕgp³κΔ’ιΰΜπAKXΙp’Δ’ά·B
³ηΙΉΉΔA»κΌκSΜμpAΣ‘ΰeπΰΘΙL΅Δ’ά·B±κηSΜκXΜΌΪΝA΄₯Ζ΅ΔoTΙ ιΎtΕ ι½ίΙΌhΖΩΖρΗ―lΕΝ ιΜΕ·ͺAΖ΅ΔhΙζΑΔ»ΜSΜθ`ΘΗͺΩΘθAΜΙΣ‘ΰeͺα΅Δ’ά·BKΈ΅ΰΌΜhΖ―ΆΰeΜΰΜΕΘ’±ΖπΣ΅Θ―κΞΘθάΉρB
AbhidhammatthasaṅgahaiͺΚΰεhjΜSΰ |
|||||||||
- |
SΜͺΚ |
SΜΌΪ |
μpEΣ‘ |
||||||
cetasika |
aññasamāna |
PEsPΘΗA»ΜSΜ«ΏΜΩ―iaññasamānajΙΦΉΈA»κηΖ―²΅ΔΆN·ιSΜμpB |
|||||||
sabbacitta |
·ΧΔΜSΜΆΆι ηδικEuΤΙA€ΙΆN·ιASΜξ{IEͺ{IμpB |
||||||||
phassa |
hB΄oν―ΖΞΫΖF―Ζͺ΅ΔΆΆι«B |
||||||||
vedanā |
΄σE΄oBSgΜκEyEsκsy’Έκ©π΄Άι«B |
||||||||
saññā |
\ΫB΄o΅½ΞΫΜ`ΫAα¦ΞjΘΗA»Μ·Ωπmι«BL―B |
||||||||
cetanā |
ΣvB\Ϋ΅½ΞΫπmθl¦ιASΜε½ι«B |
||||||||
ekaggatā |
WBθί½F―ΞΫ©ηAΣ―π»η³ΈW·ι«B |
||||||||
jīvitindriya |
υ½BSΖSπΫEΆ±·ι«BΈ_πx¦ι«B |
||||||||
manasikāra |
«NBSπoΑEh³ΉA΄o·ιΞΫΙψ«Β―ι«BCΓ«B |
||||||||
pakiṇṇaka |
ςSEsPSΜ’ΈκΙ¨’ΔΰAG½ipakiṇṇakajΙΆN·ιSΜμpB |
||||||||
vitakka |
vlBmo·ιΞΫΙΒ’ΔARΖl¦ι«B |
||||||||
vicāra |
vBmo·ιΞΫΙΒ’ΔAΧ©Ιl¦ι«B |
||||||||
adhimokkha |
mFBmo·ιΞΫπA»κͺ½Ε ιAΖmθ·ι«B |
||||||||
vīriya |
wΝBΪIπB¬·ι½ίΑ―ΈAwίΔsΧ΅±―ζ€Ζ·«B |
||||||||
pīti |
€DBmo·ιΞΫπADέμΤ«B |
||||||||
chanda |
Σ~B½η©sΧ΅ζ€Ζίι«B |
||||||||
akusala |
sPiakusalajΘιSΖδΙΆN·ιμpBή΅λSπsPΙ·ι«B |
||||||||
moha |
πsBF―·ιΞΫΙΒ’Δ³mΕ ι«B |
||||||||
ahirika |
«πΧ·±ΖΙ©ηpΆΘ’«B |
||||||||
anottappa |
«πΧ·±ΖΙΌΙΞ΅ΔpΆΘ’«B |
||||||||
uddhacca |
ηNBSπ΅Δͺ΅AΏ
©ΉΘ’«B |
||||||||
lobha |
ζΓ~Bmo·ιΞΫΙ·
΅A³ηΙ~·ι«B |
||||||||
diṭṭhi |
Χ©BΰΜ²ΖπA^ΐΙ½΅Δπ·ι«B |
||||||||
māna |
όBSπ¨²θΤηΉι«B |
||||||||
dosa |
{θB©EΌΜlE¨ΙΞ΅Δ{ιAΥI«B |
||||||||
issā |
ΉiBΌΜ¬χED¨EΏ«E·ΘΗΙΒ’ΔAsυπΓ·«B |
||||||||
macchariya |
ε₯BΘΜΫ·ιΰYE@π¨Ι΅ΔAΌΙ{»€Ζ΅Θ’«B |
||||||||
kukkucca |
ίΙΧ΅AΝΧ³Θ©Α½PE«ΜsΧπΗ―΅Aγχ·ι«B |
||||||||
thina |
TBSgπ΅ΔέdΙAΎέAΗ¬άΉι«B |
||||||||
middha |
Sπ―³ΉAsΙ³ΉΔAΞΫΜc¬πsΎΔΙ·ι«B |
||||||||
vicikicchā |
^fBlΉϊAφΆNEΖΚOσΙΒ’ΔmMΉΈAΐ€«B |
||||||||
sobhana |
ςη©ΘisobhanajSΙ¨’Δ±»ΆN·ιμpBKΈνΙΆN·ιμpΖA»€ΕΘ’ΰΜΖͺ ιB |
||||||||
sobhana |
·ΧΔΜςη©ΘisobhanajSΖδΙAνΙΆN·ιμpB |
||||||||
saddā |
OσEφΖEΦτΘΗπMΆι«B |
||||||||
sati |
iuPΘιΰΜvπjSΙ―ίΔYκΘ’«B |
||||||||
hirī |
«πΧ·±ΖΙA©ηpΆι«B |
||||||||
ottappa |
«πΧ·±ΖΙAΌΙΞ΅ΔpΆι«B |
||||||||
alobha |
mo·ιΞΫΙ·
ΉΈA³ηΙ~΅Θ’«B |
||||||||
adosa |
ΘΜΣΙ½·ιΞΫΙΞ΅Δΰ{ηΘ’«B |
||||||||
tatra- |
Ώ
«BSΖSΜΟtπΫΒ«B |
||||||||
kāya- |
σEzEsε]ΜWάθikāyaj¦ΏSAά½gΜπAΐη©Ζ·ι«B |
||||||||
citta- |
Si―ε]jπΐη©Ζ·ι«B |
||||||||
kāya- |
σEzEsε]ΜWάθA¦ΏSAά½gΜπAyβ©Ζ·ι«B |
||||||||
citta- |
Sπyβ©Ζ·ι«B |
||||||||
kāya- |
σEzEsε]ΜWάθA¦ΏSAά½gΜπA_ξΖ·ι«B |
||||||||
citta- |
Sπ_ξΖ·ι«B |
||||||||
kāya- |
σEzEsε]ΜWάθA¦ΏSAά½gΜπAΨθΘμp³Ήι«B |
||||||||
citta-kammaññatā |
SπΨθΘμp³Ήι«B |
||||||||
kāya- |
σEzEsε]ΜWάθA¦ΏSAά½gΜπAPϋθνΉι«B |
||||||||
citta- |
SπPϋθνΉι«B |
||||||||
kāyujukatā |
σEzEsε]ΜWάθA¦ΏSAά½gΜπA³ΌΖ·ι«B |
||||||||
cittujukatā |
Sπ³ΌΖ·ι«B |
||||||||
virati |
\«Μ€ΏΕΜ΅«ΜΦfE}§iviratijΜ ιSΖδΙΆN·ιμpB |
||||||||
sammā- |
ΟκEγYκE«ϋEΌγΜΎκΙΦ·ιl«π£κA³΅’ΎEΎt’π³Ήι«B |
||||||||
sammā- |
EΆEχEΧϊΜgΜΙζΑΔsνκιO«π£κA³΅’sΧEUι’π³Ήι«B |
||||||||
sammā- |
gΜΖΎtΜ΅«π£κ½EΖΙ]³Ήι«BEΖΙΦ·ιμpB |
||||||||
appamaññā |
»ΜΞΫΖ»Μπΐθ΅Θ’iappamaññājSΖδΙΆN·ιμpB |
||||||||
karuṇā |
κ΅έΜ€ΏΙ ιsKΘΆ½ ιΰΜπχκή«B |
||||||||
muditā |
μΡΜ€ΏΙ ιKΘΆ½ ιΰΜπμ·ι«B |
||||||||
paññā |
½Ύu―ιvΜΕΘAά½½ΎumιvΜΕΘA¨Μ{Ώπ©Κ΅mθ²μpB |
||||||||
paññindriya |
ΚαBΰΜ²ΖΜ^ΐΘιpA{Ώπmι«B |
||||||||
ζOͺ@SΜͺΝ
ScetasīkaΖΝSΜgB
g¦ιΖASΖ’€RbvΜ Ιn―Δ’ιΰΜͺSΕ52νήΜΰΜͺ ιB
Sβ~΅ΔΰqgΝΘΘ’BθpΕSπκIΙβ~³ΉΔΰA»ΜΆ½ΜΝΚ±ΖͺΘ’ͺAε]ΜΧEΜΝ½η«π~ίιΖA»Μu’ΜΏvΝΚBP15
΅©΅AOEΙ½·ιΜπF―Ζ·ιΖAA¨ΝΆ½ͺ ιΜΕAu’ΜΏvΝΚΖΝΎνΈA©ΘΣ―ͺΚΖ’€±ΖΕΝΘ’©H
¨ΜΖΆ½ΜΜζΚΝSΜΜL³
SΜͺ ιΰΜπΆ½Μ@@@Ά«¨
SΜͺΘ’ΰΜπ¨Μ@@@@χ
SΜΜ»fΝAu’ΜΏvΜ»fΕ θAOEΜΒ«βΰEΜ©ͺ©gπuF―v΅Δ’ι©Η€©B
Ά«Δ’ι©Η€©ΖΝAF―΅Δ’ι©Η€©H
ΗΜζ€ΙF―΅Δ’ι©AΒάθAΗΜζ€ΙΆ«Δ’ι©ͺβνκιH
»Μ½ίΙΝF―ΜdϋΜξ{ΖΘΑΔ’ιAΗΜζ€ΘSΜvφͺ’Δ’ιΜ©πmιKvͺ ιB
±κͺSΙ½ͺn―ρΕ’ιΜ©A·ΘνΏΗΜζ€ΘSͺ’Δ’ιΜ©πwΤΣ‘Ε ιB
A¨ΝHA¨lΤΝH@ΜπΝΒ«Ι½΅Δ’ιΜΕΆ½ΜB
΄ξ©ηΞ©ͺΆάκι
vlΖΝCvbgΙΞ·ιAEgvbgπί½©½AvP[VΜ±ΖB
π½ΛΖΝ±Μ©½AvP[VπSΖgΜΖΦAt―½ΰΜBputΜ’ΜSA@GW½ΛΜΜ
΄ξΖΝ©½AvP[VπSΖgΜΙA³Ή½VXeBεΟΖ’€VXeΜς
±Μ΄ξΜVXeΙCΓ©Θ’ΕA±κπx[XΙ΅Δμθγ°½_ͺΞ©ΙΘιB
GW½ΛΝJθΤ΅ΜϋKΕπ½ΛΕΝΘ·±ΖΝΒ\ΘΜ©H
SΙn―Δ’ιΰΜiSjΕζΚ·ι
ΗΜSͺΗΜζ€Ιn―β·’Μ©ͺ«iB
Pϋ·ι±ΖΕn―ιSΜ²qπ¦ιΜͺCsB
liΨΎ@certificate of character
AEΜΙπΖΖΰΙKvΖΘιBXJΕΝZ·ͺμ¬·ιB
[bpΕΝ½θOΘΜH
SΜΑF
cetasika-lakkhaṇaS4@P47,1
ekuppāda-nirodhā ca, ekālaṃbaṇa-vatthukā,
cetoyuttā dvipaññāsa, dhammā
cetasikā matā.
―NA―ΕA―A―ξΕ ι©ηSΖ·ι52Μ_}ͺSΖΎνκιB
―N@@@@SΖκΙΆάκι@@@@@@@@Gπ©ιΖ―Ι΄ξiSjͺΆάκι
―Ε@@@@SΖκΙΑ¦ι@@@@@@@@@Gπ©ιΜπ~ίιΖ―Ι΄ξΰΑ¦ι
―@@@SΖ―ΆΞΫπζι@@@@@@@@Gπ©ιΙΣ―Ζ΄ξΝΞΫiGjͺ―Ά
―ξ@@@@SΖ―ΆκΙΆάκι@@@@@@Gπ©ιΙΝSΝΪΙΆάκι
±Μ4ΒΙͺ―½Σ‘ͺάΎν©ηΘ’B
52νήΜS
aññasamāna-cetasika 13@@@―ΌS
sabba-citta-sādhāraṇa-cetasika 7@@€κΨSS@@@sādhāraṇa€Κ@@SΙn―ιKvΕαΐΜS
kathaṃ? phassa vedanā saññā cetanā
ekaggatā jīvitindriyaṃ
manasikāro ceti sattf ime
cetasikā sabbacitta- sādhāraṇā-nāma.
ΗΜζ€Ι©H@GAσAzAvAκ««A½ͺA
μΣΖ’€A±κηVΒΜSπA€κΨSΖ’€
añña¨έ’ΙsamānaΔ’ιA―ΌSΝPΕΰ«ΕΰΘ’B
κΙΆάκ½ΌΜP«ΜSΖ―ΆΙΘι©η―ΌSΖσ΅½B
€κΨSSππ·ι±ΖΕASΜ¬·ΖoιJjYπΰΎ·ι±ΖͺΕ«ιB
VΒΜξ{ISΙΟYΜSͺέt’Δ’ιΜΕAoι±ΖͺΕ«Θ’B
±±λ»ΜΰΜπζθz¦ιπEΜ½ίΙΝA½ΜoκιΜ©Ζ’€JjYͺν©ιΖCs΅β·’B
±ΜφΚ@₯πSπwΤ±ΖΕπΕ«ιζ€ΙΘιB
phassaiGj
6ΒΜiα¨@γgj©ηUΒΜνήΜξρiFΊ‘GjͺR^NgiGj·ιB
ΪΙυͺGκιΖ»±Ιu©¦½vΖA±±λͺΆάκιB
Ο»·ιMΙGκΔAκΒΜF―ͺΆάκιB»κΎ―Ε2ΒΪΜF―ΝΆάκΘ’B
Ύ©ηiΙΝR^Ng·ι±ΖͺΕ«Θ’B
F―Ε«ιΜΝκu²ΖΜGΎ―ΘΜΕAiͺ ι©Η€©ΝqgΙΝͺ©ηΘ’B
_}@@@uΣvΜΞΫΙΘιΰΜ@@p30
±Μ’Ι_}ΜΙόηΘ’ΰΜΝΘ’B·ΧΔΝ_}Ε ιB
ίΈΜ³¦βFΜ@₯Ύ―ΕΝΘ’B
l¦ΎιΰΜ·ΧΔΝ½©πΞΫΙ΅½ΚΕ θAΞΫΖΝΣΙGκΔ’ι±ΖπΣ‘·ιB
ΣΙGκιΰΜπ_}Ζ’€ΜΕA_}ΖΝΣΜΞΫΜ±ΖπΎ€B
Βάθ·ΧΔΜ»Ϋͺ_}ΕAuΣvΜΞΫΕ θA_}ΝSΙR^Ng΅±―Δ’ιB
½Ζ¦ΞA€³¬ΜpΝΐέ΅Θ’ͺAo±΅½ΰΜπgένΉ½±ΖΕASΕΝl¦ι±ΖͺΕ«ιΰΜΰ_}Ε ιB
―Άζ€ΙAβΎϊΰΐέΝ΅Θ’TOΕ ΑΔΐΜΝΘ’B½ΎTOΖ΅ΔΝ ιΜΕΌΖ΅Δg€±ΖΕΦ«πΎΔ’ιB
Ar_}Εΐέ·ιΜΝASASAFAΜRΒΜGlM[ΖΈΟΜSΒΎ―B
»κΘOΙΝΐΜΝΘΆέ΅Θ’ͺA©δβu ΜlvΘΗΜζ€ΙΆέ·ι©ζ€ΙvΑΔ’ιΜΝ»κηΜTOπάιΕΐΜΜ ιΆέ©Μζ€Ιλπ΅ΔΖη¦Δ’ι©ηΕ ιB
SΜK\ΝΣΖR^Ng·ι ηδι_}Ε ιB
ίΜL―A’ΜσzβΟzA»έΜTOβΐΜΜΗκΰͺ_}ΖΘιB
Sͺ½ΰΜΰGκΘ’uΤ
Hvπ΅ΔΰAqgΜSͺ~άιuΤΝΘ’B
ΘΊ³ΘΜ©Ζ’€ΖASΙΝ½ΕΰhiK\jΖΘι©ηΕ ιB
½ΰΘ―κΞuΘ’v±ΖͺASΜΞΫΙ·ιΜΕASΙΝνΙ½©hͺ ιB
Sͺ~άι±ΖͺΕ«Θ’΄φͺGphassaΕ ιB
±Μζ€ΙASΜUΝ~άι±ΖͺΘ’B±κͺΦτΕ ιB
vedanā@σ@@@@@phassaπu΄Άιv±Ζ@@Gκ½±Ζπuσ―ιv±Ζ
υEsυE§Μ^Oπσ―ι±Ζ
vedanāΜp[κΜκΉπmθ½’
VedaC[frDvidCor more specifically ved as PDroot] 1DicpDvediyati & vedanāj ijoyfulj feelingCreligious feelingCenthusiasmCaweCemotionCexcitement
΄Άι±ΖΝF―ΕΝΘAF―π\¬·ιiΜκΒ@@
u©ͺvπάε]iFσzs―Με]jΜWάθΎΖͺΝ΅A»Μu©ͺvβuF―vΜκͺσvedanāB
F―ΙΞ΅ΔΝΐ΄Ν ιͺAGphassaΖσvedanāΜΐ΄ΝΘ’B
π·κΞGͺ ΑΔΰAσvedanāͺΘ’ΜΕAΙέΜMͺ`ΐ³κΈF―ͺΘ’B
§³ΜCsΖΝGΖσΖsπF―·ι±Ζ©ηnάιB
saññāz@@@ζΚ·ιJS@@@@@@@@@GκιΖ―Ι»κισEσΫAζΚ
uα’vΙΒ―ισB·ΧΔΜ»ΫΝ³νΕΙ―κΘΰΜΝΘ’ΜΕζΚ·ι±ΖͺΕ«ιB
±Μα’πΎη©Ι·ι\ΝͺzsaññāΕ ιB
©ιΖ―ΙuΤΎvΖF―³ΉΔκισAΜ’€iϋn¨βτσ¨πjζΚ·ι½ίΜJSB
½Ζ¦ΞAρΒΜΉͺGκιΖρΒΜΉπζΚ·ιQΒΜsaññāͺN±ιB
±Μζ€ΙuΤuΤΜΉΜ·πζΚ·ι½ίΙzsaññāͺΆ·ιB
±ΜρΒΜzsaññāͺΘ―κΞΉΜζΚͺΕ«ΈAΏ«πF―Ε«Θ’B
F―·ιΖΝζΚ·ι±ΖΕ ιB
TOπμθγ°ιΜͺzsaññāB
ΐΜͺΘ’ΰΜπ ιΰΜiiΜ°AiΜyAjΖφo³ΉιΜΰzsaññāΜdΖB
zsaññāͺ ηδιΧ©πψ«N±·B
΅©΅zsaññāͺΘ’ΖF―ΰN±ηΘ’ΜΕAΗΝzsaññāͺKvΕ ιB
uvπμθo΅Δ΅ά€Μΰzsaññāͺθi©IjΙζΚπ·ι±ΖΕAζΚ³κιϋ©η©ιΖAζΚ΅Δ’ιεΜͺ’ι±ΖΙΘθA±κͺuvΜ³ΜΕ ιB
α’πΎη©Ι·ι½ίΙΝίΜzsaññāπQlΙ·ιΜΕAL―©ηf[^πCvbg΅Aά½L―πμιΙΰ«»·ιB
’zsaññāπL―Ζ’€B
zsaññāΖΝPΘmoΖΰ’¦A±κπ·ιΖm―ΙΘιB
·ιΖΝ½Ζ¦Ξu©ιv±ΖπJθΤ·±ΖΕAΔ’ιzsaññāπ’ΑΟ’μι±ΖΕA·ΙζΚ·ι±ΖͺΕ«ιζ€ΙΘιB±κπwK΅½Aΰ΅ΝL―΅½Ζ’€B
zsaññāΕζΚπΒ―ιΜΕA±ΜζΚΜHvͺ¬χ·ιΖA©Τα¦ι±ΖͺΘΘιB±κͺwKΜξbΕ ιB
ΧΕ«ιlΝAΌΜΰΜΖζΚ·ι½ίΙuα’vπ©Β―ι±ΖͺnB΅Δ’ιB
ίθκΚ»ΖΝ±Μα’π©ΉΈΙA ι@₯πA»Μ@₯ΜΚp·ιΝΝπ΄¦ΔKp΅Δ΅ά€±ΖB
ΰΜπ©Β―ιΖΝυ@\πγ°ι±ΖΕA½wΜzsaññāπΒ±ΖΕAυͺ¬sΘιB
Ά½ΜΕΝAzsaññāΝνΙN«Δ’ιͺAΑθΜzsaññāπμ¬·ι©Η€©ΝΒΜΙΛιB
zsaññāΜb¦ϋ
ζΚ·ιRcπ©Β―ι
½wΜ_\’ΕΞΫπ`FbN·ι
ΞΫͺ»κ½TPOπl¦ι
Τα¦πT·
cetanāΣu
κΒΜSͺΆάκ½ηΜSͺΆάκΘ―κΞΘηΘ’B
θπγ°½ηΊ°Θ―κΞΘηΘ’AgͺγΈ΅½η~Ί΅Θ―κΞΘηΘ’B
Σvπ§³ΕΝΖkammaΖ’€
½©πF―΅½uΤΙΣvͺΆάκA±κͺ΅ΕΰΘΑ½ηΖkammaΖ’€SΜGlM[ΙΘιB
sΧ·ιΣvͺΖkammaΘΜΕA±κ©η¦°ι±ΖͺΕ«Θ’B
ekaggatāκ««@@@@@@@@Sͺ©ιΞΫΖuκvΙΘι@@ρθY€±ΖHκΜΙΘι±Ζ
ξ{IΘ½θOΜuΤΜΝ½η«ΕAX|bgCgπΔι±ΖB
Σ·ι±ΖBJ[\πΔι±ΖB
WΝΖΝmanasikāraμΣΜ«Μ±ΖΕA»κΙζΑΔκ««ΜΝͺηάκAαzΕκΜ΄πΎι±ΖͺΕ«ιB
T}[fBαzΖΝAWΝͺ²QΙ¬·΅½σΤΕAW΅½ΰΜΘOΜMΙκ««π½Θ’±ΖB
jīvitindriya½ͺ
PΘι¨ΏΙΰ ιΰΜΕAκΒΜΝ½η«ͺΑ¦ΔΰΜΝ½η«ͺΆάκ±―ιGlM[Μ¬κΜ³B
SΙΰ¬κ±―ι«ͺ θA±κͺjīvitindriya½ͺB
Ξβξ@Ιu’ΜΏvͺ ιΖ’€±ΖΕΝΘAχΜΖ’€¨ΏrūpaΙΝ28Μνήͺ ιͺ»ΜκΒͺjīvitia-rūpa½FΕAΞΙΝ±κΝΘ’B
A¨Ιΰjīvitindriya½ͺΝ ιΜΕΝΘ’©H
»γγwΜgΜgDΜ|{βν―ΪAΜΙΰjīvitindriya½ͺΝΆέ΅Δ’ι©ηΒ\ΘΜΕΝΘ’©H
manasikāraμΣ@@@@@@@@manasiSΙ@kāra½©·ι@@@activity of mind
F―u΅ζ€Ζ·ιvΝ½η«@@@Σ―π©Ήι±Ζ@@CΙ·ι©Η€©Μ³
΅Α©θΖΐs·ιΜ³
cetanāΣu@@@@@@Δ@³©ηL@@@@W
[Xπωέ½’Θ
manasikāraμΣ@@@@sΧΐHΜ³@@@@@ΕΝωΰ€
qΜmanasikāraΝUΕ½ΜhΙ½΅Δ΅Α©θΖΣπ₯€Pϋͺ³κΔ’Θ’B
manasikāraͺγ’ΖA½π΅½½ίΙρKΙsΑ½Μ©πYκΔ’ιB
lΜbπ Ώ±Ώ©Θͺη·’Δ’ιΙΝmanasikāra Ν ιͺAekaggatāκ««ͺγ’B
CΙ·ι©Η€©
JNep[eB[ψΚΖΝACΙ·ι±ΖiΦSͺ ι±ΖjΙΞ΅ΔmanasikāraͺΘΑΔ’ι±ΖΕ»ΜΣ‘ππ·ι±ΖͺΒ\ΙΘιB»ΜΝΦSΜΘ’±ΖΙΝmanasikāraΝγΘΑΔ¨θAwiΜΉΙΘιB
·’Xy[XΙXgXπ΄ΆιΙΝAmanasikāraπ©ͺΕRg[·ι±ΖΕΞΕ«ιB
Cͺͺ«ΘΑ½ΙΝAmanasikāraπΚΘΰΜΙόκΦ¦ιB
qͺ’Δ’ιΙmanasikāraπΚΘΰΜΙu«·¦ι±ΖΕA±Ζπ~ί³ΉιB
±ΜΜRg[·ι\ΝΝcetanāΣuΜΝ½η«
κΚIΘWΝΖΝmanasikāraμΣΜ«Ε θA»κΙζΑΔekaggatāκ««ͺάΑΔ’B
ekaggatāκ««ͺΘι±ΖπαzͺγB΅½Ζ’€B
7ΒΜSΝsΒͺ£ΘΜΕκΙA’ΒΕΰ’Δ’ιͺAeSΜγΝΟ»΅Δ¨θA»κΙζΑΔF―ΜdϋβΏβΎm·ͺα€B
αzΖ’€ΑΚΘPϋϋ@ΝSΜxπΟΙ·ι½ίΙ΅Δ’ιB
©RΣvζθΰ³Σ―ΙηκΔ’ιlΤΆ
FΕΝγ’Ιζθ’GlM[ͺWάθA»±ΕΟ»ͺN±ιB
©ͺΜΣuΕ΅Α©θΖΆ«Δ’ιΜΝuΤIΕA½ΝΒ«β©ͺ©gΕμΑ½΄ξβvlΙ¬³κΔΆ«Δ’ιB
SΙΰ―Ά±ΖͺN±ιΜΕA§³Ν©ͺΜΣvΕ΅Α©θΖΆ«ι±Ζπ©ίA»Μ½ίΙΝ©ͺΜSπRg[·ιϋ@π`¦Δ«Δ¨θA»κ±»ͺ©RΕ ιAΖΰB
©RΖΝ΅κΔ’ι©Η€©H
΅κΔ’ιΰΜΙΝίΙwρΎF―ͺ’Δ¨θA΅κΔ’Θ’ΰΜΙΝΣuΖμΣπ©ΉιKvͺ ιB
½ΰ΅Θ’Ε’κΞSΝ§ΝπάΈΝ©Ήι΅©Θ’ΜΕA»±ΙΝSΜ]Tβ©R³ΝΘ’B
Sπ»ΜάάΜσΤΙ΅Δ’ιΖAΞΫ¨Ι©³κι±ΖΙΘιB΅©΅SπRg[΅Δ’κΞA©ͺΜΣvΗ¨θΙΘιΜΕA©RΕ ιB
lΝ©RΘΜ©Hs©RΘΜ©HΜβΙA§³Μ¦Ν
uφΚ@₯Ε ιv±κͺΉmajjhaΜ³¦Ε ιB
΅κΖΝAφΚ@₯ππ΅Δ’ι±ΖΕ θA©RΖΝ©ͺΜSπRg[΅Δ’ι±ΖΕ ιB
Χ©©ηπϊ³κ©RΙΘιϋ@
σvedanāπmθs·lΝκΨΜΧ©©ηπϊ³κιB@@oTH
17XebvΜ±±λΜvZX
ΪπJ―½uΤΙAκAΜ17iKΜ±±λΜvZXͺΆ΅Δ’ιB
±ΜΙ7νήΜSͺeXebv²ΖΙΆάκΔΝΑ¦Δ’«AF―ͺΆάκιB
J~ΜΊπ|σ΅½ΜΝε]ηΏ
ΰ΅J~βΩ³ΜΊπ·’½Ζ΅ΔΰA»κΝ{lΜσvedanāπΚ΅ΔΜoΕ΅©Θ’B
ΗρΘ»ΫΰA{lΜσvedanā©ηN«½F―Ι·¬Θ’B
»ΜΝΆίΜiKΕΝ»κΝΎtβTOΕΝΘ½ΎΜΉΕ΅©Θ’B
ΉͺΎtΙΘιΜΝvlΜ«Ε ιB
±Μζ€Ι_ΜΎtΖ’€ΜΰAΗΝqgΜε]ηΏΕμθo΅½ΰΜΕ΅©Θ’B
»fΖΝuΤuΤΜF―Μ¬κ
»f·ιΖf΅½±ΖΙΘιͺA»Μ»fΖΝ ιuΤΜF―Μ±ΖΘΜΕAF―Νκθ·ιΰΜΕΝΘAΟ»΅±―ιΜΕAκΡ΅½»fξπΕθ»΅ΔΛΆ·ιΜΝλ―Ε ιB
F―ΝΟ»΅ACΏΝhη¬A»fπΟ¦ιΜͺ’ΒΰΆ½Μͺ΅Δ’ι±ΖB
»fΖ’€SΝΘ’ΜΕANΕΰ―Ά»fπ·ι±ΖΰΘATOiΟzjͺJθΤ·±ΖΕΕ«ιu»fv
Νe©ͺα’AΗκΰκIΘΰΜΕ΅©Θ’B
»fΖΝΟzΜJθΤ΅ΙζΑΔμηκι
qgΜF―vZXΖΝAe©ͺΒzsaññāπgΑΔis΅Δ’B
½Ζ¦ΞA ιΉπ·’½ΙA»ΜΉΙιυέͺ ι©Aΰ΅ΝΏ΅’©Ν{lΜzsaññāΙζιB
zsaññāΙΘ’ΉΘηΞΏ΅’Ζv€»fπ·ιB
±Μζ€ΙF―vZXΖΝA©ͺΜsizsaññājπξΖ·ιΜΕAκΚIΕΥIΘΰΜΕΝΘAe©ΜzsaññāΙνΉΔθΙΛΆΘ°ι±ΖΕ΅©ΘA±±©ηΆάκι»fΰ»ΜuΤΎ―ΙΚp·ιΰΜΘΜΕAκΡ«Μ ι»fͺ ιΖv€ΜΝΟzΕ ιB
΅½ͺΑΔAvChβK΅βζlΜ³¦Ζ΅ΔA―Ά»fξπ±―ζ€Ζ·ιΜΝκ΅έΜκΒΙΘιB
ΕθΜ»fπξΙ·ιΖA»Μ»fΙ«πψΑ£ηκΔTPOΜΐ©η£κΔ΅ά€ΜΕA½Ζ¦©ͺΜ»fͺ Α½Ζ΅ΔΰA»κΙ΅ͺέΒ©Θ’Μζ€ΙΣ·ι±Ζͺ«IΘΆ«ϋΙΘιB
pakiṇṇaka-cetsika@6@@@GS@@@@p47A3eLXgOΌ
vitakko vicāro adhimokkho vīriyaṃ pīti chando cā ti cha ime cetasikā pakiṇṇakā
nāma.
qAfAπAΈiAμΣA~Ζ’€±κηUΒΜSπGSΖ’€B
vitakkaq vlBSΙΞΫπζΉι±ΖB
mo·ιΞΫπASΜΜΜΕΗ±Ι}bsO·ι©πίιΝ½η«Μ±ΖB
π΅ζ€Ζ·ιΙ»±Ι_\’logical systemͺ ιB
½Ζ¦Ξτσ¨π΅ά€ΙAΗΜΜΗΜ^XΜΗΜψ«o΅ΜΗΜΣθΙ΅ά€Ζ’€ζ€ΙA½©ππ·ιΙΝ©ͺΜͺΜΙ ιΜΑθΜκΙ»κπζͺ΅Δ΅Δ’ιB
±κπ΅Θ’ΖF―·ι±ΖΰΕ«Θ’΅A±Μζͺπo¦Δ’Θ’ΖAu»Μπvπ·ΙYκΔ΅ά€B
±ΜΠt―βπεΜIΙ΅½ΰΜͺA_Ε ιB
zsaññāΙΛΆ΅Δ»f·ιΜΕΝΘA±Μ_\’πξΙ΅Δvl·ιΖ«ΜΏεΙΘιB
±Μζ€ΙF―·ιΙSΙ¨«ι_«ͺvitakkaΕ ιB
vicāraf vBmo·ιΞΫπΎmΙΧ©Ιl¦ι«B
αz·ικΝAΔzΘΗΜΞΫΙ½xΰJΤ΅ΔψΙΣ―πζΉιiOΆιjΜͺvitakka
βͺΔ³π΅ΘΔΰαzΞΫπF―π΅±―ιζ€ΙΘιΖΎmΘF―ͺN±ιζ€ΙΘιΖvicāraͺB΅½Ζ’€±Ζͺ©oΕ«ιB
αzΘOΕΝA±ΜρΒΜ·Ωππ·ι±ΖΝΕ«Θ’B
¦ΔζΚ·ιΖAΎtΕl¦ιΜͺvitakkaAΎtΙηΈ»f·ιΜπvicāraB
GOπβ΄Ε₯€ΜͺvitakkaAΞΫπL[v΅Δ»κΙρθY€ΜͺvicāraB
ΞΫπζΉιΜͺvitakkaAζΉϋͺvicāra
ΰΜΉͺvitakkaAΉΜgͺθϋͺvicāra
ΉͺπHΞ½©ΉΔσΙΈιΜͺvitakkaA»ΜάάπΠλ°ΔςΤΜͺvicāra
±±άΕͺΝ·ιΜΝAαzΐHΝ΅ΎκπgΑΔs€½ίΕ θAά½AoθΜ«nΜSσΤπΰΎ·ι½ίB
αzΐHΕΝAΎκΜg’ϋͺϊνΆΖΝα’AΎκπgΑΔ’ιͺAl¦ΔΝ’Θ’B
ΎtΕl¦Δπ·ιvlAͺAΟzΜ³πjΑΔAΞΫπΌΪΙF―·ιΜͺAαzΜκΒΜΪIΎͺA
»Μ½ίΙPΘΎκπgp΅ΔF―π΅±―ι±Ζπp·ιB
±κͺΕ«ιζ€ΙΘιΖAT}[fBπΒι±ΖͺΒ\ΙΘιB@
ά½T}[fBΙΝζκTθΜqfiΆρ΅jπg€ΰΜΖζOTθΜqfΙηΘ’ΰΜͺ ιB
qfͺ Α½άάΕΰABpbTi[αzΕπE³κιΖ³κΔ’ιB
adhimokkhaπ@@@mo·ιΞΫπA»κͺ½Ε ιAΖmθ·ι«B@
F―ͺN±ιxΙA»ΜΞΫ©ηSͺ£κΘ’ζ€ΙAΑΒ@\Μ±ΖB
ΚXΜΰΜπ£κΘ’ζ€Ι·ιζeΜζ€ΘΰΜB
±Μ@\ͺΘΑ½ΙΝAΒΓ―Δ―ΆΞΫπF―·ιB
±Μ@\ͺγάΑ½ΙΝAΌΜΰΜπΞΫΙ·ιB
adhiκ½ADζI@mokkha©RAπE@@@©RΙΞ΅ΔDζIΙΝ½η«©―ι@\¨©RπW°ι
ΞΫͺSΙόΑ½ηA»κπDζIΙF―΅AΌπF―·ι©RπW°ιB
σκΝͺKΨΕ ιBp70
vīriyaΈi wΝBΪIπB¬·ι½ίΑ―ΈAwίΔsΧ΅±―ζ€Ζ·«B
u΅ζ€v
adhimokkha@@@@@@ΞΫΙΑΒ±€
cetanāΣu@@@@@@Δ@³©ηL@@@@W
[Xπωέ½’Θ
manasikāraμΣ@@@@sΧΐHΜ³@@@@@ΕΝωΰ€
vīriyaΜϋό«ΝγLΖΝα’A{\ΙtηΑΔu΅ζ€vΖ·ι«
ϊνΆΕΝqgΝΪ⨩ηόΑΔιΰΜΙ½΅ΔA©ͺΜ©RΣvΕ©ͺΜ©½’ΰΜπ©Δ’ιΖ¨α’΅Δ’ιͺAΐΫΙΝζΓαΡsΜuΣvΜάάΕΪΜzκβ¨ΜzκΖΘΑΔιη΅Δ’ιB
ό΅’ΰΜΙψΑ©©θΪͺ£ΉΘΘιΜΝASΜ{\Ι΅½ͺΑΔSΝ»€θΑΔ’ι©ηΕ ιB
΅©΅AvīriyaΈiΜΝ½η«πg€ΖAΞΫ¨π©ι©©Θ’©Ν©ͺ©gΕRg[Ε«ιB
SΝνΙhπίΔ’ιͺAαzΖΝSΙhπ^¦Θ’ΕΏ ©Ήι±ΖΘΜΕASΜGlM[ΙάΑ½½·ι±ΖΘΜΕASͺκΤͺι±ΖͺαzΕ ιB
Ύ©ηαz·ι½ίΙΝΗ€΅ΔΰΈiͺKvΖΘιB
SΙΖΑΔΝζΓαΡsΝΐΥΘGlM[ΘΜΕA{ι±ΖΝΘPΎͺA{ηΘ’±ΖΝο΅’B
΅©΅Sπ¬·³Ήι½ίΙΝΈi·ι΅©Θ’B
Έi©ΜΝPΕΰ«ΕΰΘ’ΜΕA»κΝε`ΌͺΖ΅Δ«sΧΜΎ’σΙgνκιΒ\«ͺ ιB
yΙΆ«ζ€ΖvΑΔκ΅ΘιB
ΖπΑΔ[Εκ΅ΘιB
£πΘ»€Ζ΅Δν·ιB
±κηΜ΅ΝAuΣ―vΜSͺ»κ½ΰΜB
uΣ―vπκIΙΰβ~³ΉΘ’ΖA΅©η²―ηκΘ’B
pītiμ mo·ιΞΫπADέμΤ«B€D
’©Θικΰμpītiπ΄Άηκιζ€ΙsΧ·κΞ»γΜΈ_aΜ½Ν‘ιB
¨Ώ©ηΎιμΡΙΝΐEͺ ιB
½Ζ¦ΞAΗAHBΝΆίΝy΅ΔΰA±―ιΖκΙΙΘιΜΕA±Μζ€ΙmΙΑΔΎιpītiΝ½’΅½ΰΜΕΝΘ’B
ΐEͺ«ΔΰμΡπ΄Ά½’ΜΕAΜhπT΅±―ιͺA»κΰrΕα΅ΔμΡΕΝΘΘιB
ά~ΜμΡπ§³ͺ]Ώ΅Θ’ΜΝAAͺ’½lͺ πωήζ€ΘΰΜΎ©ηB
μΡβLCΎΖv€ΰΜπA»€ΕΝΘ’AΖ΄Άηκιζ€Ι±±λπ²³·ι±ΖΰΕ«ιB
αzΕΝAm©ημΡπ΄ΆιΜΕΝΘAm©η£κι±ΖΕμΡπ΄ΆιΜΕAΐEͺΘ’B
½Ζ¦ΞΓ―³πμΤζ€Ι±±λπηΔ½κΝAκΝΆΆΘ’B
±±λπW³ΉΔA±±λΜrgπΑ·ΖμpītiͺΆάκιB΄φΝΏ «Ε·B
μpītiͺΘ’Ζ½ΰ±―ι±ΖͺΕ«Θ’B
μpītiπηΔιΖOΜΘ±ΖΕΰΰ€Μ±±λΜΝ½η«ΕμpītiΙΟ¦ι±ΖͺΕ«ιB
chandaΣ~ ½η©sΧ΅ζ€Ζίι«B@βιCΖ’€GlM[π¬·³ΉιB@@@
cetanāΣuiΔ@³©ηLAW [Xπωέ½’ΘjΖΔ’ιͺAcetanāΣuΝJ}πμιͺAchandaΝ½ΎΜuβιCvΕJ}πμηΘ’B
Γ°pΕA{lΜΣ}ͺΘΔΰ~ίι±ΖͺΕ«ΘΘιA½Ύβθ½ΘιCΏΜΝ½η«B
chandaΣ~ͺγ’ΖA κ±κ΅½’Ζv€ͺΐsΝ΅Θ’B«ͺΘΘθEcΙΘιB
chandaΣ~ͺ’ΖA΅½’±Ζπΐs·ιBά½ΐsε`ΙΘθAu΅½’±ΖvͺΘΘιB
14ΜsPS
akusala-cetasika 14@@@sPS
moho ahirikaṃ anottappaṃ uddhaccaṃ lobho diṭṭhi māno doso issā macchariyaṃ
kukkuccaṃ thīinaṃ middhaṃ vicikicchā ceti cuddaf ime
cetsikā
akusalā
nāma.
sA³ΞA³ΑA{AζΓA©AAαΡAΉAΚA«μA惛ΎA°A^Μ14ΜSπsPSΖ’€B
2νήΜP«
kusalaPΖakusalasP
puññaΏΖ pāpaί
puññaΏΖΝ@@§³Μ_©η©ΔAlXͺ΅Δ’ιP’sΧBΏβχΏΖ’€@³IΘPBJ}πμι
pāpaίΖΝ@@@βΑΔΝ’―Θ’ΖίηκΔ’ιί@@@@pa-ΣAOκIapa©η£κι@@@
kusala@Ήpuñña
akusala Ήpāpa
puññaΏΖ pāpaίΝ©ΎΜΘΜΕ½κηκΘ’ͺAu Θ½Ν½π·Χ«©A½π΅ΔΝ’―Θ’©vΖΗ€΅ΔΰΉΏΙΒ’ΔκιΖ«Ύ―ΙoTΙoΔιB
CπΒ―ιΧ«ίΝuΧ©v
ΤαΑΔ’ιl¦ϋπξbTOΙ΅Δ’ιΖA©ͺΜsπΝΆίlΆΜ·ΧΔπΤα¦Δ΅ά€B
vlͺΤαΑΔ’ιΖA’η©Όπηλ€Ζ΅ΔΰηκΘ’΅AΗ±Ε½π΅Δ’Δΰ©ͺπMpΕ«Θ’B
±Μ3ΒΜ€Κ_ΝgΜβΎκΕΜΕΝΘA±±λΜΕ ι±ΖBSΜσΤͺκΤλΘ’ίΕ ιB
RΝ½xΕΰJθΤ·©ηB
ίΈΝΰBuΧ©ΜlΜγΝn©{ΆΜρΒΜΉΕ ιvoTH
cf.WCi³ΕΝgΜΕ΅Δ’ιsΧͺκΤί[AΝΎκΕAΕγΙvlΙζιίΕ ιB
§³Ν±±λπζκΖ·ι@³Ε ιB
§³Μ§κΜ³΅’vlΖΝ½©H
θΜάάΜΐΝ³΅Am―Ν³΅Θ’B
m―ΖΝe©βΠοΜCΏβDέβπ\ΝΙζιsΙζΑΔμηκ½ΰΜΜΕ ι©ηB
Ά½ΜΝnί©η^πmηΘ’u³ΎvΜσΤ©ηX^[g·ιΜΕA³΅ΝΘ’ͺίΕΝΘ’B
qgΝu±±λvπηΔΘ’ΐθA θΜάάΜΐπF―·ι±ΖͺΕ«Θ’B
Ζ±λͺA½ΜlΝ»ΫΜ’Eͺ θΜάάΜΐΎΖ¨α’΅Δ¨θA»Μ΄φΝuͺ’ιvΖΕMΆΔ’ι©ηΕ ιB
±Μ©ΘΣ―πξΙ΅ΔΎιf[^iΘwIΐjΕμηκ½m―ΙξΓ’Δ©ππμΑΔA»κΙΕ·΅½ΘηΞ»κͺΧ©Ε ιB
½Ζ¦ΞφΚ@₯πΘwIΐΜΜζΎ―Επ΅ΔA»ΜwΜΜζΙ ιuPφyΚA«φ«ΚvπΫθ·ιΘηΞA±κΝΧ©Ε θAγΜΦτ]ΆΙ©©νιdίΙΘιB
±κΝΉΏΖ’€uSΜ’EΜwΉxvΜΫθΙΘι©ηΕ ιB
³Ύͺ ΑΔΰAlΙΝPsΧπ·ι±ΖΰA«sΧπ·ι±ΖΰΒ\Ε ιB
kusalaΖakusala@@PΖ«
kusala@Άε€ΈA€ά’AIέ@@@nϋ
akusala@Φ½A@@άΈ’AtΩ@@’n
uSvΝ½ΎΜF―ΜΝ½η«ΘΜΕAP«iγθEΊθjΝΘ’B
u±±λvΰ§hΘ±±λΖ»€ΕΘ’±±λΙͺ―ι±ΖΝΕ«ιB
·ΧΔΜsPΙ ιSΒΜS@@@@@akusala-sādhāraṇa-cetasika €sPS@@@sādhāraṇa€Κ
±±λͺsP©Η€©ΝmohasAahirika³ΞAanottappa³ΑAuddhacca{ΙζΑΔάι
ΗΜsPΜSΙΰ±Μ4Βͺ€Κ΅Δ’ιB
ίπΖ·½ίΙKvΘξ{πΕ ιB
ΐ΄΅Ι’SΒΕ ιͺAtΙΎ¦ΞA±ΜSΒπζθ±ΖͺΕ«ιΖsPΙΘηΘ’B
±±λͺLψΙ@\΅Θ’΄φΝ½Α½±ΜSΒΕ ιΜΕA±κηΜSͺ@\΅Θ’΅ζ€ΙΕ«κΞA»γSwͺψ¦Δ’ιβθππΕ«ιB
ΞΑπ³Ι@«ίκΞΈ_aΝ‘ιΖθ³κιB
mohas@@@@³mΜsBF―·ιΞΫΙΒ’Δ³mΕ ι«B
ΰΜ²ΖΜ{ΜpA θΜάάΜpͺν©ΑΔ’Θ’±ΖB·ΘνΏ^ͺͺ©ΑΔ’Θ’±ΖB
^ΖΝaniccā,dukkhā,anattāB
©ͺΕF―Ε«ι’E΅©ΙΖΑΔΝΆέ΅Θ’ΜΕA»Μ’EͺξΙΘιBΎtπΟ¦κΞuͺmι’EΝ³΅’ΜΕ ιBvA
Ύ©ηΖ’ΑΔAͺmΑΔ’ι±Ζͺ^ΖΝ’¦ΈA©ͺΜ’ΎmηΘ’Μζΰ½Άέ·ιB
Ύ¦ι±ΖΝA©ͺͺF―Ε«ι±ΖΝκIΙ³΅’Ζ΅©Ύ¦Θ’B
±Μζ€ΘσΤπu³mvΖζΤB±€΅ΔΆ½ΜΝFA»³mAΖ’€±ΖΙΘιB
΅©΅A±Μζ€ΙΎ¦ιΜΝA^π θΜάάΙΜ±΅½lA·ΘνΏ’ ΏΎ―Ε ιB
½Ζ¦ΞAΤOόJπgp΅Δ’ιΝ»Μfπ©ι±ΖΝΕ«ιͺAαΕΝΤOόJΜζ€Ι©ι±ΖΝΕ«Θ’ΜΕAF―Μ³πz¦½±ΖΙΝΘηΘ’B
ά΄΄oΜ³Ι|σ³κ½ΰΜπ©Δ’ιΙ·¬Θ’ΜΕA±κΰ³mΖ’€B
ζΓαΡΝA»€ΕΝΘ’κΖΜαi·ΩAMbvjͺ ιΜΕA©ͺ©gΕF―Ε«ιͺAu³mvΝu³mΕΝΘ’σΤvͺwΗΘ’ΜΕAF―΅ζ€ͺΘ’B
½ͺ³mΘΜ©H
·ΧΔΝΆΕΟ»΅Δ’ιu³νvΕ ιΜΕA»ΜuΤΙ»κικIΘ»ΫΕ ιΜΕAΐΜΖ΅ΔΆέ·ιΰΜΕΝΘA·ΧΔΝuσvΕ ι±Ζπͺ©ΑΔ’Θ’σΤB
½Ζ¦ΞAΆΤΙΝAu±κͺό΅³Ε ιvΖ’€ΐΜΝΘA»κΌκΜvfͺέΙβ’ΦW΅ ΑΔAκκΙAκκΙAό΅³πo΅Δ’ιBΐΜͺΘ’uσvπ\»·ιΜͺΆΤΕ ιB
A[gΜκΒΜπΝ³νπΜ΄³Ήι±ΖΕ ιB
ΆΤΖΝ¬FπμΑΔA»κπεFΜKΙuZΕ ιB
α¨@γgΣπuδvΖ’€¬FπάΖίΔA»κπTPOΙ΅’Ζ±λΙuΜͺ§³ΜCs
ά½A{Μ©ͺΘΗΝΘAu ικκΜ©ͺvͺu»ΜXΜ©ͺvΖ΅Δ ιΎ―Ε ιB
΅©΅A³mΕ ι½ΏΝAX~ΜΤΝό΅AlΆΝκ΅έΎΖΎνκΔΰβΑΟθy΅’AΖvΑΔ΅άΑΔA³mΜΜζ©η²―oΉΘ’B
³mπ²―o΅A^πmΑΔ’ιΖAΜΖΰΘ’΅Aΰ’Θ’΅A½ΰΘA»ΫΖΝσΕ θA·ΧΔͺσΕ ι±Ζͺͺ©ιB
³νπνΙΜ΄Ε«Δ’κΞA³mmohaͺΘΘΑΔA·ΧΔΜβθΝπ³κΔAuoιv±ΖΙΘιB
·ΧΔΜίpapaA’naskalaΜξΝA±Μ³mmohaΕ ιB
ahirika³Ξ@@aΫθ@hirip@kaσΤ@@@@«πΧ·±ΖΙpΆΘ’«B
©Α±«’A’Τ©ηΟΙ©ηκιApΈ©΅’B@©h¦βΘvChΕΝΘ’B
ίπΖ΅½Θ’lΝlΤΖ΅ΔΜvChπηΔA©ͺ©gπRg[·ιB
anottappa³Α @@anΫθ@ottappa|’@@@@@«πΧ·±ΖΙ|ͺηΘ’«B
«’±Ζπ·ιΜͺ|Θ’ @@ °aͺ·ιECΜΝ«α’
γ’¨ΝA»κπλ»·½ίΙA|Θ’±ΖπAs[·ιB
«’sΧΝ«’ΚΙΘιA|’ΰΜΕ ιB
ΞΑΙζΑΔπηθZtRg[π΅Δ’ιΜΕA³ΞΖ³ΑanottappaΙΘιΖ©ͺ©gπRg[Ε«ΘΘθAίπΖ·ζ€ΙΘιB
ΞΝΰ€ΙΞ·ιΦSΕA©ͺͺpΈ©΅A
ΑΝO€ΙΞ·ιΦSΕA»Ϋͺ|’
uddhacca{Άε€±@@ Sͺ¬΅ΔWΕ«ΈAΏ ©ΉΘ’«B
ͺΑΔ’½θAΕΑΔ’ισΤB
lͺ«’±Ζπ·ιuΤΝAΎκΰͺSͺ ͺΑΔ’ΔA©ͺΕ½π΅Δ’ιΜ©άΑ½ͺ©ΑΔ’Θ’B
©δΣ―ͺΘA©ͺ©gπRg[Ε«ΘΘισΤB
κuΜαzΕΰSΝΏ «{©η£κΔ©ΘΣ―ͺζ€ΙΘιΜΕA½’ΦρΘPsΧΎΖ·ιB
lobha~Zbg@lobha~Adiṭṭhi©Amāna@@€Κ_ΝuvͺD«B
lobhaζΓ@@ mo·ιΞΫπD’ΰΜΖ΅Δσ―όκιΝ½η«B@
~lobhaͺN«ιΖΓ’CΏΙΘθA»ΜuΤΝ½ΰΕ«ΈΙΏήB
FΊ‘GΜMiξρjΙ±±λͺtηνΈΙuά ’’ρΆαΘ’©vΖσ―όκικΝASΙlobhaΜSͺ ιB
lobhaΝu~vΖΰ|σ³κιΜΝAFΊ‘GΜMπσ―όκιΖA»ΜMΙ~ͺΆάκι©ηB
‘ΜΉͺ―Ι¨ΙόΑΔΰA ιΉπσ―όκA ιΉπσ―όκΘ’B
σ―όκ½ΉΝ~lobhaͺΆάκAσ―όκΘ’ΉΙΝαΡdosaͺΆάκι
ragaH]ΖdosaH«©@@@@΄oΜ^OΜυEsυE§Μp[κΝH
CΙόΑΔσ―όκ½ηu~vͺΆάκι
FΊ‘GπF―΅Δσ―όκ½uΤΙΆάκιΜͺ~lobhaΕ ιB
«κ’ΘΉyπ·’ΔCΏζΘιΜͺ~Ε ιB
§³Νuͺ ιvΖ’€ζ€ΙΟz·ιΜΕΝΘAFΊ‘GΙΞ΅ΔAΗΜζ€ΘΤxπΖΑΔ’ι©ρθYΑΔέι±Ζπ©ίΔ’ιB
ι‘πσ―όκιΖ’€±ΖΝA»Μ‘Ι~lobhaͺ ιΖAAr_}ΕΝ’€B
½Ζ¦Ξ[€Μ‘πσ―όκιΖA»Μ‘Ι~lobhaͺ ιͺAΧΜlΝ±κΝHΧ¨ΕΝΘ’Ζ’ΑΔβ·ι©ΰ΅κΘ’B
ίHZΜsπ·ιΙβθ½’±ΖΎ―π·ιΖ’€ΚΜΆͺu~vͺSΙ ισΤΘΜΕAu~vΝεΕAΐεοΜ±ΖΕΝΜΔι±ΖΘΗΝΕ«Θ’B
Ά¨Ν±Μ~lobhaΜΝ½η«ΙζθAΐS΅ΔToCo΅Δ’ιΖΰΎ¦ιB
oΑΔΰ~lobhaΝ ιΜΕAζOiKΜsΚΙB΅ΔΝΆίΔΑ¦ιSΕ ιB
§³ͺ§·ιF―΄o
uΰΜ²ΖΙϊνκι±ΖΘA@tΜγΜ ΚΜ²Ζ’ι±ΖvΖΰBoTH
diṭṭhi©@@ ΰΜ²ΖπA^ΐΙ½΅Δπ·ι«BΧ©B
ΤαΑ½l¦ϋA©πB
{lΜ§κΕΝAΤαΑ½©πΕΝΘA³΅’©πΕ ιͺAΌΜ§κΕΝ»Μ©πΙ―ΣΕ«Θ’±Ζͺ½X ιB¨έ’Ι©πͺα€ΜΕuΰΜΚκvΙΘιB
diṭṭhi©ΖΝ½©H
uΜ©πΝ³΅’vΖ’€±ΖB
Nΰͺ©ͺΜ©πΝΤαΑΔ’ιAΖv€±ΖΝ΅Θ’B
·ΘνΏΗΜΆ¨ΰ©diṭṭhiΜSπΑΔ’ιB
F―΅Δuπv·ιΖA©πΖ’€vlp^[ͺKRIΙμηκιB
ίΈΜΰ’½Χ©ΖΝuδͺΣ©±»³΅’BΌlΜΣ©ΝΤαΑΔ’ιAΖΕ··ι±Ζv
©ͺΜ©πͺεD«Ε€ πΑΔ’ιΜΕAΌΜπΜdϋΙΞ΅Δ_ξ«β°e«ͺΘζΕΙβ·ιB
u©vΙξΓΖAlΝZΚͺ«©ΘΘθAζΕΙΘθASπΒ΄·B
Ι©ͺΜ©πΖ©δΣ―π―κ΅ΔA©ͺΜΣ©πα»³κι±ΖΙΰΘCΏΙΘιB
»γΜaΝA©R@₯πr΅½ΆΎΜ©ππίθκΚ»³ΉΔA»ΜO€ΙΰΈ³³Ήζ€Ζ΅Δ’πN±΅Δ’ι±ΖΕ ιB
ΘΊ»±άΕ΅Δ©ͺΜ©ππΌlΙ§΅ζ€Ζ·ιΜ©H@©Σ―π«³ΉιK\ΘΜ©H
qd𬳹½ub_Μu©vͺ^
Ω©ͺ¬θ§½Θ’ΐΕANΕΰ΅ΔέιΖ»±Ι½Ηθ ©πΕA±κπ^Ζ’€B
½Ζ¦ΞAn ΝΫ’AΖ’€©πΙΩ©πΒΝ’Θ’B
»κΝaniccā,dukkhā,anattāΕ θA·ΧΔΜ»ΫΝφΙζΑΔ¬θ§ΒΖ’€±ΖͺAub_Μ©΅½^Ε θAΌΝΧ©ΙΘιB
māna@@@ vιΝ½η«BΝminātivιΕAρΒπvι±ΖΕδΧιΖ’€«ͺΆάκιB
vι½ίΙΝξͺKvΕ ιB
Vπ©½ηͺ©ιζ€ΙAάΈΝξπμΑΔA»κζθΰd’©y’©π»f·ιB
Ζ’€vθΕAuvΖΌlπδΧι±ΖΙΘιBvθΙΝξΖ’€Εθ»³κ½uvπKvΖ·ιΜΕAδΧιsΧΝ©δπνέ³ΉΔ΅ά€B
OνήΜδr@@€Κ_Νuͺ’ιvΖ’€TOͺ θA»κπξΙ΅Δvl΅Δ’ι
ζθΊ@γ
ζθγ@ΪΊ
Ζ―@―
δΧιvl»ΜΰΜͺκΔ’ΔίΘΜΕAsPSΙ ιB
mānaπΜΔκΞΆ«ΥAu©ͺΙΕ«ι±ΖπβκΞ’’΅AΕ«Θ―κΞβίκΞ’’vͺyB
RcΝmānaΖIέΙt«€±ΖB’ ΏΙΘιάΕ ιSΘΜΕB
uήηΝΣ―ΈΙΈi΅Δ’ιAΰ―ΆlΤAΕ«Θ’ΝΈͺΘ’BΈiΙ§ν΅Δέζ€Bv
mānaπ@Ι΅Δp·ιB
ζθ³mΘ_ΙB·ι½ίΙqΟIΙδr΅Δέι±ΖΝm―πJ·ιθiΜκΒΕ ιͺAβθΝuvͺ©ͺπΌlΖδΧι±ΖB
αΡdosaΜ4ΒΜZbg@@€Κ_Νσ―όκΈΙβ·ι±ΖΖΓΘι±Ζ
dosaαΡ@ {θB©EΌΜlE¨ΙΞ΅Δ{ιAΥI«B
FΊ‘GπF―·ιΖA»κηͺ«΅Δ’ιΰΜΘΜΕAΚIΙΫ·ιΙΆάκι{θ
ϊνοbΕgΑΔ’ιu{θvΕΝΘA«ΜΙΆΆι«ίΧ©’ΰΜB
½Ζ¦ΞAόpΩΕGζΣάπ΅Δ’ιΙAκμΪΝΝͺ ιAρμΪΝLCAOμΪΝuΏεΑΖΗ€©ΘvΖ΄Ά½ηA±ΜΙΝSΙαΡdosaΜSͺόΑΔ’ιB
±κηΜαΡdosaͺεΚΙάιΖAJΒ’Δ ͺ§Β±ΖΙΘιB
CΎΖ΄ΆιΎ―Ε»κΝαΡdosaΕ θA{θΜnάθΘΜΕACt’Δ’ι±ΖisatijͺdvB
issāΉ ΉiB@@@@ΌΜ¬χED¨EΏ«E·ΘΗΙΒ’ΔAsυπΓ·«B
ΞΫπσ―όκ½Θ’Ζ΄ΆΔ’ιB
macchariyaΚ @@@P`Bε₯BΘΜΫ·ιΰYE@π¨Ι΅ΔAΌΙ{»€Ζ΅Θ’«B
©ͺΜΰΜπΌlΖͺ©ΏΑΔμΤΜΕΝΘAͺ―Δ °½Θ’CΏB
©ͺΜ_πΌlͺμΤ±ΖπΫ·ι΄ξB
»ΜΜΎ’ͺΝu©ͺΕθΙόκιΜͺΉΕ΅ε€v
kukkucca«μ @@@@γχB@ίΙΧ΅AΝΧ³Θ©Α½PE«ΜsΧπΗ―΅Aγχ·ι«B
ΕΫθ·ιCΏπΔ»·ιΜΕAόίΔβ΅Γ’CΏΙΘιΜΕP’±ΖΝΘ’B
κρΎ―Μίπ·ιΜΕAΖ΅½ίζθΰd’ίΙΘιB
©ͺΜΤα’π΅Α©θͺΝ΅ΔAΫθ©η|WeBuΘ§κΙiέAρΜsΜwjΙ·ι©A
ΘPΙAΰ€ρxΖ΅Θ’AΖΣ΅ΔJ«ΌιΜͺ’’B
³mΜ3Zbg@
thīna¨Ύ TBSgπ΅ΔέdΙAΎέAΗ¬άΉι«B
sIΕΝΘAkήΖ’€Σ‘B@
R\R\T¦ΔAΊπό’ΔA¬³ΘΑΔA±±λΙΝͺΘΘΑΔ΅ά€B
middha° Sπ―³ΉAsΙ³ΉΔAΞΫΜc¬πsΎΔΙ·ι«B
έA°ΘΑΔAΰό«ΙΘθAξρπόκ½Θ’Ζ΄Άι±ΖΕA±±λΙhͺΘΘθA°½ΘΑΔAQΔ΅ά€B
QιΖ’€±ΖΝ¬·΅Θ’Ζ’€±ΖB
±±λͺΎι―κΞ°ΤΝZΔΟήB
±±λΝζκΘ’
sPSͺXΖSΙόΑΔιΖA±±λΜF―VXeΝγθΙΕ«ΘΘιͺA±±λΝβ~·ιν―ΕΝΘ’B
Θξρπόκ½Θ’ΜΕAoΑ·ιγνθΙ°σΤΙ΅ΔA±±λΝ’Δ’ιB
°σΤπaCΜκνΖ΅Δπ·ιB
A±΅Δ’ι±±λ
‘Μ±±λΝνΙOΜ±±λΜeΏπσ―ιΜΕA°Cͺoι½ΡΙQιΖA°CΜΗσͺάΑΔ’B
©½AvP[Vͺ쬳κΔANZΙΘιB
QιlΝΒ·ι
Qι±ΖͺΘΙΘιΖN«Δ’Δΰ±ΖͺΘΘιB
°ΝΈ_IΙόγ·ι±ΖͺXgbv΅AΎιΰΜͺΘΘθAΖ±ΖρΒ΅AsPS©ηEo·ι±ΖͺsΒ\ΙΘι©ηB
vicikicchā^ @@@@½ΰν©ηΘ’uέ³v
΅Α©θ΅½ξρβ_βͺΰΘAu»ρΘ±ΖπMΆΘ’vΖ’€CΏΙΘιB
Ζ±Ζρ²ΧΔ©ηAMΆΘ’Ζ’€ΜΝΎι’B
mIΘ^ΝΗ’ͺA³mΜ^Ν±±λΜ¬·π~ίιB
©ͺΜ±±λΙπ©―A]ΧEΜi»ͺXgbv·ι«iΙΘιB
ΗρΘΰΜΎ©ͺ©ηΘ’ΜΘηΞβΑΔέΔAE\ΎΖvΑ½η~ίκΞ’’B
ΣM΅ΔLΫέΙ·ιΜΰAE\©{©ν©ηΘ’©ηβηΘ’Ζ’€ΗΏηΰiΰͺΘ’B
§³IΙΝlΉϊAφΆNEΖΚOσΙΒ’ΔmMΉΈAΐ€«B
Έ_IΙYρΕ’ιlΜ‘Γ@
ΘγΜ14ΜsPSΙζΑΔΈ_i±±λjͺaρΕ’ιΜΕA³Μσ΅πsPSΙΖη΅νΉΔͺΝ΅ΔAe³ΜΞϋ@𻱩籫o·B
25ΜςSsobhana-cetasika
sobhanaΝuό΅’vΖ’€Σ‘BAr_}ΕΝuP’vΖ’€Σ‘B
ΎιAsIΙAΟΙIΙΘι΄φΜS
kusalaΖsobhanaΜΦWΝH
sPSΙΞ΅ΔΜPSπςSΖθ`·ιΜ©H
sPSΝ±±λͺΒ·ι΄φAςSΝ±±λͺόγ·ι΄φB
sPΙΝΐxͺ ιͺAPΙΝΐxͺΘ’B
sPΜΧ©πκι\ΝΕ³¦ΰ»ΜlΜυ½Ζ’€ΐθͺ ιB
±±λΜξ{Ν³mΕsP
lΤΜ±±λΝsPSͺξ{Ε θA^πmηΘ’Ζ’€³mΜσΤΝ½Ε ιB
³mΖΝ±Μ’Μ^πmηΈΙΆ«ι±ΖΕ ιB
Ά¨ΝKΕΆ«Δ¨θAΆ«ιΥΝ±Μ³mπ΄φΖ·ιB
JjYΝFΊ‘GΜMΙζΑΔ±±λͺβ¦ΈΆΕ΅ΘͺηF―πJθΤ΅±―ιΜΎͺA±Μβ¦ΤΘ’F―ΜJθΤ³κιρ]πuΆ«ιvΖ’€B
M³¦ κΞA±±λΝΆ«±―ιB
΅©΅±ΜMΝΩΖρΗκΜhΘΜΕAlΤΝKπT·Ζ’€Ά«ϋπ΅Δ΅ά€B
κΜhΜA±Ε ι±Μ’©ηEo·ι½ίΙΝAoθπJ’ΔAΦτ©η£E·ι΅©Θ’B
sobhana-sādhāraṇa-cetasika @19@@@ €ςS@p49,5
saddā sati hirī ottappaṃ alobho adoso tatra-majjhattatā
kāya-passaddhi citta-passaddhi kāya-lahutā citta-lahutā kāya-mudutā
citta-mudutā kāya-kammaññatā citta-kammaññatā kāya-pāguññatā citta-pāguññatā
kāyujukatā cittujukatā ceti ekūnavīsatf ime cetasikā
sobhana-sādhāraṇā nāma.
MAOAΞAΑA³ζΓA³αΡAΜAgyΐASyΐAgyυ«ASyυ«Ag_ξ«AS_ξ«AgKΖ«ASKΖ«AgϋB«ASϋB«Ag[Ό«AS[Ό«Ζ’€±κη19ΜSπ€ςSΖ’€B
·ΧΔΜςη©ΘisobhanajSΖδΙνΙΆN·ιSΘΜΕAP’±±λΙΝKΈA19ΜSͺZbgΙΘΑΔ΅ΑΔ’ιB
sPSΖΝα’AcθΜUΒͺκΙόιΒ\«ΰ ιB
saddāM@ ±±λΜκͺΘΘΑΔΙΘΑ½σΤAmMB@χΑ½ ͺρΎσΤΙΘι±Ζ@
@³IMΒΕΝΘAίΕΝuΎι’vΖ’€Σ‘Ιπί΅Δ’ιB
MΒiΓ’Β\«ΰ ιjΉmMiΎι’j
MΒΙΝTOπ³α»IΙ³΅’ΖMΆιΰΜͺάάκιB
ͺΜΘ’MΝ§³ΕΝΫθ·ιB
mMΜΘ’TOπMΒ·ιΙΝ©MΝΘ’ͺA{lͺ[Ύ΅Δ’ικΝuMvͺmMΙΘιB
³΅’©Ϋ©Ν©ͺΕm©ίΔέιAΜͺ§³B
Μbπ^€±ΖΘMΆΘ³’AΖ’€ΜΝ§³ΕΝΘ’B
΅©΅AίΈΜ³¦Ι[Ύ΅A»ΜΐHΙΞ΅ΔΈΤ±±λͺΆάκ½ηA»κͺ§³ΜuMΒvΖΘιB
§³IΙΝOσEφΖEΦτΘΗπMΆι«ASwIΙΝmMB
satiO@@ CΓ±ΖB‘Μσ΅ΙΪoίΔ’ι±ΖBSΙ―ίΔYκΘ’«B
©ͺΜu©κΔ’ισ΅ΙΪoίΔ’ι±ΖB
BpbTi[αzΕΝΎtΕxO·ι±ΖΕAsatiπ¬·³ΉΔ’ιB
satiΝΎι’SΕAsΜnάθAqdΜnάθB
mιΖ’€±ΖΝAάΈmιΞΫΙCΓ±Ζ©ηnάιB
satiͺ ιΘηΞA’ΒΕΰA’λ’λΘqdͺN’ΔιB
qdͺN’ΔκΞιΩΗAqgΝ³CΙΘθAsatiΕΆ«ιΖAV΅’©ͺ θAlΆΝ·²y΅’B
©·ιΖ±κάΕΜκJΝ ΜAΜζ€ΙΑ¦Δ΅ά€B±ΜμΡπsatiΜlΝνΙ΄ΆΔ’ιB
hirīΞ@@ pΈ©΅’©η~ίιB@@«πΧ·±ΖΙ©ηpΆι«B
½ΜIπ©ηκΒπIΤΙAIππuJbR«’vupΈ©΅’vuέΑΖΰΘ’vΖJbg·ιΝB
ottappaΑ |’©η~ίιB@@@@«πΧ·±ΖΙΞ΅ΔΏαρΖ°κι«B
½ΜIπ©ηκΒπIΤΙA³Σ‘Θ±Ζβ³ΚΘ±ΖπIΤΜΝλ―ΎΖ’€sKvΘΰΜπJbg·ιΝB
KΖΞΑ
qgΝνΙxή±ΖΘIπ΅ΔΆ«Δ’ιB»κΝuΤuΤΜoΘΜΕl¦Δ’ιΙͺΘ’B
fΝΖ’€ΩΗεUΎΜΰΜΕΝΘA‘Μ±ΖΝ―ΙΕ«Θ’©ηAuΤIΙ½ΖΘΗΏη©ΙίιB±κΝqdΜΜζB
»±ΕAKπΪw·lΝΣ}IΙΞΑΜSπηΔκΞA©RΙPsΧπ·ιlΙΘιB
«’±ΖΝpΈ©΅Δ|’©ηπ~ίΔAP’±ΖπpΈ©΅ΰ|ΰΘ’©ηAfΕΖ΅ΔβιB
±Μζ€ΘIπΜ@\ͺΞΑΜSΙ ιB
±ΜP«ΖΝΉΏIΜP«ΕΝΘAγθ©ΊθΖ’€±ΖΕBγθΊθΜfͺΕ«ιΖ’€±ΖΝΞΑͺΎιA»fΙΤͺ©©ιζ€ΘηΞΞΑΜSͺΓ’Ζ’€±ΖB
alobhasζΓ mo·ιΞΫΙ· ΉΈA³ηΙ~΅Θ’«B³ζΓΖΰΔΞκιB
~lobhaΝA©ͺΙ―Δ’ιΰΜͺ ιΜΕAΰΜ²Ζπ©ͺΙψ«ρΉ½ΘιCΏB
sζΓalobhaΝA«θΔ’ιΜΕA©ͺ©ηΌlΙ½©΅Δ °½ΘιCΏB
©ηs΅Θ’σ΅©ηAs·ισ΅ΙΟνιB
©Τθπϊ·ιΖA~lobhaͺvlΙθήΜΕA€ά’©Θ’B
©Τθπ³·ιΖMΆηκΘ’ΩΗsIΙΘκιB
sζΓalobhaπηΔιΖAΰΜ©η£κι±ΖΙ΅κιΜΕA±±λͺSΙ½ΙΰΛΆ΅Θ’σΤΙΘθAπE·ιB
ΰ΅mθ`Μu{΅vΖ’€πίΙ·ιΖ»κΙΝΐEͺ ιͺA±±λΜ¬·ΝπE·ιάΕΝ~ίΔΝ’―Θ’ΜΕAΐEΜΘ’Ϋθ`ΜsζΓalobhaΖ’€κεπg€B
adosasαΡ@ ΘΜΣΙ½·ιΞΫΙΞ΅Δΰ{ηΘ’«B³αΡ
΅έβ£κέΜίΜ±±λΜ±ΖΎͺAmθ`πg€ΖΐEͺΕ«ιΜΕAΫθ`Ε\»·ιB
FΊ‘GΜMπD«’ΜKΕ»f΅Θ’±ΖB
FΊ‘GΜMͺόΑΔιΜΕA»ΜΞΫπU΅½ΘιCΏͺαΡdosaΕ ιB
uΜgΥvW[^J¨κΜ΅@@@@@Ύκͺ’½¨κHNγAnζ
ΥΜqπ~ΑΔΰA»ΜqΝlπP€Β\«Μ ιgΙηΒΒ\«ͺ ιΜΙδΧΔAμFΜΆ«ΔΠοΙv£·ιNπlΆ·ιΖAgπΥΙ³³°ιΜΝΙνΘ’ΜΕΝΘ’©H
Ϋθ`ΜκΕ ιΧ«Pπmθ`ΜκΖ΅Δπ΅½½ίΙN±Α½¨κB
sζΓalobhaβsαΡadosaπAmθ`Μ{΅βίΜ±±λΖ΅Δΐθ΅½½ίΙA±Μζ€Θ¨κΙΘΑΔ΅άΑ½B
€Ζ΅ΔΆάκ½μFͺSΙ»―½ιίVΙHΧηκι¨κ
Aniccā vata saṅkhārā@Uppāda vaya dhamminō
Uuppajjitvā nirujjhanti@@Tesaṃ vūpa samō sukhō
Tesaṃ @@»±©η
vūpa @@@£κι
samō @@@½ΐ@
sukhō@@@ΐyAKA@@πEH
sΝ³νΕ ιBΆάκΔΝΑ¦Δ’ΰΜΎ©ηB
Άάκ½ηAέΘΑ¦Δ’B»±©ηπE΅½η½ΐΕ ιB
ίΈͺSΘΑ½ΙΰιίVΝ―Άεπ₯¦Δ’«Ι΅½BεΚΈΟo(Mahā Parinibbāna Sutta)B
tatra-majjhattatāΜ @@@@@@@N[ΘΏ «BSΖSΜΟtπΫΒsIΘ«B
tatra»±Ι@-majjhattatā§IΙΘι@@§³Ύ―ΜΎt@ pκΕΝequanimity½ΓA½H
tatra-majjhattatāΜΖupekkhāΜΖΜα’ΝH
majjhattatā@ΞΫΙΒ’ΔΞηΘ’σΤ
sζΓalobhaβsαΡadosaΖΝD«’ΜKΕ»f΅Θ’±ΖΕAΰ΅»f·ιΖζΓαΡi~Ζ{θjΙΘιB
D«’ΜKΕζΚ΅Θ’ΕFΊ‘GΜξρπσ―όκι±ΖͺAΜtatra-majjhattatāB
μΨΰuίπ²·ιζ€ΙAHRΖRg[·ι±ΖB
½ΜΫθͺ ΑΔΰAΏ ’ΔAN[ΙAκΒΈΒͺCζβιCΏB
kāya-passaddhigyΐ@ σEzEsε]ΜWάθikāyaj¦ΏSAά½gΜπAΐη©Ζ·ι«B
citta-passaddhiSyΐ Si―ε]jπΐη©Ζ·ι«B
ͺβΙΘιΖCͺΏ ’ΔDπo·±ΖͺΕ«ιB±Μζ€ΘσΤͺyΔB
passaddhiΜ½`κΝΏ «ͺΘCC·ιB
άε]ΖΝΆ½ΜΜ±±λΖgΜπTΒΜJeS[Ιͺ―Δ’ιB
Ar_}ΜκΤΪΜeLXgΜDhamma-sanganiΕ±±λΜΝ½η«πΰΎ΅Δ¨θA
Fε]rūpakkhandha @@@χΜ@@¨ΏΜC[W@ΰ΅©·κΞFΊ‘GΰH
σε]vedanākkandha@@@΄o
zε]saññākkandha@@@TOΜWάθ
sε]saṅkhārakkandha@@@s΅½Θι|eV@@@©½AvP[V
―ε]viññānakkandha@@@F―AS
gΜΖ±±λΕζΚ·ιΖAFε]rūpakkhandhaΝgΜΕAcθΝlε]Ν±±λB
΅©΅HSΜΰΎΙΘιΖ
kāyaΝσε]vedanākkandhaAzε]saññākkandhaAsε]saṅkhārakkandhaΙΘΑΔA
cittaΝ―ε]viññānakkandhaΙΘιB
@@@
kāyaΙΝ2ΒΜΣ‘ͺ ιB1ΒΝχΜIgΜBΰ€1ΒΝVXeE\’B
kāya-lahutāgyυ« σEzEsε]ΜWάθA¦ΏSAά½gΜπAyβ©Ζ·ι«B
citta-lahutāSyυ« Sπyβ©Ζ·ι«B
lahutāy’
sPSΜuΣ―vͺxz πΖΑΔ’ιΖAgΜͺΎι’Ζ«½ΘΔA|π΅Θ’ͺA
kāya-lahutāͺΖAgΜͺyΘιΖA|΅ά΅ε€ΖgΜͺB
ΗρΘεΘdΕΰA’βΎ©η±»AyΎιβιΜͺκΤψ¦ͺ’’B
ϋΤΙα°πρΉΔ’ιlΝ’’dͺΕ«Θ’B
kāya-mudutāg_ξ« σEzEsε]ΜWάθA¦ΏSAά½gΜπA_ξΖ·ι«B
citta-mudutāS_ξ« Sπ_ξΖ·ι«B
mudutā@_η©’
δͺ½ηA’}ΝάκιͺA_ξ«Μ ι}ΝάκΘ’B
kāya-kammaññatāgKΖ« σEzEsε]ΜWάθA¦ΏSAά½gΜπAΨθΘμp³Ήι«B
citta-kammaññatāSKΖ« SπΨθΘμp³Ήι«B
kammaññatā@σ΅ΙK΅Δs·ι±Ζ@activeness@@οΜIΘ«AοΫ»
_ξ«ΖKΖ«Μα’
SyΙ_ξ«ΖKΖ«ͺΘ’ΖA©νΙΝΘηΘ’@@
kāya-pāguññatāgϋB«@ σEzEsε]ΜWάθA¦ΏSAά½gΜπAPϋθνΉι«B
citta-pāguññatāSϋB«@ SπPϋθνΉι«B
pāguññatā@@o±ͺ ιAnϋ΅Δ’ι
½©π¨±Θ€OΙKvΘΌΜΜζΙ¨―ιo±@
ρxΪΙΐs·ιΙΝAvZXΜC[WͺoγͺΑΔ’ιΜΕΔ»΅β·ΘιB
ϋB«π¬·³Ήι½ίΙΝAΒΚ^πΑΔAβθ±―ιB
kāyujukatāg[Ό«@@@ σEzEsε]ΜWάθA¦ΏSAά½gΜπA^ΑΌΖ·ι«B
cittujukatāS[Ό« @@@Sπ^ΑΌΖ·ι«B
ujukatāΖΝcͺ΅Α©θΚΑΔ’ι±ΖB
Ε’ΜΕΝΘA±±λπ^ΑΌΙ·ιΖ’€Σ‘
_ξ«Ύ―ΕΝΪIΙB·ι±ΖͺΕ«ΈA[Ό«ͺKvΕ ιB
uwΝ·ιΘηΞΪIΙB·ιάΕwΝ΅Θ³’voTH
ΏαρΖF―·ι½ίΙKvΘ€ςS @@@
19Μ€ςSπ΅¦ΔAΗρΘΰΜΕΰ«ΏρΖF―·ιB
gΜΝSͺΘ’Ζ©Θ’BSͺ½ίΙΝAβθπ«ΏρΖF―΅Δ’Θ’Ζ’―Θ’B
³΅F―Ε«κΞgΜΜsΝ³΅s¦ιB
±Μ€ςSͺΝ½η’Δ’κΞF―πPΙΟ¦ι±ΖͺΕ«ιB
’E€ΚΜPπs€S@@@@MAOAΞAΑA³ζΓA³αΡA
ίΈͺ©΅½Pπs€S
ΜAgyΐASyΐAgyυ«ASyυ«Ag_ξ«AS_ξ«AgKΖ«ASKΖ«AgϋB«ASϋB«Ag[Ό«AS[Ό«
ΎιAsIAΏ «A³CA_ξ³ͺPSΜvφ
PSΕβκΞζκΔΰXgXΝάηΘ’B
XgXͺάιΜΝYέΘͺη`±΄Ε·ι©ηB
ίπUθΤΑΔΰ©ͺπ_ίι±ΖͺΕ«ιPS
Ύ©ηv’oΉΞo·ΩΗAPSͺ¦ΔA³CΙΘιB±κͺχΏͺ¦Δ’Ζ’€±ΖB
Ύ©ηPSΜsπ1ΒΕ’’©ηΏαρΖβιB
Ήπu·vΖΝA
SΙ_ξ«ΖΎι³ͺ θAσ΅πc¬΅Δ¨θAsatiͺ ι±ΖB±κͺπΕ ιB
§³ΜP«ikusala/akusalajΖΝγθEΊθAnϋE’nΜ±ΖB
Pπ¨±Θ€ΖA¬χ΅ΔKΙΘθA
«π¨±Θ€ΖAΈs΅ΔsKΙΘιB
PSπηήΖAΗρΘΰγθΙΘΑΔnϋΕ«ιζ€ΙΘιB
±ΜP«kusala/akusalaΖuΏpuññaπΟήAίpāpaπΖ·vΖΝΚΜJeS[Ε ιB
Pπ¨±Θ€ΖVΦs«A«π¨±Θ€ΖnΦsΜΕΝΘ’B
nΦs©Η€©ΝίpāpaπΖ·΅½θA^Ζ@₯πFίι©Η€©AViΈΟjΦs©Η€©ΝCs·ι©Η€©B
P«ΜζΚ»f
^ΖΝΐΜ±ΖB±ΜΐΖΝNͺ²ΧΔΰ―ΆΚΙΘιΰΜB
³¦βMΒβDέΙξΓ’ΔΟ@·ιΖA»ΜΚΝ1ΒΜ©πΕ ΑΔA^iΐjΕΝΘ’B
Ar_}ΕΝAP«ΜζΚπSwIΙΰΎ΅ζ€Ζ΅Δ’ιB
lͺKΙΘιSAsKΙΘιSͺ ιB
PΖΝu©ͺΜ±±λπ©ͺͺJίΔκισΤvusIΘσΤAΎι’σΤAΘσΤv
sΕΝP«Ν»fΕ«Θ’ͺAPsΧ©Η€©ΜΪΐΝA{lͺΎιA³CΙA©MͺΒ’Δ«Δ’ι©AμΡβ[ΐ΄ͺ ι©Η€©π`FbN·ιB
ΠοΜ½ίΙsΑΔ’ιsΕΰArΕΙΘΑ½θA°βθΙΘΑ½θA~ί½ΘΑ½θAXgXͺάιζ€ΘηΞA»ΜΙsPSͺBκΔ’ιB
sΧπZϊIΙ©Δ»f·ιΖβθͺN±ιB
νπ·ιΖG©η½πηι½ίΙGπE·ͺq[[ΙΘιB΅©΅θ©η©½ηElΕ΅©Θ’B
ΠοΕΝAlΜCΏA‘AoΟπξΙ΅ΔAP«πζΚ·ιB
»΅ΔqΟIΙέι±ΖΕAP«ΝΆέ΅Θ’Ζvl·ιΜΰRΘ±ΖΕ ιB
§³ΕΝAsPSΕF―ͺκ½ηA»ΜlΜsΧΝ«Ε ιB
PSΕF―ͺ΄η©ΙΘκΞA»ΜlΜsΧΝPΕ ιB
»κΘΜΕ§³ΜP«ΝγwiβnζΆ»ͺβθΙΘηΘ’B
sΧπ»f·ιOΙAF―ΙP«Μρνήͺ ιΜΕA»±ΙΪ·ιΜͺ|CgΕ θAΆ½ΜsΧΝΘPΙPΖ«Ιͺ―ηκιB
sPSΝ14APSΝ25 θAΗΜSͺSΙόι©ΙΛΑΔAF―ͺP«ΙζΚ³κιB
±κηρΒΜJeS[ͺ―ΙSΙ»κι±Ζͺ΅ΔΘ’ΜΕAΝΑ«θΒ―ηκΘ’DFΜsΧΝΘ’B
Ar_}Να―ΘΗAP«ΗΏηΕΰΘ’SΝ ιͺA»κΝDFΕΝΘAά½u½ͺ©¦½©vΖF―΅Δ’vZXΜΕAP©«©ΙζΚ³κιB
ΪπJ―½uΤΙF―΅½ΰΜπuLCA’vΖ»f·ιΜΝAα―»ΜΰΜͺP«πζΚ΅Δ’ιΜΕΝΘAίΙo±΅½sΧΙζΑΔP«ͺζΚ³κΔ¨θA»κͺzsaññāΙ©½AvP[VΖ΅ΔΫΗ³κΔ’ι©ηΕ ιB
Έ_aΖΝ~Ζ{θ
~]πμΑ½ͺ»κͺ·¬ΔA»κπ¦ιθiͺΘ’B@@@Έ]A@@Sͺ~άΑ½σΤ
~]πμΑΔAΗΑ©―½ͺνΘ’B@@@@@@@@@@@@{θ
{θπOΙό―ιΖA½ΠοIs
{θπΰΙό―ιΖA©Θ]΅@@@@@@@@@@@@@@@@Π«±ΰθ
πτ
©ͺΕΗρΘσ]πΑΔ’ιΜ©AΝΑ«θΖmιB
lΆΟA]έA~΅’ΰΜA΅Δ~΅’ΰΜπSΎmΙ’ΔέιB
±ΖΙζΑΔCΓ±ΖͺΕ«ιB
ρρΗήΖnη΅Δ€ρ΄θ·ιB
€ςSΜηΔϋΝΎιsI
Ύι³Ayβ©³AΈβ©³A_ξ³A[Ό³AοΫ»ASΜB
ΓAΆεπΎΑΔAΒάηΘ’Ζv€Ζη½Θ’B
©δπξΙ΅Θ’ΕAΎιs·ιΖAΌͺ’ΘΘιΜΕACoΰΉiΰΘΘιB
΅έΖ’€AΌΰ©ͺΖ―Άζ€Ι΄ΆιSͺ©δ©η£κι«Α©―ΖΘθASͺΎιAyβ©ΙΘιB
±±λΜKΝΒ’Ή
KΝT·ΰΜΕΝΘA’νκΔ’ιx[πζθιΰΜ
iπgέγ°ιAv[`@@@@@@SyΧH@@@@¨ΏΜK
ς©η]ͺΘΰΜπνιAv[`@@@€@@@@@@±±λΜK
©δπξΙ΅ΔKπίιΖAKͺ~΅’ͺ½ίΙA³Θ±Ζπ΅ΔAΉΑ©ΜKπΈΑΔtΜsKπ‘νΑΔ’ιB
AXgeXΜu`―’»€v
uΏΏviq [jΙΞ΅ΔΜu`viGChXj@@@@@
©REΜ·ΧΔΜΏΏΝΑθΜ`πΐ»·ιΒ\«πΰΙιίΔ’ιB
ΜA€Ζͺε«ΘΤΌβΙζθgρΕ’½B€ΖΝAιϊΰιϊΰ±Μ½ΎΜΞκπ½½’½θAνΑ½θ΅Δ’½ρΎͺA ιϊA¬³ΘjΜqͺβΑΔ½B’½΅ΔιΜH£ΖAjΜqͺqΛ½B’ΑΔ’ιΜ³£ΖA€Ζͺ¦½B½ϊ©΅ΔAά½jΜqͺβΑΔ½B€ΖΝAΤΌβ©ηκͺΜ©Θnπ€θo΅Δ’½BjΜqΝnbΖ§πΜρΕnΙ©Ζκ½B»κ©η€ΖΙqΛ½B’±Μnͺ±ΜΞΙόΑΔ½ΑΔAΗ€΅Δν©Α½ΜH£@@@@w`§γwx
Ϋθ`πg€Ζ³ΐΙΒΘͺι
ς©ηKvΜΘ’ΰΜπζθΖA»±Ιu`Θ«J^`vͺ©ΡγͺιB
»κηΝsζΓβsαΡΜζ€ΙAΐθ³κΔ’Θ’AΎιAyυΕAΈβ©ΘΰΜΕ ιB
SgͺaCΙΘΑ½ηu’άE±±vΙX|bgCg
ΆεπΎνΈΙΎιAΎιΆ«ιΜͺA±Μ’Ι’ιpB
Ύι’ΜΝu’άE±±vΙX|bgCgͺ½ΑΔ’ι½ίB
’ΒΰX|bgCgπΔιCΓ«satiͺΜSB
±ΜuΤπ΅Α©θΆ«ι±ΖͺPΕ θKΕ ιB
©ͺΜΖͺΞΙΘΑΔΰΞηπYκΘ’oε
Σθ©©ΑΔιsKπΞ’ΜνΙ·ιB
νΙPSπwρΕSπΎι·ιB
’ΔΰΞΝΑ¦Θ’B©ͺΜΞηA©ͺΜΏ «Ύ―ΝAσ³Θ’Ζ’€oεπ·ιB
»Μ½ίΜRcΝζΓαΡsπΘ·±ΖB
·ιΖA©RΙA’ΒΰCΓ«πΰΑΔAΪoίΔ’ηκιB
virati-cetasika 3@£S
sammā-vācā sammā-kammanto sammā-ājīvo ceti tisso viratiyo nāma.
³κA³ΖA³½Ζ’€3Βπ£Ζ’€
±Μ3ΒΝ©ͺπRg[·ιΜζAϊίΜΜζ@@
Τπ^]·ιΙ©ͺΜSgΜRg[ͺKvΘζ€ΙAΏαρΖ΅½cmΙΘιB
cϋ@ΝA±ΜRΒ΅©Θ’BγΝ·ΧΔ©B
lΜ’€u³΅³vΝνΙΟνιΰΜΘΜΕAΟνηΘ’sammāπe©ͺ©΅Θ―κΞΘηΘ’B
»Μ½ίΙΝRΒΜXCb`Ύ―Ε’’Ζ§³Ν’€B
sammādiṭṭhi @@@@@qdpaññāΜSΙόι
sammāsaṅkappo @@@vitakkaΜSΙόι
sammāvāyāmo @@@@viriyaΜSΙόι
sammāsati @@@@@@satiΜSΙόι
sammāsamādhi@@@@ekaggatāΜSΙόι
sammā-vācā³κ@@@@@@©ͺΜΎtπ«ΏρΖc·ι
θΜoθβCΓ«ΙΙΒΘͺιΎtπb·B
E\A\ALcCΎtiθπΒ―ζ€Ζ{θ©η·ιΎtjA³ΚbπΎΑΔΝ’―Θ’B
·lΜSΙsKΙΘιΚͺ»κιΘηΞA»ΜΎtΝ³΅Θ’AΒάθζΓαΡsͺάάκΔ’ιB
ε]ΙΝ©½AvP[VͺΫΗ³κΔ’ιΜΕAuϋͺ~άηΘ’vΖ’€«’ΘͺΒ’Δ’ιB
»ΜΙAsatiπόκΔέιΖASΙΝΏ ©Θ’CͺΙΘιΰΜͺάΑΔ’ι±Ζͺͺ©ιB
lΜbπ·’Δΰ’’ͺA·«¬΅AϊΑΔ¨B
ΘΊΘηΞb΅Δ’ι{lΝάΑ½΄ξπU΅½’Ύ―ΘΜΕA’ηbπ΅ΔΰβθΝπΉΈA½Ύ«πΞηάΚΙΘι©ηΕ ιB
ΎρΎρΖ{lΰsammā-vācā³κβΎΩπwρΕ’Kvͺ ιB
ΰΑΖ³mΙΎ€ΖA·«¬³Θ’ΖA·’Δ’ι{lͺ«sΧπΖ·±ΖΙΘι©ηΕ ιB
lΜΙέΜbΙΖπΕΒάΕΝ’’ͺA©ͺ©gͺ―ΆΙέπΔ»΅ΔAsKΙΘιKvͺΘ’B
ά½Au¨ΰν΄ν’ΜΰΖvΘΜΕAlΜbπ³α»IΙ^Ισ―Δ·ΘAΖ’€±ΖB
E\ͺίΙΘιπ
Ύ€{lͺRΎΖmΑΔ’ιAΎtΖ΅ΔιAθͺ·A·’Δ»κπ{ΎΖv€iθͺιx³κιj
ίΜd³ΝΌlΙ^¦ιΉQΙδα·ιB
ίΙΘηΘΔΰA©ͺΜ±±λΙ^¦ιeΏΝε«A±±λπIέA«ͺΈ·ιB
E\πΒΖACsπ΅ΔΰoθΙB·ι±ΖͺΕ«Θ’B
RΕΕ«Δ’ι±Μ’EΕRπΒ©Θ’±ΖΝΘPΕΝΘ’B
E\πΎ€lΙΖΉΘ’ίΝΘ’B@@εo
ζκΰΪΝuΏ
±Ζv
\Ν²aπσ·½ίΜΎt
_πΎ’Ση·sΧΕA[wΕΝ½aπσ·Ζ’€Bκ½Σ}ͺ ιB
±Μ’ΝsSΘΜΕA_ΝΎ’sΉΘ’ΩΗ©Β―ι±ΖͺΕ«ιΜΕCπΒ―Θ―κΞΘηΘ’B
NΙΕΰ_ͺ ιΜΝ½θOΘΜΕA ¦ΔP’Ζ±λπ©o΅Δ»κπ_ίιΜͺyΘsΧB
sammā-kammanta³Ζ@@@@@@Sgπc·ιXCb`
EΆπ΅Θ’AάΘ’AΧϊπ΅Θ’@@@kāmesu€·ι@miccācāramaΤαΑ½s
sammā-ājīva³½@@@@@@@@ājīva@Ά«ϋ
½π΅ΔΆ«Δ’ι©H@@@ΗρΘdπ΅Δ’ι©H
zκβ¨ΜΝΦ~@@@¨ΰ½Ύ©ηA¨π·ι ΝΘ’B
§³ΕΝΖ{π€ΜπΦΆΔ’Θ’ΜΝA±κΝ½πoJΙ΅Δ’ιΜΕΝΘAΖ{Μ¨©°Ε’εͺιη΅Δ’―ιΜΕAεΙ·ι©ηB
appamañña -cetasika 2@@@@³ΚS@p51,7
karuṇā muditā appamaññāyo nāmā ti
ίΖμπ³ΚΖ’€
mettā@@@@@ sαΡadosaΜSΙόι@@@@@@@@@@κΨΜΆ½ΙΞ΅ΔKΖFξπψB
upekkhā@@@@Μtatra-majjhattatāΜSΙόι@@@@@[Α΅Έβ©Θΐη©ΘS«
@@@@@@@@ΚνΜ±±λΝ©ΌπζΚ·ιΜΎͺAκΨΜΆ½ΙΞ·ιΈβ©Ε½ΘCΏB
@@@@@@@@ΚΙΝΘ’Azπβ·ιΏ «AΓ―³B
±Μ4ΒΜS«ΝAu±±λΜD΅³vBΚXΙκΒΓΒηΔΔ’B
³ΚSΜΣ‘ΝA΄ξπ³§ΐΙg°ηκι±ΖπΣ‘΅A»Μ½ίΙΝαzͺKvB
iΜ±±λiF―VXejΝ~EΜ³Ι θΐEͺ ιΜΕAFEΜ³Ε³ΐΙ·ιKvͺ ιB
ά½AίμΜΜΞΫΝκΨOΆi±Μ’ΙΆπσ―½·ΧΔΜΰΜBΆ«Ζ΅Ά―ιΰΜjΕ ιΜΕAΞΫπF―·ι½ίΙASΖSͺ³Κ³§ΐΙΘηΘΔΝΘηΘ’B
Ά½ΜΜΖη¦ϋ
ΔΜ |
§κ |
Ζη¦ϋ |
αz |
όw |
ΪIAxNg |
OΆ |
’ϊ |
Ά«Ζ΅Ά―ιΰΜ |
ίμΜ |
²aA©δΈ |
½a |
Ά½ |
^ϊ |
SΖΜ |
Tθ |
W |
~E©ηΜ£E |
Ά½ |
`ϊ |
άε] |
BpbTi[ |
oθA³ν |
Άπζθz¦ι |
³ΚαzΝΌΜΆ½ΖΜ²aABpbTi[αzΝΌΜΆ½ΖΜΦWπΘ΅ΔΦτ]Ά©ηΜ£EΘΜΕA±ΜρΒΜαzΜϋό«Ν³½ΞB
±ΜρΒΜαzͺKvB
πE΅½γΰάΎΜͺcΑΔ’ιΤΝ³ΚαzΝKvB
½ΜίΜ’Eͺ ΑΔ»κπθ’A»ΜγΕ»±©ηΜ£Eͺ ιB
uΆ½ΖΜΦνθΝίμΜΕ ιΧ«ΎBvΖίΈΝΰBoTH
΅©΅πE΅½ΜΕAμΜΝKvͺΘAίΜSΎ―ͺKvBuΰ€ΝεδvΎ―ΗA Θ½ϋΜκ΅έπ€Ι«½’v
karuṇāί @@@@@ΌlΜκ΅έπ©ΔΘρΖ©΅Δ °½Θι{ΜCΏ
·ΧΔΜΆ½Ν©ͺΜΖkammaΙζΑΔΆ«Δ’ιBΒάθ©ͺΜsΧΜΚΕ ιB
KΘlΝ©ͺΜΧ΅½ΖkammaΙζΑΔKΙΘθA
sKΘlΝ©ͺΜΧ΅½ΖkammaΙζΑΔsKΙΘιB
ΒάθAΆ½Νu©§v΅Δ’ιΖ’€±ΖΕ ιB
E³κ½νQΝΑQΜΉ’ΕρΎν―ΕΝΘAE³κιΖkammaͺ Α½Ζ±λΕAπ©ΘΑQΙφ΅½ΜΕ ιBΑQΝ»Μίπ±ΜΦτ]ΆΜΕ΅Α©θΖo±·ιΕ λ€B
Ύ©ηνQͺΑQΙΞ΅Δ¦έπΒKvΝΘ’B
±Μζ€Θ¦έπ½Θ’νQΜΖ°ͺ±Μ’ΙΝ’ΔANΙΰ±Μζ€Θί΅έπ‘νΑΔΩ΅Θ’Ζv’AΌΜlXΙΰAhoCXπ^¦Δ’ιl½Ώΰ’ιB
karuṇāίπΐH·ιl½ΏΝΑΚΘPsΧπ΅Δ’ιB
ά½karuṇāίΜ¨©°ΕA¦έA΅έAΏέAβ¦Ν@\΅ΘΘθAί΅έπζθz¦Δ’ιB
karuṇāίΝίΈΖμFΜbg[Ε ιB
muditāμ@@@@@@ΌlΜKπ©ΔμΤ@@@½`κΝΉi
Ξ΅ΔAμpītiΝA©ͺΜμΡ
muditāμΝΌlΜP’Ζ±λ΅©©Θ’B»΅Δ»ΜP’Ζ±λπ©ͺΰy΅ήB
muditāμπηήΜΝAS~ πT·ΜΕΝΘAσ¨πT΅ΔAμρΕΎι’SΕΆ«Δ’B
Sabbathā pi paññindriyena saddhim pañcavīsatf ime cetasikā sobhanā ti veditabbā.
»΅ΔdͺBSΕ25Μ±κηΜSͺςΖmηκιΧ«Ε ιB
F―ΜΝAFΊ‘GΜMπ©ͺΜsiεΟjΕAΗέζθπί΅Δs’·ιB
»΅Δ»κͺ{ΜξρΎΖφo·ιB
ίΈΝu θΜάάΙΟΔ’Θ’BF―ΝX|Ε ιvΖΰ’Δ’ιBoTH
ZͺΙZ«ΜMͺGκΘ’Ζ’€uΤΝΘAβ¦Έ±±λΝF―΅±―Δ’ιB
·ιΖA±±λΙΖΑΔMΝuέιvΰΜΖΘθA»κΙΝF―ΜεΜΜuvΰ»κιΜΕAͺνΙ ιΰΜΎΖφo·ιΜΰRΕ ιBεΜΖ»ΫΝZbgΘΜΕAF―΅Δ’ιΐθΝuvͺΆέ·ι©ηΕ ιB
΅©΅AίΈΝu^ΝΐΜ_ΕΝΘAκΨͺ³νΕ ιvΖΰBoTH
ά½AFΊ‘GΜMΖίΙμθγ°½vlp^[Ζ΄ξp^[π³Σ―ͺθΙ¬΅Δf[^πμθγ°½ΰΜπF―΅Δ’ιB
ΐΫΙu θΜάάvπF―΅ζ€Ζ·ιΖεΚΜf[^ͺKvΘΜΕΏαρΖF―·ι±ΖͺΕ«Θ’ΜΕAΜΩπ¦ιi±κάΕΜK΅πΫ·ιj½ίΙAΫΗ΅Δ ιf[^Ζp^[Μ@₯π¬p΅ΔA\ΜC[Wπμθγ°½ΰΜπF―΅½Ζφo·ι±ΖΕAϊνΆπ~Ι΅Δ’ιB
qdpaññāΖΝ±ΜεΟπΕΏjθAf[^Μs’π~ίι±ΖΕ»κιF―B
·ιΖΝΆίΔu θΜάάvΜξρπΟι±ΖͺΕ«ιB
qdpaññāΜJΝsatiΜΐH©ηnίιB
ΎκΰnίΝqdpaññāΝΘ’ΜΕASπμιKvͺ ιB
PSΕΎιΆ«ιwΝπ΅ΔA_}ππ΅ζ€ΖwΝ·ιΖAqdpaññāΜΞνΜζ€Ι»κΔιBΝΆίΝΕ΅©Θ’ͺA±―Δ’ιΖβͺΔ»±©ηΞͺΆΆιB
satiΜΐHΕΟzβvl·ι±ΖπWQ·ιΖAf[^Μs’ͺΕ«ΘΘθA±±λͺXΖΟ»΅Δ’ίφπF―·ι±ΖͺΕ«ιζ€ΙΘιB
Οzͺ ιΖA±±λΙ]TͺΘ’B]TΜΘ’Οz·ιlΙΝAΤͺΤΖ΅Δ©¦ιB
»±Ι³νΝ©¦Θ’BΝκ½Τπ©ΔΰA»±Ι³νΝέΈAF Ή½ΤΙX|bgCgπΔΔ’ιB
satiΜΐHΕA±±λΝίΙwK΅½TOπΔp·ιμΖͺΕ«ΘΘιΖAu θΜάάΙmιv΅©ΘΘιB
»ΜΙΝΤΝΤΖ΅Δ©¦Θ’B
αΙGκ½FΜMπ»ΜάάΙmιB
»ΜFΜMΝuΤ²ΖΙΆΕ΅Δ’BΐΜΜΘ’gΕ ιBΟ»΅±―ι¬κΕ ιB
~β{θΝΰΜͺuέιvΖ¨α’΅½±ΖΕΆάκ½ΰΜΎΖAΜ΄·ιB
±€΅ΔΟYΰΑ¦Δ’B
»΅ΔAͺ³ΉπΐH΅AlΉϊππ·ι±ΖΕqdpaññāͺηΒ
³νͺν©ηΘ’R
»ΫͺΆΕ΅Δ’ιB
SΜgiF―ASA±±λjΰΆΕ΅Δ’ιB
»ΫͺΆάκιΙA±±λͺΆάκΔ’ιΖALΜF―ͺΆάκιB
»ΫͺΆάκιΙA±±λͺΑ¦Δ’ιΖAF―ΝΆάκΘ’
»ΫͺΑ¦ιΙA±±λͺΆάκΔ’ιΖA³ΜF―ͺΆάκιB
»ΫͺΑ¦ιΙA±±λΰΑ¦Δ’ιΖAF―ΝΆάκΘ’B
±Μζ€ΙΆΖΕΜQΒͺόκΦνι4ΒΜp^[ͺ ιΜΎͺA
cξΜΌΚΙ’½Gπ¬ρ]·ιΖGͺνΙ ι©Μζ€Ι©¦ιB
±κͺF―ͺuLιvΖφo·ιJjYΕA»ΫΖ±±λΜ³νͺF―Ε«Θ’RΕ ιB
΅©΅’xΜWΝΕΞΫπΟ@·ιΖA±ΜJjYπ©Ε«ιB
³νͺν©ι½ίΙΝ
ίΙwK΅½Μvlβ΄ξp^[βL―f[^π¬p΅ΔAFΊ‘GΜMΙ¬΅ΔC[Wπno΅A»κπF―Ζφo·ιΜΕAάΈΝ±±λπΏ ©ΉAN[_E΅ΔAsatiͺόκβ·’σΤΙ©ͺΜSπRg[·ιB
ΙAε]ͺθΙ¬΅Δ’ιΐΙCΓ«A©ͺΜίΙμΑ½p^[ΙCΓ«AX|bgCgΜΔϋπ’λ’λΖ΅ΔέΔAwK΅½p^[ΖΘMΜ¬©ηΚXΙͺ£·ιέπ΅AΜ΄·ιάΕ±―ιBͺ£Ε«κΞ»κͺqdpaññāͺ΅ΈΒΕΝLιͺAηάκΔ’ιΖ’€ΨΎΙΘιB
±Μζ€ΘμΖπΟέdΛΔ’ΖA»ΫΝΟ»·ι³νΕ ι±Ζπ©ͺΜgΜΖSΕΜ΄·ιBά½A»ΫΝφΙζΑΔ»κιΰΜΕAΖ§΅ΔΆέ΅Θ’±Ζπ©·ιB
±κͺqdpaññāΕ ιB
m―ΰmbΰu θΜάάΜ³νvπ©Δ’Θ’ΜΕAqdpaññāΕΝΘ’B
saṅgaha-gāthā@@Ϋσ
ettāvatā ca
terasf aññasamānā ca, cuddasākusalā thatā,
sobhanā pacavīsā ti, dvipaññāsa pavuccare.
±Μζ€ΙA13Μ―nΖ14ΜsPA»κΙ25ΜςΏ€52ͺΰ©κΔ’ιB
SΜΡΒ«ϋ
sampayoga-naya nidāna@@Μdϋ@@p52.9
tesaṃ cittāviyuttnaṃ, yathāyogam ito paraṃ,
cittuppādesu pacckaṃ, sampayogo pavuccati.
±±©ηΝA»κηΜS©η£κΘ’ΰΜͺASͺΆN·ιΖ«ΙΗΜζ€ΙΡΒ’Δ’ιΜ©A
»ΜΡΒ«ϋͺB»κΌκΙΰ©κιB
ito paraṃ @±κζθγ
sampayoga-naya nidāna -saṅgaha-gāthā@@ΜdϋΜΫσ@@p53.10
satta sabbattha yujjanti, yathāyogaṃ pakiṇṇakā,
cuddasākusalesvf eva, sobhanesvf eva
sobhanā.
(€κΨSSΜ)VΒΝA·ΧΔΜSΖΡΒ’ΔΆάκιBGΝΦXΕ ιB
14iΜsPSjΝsPΖΎ―AςΝςΖΎ―B
―nSΜΡt«ϋ
añña-samāna-cetasika-sampayoga-naya ―nSΜΜdϋ@p53.11OΌ
kathaṃ? sabba-citta-sādhāraṇā tāva sattf ime cetasikā
sabbesu pi
ekūnanavuti-cittuppādesu
labbhanti.
ΗΜζ€Ι©H@·ΧΔΜSΖ€Ι ι±κηVΒΜSΝA
89·ΧΔΜSͺΆάκιΙKΈΎηκιB
¬ΖͺΝπ΅½ͺι]Μ«Ώ
α¨@γgΖΣi±±λA·ΘνΏSΖSjͺWάΑ½ΰΜπΘρΖΘuvΎΖΟz΅Δ€ π΄ΆΔ’ιlΤB
iΜgένΉΙζΑΔu©ΤvΖ’€ΌOͺΒ’ΔAu©ΤvΜΝ½η«π·ιζ€ΙB
©ΤΝ¬³κ½TOΕ θAp[cΙͺΝ·ι±ΖΕATOππΜ΅ΔA θΜάάΜΐπmλ€Ζ·ιΜͺ§³ΜAv[`Ε ιB
X ΫπκΒΙ¬΅½ͺι]A»΅Δ±ΜΝ½η«ΙζΑΔμηκ½@³ANwΘΗΜTOB
½Ζ¦ΞA[g}Ζut}πκΒΙ¬΅½ͺιChΆ»ͺsρ_β
F―΅Δ’ιuΤπξΙ·ι±ΖΕΆέo³κ½ΐΜ_ͺ ιͺAΗΏηΰκuΜͺIΘΐΕ ΑΔA
±κπSΜΖ·ιΜΝίθκΚ»Ε ΑΔAΐΖΝ½·ιB
±ΜλTͺ· πΆέo΅AF―Μͺκ΅ή΄φΕ ι±ΖπoΑ½ΜͺίΈB
»κπΨΎ·ι½ίΙA§³Ν¬³κ½TOπOκIΙͺπ΅ΔA»κΌκΜΝ½η«πΟ@·ιB
·ιΖA»±ΙφΚΦWͺ©¦ιB
¬ΖͺΝΜΠϋΎ―ΎΖAΙ_ΙΧιBρΒπΐΧι±ΖΕAΌ[©η£E·ιuΉvͺ©ΡγͺιB
±κͺΉΕ ιB
½Ζ¦ΞͺΝΎ―π·ιΖA³_AfΕ_ΙΧθA
¬Ύ―π·ιΖAΐΜ_Ai_ΙΧιB
fΕ_(ucchedavāda)ΖΝA
uχΜ(kaya)ͺσκι±Ζ(bheda)ΙζΑΔfΕ΅(ucchijjati),ΑΕ΅(vinassati),γΙΆέ·ι±ΖΝΘ’v
ΛΞ·ΧΔΝ³ΙA·ιΖ’€fΕ_Με£π[IΙκι±ΜΆεΝ,wΉεΚox(Samannaphala-sutta)Ι ©ηκιZtOΉΜκlAW^EP[TJo(AjitaKesakambalin)ΜΰΙ»κιΰΜΕ ιB
½Μ@³βNwΝuvͺ ι±ΖπξΙ·ι§κ©ημθo³κ½ΰΜΕ ιB
»±ΕίΈΝoΙAu Θ½ΜΪΝ Θ½Ε ι©HvΖκΒΈΒΜp[gͺuvΕΰuivΕΰuvΕΰΘ’±ΖπͺΝπΚ΅ΔmF΅½B
ul¦Δ’ιͺ’ιBΎ©ηͺ’ιv@@@±±λΝuvH
uΝ±ΜuΤΰl¦Δ’ιBΎ©ηͺ’ιvΖ’€©δΣ―ΝA¨πnίΌΜΆ½Ιΰ ιB
χΆ¨ΙΰA¨ΙΰOEΙΞ·ιΜΕAΣ―Ν ιΖΝv€B
Μl¦Ε ιvlΖΝΜͺΙ ιTOΕ ιͺA»κΝuvΕΘ’ΜΕA
u±±λΝuvΕΝΘ’Bv
vlΝ θΎΘ’±Ζΰl¦½θ·ιB
»κͺΜΝΈͺΘ’BuΝl¦ιBδ¦Ιͺ’ιvΝ¬θ§½Θ’B
^VΝl¦ιΰ ιA»ΜΝ\wΜuvͺΞΫ¨πF―΅Δ’ιΎB
Βάθl¦ιΖAΜΝ―κΕΝΘ’ΜΙίθκΚ»΅Δ΅άΑ½ΜΕλTͺN«½ΜΎB
^VΉ
ίθκΚ»ΖuͺΖSΜ«vπΗΜζ€Ι}»·κΞζ’Μ©H
[wΉ\w
^VΙΝ©δΣ―ΜuvΖΟ@Μuν½΅vͺdwΙ¬³κΔ’ιB
\wΜ©δΣ―πξΙ·ιΖ½ΜφoͺΆΆιB
[wΜuν½΅vΝFΊ‘GΜMΖίΜL―ΖΟzΖ©½AvP[Vπ¬΅Δμθγ°ιF―πͺΝ·ι@\ͺ ιB±κπuΟ@vΖζΤB
ssankhāra
Ε« ͺΑ½ΰΜAgέ§Δηκ½ΰΜAΐΜΕΝΘ’ΰΜ
±±λΰ¨ΏΰssankhāraB
uδvΰssankhāraBα¨@γgΣΜUΒͺgέν³ΑΔuvͺΆάκA±κΝΆzΘΜΕͺΝ·ι±ΖΰΕ«Θ’ΰΜB
άε]ΙͺΝ΅½±ΖΕoθπΎ½5lΜδu@@@@@@@@]@Φ@
©ͺΖ’€»Ϋπάε]Ιͺ―ΔAίΈΝΰΎ΅½B
άε]iF@¨ΏΜC[WEσ@^Oπσ―ζιEz@κΚ»Es@π½@uvE―ε]@Ο@@j
κΒκΒπζΑΔέιΖAΗκΰ³νΕ θAΐΜͺΘAκΕ ι±ΖΝΎΕ ιB
±κπ’½δuΝSΘιoθΙB΅½B
©δπΜΔιΰ½ΰAΝΆί©ηΘ’ΰΜBΆzͺΑ¦Δ«ΘιRΘΗΘ’B
· ΝlΙLιΜΎͺA· ΜΞΫΝuΤuΤΙΑ¦Δ’ΜΕAΐΫΙΝ· Ε«Θ’B
ΤΞͺό΅’©ηΖ’ΑΔAΫΆ΅Δ¨±ΖΝΕ«Θ’B
p53.11γΌ
pakiṇṇakesu pana vitakko tāva dvipañca-viññāṇa-vajjita-kāmāvacara-cittesu cf ekādasasu paṭhamajjhāna- cittesu cāti pañcapaññāsa-cittesu uppajjati.
GΜΕAqΝAρνήΜάε]π’½~EΖζκTθΜS11Μ55ΜSΙΆάκιB
vicāro pana tesu cf eva ekādasasu dutiyajjhāna-cittesu cāli chasaṭṭhi-cittesu.
fΝA»κηΖAζρTθΜS11ΖΜ66ΜSΙiΆάκιj
Vajjita@@’½@@@vajjeti Μίͺ
ρνήΖΝsPΩnΖPΩnΜ±ΖB
sPΩnΖΝίΜ«sΧΜΚΖ΅ΔDά΅Θ’FΊ‘GΜMΙζΑΔΣ―ͺΆάκ½P[X
PΩnΖΝίΜPsΧΜΚΖ΅ΔDά΅’FΊ‘GΜMΙζΑΔΣ―ͺΆάκ½P[X
T}[fBαzΖΝF―ΜΗ
F―ΝθΙN«ιΜΕΗΕ«Θ’B
F―πD«Θζ€Ι©RθΙΗΕ«Θ’ͺAκΒΜΞΫΙθΒ―ι±ΖΕ©RθΙ³ΉΘ’ζ€Ι·ι±ΖΝΕ«ιB
»±ΕAT}[fBαzΝAF―πΗ·ιPϋΘΜΕA³μΧΙ³ά΄άΘΞΫΜΕθρι±±λπκΒΜΞΫΙψΙΖίή±ΖπJΤ΅ϋK·ιB
½Ζ¦ΞA[ip[iΕΝΔzΜΟ»Ύ―ΙΣπW·ι±ΖΕAΎρΎρΖ±±λͺΞΫ©η¦°ιρͺΈΑΔιB
»΅ΔA ιΖ«A±±λΝΞΫiΔzΜΟ»jΖκΜΙΘιB
±ΜF―o±ͺζκTθΕ ιB
±±λͺΞΫΖκΜΙΘΑΔ’ιΖA~β{θπΆέo·SͺΝ½η«o·±ΖͺΘΘιΜΕASΜΙ ιμxβκ««βqfΙCΓ±ΖͺΕ«ιζ€ΙΘιB
ζκTθπΜ΄΅½Ν±ΜμxπΎtΕΎ’\ΉΘ’ΩΗK΄π‘ €B
ΗΜζ€Θ@³ΜMΕΰ³@³ΜlΕΰ±Μ«nΙΝB·ι±ΖͺΕ«ιB
vliqfjπg€ζκTθΜΞΫ
±ΜκΜ΄ΖμxπΜ΄·ιΙΝΗΜζ€ΘΞΫΕΰN±θΎιB½Ζ¦ΞO§A}gAθΪB
|CgΝ~A{θAΉiAΏέͺN«Θ’ΰΜπΞΫΙ·ι±ΖB
Ύ©ηD«Θ^gΜ|X^[ΘΗΝ_B
Σ‘Μ ιΎtΕΝΘΣ‘Μν©ηΘ’ΎtΕ ι}gͺLψB
}gΙFΜι§ͺ ιΖMΆ³ΉΔAΣ‘ͺν©ηΘ’ΜΙεΨΘΰΜΖ΅Δ±±λΜΞΫΙ·ιΜͺ|CgB
ΎtΖvlπtΙg€±ΖΕAϊνIΘΎtΖvlΜgpK΅π³ΉΘ’ΜͺΪIB
adhimokkhoΜΡt«ϋ
p53.11γΌ
adhimokkho dvipañcaviññāṇa-vicikicchā-sahagata-vajjita-cittesu.
ΝAρνήΜάε]ΖA^ΙΡt’½ΰΜπSΙiΆάκιBj
m―βπͺΝΑ«θ΅Θ’κΙu^vͺ ιΜΕA©ͺΕΣ}IΙμΑ½ΰΜΕΝΘ’ΜΕAqgΝν΄ΖπΕ«Θ’ζ€Ι·ι±ΖΝsΒ\Ε ιB
Σ}IΙππjΰ€Ζ΅Δΰ³Σ―Μ€ΏΙ’Δ΅ά€π·ιsΧͺ ιB
±Μ³Σ―Μπͺ©Θ’σ΅πu^vΖ’€B
TθΜκΝadhimokkhoΜSΝgp΅Θ’B
ΈiviriyaΜΡt«ϋ
viriyaṃ pañcadvārāvajjana-dvipañca-viññāṇa-saṃpaṭicchana-santīraṇa-vajjita-cittesu.
ΈiΝAάεψ]ΖρνήΜάε]ΖΜσSΖxSπ’½SΙiΆάκιj
viriyaΖΝwΝ·ι±ΖΎͺA’Σ‘ΕΝΘAΪIΰΘ’±ΧΘsΙKvΘSΕ ιB
ΈiΝ½ΜϊνΆΕKvΘSΕAN°βθΜγ°Ίλ΅βΰsΙΰΝ½η’Δ’ιB
ΈiͺKvΘ©IΙN«ι±±λΝ
α¨@γgΜ2isPΩnSΖPΩnSjZbgB
άεψ]@@@@@@α¨@γgΙΕ_πνΉΔ’ιq΄«ΜS
2ΒΜΜσS@@@@ά―ΜκΒπσ―ζιS@@@2isPΩnSΖPΩnSjZbgB
3ΒΜxS@@@@½Μξρ©HΖ’€S@@@@@PΩnΙΝΜδΖμδΜ2νήͺ ιB
|CgΝgΜΙGκιΰΜͺP’©«’ΜΕΝΘASΜϋΕ»f΅½ΰΜͺP«ΙΘιΖ’€±ΖB
±ΜSΝίΜΖkammaΕΆάκ½ΰΜB
±ΜJjYΝίΜΖkammaΜΚΕ ιLͺSͺAΜσSΜP©sPπίΔ’ιΜΕAΗΜζ€ΙHv΅ΔΰΖkammaΜΚ©η¦°ι±ΖΝΕ«Θ’ΜΕ ιB
LͺSiΆNSjΝΆάκ½uΤΜSΕA½ΰF―΅Δ’Θ’ΙASΖSΜq@\πΒB
»΅Δ±ΜΖkammaΜΟέdΛͺΏΜΚπίιΜΕAΏΜ’lΝA«πΜΕΰKΕΏ ’Δ’ηκιΜΙΞ΅ΔAΰ΅ΏΜΘ’lΘηΞAΗ’πͺ΅ΑΔ’ΔΰAΈs΅½θsKΙΘΑ½θ·ιB
Έ_aΖΈi
άΈΈiΜSΜ ιΣεψ]SͺΆάκA»±©ηvl·ιSͺ¬κιB
±Μζ€ΙvlΙΝP«ΙΦνηΈΙΈiͺ ιB
vlΖΟzΜα’Ν~ίηκι©A~ίΙ’Ζ’€φxΜβθB
RΝίΙμΑ½©½AvP[VΜα’Ε θAvlΜ΄φΝvlp^[AΟzΜ΄φΝ΄ξp^[Ε ι©ηB
vlp^[Ν_If[^πCvbgΖ·ιΜΕ»Μf[^π`FbN·ιΤͺΰΒ±ΖΕΗ΅β·’ͺA΄ξp^[Νπ½ΛͺΕ«ιζ€ΙυEsυiD«’jΜ^OΖΌ΅Δμηκ½ΰΜΘΜΕACvbgΜMπuΤIΙ΅ΔAEgvbgπo·ΜΕAΗ΅Γη’B
ά½vlp^[Ν_Ζ’€ΚΙB·ιKvͺ ιΜΙΞ΅ΔA΄ξp^[Ν_ΙB·ιKvͺΘ’ΜΕΗ΅Γη’B
·ΧΔΜΈ_aΝAΟzΜΚΕN«Δ’ιB
ΟzπΗ·ιΜΝο΅’ΜΕAΈ_aΙλΑ½lΝ©ͺΕΝΗ€·ι±ΖΰΕ«Θ’ζ€Ι΄ΆΔ΅ά€B
»±ΕόΈ_ςΘΗΜςΙΛΆ·ι±ΖΙΘιB
]Ιhπ^¦ΔASΜ@\π}¦ιJjYΕ ιBοΜαΜ»wΟ»
gΜΖSΝA΅Δ’ιΜΕA·’ΤΟzπ±―Δ’ιΖAgΜͺσκΔ²qΜ«’ΰΜΙΘθAsNΘΰΜΙΘιBgΜͺ«ΘιΖAgΜΜeΏΕ³ηΙSΜ¬κͺ«ΘιB
Ύ©ηgΜΜNͺσκιOΙvlπΟ¦κΞAyΙ‘ιB
γͺςΕχΜΜ@\παΊ³ΉιΖAΟzΜ«zΒπγ«·ι±ΖͺΕ«ΘΘθAςΙι΅©ΘΘιB
ςΖΝκIΙΗσπ}¦ιΎ―ΘΜΕ‘ΓΖΝΎ¦Θ’B
‘ΓΜ|CgΝΟzΰviriyaΈiͺKvΕ ιΖ’€±ΖB
ΟzΜ΅’¬κπΈiviriyaπgp΅ΔAΟzΜ«zΒΜ¬κπΟ¦ιΜͺοΜIΘϋ@Ε ιB
ΟzποΜIΘIΘvlΙu«·¦ιμΖπJθΤ·±ΖB
μpītiΜΡt«ϋ
pīti domanassupekkhā-sahagata-kāyaviññāṇa-catuttha-jjhāna-vajjita-cittesu.
μΝAJδΖΜδΖg―ΖζlTθπ’½SΙiΆάκιj
sPSΜΕμΜSͺ@\·ιΜΝζΓͺSΜΜSΒ
μδE«©E³s
μδE«©ELs
μδE«©sE³s
μδE«©sELs
§³ΕΝvlͺ|WeBu©lKeBuΕΝΘASͺμΡ©J’ΙΣ·ιB
Jͺ ιΝ{θΜSͺ ιΖ’€±ΖB
΅©΅μpītiͺSΙ ΑΔΰPΖΝΐηΘ’B
μΡͺ ΑΔΰ~ΙMκιΖΒ·ιB
xΘ|WeBuvlΖΝA»±βμΡͺΘAΏ ’ΔAρΕ’ιl
Σ~chandΜΡt«ϋ
chando ahetuka-momūha-vajjita-cittesu.
Σ~ΝA³φSΖΙπSisͺSjπ’½SΙiΆάκιj
Σ~ΖΝ~ΕΝΘβιCΜ±ΖBP«ΗΏηΙΰΆάκιB
{θͺsIΘΜΙΞ΅ΔAsͺSΝβιCͺκΒΰΘAΖ±ΖρbρΕ’ιΜΕΣ~ΰΘ’B
±±λπΘw·ι
¨ΏΜΟ»Ν³ΙN±ιΰΜΕΝΘ’ΜΕA¨ΏΜφΚΦWπ©·ι±ΖͺΘwΕ ιB
»Μ@₯ΙζΑΔΖΘA¬AjσͺN«ιΜΕA@₯ͺͺ©κΞ©REΙΘ’ΰΜΰμι±ΖͺΕ«ιB
±±λΰΘw·ι±ΖͺΕ«ιBSΜΡt«ΝAφΚ@₯Ι]ΑΔΆάκιB
΅©΅·ΧΔπ©΅Δ’Θ’ΜΕAάΎͺ©ηΘ’±Ζͺ½’B
±κηπεεΙζΑΔ’ΑΨρΙ©΅½ΜͺίΈB
sPSΜΡt«ϋ
€κΨsPSSΒΜΡt«ϋ
akusala-cetasika
sampayoga-naya 5@@sPSΜΜdϋ@@@@p55,13
akusalesu pana moho ahirikaṃ anottappaṃ uddhaccañ cāti cattāro
eme cetasikā sabbākusala-sādhāraṇā nāma sabbesu pi dvādasākusalesu labbhanti.
sPΜΕAsA³ΞA³ΑA{Ζ’€±κηSΒΜSΝA€κΨsPΖΎνκA12ΜsPiSjΜ·ΧΔΙ¨’ΔΎηκιB
P«Μ»f@@@
ΆΆΜ½ίΙAΆ½ΜΝP«Μ»fπ΅Δ΅ά€B
sKΙΘθ½’Ζv€SΝ©gΜΆΆπΑΕ³ΉιϋόΙ±ΜΕAΗΜΆ½ΜΰKπθ€B
ά½KΙΘθ½’Ζv€SΕΆΆΜm¦πε³ΉΔΰA»±Ικ΅έπ©Β―ιΖAsKπθ€B
sPSΖΝΓ’SAlKeBuΘSΕ θAlͺsKΙΘιϋόΦiήΙAΝ½ηSB
PSΖΝΎι’SA|WeBuΘSΕ θAlͺKΙΘιϋόΦiήΙAΝ½ηSB
Ar_}Ν±ΜP«ΜξπSΙ΅Δ’ιB
vlβOβsΕΝΘASΕ ιB@
Ν±Μθ`ΙΐEͺ«Δ’ιΖl¦Δ’ιB»κΝFΜ@₯ΙΑΔ’ι©Η€©Ζ’€x[XΖΘιvφͺ―Δ’ι©ηΕ ιBΜΟͺξnΕaΆ΅½Ά½ΜΝΆΆ·ι½ίΙΗκΩΗΜGlM[πΆ½ΜO©η³κΔ’ι±ΖπOρΙ΅Θ’ΕAφΚΦWπμΑΔ΅ά€©ηΕ ιB
ssΆΎh[ΜΕΆΆ΅Δ’ιΰΜΜΗSΝA©RΜ@₯πΫθ·ιB
ΒάθA©ͺΜgΜπΫθ·ιBOͺgΜπE·ΜΎBV½ΘγΕ ιB
SͺsPΎΖ»f·ιSΝSΒB
sA³ΞA³ΑA{B
±κͺάάκΔ’ιSΝ·ΧΔsPΕ ιB
smohaΖΝA θΜάάΜΐπmηΘ’AΖ’€±ΖB
G[gβΆΣΕ ι©Η€©ΖΝΦWͺΘ’B
±Μ’i~EAFEA³FEjΕASͺF―Ε«ιΰΜ·ΧΔΝaniccā,dukkhā,anattāΕ ι±ΖπF―Ε«Θ’±ΖͺsmohaΕ ιB
mͺLι©Μ²Ζ΄ΆιB
mͺΏl ιΰΜΖ΅Δ΄ΆιB
©ͺͺέι©Μ²Ζ΄ΆιB
±κηΝaniccā,dukkhā,anattāπ’άΎ©΅Μ΄΅±―Δ’Θ’©ηB
³`βόΗπίιlΝu{θvΜSπΒlH
»ΐπΟι±ΖΘA»σπΟ¦½’Ζ’€ΜΝ‘ΜσΤΙ«΅Δ¨ηΈA±Μ»σπβ·ι{θπΒP[XͺLιB
ΟvΙΝFΜ@₯πΜ΄΅ΔA»κΖ»ΐΖΜMbvπΟv·ιΜΖA©ͺͺ΄Ά½OΖ»ΐΖΜMbvπΟvπ·ιρνήͺ ιB
ΗΜζ€Θl½Ώͺ³Σ―Μu{θvπΑΔ’ιΜ©H
Η€βΑΔ{θͺΆάκ½Μ©HTPOAΑΙnζA³ηB
PΜ½ίΙ½π©―ιΖ’€{θΜa@@@³S
ζΓlobhaΜRΒΜΡt«ϋ
lobho aṭṭhasu lobhasahagata-cittesvf eva
labbhati.
diṭṭhi catūsu diṭṭhigata-sampayuttesu, māno catūsu
diṭṭhigata-vippayuttesu.@@@@@@p55,13
ζΓΝAWΒΜζΓδSΙ¨’ΔΎηκιB©Ν4ΒΜ©ΙAΝ4ΒΜ©sΙΆάκι
sampayuttaF ΦA΅Δ’ιAqͺΑΔ’ι@@[adjD] associatedG connected
vippayuttaF@@£κΔ’ιAΦA΅Δ’Θ’@@[ppD] separated
’ΒsPΙΘιΜ©H
uD’ΰΜπ©½vuΤάΕAsPSΙΘΑΔ’Θ’B
΅©΅A»ΜF―πΰΖΙ΅ΔASͺsPSΕ ιζΓͺSΙΟνιB
F―ΖΝAα¨@γgΙGκ½ΞΫͺuDά΅’vΖxSsantiraṇa-cittaͺ»f΅½ΙAΜSͺsPSΙΘιB
62νήΜ©π
·oTΜζκoΕ ιΤoΙA©πͺqdpaññāΜ©Με«ΘαQΙΘι±Ζͺΰ©κΔ’ι
αΡdosaΜRΒΜΡt«ϋ
p55,13
doso issā macchariyaṃ kukkuccañ cāti dvīsu paṭigha- sampayutta-cittesu,
{θAΉiAΰΜΙ΅έAγχΝAQΒΜαΡδSΙiΆάκιj
³mΜRΒΜΡt«ϋ
p55,13
thīna-middhaṃ pañcasu sasaṅkhārika-cittesu,
¨ΎE°Ν5ΒΜLsSΙiΆάκιj
vicikicchā
vicikicchā-sahagata-citte yeve ti.
^Ν^δSΜΙΎ―iΆάκιj
LsS@@vΔΜγΙ¦Ι»κιpΣ³κ½SΜσΤ@@
a preparedCor promptedDstate of consciousnessCarisen after prior deliberation ieDgDweighing of motivesj or induced by others icommandCadviceCpersuasionj
³sS
a 'state of consciousness arisen spontaneously', i. e. without previous deliberation, preparation, or prompting by others; hence: 'unprepared, unprompted'.
ςSΜΡt«ϋ
€ςS
sobhana-cetasika
sampayoga-naya @@ςSΜΜdϋ@@@@p56,15
sobhanaesu pana sobhana-sādhāraṇā tāva ekūnavīsati eme cetasikā sabbesu pi ekūnasaṭṭhi sobhana-cittesu saṃvijjanti.
ςΜΕA€ςSΕ ι±κη19Ν59ΜςS·ΧΔΙ»κιB
ΘΊsPSakusala-cetasikaΙΞ΅ΔPSkusala-cetasikaΕΝΘA
ςSsobhana-cetasikaΖθ`·ιΜ©H
saddāiMjsatiiOjhirīiΞjottappaiΑjalobhai³ζΓjadosai³αΡjtatra-majjhattatāiΜjkāya-passaddhiigyΐjcitta-passaddhiiSyΐjkāya-lahutāigyυ«jcitta-lahutāiSyυ«jkāya-mudutāig_ξ«jcitta-mudutāiS_ξ«jkāya-kammaññatāigKΖ«jcitta-kammaññatāiSKΖ«jkāya-pāguññatāigϋB«jcitta-pāguññatāiSϋB«jkāyujukatāig[Ό«jcittujukatāiS[Ό«j
ςΘιSΙΝ19ΜSͺκΙΆάκιB
±κηΜSΜΑ₯ΝA΄η©AΎιA_ξ«ͺ θA³CΕAsIΕAζ£ΑΔ’ΔAXgXͺΘ’B
±κͺ\ΚIΎ―ΕΝΘ’{iIΘ|WeBuvlB
£virati@@ p56,15
viratiyo pana tisso pi
lokuttra-cittesu sabbathā pi niyatā ekato va labbhanti, lokiyesu pana
kāmāvacara-kusalesvf eva kadāci sadissanti visuṃ visuṃ.
[³κA³ΖA³½]£ΜRΒΝAo’ΤSΜ·ΧΔΙ¨’ΔAKΈκΙΎηκιBκϋA’ΤΜΕΝA~EPSΙ¨’ΔΜέAάθΙΣκAΚXΙ©ηκιB
labbhanti@@@ labbhatiF[labhati Μ passD] ΎηκιCΕ«ιCΒ\Ε ι@@[labh + ya] to be obtained
virati@@@@@½©ππ―ιA±±ΕΝ«’±Ζ@@ΎtΝιͺA«’±ΖΝπ―ι@@sammā
³κA³ΖA³½Ε ι£ΜRΒΝϊ₯
ϊ₯ΖΝϋΖΜΜsΧπ§δ·ι±ΖB
ϊ₯Μ ιlͺTθΙόιBϊ₯ΕgΜΖϋΜsΧπϊί½lͺA±±λπϊίι½ίΙαzΙόιB
³ΚS@p57,15
appamañāyo pana dvādasasu
pañcamajjhāna-vajjita-mahaggata-cittesu cf eva kāmāvacara–kusalesu ca
sahetuka-kāmāvacara-kiriya-cittesu cāti aṭṭhavsati cittesvf eva kadāci nānā
hutvā jāyanti. upekkhā- sahagatesu panf ettha muditā na santī ti keci vadanti.
iίΖμΜj³ΚΝAζάTθπ’½εS12ΙAά½~EPΙi8jA»κΖLφ~EBμSΙi8jAΜ28SΙΎ―AάΙΣκAκΒΈΒΆάκιB±ΜΕAΜδΙΝίΖμΝΘ’ΖΎ€lΰ’ιB
μιS
ίkaruṇāΖμmuditāΜSΝαzπ΅Δ ¦ΔμιSΕ ιB
JΤ΅OΆA±±λΙ@«ή±ΖΕ쬳κιB
@@΅έΙΝ{θͺΘ’ΜΕA19Μ€ςSΜsαΡadosaΙ
Μ@@βΓ³πiιΜtatra-majjhattatāΜS@@@@@@κΨΜΆ½Ν½Ε ι
@@@@oθπJ’½ΉͺκΨΜΆ½ΙΞ΅ΔΜupekkhāΜAv[`ΙΘι
oιSΙΝl³ΚSΕ ιίμΜͺΘ’
ΈΟΜ^Μ§κΕ©ιΖAuΆ½vΝΆέ΅Θ’B ιΜΝάε]B
κΨΜΆ½ΖΝάε]Μ±ΖB»΅Δ»Μάε]Ν³νΕ ιB
±κπoιΙπE·ιΜΕA»Μ½ίΜCsΝAΆ½Νnί©ηΆέ΅Θ’ΜΕAo’ΤSΙΝl³ΚͺΘ’B
ΜupekkhāπίkaruṇāΙόκΦ¦ΔA§³π`Ή΅½B
dͺS@p57,15
pañ pana dvādasasu ñāṇasampayutta-kāmāvacara-cittesu
cfeva sabbesu pi pañcattiṃsa-mahaggata-@lokuttara-cittesu cāti sattacattālīsa-cittesu sampayogaṃ gacchati.
qdΝA12Μq~ESΖAεSΖo’ΤSΖΜSΕ35ΜA47SΙΡΒB
m―ΖqdΜα’
m―Ν ι_πμΑΔA»±©ηΰΜ²ΖπΟι±ΖB±±λΜΐη¬πΎι±ΖͺΕ«Θ’B
qdΝκΨΜ»ΫΝφΙζΑΔ¬θ§ΒκIΘΰΜΕ ι±ΖΜ©B
±±λͺΘΙΰΜΙΰ· ΅Θ’AϊνκΘ’ΜΕAΐη¬πΎι±ΖͺΕ«ιB
κx©·ιΖAͺ©ηΘΘι±ΖͺΘ’ΜΕAκxoιΖA»Μ«n©ηΒ·ι±ΖΝΘ’B
uκ½Ξͺ³ΙΰΗηΘ’ζ€vΙ³ΘΑ½ΟYΝρxΖΆάκΘ’B
±κͺqdpaññāΜθ`B
©πΝΕθ»³κ½εΟΕ ιBf[^ΙξΓ’Δ_πμΑ½ΰΜΘΜΕAE\ΖΝΎ¦Θ’ͺ^ΕΝΘ’B
qdpaññāͺ»κιΖ©πΝΑ¦ιB
qdpaññāΜνΞπA¦t―ιΖA³ΎΖ’€ΓΕͺXΙΑ¦ιB
qdpaññāΝV½ΙηΔιΰΜΕ ιB
Ρt«ΜθΖρθ
niyata-aniyata-yogī-cetasika@@@@θEρθΜS@@p58,17
issā-macchara-kukkucca-virati-karuṇādayo nānā kadāci māno ca thīna-middhaṃ tathā saha.
Yathāvuttānusārena sesā niyata-yogino.
±κάΕΰ©κ½Ζ±λΙΑΔAΉiAΰΜΙ΅έAγχΝAΚXΙAάθΙΣκiΆάκιjB
£ΰίiΖμjΰA»κΌκiΗκ©κΒjͺAάθΙΣκiΆΆιjBΰά½΅©θB
¨ΎE°ΰ΅©θA»΅ΔκΙiΆΆιjBcθΝAθ΅ΔΡΒ’ΔiΆΆιjΰΜΕ ιB
κΙSΜ±ΖπniyataθΖζΤB
ΚXΙΝ½ηSΝaniyataρθΖζΤB
©ͺͺL©ΘΙΝΰΜΙ΅έͺΆάκA©ͺͺn΅’ΙΝΉiͺΆάκιζ€ΙA±ΜρΒΝΞΫͺ³½ΞΘΜΕAρθΜΦW«Ι ιB
virati£ΜS@@@sPπ΅Θ’wΝΜGlM[@@@uZZπβηΘ’A~ίι«vP@
ΧΜ¨Μg}gπHΧ½’AΖvΑΔΰA’’¦AάΘ’AΖ’€α€iΫθ·ιjGlM[πόκΔsΧπ~ίιB
Ά½Μ{\ΝζΓαΡs
{\ΙνΉΔΆ«ιΜΝyΙ΄ΆιB
Ύ©ηqgΝyΘΉAζΓαΡsΜ{\πIΤB
΅©΅±ΜζΓαΡsΜ{\ΝsKΜΚπo·B
»΅Δκ΅ή±ΖAsKΙΘι±ΖͺΪΙ©¦ΔΰA±ΜΉπiήΜΝζΓαΡsΖ’€{\ΜΉ’Ε ιB
{\π~ίι«ͺRΒΜ£S
Ύ©η{\π@Ι΅Θ’ΕA©ͺπηι±ΖΝPsΧΙΘιB
»ΜκΙΝ½ηSͺvirati£SΕ ιB
sammā-vācā @κ@@@@@@€»A\AγYκA³Κb©η£κΔ’ιΎκ
sammā-kammanto μΖ@@@EΆAήAΧϊ©η£κΔ’ιs
sammā-ājīvoΆv@@@@@@«κA«sΧ©η£κΔ’ιΆvΜθi@@@@@@
Ή, 44 Magga Saṃyutta, Avijjāvaggo
ͺ³Ήͺϋ@ΕAΚͺπEB
ͺ³ΉΜCsͺ’ΤΜxάΕiρΎlΝAΕγΙBpbTi[αzΙ§ν·ιB
BpbTi[αzΕΟzͺΑ¦ΔAγνθΙqdpaññāͺ»κΔιB
»ΜqdpaññāΕuκΨΜ»ΫΝAΜv€ζ€ΙΫ·ι±ΖΝΕ«ΈAsSΕ θAΜv€ΚθΙΝΘηΘ’v±ΖπoιB
·ιΖAκΨΜ»Ϋ©η£κ½’AEo΅½’AΖ’€’Σ~ͺΆάκΔιB
ΙA±±λͺπEΙB·ιB
u»Ϋ½ιΰΜΝ½Ε λ€ΖΰA»κ©η£κ½’vΖ’€σΘ£viratiͺ ιB
SΜάΖίϋsaṅgaha-naya@@
saṅgaha-gāthā@@Ϋσ@@p59,18
chattisānuttare dhammā pañcattiṃsa mahaggate aṭṭhattiṃsāpi labbhanti
kāmavacara–sobhane.
sattavīsati epuññamhi dvādasāhetuke ti
ca yathāsambhava-yogena pañcadhā tattha saṅgaho.
³γΙΝ36@ͺAεΙΝ35ͺA~EςΙΝ38ͺΎηκιB
sΏisPjΙΝ27A³φSΙΝ12ͺΎηκιBΖ’€Σ€ΙAΆΆιiSΖΜjΡt«ϋΙζΑΔA5νήΜάΖίϋͺ ιB
³γΖΝo’ΤEAεmahaggataΖΝFEA³FEΜ±ΖΕTθΙζΑΔμηκιB
SΕΝ½ηSΜΖΆ½Ν
SΕΝ½ηSΜΖΆ½ΝΝδα·ιB
CΝͺΘ’lΝκϊΜεΌπΘ’SΕιη΅Δ’ι©ηB
P’αΕΝAP’±ΖπμρΕ·ιΖΕΕ33ΜSͺΝ½ηB
«’αΕΝA{θΜSiαΡͺSjΜlΝ17ΜSi€κΨ7AG5A€sP4AαΡPj
ΕΜSΝAα¨@γgΜQZbgΜκΕSΝ7B@΄ΆιΎ―ΜSΕAΝπφ΅Θ’B
Ε½ΜSΝAo’ΤSΕA»ΜΝΕΦτ]Άπζθz¦ΔπE΅Δ’ιB
±±λΜΝππ·ιlΝAFΜ¨ΏΜΝͺχX½ιΰΜΎΖ©·ιB
SΜγAε¬
κΒΜ±Ζπ·’ϊΤΙν½ΑΔϋK·ιΖASΝε«ΘΑΔA»ΜΐHͺΘPΙΕ«ιζ€ΙΘιB
©½AvP[Vπμ¬·ι±ΖΕAΘΙΘθAnϋ·ιB
P’±ΖΕ κA«’±ΖΕ κA½΅ΔJθΤ·ΖAΘPΙΝΟ¦ηκΘ’©½AvP[VͺoγͺιB
±ΜWΜͺe©Μ«iΕ ιΜΕA«iπΟ¦ι±ΖͺΕ«ιB
»γSwΖ§³ΜSw
»γSwΝqgΜ±±λΜ»σπΰΎ·ιΰΜΎͺA
§³ΜSwΝ
κΨΆ½Μ±±λΜ»σπOκIΙͺΝ·ιB
»κηΜΝ½η«πΰΎ·ιB
βθ_π©o·B
πτπρΔ·ιB
»Μϋ@πΰΎ·ιB
u½·ιΖ΅κιvΖ’€±±λΜ@₯
lΝP’±Ζπ·ιΘηΞAJθΤ΅JΤ΅¨±Θ€Χ«Ε ιAΖίΈΝΰB@oTH
JθΤ·±ΖΕSͺε«ΘιΜΕAP’±Ζπ·ι@οπΎ½ηA»κπΕ«ιΎ―JθΤ΅½ϋͺ’’B
ϊ₯πηι±ΖAαzΐHπ·ι±ΖΝAPSπε«·ι±ΖΙΘιB
ϊ₯πηιΖAPSπJΤ΅ΔΆΆ³ΉΔAP’lΤΙΘθ«ι±ΖͺΕ«ιB
ά½αzπΐH·ι±ΖΕ±±λΜ³π΄¦ΔAPSπε«·ι±ΖͺΕ«ιB
ά³΅FEA³FEAo’ΤEΝmahaggata-cittaΕ ιB
T}^αzΖBpbTi[αz
‘ΜΞΫπF―·ι±Ζππ―ΔκΒΜΞΫπF―΅±―ι±ΖΕAκ««ekaggatāΜSπηΔιB
qdpaññāΜSΝκ««ΙΝ½ηΜΕAqdpaññāΜSπε«ΘιB
BpbTi[αzΝqdpaññāΜSπΙΝAε«·ιB
±ΜqdpaññāΜSΝΟYπΕ΅Aliπόγ³ΉιΝπΑΔ¨θAκxηΔιΖAΚΝγίθ΅Θ’B
΅©΅BpbTi[αzΕΝuqdpaññāπηΔιvΖ’€ε_Θ±ΖΙ§ν·ιΜΕΝΘAsatiπΐH·ιB
CΓ«satiΜΠΝ
Ct«ΖΝ½ΘΜ©HCΓΖ½ͺN«ιΜ©H
ϊνΆΜF―ΖΝ¬³κ½F―Ε ιBFΊ‘GΜMΖΣΜMπ¬―³ΉΔ΅ά’AJ^`πμθ½’³Σ―Μ@\ΙζΑΔAΌzΜF―ͺμθγ°ηκΔ’ιB
½Ζ¦ΞA¨ͺF―·ιΜΝAΉΖ’€όgΜgΘΜΎͺA»κπΉΜθͺ·±¦ιAΖF―΅Δ΅ά€B
±ΜFΊ‘GΜMΖΣΜMͺ¬πψΙJbg·ιΜͺsatiΜψΝΕ ιB
¬@\ͺΈΑΔ’ΖAMΝs’³κι±ΖΘAF―·ιζ€ΙΘιB
±±ΕCsΝ¬·ιΒ\«ͺ ιΜΕΣͺKvΕ ιB
¬@\ͺΈ΅½ΜF―πA»Μάάπ·ιB
±κͺdhammavicayaA _}ΜTE²ΈB
s’΅Δ΅ά€¬@\ͺΈι½ΡΙAqdpaññāΜSΝε«ΘιB
·ιΖA^i_}jͺν©ιζ€ΙΘΑΔιB
^ͺ³ά΄άΘgένΉΕ»ΫΙΘι±Ζΰ©·ιB
κΣΜ_ΕF―·ι±ΖͺΘΘιΜΕAΥIΘ@₯ΙX|bgCgͺ½ιζ€ΙΘιB
»±Εaniccā,dukkhā,anattāΙΪoίιB
»΅ΔόίΔAΆoΕ ι»ΫΙϊνκΔ’ι±Ζπ©·ιB·ιΖ―ΙΟYͺΑ¦Δ΅ά€B
ΟYπfΒΜΝqdpaññāΜSΜπΕ ιB
ζSͺ@SΜΆΕΜͺΝ
ΫGͺΚPakiṇaka-saṅgaha-vibhāga@@@@G½ΘΰΜΜͺΝ @@SΜͺή
#1 paṭiññāṇa-mātikā@@@v|EvΪ@@@
sampayuttā yathāyogaṃ, te-paññāsa sabhāvato, cittacetasikā dhammā, tesaṃ dāni yathārahaṃ, vedanā-hetuto kicca-, dvārālamhaṇa-vatthuto, cittuppādavasenf eva. saṅgaho nāma nīyate.
KXΙ΅Δ’ιSΖSͺA©«iΖ’€Ο_j©η53 ιB‘A»κηΜSΖSΙΦ΅ΔAσAφAμpAεAAξ©ηASͺΆN·ιdϋΙ]ΑΔAKΨΙάΖίͺ±©κιB
yathāFadvD[Vya-thā] cΜ@Ι
#2 vedanā σ
tattha vedanā-saṅgahe tāva tividhā vedanā; sukhaṃ dukkaṃ adukkhamasukhā ceti, sukhaṃ dukkhaṃ somanassaṃ domanassaṃ upekkhā ti ca bhedena puna pañcadhā hoti.
»ΜΕσΜάΖίΙΦ΅ΔΝAάΈAσΝyAκAsκsyΜ3νήΕ ιBά½AyAκAμAJAΜΖ’€ͺήΙζΑΔΝA5νΕ ιB
σvedanā@@@@΄σ«@@@MΙ½·ιΝ½η«
FΊ‘GΣΙ½·ι±ΖπuσvedanāvΖ’€B
σvedanāΝAF―ΕΰAmΕΰΘ’BάΎmΑΔΝ’Θ’ΜΎ©ηB½Ύ½΅½Ύ―ΜXebvB
±Μu΄Άι±ΖͺΆ½vΎΖ§³ΕΝΰB
Ά½Μθ`ΝAΰOΜΒ«Ι½·ι©Η€©B
±Μ½ͺσvedanāΜ΄σΖ’€Ν½η«Ε ιB
½·ιΝ½η«ͺ ι¨ΜΝΆ½ΜΕA½·ιΝ½η«ͺΘ’ΘηΞ¨ΜΕ ιB
lΤΝ[ΎΕ«Θ’@³IvlΝOκIΙMΒ·ιΖ’€ΤxπζιB
MΒ·κΞ»±ΙqΟIAv[`π·ι±ΖͺΕ«ΘΘιB
sοΙ ιζ€ΘεΚΜV΅’ξρͺgΜΜMΜCΓ«πYκ³Ήι
qgΝάΈ©ͺΜgΜπ΄ΆΔ½·ιBΙOΜMΙ½·ιB
΅©΅O€Ι άθΙ½Μξρͺ ικΝAgΜΙ½·ι±Ζͺν©ηΘΘΑΔ’ιB
RΝ±±λΜ«ΏͺΟ»Μ΅’Ζ±λΙX|bgCgπΔιΜΕAωmΜgΜΜΟ»ζθΰAO€ΜhΜΩ€ͺε«Ο»΅ΔA»±ΙV΅’ΰΜͺ½’©ηΕ ιB
±±λΜΑ₯ΝΆ«Δ’ιΐθAxή±ΖΘΞΫ¨π©Β―ΔΝF―·ι±ΖΕ ιBF―ͺ±±λΜK\Ε ιBgΜΙ_fͺKvΘζ€ΙA±±λΙΝF―πKvΖ·ιB
±κͺSΜΝ½η«ΜζκΜ@₯Ε ιB
O©ηΜξρͺΥf³κΔΰA±±λΝ~άι±ΖΘAgΜΖL―ΖΟzΜMΙ½·ιB
Μ΄ΜvlΟz
gΜͺ³ά΄άΘ±Ζπ΄ΆΔ’ιΖv€ΜΝvlΟzΕ ιBgΜͺ@m΅Δ’ιΜΝΕ³Ζ·xΎ―Ε ιB
Ι_ΝΕ³ΜMΘΜ©H@³Νπ΄ΆιΜΰΕ³ΙR·ιΜ©H@dΝΜ΄mເΘΜ©H
y³AgͺθAk¦AΰΕ³ΘΜ©H
Ε³ΖMΙ½΅ΔA_η©’ΰΜAd’ΰΜAM’ΰΜAβ½’ΰΜΖ’€TOπμΑΔF―·ιB
±κΝe©ΜTOiΟzjΘΜΕA ιlΜ_η©’ΰΜΝΌΜlΙΖΑΔΝd’ΰΜΘΜ©ΰ΅κΘ’B
gΜΕGκιΰΜΙd³Ζy³π΄ΆιΜΰAΏΚΜΕ³ΜMπd’Ey’Ζ’€TOΙ΅ΔF―΅Δ’ι©ηΕ ιB ιlΜdέΜ΄oΝΌΜlΖΑΔΝy³ΘΜ©ΰ΅κΘ’B
ΆέΖΝ½·ι±Ζ
ΆέΖΝAΆ«Δ’ι±ΖΕ θA΄oͺ ι±ΖΕ θAO©ηΜMΙ½·ι±ΖΕ ιB
΅©΅Alͺ±κπ[Ύ΅Θ’ΜΝATOΙζΑΔA¨ΜφΚΦWπXLbv΅Δ΅άΑΔ’ι©ηΕ ιB
΄oπgνΘ’ΖoκΘ’JjY
άΈΝ¨ΙΉΜMͺGκΔΙ»κπF―·ιΎ―Ε’’ΜΙA
MͺGκ½γA»κηΜMπίΙwK΅½p^[ΙΖο³ΉΔA ιp^[π»κηΜMΙ―κ»iu«·¦A³ξAψAΔΈΑΫ€ΙA½ΣΘA³Σ―ΙAίθκΚ»΅ΔAΘρΖΘAm©ίΰΉΈΙAs’΅ΔA³ΧCΙA€ΘAΌπ΄ΆΈj΅ΔAΉΜθβΤΜGWΉΎΖuΙTOπ¬΅Δu·v±ΖΙΘιB
»΅ΔΜ±±λΜμpΕAu·’½ΰΜvπy΅’A€ι³’ACΙΘηΘ’AΘΗΖ΄ΆΔ’ιB
e©ͺΖΑ³Ι΄ΆιTOͺ»ΜlΙΖΑΔΜΐΘΜΕA©ͺͺ΄Ά½±Ζ𳡒Ʒ ·ι±ΖΙΘιB
y΅’ΉβΉβBGMΎΖF―·ιΜΝΗκΰ΄oΜXebvπςΞ΅ΔA{lΜͺΜΎ―ͺΒΑ½TOΕF―΅½ΰΜΘΜΕAΗκΰͺ³΅Θ’Bΰ΅ΝΗκΰͺ³΅’B
e©ΙΖΑΔΝ³΅’Ζ’€±ΖΝAΌΜl©ηέκΞ³΅Θ’Β\«ͺ ιB
ΑκΘοΜIΘTOΕ κΞ ιΩΗAΌΖΜ€Κ_ΝΈ·ιΜΕA»κΝ³΅Θ’Ζ]Ώ³κιB
±Μζ€ΙA©ͺͺ³΅’Ζ’€φoπψ’Δ’ιΖA’ηwΝ΅ΔΰA€ΚΜΐi^AκΙ¬κΔ’ιΰΜjΙι±ΖΝΘ’B
±Μζ€Θ±Ζ©ηAMπ θΜάάΙσ―ζθ½’ΙΝAu΄ovΙX|bgCgπΔ±―ι±ΖΕAίΜf[^πΖο·ι±ΖπW°ΔTO𬳹Ȓ±ΖͺK{ΖΘιB
±κͺͺΙN±ιTOΖ’€vlp^[Ιϊνκι±ΖΘAtbgΙMπσ―ζιϋ@Ε ιB
oι½ίΙΝA΄oΜΝ½η«πΣ―IΙgνΘ―κΞΘηΘ’B
u΄ovΙξΓ’ΔΟzͺπ©ΉΔTOπμιΜΕΝΘAu΄ovΙΞ·ι· πΜΔκΞAκπζθz¦ΔπEΙB·ι±ΖͺΕ«ιB
±Μu΄ovΝφΙζΑΔΆΆιuΤΙΑ¦ι³νΘΰΜΕ ιB
’ΜΕN±θΎικΨΜ@³ENwETOΘΗΝσvedanā©ηnάιB@@brahmajāla-sutta@Τo
©ͺΜΐ΄Νσvedanā©ηnάι
©ͺͺ’ιΐ΄ΝAσvedanāΙζΑΔyΖκΜ^OͺΒ±ΖΕΣΙ ιTOΖ¬΅Δ»κιρIΘTOΕ ιB
€κΨSΙσvedanāͺ ιΜΕAΗρΘF―ΙΰσvedanāΜSͺgνκιB
F―π·ι½ΡΙσvedanāΕ±Μ’ΜuΆέvπmF·ι±ΖπΚάΕJθΤ·ΜΕ ιB
±Μ½Α½κΒΜSͺuΟνηΘ’©ͺͺ’ιvΖ’€sεΘφoπψ«N±΅Δ’ιB
σvedanāΜΜ±ΕmθAl¦AΟzπ·ιΜΎ©ηAσvedanāΜΜ±πgΑΔ©δΣ―πfΒΜΝΘPΕΝΘ’B
ΆέΝ±Μζ€Ι΅Δ ιΜΕA±ΜΆz·ΘνΏΟzΜ’EͺAΈΑΖρθ±―ιB
½Μ½ίΙαzπ·ιΜ©AΗρΘΜ±πΪw΅Δ’ιΜ©H
qhD[³ΕΝAσvedanāπ³ΐΙάΕg°ι½ίΙαzπ΅AΒδΖ^δΜκπΪw·iφoj
΅©΅A±κΝκΕΝΘAYpΕ ιH
§³ΝΕΝAσvedanāΙΞ·ι· ©ηπϊ³κι½ίΙαz΅Aσvedanāͺ³νΕ ι±Ζπΐ΄΅AΦτiΆέj©η£κιjbo[iΜΜ±πΪw·B
gε΅½΄σiσvedanāΜΜ±jπϊ·ιΜΖA½Ζ¦gεσΤΙΘΑΔΰ³νΕ ι΄σΙ· ΅Θ’±ΖπΪw·ΜΕΝA―ΆαzΕΰ ΑΔΰΔρΕ ιB
΄Άι±ΖͺΆ½
b·Al¦ιANwA@³AoΟA|pB±κηΜcεΘξρβm―βΝΗ±©ηΆάκιΜ©H
·ΧΔΝ΄oͺσ―ζΑ½MπεΟIΙ¬΅½ΰΜΕ ιB
F―Νe©Ιΐηκ½ΰΜΎͺA΄Άι±ΖΝ·ΧΔΜΆ½Ι€Κ΅ΔN±ιoΕ ιB
΄ΆιMΝάΑΔ’ΔPΘξρΕ ιB
uΣvΜM
FΊ‘GΣΜΕΣΜMΝΑ₯ͺ ιB
»κΝίΙwK΅½zsaññāπx[XΙ΅Δ¬³κ½L―βΟz³κ½TOΕ ιB
»κΝΐΎ―ΕΝΘ θΎΘ’±ΖΰC}Wl[VΙζΑΔμηκ½ΰΜΕ ιB
»΅Δ½ΜΰΜͺζΓαΡsπx[XΙ΅½±ΖΕΕ«½TOΕ ιΜΕAαz·ιΙΝuΣvΜξρπσ―ζηΘ’ζ€Ι·ιΜͺRcΕ ιB
·ΧΔΜσvedanāΝRΒΙͺή³κι
sukhaṃ dukkaṃ adukkhamasukhā@yAκAsκsyΜRΒΎ―B
σvedanāΖyAκAsκsyΜRΒΎ―ΘΜ©ARΒΙͺή³κιΜ©ARνΜ€ΏΜκΒΜ^OͺtΜ©H
Ά½ΜΝΗρΘσ΅ΕΰνΙ΄ΆΔ¨θA»Μ½©ηΆάκι΄oΝyAκAsκsyΜRΒΎ―Ε θAΗρΘΆ½Μΰ±κΎ―΅©΄ΆΔ’Θ’B
±ΜRΒΜ½©η³ά΄άΘΟzπdΛΔvzβΠοβθπΒιB
±Μζ€ΘΟzπμθo·’EΝFΜ@₯Ι¦΅Δ’Θ’ΜΕ{Ικ΅’B
yΖμAκΖJ
gΜΕ΄ΆιysukhaΖSΕ΄Άιμsomanassa
gΜΕ΄ΆικdukkaṃΖSΕ΄ΆιJdomanassa
yΙΞ΅Δ~Μ΄ξ
κΙΞ΅Δ{θiβjΜ΄ξ
sκsyΙΞ΅Δ³mΜ΄ξͺΆάκιB
΅©΅AsκsyΙCt’Δ’ιΖ³mΕΝΘA·
ΕΰβΕΰΘ’βΓ³Ε ιΜupekkhāͺΆάκιB
#3 vedanā-citta –vibhāga@@@@σΙζιSͺΚ
tattha sukha-sahagataṃ kusala-vipākaṃ kāya-viññāṇaṃ ekaṃ eva, tathā dukkha-sahagataṃ akusala- vipākaṃ
»ΜΕAyδSΝAPΩng―ΜκΒΎ―B―lΙAκδSΝAsPΩng―ΜκΒΎ―Ε ιB
somanassa–sahagata-cittāni pana lobha-mūlāni cattāri, dvādasa kāmāvacara-sobhanāni, sukha-santiraṇa- hasanāni ca dve ti aṭṭhārasa kāmāvacara-somanassa- sahagata-cittāni cf eva paṭhama-dutiya-tatiya- catutthajjhāna-saṅkhātāni catucattālīsa mahaggata-lokuttara-cittāni ceti dvāsaṭṭhi-vidhāni bhavanti.
κϋAμδSΙΝAζΓͺSSΒΖ~EςS12ΖμxSΖΞNSΜQΒΖ’€~EΜμδSͺ18 ιB
»κΖATAζρTAζOTAζlTΖΔΞκιεSΖo’ΤS44 ιΜΕA±Μ62νήͺ ιB
bhavatiF[Vbhū] ι
domanassa-sahagata-cittāni pana dve paṭigha-sampayuta-cittānf eva, sesāni sabbāni pi pañcapaññāsa upekkhā-sahagata-cittānf evā ti.
³ηΙAJδSΝαΡSQΒΎ―BcθΜ55ΜSΝ·ΧΔΜδSΕ ιB
#4 saṅgaha-gāthā@@Ϋσ@@4
sukhaṃ dukkham upekkhā ti tividhā
tattha vedanā, somanassaṃ domanassa iti bhedena pacadhā.
sukham ekattha dukkhañ ca,
domanassaṃ
dvaye ṭhitaṃ, dvāsaṭṭhīsu somanassaṃ, pañcapaññāsaketarā.
»κΙΒ’ΔΝAyAκAΜΖ’€3νήΜσͺ ιBμAJπͺ―κΞA5νήΜσͺ ιByΝκΒΜΖ±λig―jΕAκΰά½κΒΜΖ±λig―jΕ΄σ·ιBJΝ2ΒΜκiαΡSjΕ΄σ΅AμΝ62SΕ΄σ·ιB»ΜΌiΜjΜSΝ55ΜSΕ΄σ·ιB
Ύιy΅ΣιάΑΔ’ιΙΝ~ΜSA
ΓΘCͺΜΙΝ{θΜSA
yΕΰκΕΰΘήόΘΙΝΜδΜζΓͺS
Ώ ©Θ’Sβ^’ΜSͺ ικΝAsͺSΕ ιB
μpΜΘ’y΅έπ΄Ά½’ΜΘηΞAΒΛΙβΓΕ’ΔA΄η©ΘSiςSjΕ’ιKvͺ ιB
φΜάΖί @@hetuΖΝΟIΙPΖ«Ιͺ―ιϋ@
#5 hetu@@@φ@@
hetu-saṅgahe-hetū nāma lobho doso moho
alobho adoso amoho cāti chabbidhā bhavanti.
φΜάΖίΙΒ’ΔAφΖΝAζΓAαΡAsAsζΓAsαΡAssΜ6νήΕ ιB
±±ΕΜuφvΝA©ͺΜsΧͺPsΧΙΘιΜ©A«sΧΙΘι©πίιφΜ±ΖB
Ar_}ΜφhetuΝP«ΜζΚπ·ι½ίΜξΖΘιSΜ±ΖB
ξΝζΓAαΡAsAsζΓAsαΡAssiqdpaññājΜ6νή
φΚ@₯ΜφΕΝΘ’BφΚΜφΖΝAΚΜ΄φΕ θAΚͺ»ΜάάΜ΄φΖΘιB
qgΙΝPΖ«πΝΑ«θ³Ή½’«Ώͺ ιB
«isPjΜSΝ3νή@@@SΙsͺ ιΖ«ΙΘι
ζΓΖs
αΡΖs
sΎ―
΅©΅½ΏΙΝζΓΖαΡΝν©ιͺA½ͺsΘΜ©Νν©ηΘ’B
~β{θβΉiΘΗͺΆάκ½ηsPSΕ ι±ΖΙCΓΝAΐΫΝ»ΜO©ηsΙζΑΔSΝκA·ΕΙsPSΕ Α½B
½ΎPΙΆ«Δ’ιΝsΙζΑΔSΝsPΙΘΑΔ’ιB
PΜS@@@SΰΜΰΎιAyA³CΙΘι@@@@@SΙ]Tͺ ι
ζΓͺΑ¦ιΖA·Ι»ΜtΜsζΓΜSͺΆάκιB@@~΅’ΕΝΘA °ιΖ’€£gIΘSΙΘιB
·ιΖA»κΙΊΑΔAαΡͺΑ¦ΔsαΡΜSͺΆάκιB@’ΕΝΘΔ’’Ε·ζΖ°eΙΘιB
PSΜκΝsζΓΖsαΡΝ©ΘηΈ ιͺAssΝN«½θN«Θ©Α½θ·ιB
§³Μqd@@@«Ισ]Θ΅
ΰΜ²Ζͺ³νΕ ι±ΖπΜ±·ι±ΖB
ΰΜ²ΖΝΟ»·ιB»΅ΔΑ¦Δ’B»κͺ@₯ΎB
³νΕ ι±ΖπΜ±·ιΖAΰΜ²Ζ©η£κ½ΘΑΔA· SͺγΘιB
qdpaññāͺSΙόΑΔ’ιΖASͺ«ΙΧι±ΖͺΘA΄η©Ε ι±ΖπηΑΔκιB
±€΅ΔPSͺhι¬Θ’A’ΰΜΙΘιB
u©ͺΜσ]ΚθΙΝ½κΒ’ΝΈͺΘ’BmΝmΜ@₯Η¨θΙ’Δ’ιB©ͺΜ]έͺ ΑΔΰA»€ΝΘηΘ’vΖ«Εl¦ΔΰASΝ©ͺΜσ]ΚθΙ’ζ€ΙKΙΘΑΔwΝ·ιB
»κΕΰσ]Η¨θΙΝΘηΘ’Ζ΄ξIΙΘΑΔguπμθAκ΅έͺΆάκΔ΅ά€B
·ΧΔΝφΚ@₯ΙζΑΔ’Δ’ιΜΕ ΑΔA©ͺΕΝΗ€΅ζ€ΰΘ’±Ζͺͺ ιB
½ΏΰφΚ@₯ΜκΕ ΑΔA»κ©η£κι±ΖΝΕ«Θ’ΜΎ©ηB
©RΣuΰφΚ@₯ΙζΑΔ¬θ§ΑΔ’ιΜΕA{Ι©R©Η€©Νθ`ζΕ΅©Θ’B
ΐΫΙΝ©ͺΜσ]Η¨θΙΝ½κΒ’©Θ’±ΖͺAΰΜ²ΖΝφΚ@₯ΙζΑΔΟ»΅Δ’ι½ίΕ ιB
΅©΅sΜ«ΙζΑΔA©ͺΜσ]ͺ€ζ€ΙwΝ·ιΖ’€sΜΥΕΆ«Δ’ιB
θΎΘ’±ΖΙ`W΅Δ’ιΜΕAΈ]΄A΅³Ζ’€CΏπ΄ΆιΜΝπ―ηκΘ’B
lΝσ]ͺ ι©ηͺρΞκιΖl¦ιͺAlΝσ]ͺ ι©ηκ΅ήΜΎAΖ’€Μͺ§³Μ^Ε ιB
ΉΝσ]ͺάΑ½Θ’©ηA½Μκ΅έΰΘ’B
ο«Ν©ͺΜσ]Ε¬θ§ΒΰΜΕΝΘA³ά΄άΘφΙζΑΔN±ιΚΕ ιB
ΪIβσ]ͺP’ΰΜΕ ΑΔΰAΪIΙδ©κιζ€ΙΘιΖASͺκΔ΅ά’AΪIͺd’«gΙΘιB
«Μ±ΖπCΙ·ιΜΝ~ίΔA’άΜuΤΕ©ͺͺβηΘΔΝΘηΘ’±ΖΎ―πsΑΔέιB
·ιΖεΟyΙΘθACͺΝΗΘιB
σ]π³΅ΔA’άβιΧ«±ΖΙΎ―W΅Δdπ·ιB
±κͺqdpaññāπIέΙgp·ιΆ«ϋΕ ιB
qdpaññā ιlΝA½ͺN«ΔΰAu ΘιΩΗA»€’€±Ζ©vΖ©Δ’ιΎ―Ε ιB
»κͺ§³Μ΄Ε θAΐθ΅½SΜgΕ ιB
ϊνΆΜΕAΩρΜΝ©ΤπζΨΑΔΕΰu·ΧΔΝΟ»΅ΔΑ¦Δ’vΖqdpaññāΜ©ϋΕ±Μ’πΆ«ΔέιB
³φΜScitta@@@P«Μ΄φΙΘηΘ’S
#6 hetu-citta –vibhāga
φΙζιSͺΚ
tattha
pañcadvārāvajjana-dvi-pañcaviññāṇa- saṃpaṭicchana-santīraṇa-voṭṭhabbana-hasana-vasena aṭṭhārasa ahetuka-cittāni nāma,
sesāni sabbāni pi ekasattati cittāni sahetukānf eva.
»ΜΕAάεψ]SΖAά―ͺ2νΖAΜσSΖxSΖmθSiΣεψ]SjΖΞNSAΜ18ͺ³φSΖΔΞκιBcθΜ71Ν·ΧΔLφSΕ ιB
άεψ]S@@dvāraεCΛ@@@@@@vajjana@avoidanceG shunning@@CΓ«AρπH
ΜσSsaṃpaṭicchana
xSsantīraṇa
άεψ]Spañcadvārāvajjana@@@α¨@γgΙ ι΄σ«@@
ά΄oν―ͺMπψ«Β―ι½ίΙN«Δ’ισΤΜScittaΜ±ΖΕA±κΙζΑΔ΄oͺ ιB
½Ζ¦ΞAαΙFΖ`ͺGκ½ηA·Ι»κπσ―ηκισΤΙ΅Δ’ιΝ½η«Μ±Ζ
±κΝκΒ΅©Θ’ΜΕA―Ι©ιAAkA‘ν€A΄ΆιΝΕ«Θ’B
½Ζ¦ΞAόΝΙ’λ’λΘΉͺ ΑΔΰAάεψ]Sͺ¨ΙN±ηΘ’ΜΘηΞA’©ΘιΉΰ·±¦Δ±Θ’B
FΊ‘Gπσ―ι½ίΙAα¨@γgΙΝ½ηSΝOΰΑΔΗΜν―ΙMͺGκι©\ͺΕ«Θ’ΜΕAνΙ΅Δ’Δ’ιB
±Μζ€Ιάεψ]Sͺ’ΔASͺάεπf¬θρΑΔ’ιΜΕAqgΝΏ ’Δ’ηκΘ’B
±κΙΝζΓαΡs©Ϋ©ΙΝ΄φͺΘ’ΜΕ³φSΖζΤB
BpbTi[αzπ΅Δ’ιΙ’©Θι΄oΰΘΘιJjYπmθ½’B
άεψ]SͺΝ½η’Ē马θAΗ±©κΣΜ΄oν―ΰ΅ΝΣ―ͺμ΅Δ΅ά€ΜΕB
άε]
εΟΖσvedanāΜυEsυΜ^OΜͺΚΜα’@
e©ΜΪΙΝ©½’ΰΜͺ©ηκιB¨ΙΝ·«½’Ήͺ·―ιBγΕΝ‘ν’½’ΰΜͺ‘ν¦ιB
³Σ―Μ€ΏΙ©½Θ’ΰΜΝ©Θ’ζ€Ι΅Δ’ιB
©½Θ’ΰΜπ©ιΖAΣ―Ικ΅έͺN’ΔιΜΕA»κπσ―όκΔί΅Θι©Aβ΅Δ{ι©ΜΗΏηΙΘιB
©½’ΰΜ©ιΖAΣ―ΙμΡͺN’ΔιΜΕA»κπσ―όκΔy΅ΘιB
±Μ©½’A©½Θ’Ζ’€ΜΝA»ΜlΜεΟΙζιΰΜΕ ιB
΅©΅Σ―ΜΜζΎ―ΕΝΘA³Σ―ΜΜζΙΰAD«’Ν·ΕΙ ιB
ίΓ«½’E£κ½’uΜ2νήΜF―vZX
εΟΘOΙΰD«ΘΰΜΖ’ΘΰΜπͺΚ·ι³Σ―ͺ ιB
PsPΙΝΦWͺΘA·«½’ΉΖ·«½Θ’ΉΝ·ΕΙίΜwKΖΆigΜΖΜ«A€ΒgjΙζΑΔάΑΔ’ιB
e©ΙζΑΔα€ίΜwKΙζιΰΜΖAlΘηΞNΙΕΰ€Κ΅Δ’ιΰΜͺ ιB
½Ζ¦Ξ ιΉΝσ―ζιΖCΏζΘθA ιΉΝΘCΏΙΘιB
ΙAAr_}ΕΝάε]ΙΝPΜΩniφΚjΖsPΜΩniφΚjΜZbgΙρΒͺ ιRΝA
ίΓ«½’ΰΜΙΞ·ιF―vZXΖ£κ½’ΰΜΙΞ·ιF―vZXΜ2νήͺ ιΖ’€±ΖB
±ΜͺΚΰqgΜζΓαΡs©Ϋ©ΙΝ΄φͺΘ’ΜΕ³φSΖζΤB
xSsantīraṇa@@@@@@@san@sam―H@tīraṇaF[ntD] decisionG judgement@x
ά΄ν―©ηόιΞΫΜMπΜσSsaṃpaṭicchanaisaṃ- €Ι@paṭiccaΒΘͺιjΕσ―ζθA
ΜXebvΕxSͺ±ΜόΑΔ«½MπuΤΙAωΙ ι’λ’λΘJeS[Ιͺ―όκΔ·ι«Μ±ΖB
±ΜJeS[Νsukhaṃ dukkham upekkhāyEκEΜiD«E’EΗΏηΕΰΘ’jΖ’€ξΎ―ΘΜ©H
½Ζ¦Ξσ―όκ½’Ή©σ―όκ½Θ’Ή©ΙͺΚ·ιB
JeS[ΜΙΝΗ΅«΅Ζ’€JeS[ΰ θAεΟΕΝΘ³Σ―ͺθΙͺΚ·ιB
±κΙΝμΡΰκ΅έΰΘ’B
΅©΅±ΜͺήΙξΓ’ΔAΗ’JeS[©ηy΅έͺΆάκA«’JeS[©ηΝκ΅έͺΆάκΜΕAuΣvΕεΟͺ¨«ιΖA½Ζ¦ΞuCΏ’’ΎvuCΏΜ«’ΎvΖ’€2νήΜ»fπ·ιB
½Ζ¦ΞAnΙΆάκ½Ά½ΝA·ΧΔΜξρπxSͺ«’Ζ»f·ιΜΕAnΕΝκ΅έΜέπ΄ΆιB
ίΜJ}Ε»fξπίηκΔ΅άΑ½ΜΕA{lΝΗ€·ι±ΖΰΕ«Θ’B
±Μsukhaṃ dukkham upekkhāΙζιͺΚΘOΙΰA½Ζ¦Ξuͺ§ΙGκ½±ΖΙζΑΔΜ·ͺDνκ½v±Ζπ»f·ιΜΝAxSΜΝαeΘΜ©H
ΣΕN±ιxSΝͺGκ½ΘΗΖ’€qΟIΘξρΙΝζηΘ’ΜΕA’ΒΕΰooΘ»fΙΘιB
SΙGκι»Ϋi_}dhammājΝί»έ’iL―AσzAΐjA¨ΏEρ¨ΏΘκΰ ιΜΕAu ιΰΜAΘ’ΰΜΘρΕΰvͺGκι±ΖΙΘιB
±€΅ΔΟzΜΕιη΅Δ’±ΖΙΘιB
»κΙΞ΅Δα¨@γgΙGκιΜΝ»έΙΐΫΙ ιΰΜΜέΕ ιB
cf.§π©ιΖqgΜxSͺPΩniPΚjΖͺΚ΅APSͺ©ΘηΈΆάκιB
uΧ³πMΆΔ’ιlΰ§π©½ηA§π©½uΤΝPSͺΆάκιvΖί΅Δ’ιBoTH
Tatthāpi dve momūha-cittāni ekahetukāni, sesāni dasa akusala- cittāni cf eva ñāṇa-vippayuttāni dvādasa kāmāvacara-sobhanāni ceti dvāvīsati dvihetuka-cittāni. Dvādasa ñāṇa–samyaputta-kāmāvacara-sobhanāni cf eva pañcattiṃsa mahaggata-lokuttara-cittāni ceti sattacattālīsa tihetuka-cittāni ti.
ά½A»ΜΕΙπSisͺSjQΒΝAκφΕ ιBcθ10ΜsPSΖ12Μqs~EςSΖΜ22ΝρφSΕ ιB12Μq~EςSΖAεSΖo’ΤS35ΖΜ47SΝOφSΕ ιB
momūha-cittāniΙπSisͺSj³mΎ―ΜSB
sPSΜcθΜ10Ν~©{θ©ΜΗΏη©ΖΡΒΜΕρφΕ ιB
#7 saṅgaha-gāthā@@Ϋσ@@7
Lobho doso ca moho ca, hetū
akusalā tayo, alobhādosāmoho ca, kusalābyākatā tathā.
Ahetukāṭṭhārasf eka-hetukā dve dvāvīsati, dvihetukā matā
satta-cittālīsa
tihetukā.
sPΜφΝζΓAαΡAsΜRΒB―lΙAPΖ³LΜφΝsζΓAsαΡAssΜRΒB
³φSΝ18AκφSΝ2AρφSΝ22AOφSΝ47 ιB
μpΜάΖί@@@±±λΜΝ½η«Ν14νή
#8 kicca@@@μp
Kicca-saṅgahe-kiccāni nāma paṭisandhi- bhavaṅgāvajjana-dassana-savana-ghāyana-sāyana-phusana-
sampaṭicchana-santīraṇa-voṭṭhabbana -javana-tadārammaṇa-cuti-vasena cuddasa-vidhāni
bhavanti.
μpΜάΖίΙΒ’ΔAμpΖΝ·ΘνΏAΆALͺAψ]A©A·AkA¦AGAΜσAxAmθA¬sAήAΖ’€14νήΕ ιB
vajjanaFnD[vajjati @] ρπ
vidhānaFnD ͺή
uΝ½η«vͺ ιΰΜπmΖΌΙΌt―Δ’ι
Άέ·ιΰΜΙΝΝ½η«ͺ ιB
ΙuΝ½η«vΙX|bgCgπΔιB
Ώ±ΏΙuΝ½η«vͺ»κΔΝΑ¦Δ’B
Ώε€ΗoΙ’λ’λΘΉgͺ½ιζ€ΙB
ΉgΜΝ½η«ΙΌΜΌΜπ’λ’λΖt―ΔΝ[Ύ΅Δ’ιB
±€΅ΔmΝΖ§΅½ΆέΕΝΘΘιB«ͺ ι©ηΌΙumvΖΎ¦ιΜΕ ιB
Ν½η«ͺΘΘκΞAΌt―ι±ΖΰAπ·ι±ΖΰAΕ«ΘΘιB
mΜ{ΜσΤπT·ΜΝλΑ½Av[`ΜTυΕ ιB
mΕΝΘuΝ½η«vΙΒ’ΔT·κΞA»ΫΜ θΜάάΜσ΅π©Ε«ιB
uκΨΝAmΕΘAβ¦ΈΟ»·ιΝ½η«Ε ιBv
kiccauΝ½η«vΖΝ«Ε θAνΙΟνι
§³ΝmΜΆέΕΝΘAuΝ½η«vπFίιB
Ν½η«Ν ιͺAεΜΝΘ’B
κͺb·¨cκΜΊΖ’€uΝ½η«vͺAΉgΜUΖ’€uΝ½η«vπgΑΔ’ιB
uκΨΝ_Ci~bNΘIΕ θAΓ~_βΐΜ_Ν¬θ§½Θ’v
ΉοπgΑ½ΘwIqΟ«Ύ―ΕmΝΆέ·ιΖ’¦ιΜ©
qgΜ¨Ε±¦Θ’ΉΕΰ@BΕͺθΕ«ιΉgπ΄ΉgΖζΤB
u±Μ’ΙΝ’λ’λΘΉͺ ιͺA½ΏΙΝΩρΜΝ©΅©·±¦Θ’vΖ’€§κB
΅©΅·±¦Θ’ΉΝAΉΕΝΘ’B
ΙuΝ½η«vΙX|bgCgπΔΔέιB
FΜ ιGlM[ΝΫΙΝ½΅Θ’ͺA ι@BΙ½΅A»κπoΕΒ»Ε«ιζ€Ι·ιB
΅©΅A»Μ@BΙ½΅Θ―κΞAΘwΙΖΑΔ»κΝΆέ΅Θ’B
dq°χΎΙ½΅Θ―κΞA»κΝΆέ΅Θ’B
΅©΅uΝ½η«vͺ κΞΆέ·ι±ΖΙΘιB
ΆS@paṭisandhiuV΅ΆάκΟνιvΝ½η«
ιgΜΕSͺΖάιΖAα€κΕSΝ«nάθA»ΜnάθπuΆvΖζΤB
±ΏηΜΆ«ϋΖΌΜΆ«ϋπq°ΔuΤvSΜΝ½η«Ε ιB
±ΜΝ½η«πΦτ]ΆΜ¬κΖ’€B
Ν½η«Νβ¦Έs’±―ιΜΕAκΒΜΝ½η«ͺIνιΖAuΙΚΜΝ½η«ΙΪ]·ιB
ΦτΎ―ΕΝΘAb·AΰAHΧιΘΗΜϊνΆΜΜΝ½η«Εΰ―Ά»Ϋͺ©ηκιB
±ΜΝ½η«ΖΜΝ½η«ΜΤΙΝΤͺΘ’B
SΝgΜζ€Ι±
±Μ~άηΘ’Ν½η«πΘwIΙugvΖ΅ΔΰΎ·ιΖAj [gΜGlM[ΫΆΜ@₯Ε θAGlM[ͺΆάκ½ηAJ^`ΝΟ·³κΘͺηΰiΙGlM[ͺΆάκqͺΑΔ’B
ά½α€g¦ΘηΞAgΝΌΜΝΖdΘι±ΖΕzϋ³κιͺAg»ΜΰΜπΆέo·ΝiΖn ΜdΝjͺ ιΐθΝAgͺΑ¦ΔΰV΅’gͺΆέo³κAgͺΑ¦ι±ΖΝΘ’B
gΜΆάκΔΝΑ¦ιΖ’€A±«ΝΈΑΖ±’Δ’ιB
ΚΜSΝuάΎ«θΘ’AάΎ«θΘ’vΖ€ΜGlM[ͺΈΑΖβ[΅±―ιB
Ε·©ηΆ½ͺρΕΰASΝ@\ΕΝ½η«Ε ιΜΕA»ΜάάΑ¦ι±ΖΝΘ’B
p[κΕΝ½H
€πcθΘζθ±Ζ±»ͺπEΕ ιB·ιΖΦτ]ΆͺIΰ·ιB
SΜgΜgΝΈΑΖ±ΜΕ ΑΔA»κͺJ^`ΙΘΑΔ’ιΜͺΆ½ΜB
Μͺπ}¦ι±ΖΕAΜΆͺaΆ·ιΜΕA±κͺΆάκΟνιΖ’€±ΖB
νΙΟ»΅Δ’ι¨Ώπxz΅Δ’ιSΝAζθ½ΜGlM[πΑΔ’ιB
Φτ]ΆΜπίΜα’
JgbNΕΝuβ¦ΤΘ°ͺά½»κι±ΖΕAJ~ͺά½`Xπ^¦Δκ½BΜ`XπΆ©΅ΔΚπo»€Bv
§³ΕΝuβ¦ΤΘ±Ν½η«vΖ΅ΔΜΦτΝASΜΝ½η«π~ίΘ’Ζά½J^`πΆέo΅±―Δ΅άΑΔSππϊ·ι±ΖͺΕ«ΈAΦτΜΕκ΅έ±―ι΅©Θ’
mͺζ©Sͺζ©
ΧEͺ ΑΔΰΆ½ΙΝΘηΘ’B¨Μͺ ΑΔΰΆ½ΙΘηΘ’B
Sͺ ΑΔΧEͺΆ«±―ιBSΜΝ½η«ͺ~άιΖΧEΜ¬·Ν~άθΚ±ΖΙΘιB
ΧEͺΆ«±―ι½ίΙΝASΜΝ½η«πq¬±―Θ―κΞΘηΘ’B
ΆΖΝ±ΜuΒΘv@\Μ±ΖΕ ιB
»΅ΔΧEͺσκΔρΕΰAΚΜΧEπμΑΔq°Δ’ιB
σκιΧEΖΆάκιΧEΜΎ―ΕΝΘAΧE©ΜΰΩΖρΗΔ’ιͺA―κΕΝΘ’B
΅©΅ΈΑΖqͺΑΔ¬κΙΘιB
SΜXs[h
Ήyπ·Ζ’€±ΖΝAΉgΙνΉΔoͺΟ»΅A»κπF―΅ΔAΣά·ιΜΕAΉΜΟ»ζθΰ½{ΰ¬SΝΟ»΅Δ’Θ’ΖAΉπΣά·ι±ΖͺΕ«Θ’B
άιΕ―©Μζ€ΙA©ΔAΑΔAGκΔ’ιF―ΰSΝ΅Δ’ιΜΕ»ΜXs[hΝ¦άΆ’B
LͺS@bhavaṅgā@@@bhavaΆέ@aṅgā½ΜΦΜζ€Θi@@@@@@@@
Άέπq¬±―ιSΜΝ½η«@@@@ΌmSwΕΎ€³Σ―ΜΜζ
πg€±ΖΕΣ―Μ«π~ίι±ΖΝγwIΙΒ\Ε ιB
·ιΖΟYͺΆάκι±ΖΰΘ’ͺ»κΝπEΕΝΘ’B
όιξρπJbg·ι±ΖͺoθΕ ιΖZ΅Δ΅ά¦ΞAά΄oν―ΜαQΕΆάκ½lͺKΕ ιΖ’€±ΖΙΘιB
ͺΨκιΖAά½MͺO©ηόθASΜ@\ͺ΅A~β{θβ ηδιΟYͺά½ΆάκιB
ΕΝͺψ’Δ’ιΜSΜσΤΝH
΄oΝΘA©δΣ―³¦ΰΘ’B©δΣ―Να¨@γgΣΙόιf[^π·ι±ΖΕΆ·ιΰΜΎ©ηB
©ͺͺ’ιΖΐ΄ͺ ιΜΝA©ͺΖf[^ͺΚXΙ ιΖφo΅Δ’ι©ηB
©ͺͺ’ιΖ’€ΐ΄ΝίΜ©πΕ ιBu’άE±±vΝ±ΜσΜf[^ΙΪκtΘΜΕͺIνΑ½γΙΣΜΕuν½΅ͺβΑ½vΖ’€Σ―ͺΆάκ½B
uΜΆέvΝA’Βΰί`ΜγtΕ΅©Θ’ΜΕA»ΐΖͺ£΅½F―Ε ιB
½ΎκΒuΆ«±―ιvΖ’€Ν½η«π΅Δ’½B
±κπLͺSbhavaṅgāΖ’€BLΝΆέAͺΝ½ΎqΖ’€Σ‘B
bhavaΆέ@aṅgā½ΜΦΜζ€Θi
ά΄oν―ΕF―·ιΙΝΤiρjͺ©©ιΜΕA»κηπq°ιπΪπ΅Δ’ιΜͺLͺSΕAF―Ζ’€¬κπκ{Ιq¬±―ιΎ―ΜΝ½η«πΒB
½ΰF―΅Δ’Θ’ΕΰΈΑΖ½ͺ¬κιΖ’€ξ{IΘSΜuΆ«Δ’ιΖ’€Ν½η«vΜ±ΖB
SΝΣ―Ζ³Σ―Μρd\’Ε’Δ’ιΜ©H
ΣΜΕuΙξρπ΅Δ’ιΜΕA―Ι@\΅Δ’ιζ€Ι¨α’΅Δ’ιB
SΜF―vZXΜXs[hΖ³νΜTOͺΌmSwΕΝπΕ«Δ’Θ’½ίΕ ιB
ψ]S@āvajjana
FΊ‘G@ΜMΙGκ½uΤΙΣ―ͺΆΆιB
±Μζ€Ι’ΒΕΰMπσ―ΔΣ―ͺΆΆιυπ΅Δ’ιΝ½η«Μ±ΖB
»Sͺ¬κΔ’ιζ€ΘMΜ‘Ι₯Ξͺ ιΖz’ρΉηκιζ€Ι¬κͺΘͺι«π·ιζ€ΘΰΜB
¬κͺΘͺι±ΖΕF―ͺΝΆάιB
©A·AkA¦AG@@@@dassana-savana-ghāyana-sāyana-phusana
©A·AkA¦AGΜΝ½η«
ά΄Ε΄Άι±ΖΰSA·ΘνΏSΜΝ½η«Ε ιB
ΜσS@sampaṭicchana@@@@@
ξρπσ―όκι±ΖΕSͺΟνι±ΖB
xSΖmθSsantīraṇa-voṭṭhabbana
ίΓ«½’ΰΜ©£κ½’ΰΜ©Μ^OπΒ―ΔAcμπmθ΅Δͺή·ιΜͺmθS
mθSΖΝΣεψ]SΜ±ΖH
¬sS@javana@@ιAΖ’€Σ‘
όΑ½ξρΙζΑΔSͺΑΔA¨π»f·ιΝ½η«
FΊ‘GΜMGlM[ͺΑ¦ΔA±±λΜF―GlM[ΙΟ·³κΔAvlͺnάιΝ½η«
ήtadārammaṇa
εΉΚπ·ΖA»Μγΰ΅ΞηcΏ·ιΝ½η«BRfT[Μζ€Θ«
Mͺ’Ι±ΜΝ½η«ͺN±ιB
cuti
FΊ‘GΜMͺόηΘΘθALͺSΜσΤͺ±«ASΜgͺγάθAΒ’ΙΝgΕΒΜπ~ίιB
±Μπ»ΜlΝρΎAΖ’€B»΅ΔA±ΜgπXgbv·ιΝ½η«πScutiΖ’€B
ΜuΤΙAΌΜκΕgΕΏπΝΆίιͺA±κπΆSpaṭisandhiΖ’€BΌΜΕΆάκΔ«nίι±ΖΰSΜΝ½η«Ε ιB
gΜͺγάΑ½σΤΕLͺSΙΖΗάΑΔ’ιΖΚ°κͺ ιB΅©΅AMπσ―ιq΄«ͺ κΞΚ°κΝΘ’B±Μq΄«ΖΝάεψ]SpañcadvārāvajjanaΜ±ΖH
gΜ©ηξρͺ`νΑΔ±Θ’ΘηiΙA¨σΤΕ’ι±ΖΝΘAΚB
Sͺβ~·ιΖtͺgΜπzΒ΅ΘΘιΜΕAΧEͺV΅Άάκι±ΖΘ½Ύφσ΅Δ’ΜΕAgΜΝΚ±ΖΙΘιBSβ~ΝΜu΄φvΎͺAuv»ΜΰΜΕΝΘ’B
BpbTi[αzΖΝΙιvZX©ηΜuΤάΕΜ^Μ±ΎΖ΄ΆιB
§³ΕΝASΜXgbvͺΕ ιB
χΆ¨ΙSΝ ιΜ©HA[o[ΙSΝ ιΜ©HECXΙSͺ ιΜ©H
_oΗͺΘ’Ά¨ΙSΝ ιΜ©H@
A¨ΙSΝ ιΜ©H
IWM\EΝOEΙ½΅Δ’ιΕΝΘ’©H
χΆ¨βA¨ΙΝ_oΗiOγσtjΝΘ’Μ©H
¨ΏΙSΝΘ’Μ©H
H2OΝOEi·xjΙ½΅Δ’ιΕΝΘ’©H
OEΙ½·ιΰΜπSͺ ιΖ§³ΕΝθ`·ιΜΕΝΘ’©H
]ͺ@\΅ΘΘΑ½qgΕΰFΊ‘G©ηΜMΙ½΅Δ’ιΘηΞSΝ ιΖΎ¦ιB
μp·ιζΙΒ’Δ
#9 ṭhāna@@ζ
paṭisandhi- bhavaṅgāvajjana-pañcaviññāṇadassana-ṭhānādivasena pana tesaṃ dasadhā ṭhānabhedo veditabbo.
ΆALͺAψ]Aά―ΘΗiΜσAxAmθA¬sAήAjΝAζΖ΅ΔΝA»κηΙΝ10νήΜζΜα’ͺ ιΖmιΧ«Ε ιB
ṭhāna@@ΤΖσΤΙζΑΔίηκ½σATPO
SͺΝ½ησi_j
ά―ΕΝα¨@γgΜF
»κΘOΝSFΖ’’AAr_}ΕΝSΙΘιB
oTΕΝSFΖΝuΣvͺΝ½ηκΜ±Ζπ³·ΜΕASΕΘ―κΞΘηΘ’Ζ’€RΙΝΘηΘ’Ζ’€ΜͺX}iT[Μ©πBpuredhammaΖΜδr
μπ©ιΖ’Βΰα€ ͺ¬κΔ’ιͺ»κπ΅ΔμΖζΤζ€ΙASΰμΖ―ΆΈΑΖ¬κΔ’ΰΜΕAgπ©ιΖ―ΆΰΜΝκΒΰΘA―ΆSͺΔΡΆάκι±ΖΝρxΖΘ’B
νΙV΅’SͺΆάκΔA»κͺΑ¦ΔAΜV΅’SͺΆάκΔ’ιB
―ΆCΏΖ’€ΐ΄ͺ ιΖl¦Δ’ιͺAΐΫΙΝ‘ϊΜ{θβμΡΝπϊΜΰΜΖΔΝ’ιͺ―κΜΰΜΝΘ’B
μpΖζΜΞΦW
#10 Kicca-ṭhāna-citta-pabheda@@μpEζΙζιSΜζΚ
Tattha dve upekkhā-sahagata-santīraṇāni cf eva aṭṭha mahāvipākāni ca nava
rūpārūpa-vipākāni ceti ekūnavīsati cittāni paṭisandhi-bhavaṅga-cuti-kiccāni nāma.
»ΜΕAΜδΜxSQΒΖεΩnSWΒΖAFEΖ³FEΜΩnS9ΒΖΜ19ΜSΝAΆALͺAΜΝ½η«π·ιB
Ά½Ν½©ΜΖkammaΙΠΑ©©ΑΔ’ιBΆSΝ»ΜΖkammaΙK΅½SΙΘιB
ΚΜSΜσΤͺΆάκΟνθΜσΤΙΦνι
sPΩnΜΜδxS@@@~EΜ4ΊΚ
PΩnΜΜδxS@@@@lΤEΕ ιͺΚΜΆͺΕ«Θ’ΩΗγ’Άάκ
~EςSΜεΩnS@@@@SΒΜqSΝOφisζΓsαΡssjΘΜΕAΗ±άΕΰSΜ¬·ͺΒ\B@@@@@@
@@@@@@@@@@@@@TθπμθAπEΙB·ι±ΖΝyΙΕ«ιB
@@@@@@@@@@@@@QΒΜμδqSΝA«iIΙΰ©ΘθΎι’B
@@@@@@@@@@@@@SΒΜqsSΝρφisζΓsαΡjΘΜΕ¬·ΝΕ«ιͺwΝͺKvB
ΜδxSͺγ’ΜΝSΜͺΘ’©η
~EεΩnSͺ’ΜΝPSͺΕαΕΰ25 ιB±κΙTθͺΑνιΖ³ηΙΘιB
SΜ³ΝΖkammaΕ ι
ΖkammaΝΣucetanāΜSΎͺAΌΜSΖκΙ’ΔSΙ³π^¦ιB
ΆάκΔ©ηΚάΕSΜΝ½η«Μ«φΝ―Ά
paṭisandhi-bhavaṅga-cuti-kiccāni ΆALͺAΜSΜΝ½η«Ν―Ά
ΆSΜΏΝΚάΕp±·ιB
Ύ©ηΖ’ΑΔASΜ¬·π©ηΐιΜΕΝΘAΚάΕSͺ¬··ι±ΖΙ§ν·ι±ΖB
ΚΤΫͺ¬·΅½SΜΈ_Ε ιB
ψ]Μμp@@@@@±Μψ]ΜXΜΝ½η«ΙζΑΔAF―vZXͺΝΆάιB
āvajjana-kiccāni pana dve
ψ]ΜΝ½η«π·ιSΝQΒ ιB
āvajjana@@X«@@'advertence' of the mind towards the object@@ΣiX|bgCgjΦΜXό
άεψ]S@@α¨@γgΙΞ΅ΔΜX
Σεψ]S@@ΣΙΞ΅ΔΜX
±ΜΣεψ]SΜ½ίASͺΟz·ιΞΫ©η£κΈ±ΡθΒ’Δ΅ά’A»Μ±Ζ΅©F―Ε«Θ’B
2ΒΙͺ―½RΝAάεψ]ζθΰΣεψ]ΜϋͺΘPΙN«ι±Ζππ·ι½ίB
Σεψ]ΜΩ€ͺθΑζθβθβ·’B
ά½X·ιΝ½η«ΘΜΕAΣεψ]ΝΣ}IΙXΕ«ιAΖ’€±ΖB
οΜIΙΝA©½’ΰΜπ©ΔA©½Θ’ΰΜ𳡽θAl¦½’ΰΜπl¦Al¦½Θ’ΰΜπl¦Θ’±ΖͺΕ«ιB
ΣucetanāΕΗΕ«ιB
X·ιΝ½η«©Μπ»·ιζ€Ιηή±ΖͺΕ«ιB
·ιΖqdpaññāΙΒΘͺιB
tathā dassana-savana-ghāyana-phusana-sampaṭicchana-kiccāni ca,
―lΙA©A·AkA¦AG@ΜσΜΝ½η«π·ιSͺA»κΌκiSΜΝ½η«jΕ ιB
©A·AkA¦AGΝχΜΙΛΆ΅Δ’ιSΜΝ½η«Ε ιB
±κηΜ«ΙζΑΔΩnSͺ’ΙN«ιΖ’€±ΖΝAίΜkιΖA±κηΝΖkammaΜΚΘΜΕ ιB
½Ζ¦Ξ ιlΝlQπHΧιΖf«Cͺ·ιΜΝΆSΙζΑΔθάΑΔ’ιΜΕAΗ€΅ζ€ΰΘ’B
ΖkammaΝκlΠΖθα€ΰΜΕA»ΜΚΝ½lΕ ιͺAΖkammaΝ³ΐΕΝΘ’ΜΕAΆUΙν½ΑΔΝ½ηφέΝΝ ιͺAφέΝπg’«ιΖA»κͺ@\΅ΘΘιB
±Μ@₯Μp@Ν
’ΘlQπHΧιΜΝy΅Θ’ͺAHΧι½ΡΙsPΩnγ―ΜφέΝiΖkammajπgΑΔ’ιΜΕA»ΜΝͺs«½Ζ±λΕlQπHΧΔΰsPΩnγ―ͺN±ηΘΘιB»΅ΔPΩnγ―ͺΝ½ηζ€ΙΘΑΔlQͺό‘΅΄Άιζ€ΙΘιB
ά―Μ@\π·ΫΒΙΝAά―ΜμΡΙΞ΅Δίρ΅ΔAhΙ²ΙΘηΘ’Ω€ͺΐSΕ ιB
xΜμp
tīṇi santīraṇa-kiccāni.
xΜΝ½η«π·ιSΝRΒΕ ιB
xSΖΝu»Κv·ιΝ½η«
sPΩmͺΜδΜPΒAPΩnͺμδΖΜδΜQΒΕ ιB
mθΜμp
Manodvārāvajjanam eva pañcadvāre
voṭṭhabbana-kiccaṃ sādheti.
Σεψ]SΝAάεiΙ¨―ιά―jπmθ·ιΝ½η«πs€B
sādhetiF[sādh + e] accomplishes@·ι@B¬·ι
άε©ηΜMͺόΑ½Ύ―ΕA»κͺ½Ε ιΜ©Νͺ©ηΘ’ΜΕA»κͺξρΙΘι½ίΙΝA‘xΝΣεψ]SΜΝ½η«ΕMΙX|bgCgͺ½ι±Ζπ«Α©―Ζ΅ΔAΟzvZXͺΝ½η’Δu±€’€FΊ‘Gπ΄Ά½vΖ»f·ιB
±Μ»fΝΙΣ―ΜΝ½η«ΘΜΕAu«κ’ΘΰΜπΪΕ©ιvΜΕΝΘAuΣ―Ε«κ’ΎΖ»f΅Δ©Δ’ιvΜͺΐB
FΊ‘GΜMπJ^`EFΘΗΙͺπ΅ΔAΙΣΙ ιξρπ¬΅ΔC[Wπμθγ°Δ’ιB
¨’΅³ΖΝK΅
Ά»AΒ«Ι¨―ιJθΤ΅ΙζΑΔu»fvΝόθή±ΖͺΕ«ιB
]ΕΝό‘΅’©Η€©Ν»fΕ«Θ’ͺAu±Μ‘Ν¨’΅’vΖ’€p^[πμιΖA{lΝ±Μp^[ΙK΅Γ―ηκAρ»Μζ€Ι»f·ιζ€ΙΘιB
±€βΑΔAqgΝ©ͺͺμΑ½C[WΜ’EΜΕΆ«Δ’ιB
FΊ‘GΜMποΜIΙΟ@·ιΜΕΝΘA
Σ©β΄zΝC[WΙ·¬Θ’ΜΕA^ΙζθgήΰΜΕΝΘ’B
ΖkammaΝSΕάι
·ΧΔΜΖkammaͺN±ιΜΝAΣ―ΜΕ ιB
SΜΝ½η«ΕΖkammaͺΕ«ιB
sΕΝΘACΏΕ ιB
»΅ΔεΘΜΝNΙΖΑΔ©ΜCΏΕ ιB
ΒάθAεΜΕΝΘΞΫΜCΏΕ ιB½ΜκΝΞΫΰ©ͺ©gΕ ιB
»Μ½ίΙΝ_}dhammaΰmηΘ’Ζ’―Θ’B
ZϊΕΝΘ·ϊΙν½ι©RΜ@₯ΰmηΘ’ΖθπΓβ©΅ΔΒ³ΉΔ΅ά€±ΖΙΰΘιB
ZϊIΙΝ΅΅’ΖvνκνκΔΰA»Μ½ίΜϋΝΰΏλρP’ΖkammaΕ ιB
»΅ΔASΕί½·ΧΔΜsΧͺΖkammaΙΘιB
¬sΜμp
āvajjana-dvaya-vajjitāni kusaākusala-phala-kiriya-cittāni
pañcapaññāsa javana-kiccāni.
QΒΜψ]Sπ’½PSAsPSAΚSABμSΖ’€55ΜSΝA¬sΜΝ½η«π·ιB
ήΜμp
Aṭṭha mahāvipākāni cf eva santīraṇa ttayañ ceti ekādasa tadārammaṇa-kiccāni.
8εΩnSΖxS3ΒΖΜ11ΜSΝA@ήΜΝ½η«π·ιB
eSΜ¨―ιμpΜ
#11 yathāsaka-citta-kicc-gaṇanā@@eSΜ¨―ιμpΜ
Tesu pana dve upekkhā-sahagata-santiraṇa-cittañi paṭisandhi-bhavaṅga-cuti-tadārammaṇa-santiraṇa-vasena pañca-kiccāni nāma..
ΙA»κηΜΕAΜδΜxS2ΒΝAΆALͺAAήAxΖ’€TΒΜΝ½η«π·ιB
vasena
vasoFandivasaṃj WishCdesireG willCauthorityCpower
xΜξ@@@ΒΕΝΘ·ΧΔΜΆ½Ε€Κ
uΙΖΑΔD’ΰΜΕΰΌlΙΖΑΔΝ«’ΰΜvΖ’€ζ€ΘΒlIΘ»fΕΝΘA^Μ’EΜ»fB
ι@₯Ζ΅ΔάΑΔ’ιSΕAuPΎΖ»f³κιΰΜΝANΜSΕΰPΎΖ»f·ιvu«Ζ΅Δ»f³κιΰΜΝAΗρΘΆ½ΰ«Ζ»f΅Δ΅ά€vΰΜB
Mahāvipākāni aṭṭha paṭisandhi-bhavaṅga-cuti-tadārammaṇa-vasena catu- kiccāni nāma..
εΩnS8ΒΝAΆALͺAAήΖ’€SΒΜΝ½η«π·ιB
SͺΘιΖA·ιdΜνήΝΘΘιB
xSΝγ’ΜΕ5ΒΎͺAεΩnSΝ’ΜΕdΝ4Β΅©΅Θ’B
Mahaggata-vipākāni nava paṭisandhi-bhavaṅga-cuti-vasena ti- kiccāni nāma..
εΘισΤΙΘΑ½ΩnSXΒΝAΆALͺAΖ’€3ΒΜ«π·ιB
Mahaggata@@FEΕΜTΒΖ³FEΕΜ4ΒΜTθΜS@@
Somanassa-santiraṇaṃ santiraṇa-tadārammaṇa-vasena du-kiccaṃ.
ΜδΜxSΝAxΖήΖ’€2ΒΜΝ½η«π·ιB
±κηΜ18Μ³φSΝPΕΰ«ΕΰΘA’ΒΕΰgνκιΝ½η«Ε ιB
±κηΝ ηδιF―ίφΙ¨’ΔNΙΕΰKΈN±ι@\Ε ιB
tathā voṭṭhabbana-voṭṭhabbanāvajjana-vesena.
mθSΝAmθΖψ]ΜΝ½η«π·ιB
xSͺP«π»f΅AmθSͺ»κπu A±€’€ΰΜΎvΖmθ·ιB
±±άΕΜvZXΝ@₯ΕάΑΔ¨θAΟXΝsΒB
Sesāni pana sabbāni pi
javana-manodhātuttika-dvipañca-viññāṇāni yathāsambhavam eka-kiccāni ti.
cθΝ·ΧΔA·ΘνΏ¬sSAΣEΜ3ΒA2νήΜά―ΝAΆάκΔΙΆΔA»κΌκPΒΜΝ½η«π·ιB
#12 saṅgaha-gāthā@@Ϋσ@@
paṭisandhi nāma, kiccabhedena cuddasa, dasadhā ṭhānabhedena, cittuppādā
pakāsitā.
Aṭṭhasaṭṭhi tathā dve ca, navāṭṭha dve yathākkamaṃ, ekadviticatupañca, kicca-ṭṭhānāni niddise.
ΆΘΗΖΔΞκιSΜN±θϋΝAμpΖ’€©ϋΕͺή·ιΖ14νήAζΖ’€©ϋΕͺή·ιΖ10νήΙΘιΖΰ©κ½B
±€΅Δ68SΝPμpPζASQΒΝQμpQζASXΒΝRμpRζASWΒΝSμpSζASQΒΝTμpTζΕ ιΖAΙ¦³κ½B
μδΜxΖmθ@@@@SQΒΝQμpQζA
εSΜΩn@@@@@@@SXΒΝRμpRζA
~EεΩn@@@@@@@SWΒΝSμpSζA
ΜδΜx@@@@@@@SQΒΝTμpTζ
#13 dvāra@@ε
Dvāra-saṅgahe dvārāni nāma cakkhu-dvāraṃ sota-dvāraṃ ghāna-dvāraṃ jivhā-dvāraṃ kāya-dvāraṃ mano-dvārañ ceti chabbidhāni bhavanti.
εΙάΖίΔέιΖAεΖΝAαεA¨εA@εAγεAgεAΣεΜUνήΕ ιB
½w@\ΜΔΡϋ
―Ά»ΫΕΰπΙζΑΔψ«N±·μpi@\jͺα€ΖΔΡϋπΟ¦ι@@
MͺόιόθϋΖ΅ΔΰΎ·ικΝAZuεv
F―πiικΖ΅ΔΰΎ·ικΝA@Zuͺv
ΜζΖ΅ΔΰΎ·ικΝA@@@@@@ZuEv
#14 dvāra-citta-vibhāga εΙζιͺΚ
Tattha cakkhum eva cakkhu-dvāraṃ, tathā sotādayo sotadvārādīni.
mano-dvāraṃ pana bhavaṅgan ti pavuccati.
»ΜΕAαεΝΪΕ ιͺA―lΙA¨εΝ¨ΘΗΕ ιBκϋAΣεΖΝLͺΜ±ΖΕ ιΖΎ¦³κι
ΣεΖΝLͺS
Sg΅Δ’ιΝ²ΰ©Θ’ͺASΝΏαρΖΝ½η’Δ’ισΤΕ θAZε©ηΜMͺσ―ζκιάΕASΝΆΕπJΤ΅ΘͺηΜSΖΜRlN^[Ε ιLͺSibhavaΆ«Δ’ιaṅgaq¬jΖ΅ΔqͺΑΔ’ιB
½©πl¦ιΙΝA±ΜLͺSͺΝΆίΜόθϋA·ΘνΏεΙΘιB
LͺS©ηXebvπdΛΔvlΙΘΑΔ’ΜΕALͺSͺΣεA·ΘνΏl¦ιόθϋΖΘιB
ΆέΖΝSΜΝ½η«Ε ι@@@@@@@§³ΜΆέΖΝgΜΕΝΘSΜΫΕ ι
SͺgΜπ}ΜΙ΅ΔASΝgΜΙΛΆ΅Δ’ιB
]igΜΜν―jͺSΖΝAΎνΘ’B
αzΐHΙ¨’ΔASΝgΜΙΛΆ΅Θ’Ε©RΙΝ½η±ΖͺΕ«ιΖ’€§κͺAr_}_
F―³β_ΚΝΝζdsvcΘ»ΫΕΝΘACs½ΏΜ½θOΜo±B
Σ―ͺΝ½ηκΝχΜΜΕΝΘ’
³FEΝgΜπ½Θ’VΜ³Ε ιͺA±ΜΜζΜΆ½ΜΝSΎ―ΕΝ½η’Δ’ιB
ΣεΖ’€uΣ―AL―AσzAθAvlvΜΜζΜόθϋΝAχΜΙ ιΜΕΝΘA»ΜANZX|CgΝLͺSΕ ιB
Tattha
pañcadvārāvajjana-cakkhuviññāṇa-pañcaviññāṇa- saṃpaṭicchana-santīraṇa-voṭṭhabbana- kāmāvacarajavana-tadārammaṇa-vasena chacattālīsa-cittāni cakkhu-dvāre yathārahaṃ uppajjanti.
»ΜAαεΙΝάεψ]SAα―AΜσSAxSAmθSA~E¬sSAήSΖ’€46ΜSͺΦXΙΆάκιB
YathāCiadvDj
[frDyaG
Vedic yathā@@@@ asClikeCin relation to
1άεψ]S
2α―
2ΜσS
3xS
1mθS
29~E¬sS
8ήS
Tattha
pañcadvārāvajjana-cakkhuviññāṇa-pañcaviññāṇa- saṃpaṭicchana-santīraṇa-voṭṭhabbana- kāmāvacarajavana-tadārammaṇa-vasena chacattālīsa-cittāni cakkhu-dvāre yathārahaṃ uppajjanti.
»ΜAαεΙΝάεψ]SAα―AΜσSAxSAmθSA~E¬sSAήSΖ’€46ΜSͺΦXΙΆάκιB
Tathā
pañcadvārāvajjana-sotaviññāṇadivasena sotadvārādīsu pi chacattālīsf eva bhavanti ti,
sabbathā
pi @pañcadvāre
catupaññāsa cittāni kāmāvacarānf eva.
―lΙ¨εΘΗΙΰAάεψ]SA¨―ΘΗΖ’€46ΜSͺAΦXΙΆάκιBά½SΜΖ΅Δ’¦ΞAάεΙ¨’ΔΆάκιSΝ54Μ~ESΎ―Ε ιB
Mano-dvāre pana
manodvārāvajjana-pañcapaññāsa-javana-tadārammaṇa-vasena sattasaṭṭhi cittāni bhavanti.
Ekūnavīsati paṭisandhi-bhavaṅga-cuti-vasena dvāra-vimuttāni.@
κϋAΣεΙ¨’ΔΝAΣεψ]SA55Μ¬sSAήSΖ’€67ΜSͺΆάκιB
ΆALͺAΖ’€19ΜSΝ£εSΕ ιB
£εS
εͺ ιΖ’€κΝΆ½ͺ ιΖ’€Σ‘Ε ιB
»ΜΆ½ͺΚuΤΕΕϊΙN±ιSπSΖΔΤͺAgΝLͺSΕ ιB½Ύ»ΜΆ½ΜΕΝF―ΜRlN^[μpπ΅Θ’ΜΕLͺSΖΔΤB
SΝgΜ©η£κιuΤΘΜΕA’©Θιε©ηΰ£κιΜΕ£εΖ’’A±ΜSΜΝ½η«ΝνΙ±’Δ’ιΖ’€_ΎΖAΦτ]ΆΝ½θOΙN«ιoΎΖπΕ«ιB
³FEΜTθΙB΅ΔSΘικΝAΦτ]Ά΅Δ³FEΜVΙΆάκΟνιΜΎͺA£ε΅Δ’ιΜΕΘ―κΞΆSΙεͺΘ’VΜΆέA»΅ΔΦτ]ΆΙ΅ͺ ιζ€ΙΘιB
SΜίΝ10ͺΜ1biimbj
SΝβ¦ΤΘΆΕ΅Δ¨θAΆΖΕΜΤΝSίΖΔΞκιB
#15 yathāsaka-citta-dvāra@@eSΜε
Tesu pana pañca viññāṇāni cf eva mahaggata-lokuttara-javanāni
ceti chattiṃsa yathāsraham eka-dvārika-cittāni nāma. Manodhātu-ttikaṃ pana pañcadvārikaṃ. Sukha-santīraṇa-voṭṭhabbana-kāmāvacara-javanāni cha-@dvārika-cittāni.@
³ΔA»ΜΕAά―ΖεSΖo’ΤSΜ¬sΖΜ36SΝAκεSΖΔΞκιBΣEΜ3ΒΝάεSΖΔΞκιByxSAmθSA~EΜ¬sSΜv31SΝ6εSΖΔΞκιB
10ά―Μ2Zbg
26εSΖo’ΤSΜ¬s
ΣEΜ3ΒΖΝάεψ]SΖQΜσS
1yxSA1mθSA29Μ~EΜ¬sS
Upekkhā-sahagata-santiraṇa- mahāvipākāni cha-dvārikāni cf eva, dvāra-vimuttāni ca.
Mahaggata-vipākāni dvāra-vimuttān evā ti.
ΜδΜxSΖεΩnSΝZεSΕΰ θA£εSΕΰ ιBεΙΘΑ½ΩnSΝ£εSΜέΕ ιB
#16 saṅgaha-gāthā@@Ϋσ16@@
Eka-dvārika-cittāni, pañca-cha-dvārikāni ca, cha-dvārika-vimuttāni, vimuttāni ca sabbathā, chattiṃsati tathā tīṇi ekattiṃsa yathākkamaṃ, dasadhā navadhā ceti, pañcadhā paridīpaye.
κεSAάεSAZεSAZεΕΰ£εΕΰ ιSA©ΘηΈ’ΒΕΰ£εSΖ’€5νήΜSͺA»κΌκ36SA3SA31SA10SAXS ιΖΙΎη©Ι³κ½B
ParidīpakaCiadjDj
[frDparidīpetiCcpCdīpaka1]
@@ΰΎ·ιexplaining
άεπΚ΅ΔΣεΕSͺΆάκι
¨πΚ΅Δ45νήΜSͺΆάκιB
»κηΝάεΙΑΔ’ιΜΕA·ΧΔ~ESB
¨πΚ΅ΔA½©΄z΅½ΰΜππ·ι±ΖΝΕ«Θ’B
πΕ«ιΜΝ~EΜlΤΖ«οΖ_XΙΦ·ι’EΎ―B
ΣεπΚ΅ΔΝA67νήΜSͺΆάκιB
SΝΗ±ΕΆάκιΜ©H@@@@mano,
citta, hadayaΜα’
_oΗΜB΅½]ΧEͺSͺΆάκιΖ±λΎΖ»γΘwΕΝθ΅Δ’ιB
Ar_}ΕΝκπΑθ΅Δ’Θ’B
SΜ―`κΝmano, citta, hadaya
mano,
@@@ΪΕ©ιmanoΕl¦ι
citta,@@@@¨ΏrupaΙΞ΅ΔΜScittaA@ScetasikaͺΝ½ησ
hadaya@@@zΒνnΜνΜS@@@^ΜH
ub^S[TΝuΣͺN±ικΝSΎBSΙAδXΜΣΜκͺ ιvΖΎ’nίΔ΅άΑ½B
½ΛΰvlH
MΙGκΔ·ΙθπψΖ’€½Λ@\ΰu»fl¦ι±ΖvΜΝ½η«Ε ιB
]άΕMͺ’©ΘΔΰASΝΝ½η’Δ’ιB
ίΈΝuΣΝhadayaΕΝ½η’Δ’ιvΖΰBoTH@@±ΜΜΣΖΝmanoHcitta,
Η±©ΙΣiSjͺΝ½ηΘηΞA»ΜκπhadayaΖΎ€B
OEΙ½·ιmπAuSͺ ιvΖ§³Νθ`·ιB
]ΜΘ’Ά½ΜA]EVPΧEΜAA¨ΕΝASͺΝ½ηκΝ]ΕΝΘ’B
SΕA]ΕSͺΆάκικͺ ιBΤα’ΕΝΘ’B
ΣiSjͺΝ½ηΘηΞA»ΜκπhadayaΖΎ€A©ηΕ ιB
ΜάΖί
#17 ārammaṇa
ālambaṇa-saṅgahe ārammaṇāni nāma rūpārammaṇaṃ saddārammaṇaṃ gandhārammaṇaṃ rasārammaṇaṃ phoṭṭhabbārammaṇaṃ dhammārammaṇaṃ ceti chabbidhāni bhavanti.
ΕάΖίιΖAΖΝAFAΊAA‘AGA@Ζ’€6νήΕ ιB
#18 ārammaṇa-citta-vibhāga ΙζιͺΚ
Tattha rūpam eva rūpārammaṇaṃ tathā saddādayo saddārammaṇādīni.
»ΜAFͺFΕ ιB―lΙΊΘΗͺΊΘΗΕ ιB
Dhammārammaṇaṃ pana pasāda-sukhuma-rūpa-citta-cetasika-nibbāna-paññati-vasena chadhā saṅgayhati.
@ΖΝAςFAΧFASASAΈΟA{έΖ’€6νήΙάΖίηκιB
pasāda-rūpaςF
rūpaΝ28ν ιͺAΪΙ©¦ιΜΝvaṇṇaΜκΒΎ―Bu’λv
vaṇṇa vaṇṇaF[mD] colourG appearanceG colour of the skinG sortG caste
n
ΞΜl³fΝΪΙ©¦Θ’ͺAάΖάιΖFi’λjvaṇṇa θgandha ‘Arasa {fojāΜ4νΜFi΅«jͺΊΘ€B
±Μu’λvvaṇṇaΎ―ΝΪΕ©ι±ΖͺΕ«ιͺAά―Ε΄ΆΘ’Fi΅«jͺ½³ρ ιB
½Ζ¦Ξ¨ΙΝuΉΙq΄ΘΝ½η«vͺ ιB»κπ¨ΜςFΖζΤB
ςFππ·ιΙΝASΕπ΅ΘΔΝ’―Θ’BΣ―ΜΞΫΕ ιB
sukhuma-rūpaΧFΰSΜΞΫ
ά΄ν―ΕΌΪΙ΄Άι±ΖΜΕ«ιFi΅«jΝUΒB
α¨@γgΕ΄ΆιFi’λjAΉAθA‘AniΕ³jAΞiMj
±κΘOΜΌΪΙF―sΒ\Θ22FπΧFsukhuma-rūpaΖζΤB
ΧFππ·ιΙΝASΕπ·ι΅©Θ’B
SΜΞΫ@@@citta, cetasika,nibbāna, paññatti
{έpaññattiΖΝ{ΝΆέ΅Θ’ͺAν―ΕΝu ιvΖvΑΔ’ιΰΜB½Ζ¦ΞAlβΨB
’IΙΝ½΅©Ιu ιvΰΜΎͺA§³Μ`ϊΕΝuΆέ΅Θ’v
»±ΙΨͺ ιΖΎνκΔΰAΪΙF―³κιΜΝFi’λjβ»κηΜWΜΎ―ΘΜΎͺA»κηπSΕuΨΎvΖ»f΅Δ’ιB
±κπ’ϊΖζΤBE\ΕΝΘ’B@conventional
truth έρΘΕ»€ί½ν―B
ά΄ΜξρπΣ―Μf[^Ζ¬΅ΔAm―Ι΅Δ’ιΜΕA»κΝΐΤͺ ιΰΜΕΝΘAΌΜ\z¨Ε ιB
»±ΕA±κη{έpaññattiΙΝΐΜΝΘ’±ΖπΔF―·ιKvͺ ιB
Tattha cakkhu-dvārika-cittānaṃ sabbesam pi rūpam eva ārammaṇaṃ tañ ca paccuppannaṃ, tathā sota-dvārika-cittādīnam pi
saddādīni tāni ca paccuppannāni yeva.
»ΜΕAκΨΜαεSΜΝFΜέΕ θA΅©ΰ»κΝA»έΜFΜέΕ ιB―lΙAκΨΜ¨εSΘΗΜΝΊΘΗΜέΕ θA΅©ΰ»κηΝA»έΜΊΘΗΜέΕ ιB
u’άE±±vΙ ιΉ΅©·±¦Θ’@@@@Sπ΄η©Ι·ιR
±Μ½θOΜ±ΖπΔF―·ιB
ΒάθA»κΘOΜF―ΝΣΕ¨±ιcεΘTOAm―AL―AvzΙcηάΉ½ΰΜΕ ιB
¨ΙόΑ½ΰΜAΪΙόΑ½ΰΜͺAΆ½ΜΙΈ_IΘκ΅έπ^¦ι±ΖΝΘ’ͺA½ΏΝΐθΜΘ’κ΅έͺ ιB
±κηΜκ΅έΝ©ͺΜΣΜΕ»κoιB
Ύ©ηSπ΄η©Ι·ιCsπ·ιΜΕ ιB
Mano-dvārika-cittānaṃ pana pi paccuppannam atītaṃ anāgataṃ kāla-vimuttañ ca yathārahaṃ ārammaṇaṃ hoti.
κϋAΣεSΙΦ΅ΔΝA6νήͺΖΘθA»κηΝά½A»έΜΰΜAίΜΰΜA’ΜΰΜΰAΙ³ΦWΘΰΜΰAKXΙΖΘιB
PaccuppannaC[ppDof
paṭi+uppajjati] @@@what has arisen ijust nowj@»έ
atīta@@@@aDnD[atetiati-i Μ ppD]
@ί¬κιCίΜCί
anāgata@@@. [an + āgata] not come yet@@@άΎΔ’Θ’ΰΜ@@’
Kāla@@@@@@@@@@@@@@@@@@CC³@@ «CV
Vimutta@@@C[ppDof
vimuñcati] @@@@£κιAπϊ³κι@freedCreleased
iΟ»jΙ³ΦWΘΰΜ@@@@Ο»©η£κ½Άέi³νΕΝΘ’ΰΜA£jAΒάθΆέ΅Θ’ΰΜ
ΆΖΐΫΜΉπζΚ·ιΜΝο΅’
C}Wl[VΖ±Μ’Μΐπ¬―΅Δ΅ά€B
ΈΟΰu©η£κ½ΰΜvΘΜΕλF―³κιBoΑ½Ζ¨α’·ιP[Xͺ ιΜΕΣͺKvB
ΟzΕΰF―Ε«ιΜͺΣΜ\Ν
ΐέ·ιGlM[ͺΘΔΰA ιͺ²ΖF―·ιB
z’βvlΜΚπΐΫΙ ιΰΜΎΖ¨α’·ιB
½Ζ¦ΞAJ~Ζ’€TOπμθoΉΞAJ~ͺΆέ·ιΖ²·ιB
~bL[}EXAoΟw
ΣΝΐέ΅Θ’ΰΜΰF―·ι±Ζπΐ΄΅Θ’ΐθA±Μ’ΙΧ©ΝΘΘηΘ’B
Dvāra-vimuttānañ ca paṭisandhi- bhavaṅga-cuti-saṅkhātānaṃ chabbidham pi yathāsambhavaṃ yebhuyyena bhavantare cha-dvāra-ggahitaṃ paccuppannam atītaṃ paññatti-bhūtaṃ vā
kamma-kammanimitta-gatinimitta -sammataṃ ārammaṇaṃ hoti.
ΆALͺAΖ’€ΌOΜ£εSΙΒ’ΔΰAΝ6νή ιB£εSΝΆάκι²ΖΙA½’Δ’AΌΜΆΙ¨―ι6εͺ¨¦½πΖ·ιB»ΜΖΝA»έAίA ι’Ν{έΖΘΑ½ΖAΖAοΖΔΞκιΰΜΕ ιB
sammataF[ppDof sammannati] agreed uponG authorisedG honouredG appointed forG selected
ΚuΤͺ|’Ζ’€ΜΝΟz
SΝLͺSΘΜΕA½ΰF―΅ζ€ΖΝ΅Θ’B
Cβββ°ΝLͺSΙΘιͺA»ΜΙΝF―ͺ³ΘιΜΕAΐ΄ͺΘΘιB
±κͺu³v―ΘΜΎͺAΚuΤΰ―Άu³v―ΘΜΕAuΚΜͺ|’vΖ’€ΜΝΐΕΝΘ’B
|’ΜΝΟzΕ΅©Θ’B
»΅Δ|³Ν©δΦΜ·
©ηΆάκAΚvZXΙΞ·ισzΕ ιB
ΚvZXΝκ΅’
{{ΙΘΑ½gΜΙSͺGκι½ΡΙAσΘΙέπ΄ΆΔ΅ά€B
Ύ©ηgΜΙX|bgCgπΔιρπΈη·ΩΗyΙΘιB
gΜͺΑ¦ι±ΖπͺΑΔAΤ©η£κι±ΖπͺΑΔA·
·κΞ·ιΩΗASͺ{{ΜgΜΙsb^ΖΑΒ’Δκ΅έπ‘ν―κΞΘηΘΘιB
Ζkammaͺ’Ζ»ΜGlM[Ε·ΙΝΛΘ’B
±ΜΖkammaΜGlM[ͺγάιάΕAκ΅έπ‘ν€±ΖΙΘιB
·
ͺΘ―κΞκ΅έΘΗΜβθΝΘ’
GͺΙΔΰAΰΙΘλ€ΖA·
ͺΘ’lΝyΕy΅’B
uΙέvΝ ιͺA±κͺΙέΎΖF―·ιn_ΕIνιB
Ζ±λͺAuΗ€΅ζ€AΰΑΖΠΗΘιAΘρΖ©΅ΘΔΝvΘΗΖv€ΖΙέΝp±·ιB
χΜIΘΙέΝ ιͺAΈ_ΜYέβκ΅έΝΘ’ΜΕAyΕ ιB
V½ΙΆάκιSΝ»ΜOΜΜS@@@P’±Ζπz’o·
ΚOΜ΄Ά½ΰΜβl¦ι±Ζͺ θA»΅ΔΜuΤͺ ΑΔAΆSͺΆάκι
ΆΝΚOΜSΜΞΫΙeΏπσ―ΔA»Μ¬κΜΕΆ·ιB
ΰ΅Ήiβ{θΜSΕρΎΜΘηΞAsPΩnΜxSͺΆSΖ΅ΔΆάκΔ΅ά€B
±Μζ€ΙΚOΜSΙΝCπΒ―ιKvͺ ιB
ΖΙ©±±λπΎι·ι±ΖB
±κάΕΙβΑΔ«½P’±Ζπ{lͺz’o·ζ€Ι·ιB
όΝΜlΰ»ΜlΜP’±Ζπv’o³Ήιζ€Ιbπ΅ζ€B
ΚΌOΜΙέβκ΅’¬σΤΜΕΰA±ΎνηΈAΎιΔAP’SΕ’ηκιζ€ΙͺρΞιB
»€·κΞHμΙΘηΘ’B
±Μ’Μ·l
ΖΕΚΰ·§ΒCΏΕΚ±ΖB
±Μ’ΙΝκIΙ’ιΎ―BΩρΜΏεΑΖΜΨέΕ΅©Θ’B
±€v¦κΞASΝ{{ΜgΜΦΜ·
©η£κι±ΖͺΕ«ιB
aCΙΘΑΔ©ͺΜsͺέ¦Δ«½ηAΖ±ΖρP’±Ζπ΅½θAP’±Ζπl¦½θ·κΞ’’B
ΚOΜΆoΝ’Μp
©ιΆoΝΘΊΜ3ΒΜΒ\«ͺ ιB
kammaΖ@@@@@@@@O’β»’ΜJ}
kammanimittaΖ@@@@J}ΜΚΕ ι»’Μ»Ϋ
gatinimittaο@@@@@ ΙΆάκι’
©½ΰΜΙζΑΔΆSͺΆάκιΜΕAΆoπ^ΚΪΙ·―ΞΗ±ΙΆάκΟνι©ͺͺ©ιB
«οΕ κΞAΰΑΖΚ’±ΖAy΅’±ΖAP’±Ζπl¦ζ€ΖρΔ·ιB
ά½AβΑΔ«½P’±Ζπv’o·Μπθ`Α½θAVEΜ±Ζπl¦ιρΔπ·ιB
#19 ekanta-anekanta-ārammaṇaṃ-citta@@@@@PE‘S
Tesu cakkhu-viññāṇadīni yathākkamaṃ rūpādi-ekekārammaṇānf eva, manodhātuttikaṃ pana rūpādi -pañcārammaṇaṃ. Sesāni kāmāvacara-vipākāni
hasana-cittañ ceti sabbathā pi kāmāvacarārammaṇānf eva.
»κηΜΕAα―ΘΗΝAAFΘΗΜPΒΈΒΜΜέπζιBκϋAΣEΜ3ΒΝAFΘΗΜTΒπΖ·ιBcι~EΩnSΖΞNSΝA·ΧΔΜ~EΜΎ―πζιB
Akusalāni cf evañāṇa-vippayutta-kāmāvacara-javanāni ceti
lokuttara-vajjita-sabbārammaṇaāni.
ñāṇa-sampayutta-kāmāvacara-kusalāni cf eva
pañcamajjhāna-saṅkhātaṃ abhiññā-kusalañ ceti arahatta- magga-phala-vajjita-sabbārammaṇāni.
sPSΖqsΜ~E¬sSΝAo’ΤSπ’½·ΧΔΜπζιB
qΜ~EPSΖAζάTΖζΞκι_ΚPSΝA’
ΏΉEΚπ’½·ΧΔΜπζιB
§³ΜoθΙι±ΖΜΕ«Θ’S
12ΜsPS
SΜqdpaññāΜΘ’PS
SΜqdpaññāΜΘ’BμS
±κηΜ20Μ¬sSΝqdpaññāͺΘ―κΞAo’ΤSA·ΘνΏΈΟnibbānaπΜ±Ε«Θ’B
_ΚΝΜμθϋ
ζάTθπμΑΔA»±ΙόΑ½lΝ_ΚΝͺυνιB
βθ½’uΣ~vπΑΔ©ηASπκ΅ΔTθΙόιΖ_ΚΝπΎιͺA»κΎ―Μ½ίΙΝπgΑΔ’ιΜΕAΌΜdͺΕ«Θ’B
ΌΜdπ΅½―κΞά½ΰ€κxTθΙόιKvͺ ιB
u_ΚΝΝASͺΒΝπΨΎ·ιΨΎͺAκΚlΙΝ»κͺΨΎΎΖΝΚΆΘ’ΜΕ©ΉΔΝΘηΘ’vΖίΈΝΰBoTH
ξΜάΖί
#22 vatthu@@ξ
Vatthu-saṅgahe vatthūni nāma cakkhu-sota-ghāna-jivhā-kāya-hadaya-vatthu ceti chabbidhāni bhavanti
ξΜάΖίΙΒ’ΔAξΖΝAαA¨A@AγAgAhadayaΖ’€6νήΜξΕ ιB
#23 vatthu-bhūni- vibhāga ξΙζιnͺΚ
Tāni kāmaloke sabbāni pi
labbhanti, rūpaloke pana ghānādittayaṃ nf atthi, arūpaloke pana
sabbāni pi na saṃvijjanti.
~EΜΕΝA»κηΜ·ΧΔͺΎηκιBFEΜΙΝA@ΘΗΜ3ΒΜξͺΘ’B³FEΙΝ·ΧΔͺΘ’B
ξΖΝSͺΆάκικΖ’€Σ‘
FEΙΝα―Ζ¨―Ν ιͺA@γgͺΘ’ΜΕθA‘AG΄ͺΘ’
³FEΜΆ½ΙΝΣΎ―΅©Θ’
ΌΜΆ½ΖR^Ng·ι}ΜͺΘ’B
¨ΏΝΘAS΅©Θ’ΜΕAσͺΘ’B
Η±Ιΰ’Θ’ΜΎ―ΗASΖ΅ΔΆέ·ιB
rbOoΰrbON`ΰΦWͺΘ’
qhD[³ΕΝAαz΅ΔAυπ΄Ά½θASͺgΜ©η£κ½Ύ―ΕAuδκ@vΙΘΑ½ΖvΑΔ’½B
gΜͺSΙΑ¦½σΤΕASΜέΕΆέ΅Δ’ιΜͺ³FEVΘΜΕAFΖΝ½ΜΦWΰΘ’B
~EΜV©ηΜΆάκΟνθΜΑ₯
VEΙ’ΔyΙΆ΅Δ’½ΜΕAΖ±ΖρζςΘσ΅πμΑΔΆ«Δ’±€ΖwΝ·ιB
gΜΝ«ΏρΖ°X½ιpΕ ιB
ΫHͺΚ@vīthi-saṅgaha- vibhāga@@@F―ΜJjY
#1 Paṭiiññāṇa ο|
Cittuppādānam iccf evaṃ, katvā saṅgaham uttaraṃ,
bhūmi-puggala-bhedena,
pubbāpara-niyāmitaṃ,
Pavatti-saṅgahaṃ nāma paṭisandhi-pavattiyaṃ,
Pavakkhāmi samāsena,
yathāsambhavato kathaṃ.
ΘγΜζ€ΙASΜΆNΙΒ’ΔΜΕγΜάΖίπΘ΅I¦½B
LξΜ³ΙζιζΚΖlΜ«iΙζιζΚΙό―ΔAOγπΤα€±ΖΘA
Ά΅Δ©ηΜΆNΙΒ’ΔAΆNΜdϋΖ’€άΖίπΡΒ―Δ
oΔιΙπ«Ύ©»€BΗΜζ€Ι©H
bhūmi@@@@@nCynCεn
puggala@@@@lCmCmvCΒl
bhedena @@@bhedaFmD[Vbhid] jσCsaC£Τ; νήCζͺ
pubbāpara@@@Oγ@pubbāparaF[adjD] what proceeds and what followsG former and latter
niyāmitaṃ@@@ niyāma θ
pavattiya pavattiFfD[cfDpavatta] ΆNA]NC]Co
samāseti@@@F[saṃ + ās + e] associatesG combinesG abridges
SH
μΙεΜͺ ιΜΕΝΘA¬κ±―Δ’ιΝ½η«πuμvΖΔρΕ’ιΎ―B
SΰμΜζ€Ιβ¦ΤΘ¬κΒΓ―ΔASΖ’€F―·ι«π΅±―Δ’ιB
±ΜSΜ¬κϋπSΜ¬κιHΖ’€Σ‘ΕSHΖζΤB
©ιΖ’€F―μpΝ17ΜSΜΆΕΜκAΜZbgiSHcitta-vīthijΙζΑΔΘ³κιB
Σ―ΜF―μpΝ8©η10ρΜTCNΙζΑΔΘ³κιB
#2 cha cakkamātikā@@@UZWΜvΪ
Cha vatthūni cha dvārāni cha ārammaṇāni cha viññāṇāni cha vīthiyo chadhā visaya- ppavatti ceti vīthi-saṅgahe cha chakkāni veditabbāni.
Vīthi-muttānaṃ pana
kamma-kammanimitta-gatinimitta-vasena tividhā hoti visaya-ppavatti.
Tattha vatthu-dvārārammaṇāni pubbe vutta-nayānf eva.
ΆNΜdϋΖ’€άΖίΙΝAUΒΜξAUΒΜεAUΒΜAUΒΜHAUΒΜ«EΜΆNΖ’€UνήΜUΒͺ ιΖmιΧ«Ε ιB
κϋAHΙζηΘ’ΆNΜάΖίΙΝAΖAΖAοΖ’€RνήΜ«EΜΆNͺ ιB
»ΜΕAUξAUεAUΝAOΝΕΰ©κκ½Ζ¨θΕ ιB
#3 viññāṇa-cakka@―ΜZW@λA@@―¨E
Cakkhu-viññāṇaṃ sota-viññāṇaṃ ghāna-viññāṇaṃ jivhā-viññāṇaṃ kāya-viññāṇaṃ mano-viññāṇaṃ ceti cha-viññāṇāni .
Z―ΖΝα―A¨―A@―Aγ―Ag―AΣ―Ε ιB
#4 vīthi-chakka@@HΜZW
Cha-vīthiyo pana
cakkhu-dvāra-vīthi sota-dvāra-vīthi ghāna-dvāra-vīthi jivhā-dvāra-vīthi kāya-dvāra-vīthi mano-dvāra-vīthi ceti dvāra-vasena vā.
cakkhu-viññāṇa-vīthi sota-viññāṇa-vīthi ghāna-viññāṇa-vīthi jivhā-viññāṇa-vīthi kāya-viññāṇa-vīthi mano-viññāṇa-vīthi ceti viññāṇa-vasena vā, dvāra-ppavattā cidtta-ppavattiyo
yojetabbā
ZHΖΝαεHA¨εHA@εHAγεHAgεHAΣεHAΖ’€εΙζιͺ―ϋΙζΑΔA ι’Να―HA¨―HA@―HAγ―HAg―HAΣ―HΖ’€―Ιζιͺ―ϋΙζΑΔεΙΆN·ιSΆNΕ ιΖ·Χ«Ε ιB
F―ν―ΝSii[}jΖ¨Ώi[pjΜZbg
εΙζιH@¨Ώ@α @‘εQ
―ΙζιH@S@@©ι@‘ €
ν½΅Μ¨ΙΝΫΘΗΜ¨ΏΖA·«i@\jΜΌϋͺZbgΖ΅Δ ιB
±ΜQΒπͺ―Θ’Ε¬―΅Δ’ι±ΖΕ^ͺν©ηΘ’B
F―π]ΜΕN±ι¨ΏIΘ½ΎΖλπ΅Δ’ιB
¨ΏΖ΅ΔΜSͺ©Ε«Θ’ΜΕAi[}ΜΝ½η«ππΕ«ΈAά΄oν―ΜͺΝΎ―ΕIνΑΔ΅ά€B
·ΧΔΜΆ½Μ€Κ_ΝUΤΪΜ΄o
ά΄oν―ΝΘ’Ά½Μͺ ιͺAuΣvΖΔΞκιZ΄ΝKΈ ιB
uΣvΝ]ΧEΙ ιΖ’€ΜΝAΤα’ΕΝΘ’ͺ
ΣΝ]ΜΙΜέΝ½ηΖ’€ΜΝΤα’Ε ιB
A[o[Ι_oΗΝΘ’ͺAΆ«Δ’ιB
·ΘνΏΒ«Ι½΅Δ’ιΜΕASͺ ιΖ’€±ΖΙΘιB
ΘΊΘηΞSΖΝF―·ι@\Μ±ΖΎ©ηΕ ιB
ά΄oν―©ηΜMͺΘΔΰAuΣvΝC[Wπμι±ΖͺΕ«ιΜΕA30NOΙρΎFlΜ±Ζπv’o΅ΔAχΞή±ΖͺΕ«ιB
SΝά΄oν―ΜκΕMΖ’€¨Ώπ}ΜΖ΅ΔmιiF―·ιj@\ͺ ιB½Ζ¦Ξα―B
»΅ΔAS©gΜκΕmι@\ΰ ιB»κͺΣ―B»ΜvZXΜ¬κͺΣ―HB
phassaGΖΝ¨ΏIin ΞjΘuΪGΖ½vΕΝΘASΙΆάκι½Μ±ΖB
GphassaΘ΅ΙF―ΝN±θΎΘ’B
#5 visaya-ppavatti-chakka UΒΜ«ΆN
Atimahantaṃ mahataṃ parittaṃ atiparittñ ceti pañca-dvāre,
mano-dvāre pana vibhūtam avibhūtañ ceti, chadhā visaya-ppavatti veditabbā.
άεΙΝΙεAεA¬AΙ¬AκϋAΣεΙΝΎΔAsΎΔΖ’€6νήΜΆNͺ ιΖmιΧ«Ε ιB
#6 citta-rūpa-āyu@@SΖFΜυ½
Kathaṃ? Uppāda-ṭhiti-bhaṅga-vasena-khaṇa-ttayaṃ eka-citta-kkhaṇaṃ nāma.
Tāni pana sattarasa citta-kkhaṇāni rūpa-dhammānam āyu.
ΗΜζ€Ι©H@uΆAZAΕUppāda-ṭhiti-bhaṅgavΖ’€3ίͺ1SίΕ ιB
»ΜSί17ρͺA¨ΏΖ’€ΰΜΜυ½Ε ιB
tāniClβiγΌζOlβii½Χw¦γΌjtaihe / it/ sheGthat
άεΜΞΫ¨ΏΙΞ΅ΔASͺΗκη’ΜΤGκΔ’ι©ΙζΑΔAΙεAεA¬AΙ¬Ζ’€ͺ―ϋπ·ιB·’ΤGκιΖΎΔΙF―·ι±ΖͺΕ«ιB
³νΘ¨ΏΕ ι©ηF―Ε«ι
¨ΏΝΆΕΟ»·ιgΖ΅Δ’Δ’ιBΰ΅~άΑΔ’ιΜΘηΞGphassaΝN«Θ’B
±Μ³νπuΆAZAΕUppāda-ṭhiti-bhaṅgavΖͺΝ΅Δ’ιB
¨Ώͺ³νΕ ι©η±»F―ͺΒ\ΙΘιB
±Μ’ΕκΤ¬’ΜΝSH
PSίcitta-kkhaṇaΝ¨ΏΜgΜ17ͺΜ1B
¨ΏΜPgπSΝ17ρiKΙͺ―ΔF―·ι±ΖͺΕ«ιB
ΙεH
#7 cakkhudvāra-atimahantārammaṇa-vīthi@@αεΜΙεH
Eka-citta-kkhaṇātītāni vā bahu-citta-kkhaṇātītāni vā ṭhiti-ppattānf eva pañcārammaṇāni pañcadvāre āpātham
āgacchanti. Tasmā yadi eka-citta-kkhaṇātītakaṃ rūpārammaṇaṃ cakkhussa āpātham āgacchanti,
tato dvikkhattuṃ bhavaṅge calite bhavaṅga–sotaṃ vocchinditvā tam eva rūpārammaṇaṃ āvajjantaṃ pañcadvārāvajjana-cittaṃ uppajjtvā nirujjhati.
PSίπί¬A ι’Ν’Β©ΜSίπί¬ΔAΏε€ΗZΙB΅½TΒΜΞΫͺATεΜΜζΙόιB
»κδ¦Aΰ΅APSίπί¬½FΖ’€ΞΫͺαΜΜζΙόιΘηA»κ©ηQρALͺSͺU΅ΔALͺSΜ¬κπfΏΨΑΔAά³Ι»ΜFΖ’€ΞΫΙψ]·ιάεψ]SͺΆάκΔAΈ·ιB
tasmāF[indD] therefore
yadiF[indD] ifG however
Rρ±LͺS
bhavaṅge
bhavaṅge-calana@@@hAU
bhavaṅge-upaccheda fAfβ
Tato tassārammaṇaṃ tam eva rūpaṃ passantaṃ cakkhu-viññāṇaṃ sampaṭicchantaṃ sampaṭicchana-cittaṃ santīrayamānaṃ santīraṇa-cittaṃ
vavatthapentaṃ voṭṭhabbana-cittañ ceti yathākkamaṃ uppajjitvā nirujjhanti.
»κΙζΑΔA»ΜΌγΙAά³Ι»ΜFπ©ια―AFπΜσ·ιΜσSAFπx·ιxSAFπmθ·ιmθSͺAΤΙΆάκΔAΕ·ιB
ΜσS
UΤΪΜίΜΜσSΕΪΙGκ½UπSͺσ―ΔASͺU·ιB
κAΜF―vZXΜ¬κΜΕAUπσ―όκιSΜΝ½η«ͺΜσSΕ ιB
FΊ‘GΜUπSΜUΙΟ»³Ήι«B
ΆάκικΝ¨ΏiάεjΖSiΣεjΜΤHΰ΅ΝSiΣεj
Tato paraṃ ekūnattiṃsa-kāmāvacara-javanesu yaṃ kiñci laddha-paccayaṃ yebhuyyena sattakkhattuṃ javati. Javanānubandhāni ca dve
tadārammaṇa-pākāni yathārahaṃ pavattanti. Tato paraṃ bhavaṅga-pāto.
»ΜγA29Μ~E¬sSΜΜπΎ½Ηκ©ͺA½’Δ’7ρA¬s·ιB»΅ΔKXΙA¬sSΙt·ιu»κπΞΫΖ·ιvΩnSͺ2]ΆιB»ΜγALͺΙΏιB
kiñciF[indD] something
paccayaFmD
pavattaFaD[pavattati Μ ppD] ]NΉιCN±Α½
tadārammaṇa@ή@@utad»κvΖΝε©ηόΑ½MΜ±ΖΕA»κΙΛΑΔ’ιAΎtπΟ¦ιΖ»κπΞΫΙ΅Δ’ιSΜ±ΖB@zbΖ΅ΔCͺ²―½θA]Cπ‘ €±±λΜΝ½η«B
ul¦ιvΜΝ¬sS@@@@@
umΑ½ζvu Amθά΅½vu±κΝoΜκνΘρΎvΖίιΜΝ¬sSB
12ΜsPS©8ΜPSΙΎmΙͺήΕ«ιB
Τπ©ΔAu«κ’ΎvΖv€΄ξͺΆάκ½ηA»κΝ¬sSΕζΓͺSͺΆάκ½Ζ’€±ΖB
uCΎvΖv€΄ξΘηΞAαΡͺSͺΆάκ½Ζ’€±ΖB
{[Ζ΅Δ’ιΘηΞAsͺSB
½ΎΤΎΖmF·ιΘηΞAPSWΒΜΗκ©ΕA
³νΎΖ©ιΘηΞAqΜSΒ
μδΕqΜΰΜΝA@³sͺκΒALsͺκΒB
ΜδΕqΜΰΜΝA@³sͺκΒALsͺκΒB
»€ΕΘ―κΞqsΜSΒ
μδΕqsΜΰΜΝA³sͺκΒALsͺκΒB
ΜδΕqsΜΰΜΝA@³sͺκΒALsͺκΒB
’ ΏΎ―ΝBμSΜΒ\«ͺ θA~ELφBμSWΒΜΗκ©
Vρ]·ι¬sS
SΝOEΜΟ»ΙΦWΘθΙρ]·ιB»κΕF―π\z΅Δ΅ά€B
±Μ’Μ·ΧΔΜ±ΖΝΟ»΅±―Δ’ιvZXΕ ΑΔAΕθ³κΔ’ιΰΜΝΘ’B
»κΘΜΙA½Α½κΒΜ±Ζπ©ΔA»κΕSπίt―ΔAbeπ\ιB
μθγ°½p^[Ζ’€beΕ±Μ’π»f΅ζ€Ζl¦ιB
uΆ½Ν±Μζ€ΙνͺάάΕAD«θΕ«Δ’ιΜΎvΖίΈΝΰBoTH
PΜ½ίΙν€Ζ’€ΜΝ³m
lͺ«’±Ζπ΅ΔΰdϋͺΘ’AΆ½Ν»€’€Σ€ΙΕ«Δ’ιΜΎ©ηB
³`Μ½ίΙν¨€Ζ·ιAΝAΘΰΜπΧ΅Δβλ€Ζ’€CΏΰ ιB
ΙΝθΘ³`Μ½ίΙΌπE΅Δ’ιB
QΒΜO[vΜΗΏηΙΰ³`Μ‘ϋͺ’ιν―ΕΝΘ’B
«lπ|»€Ζ΅Δ’ιlΰA«πΖ»€Ζ΅Δ’ιlΖ―Ά±ΖπβΑΔ’ιB
uε«ΘSΕA]TπΑΔA’Μπ³· ΜSΕΟ@΅ΔέΘ³’B»€·κΞ^ͺ©¦ά·ζv
ΖίΈΝΰB@oTH
¬sSπ«·¦ιΜͺCs
¬sSΝ©IΙN«ιΰΜΘΜΕA’ ΏΙΘηΘ’ΐθAqgΙΝRg[Ε«Θ’B
’ΘHΧ¨πu€ά’vΖ΄΅AD«ΘHΧ¨πuΕ½άηΘ’vΖ’€΄ξπμιΙΝCsπKvΖ·ιB
{θΑΫ’lΝ{θβ·’AvπίΙμθγ°ΔΫL΅Δ’ιB
±ΜvOΝ©R@₯Ε ιB
»κπ«·¦ιΜͺCsBΒάθSπ·’ΤΙν½θPϋ΅ΔηΔι±ΖͺKvB
{θΜAvͺ’lΙΝε_ΘVbNΓ@ͺAγ’lΙΝ_η©’ϋ@ΕCs·ιΜͺζ’B
qgΝΌΪΙ©ι±ΖΝΕ«Θ’
ΌΪΙΞΫπ©ι±ΖΝΕ«Θ’B
SΝΞΫΙ½·ιΜΕAΞΫπΌΪΙ©ιΜΕΝΘA½΅½Sπ©Δ’ιB
½Ζ¦ΞAΪΙ©¦ιMΝNΙΕΰ―ΆΕ ΑΔΰA»κΙΞ·ιSΜ½ΝlΙζΑΔα€ζ€ΙB
βθΝ¨ΜΙ ιΜΕΝΘe©ΜSΙ ιBA
qπK§·ιν―
qΝάΎ½ΰo±ͺΘASΜυͺΑΔ’Θ’ΜΕAε«Θhͺ ιΖΒ«β·’ΜΕAOΜξρΜ^ Ι³η·ΜΕΝΘASͺΘιάΕξρπRg[΅Δηι½ίB
Sπ΅Α©θΖηΔAO©ηRg[΅ΘΔΰζ’ζ€Ι·ιΜͺ³ηB
’ΒF―·ιΜ©H@@’Βu©¦½vΜ©H
ΪΙ¨ΏiMAgAυjͺGκ½uΤΙAu©¦½vΖ’€―ͺΆάκιB
ΪΙGκ½½ͺα―ΎͺA½ΏΜΣ―ΙΝ»κͺͺ©ηΘ’B
Η€ΘκΞu©¦½v±Ζͺͺ©ιΜ©H
u17XebvΜSΜHvͺ½ρ©JθΤ³κιΖAβΑΖuΤͺ©¦ιvΖ’€F―ͺoΔιB
BpbTi[αzΜ«·¦@@ΐΜΜ ιΟz©η³νΜ ιͺάά
W·ιΖA»ΏηΙX|bgCgͺ½ιΜΕAvlͺΕ«ΘΘιB
vlπ~ίΔA ηδι»Ϋπ»ΜάάmF·ιμΖπΟέdΛιB
©Δ’ιmΝΈΑΖ»±Ι ιΜΕΝΘ’AΖ’€ΐΙCΓΜͺΪIΜζκiKB
»ΫΝΆάκΔΝΑ¦ιΰΜΎΖCΓB
CsͺiήΖAΕ·ικΚΎ―ΙX|bgCgπΔιζ€Ι·ιB
±κΝ17SίΜZbgπ΅Έη·±ΖΕ ιB
SίΜρ]Ε ιF―vZXπΟ¦ιΖA
·ιΖmΜΕi³νjπ©ι±ΖͺΕ«ιB
±κπbhaṅga-anupassanā ñāṇa σΟqΖ’€B@@@Ήπrealisation
±ΜqdͺoΔιΖAΆ½ΙΝoιζθΌΜIπͺΘ’±Ζππ·ιB
CsͺiήΖALͺSΙΘιΘͺγΘθASͺΘθAΎmΙF―Ε«ιζ€ΙΘθA
άεπΚ·MΝζ2ΜSίΕΝΘA5,6,7ΜΤΜZΜίΜΤΕF―vZXͺN±Α½ηA¬sS7ͺN±ιΤΕF―ΞΫΕ Α½¨ΏͺΑ¦Δ’ιB
±ΜκΙΕΙCΓΒ\«ΙΘιB¨ΏΜΕΜ€ΚπΜσSAxSAmθSͺσ―ζιΖAΕΙ½΅Δ¬sSͺN±ιB
ΚΜlΙΝ³qA³ΦSΜ¬sSͺΆάκιΖ±λͺACsΝAqdΜ¬sSΙΘιB
Ε·ιΖ’€ΞΫ¨ͺΘ’ΰΜπF―·ι±ΖΙΘιΜΕALͺSΜΘΘιB
άεΖΣε©ηΜMΝrβ¦ιΜΕA»±ΕζκiKΜΈΟπ΄Άι
BpbTi[αzΜiK
(01)T}Ti
(02)E_bo
(03)oK
(04)o
(05)A[fB[i@
(06)jbr_[
(07)`^J^[
(08)peBTJ[
(09)TJ[ybJ[
(10)Ak[}
Ettāvatā cuddasa
vīthi-cittuppādā dve bhavaṅga-calanāni pubbevātītakam eka-citta-kkhaṇan ti katvā sattarasa citta-kkhaṇāni paripūrenti. Tato paraṃ nirujjhati. ārammaṇam etaṃ atimahantaṃ nāma gocaraṃ.
±Μζ€ΙA14ΒΜHSΜΆNΖ2ΒΜLͺhΖAΌOΙί¬½PSίΖΕA17SίͺΏA»ΜγAΕ·ιB±ΜΝAΙεΜ«EΖΔΞκιB
cuddasaFnumD[=
catuddasa] 14
pubbeF[locD] formerlyG in the pastD
vātiCivā + aj blowsG emits some smell
#8 mahatantārammaṇa-vīthi@@εΙζιH
Yāva tadārammaṇuppādā pana appahontātītakam
āpātham āgataṃ ārammaṇaṃ mahantaṃ nāma.
Tattha javanāvasāne bhavaṅga-pāto va hoti. Natthi tadārammaṇuppādo.
ΙAήSͺΆάκιΙΝsΒ\ΘΩΗί¬Δ©ηAΜζΙόΑ½ΞΫΝAεΖΔΞκιB
»ΜκΝA¬sSͺIνΑ½η·ΙLͺΙΏAήSΜΆNΝΘ’B
āpāthaCim.jCsphere or range
āgataF[ipp. of āgacchatijCnt.] coming.
uppādaF[mD] risingG coming into existenceG birth
ήͺΕ«Θ’^C~OΕΪΙόΑ½ΞΫπεΖ’€B
OEπΌΪΙF―·ι±ΖΝΒ\ΘΜ©H
ίΈΜΎt©ηθ·ιΖA
oΚsautrāntikaΜΎ€ζ€ΙuOEπΌΪΙF―·ι±ΖΝsΒ\Ε ιvΖ’€©πͺ ιB
OEΜMͺάεΙGκΔA΄σ«iσvedanājͺ»±©ηΆάκA»κπvφΖ΅ΔF―·ιB
vφΜ΄ΆϋΝA±κάΕΜΜ±ΙζιΜΕAΌlΖ―κΝΘe©ΙζΑΔα€ΜΕAF―ΝίΜΜ±ΙeΏπσ―ΔAOEπ θΜάάF―΅Δ’ιΜΕΝΘ’B
Ξ΅ΔAB―whΝuOEΝΆέ΅Θ’ASA©ͺΜSͺμθo΅½ΰΜΎvΖ’€Ι_πΒB
γΐ§³ΕΝAuOEπΌΪΙF―·ι±ΖΝΒ\Ε ιvΖ’€©πΕ ιB
SHͺ¦·^
»ΫΜΆΜuΤΖΕΜuΤΝF―Ε«Θ’AΖ17XebvΜF―VXeΝΰΎ·ιB
Βάθu³νvΝF―sΒ\Ε ιB
¬·΅Δ’ιίφΝF―Ε«ιͺA»κͺ¦ΔΑ¦ιuΤΝF―Ε«Θ’B
¬sSΜ7ΤΪΕ»ΫΜΑ¦δuΤπF―Ε«ιͺ»κΝ·ΕΙγάΑ½SΕΝͺΘ’ΜΕAF―ΝΖΔΰ’ΰΜΕASͺχΙΎ―ΕA{lΝΎmΙmΑ½CΏΙΘηΘ’B
ΰΜͺΈ·ιuΤπΘPΙ©ι±ΖͺΕ«ιΜΘηΞANΰͺκΙεκιB
¨ΏͺLΖ³ΜJθΤ΅Μ¬κΎΖΌθ΅ΔΰAqgΙΝLΜ€Κ΅©F―Ε«Θ’B
»ΫͺΑ¦ιuΤπF―΅½±ΖͺΘ’ΜΕAuiΘΰΜvͺ ιΖ’€ΐΜ_Ι½Μαa΄ΰΘΧιΜΝRΜ±ΖΕ ιB
»ΜRπΰΎ·ιΜͺA±ΜSHπgΑ½Ar_}SwΕ ιB
Mπ»ΜάάΙσ―ζιΜΕΝΘA΄oΖ΅Δσ―ζιΰΜπ»f·ιΖ’€±ΖΝASHΜmθSΖ¬sSΜ@\Μΰeπ©κΞΎη©Ε ιB
ΰΜΙΞ·ι»fΝAqΟIΘΐΕΝΘA»f·ιlΜεΟΙΘΑΔ΅ά€±Ζΰ±ΜSHΜVXeπέκΞΎη©ΙΘιB
Σ©ΙΕ··ιRΰ±ΜSHVXeͺΎη©Ι΅Δ’ιB
ΆΖΕΝF―Ε«Θ’@@ZΎ―πF―΅Δ¨α’·ι
ΤΝνΙΟ»΅Δ’ιBΆάκΔAΨέ΅ΔAΕ·ιB
qgͺF―Ε«ιΜΝΨέA·ΘνΏuZvΜΖ«Ύ―ΕAΆΖΕΜΙΝάεΙCpNgπ^¦ιΝͺΘ’ΜΕSΝF―·ι±ΖͺΕ«ΈALͺSΜσΤΙΘΑΔ’ιΜΕAΐΜͺΘ’±ΖΙCͺt©Θ’B
miΤjΜίΝ17ΘΜΕAΆΖΕπψ’½15ΕmπF―·ιB
wΗΜSίΕmͺ ιΜΕAΐΜA°AAmͺ ιΖ’€λπΙΧιB
ΰ΅mΙΐΜͺΘ’ΜΘηΞAF―Ε«Θ’ΝΈΘΜΙAF―Ε«Δ’ιΜΝΐΜͺ ι©ηΕ ιΖ’€_Ε ιBΐΜͺΘ’uΤπF―Ε«Θ’ͺ½ίΜvl@Ε ιB
ΐΜͺΘ’ΰΜπΐΜͺ ιΖλπ·ι±ΖΙζΑΔA· ͺΆάκιB
±Μ· ΕSͺ©½AvP[VΙζΑΔκAΦτ]ΆΜΎ―ΕΆ«ι±ΖΙΘιB
^Νu ιvΕΰuΘ’vΕΰΘu³νvΕ ιB
ζκΜoθΝAuβ’Eͺ ιvΖvΑΔ’½ΜΙA»κͺ»€ΕΝΘ’AΖ’€±Ζͺͺ©ι±ΖB
±κͺͺ©ιΖAu ιvΖ’€±ΖΜF―ͺA»κάΕΜ’ΤΜF―ΖΝSΙΟνιB
VΒΜ¬sSͺP«ΜΖkammaπμι
7ΒΖΰΝΜε«³ͺα’AgΜζ€Ι1ΤΪΖ7ΤΪΝγA4ΤΪͺs[NΕ ιB
±ΜVΒΖΰΖkammaΘΜΕ ιͺAuιvΝΜ³Ιδα΅ΔΖkammaΜΝΰθ·ιB
1ΤΪΝγ’ΜΕAΚͺΰ΅ΎηκιΜΘηΞA»’ΕΎι±ΖΙΘιB
2`UΤΪΝ’ΜΕA»’ΕΎηκΘ―κΞ’Θ~ΙΘιB
7ΤΪΝ1ΤΪζθ’ΜΕAΚͺΕιΜΝ»’©’άΕΖΘιB
lͺΖkammaπCΙ΅Θ’ΜΝA«’±Ζπ΅ΔΰΪΜOΕ·ΙΚͺoΘ’©ηB
ΘΊΘηΞ»’Εσ―ιΚΝAPΤΪΜ¬sSΜͺΎ―Ύ©ηB
El΅Δΰϊ{ΕΝψΝ25NΘΜΕ¦°ι±ΖΝΒ\Ε ιͺAΖkammaΝΑ¦Θ’ΜΕ’Θ~ΙζθΙΘΑ½Ι·¬Θ’B
#9 Parittārammaṇa-vīthi@@¬ΙζιH
Yāva javanuppādā pi appahontātītakam āpātham
āgataṃ
ārammaṇaṃ parittaṃ nāma.
Tattha javanam pi anuppajjitvā dva-tti-kkhattuṃ voṭṭhabbanam eva pavattati, tato
paraṃ
bhavaṅga-pāto va hoti.
¬sS³¦ΰΆάκιΙΝsΒ\ΘΩΗί¬Δ©η¬ζΙόΑ½ΞΫΝA¬ΖζΞκιB»ΜκΝA¬sS³¦ΰN±ηΈAmθSΎ―ͺ2,3ρΆάκΔA»ΜγΝ·ΙLͺΙΏιB
anu-Fpref. δΙA’ΔCΙCΆΔC]ΑΔC
uppajjiF[aorDof uppajjati] was bornG aroseD
Α₯Ν¬sSͺάΑ½Θ’±ΖB
¨Ώπ©ζ€Ζ΅Δΰ8ΤΪΘ~ΜSίΕ κΞA¬sSͺΆάκιΙͺΘ’ΜΕAvl·ι±ΖΝΘ’B
lΝ΄ξAvΜWΜ
κΒΜMͺCvbg³κκΞA»κΙAvͺ½΅ΔAEgvbgΜ΄ξͺ»κιB
MΙΞ΅ΔωΙέθ³κ½uίED«’vΙζΑΔs΅Δ’ιB
_IΘP«ΕΝΘ’B’η«IΘ±ΖπΎΑΔΰAΗΝD«’Ζ’€΄ξΕΆ«Δ’ιB
»κΘΜΙόβ_ππ¦Δ©Θ𳻡ζ€Ζ·ιΜΕA½ΜΈ_aͺΆάκιB
½Ζ¦ΞΘΗB
°χΎΕ©½ΧΫβwK΅½ΧΫw©ηA_Εl¦ιζ€ΙΘΑ½©ηΧιΗσΕ·BΗ±ΰ·ΧΔͺΧΫΎη―ΎΖν©ιάΕΝ’’ΜΕ·ͺAqgΝ΄ξΕΆ¨ΘΜΕAΧΫΙ«΄β΄©θ½’Ζ’€Avπ쬡ġ܀ΜΕA»κΙζΑΔ©³κΔ΅ά€ΜΕ·B
_πwK΅½±ΖΕ{lΝ»κπξΙ΅Δ’ιΒΰθΕ·ͺAΐΫΙΝA»Μ_©η±©κ½΄ξΙζΑΔxz³κΔ΅άΑΔ’ι½ίΕ·B
΄ξAvΝAOEΜMΙSͺ17iKΕASCTCUΤΪΜiKΕ쬳κι
ά―pañcaviññāṇa@@@@@@@@@@@@@α―A¨―A@―Aγ―Ag―
Μσsaṃpaṭicchana@@@@Sͺu·’½vΖ’€UπnίιB
xsantīraṇa@@@@@@@»ΜUΕΗρΘU©x·ι
΄ξβm―ΝΐΝp^[ΕF―·ι±ΖΜuΕ θAΞΫ¨ͺuZvΜuΤπξΙ΅ΔμηκΔ’ιΜΕA»ρΘΰΜΙιΖAΪΜOΜΐΖΝ¨£·ιB
17XebvΜΕΰ±ΜAvΝ·Ιν½ΑΔ«΅Δ’ιB
5iKΪΙuάεψ]SvͺΆάκ½ηA»±©η10SίΜΤΝΆ«Δ¨θA
6ΤΪΕ ΑΔΰάΎXSίΜΤΝΆ«Δ’ιB
Ζ±λͺAVΤΪΘ~ΜSίΕάεψ]Sͺ€άκ½ΜΘηΞA¬sSΝΆάκΘ’B
·ΘνΏΖkammaΰΆάκΈA΄ξAvΰ³κΘ’B
#10 atiparittārammaṇa-vīthi@@Ι¬ΙζιH
Yāva voṭṭhabbanuppādā ca pana appahontātītakam
āpātham āgataṃ nirodhāsannam ārammaṇaṃ atiparittṃ nāma.
Tattha bhavaṅga-calanam eva hoti, natthi
vīthi-cittuppādo.
ΙAmθSͺΆάκιΙΰsΒ\ΘΩΗί¬Δ©ηAΜζΙόΑ½AΈΚΙίΓ’½ΞΫΝAΙ¬ΖζΞκιB@»ΜκΝALͺhΜέͺN±θASHΝΆN΅Θ’B
³νΜπί@@@@@δΧιϊΤAΞΫΖΜ€
i΄ξj
ΤΜΝΝ@@@@@NΖ‘NAnkΜOΖγ
ΞΫΖΜΦW«@@@€ΊΜ@@
§³Μ³νA·ΘνΏoθΙΒΘͺι³νΝAΤΝ±ΜuΤAΞΫΝ©ͺΜSiεΜͺGlM[Μ©ηFA±Μ’©η Μ’ΖΟ»΅±―ιjΖΜiν―ΜF―\Νj
wKEL―pΜRcΝ’CpNgΖJΤ΅
Υκ΄ Σκισ΅iΆΆΙΦνιΨHlάΑ½W΅½Β«jπμθAL―΅½’ΰeΙά΄ΜξρΖίΙΜ±΅½TOπXΖΦAt―ιB
JθΤ·±ΖΕAvlp^[π쬡ΔAπ½ΛΙΘιάΕPϋπ±―ιB
OEͺΰEΖeΏπ^¦ιΒ\«@@μΡβ°|
ΰEΜWΝΜGNX^V[
fbgΝΓLΝΕ«ιͺA©ͺΕl¦ι±ΖͺΕ«Θ’Ά«ϋΙΘιm¦ͺ¦ιB
¨εΘΗΰ―ΆΝ½η«ΕF―·ιB
#11 sotadvārādi@@¨εΘΗ
Icc evaṃ cakkhu-dvāre, tathā sota-dvārādīsu ceti sabbathā pi
pañce-dvāre -javana- voṭṭhabbana-moghavāra-saṅkhātānaṃ catunnaṃ vārānaṃ yathākkamaṃ ārammaṇa-būhtā visaya-ppavatti catudhā
veditabbā.
ΘγΜαεΙ¨―ιΜΖ―Ά¨εΘΗΙ¨’Δΰ―lΙAάεΙ¨’ΔΝνΙAήSΜ]NA¬sSΜ]NAmθSΜ]NAσΜ]NΖζΞκιSνήΜ]NΜΤΗ¨θAΖΘι«EΜΆNΝSνήΖmιΧ«Ε ιB
moghavāra@σ@@@@LͺSΜάάΕIνιΙ¬Μ]N
saṅkhātaCippDof
jCagreed onG reckonedDiin cpdsDj so-calledG namedD
#12 vīthi-citta-sarūpa saṅgaha-gāthā@HSΜ©«TKnEK[^[iΫσj
Vīthi-cittāni sattf eva,
cittuppādā catuddasa, catuppaññāsa vitthārā, pañcadvāre yathārahaṃ.
Ayaṃ ettha pañcadvāre vīthi-citta-ppavatti-nayo.
άεΙ¨’ΔΝKXΙAHSΝVνήΜέΕA14SAΆN·ιBHSΝΪΰ·κΞ54νή ιB
Θγͺ±±άεΙ¨―ιHSΜΆNΜdϋΕ ιB
vīthi-citta HS LͺSΘOΝAάεψ]SAά―AΜσSAxSAmθSA¬sSAήS
cittuppādā catuddasa 14S@@ΕΕSίͺ14ρA±·ι@γΜ3ρΝLͺS
ΣεH
#13 vibhūtārammaṇa-vīthi@@ΎΔΙζιH
Mano- dvāre pena yadi vibhūtam ārammaṇaṃ āpātham āgacchati, tato paraṃ bhavaṅgacalana-
manodvārāvajjanam-javanāvasāne tadārammaṇa-pākāni pavattanti.
Tato paraṃ bhavaṅga-pāto.
ΙΣεΙ¨’ΔΝAΰ΅ΎΔΘΞΫͺΜζΙόιΘηA»ΜγALͺhSAΣεψ]SA¬sSͺΆN΅IνΑΔ©ηAήͺn·ιB»ΜγALͺΙΏιB
#14 avibhūtārammaṇa-vīthi@@sΎΔΙζιH
Avibhūte panf ārammaṇe javanāvasāne bhavaṅgapāto va hoti, natthi tadārammaṇuppādo ti.
ι’ΝAΰ΅sΎΔΘΞΫͺΜζΙόιΘηA¬sSͺΆN΅IνΑΔ©ηASΝ·ΙLͺΙΏAήΝΆάκΘ’B
āvasati@@[ā + vas + a] lives; resides; inhabitsD
ΎΔ@@@@@@@@ΜΣ¬¬¬¬¬¬¬ήήΜ12
sΎΔ@@@@@@@ΜΣ¬¬¬¬¬¬¬@@Μ10
ΣεΖ’€ΜΝ©ͺθΘΰΜΕAΐ©η£κΔ’ιΜΕAͺΕl¦ι±ΖΝf°η΅’ΰΜΕΝΘ’ΜΕAvlπPΘιSΜρ]ΖέΘ΅ΔABpbTi[αzπ·ιΙΝ±κηπΟzΖέΘ΅A‘AΟzͺSΜΘ©Ι ιAΖ’€±ΖπmF·ιζ€Ιw±·ιB
z’Ν½ΕΰΕΑΏγ°ι@@@Έ_aΝ·ΧΔΟz©ηΆάκι
pΜΆ¦½ETMπ©ι±ΖΝΕ«άΉρͺAC[W·ι±ΖΝΕ«ιB
ΣεSHΝΐΖΝα€±Ζπ½Εΰσz΅ΔA»±©η΄ξp^[i©½AvP[VA΄ξAvjπμ¬Ε«ιΜΕAάεSHζθΰAΣεSHΜΟzΙOκIΙΣ·ιKvͺ ιB
e©Νuδ±»³΅’vΖvΑΔ’ιRΖ»±©ηΜE£
»κΝe©ͺ½xΰΜ±΅½±ΖΙξΓ’ΔΤα’Θvl΅Δ’ιΜΕA±Μζ€Ι©ͺΜ©πΙΞ΅Δ©MπΑΔ’ιB
΅©΅F―ΜVXeππ·ιΖAuNΜm―ΰ©πΰε΅½±ΖΕΝΘ’B»κΝPΘι»ΜlΜuv’Μp^[vΕ΅©Θ’ΜΕAMί«ΰ^ΐ«ΰΘ’±Ζͺͺ©ιBv
±κͺͺ©κΞA’ΜΜNΖ਀ΖΝ΅Θ’B
tΙ»Μvlp^[Ειη΅Δ’―ι’Eͺ ι±ΖπwΤ±ΖͺΕ«ιB
©ͺΖΝα€Β«Ειη·±ΖΙζΑΔΎ½ΏlΟ©ηA»ΜlΜ«φβόΝΜΐͺθΕ«ιB
’ΜΜΗρΘΣ©ΙΰΚΙ£Ήηκι±Ζΰϊνκι±ΖΰΙΘι±ΖΰΘAN[ΙSΐη©Ι΅Δ’ηκιB
±κͺ§³ΜqdΜ’EΟΕAΘρΜΣ©ΰ½Θ’§hΘlΤΙΘθA’ΜΖtη€±ΖΰΘΘιB
΅oxi΅Ώ©΅j satta bojjhaṅgā, Tb^E{bWK[
εθΙι7ΒΜxͺBu΅oxvi΅ΏΖ€ͺ΅jΊχ σu΅μρͺvi΅ΏΪΎ’Τρjnkζd σ
Ooxisati-sambojjhaṅgaj - CΓ«iTeBjBSΕ‘ΜuΤΜ»Ϋπ©o·ι±Ζ
π@ΏαΩ€oxidhamma-vicayaiΎmΙͺΝEζͺj--sambojjhaṅgaj - @Μ©η^ΐΜΰΜπIΤ
Έi΅ε€Άρoxiviriya-sambojjhaṅgaj - wΝ
μoxipīti-sambojjhaṅgaj - μΡΙZ·ι
yΐ«ε€ ρoxipassaddhi-sambojjhaṅgaj - SgΙyβ©³EυK³π΄Άι
θoxisamādhi-sambojjhaṅgaj - SͺW΅ΔκΘ’
Μoxiupekkhā-sambojjhaṅgaj - BΞΫΙϊνκΘ’
SΜ«π¨¦ι±ΖπεΙ΅ΔͺΝ·ι±Ζππ―ιͺͺ ιB
»κΝΏαρΖͺΝ΅Δ’Θ’ΠοΙN±ι»ΫΕA’ΒΰrΌ[ΘͺΝΕIνΑΔ’ιΜΕA»κΙζθΎQ©ηAΰ€ͺΝΝ’’ΜΕASΜ«πc¬·ιAv[`πέιΜΎͺA»κͺ¬χ΅½΅π·©Θ’B
εΘ΄φΝ¨ΏΖSπ¬―΅Δ’ι©ηΕ ιB
lΝ±Μζ€Θ’λ’λΘΰΜπ¬―΅ΔάΖί½Άo΅©mηΈA»ΜΆoΙΖηνκΔ’ιΜΕA
u»ΜΆoͺAΘΊAΗΜζ€ΙAάΖίηκ½Μ©vΖ’€±ΖπvicayaiΎmΙͺΝEζͺj·ιKvͺ ιB
±ΜvicayaiΎmΙͺΝEζͺjΜ\ΝπΒ―ΔA©ͺΜTOͺ³΅’Ζv€±ΖΙζΑΔA©ͺΖ’ΜΙκ΅έΖ’ͺΆάκιΖ’€ΐππ·ι±ΖΕ·B
ΎmΙζͺ·ι\ΝπηάΘ’©ηAΖ’€TOβΐ΄ͺΆάκΔιΜΕ θA
uΝ±€vΑΔ’ιvΖ©uΜε`vͺ\Ι»κΔAΌlΖ©ͺπζΚ΅Δ΅ά€B
»±Ε©ͺΜl¦ΙΔ’ιlπT΅ΔAO[viΖ°AΠοjπμιB
΅©΅ζΜζ€ΘΠοπΒΑ½Ζ±λΕA·ΙΰΦΕά΅Δ΅ά€ΜΝAΌlΖ©ͺπζΚ·ι±ΖπNφ»΅ΔξΙ΅½O[vΕ ι©ηΎB
uΜF―±»ͺ³΅’vΖ’€vlp^[ΙϊνκΔ΅άΑ½lΜWcΎ©ηΕ ιB
ίΈΝΰBuΜpΜζ€ΙκlΕΰήv
Πο©η£κΔΰκlΕΆπ·ιΖ’€Ά«ϋΕ ιB
ζ«ΠοlπΪw΅½θA¬··ιΜΝ\αΤΕ ιB
e©ΜΣ©ΝΠοΜΣ©ΖΝα€ΜΕAΠοΜΣ©πe©ΜΣ©Ι·ι±ΖΝΕ«Θ’B
·ΘνΏΗΜζ€ΘΒlΰρΠοlΕ ιB
ΘΊ±Μζ€Θ\αΤͺN±ιΜ©H
»κΝA»ΰ»ΰuΠοvΖ’€ΐΜͺ±Μ’ΙΝΘ’©ηΕ ιB
Θ’ΰΜΜo[ΙΝΘι±ΖͺΕ«Θ’B»κΕΚͺΘ’±Ζπ·ιΜΕά½κ΅έπ‘ €±ΖΙΘιB
ΐΫΙΝt«€ΜΝΠοΕΝΘlΎ―ΘΜΕA»Μl½ΏΖΗ·κΞ’’ΜΎͺA»κͺο΅’B
RΝΌlΖ©ͺπζΚ·ι±ΖΙA·ιB
uδ±»ͺ³΅’vΖvΑΔ’ι©ηAΗΕ«Θ’ΜΕ ιB
±ΜJjYͺͺ©κΞA’ΜΜ±ΖΕAΠοΜ±ΖΕκ΅ήΜΝoJoJ΅’Ζ’€CΏͺΆάκΔιB
#15 vīthi-citta-sarūpa saṅgaha-gāthā@HSΜ©«TKnEK[^[iΫσj
Vīthi-cittāni tīṇf eva, cittuppādā daseritā, vitthārena
panf etthf eka-, cattālīsa vibhāvaye.
Ayam ettha paritta-javana-vāro.
±±ΕΝAHSΝ3νήΎ―B10SͺΆN·ιΖΎνκιBHSΝAΪΰ·κΞ41νήΖΎ¦³κιB
±κͺA±±Ι¨―鬬sΜdϋΕ ιB
ΎΔΙζιΣεSHΝiΜjΣ¬¬¬¬¬¬¬ήήΖ10ρ]·ιB
~ES52©ηάεΖ2νΜά―π’½41ͺΣεSHΜ¬sΜdϋΕ ιB
p[΅_
½Μ³iAr_}jͺ©©κΔ’ιͺAΰκΨLβγΐ§³iμ`§³jΝA΅ΒΜͺ{_π`³·ιͺAΌΙ€Κ·ιΰΜΝκΒΰΘ’ΜΕA_ ©ΜΝh§³ͺ¬§΅ΔΘ~ΙάΖίηκ½ΰΜΕ ι±Ζͺν©ιB
γΐ§³iμ`§³jΕΝAp[§T_ Ι[ίηκΔ’ι΅_Ε ιB
w@W_xiDhammasaṅgaṇīj
wͺΚ_xiVibhaṅgaj
wE_xiDhātukathāj
wl{έ_xiPuggalapaññattij
wo_xiYamakaj
wο_xiPaṭṭhānaj
w_xiKathāvatthuj
Μ7ͺ`¦ηκΔ’ιB
ΎΕηπ©ιΘ©κAδuζ
Na
bihikkhave ādāsena mukhaṃ oloketabbaṃ
ādāsena mirror
mukhaF[ntD] mouthG faceG entrance
oloketiF[ava + lok + e] looks atG inspectsD
ΎΖΝΆzΜV{Ε ιB½ΎΜΊΜΒπ’½ΰΜΘΜΙA©ͺͺ»±ΙfΑΔ’ιΖvΑΔ΅ά€lΜvlͺoθ©ηΜΖl¦½ΜΕΝΘ’©H
lͺΘwΙΘκΘ’ν―@@CπΒ―ιΜΝF―A»΅Δm―
qgΜF―vZXΜΙe©ΜD«’ͺόΑΔ΅ά’A»κπx[XΙ΅½΄ξΖvlAvͺ쬳κA»κΙ]ΑΔvl΅As·ιΜΕA’ηΧ΅Δΰ_IΘΘwΖ΅ΔΆΕ«ιν―ΕΝΘ’B
Θwm―πξΙ΅ΔΆ«Δ’ιΜΕΝΘA΄ξΖvlΜAvΙμ³κΔιη΅Δ’ιB
F―ΰm―ΰΗΏηΰ©½AvP[VΙζΑΔμηκ½ΰΜΕ ιΜΕAMΆιΙΖΑΔΝΆoΖΘιB
αziTθjΖ’€V΅’F―Μdϋ
T}[fBαz@
α¨@γgΜάεΙηΘ’B
άε©ηΎιξρ𳡒ΖΝ»fΉΈALΫέΙ΅½θAMΆ½θ΅Θ’B
άε©ηΜξρπyδΙ΅Δp·ι±ΖΕAάε©η£EΕ«ιζ€Ι·ιF―ϋ@B
άε©ηόιξρΜ³©η£EΕ«ιΖAζκTθͺΆάκιB
TθΝ~EΜΣεSHΝSͺθΙμιΆoΘΜΕA±κΰp΅Θ’B
TθΝάεΖΣε©ηΜM©ηΕΝΘASΎ―ΕF―·ιϋ@B
RΒF―vXP
O©ηΜMiάεjβΰ©ηΜMiΣεjΙι~EF―
¨ΏΝ ιͺάεΖΣεΙηΘ’FETθ
¨Ώ»ΜΰΜͺΘ’³FETθ
ΑκΘ2νήΜΣεΜF―ϋ@πμθγ°ιΜͺαz·ιΣ‘B
ΗΏηΰάεΙηΘ’F―ΕAFEE³FEΜTθΙζιF―Ζ’’πO΅½o’ΤΜΜζΕΜF―
άWi²ͺ’jpañca nīvaraṇān@@αzCsπΧ·ιA5ΒΜ,F―π’€αQ
ζΓ~iΖρζjkāmacchanda
- ]E~]
abhijjhāΖΜα’ΝH
αΡi΅ρΙAbyāpādaA: vyāpādaj - {θE΅έ
惛ΎE°i±ρΆρ ·’ίρAthīna-middhaj - ΣE°C
{E«μiΆε€± ¨³Auddhacca-kukkuccaj - SΜASͺΏ ©Θ’±ΖEγχ
^i¬Avicikicchāj - ^’
oΖͺϊ₯πϋί½γATΙόιOΜiKΖ΅ΔA±ΜάWΜͺΎy³κιB
±ΜάWͺζθ©κι±ΖΕA»ΜlΙΝ½μEμxAgΜΜyΐi«ε€ ρjEΐyEOͺΆΆATΦΖόΑΔ’υͺ€ΖqΧηκιB
kāmacchandaΝζΓ~Ζσ³κΔ’ιͺAkāmaΖΝ~EkāmalokaΜ~Ζ’€Σ‘ΝA~]Μ~lobhaΖπ·ιΜΕΝΘAuα¨@γgΙΑΔ’ι’EvΖπ·ιΩ€ͺAT}[fBαz·ιΙΝν©θβ·’B
~EkāmalokaΕΜCe[}Νάε©ηΜMπgΑΔugΜπy΅άΉιv±ΖΘΜΕA±κάΕΜK΅ΜF―ϋ@ΕΝA’ηαzπ΅ΔΰT}[fBΝΆάκΘ’B
T}[fBΝ~EΜ³π΄¦ι±Ζππ΅ΔA»Μ½ίΜυΖ΅’ΐHπ΅Δ’Θ’ΜΕAT}[fBΜ±Ναz·ιlXΜPlΙPl΅©ΎηκΘ’ΖΎνκΔ’ιB
byāpādaπαΡi{θjΖσ·ΜΰβθΕA±κΝάε©ηόιMπ©IΙΫ·ι±ΖΘΜΕA{θΖ’€θiTOAκΚΌAΔΡϋjΕΝλπͺΆΆιΜΕAΫAΰ΅ΝβΜϋͺ’’ΜΕΝΘ’©H
\ΚΙ»κι«Ζ’€½Μκ¬Ι ιΜΝAαΡi{θjΖ’€σκζθΰAάΎ»Μζ€Θ΄ξp^[πμ¬·ιOΜA ιhiMj©η΄©ιAΖ’€u£½vΜϋͺΗ’ΜΕΝΘ’©H
~EπΜΔΘ’ΐθαzΜ©έΝΘ’
±ΜάεΜMΙι’EΙ[’Σ‘ΝΘAPΘι\wΕA±ΎνιΏlͺΘ’±Ζπΐ΄΅Θ’ΖT}[fBπΜ±·ιΜΝο΅’B
qdpaññāΝsΒΘxΕT}[fBπΎι±ΖͺΕ«ιB
±ΜxΜqdΖΝ~EΜΰΜΕ ιΜΕAu’ΤΜυyΝχX½ιΰΜΎB³Σ‘ΘΜΎvΖ’€φxΜπΕ ΑΔΰ\ͺΕ ιη΅’B
Ύ©ηβΞ_πMΒ΅Δ’ΔΰAT}[fBαzΕTθΙB·ι±ΖΝΒ\Ε ιB
ΜΔι±ΖπOρΙ·ιΎ―Εqdͺ·ΕΙ ιΜΕA»κΩΗο΅’±ΖΕΝΘ’η΅’B
BpbTi[αzΕ θΜάάΜΐπ©ι
SπΘΣ―Ι³ΉΔ °ιΜΝΗ€©ΖρΔ·ιT}[fBαzΙΞ΅ΔA
SΙΐπ©ΉΔ °ιΜΝΗ€©ΖρΔ·ιΜͺBpbTi[αz
T}[fBαzΜJjY
ΣεΕΜvlπ~ίιΜͺ|CgΘΜΕAr©ηvlͺΆάκΘ’ζ€ΙAζΙΣεπp·ι±ΖΕAl¦ͺςΡρΕιΜπhB
½Ζ¦ΞΪΜOΙ ιmπΎtΙo΅ΔOΆ±―ιΖ±ΕASΝΟz·ι±ΖͺΕ«ΘΘιB
SΝκΒ΅©Θ’ΜΕA―ΙρΒΘγΜ±ΖπΕ«Θ’ΜΕAOΆιΖ’€sΧΕSΜΝ½η«ͺΖθ·ιΖAΌΜ±ΖͺΕ«ΘΘι©ηΕ ιB
ά½A―ΆΰΜπΈΑΖ©Δ’ιΖAαπΒΆΔΰA»κΖ―ΆΰΜπ©ι±ΖͺΕ«ιζ€ΙΘιB
½Ζ¦ΞRgXgΜ’ΰΜπ©Δ’ιΖαπΒΆΔΰcͺ ιζ€ΙB
―ΆΞΫ¨πQΤ`SΤ©―Δ©±―ιΖA―ΆMΎ―πF―΅±―ιΖSΝ»ΜMπwK΅AΞΫπ©ΘΔΰASͺ»ΜF―πμιζ€ΙΘιB
»κ©η³ηΙαzπ±―Δ’ιΖA³ηΙΘF―ͺΆάκAΞΫ¨ͺ³ηΙ©¦nίιζ€ΙΘιB
±κΝSΎ―ΜΝ½η«ΜΑ₯Ε ιB
oΙΑΔ’ιΜΘηΞA±Μζ€Ι©¦ι±ΖΝΘ’B
±Μζ€ΘΜ±π·ιΖA©ι±ΖΰSΜΝ½η«Ε ΑΔAαΕέιΰΜΕΝΘ’AΖ’€±Ζπΐ΄·ιB
±€΅Δ³ηΙσΙΘυͺ©¦nίιΜΕAΣ―π³ηΙ·ιB
»κ©ηA»ΜΝυΙW΅Δαz·ιΖAυͺ©Θθε«©¦nίιB
±κͺ©¦½ηSΙζκTθͺΆάκΔ’ιΖ’€κΒΜΨΕ ιB
’νδι±κͺδκ@ΜκΜ΄Ε ιB
±ΜF―Μ’EΙΝFEͺSC³FEͺSΜvWiKΜXebvͺ ιB
uαͺΘΔ੦ιA¨ͺΘΔΰ·±¦ιΖ’€Μ±π΅AάεπΚ³ΘΔΰF―ͺΆάκιv±Ζπΐ΄΅A’νδι΄\ΝΖΎνκι±ΖΜΒ\«ΰlΆΙόθAά½©ͺΕΐH·κΞπΕ«ι±ΖΙΘιB
TθΜΐ~
#16 jhāna-vīthi, magga-vīthi@@TΜHAΉΜH
Appanā-javana-vāre pana
vibhūtāvibhūta-bhedo natthi.
Tathā tadārammaṇuppādo ca.
κϋAΐ~Μ¬sΜdϋΕΝAΎΔΖsΎΔΜζΚΝΘ’B
ά½»±ΕΝAήΝΆάκΘ’B
bhedoFBreaking; rending; division; disunion; breachCschism; sortCkind
υΜΞΫͺ©¦½Ζ΅ΔΰάΎ³πjΑ½ΖΝΐηΘ’B
κΜ΄ͺΆάκΔA±κάΕΣ―ΕF―΅Δ’½ΜͺAΣ―·ι±ΖΰΘ©IΙuΤͺ θA©ͺΕΘ’ΰ΅ζ€Ζ·ι±ΖΘA½ΎF―ͺ¬κΔ’B
½ΎSͺ¬κΔ’ιB
»Μζ€ΘκΜ΄Μζ€ΘA©ͺΜΣ―ͺΑ¦Δ΅ά€uΤͺ³πjΑ½κΒΜΨΕ ιB
Tattha hi ñāṇa-sampayutta-kāmāvacara-javanānam
aṭṭhannaṃ aññatarasmiṃ parikammopacārānuloma
-gotrabhū-nāmena catukkhattuṃ tikkhattum eva vā yathākkamaṃ uppajjitvā niruddhānantaram eva
yathārahaṃ
catutthaṃ
pañcamaṃ
vā chabbīsati
mahaggata-lokuttara-javanesu yathābhinīhāra-vasena yaṃ kiñci javanaṃ appanā-vīthim otarati. Tato
paraṃ
appanāvasāne bhavaṅga-pāto va hoti.
»ΜκΙΝAq~E¬sS8ΒΜΜΗκ©κΒͺΥμAίsAAν©Ζ’€ΌOΕ4ρAΘ’΅3ρAΙΆάκΔAΕ·ιΖ»ΜΌγΙAΒάθ5ρΪA ι’Ν4ρΪΙAεSΖo’ΤSΜ¬sS26ΜΜΗκ©Μ¬sSͺ±ψΝΙζΑΔΐ~ΜSHΙόιB»ΜγAΐ~ͺIνΑ½ηALͺΙΏιB
aññataraFa. [aññaΌother Μδr] η¬κCρΜκC½ι.
appanā-vīthi@@@ΐ~ΜSH
Υμparikamma
υΖ’€Σ‘@@ άΛζυ΅Δ’ι
ίsupacārā
ίριΖ’€Σ‘@TθΙίριAΔ’ιS
upa»±ηΣ@cārāΰ’Δ’ι@@@ΙόΑ½ν―ΕΝΘ’±Ζ
ψΙαz΅Δ’ισΤΕAT}[fBΜ‘πάΎ‘νΑΔ’Θ’B
anuloma
ΩΖρΗΔ’ιΖ’€Σ‘@@@TθT}[fBΙsb^t«]ΑΔ’ι
ν©gotrabhū
gotraΖ°EΖnAbhūΘθά΅½AΆάκ½Ζ’€Σ‘ΕAuΖnΙΘΑ½v
³π΄¦½’EΜZlΙΘΑ½Ζ’€Σ‘B
gotrabhūΜSͺΆάκ½ηAΜ¬sSΝKΈTθSΙΘιB
΅©΅A±κΝάΎ~EPSΜSΕAFEΜΰΜΕΝΘ’B
ΐ~θappanā-samādhi
{¨ΜTθS@@T}[fBΙόΑΔAΐθ΅ΔA»±Ι~άΑΔ’ισΤΜS
appanāFf. [Sk. arpaṇa. cf. appeti] ΐ~Cͺ{θ
BpbTi[αzΕΜΤ
ν©SΝAΟYπ}¦ιͺAΕ΅ΔΝ’Θ’B
BpbTi[αzΜκΝAν©SΜγΙa¬ΉSͺΆάκιB
Α₯Ν3ΒΜΟYπSΙfΏΨι±ΖB
»ΜΟYΖΝLg©iΐΜͺ ιΖ’€λπAϊΦζiCsΙΞ·ι· jA^i‘άΕ Α½¬σΤj
³νπ©΅½ΜΕA±€ΕΝΘ’©HΖ’€B³ͺΘΘιB
magg-cittaa¬ΉSΙζΑΔΟYͺΑ¦AΙΆάκιphala-cittaa¬ΚSΖΟYͺΑ¦½SΕ ιB
’
ΏΉSΕΝ5ΒΜΟYͺΑ¦ι
PFEΙΞ·ι·
Q³FEΙΞ·ι· @@@Άέ~άΕΘΘιB
Rmāna@@vιΖ’€Σ‘B©ͺπΪxΙ΅ΔΌlπδr΅Δ]Ώ·ιB
S{@@@QνήΜSΜ¬@
\ͺΗ¨θΙ’©Θ’σΤAΰ΅ΝαΜOΜoπc¬Ε«Θ’σΤΙΧιQΒΜ^CvB
T³Ύ@@@^πmηΘ’±ΖB@±ΜΟYͺΑ¦ιΖSΙ^πmι±ΖͺΕ«ιB@
@@@@@@³ΎͺΑ¦ι±ΖπqdΖ’€B
qdΜυΕ³νπΟιB
ίsupacārāΖΐ~θappanā-samādhiΜ¬―
ίsΜΚΖ΅ΔASͺ΄η©ΙΘθAΘ©Θ©{ι±Ζΰ~ͺΆάκι±ΖΰΘAΏ ’½σΤΙΘι½ίAB½ΜCsͺίsΕu±κΕ’’vΖ«΅ΔCsπ~ίΔ΅ά€B
ίsΕΝζͺ©¦Θ’½ίAζπ©ζ€ΖΝΉΈA»κΕΐS΅Δ΅ά€½ί
ΐ~θΝASΜ½©ͺΨκΔujΑ½vΖ’€F―ͺ θA³πjΑΔγΙςρΎΖ’€o±ͺ ιB
πjΑΔςΡo΅Aΰ€³ΙΝίηΘ’σΤπo±·ιB
#17 kāma-javanato appanā-javana@@@~¬s©ηΐ~¬s
Tattha
somanassa-sahagata-javanānantaraṃ appanā pi somanassa-sahagatā eva pāṭikaṅkhitabbā,
upekkhā-sahagata-javanānantaraṃ upekkhā-sahagatā eva.
»ΜκAμΜ¬sSΜΌγΙΝAΐ~Μ¬sSΰARAμΜέͺBΜδΜ¬sSΜΌγΙΝAΐ~Μ¬sSΰARAΜδΜέͺB
ānantarikaF[adj.] immediately following. ΌγΙ
pāṭikaṅkhaFaD[paṭikaṅkhati Μ grdD] ]ΜCϊΉηιΧ«Dto be desire or expected
αzͺiρΕ’ιgΜΜy³ΖμΡΜΐ΄
α¨@γgΦΜ’ϋͺΗρΗρΑ¦Δ«ΔSͺΏ ’ΔιΖAgΜΰyΙΘιB
»΅Δ½άΙgΜͺy΄ΆιBΘΜζ€ΙAσCΜζ€ΙAgΜΙΝ½Μ¨ΏΰΘ’ΜΕΝΘ’©Ζ΄ΆιB
ΗρΗρΖμΡͺΆάκAΜdπ΄ΆΘ’ΜΕAΰ’ΔΰΏΑΔΰζκͺΘ’B
TθΙόιO©η±Μζ€ΘμΡΝ ιB
~EΜμΡΖΝΏͺα’A½Ύ½ΰΘμΡͺ ιB
SΙΝσ]ͺΘ’B΅Θ―κΞΘηΘ’±ΖΰΘ’B
±Μζ€ΘσΤΜμΡΕ ιB
Tathāpi kusala-javanānantaraṃ kusala-javanañ cf eva heṭṭhimañ ca phalattayam appeti, kiriya -javanānantaraṃ kiriya-javanaṃ arahattaphalañ cāti.
ά½A»ΜκAPΜ¬sSΜΌγΙΝAPΜ¬sSΖΊΚΜOΚΜέͺΐ~·ιBBμΜ¬sSΜΌγΙΝABμΜ¬sSΖ’
ΏΚΜέͺΐ~·ιB
heṭṭhimaFaD[heṭṭhā Μ Εγ] ΕΊΜ
phalattaya@@phalaΜ‘`@@'fruit'DresultCeffect
#18 saṅgaha-gāthā@TKnEK[^[iΫσj
Dvattiṃsa sukhapuññamhā,
dvādasopekkhakā paraṃ, sukhita-kiriyato aṭṭha, cha sambhonti upekkhakā.
Puthujjanāna sekkhānaṃ kāmapuññatihetuto,
tihetukāmakiriyato, vītarāgānam appanā.
Ayam ettha mano-dvāre vīthi-citta-ppavatti-nayo.
yPΜγA32ͺΆΆAΜΜγA12ͺAyBμΜγA8ͺAΜΜγAUͺΆΆιB}vΜALwΜA~POφΜγΙA£ζΓΜOφBμSB±κͺA±ΜΜΣεΙ¨―ιHSΆNΜdϋΕ ιB
sambhotiF[saṃ + bhavati] arisesG is produced or presentD
puthujjanaFmD[BSkDpṛthagjana] }vCΚΜl
vītarāgaF[adjD] passionlessDimDj a saint
nayoFLeadingCguidanceG conductG wayCmanner
~E¬sΜ@₯
#23@kāmāvacara-javana ~E¬s
Javanesu ca paritta-javana-
vīthiyaṃ
kāmāvacara-javanāni sattakkhattuṃ chakkhattum eva vā javanti, manda-ppavattiyaṃ pana maraṇa-kālādīsu pañca-vāram eva. Bhagavato
pana yamaka-pāṭihāriya- kālādīsu lahuka-ppavattiyaṃ cattāri pañca vā paccavekkhaṇa-cittāni bhavantīti pi vadanti.
¬sΙ¨’ΔA¬¬sΜSHΕΝA~E¬sSͺ7ρA ι’Ν6ρΎ―¬s·ιBκϋAΚΘΗΜέdΘ]NΜκΝA~E¬sSΝ5ρΎ―¬s·ιBκϋA’Έͺo_Ο𦻷ιΘΗΜq¬Θ]NΜκΝA4ρΘ’΅5ρAΟ@Ζ’€¬sSͺΆΆιΖΰΎνκιB
yamakaintDj a pairG couple
pāṭihāriyaF'miracle'Cmarvel
lahukaFaD[lahu-ka] y«CyΜCκIΜ
PaccavekkhaṇaCipaṭi+avekkhanajlΆCϋ’C½Θ
o_Ο(»€ΆρΨρ) gΜΜγΖ«³©ηπέΙΖ
ͺgΜπ«γͺηΉιΩΗΜ¨’Ε¬«o·»Ϋ
|
https://www.eonet.ne.jp/~kotonara/y%20bunkatu-3.htm
ΐ~¬sΜ@₯
Tθΐ~Μ@₯
#24 appanā-javana ΐ~¬s
ādikammikassa pana paṭhamakappanāyaṃ mahaggata-javanāni
abhiññā-javanāni ca sabbadā pi ekavāram eva javanti. Tato paraṃ bhavaṅga-pāto
κϋAίΔlͺΕΙΎB·ιΝAεEΜ¬sSΖ_ΚΜ¬sSΝA’ΒΕΰ1ρΎ―¬s·ιB
»ΜγALͺΙΏιB
ādikammikaF[m.] beginner
paṭhamakoFFirstCprevious
appanāFf.@ΐ~
Cattāro pana magguppādā
ekacittakkhaṇikā.
Tato paraṃ
dve tīṇi
phala-cittāni yahtārahaṃ uppajjanti. Tato paraṃ bhavaṅga-pāto.
ά½A4ΒΜΉSͺΆΆιΖ«ΝAPSίΆΆιB»ΜγA2,3ρAΚSͺKXΙΆΆA»κ©ηLͺΙΏιB
~EΜqdATθΜqd
u©½Θ’A·«½Θ’AFί½Θ’vΖ’€ΜΝκ¬Ι ιuΫi{θjvͺοΫ»΅½ΰΜΘΜΕA»ΜΙΝqdͺΘ’B
³νΜπΙΒ’ΔΝA~EΜqdΕΝu’ΤΜυyΝχX½ιΰΜΎB³Σ‘ΘΜΎvΖ’€φxΜπΕ ιB
Ύ©ηA³ν»ΜΰΜΕΘΔΰATOΎ―πOκIΙ@«ρΕA³γΙξΓ’Δl¦ιζ€ΙΘΑΔ΅ά¦ΞA»κΝqdΜΆ«ϋΙΘιB
Ξ΅ΔATθΜqdΝAuα¨@γgΙι±ΖΝΩΩ΅’±ΖΎB³Σ‘ΎvΖ’€πΖ[ΎΕ ιB
TθͺΆάκΘ’R
α¨@γg©ηΜhΙΰμΡΝ ιͺA
uα¨@γg©ηξρΝSκΕΝΚ’ΰΜΕΝΘ’BΟν΅’ΰΜΕ ιBά½ͺΜΜTOΙ±ΎνιΜΰΟν΅’B»€’€±Ζ©η£κ½ϋͺAεΟΏ ’ΔKΎvΖ’€ΐ΄πΑ½[ΎAδDΙΏ½πͺΘ’©ηΕ ιB
T}[fBαzπ·ιlΝAΘΙ©ΞΫπμΑΔAαz·ιΜΎͺA»κΙζΑΔA»ΜΞΫΙΑΔ’ι±ΖͺΎmΙπΕ«ι©ηΕ ιB±κͺπΕ«ιΖηΘ’σΙB·ιXebvΖΘιΜ©H
~EΕΜ³δ
©ͺͺΞΫΙWνΑΔ’ιΕΙA©ͺπYκΔ’ιΜΝε«ΘμΡͺ ιB
±ΜμΡΝ~EΜΰΜΎͺA±Μζ€Θ©δπYκΔA©ͺΖΌΖ’€ζͺͺΑ¦ιuΤΙ±»μΡͺΙIΙσΙ΄ΆηκιΜ±π΅Δ’ιB
¨_`AZbNXAEG[uART[gB
ζΖΰαπΒΆΔΞΫπΟΔAC[WπΑΔμiπ`
΅©΅AT}[fBαzΝ±κηΜC[WΜμ¬ΖΝα’AζθσΕAΰΑΖ[’κΜ΄ͺ ιB
WΝͺάΑΔ’ιΜΕAαπΒΆΔΰΞΫπζθ΄ΆAζͺΜΘ’κΜ΄ͺ ιB
T}[fBαzΜXebv
ΞΫπίιBmAJ~AτΆAΉAΔzAΟ»Axθ
©ͺͺΞΫΙΦνθίΓ«AX|bgCgπΔιB
ΞΫΙW·ι±ΖΕTθͺΆάκιB
TθiT}[fBσΤjΖΝA©ͺΖ’€εΜͺΑ¦ΔAΞΫΖζͺͺΘΘιuκΜ΄vΕ ιB
οΜIΙΝA
αzπ·ιΖAΞΫͺΗρΗρΖΎmΙΘΑΔ«ΔAυΙΘιB
»κπα¨@γg©ηΜMΖ΅ΔΕΝΘA_oΗͺF―·ιB
ΞΫπά΄oν―πΚΆΈΙ_oΗΕσ―ζι±ΖB
±€΅ΔAO©ηΜυΜξρΝΘΔΰAΜΰΜF―ΝΎ―Ε»κπ΄Ά±―Δ’ιB
±κπuggaha nimittaΖ’€BuggahaζΎtaking up@@ nimitamarkCsignG imageG targetCobject
³ηΙαzπ±―ιΖAΰψΘJ^`Ε©¦nίιB±κπpatibhāga-nimittaΖζΤB
³ηΙαzπ±―ιΖA»ΜΞΫͺP€B
PΑΔAΞΫΖ©ͺͺκΜ»΅Δ΅ά€B
±κάΕΙΞΫ΅Δ’½ΰΜͺ©ͺπPΑΔ«ΔA©ͺπ}¦Δ©ͺΙζθΪΑΔ΅ά€κuΜoͺ ιB
±ΜF―ΜΜuΤΝLͺSΙΘιB
©ͺΖΌΖ’€ζͺͺΑ¦ιuΤΙ±»μΡͺΙIΙσΙ΄ΆηκιΜ±Ε ιB
T}[fBαzΕΝΞΫͺΜΜΙ θ θΖ»ΜάάΟ¦ι±ΖΕ ιB
ΞΫπαΕ©ΔΘΔΰA΅§ΙΎmΙΟ¦ι±ΖͺKvΘπΕ θA±κπΐH΅Δ’ιΖμΡπ΄ΆιB
@³ΙΦνηΈANΙΕΰΜ±Ε«ιB
βθΝ±Μo±©η£κΘΘιΘθA©ͺΜΜ±Ι· ΅ΔβΞπ΅ΔAΌΜbπ·©Θ’ζ€ΙΘιB
§³ΝαzΜ’EͺΧιΞ©ΜΕΙυπΔΔͺΝ΅AΘwIΙSwΜ§κΕπΰ΅ζ€Ζ΅Δ’ιB
τRΙΰζκTθͺΆάκιΒ\«ͺ ιAΖΎΑΔ’ιͺAοΜαΝH
Tnimitta\TθπCs·ιΖ«ASͺκ·ιΞΫBC[WΕΰ’’΅ATOΕ ΑΔΰζ’B
ζuggaha-nimitta\ζΎ΅½TBwρΎTBθΝͺγΈ΅½Ζ«A§ΜͺSΙζΑΔOκIζθόκηκ½Ζ«ΜTB
paṭibhāga-nimitta\ρνΙζΜTΙΔ’ιBθΝͺXΙ[άΑ½Ζ«AρνΙζΙ½TͺSΜΙAΐθIΙΆN΅ά·B»κΝΕΧͺΘ’ΖΝΎ¦AβΝθCsΙζΑΔΆN΅½κνΜTOΙί¬Θ’BΖ’€B
Tίjhāna\SͺSΙκκIΘσΤΙ ι±ΖB
΄ςΉ_EζOiΕΝAuSΖSπ½i<ΰ>ζ’oXπΫΒ±ΖjΙ΅AΏ ©ΉAU³ΉΈAGΙΘηΘ’ζ€Ι΅ΔPΖΜΞΫΜΙΐZ·ι±ΖvΖqΧΔ’ιB
·Dīgha NīkāyaΕΝATίΜSπuJ©ΕΓ©A΄ςE§ΎΕA·ΕΙ笳κΔ¨θAΧ«ΘA_ξE]Ε¬\AΕΕΎ ΅ΔAsΕ ιvΖTίΜSΙΝΝΘΆ½Νͺ ι±Ζ𦴡ĒιB
TίΝΚνlFETπw·ͺAl³FETπάή±Ζΰ ιB
ά©έ@pañca-vasītā@@@αzͺΉπληΘ’½ί@@@@@αzπηι}X^[·Χ«άΪ
1.ψ]©έ|T}[fB©ηo½γΕA@T}[fBΙάΎcΑΔ’ιvlE΄ξπ»ΚEmF·ι\Ν
āvajjana ΝΘ@reflectionΜΣ‘ΕASπό―ΔΟ@·ι±ΖB
āvajjetiF[ā + vajj + e] observes
~EΙίΑΔA©ͺΜΜ±πv’o΅A½Ύΐπ θΜάάAqΟIΙΟ@΅ΔmF·ιB
πίΝλπΘΜΕ½Ύ©ͺΙN«½ΐπΟ@·ιΎ―Ι·ιB
·ιΖJ~ΖΜκΜ»Ζ’€ζ€Θπίπ΅ΘΘιB
@³ΖͺπEπ©Β―ηκΈAΦτπkιrΕβίΔ΅ά€Μ©ΖΎ€ΖAuπί΅½©ηΕ ιBΰΎ΅½ΜΕΤαΑΔ΅άΑ½vΖίΈΝΰ’Δ’ιBoTH
2.όθ©έ|T}[fBΙόθ½’Ζv€Ζ«A’ΒΕΰoι\Ν
samāpajjana [absDof samāpajjati] having entered uponG having engaged in
3.έθ©έ|©ͺΜί½ΤΙT}[fBΙ―άι±Ζͺoι\Ν
adhiṭṭhāna [fr. adhi + sthā] 1. decisionCresolutionCself-determinationCwill @θ
p[κΕΝΎθΜΣ‘ͺ½’ͺA±±ΕΝα€B@±±ΕΝAΣ}΅½ζ€Ι·ιΣ~ΜΣ‘B
4.oθ©έ|©ͺΜί½Τͺ«½ηT}[fB©ηoι\Ν
vuṭṭhāna [the sandhi form of uṭṭhāna] rising
out N«γͺΑΔoι±Ζ
Tθ©ηoΔA~EΜν―ΙK·ι±ΖB2ΒΜF―ΝΝΜα’πΎmΙπ·ι±ΖB
5.Ο@©έ|T}[fBΙάΎcΑΔ’ιvlE΄ξπ»ΚEmFΕ«ι\Ν
paccavekkhaṇa@Ο@
TθΜγ_ΰζΟ@·ιB
±κΕATθΙΞ΅ΔN±ιΝΘ· i~jͺΑ¦ιB
ϊνΆΕΜ~ΝlobhaATθΙΞ΅ΔΜ~ΝAnikanti
ζκTθ©η¬··ι½ίΙΝA±ΜnikantiπΜΔAά©έπ΅ΔA¬·ΜΒ\«πTθA»σΜ_πF―·ι±ΖΕAζρTθΘ~πμι±ΖͺΕ«ιB
Ύtπρ]³Ήι±ΖΕTθπΎι±ΖͺΕ«ιΖvΑΔ’ιͺΎκπJθΤ³Θ’ΕTθͺΎηκιΝΈΎΖαzπ±―ι±ΖΕAζρTθπμι±ΖͺΕ«ιB
ΎtΕl¦ΘΔΰA½©ΰΜπ©½η·ΙκΜΙΘιΖ’€±ΖͺζρTθΕ ιB
½©π©½η½ΰͺΙ©ΞΘ’σΤΕA±κΝδπYκΔ΅ά€±ΖΘΜΕA½Ζ¦ΞΤΜ^]ΘΗΜζ€Ι»γΆΎΕΜϊνΆΕΝλΘ’ΰΜΖ»f³κιB
ά½AρzρρzθπμΑ½Ζ΅ΔΰAά©έπ΅Δ_π`FbN΅Θ―κΞA¬·Ν»±Ε~άθABpbTi[αzπ·ι±ΖͺΘΘΑΔ΅ά€B
ζκTθ@@qAfAμAyAκ««Ζ€Ι ι@@’IΘ~πΜΔι±ΖΕAζκπΎι±ΖͺΕ«ιB
ζρTθ@@fAμAyAκ««Ζ€Ι ι@@@@ΎtΙζιvlπΜΔι±ΖΕζρπΎι±ΖͺΕ«ιB
ζOTθ@@μAyAκ««Ζ€Ι ι@@@@@μpītiͺΘΔΰκΝΕ«ιB
ζlTθ@@yAκ««Ζ€Ι ι@@@
ζάTθ@@ΜAκ««Ζ€Ι ι@@@@@@@ΜupekkhāΒάθgΜΜ΄oͺΘ’σΤΙι
~ΑΔ~΅’lΝαzζθΰάΈΝ«©η
uN©Ιθ½’A·ͺθ½’vΖvΑΔ’ιlΝAάΈ©ͺΜ«πηΔι±ΖπDζ³ΉιB
αzΝAuΰΜ²ΖΝ©ͺΕ»f΅½’A©ͺΕί½’vΖ’€lΙό’Δ’ιB
TθΙ΅κιΖΐ~¬sSͺΈΑΖ±
ίΔΜTθΕΝ1ρ΅©TθΜSͺΆάκΘ’ͺA©ηΝΞ·±ΖͺΕ«ιB
·ιΖ¬sSΝ7ΒΖ’€@₯ΰΟνθA1ΒΜSHΜΕA100Εΰ200ΕΰA±΅ΔΆάκιΒ\«ΰ ιB
o’ΤΜΐ~¬s@@@BpbTi[αz
ΥμparikammaAίsupacārāAanulomaAν©gotrabhūΜγΙΝa¬ΉSmaggaͺΆάκιB
±Μa¬ΉSΜqdΕ3ΒΜΟYiLg©AϊΦζA^jͺfΏΨηκιB
T}[fBαzΜΐ~¬sSΕΝA@xΜ’~ͺΆάκΔ΅ά€ΜΕAΟYπfΒ±ΖͺΕ«Θ’B
a¬ΉSͺΆάκ½Ιΰά©έΝKvΕAΑΙκΤΪΜψ]©έͺεΨΕ θA»ΜΙΝu©ͺͺΗ€ΘΑ½©Hv·ΘνΏΑ¦½ΟYπζΟ@·ιB
ρxΪ©ηΝa¬ΚSphalaΎ―ͺΆάιB
αzͺIνιΖά©έΜ5ΤΪΜΟ@©έpaccavekkhaṇa-vasītāπgΑΔ3ΒΜΟYΝΑ¦½ͺA©ͺΙΝ~Ζβͺ ιΖ’€_੦ιζ€ΙΘιΜΕAΰΑΖγΜxΙ`W·ιζ€ΙΘιB
BpbTi[αzπ·ιΖά©έͺ1ZbgΙΘΑΔ’ιΜΕA’ΒΕΰ©ͺΜγ_ͺ«ΏρΖ©¦Δ’ιΝΈΕ ιB
Εsθ
Nirodha-samāpatti-kāle
dvikkhattuṃ catutthāruppa-javanaṃ javati. Tato paraṃ nirodhaṃ phusati. Vuṭṭuhāna-kāle ca
anāgāmi-phalaṃ vā arahantta-phalaṃ vā yathāraham eka-vāraṃ uppajjitvā niruddhe bhavaṅga-pāto eva hoti.
Sabbatthā epi samāpatti-vīthiyaṃ bhavaṅga-soto viya vīthi-niyamo
natthīti katvā bahūni pi labbhantī ti.
ΕsθΙόιΖ«ΙΝAζlΜ³FETθΜ¬sSͺ2ρ¬s΅ΔA»κ©ηAΕΙGκιB
oθ·ιΖ«ΙΝAsΚS ι’Ν’
ΏΚSͺKXΙPρΆΆAΕ΅ΔLͺΙΏιB
TθΜSHΙ¨’ΔΝ’ΒΕΰALͺΜ¬κΜζ€ΙSHΜ@₯ͺΘ’ΜΕA½³ρΕΰΎηκιB
samāpattiF[frDsaṁ+ā+pad] 'attainments'Cis a name for the 8 absorptions of the fine-material and immaterial spheres to which occasionally is added as 9th attainmentCattainment of extinction inirodhasamāpattij
kāle @@@εH@oόθϋH@@
dvikkhattuṃFadvD[dvi-khattuṃ] ρρ
niyamoFAscertainmentmFCcertaintyG restraintCtraining
bahuF[adjD] much; many; plenty; abundantDipluDj many persons
SΜΝ½η«π~ίι±ΖΝΕ«ιΜ©H
’ ΏΙΘΑ½ͺρzρρzθΜT}[fBάΕPϋ·κΞA©ͺΜSπ«κ’ΙXgbvΕ«ιB
½Α½κΒΜSHΜ¬κͺPTΤ©©ιB
±€ΘιΖ¨wΜ@₯ΰKp΅Θ’B
΄qΩΗΏ «ΜΘ’ΰΜΝΘ’Ζ’€¨wΜ@₯ͺΚp΅Θ’ΜΎB
ΰ΅΄qΰdqΰSΙXgbv΅½ηA»κπσ·±ΖΝsΒ\ΙΘιB
΄qeπgΑΔΰσκΘ’BΘΊΘη~άΑΔ’ι©ηA½ΜeΏΰσ―Θ’©ηΕ ιB
»€’€ν―ΕAΕsθΙόΑ½ηA»ΜlΜgΜΙΞ΅Δ½ΰ·ι±ΖΝNΙΰΕ«Θ’B
#25@saṅgaha-gāthā@TKnEK[^[iΫσj
Sattakkhattuṃ parittāni, maggābhiññā sakiṃ matā, avasesāni labbhanti, javanāni
bahūni pi.
Ayam ettha javana-niyamo.
¬¬sSΝVρAΉSΖ_ΚΜ¬sSΝPρA»ΜΌΜ¬sSΝτΒΕΰΎηκιB
lΜ«ΏΙζιζΚ
#26@puggala-bheda@@lΙζιΚ
Duhetukānam ahetukānañ ca panf
ettha kiriya-javanāni cf eva appanā-javanāni ca na labbhanti.(45) Tathā ñāṇa-sampayutta-vipākāni ca sugatiyaṃ, (41) duggatiyaṃ pana ñāṇa-vippayuttāni ca mahā-vipākāni na
labbhanti. (37)
ά½A±±ΙΒ’ΔΎ¦ΞAQφΖ³φΙΝABμ¬sΰΐ~¬sΰΎηκΘ’B
―lΙAPοΙ¨―ιQφΖ³φΙΝAqΩnΜSΝΎηκΘ’B
κϋA«οΙ¨’ΔΝAqsΜεΩnS³¦ΰΎηκΘ’B
Pο@lΤEAVE
qΩnΙΝRφͺ ι
«οΙslΜS
sPΩnSΕ ι³φSΜVΒΜΗκ©PΒΜSΕΆάκιB
ΜδΜxSΕΆάκιB
lΤEΙΆάκιl
PΩnSΕΘ’ΖAlΤΙΝΆάκΘ’B
PΩnSΙΝQφͺSνΖRφͺSν ιB
PΒΎ―³φΕ ι³φPΩnxSΕΆάκιP[Xΰ ιB»ΜκΝαQπΒB
Tihetukesu ca khīṅāsavānaṃ kusalākusala-javanāni na labbhanti. (44) Tathā
sekkha-puthujjanānaṃ kiriya-javanāni. (56,54) diṭṭhigata-sampayutta-vicikicchā-javanāni
ca sekkhānaṃ,
(50) anāgāmi-pugglānaṃ pana paṭigha-javanāni can na labbhanti. (48) Lokuttara-javanāni
ca yathāsakaṃ
ariyānam eva samuppajjantīti.
3φΜΕARsΙΝPSAsPSΜ¬sΝΎηκΘ’B―lΙALwΖ}vΙΝBμSΜ¬sΝΎηκΘ’Bά½LwΙΝΧ©ΜSΖ^SΜ¬sSΝΆάκΘ’BsΙΝαΡΜ¬sSΝΆάκΘ’Bo’ΤSΜ¬sΝA»κΌκΜΉΙΜέΆΆιB
sekkhaF[mD] a learnerG one who is in the course of perfection
puthujjanaFlitDF'one of the many folk'
puthuF[indD] separatedG individualG far and wideG separately
janaF[mD] a personG a manG the peopleD
3φΜΆ½Μ
qgΰ΅ΝVΜΙΎ―Άέ·ιB
3φΎ©ηVΜΆ½ΜΖΝΐηΈA2φΜΆ½Μΰ ιB
lΤEΙΝ0φA2φA3φΜΆ½Μͺ’ιB
Ar_}ΕΝ3φΜΆ½ΜΎ―ͺATθ΅½θoι±ΖͺΕ«ιΖfθ΅Δ’ιͺAo ΙΝ»Μζ€ΘLqΝΘ’ΜΕAίΈΜl¦Νͺ©ηΘ’AΖX}iT[tΝl¦ιB
2φΕΰoκιΜ©H
LͺSΝΆάκπiιΆSΕΰ ιB
ΰ΅A»κͺ2φΎΖ·ιΖAQφΜLͺSͺ’ηΟ»΅ΔΰA3φΜεΘΝπΑΔ’ιTθSβπESΝΆάκΘ’Ε λ€ΖAX}iT[tΝl¦ιB
RΝSHΝ2φΜLͺSΙΝάκΔ’ι©ηΕ ιB
QφΜLͺSπΒκΚlΝoθΙB·ιΜΝsΒ\Ζ’€πΰΝ§³Ζκv΅Θ’AΖ’€ΜͺX}iT[tΜl¦Ε ιB
§³Ν³νΖφΚ@₯ͺx[XΕ ιΜΕAαz΅ΔΰεηΘ’Ζ’€ΜΝ[ΎΕ«ΈAwΝπ΅Δ𳦡¦ΞAΚͺoΘ’ΝΈͺΘ’Ζ’€ΜͺAX}iT[tΜl¦Ε ιB
SΜγAε¬ͺ ιΜΕAb¦κΞSΝε«ΘιΜΕA2φΕΰπEάΕSͺ¬··ιΖ’€ε£Ε ιB
Ar_}ΝΆ½ΜͺΝΘΜΕA»σπ’©ΙόΗ·ιΧ«Ε ι©ΙΒ’ΔΝ±±ΕΝ΅ΑΔ’Θ’B
}vΖLwΖ³w
}v@@oΑΔ’Θ’Ά½Μ@@@_βVΰάίAΦτΙ’ι·ΧΔΜΆ½Μ
Lw@@a¬ΉAa¬Κ@κΉAκΚ@sΉAsΚA’ ΏΉ@@@άΎwΤΰΜͺLι@
³w@@’ ΏΚ
#27@saṅgaha-gāthā@TKnEK[^[iΫσj
Asekkhānaṃ catucattālīsa sekkhānam uddise,
chappaññāsāvasesānaṃ catuppaññāsa sambhavā.
Ayaṃ ettha puggala-bhedo.
³wΙΝ44SͺALwΙΝ56SͺAcθΙΝ54SͺΆάκιΖ¦³κ½B
±κͺ±±Ι¨―ιlΜ«ΏΙζιζΚΕ ιB
uddisatiF[u + dis + a] points outG appoints@@ΰ
chappaññāsaF56@
avasesaFmDnDaDc]
³ΙζιζΚ
#28@bhūmi-vibhāga@@nΙζιΚ@
Kāmāvacara-bhūmiyaṃ panf etāni sabbāni pi
vīthi-cittāni yathāraham upalabbhanti. (80) Rūpāvacara- bhūmiyaṃ paṭighajavana-tadārammaṇa-vijjitāni. (64) arūpāvacara-bhūmiyaṃ paṭhamamagga- rūpāvacara- hasana-heṭṭhimāruppa-vajjitāni ca
labbhanti. (42)
~E³Ι¨’ΔΝA±κη·ΧΔΜHSͺKXΙΎηκιBFE³Ι¨’ΔΝAαΡΜ¬sSΖήSπ’½HSͺΎηκιB³FE³Ι¨’ΔΝAΉSAFESAΞNSAΊΚΜ³FESπ’½HSͺΎηκιB
~EΝ11³
~EΜ~ΖΝα¨@γgΜΞΫΜ±ΖB
«οͺSClΤEPCVEͺUΕv11
FEΜΕnΝζlTθΜΈγΜakani
ṭṭ ha³ςV
±κΘγΝgΜπΑΔ’ιΆ½Ζ΅ΔΝΆέ΅Θ’B
FEΖ³FE
FEΝf±qΜζ€ΘgΜΘΜΕA±qΜε«’χβΗΘΗΜ¨ΏπfΚ΅·ι±ΖͺΕ«ιB
gΜΝ ιͺF―Ζ΅ΔΝATθπF―΅Δ’ιΆ½ΜB
³FEΝΜͺΘA½ΎSΎ―ΘΜΕAR^NgπΖι±ΖͺΕ«Θ’B
~EβFE©ηΰ«κ’ΙJbg³κΔ’ιB
SΙΝΥ«ͺ ιΜΕΝΘ’©H@@~EβFEΜSΕeΏπ^¦ι±ΖΝΒ\ΕΝΘ’Μ©H
Sͺ¨ΏΙeΏΝͺ ιΜΘηΞA³FEΜSΝ~EΙeΏπ^¦ιΜΕΝΘ’©H
FEΙΝ{θΜHSΝΆάκΘ’B»κ©ηήSΰΆάκΘ’AΖ’Δ ιB
Ό@³ΕuβΞΜ_vͺ’ιAΖ ιͺA’{θπΑΔ’ιΜΕA»κΝFEΕΝΘA~EΜVΜ±ΖΎλ€B
FEΜVΖR^NgπζΑΔs΅Δ’ιΜΘηΞA{θβθπ|»€Ζ·ιCΏΝΘ’ΝΈΕ ιB
qhD[³ΝFEΖR^Ngͺ ιΜΕAβΞIρ\Νε`Μ³¦ͺ ιB
u·ΧΔΝ―ΆΎ©ηA|·GΝ½ΰΘ’vΖ’€FEVΜbB
qhD[³ΕΝν΄ΖXβRΙόΑΔAαzΙζΑΔFEΜ΄©RIΘΜ±π©ͺΕ΅ΔA»κπΑΔ’ιB
»γΜqhD[³Ι{θͺ ιΜΝAuEpjVbhvπΉTΖ΅ΔέιΜΕΝΘAu}n[o[^vΜuoK@bhEM[^vπξΙ¨’Δ’ι©ηB
uβηΘΔΝΘηΘ’±ΖπβθΘ³’B»κΘγΝl¦ιΘB»κͺJ}E[KΕ ιv
ΒάθAuν¦ASΙϊνκΈΙν¦AδπΜΔΔν¦vΖ’€±ΖΕ ιB
uEpjVbhvΝFE@@@@@@@·ΧΔΝδκ@@@έρΘ―ΆB
uoK@bhEM[^vΝ~E@@@@{θβΉiͺ κΞAΧ³ΜlπUίλB
a¬ΚΙΑ½γΙA³FEΙsΑ½ΘηΞA’
ΏΚάΕoκιB
΅©΅}vͺαzΎ―π΅ΔTθπμΑΔ³FEΙsΑΔΰA»±©ηa¬ΉΙι±ΖΝΕ«Θ’B
RΝAa¬ΚΙΘιΖΝAi[}Ζ[pΜΌϋͺ³νΕ ιAΖ’€³δΜΜ±π·ι±ΖΕ ιͺA³FEΕΝ[pͺΘ’ΜΕA[pΜ³νπΜ΄·ι±ΖͺΕ«Θ’½ίB
κxAa¬ΚΙκΞA[pͺ³΅Εi[}Ύ―Μ³νπΜ΄·ιΎ―Εΰ’ ΏΙκιB
Sabbatthā epi ca taṃ taṃ pasāda-rahitānaṃ taṃ taṃ dvārika-vīthi-cittāni na
labbhntf eva.
Asañña-sattānaṃ pana sabbthā epi citta-ppavatti
natthf evāti.
·ΧΔΜ³ΕA»κΌκΜςFπΙΝA»κΌκΜε©ηΜHSͺΎηκΘ’B
κϋA³zLξΙΝASͺΆN·ιΖ’€±ΖͺάΑ½Θ’B
³zLξ@@Asañña-satta
ςFΖΝα¨@γgΜ±ΖBFEΜVΙΆάκιΖ@βϋΝΘ’ΜΕθβ‘Ν―ΚΕ«Θ’B
gΜΝf±qΜζ€ΘΰΜΘΜΕA¨ΏΙΤΒ©ΑΔΰfΚθ΅ΔA―ΚΕ«Θ’B
υΖΉΙΝ½·ιB·ΘνΏSͺΆάκιͺAA‘AGΙΝSͺΆάκΘ’B
³FEΜκΝAgΜͺΘ’ΜΕAα¨@γgΜ5ΒΖΰΘ½ΙཡȒ±ΖπAsañña-satta³zLξΖζρΕ’ιB
uSͺΘ’vΜΕΝΘzsaññāͺΘ’ΜΕAuTOΜJSvͺΘ’±ΖΕuSͺ@\΅Θ’viF―jͺΕ«Θ’ΜΕ ιB
§³ΕΝ±Μ³zθΜαzπΦ~΅Δ’ιΜΝASΜ¬·ͺΘ’©ηΕ ιB
FE©η³zTθΙΪs·ι«Α©―
FEΜζlTθάΕo±΅Δά©έπ΅½ΙASΙqAfAμAyAκ««ͺ ι±ΖΕAXebvͺγͺκΘ©Α½ΜΎ©ηA±ΜΜπάίκ΅έiΘΔΰ’’ΰΜjΝSͺ΄φΘΜ±Ζͺν©Α½B
¨ΏΝε΅½±ΖΝΘA· Μ΄φΕ ιS³¦Θ―κΞAβθΝN±η’Ε λ€AΖl¦ιB
Βάθi[}ΙΞ·ι~ΝΜΔιͺA[pΙΞ·ι~ΝΜΔΘ’Εαz΅Δΰ³FETθΙΝΘηΘ’ΕAά½FEΜζlTθπJθΤ·B
»κΝuSͺβθΜ΄φvΕ ιΖl¦ι±ΖΙζΑΔASπΑΔ’ιΜΎͺA³FEΝuSΎ―vΜTθΙζΑΔμι±ΖͺΕ«ι©ηΕ ιBΗAgΜπ»ΜάάΙ΅Δ¨ΜΝASΎ―ΙΘθ½Θ’Ζ’€ΜͺA{lΜκ¬Ι ιΜΙA»±ΙΝX|bgCgπΔΈΙASπ€±Ζπ@Ι΅Δ’ι©ηΕ ιB
SπΫ·ιαzπ·ιΜΕASΝ~άιΜΕA³zΙΘιB
SΝΘ’ͺAgΜΝ ιB½ΎgΜΝ ΑΔΰASͺΘ’ΜΎ©ηAF―·ι±ΖΝΘ’B
±ΜσΤπ§³ͺΫθ·ιΜΝA{lΜ¬·ͺΘ’©ηΕ ιB
cεΘΤΜ³ΚΕ΅©Θ’©ηΕ ιB
LξΖ ιΜΝAF―ΝΕ«Θ’ͺAίΙwK΅½΄ξp^[Ε ι©½AvP[VͺcΑΔ’ιΜΕAO©ηΜhΙΞ΅ΔΝ½·ι±Ζπ\΅½ΜΕΝΘ’Ύλ€©H
#29@saṅgaha-gāthā@TKnEK[^[iΫσj
Asīti vīthicittānim, kāme rūpe
yathārahaṃ,
catusaṭṭhi
tathārūpe, dvecattālīsa labbhare.
Ayam ettha bhūmi-vibhāgo.
80ΜHSͺ~EΕA―lΙ64ΜHSͺFEΕAά½42ΜHSͺ³FEΕA»κΌκΙKXΙΎηκιB
yathārahaṃF[advD] as is fit or proper @@@@@TPOΙ]ΑΔAKX
#30 nigamana
Iccf evaṃ cha-dvārika-cittappavatti
yathāsambhavaṃ bhavaṅgataritā yāvatāyukam abbocchinnā pavattati.
κ
ΘγΜζ€ΙASΝ6εΙζθΆN·ιBΆάκι½ΡΙLͺΙθAυ½ͺ ιΐθAfβΘ]N·ιB
ΘγͺAAr_}b^TKnΙ¨―ιΫHͺΚΖ’€ζlΝΕ ιB
ζάΝ@@@@@ΖkammaΖΦτΜͺΝ
Εiί―ͺ’ΘΔΰ@\·ιgΜH
·ΧΔπκ΅Η΅Δ’ιΰΜi½Ζ¦ΞA]jͺΘΔΰAΆ½ΜΝΆ«±―Δ’ιB
A[o[AχΆ¨AA¨΅©θB
qgΜeν―ΝiίΊΜw¦ͺΘΔΰ«±―Δ’ιB
κΒκΒΜν―Ν»κΌκΜππΚ½΅Δ’ιB
ξρπ·ΘΗΜΦA«Ν’ΒΰΫΏΘͺηAeΜΗΘOΙΝθπo³Θ’Aΰ΅Ν@\IΙθπoΉΘ’ΜπρνΤΘOΜξ{[Ζ΅Δ’ιB
±κΝ{ΖΜVXeππ·ιΜAiW[ΙΘθΎιΜ©H
ψ¦»Aκε»Μ½ίΙs~bhΜJ^`π΅ΔͺΚΝKvΎͺA±Μ`πDζ³ΉΔ΅ά€Ζ`[»ͺΝΆάιB
cθsΝKvΘ±ΖΎͺA±κͺs«ί¬ιΖA»ΫΜΟ»ΙΞΕ«ΘΘιΜΕAΗ±Ιΰ³Θ’ͺμΙΞ·ιuΜ[ΐβAggέΜK»πKvΖ·ιB
±κηͺΚπ€Oε`ΝA±ΜVXeπp΅Δ©ηͺ πΎΔ’ι±ΖΙCΓ’Δ’Θ’B
―πxzπΖθ·ι{ΖΜΕiί―Ν’Θ’B
½΅©Ι{Ν―πΗ΅Δ’ιB
΅©΅A{Νxz΅Δ’ι€ΰxz³κΔ’ιΜΎB
―Μ©oΜΘ’±ΖΕA―ͺ{ΜπlπΩΑΔ’ιΜΙA©ηΜρπχίζ€Ζ·ιB
°ΖΝδΜ±ΖH
°ΙΝ½ΜαΑ½θ`ͺ ιB
Ύͺ½’ΜΝ°ΙL―β«iβ~Οͺ ιgDVXe©ηΜθ`Ε ιB
LXg³A§³ΙΦνηΈAgDΙΛΆ·ιlΝ±Μζ€Ιπί·ιB
΅©΅ACGXΰίΈΰ»Μζ€ΘJ^`ΙΛΆ·ιbgΰ ιͺA»κΙΊ€J^`Ιϊνκικ΅έ©ηΜ£Eπΰ’½B
°ΖδΜ¬―Aΰ΅Ν°Μθ`ͺ·ΕΙγνΑΔ΅άΑΔ’ιΜΕAνZ΅ΔΟ»΅Θ’°ΝΆέ΅Θ’±Ζπ²΅AΆΎΙΛΆ΅Δ’ιlXͺΐΜΜΘ’°ͺsΟΜΰΜΖOρ΅Δ’ιl¦ϋπΫθ·ι±ΖͺAΟz©ηΜ£EΕ ι±Ζπ₯¦½B
uΟνηΚ°vͺ ι©Η€©T·ιΜͺ’’B
SΝuΤuΤΕ―κΕΝΘ’±Ζͺν©ιΕ λ€B
ά½©¦ιSΖ·SΝα€±Ζΰͺ©ιΎλ€B
ά½l¦ιSΰα€±Ζͺν©ιΎλ€B
ά½Al¦ιSΰ»ΜΰeΙζΑΔΟνιΜΕ ιB
νZ΅ΔΟνι±ΖΜΘ’iί―ΙΘιSͺΘΔΰAumιvΖ’€¬κΝN«±―Δ’ιΖ’€ΐπ΅Α©θΖF―·ιΜͺA θΜάάπέιζκΰΕ ιB
uΆ©³κΔ’ιvΖΝΛΆΖ©δH
ΐΫΝAΌΰ―ΙΆ©΅Δ’ιΜΙAuΆ©³κΔ’ιvΖ’€€ΚΙX|bgCgπΔιΜΝA{lͺΦθΎι±ΖΕAΗ«Uι’Μζ€ΙvνκΔ’ιB
΅©΅A±κΝ©δΖΎ¦ιΐΜͺ ι±Ζπ²·ιsΧΕ ΑΔAΐΕΝΘAκ½~]πB·θiΕ ιH
ΠοΝΘΊφbπKvΖ΅Δ’ιΜ©H@φbπΆέo΅½dgέΖΝH
½©πβηΉιΰΜͺ ιAεΜͺA_ͺA«ͺΖ»κηπΟz·ιΖAφΚΦWͺΕ«ΔκIΘ_«ͺz―½ζ€ΙqgΝ΄ΆιΜΕAΘρΕΰ΄φπμθγ°Δ«½B
N©ΙβηΉιdgέΙζΑΔμηΔ’ιΠοB±Μζ€Θ±Ζ©ηεΜΖ’€΄φͺ ι±ΖΙ^βπ½Θ’BΟOΙΎά³κηκΔ’ιB
citta-vīthiΝuεΜͺΘ’v±ΖπΰΎ·ι½ί
»ΜuΤA»ΜuΤΙASͺΆάκΔAΑ¦Δ΅ά€B»ΜκΒκΒΜSΙ»ρΘΙεΘΰΜβAε«ΘΝͺ ιΜΕΝΘ’AΖ’€±Ζππ·ι½ίΙASΜΝ½η«ΜJjYπ\΅½B
©ιΖ’€SͺN«ΔΑ¦ΔAΜSͺ©½ΰΜπ»f΅ΔΝΑ¦ιB©ͺΜdπ΅½η»κΕIνιΎ―ΕAΌΜΗπ·ι±ΖΘΗΝΕ«Θ’B
SͺνΙΟ»΅Δ’ι±ΖΜJjYͺν©θAΙ³νπΜ±Ε«ιΖAπEͺΕ«ιB
πEΖΝ³νπΜ΄·ι±ΖΘΜΕA±Μ@₯Ν§³Ύ―ΙΦνηΈAΗ±ΕΰNΙΕΰ―Ά±Ζπ·κΞ―ΆΚͺoιB
anicc³νāΖsamtati¬κ
³νΖ¬κAΗΏηΰ^Μ±ΖΕ ιͺAo ΕΝ³νA_ ΕΝ¬κΖ’€κεπg€Xόͺ ιB
δΜ΄φΝσvedanā
΄oͺΆάκιΙA―ΙuδvΖ’€TOͺΆάκιB
±Μ2ΒΝεΜΖ»ΫΖΰΔΞκΔAZbgΕΝΆίΔΆέ·ιB@
΄ΆΘ―κΞAΰΆΆΘ©Α½B
δΝA΄Άιo±ΜγΙF―·ιΰΜΕAqgͺμθo·ΆoΕ ιB
qhD[³Ζ§³ΜαzΜα’
|
^δ |
ά΄΄o |
ΣΜ΄o |
΄oΙΞ΅Δ |
ΆzΜθ` |
qhD |
B·ιΞΫ |
^δΕΝΘ’ |
iͺ ι |
Μx[X |
^δΕΘ’©η |
§³ |
^EΒδΝΘ’ |
^δΕΝΘ’ |
³ν |
κA£κι±Ζ |
³νΎ©η |
©δπOρΙ·ι@³ΝAu©δΝΗΜζ€ΘΰΜ©HvΙΒ’ΔT΅A
©δΝΆzΎΖ·ι@³ΝAu©δΖΝ½©vπθ`·ιB
ϊνΆΜvlΖΝtΜϋόΙ¬κι§³Μvl
paṭisotagāmin paṭi½Ξ€Ιsota¬κgāmins
ϊνΆΕΝAmβvlΙ· ·ι±ΖΕAΦτ]Ά·ι¬κB
uͺ’ιvΖ’€TOΝ· ΘΜΕAΟYπfΒ±ΖͺΕ«ΈAΦτ]Ά©ηEo·ι±ΖͺΕ«Θ’B
ϊνΜvlΝ· ΅ΔΟYπfΒ±ΖͺΕ«Θ’ΜͺΦτ]Ά·ι¬κA
§³ΜvlΝ· ΉΈΟYπfΒ±ΖͺΕ«Φτ]Ά©ηE·ι¬κ
θΜάάΜ^ΐπl¦ιΜΝA³©A³vΝϊνΖΝtΜϋόB
κΚͺl¦ι³΅’©ϋ@@@@ͺ©ι
§³ͺ₯¦ι³΅’©ϋ@@@@©ιΖ’€uΤͺ ι
Ο»ΜΆΕπ¨¦Δ³νπΜ±·ιϋ@@@@@ΝX[[V
³νπTOΕΝΘΜ±·ι΅©Σ‘ͺΘ’B
³νπΜ΄΅Θ’ΐθAΟYΝΑ¦ΈAπEΕ«Θ’AΖ§³ΝfΎ·ιB
¨ΏΖSΝσΘ¬³ΕΟ»EΆΕ΅Δ’ιΜΕAκ{ΜκqͺθΜζ€Ι΄ΆA’ΒΕΰΆέ΅Δ’ιΕθIΘuΐΜvΖ΅Δ©Δ΅ά€B
½Ζ¦ΞAΉyΰ1bΤΙ20`40ρΟ»·ιΜΕAͺπΕ«κΞκΒΙqͺΑΔ’Θ’±Ζͺͺ©ιB
»΅ΔΉyͺ½ΎΜΉΜWΟΙΘιB
ΉyΙ·ι½ίΙΝ ιφxΜXs[hͺKvΘΜΕ ιB
»±ΕAΣ}IΙOκIΙX[[VΙ·ιCsπ΅ΔέιB
·ιΖA³νΕ ι±ΖπΜ±·ιSͺηάκΔ’B
Ύ©ηBpbTi[αzΖΝuX[[VΙ·ιPϋv
·ιΖΉyβΙέΘΗΜ΄oΝAΉΜWΟβ΄GΜWΟΖ΅Δ¨¦ι±ΖͺΕ«ιζ€ΙΘιB
³νͺν©ηΘ’ΜΝA»ΫͺσΘ¬³ΕΟ»·ι©ηB
»±ΕSπ’ΔA»Μ¬³πίά¦ΔέιΖA³νπo±Ε«ιB
Ϋ£HͺΚ@vīthimutta-saṅgaha- vibhāga@@@
#1 Paṭiiññāṇa ο|
Vīthicitta-vasenf evaṃ pavattiyam udīrito, pavatti- saṅgaho
nāma, sandhiyaṃ dāni vuccati.
SHΖ’€dϋΕΘγΜζ€ΙΆNΙΒ’Δΰ©κ½B
‘©ηAΆΙ¨―ιΆNΜάΖίͺΰ©κιB
#2 chatukka- mātikā@@@4ΒΜvΪ
Catasso bhūmiyo catubbidhā paṭisandhi cattāri kammāni catudhā
maraṇuppatti
ceti vīthimutta-saṅgahe cattāri catukkāni veditabbāni.
nͺ4ΒAΆͺ4νήAΖͺ4ΒAΜΆNͺ4νήAΖ’€±κη4ΒΜ4ΜWάθͺ£HΜάΖίΙ¨’ΔmηκιΧ«Ε ιB
bhūmi-catukka
Tattha apāya-bhūmi
kāma-sugati-bhūmi rūpāvacara-bhūmi arūpāvacara-bhūmi ceti, catasso bhūmiyo
nāma.
»ΜΕA£PnA~PοnAFEnA³FEnAnΜ4ΒΖΔΞκιB
kāmāvacara-bhūmi@@~En
apāya-bhūm@@@@£Pn
Tāsu nirayo tiracchāna-yoni
petti-visayo asura-kāyo ceti apāya-bhūmi catubbidhā hoti.
»ΜΕAnA{ΆAμSA’C
ͺ£PnΜ4νήΕ ιB
apāya@@apaΖΝΊAΒA ayaΝΉAoϋ@@ΊΙsΉAΒ·ιoϋAΖ’€Σ‘ΙΘιB
bhūmiinjΖΝ³Μ±Ζ
Ά½Μ³Μ±ΖΕAXβ13Ιͺή·ι±Ζΰ ιͺA±±ΕΝ4ΒΙͺή΅Δ’ιB
£Pn@@@@@nA{ΆAμSA’C
~Pοn@@@@qgAVA
FEn@@@@@V
³FEn@@@@V
Ά½ΜπΗΜ³Ι·ιΜ©ζͺΕ«ι©πwΤ
³ΫΊuόΜ³Μc³
±Μ’Μ@₯ΝAg¦Ξ»κΝB΅AgνΘ―κΞ»κΝή·ιB
ΧΫβECXπE΅Δ΅ά€ΖAοRΝͺΘΘθAqgΜgΜͺγΘιB
ΰ΅An ©ηa΄ΫπSΑΕ³Ή½ηA―ΙqgΰΑΕ·ιΎλ€B
cζ_Μ€Κ_@@pitṛ
F[_κpitṛ@p[κpeta@κpreta@pκfather
pitṛΙΝζcΖ’€Σ‘ͺ θAqgͺρΕ’EΖ’€TOͺΆάκ½B
F[_ΉTΙΝV[KπβΑΔμz[}π°’ΔAζcπ{·ι±Ζπ΅Θ―κΞA Μ’ΜζcΏͺρΕ΅ά€AΖΰ©κA§qͺζcΜ{ΖΌeΜΣCπΒ±Ζͺ3000NO©ηΎνκΔ’½B
΅©΅A άθW΅ΔgͺΑΔ’©Θ©Α½B
ΙAcζ_ΖVΖnΜTOͺdΘθAuu[t}ivΕΝA
ζcpitṛπ³΅{·ιΖA»±©ηΈi΅ΔAVdivyaΙΘθA
{΅Θ’ΖA»±©ηΊ΅ΔAκ΅έΜ’EΕ ιnΙΒΏιAΖ³κ½B
2ΒπΗέΐΧιΖAvlΜWπ©ι±ΖͺΕ«ιB
[KͺChΜJ[Xg·ΚπΆέo΅Δ’ιB
§³Μpitṛ@μSE@@@@@@{ΖχΏτόΜΔπί
γΜ’EͺκΒΕ Α½ChΜpitṛΙφΚΜTOπtΑ΅Δπίπ_IΙΟ¦½B
»’ΜsΧͺPφΘηΞPΚΖ΅ΔγΝKΙ³ΙΆάκA
«φΘηΞγΝsKΜ³Ε ι«ΚΖ΅ΔpetaΖ’€u±Μ’πΑ½Ά½ΜμEvΙΆάκιΖ΅½B
lΤEΦΜ·
ͺΜΔηκΘΔAlΤΖΘρΖ©ΦWπΖ€Ζ·ιμIΆέΜ’EB
gΜΝf±qΜζ€ΘΰΜΘΜΕAκ΅έΝSΜYέΕAσΘGlM[ΖΘιB
gΜπ}ξ·ιΙέΘΗΜκ΅έΝASΜΜκΕ΅©Θ’ΜΎͺAΌΪΙSͺκ΅ρΎθ°|π΄Ά½ηA»κΝ½’Φρε«Θκ΅έΙΘιB
»΅Δ±ΜpetaΜκiparadatta-upjīvinoΌ©η^¦ηκιΰΜΙζΑΔΆ«·ηκιjΜμΝA§qΎ―ΕΝΘc³κ½l½ΏΜ{ΙζΑΔKΙΘι±ΖͺΒ\ΎΖΰ’½B
ΚOΝψΙΕΰΏπΟάΉι
u©ͺΕPsΧπ΅Δ©ͺΕΏπΟρΕA©ͺΜ±ΖΝ©ͺΕβθΘ³’vΖίΈΝΰ’½BoTH
»Μ½ίΙΙΖ¨ΰπ °κΞA©ͺΕχΏπΟή±ΖͺΕ«ιB
’C
asura@@aΫθ@suraJ~@@@@J~ΕΝΘ’
μSEζθΝxΝ’ͺAΗΝν€±ΖA{θπΒ±ΖΘΗ΅ΔAθΰ©ͺΰΙίΒ―ι±ΖΙhπ΄ΆΔΆ«ι³B
n
niraya@@@nirάΑ½Θ’aya@ΉAoϋ@@¨ΉͺΘ’¨~’ͺΘ’@@cf.ayaPAyAub_S[T·V
_XΖR^NΕ«Θ’ΜΝATOΜ½ί
TOAοΜIΙΝΕθ³κ½vlp^[Aζ§Α½C[WAμηκ½l¦ϋAΣM΅Δ’ιggέͺΧπ·ιB
ά΄΄oΜMΙΘΑΔ’ιΪΜOΜ©R»Ϋππ·ι±ΖͺΕ«Θ’B
~Pοn
kāma-sugati-bhūmi ~Pοn
Manussā cātumahārājikā tāvatiṃsā yāmā tusitā nimmānarati
paranimmita-vasavatti ceti kāmasugati- bhūmi sattavidhā hoti.
Sā panāyam ekādasavidhā pi
kāmāvacara-bhūmi ecceva saṅkhaṃ gacchati.
lΤAl€VAO\OVAιVA¦VA»yVAΌ»©έVΖ’€7νήͺ~PοnΕ ιB
ά½A±κΝA11νήΜ~EnΖ’€Ύ’ϋΰΘ³κιB
qgΰVΰ―ΆJeS[
y΅έΜΏΖΚΙζΑΔuEvͺͺ©κΔ’ιB
J~Μϋͺqgζθΰy΅έͺ½’B
»yVΖΌ»©έV
¨πμιμΡπmι~co`A»κπp·ιlΤΜζ€ΘΦW
¦VΝ§³kΜ’E
ίΈΜΆάκιOA»΅ΔAκΜ}[[άA_ΈΙΜAi[^sfBJ·Aqκu°ΜBT[J[vlΰ¦VΙ’ιB
A[AnΖζZ―Ζ¬
^~[l@^~κπb·hB_nζZ―°
Vnl@ζZ―ΜhB_lΖChEA[Alͺ¬΅½―°
^~EC[πϊΜg@@Liberation Tigers of Tamil Eelam, LTTE
uC[vΝXJπΣ‘·ι^~κ@@
ΥΝ©ΒΔμChΙ¨πΦΑ½^~°Μ€©E`[©ΜδΝΕΰ Α½B
XJkΖΙ^~lΜΖ§Ζ^~EC[π΅AXJ©ηΜͺ£Ζ§ΜlΎπ壡Δέ§³κ½B@³IΙΝ’ε`Ε}NXE[jε`ΜeΏͺ ιB
#4 rūpāvacara- bhūmi@@@@@FEn
VEΦΜs«ϋ
TθΘΗ΅ΘΔΰAΉΏπηΑΔAΏπΟρΕAuKΙΘθ½’AΒ΅½Θ’A§hΙΆ«½’vΖΎιΆ«Δ’κΞVEΙ―ιB
lΤEΝο΅’
ͺάΑΔ’ιB
ΌΜEΙΆάκι±ΖΝΥ΅’ͺAlΤEΙΆάκι±ΖΎ―Νο΅’AΖίΈΝκΑΔ’ιB
Ύ©η±Μ`XπuSπηήv±ΖΙ©ΉB
u’άAKΙΘθΘ³’v
FEΖΎ€ΜΝ
αz·ι½ίΙ¨ΏIΞΫπg€©ηB
nVSβA_Ζ’€¨ΏπgΑΔA’Ζ±λΙoι±ΖͺΕ«ι½ίΙA»ΜΞΫ¨Ε ιuFvΙΑΔASΜ³ΙςΡoιEΕ ι½ίB
ζκTθ
Brahma-Pārisajjā brahma-purohitā
mahābrahmā ceti paṭhamajjhāna-bhūmi.
OVAγVAεVͺζκTθΜnΕ ιB
ζρTθ
Parittābhā appamāṇābhā ābhassarā ceti
dutiyajjhāna-bhūmi.
υVA³ΚυVAυΉVͺζρTθΜnΕ ιB
parittābhā @@parittaΘ’ābhā@υ
appamāṇā@@@³Κ
ζOTθ@@
Paritta-subhā appamāṇā-subhā subha-kiṇhā ceti tatiyajjhāna-bhūmi.
ςυVA³ΚςυVAΥΔυVͺζOTθΜnΕ ιB
subhā@υζθ³Μ’gAυqΜxζθΰ³ΘΜΕuΔυvΖ\΅Δ’ιB
ζlTθΜnVΒ
Vehapphalā asañña-sattā
suddhāvāsā ceti catutthajjhāna-bhūmī ti rūpāvacara-bhūmi soḷasa-vidhā hoti.
Avihā atappā sudassā sudassī akaniṭṭhā ceti suddhāvāsa-bhūmi
pañca-vidhā hoti.
LΚVA³zLξVAςVͺζlTθΜnΕ ιB»κδ¦AFEnΝA16νήΖΘιB
ςVΜnΝAsΜVA³MVAP»VAP©VA³ςVΜ5νήΕ ι
aΫθ+vihā£κιAπE©η£κΘ’BupekkhāπΜΖσ΅Δ’ιΜΕ±±ΕΝA³ΟVΜΩ€ͺ’’Ύλ€
aΫθtappāYέAM
sudassā ΄η©
sudassī
aΫθkaniṭṭthā@ρΤΪAςΑ½@@@@@@@ΕαΕΰa¬ΚπoΑ½Ύ―ͺ’―ιE@
¨ΏΝ±κΘγΙΝ«ίΧβ©ΙΘηΘ’B
υΜgΙ³¦ΰΘηΘ’A½Ζ¦ΞrbOoβrbON`ΌOΜFGlM[
Fͺ½ρΆΕπJΤ΅ΔΰA»ΜΆ½ΝΘΈυ½ΝZZB
oιuΤ
{CΕ^ΚΪΙXΜΘΗlͺ’Θ’Ζ±λΕOκIΙBpbTi[αzπ·ιΖAV½Ώͺ―ΔκιB
Έ_IΘxͺΘκΞΘιΩΗA’xΜΆ½ͺ―ΔκιB
TθΙόΑΔSΜ³ͺΟΑ½ηAuΕΝA±€΅Θ³’vΖβθ_πΌΪΙSΙw¦π΅Δ³¦ΔκιB
TθΙόΑΔ’Θ’ΖAVΖR^NgπΖι±ΖͺΕ«Θ’B
VΝqgΜSͺΗίιΜΕA{CΕΘ’Ζ_B
΅©΅A±Μ{C©Η€©Ν{lΙΰν©ηΘ’B
BpbTi[αzͺ©Θθiή
·ΧΔͺ³νΎΖͺ©ι
i[}Ζ[pπOκIΙmΑΔASΖΜΜΟ»Μ¬κπΜ±΅ΔA
©ͺΰάί½ΰ©ΰOκIΙΙΘι
·ΧΔͺ³Σ‘Ι΄Άι
Η’±ΖͺκΒΰΘΘιB
αz·ιΜΰΙΘιB
αzπ~ίιΜΰΙΘι
±Μζ€ΘΗ€΅ζ€ΰΘ’΄ξΜζ€ΘΰΜͺoΔιΜΕAIΤΉΝPΒ΅©Θ’B
±κη’AΈ_IΙ³νπΜ±΅ΔA·ΧΔͺ³Σ‘Ι΄Άι±ΖͺΕ«ΔίΔAuΜΔιvΖ’€Σuΰ΅Νz’ͺoΔιB
uSAΜΔιvB
±±Εαzπ~ί½η»κΕSͺIνιB
ΰ€΅αzπ±―ιΖAoθΜ«nͺΆάκιB
#5 arūpāvacara-bhūmi ³FEn
ākāsānañcāyatana-
bhūmi viññāṇañcāyatana-
bhūmi ākiñcaññāyatana- bhūmi nevasaññā-nāsaññāyatana- bhūmi ceti
arūpāvacara-bhūmi catubbidhā hoti.
σ³ΣnA―³ΣnA³LnAρzρρznͺ³FEnΜ4νήΕ ιB
£κΓη’ΜΖS
SΝΜ©ηΜMΙ½΅Δρ]΅Δ’ιB
ΜΝSΜρ]Ι½΅ΔΟ»΅Δ’ιB
¨έ’ΙΛΆ΅ΔAeΏπ^¦ΔΆ½ΜΝΆ«Δ’ιB
³ͺα’ΖΝ¨ΏΜeΏΝͺΘι±ΖA³ͺ’ΖΝ¨ΏΜeΏΝͺγΘι±ΖB
¨ΝgΜΜ½ίΙΆ«Δ’ιBΆ½ΫAΙBB`ΜΧΙΆ«Δ’ιB
FEΜVΝAgΜΝ ιͺA»κΝSΜGlM[Εx¦ηκΔ’ιB
ΞπζηΈAaCΙΰΘηΘ’ΜΝATθΜSΎ©ηAΐη©Ε½aΘσΤπ±―ι±ΖͺΕ«A»Μ½ίAgΜΝSΜ½ίΙ«A«AΆ«Δ’ιB
h{ΝSΜGlM[πΫζ΅ΔA»κΕgΜπx¦ιB
αzΜθ`
΄η©Sπμθ½’A~πΘ΅½’A’IΘHΧΔVρΕΆ·ι’E©η£κΔA½ΙΰΛΆ΅Θ’AΈ_IΘΉΘιSπμλ€AΖvΑΔCs·ι±ΖB
Hvπ΅ΔASπκ[ΜiάεjΖvlEΟziΣεj©ηΨθ£·±Ζ]΅ΔA’ΜΙΦSͺΘΘθA»κΙΞ·ιΚ³β»‘ͺΘΘθAΰΑΖ³Μ΄η©ΘσΤπΪw·Ζ’€CΏπΒ±ΖB
αzπΧ·ιΰΜ
ΩΖρΗͺΜB
erβV·ΘΗΜξρΰ»κΝ¨ΏIGlM[ΘΜΕAΜΖSΖ’€ζͺΕΝAΜΙͺΚ³κιB
ΙΘΑ½©ηZZ΅ζ€Ζ’€ΜΰA¨IΘΰΜΕASΜ¬·πΧ΅Δ’ιB
FEΜΕIiKΜTθ©η³FEΜTθΦ
ΜAκ««Ζ€Ι ιAκΜΙΘιA»κΘOΜΰΜΝΨ裡ΔA΄η©ΙΘιB
ΜupekkhāΒάθgΜΜ΄oͺΘ’σΤΙι
΅©΅A±ΜxΕΰAάΎΜΙx¦ηκΔSΝ’Δ’ιB
ζκTθ@@qAfAμAyAκ««Ζ€Ι ι@@’IΘ~πΜΔι±ΖΕAζκπΎι±ΖͺΕ«ιB
ζρTθ@@fAμAyAκ««Ζ€Ι ι@@@@ΎtΙζιvlπΜΔι±ΖΕζρπΎι±ΖͺΕ«ιB
SΜ«iXs[hjͺΜΜ«iXs[hjΕRg[³κΔ΅ά€ΜΕA
ΜͺSΜ¬·ΜΧΙΘι±ΖΙCΓ«A
SΙgΜ©ηOκΔΰηΑ½ηA³ΐΙSͺΕ«ιΜΕΝΘ’©Ζπ΅A
±κπΐH·ιΖAFE©η£κΔ³FEΜTθͺoγͺιB
SΒΜ³FE
σ³ΣΜ³@@@ākāsānañcāyatana- bhūmi @@@@ākāsāmσ@anantam³ΐE
¨ΏͺΘ’αz³Μ±Ζ
σΖΝuσākāsavΜ±ΖΕAσΤΕΝΘAσͺΘ’Ζ’€TOΜ±ΖB
±ΜTOππ·ι½ίΙΝASΜΝ½η«π¨ΏͺuΘ’vσΤΙW΅ΔAκΜΙΘι±ΖΕF―·ι±ΖͺΕ«ιB
ΰΎΝο΅’ͺA½Ζ¦Ξ±ΜFΕ·ΧΔΜ¨ΏͺΑ¦Δ΅ά€±Ζπz΅ΔέιB
ισπ©ιΖ―XΖ’€¨Ώͺ©¦ιΜΕ»ΜεΘΜζπl¦ι±ΖͺΕ«ιB
ΒάθΚΔͺ ιB
΅©΅¨ΏͺΑ¦Δ΅άΑ½ηAΚΔͺΘΘιBΜζͺΘΘιBEͺΘΘιBggέͺΘΘιBόψͺΘΘιB
³ΣΙΘιB@όΖ’€ΣΝantaA»κͺΘ’ΜΕananta³ΣΖΘιB
~bgA§ΐAΐEͺΘΘιB
wΕ’€ΖAfiniteΖ’€ΣͺΘΘθAinfiniteΖ’€³ΐA·ΘνΏ³ΣΜ±ΖB
³^³ΑΜu³§ΐvΘΜΕA»±ΙW·ιΜΝεΟο΅’ΜΕA·²’SΜGlM[ͺKvΕA»κͺΘ’ΖFE©η³FEΙςΡo·±ΖΝΕ«Θ’B
½ΰF―΅Θ’ΜΕΝΘAσπF―·ιB
·ιΖ¨ΏΜΘ’σΤΖκΜΙΘΑΔAΜΜε«³Ε~άΑΔ’½SͺA³§ΐΙεΙgͺισΤΙΘιB
@³TOπκΨΜΔΘ’ΖA³FEΜTθπμι±ΖͺΕ«Θ’B
¨ΏATOAJ~ΘΗπSΔπΜΔιKvͺ ιB
SπL°ιϋ@
Ύι’SπΒ±ΖA»΅ΔlΜSππ·ι±Ζ
Ύι³ͺ κΞAΌΰ»ΜΎι³ͺ\ΙoΔιB
―³Σn@viññāṇañcāyatana- bhūm i
¨ΏͺΘΘιΖAσ³ΣΖ’€±Ζͺͺ©ιB
ΒάθAFΙ¨ΏͺΑ¦Δ΅άΑ½ηA³§ΐΎAΖ’€±ΖB
»΅Δ±ΜΖ«ΙΝA±Μ³§ΐπF―·ι±ΖͺΕ«ASͺ³§ΐΖκΜΙΘΑΔSΰ³§ΐΙΘΑΔ’B
±Μζ€ΙA©ͺΜSͺ³§ΐΙΘΑΔ’ι±ΖΕζρTθΜu―³ΣvͺΆάκΔιB
³Ln@ākiñcaññāyatana- bhūmi
SΙXs[hΙ§ΐͺ©©ΑΔ’½ΜΝAS»κ©gΜ½ίB
»±ΕAS»ΜΰΜΰF―΅Θ’A½ΰΘ’³LΜσΤΖκΜ»΅Δέζ€AΖ·ι±ΖΕΆάκιTθ
u³vπαzΞΫΙ΅½Tθ
ρzρρzn@nevasaññā-nāsaññāyatana- bhūmi
ζOΜ³LΰΞΫͺ ιΖ’€±ΖΝASΜΝ½η«iF―jΕ ιΜΕAS»ΜΰΜΝγ’άάΘΜΕ ιBF―·ιΖ’€ΧΘΝ½η«ΰ~ίΔέι±Ζ©ηΆάκιB
SΙ½ΰF―΅Θ’σΤπPϋ·ι±Ζ±ΖΕTθπμιB
±Μζ€ΙASͺ ι©Η€©ΝΎ¦Θ’σΤΙΘιB
ιΜΎ―Η½ΰF―΅Θ’BF―ͺ ιΖΰ³’ΖΰΎ¦Θ’σΤB
F―·ιvφΕ ιusaññā^viζͺ·ι΄^AͺΚpΜJSAp^[jͺ ιΖΰAΘ’ΖΰΎ¦Θ’σΤΘΜΕAF―ΜjͺhηΜΕA±κΘγΜαzΝΘ’B
±κΘγΙ ιΜΝAuF―ͺ~άιvΖ’€±ΖΕA±κΝuSΜΝ½η«ͺΘ’A·ΘνΏu’ΜΏͺΘ’v±ΖΘΜΕAΆ½ΜΜΆέ»ΜΰΜΖ΅΅Δ΅ά€B
΅΅Θ’αz@ΝABpbTi[αzΎ―B
RΝAάΎΎtͺΆέ·ιρzρρzΜ³ΜζΝABpbTi[αzͺuΆέπΜΔιv½ίΜ\bhΕA±κͺAΎtΰl¦ι±ΖΰsΒ\Θ³Ι±©ηΕ ιB
ΆέπΜΔ½’ ΏͺAoθΜqdpaññāπgΑΔAT}^αzπ·ικΝASπ~ίι±ΖͺΒ\ΙΘιΜΕASΰΜΰΆέ΅ΘΘθAu’ιv±ΖΰΘΘθAΎtΙΘηΘ’σΤΙΘιB
±κπΕnirodhaΖΎ€ͺA±κΝ’ ΏΎ―ͺΕ«ιTθΕ ιB
¨ΏΜ³π΄¦½Ζ±λΙΕnirodhaΜ³Ν ιΜΕA»±ΙΝσͺΆέ΅Θ’B
σͺΘ’Aππ·ιΜͺο΅’@@@@@³FEͺΜ΄Ε«Θ’ν―
κΖΝσΜ ι¨Ώπw΅Δ’ι\»Ε ιB
FΰJ~ΰVΰFEΜVΰκͺ ιB
qgΜ³ΖΝα€ΜΕAdΘΑΔ’ΔΰA¨έ’ΙCΙΘηΘ’B
Ζ±λͺ³FEΜΆ½ΝκiσjͺΘ’B
Ύ©ηAΗ±Ι’ι©AΖ’€βθͺΘΘιB
Η±AΝΘ’ΜΙA’ιA±ΖΙΘιBΒάθAΗ±Ιΰ’Θ’ΜΎ―ΗA’ιAΖ’€±ΖΕ ιB
qgΜ³ΕΝ΅΅½όΕ ιͺA³FEΜ³ΕΝAσΝΘSΎ―ͺ ιB
#6@bhūmi-puggala-saṅgaha-gāthā@nΖlΜΫσ
Puthujjanā na labbhanti,
suddhāvāsesu sabbathā, sotapannā ca sagadāgāmino cāpi puggalā ariyā
nopalabbhanti, asaññāpāya-bhūmisu, sesaṭṭhānesu labbhanti, ariyā enariyā
pi ca.
Idem ettha bhūmi -catukkaṃ.
}vAa¬AκΝAςVΙΝάΑ½Θ’B
³zVΖ£PnΙΝAΉΝ’Θ’B»ΜΌΜnΙΝAΉΰρΉΰ’ιB
ΘγͺA±±Ι¨―ιnΜ4ΒΕ ιB
n μFΖΝC\bv¨κΜζ€ΘΰΜ
«οΖ³zθVΙΝΉΝ’Θ’ΜΕAnΙΝn ͺ’ι±ΖΝΘ’B
TXNbgκΕΝNVeBKoiक्षितिघर्भ [Kṣitigarbha]jΖΎ€BNVeBΝuεnvAKoΝuΩΰvuq{vΜΣ‘ΕAΣσ΅Δun vΖ΅Δ’ιB
εnͺSΔΜ½πηήΝπ ·ιζ€ΙAκYΜlXπA»Μ³ΐΜείΜSΕοέέA~€©ηΌt―ηκ½Ζ³κιB
n μFΝ忉VΙέΑΔίή§Μtπσ―AίήΜόΕγA57600Nγ©567000NγΙνθΣμFͺo»·ιάΕΜΤA»’Ι§ͺsέΖΘΑΔ΅ά€ΧA»ΜΤAZΉ·ΧΔΜ’EinΉEμSΉE{ΆΉEC
ΉElΉEVΉjΙ»κΔOΆπ~€μFΕ ιΖ³κιB
Ι¨―ιn MΒ
UoΖ³κιwθ
€φLlOtCΆ΅ΆςyoxiaC\€Ά΅ojβwn μFSφ\€oxin \€ojΙζΑΔAΉ³Μ\€vzΖΡΒ’ΔAΙ¨’ΔΝn μFͺθ
ά½Ν\€ΜκΈΖ΅ΔΜθ
€Ζ―κΜΆέΕ ιΖ’€MΒͺLάΑ½B
ΎγΜ¬ΰΕ ιwΌVLxΕΰ»EπiιnεU€μFͺ·εσiΔVεΉjΜ\κΑΥθπn©ηVΜΚcειΙγt·ικΚͺ`©κΔ’ιB
ϊ{Ι¨―ιn MΒ
ϊ{Ι¨’ΔΝAςyMΒͺy΅½½ΐγΘ~AΙyςyΙΆΜνΘ’OΆΝAKΈnΦΒΏιΰΜΖ’€MΒͺάθAn ΙΞ΅ΔAnΙ¨―ιΣίκ©ηΜ~ΟπΣ·ιζ€ΙΘΑ½B
pΝoΖmΜpͺ½AnEμSEC
ΘΗZΉπίθΘͺηAlXΜκοπgγνθΖΘθσ―~€AγσκΜμFΖ³κ½BΫ§ΑΔqΜημΈΖ³κAuqΐn vΖΔΞκιqπψn μFΰ θAά½¬mpΰ½’B
ά½Ήc_iςΜ_jΖK΅½ΧAϊ{SΜHTΕΞͺ½βJηκΔ’ιBπΚΜΩΙR΅’γΕΝε«Θ§³@ΦQw·ι±ΖͺΕ«ΈAΘΥΘQqͺΕ«ιgίΘ§Ζ΅ΔhπWί½B»Μζ€Θn Ι±tͺu©κ½αΝΘA»Μ½ί{Μ§³Μ³`π£κA_ΉΖΜ¬―βnζΜΖ©Μ―ΤMΒΜΣ‘’ΘΗΰZ΅½B
Zn
ϊ{ΕΝAn μFΜπ6ΜΐΧΔβJΑ½Zn ͺenΕ©ηκιB±κΝA§³ΜZΉΦτΜvziSΔΜΆ½Ν6νΜ’EΙΆάκΟνθπJθΤ·Ζ·ιjΙξΓ«AZΉΜ»κΌκπ6νΜn ͺ~€Ζ·ιΰ©ηΆάκ½ΰΜΕ ιB
ϊ{ΕΝAZn ΝζnΜόϋΘΗΙ΅Ξ΅ΞβJηκΔ’ιBΈΰF°ΙΝA‘΄΄tEξtEGtΜβ[π[ί½3ΒΜ§dΜ»κΌκΙ6ΜΜn ͺΐu³κΔ’ιͺAeΜpΝΩΖρΗ―κΕ ιB
paṭisandhi-catukka@@@ΆΜSΒ
#7 paṭisandhi@@Ά
Āpāya-paṭisandhi kāma-sugati-paṭisandhi rūpāvacara-paṭisandhi arūpāvacara-paṭisandhi ceti catubbidhā paṭisandhi nāma.
£PΆA~PοΆAFEΆA³FEΆΖ’€4νήΜΆͺ ιB
paṭisandhiΆ
Ά½ΜGlM[ΝνΙΜJ^`πΖιB ισβ³ΕSΜρ]πβί½ηAΜuΤΕΝAV½Θσβ³Ερ]πnίιB±κπΆΖ’€B
―Άβ`q@q·@3㱩Ȓ
nΉΝ ιΜ©H@@@u³v©ηnάιn’_Μ΅
ν―Μκ¬ΙΝAnΉπOρΙ΅Δ¨θA»±©ηvlπnίι±ΖΕAν―ͺ`¬³κΔ’ιB
uν©ηθͺoΔΨΙΘιv
uσΈͺΩΖΘθ¬··ιv
\ΚIΙΝ±Μζ€Ι©¦ιΐͺ ιΜΕA±κη©η@₯πμθίθκΚ»·ι±ΖΕAnΉͺΟz³κιζ€ΙΘΑ½B
unΉͺΘ’ΖA½ΰΆάκΘ’v
u©ͺΝ2lΜeΜDNA©ηΆάκA~gRhAΜDNAπHιΖ’E€ΚΜDNAͺ ιBv
uN©ͺμηΘ©Α½ηA±Μ’ΙΝΘ’Bv
u ιmΝN©ͺμΑ½©ηΆέ·ιv
u³©ηLΝΆάκΘ’v
unίΙμΑ½ΆέAΒάθJ~ͺ±Μ’πn’΅½Ια’Θ’v
΅©΅A±Μζ€Θvlp^[πΜp·ιΘηΞAu±Μ’πn’΅½ΰΜΰAN©Ιμηκ½vΙα’Θ’ΝΈΘΜΎͺA}Ι±Μ_p^[πjό΅ΔAnΉπέθiΟzj·ιΜΝA_I[α½Ε ιB
’ηuJ~ΝΒηκιKvͺΘ’AnΉΕ ιJ~Ύ―ΝμηκΈΙ’ιΜΎvΖ壡ΔΰA
_I[πθΙΟX΅ΔAuJ~ΝΒηκιKvͺΘ’vΖ’€ε£Ε ιV΅’_[Ιt«€±ΖΙ·κΞAu―Άζ€ΙA½ΏqgΰμηκιKvͺΘ’B»κΘΜΙA½ΏΝ±±Ι’ιBv
»€·ιΖAuμκκιKvͺΘ’ΰΜΕΰA θ¦ιΖ’€±ΖΙΘιBv
±Μζ€ΙAn’_Ν_IΙΝ¬θ§½Θ’B
³©ηΜn’ΕΝΘAL©ηΜΔ\¬
unίΙ½©ͺ ιA»±©ηV΅’ΰΜͺoΔιv
±ΜΟ»ΝAn Μ¨Ώͺ1OΕঽν―ΕΰΈΑ½ν―ΕΰΘ’B
½Ζ¦ΞAν©ηθͺoΔΨΙΘιΜΰAn SΜΜΚΝΟνηΈA½ΎσCΜYfͺn Μ\ΚΙΕθ»³κ½»ΫΕ ιB
tΙAnγΕ100LΜΨήπRβ΅ΔADͺ1LΙΘΑΔΰA99LΝΑ¦½ν―ΕΝΘAn Ιρ_»YfΖ΅ΔgUΊΙί¬Θ’ΜΕAn ΜΚΙΟ»ΝΘ’B
n ©ηέκΞA½ΰ¦½ν―ΕΰΈΑ½ν―ΕΰΘA½ΎΟ»΅ΔAΔ\¬³κ½Ύ―Ε ιB
Ύzυͺ½ιΚΕΝκIΙGlM[ͺΫ―³κΔ¦ιͺA½ηΘ’ΚΕΝ»ΜGlM[ΝU³κΔΈΑΔ’ΜΕAn SΜΜΚΙΟ»ΝΘ’B
CΖ€nΙζιMΚΜzϋΖϊoΜXs[hͺα€ΜΕA»ΜGlM[ΜΏΚΜ·Ν ιΜΕAΚΜgσΜΟ»Ν ιB
ΎzGlM[ͺ ιΖ»±ΙMͺΆ΅AσCͺyΘιζ€ΙAΏΚΝ¦ιΜ©H
ΏΚΜθ`ΖΝH
ΎzͺRΔ΅Δ’ι±ΖΕΎzΜΏΚΝΈΑΔ’ι
ΈΑΔ’ιΜΘηΞA»ΜΏΚΝΗ±ΙͺU΅Δ’ιΜ©H±κͺ_[N}^[ΘΜ©H
ΎzΜSΕN±ΑΔ’ιjZΝεΘMGlM[πΆέo΅Δ’ιͺA±ΜΖ«Ξ·ιΎ―ΜΏΚͺΈνκΔ’ιB ³ηΙΎzΜ\ΚΕΝΎzΜεCͺΎzΖ΅ΔςΡo΅Δ’B ±κηΙζθΎzΏΚΝκθΕΝΘΤΖΖΰΙΈ΅Δ’B vΕΝΎzΏΚΜΈΜ€Ώ 7 ΩΗͺd₯gΖ΅ΔΜϊΛΙΞ΅AcθΜΩΖρΗͺΎzΙζιΰΜΕ ιB ά½³ΜsΎΜΓ¨ΏΜσβΜΠΖΒΕ θA»ΜΆέͺ\ͺ³κΔ’ιANVIͺAΏΚΜΈΙΘ©ηΈρ^·ιΒ\«ͺ ιΖ³κιB SΜΕΈνκιΏΚΝ 1 b ½θ 600 t γΖ©ΟΰηκΔ’ιB
ΎzΏΚΝ\ͺΙε«’½ίA±κΝ1NΙ·Z΅ΔΎzΏΚͺ¨ζ» 10ͺΜ 1 ΈΈιΎ―Ε ιͺA·ϊIΙΝVΜΜ«Ι³Ε«Θ’Ο»πΰ½η·B ΎzΏΚΜΈΝA―ΆΎ―ΜΎz©ηΜdΝΜΈπΣ‘·ιΜΕAf―ΜOΉΝΎzΏΚΙ½δα΅Δε«ΘθAφ]όϊΝΎzΏΚΜ 2 ζΙ½δα΅Δ·ΘιB vZγAn ΜOΉΝ±κΙζΑΔ 100 NΕ 1.5 m ΩΗε·ιB κϋAφ]όϊΜΈκΙζιVΜΜΚuΜΈκΝφ]²ΖΙΟZ΅Δ’½ίAνΈ©ΘΈκΕ ΑΔΰρνΙ·’ΤΙΝΪΙ©¦ιΈκΖ΅Δ»κι±ΖΙΘιB
³ηΙ·ϊΤπl¦ιΖAΎzΏΚΜΈΝf―Μ^½Ζΰ©©νΑΔιB ΎzͺΤF―ΖΘιΖ«ΎzΜΌaΝΕΰgε΅½Ζ«Ε»έΜn ΜOΉΜ 1.2 {ΙΘιB κϋΕΈ·ιΏΚΜΰ}΅ΔAf―ΝεΙΎz©η£κ½OΉΦΗ’βηκιB ―βΰ―ΝΎzΙωέάκSΦΖΊ΅Δ’ΰΜΜAΝ½΅Δn ͺ»Μ^½ππ―ι±ΖͺΕ«ι©Η€©ΙΒ’ΔΝc_ͺ±’Δ’ιB
u ιvΖ’€±ΖΝ½©u Α½vΖ’€±Ζ@@@@@Ο»΅±―ιA±
½©ͺ ιΘηΞA»κΝΏεΑΖOΙ½©ͺ Α½©ηΕ ιB
ζΙ½©³©Α½ΜΘηΞA‘ΜΰΜΰΘ’B
½©ͺ ιΜΝAV΅½©ͺΕ«½ΜΕΝΘ’B
½ΎΟ»΅ΔAgένΉͺΦνΑΔAΔ\¬³κ½Ύ―B
±ΜΐΙξΓΖAunίΝΗ€Ε Α½Μ©HvΖ’€^βΝoΔ±ζ€ͺΘ’B
ΰ΅ΝΆίΙSXͺ Α½ΜΘηΞA»ΜΘOΙΝ½ͺ Α½Μ©HΖl¦ιΜͺF―Ε θA±±λΜΝ½η«Ε θAά½ANͺSXπ\»΅½θAF―΅½θ΅½ΜŠ뀩H
uΝΆίvΙό©€Ζό©€ΩΗA»κζθΘOΜ»Ϋͺ Α½©ηu’άE±±vͺ ι±ΖΙΘιB
Η±άΕl¦ΔΰAάΎ»ΜOΙ»ΫͺoΔιB
±€΅ΔuίΝ³ΐvΖ’€ΐͺΟέdΘιB
ΰΜΝΑ¦Δ’B»κΝ»ΫΎ©ηΕ ιB·ΘνΏμηκ½ΰΜΕ ι©ηΕ ιB
Α¦ΔΝAΌΜΰΜπμΑΔ΅ά€B
nΉΝΘ’ pubba-koṭi na paññāyati nΉΝ¬§΅Θ’
pubba-koṭinΉ@first origin@@@@pubbaΕAΝΆί@@@koṭi@[AAΣAόB
u±±©η·ΧΔΜΰΜͺΆάκ½B±±ͺΕΜκ_Ε ιB±κΘOΙΝ½ΰΆέ΅Θ©Α½vΖ’€σB
naΫθ paññāyati@Fίηκι@@paññāyatiF[pa + ña+ ya] appearsG is clear or evident
nΉπΟz·ι±ΖΝΕ«ιͺAΐΖ΅ΔΝΘ’B
uGlM[ΫΆΜ@₯vΖΝGlM[ΝΟ»΅±―ιͺAΫ½κιΖ’€±ΖπάΖί½ΰΜΕ ιB
³ΐΰLΐΰF―Ε«Θ’
nΉΝΘ’©ηΖ’ΑΔA³ΐΕ ιΖ’€TOΰΫθ³κιB
³ΐΙ±±ΖΝθΝΕ«ιB΅©΅»κΝ άΕΰθΕ΅©Θ’B
ΘΊΘηΞAΐθΜΘ’ΟέdΛΝ ιͺA±κπ@₯Μζ€ΙκΚ»΅Δ΅ά€ΜΝρΒΜΐΙ½·ι©ηΕ ιB
³ΐπ»θ·ι½ίΙΝA{lͺ³ΐπF―΅Θ―κΞΘηΘ’ͺA³ΐΝά΄ν―ΕΝF―Ε«Θ’B
LΐΜΤΖσΤ΅©½Θ’ΰΜͺA³ΐπ»f·ι±ΖΝsΒ\Ύ©ηΕ ιB
F―ΙΝ³ΐΖκΜ»·ι±ΖΝsΒ\Ε ιB
ά½FΝLΐΕ ιAΖ’€±ΖΰsΒ\Ε ιB
ΘΊΘηAFζθL’F―πΑΔA©ͺΜε«ΘF―Ε©½ηAFΝ»κζ謳’ΙALΐΕ ιAΖ’€±ΖͺΕ«ι©ηΕ ιB
΅©΅A{lΝFΜΙ ιΖ’€±ΖΝAFζθଳ’ΜΕAFΜLΐ«ππ·ι±ΖΝ θΎΘ’B
±Μζ€Ι³ΐβLΐΙΒ’ΔΜ_cΙΣ‘ͺΘ’ΜΕA΅§Θθ`π·ιΙΝ±κηΜκεΝgp΅Θ’B
ͺζ©A{ͺζ©H
±ΜβθρNΜOρΙλTͺ ιΜΕA¦ͺoΔ±Θ’B
OρΝͺ{Ι¬··ιΖ’€@₯πίθκΚ»΅Δ’ιΣͺ ι±ΖΕ ιB
³΅’Ζ±λΝͺ{ΙΟ»΅½Ζ’€ΐΕ ιB
λTΝA±ΜΟ»Ν ͺΖ{ͺΖ_fπ^¦½±ΖΙζΑΔΟ»΅½ΜΕ ΑΔA»κηͺκΒΕΰrβ¦κΞΝ{ΙΟ»΅Θ’ΜΙA±κηΜΟ»·ιππlΆ΅Θ’Εͺ{ΙΘιΖ’€ΑκΘP[XπίθκΚ»΅ΔAΖ{πq°ι±ΖΙζΑΔN±ιB
ν©ηθͺΕιΜΕΰAͺ{ΙΘιν―ΕΰΘ’B
νβͺO©ηΜGlM[πΑκΘπΜΰΖΕζθόκι±ΖͺΕ«ιP[XΙΐΑΔN±ι±ΖΕ ιB
νͺΨΙΘΑ½θAͺ{ΙΘΑ½θ·ιοΥͺ½άΙΝ ιAΖ’€ΜͺΐΕ ιB
ͺ{ΙΘιAΖ’€l¦ϋ©ΜͺΤαΑΔ’ιB
·ΙρΕΝΆάκιS
{Α½γΙ·ΙΞ€
±ρΘͺΒ\ΘΜΝASΜΝ½η«ΝΆάκΔΝ·ΙΑΕ΅±―ι©ηΕ ιB
uΤuΤΙSΝρΕAV΅’SͺΆάκΔ’ιB
¨ΏΎ―ΕΝΘASΰάΈΝ½©ͺ ΑΔA»κͺΟ»΅Δu’άE±±vͺ ιB
±ΜSͺΆάκιΖ’€±ΖΝA»ΜOΙΝα€Sͺ ΑΔA»κͺρΕAV½Θ±ΜSͺ ιΖ’€±ΖΕ ιB
‘xΝά½ΝΑΕΜϋ©η©ιΖAΗΜζ€ΙSͺρΎΖ΅ΔΰA»κΝΟ»΅ΔAΔ\¬³κΔα€J^`ΖΘΑΔA»κιΖ’€±ΖΕ ιB
SΙΑΕ΅«ιmi¨ΏΰSjΝΘAΑ¦½ΰΜΝ½©ΙΘΑΔ»κιB
ΜΰSΰρΕΝV½ΘΰΜΙΟ»΅±―Δ’ιB
±ΜΟ»Μ¬κπμΜ¬κΜAiW[Ι΅ΔίθκΚ»΅Δ΅ά€ΖAΆ½Μ¬κA·ΘνΏΦτ]ΆΝπΕ«Θ’B
ΜlΝρΎAΗ±ΙΆάκΟνΑ½Μ©HΖl¦ΔΰπΕ«Θ’B
80NΜκΆΜVXeπ©ΔAΗ±ΙΆάκΟνΑ½Μ©ΖT·ΜΘηΞA80NͺΜVXeπ©ΘΔΘηΘ’B
Φτ]ΆΖ’€ΖΔΆΜΦW«π©ιRcΝAuΤuΤπέι±Ζ
ΨͺR¦ιuΤΎ―πέΔέιB
10bγΙΝρ_»YfΝgU΅Δ΅άΑΔ’ιΜΎ©ηB
³Α«άΕΨΜςΝC»΅ΔσCΙΘΑΔ΅άΑ½ΜΎ©ηB
¨ΏΖ―lΙSΰGlM[ΘΜΕASΙΑ¦ιΖ’€±ΖΝΘ’B
½ΎΜSΙΟ»΅Δ\¬³κΔ’ιB
Φτ]ΆΝκu²ΖΜΟ»ΙiΑΔέιΖAΐΜΜΘ’Ο»ΜΆΕͺ©¦ιΜΕA±κπ½θOΜ@₯Ζ΅ΔπΕ«ιB
u’άE±±vΜSΝAΏεΑΖOΜSͺΟ»΅½ΰΜΕ ιBOΜSͺ Α½©ηA±ΜSͺ ιB
»€π΅Δ΅ά€ΖAIνθͺ³ΘΑΔ΅ά’AΈ[ΑΖSͺ ι±ΖΙΘΑΔ΅ά€B
±Μζ€Ιπ·κΞAn’βΐΜͺΘΔΰAΦτ]ΆΜ±ΖπΰΎ·ι±ΖΙΘιB
uΈ’½vΘΗΜζ€ΘΎηΘ’TOπMΆ½θ·ιΜΎ©ηAΦτππΕ«Θ’B
BpbTi[αzΜ³δ
ΕΝuΤ²ΖΜΜ±Ύ―ΙX|bgCgΔιB
±κάΕΜTOΖ΅Δππ·ιϋ@©η£κΔA θΜάάπ¨¦ζ€Ζ·ιAv[`ΙΟX·ιB
·ΘνΏAΣε©ηΜ¬κπfΏAάε©ηΜMΙΞ΅ΔΜέW·ι±ΖΕAΕθ»³κ½TOͺAuΤΜΆΕπJθΤ·΄oΜΟέdΛΜOΕΝPΘιΕ θAC[WΕ θAΟzΕ Α½±Ζͺν©θAΣ‘ͺΘΘιΜπΐ΄·ιB
άε©ηΜMΝATOͺμθγ°Δ«½ΐΜΕΝΘAΘρΜJ^`ΰΘ’MΜWΟΕ θA»κηΜΟ»Ε ι±Ζπo±·ιB
ά½»ΫΖεΜΝZbgΘΜΕAεΜΝ»ΫΜeΏπσ―ΔA»ΫͺuΤuΤΙΟ»΅Δ’ι±ΖπF―·ιΖAεΜΰνΙΟ»΅±―A©δͺΑ¦Δ΅ά€B³mΙ’€ΖA©δͺΑ¦ιΜΕΝΘA©δΎΖvΑΔ’½ΰΜͺ½ΰΜΕΰΘ©Α½±Ζͺͺ©ιB
uͺ’ιvΖ’€σΤπζΟ@΅ΔέιΖA»κΝSΙ’λ’λΘΰΜͺΆάκ»΅ΔΑ¦Δ’¬κΕ΅©Θ’B
Δͺϋ©ηέ°»΅Δγθε©ηoΔ’ζ€ΙAZε©ηΜMͺSΜΝ½η«ΙζΑΔ¬κΔIνι±ΖπJΤ΅Δ’ι±ΖΕ΅©Θ’B
ΗΜͺΙΰuν½΅vΎAΖΎ¦ισͺΘ’B
ΦτΜζπΏβ³κΔΰuν½΅vΝΘ’ΜΎ©ηAΗ±ΙΰΆάκΟνι±ΖΝΘ’B
Ύ¦ι¦ΝAu‘ΜuΤΎ―π©λB»±Ι·ΧΔͺ ιBv
OΖu’άE±±vΝ―κΕΝΘ’AΎ©ηΖ’ΑΔάΑ½α€ΰΜΕΰΘ’B
uΤΜΟ»π©Δ’ιΖAuν½΅vΖ’€TOΝΑ¦Δ’ιΜΕA±κάΕΜvlΰm―ΰAPΘιJ^`Ε ι±Ζππ΅ΔA»κΙι±ΖΝΘΘθAzbΖ·ι±Ζͺ ιB±κͺΈΟΕ ιB
u±κ©ηΝYήKvΰΘ’vΖ ιͺάάΙπ·ιB
©ͺΕΜ±·ι±ΖΎ©ηA΅ΔΑ¦ι±ΖΜΘ’{¨ΜqdpaññāΕ ιB
nίΝΘ’ͺAIνθΝ ιB’ ΏΜoθ
ίΈΝu΄φπͺ{©ηΜΔκΞAIνιvΖΰ’½BoTH
§³ΖΝφΚ@₯ππ·ι³¦Ε ιB
#8 apāya-paṭisandhi@@£PΆ
Tattha akusalavipākopekkhā-sahagata-santīraṇaṃ apāyabhūmiyaṃ okkantikkhaṇe paṭisandhi hutvā tato paraṃ bhavaṅgaṃ pariyosāne cavanaṃ butvā vocchijjati, ayam ekāpāya
paṭisandhi
nāma.
»ΜAsPΩnΜδΜxSΝA£PnΙ]Ά·ιίΙΝΆSΖΘΑΔA»ΜγΝLͺSΙΘΑΔAΥIΜΖ«ΙΝSΖΘΑΔAfβ·ιB±ΜPΒͺA£PΆΖΔΞκιB
OkkantikaCiadjDj [frDokkanti] coming into existence again and againCrecurring
pariyosānaF[ntD] the endG conclusionG perfection
ΚOΜSΙ«’SͺόιΖA»κΙΔ’ιSͺV΅ΘιΜΕACπΒ―ι
~PοΆ
Kusalavipākopekkhā-sahagata-santīraṇaṃ pana kāmasugatiyaṃ manussānañ ceva jaccandhādīnaṃ bhummassitānañ ca vinipātikāsurānaṃ paṭisandhi-bhavaṅga-cuti-vasena pavattati.
ά½APΩnΜδΜxSΝA~EPοΜΜΆΜΣΪΜlXΘΗΖ΅ΔAά½nΙΛ~·ιΒΜ’C
½ΏΜΤΙAΆALͺASΖ΅Δ]N·ιB
jaccaF[adjD] iin cpdsDjChaving such a birth@@ΆΜ
bhummaF[adjD] terrestrialD@@±ΜnΝεnΘΜ©³ΘΜ©H
vinipātikoFDestined to suffer in purgatoryωCliable to punishment after death
PΕ ΑΔΰxSΕΝAlΤEΕΰnfBLbvͺ ι±Ζπmι±ΖB
~EεΩnSWνήΙζιΆ
Mahā-vipākāni pana aṭṭha sabbatthā pi kāma-sugatiyaṃ paṭisandhi-bhavaṅga-cuti-vasena pavattanti.
Imā nava kāma-sugati-paṭisandhiyo nāma.
Sā panāyaṃ dasavidhā pi kāmāvacara-paṭisandhi ecceva saṅkhaṃ gacchati.
κϋAεΩnSWΒΝA~EPοΜΗκΙΕΰAΆALͺASΖ’€dϋΕA]N·ιB
±κηΜXΒͺ~EPοΜΆΖΔΞκιB
ά½A±Μ10νπA~EΜΆΖΌt―ιB
lΤΜ’EΙΆάκιΜΝ£¦ͺΔο΅’
VEΙΆάκιΜΙΝlϋΙ§ΐͺΘ’B
qdpaññāΖΝ
φΚ@₯ΙζΑΔΰΜ²ΖπF―·ιB
~EΉiE΅έE£EΏέΘΗΜ΄ξΙΆE³κΘ’B
§ΉΙγήlΝ©ͺΜ«iΜ«³πCΙ·ιKvͺΘ’
«iͺ«AΎη΅Θ’©η±»A¬··ιΪIΕ§ΉπIΤΜΎ©ηB
Ar_}ͺρφΆάκΜlΙΝTθΖo’ΤΜSπμι±ΖͺΕ«Θ’ΖLq³κΔ’ιR
αzπ΅ΔΰoθΙB·ιν―ΕΰΘ’ΜΕA»ΜRπOφΕΝΘρφΙΆάκ½±ΖΙ΅½©Α½H
#9@kāmāvacara-puggla-āyuppamāṇa@@~EΜΆ½ΜυΚ
Tesu catunnaṃ apāyānaṃ manussānaṃ vinipātikāsurānañ ca āyuppamāṇa-gaṇanāya niyamo natthi.
Cātu mahārājikānaṃ pana devānaṃ dibbāni pañca-vassa-satāni
āyuppamāṇaṃ manussa-gaṇanāya
navuti-vassa-satasahassa-ppamāṇaṃ hoti, tato catugguṇaṃ tāvatiṃsānaṃ, tato catugguṇaṃ yāmānaṃ, tato catugguṇaṃ tusitānaṃ, tato catugguṇaṃ nimmāna-ratīnaṃ, tato catugguṇaṃ paranimmita -vasavattīnaṃ.
»ΜΜA£Pn4ΒΖlΤΖΒΜ’C
ΜυΚΜNΝθ΅Δ’Θ’B
κϋAl€Vl½ΏΜυΚΜNΝAVEΜ500NBlΤΜNΙ·Z·ιΖ900NΜυΚΕ ιB»Μ4{ͺO\OVl½ΏΜA»Μ4{ͺιVl½ΏΜA»Μ4{ͺ¦Vl½ΏΜA»Μ4{ͺ»yVl½ΏΜA»Μ4{ͺΌ»©έVl½ΏΜυΚΕ ιB
puggalaFmD[SkDpudgala] l@@@Ά½Μ
manussaF[mD] a human being
vinipātikaFaDmD[vinipāta-ika] Β«DΒD@@liable to punishment after death
gaṇanāF[f.] numberG counting
lΤEΖVEΜΤ
uLΜζ€ΙuΗ€΅Δ_lΝAΜ±ΜsKπ©ΔκΘ’Μ©H~ΑΔκΘ’Μ©HvΖQ’ΔΰA¬κΔ’ιΤΜXs[hͺα€ΜΕAlV€Μ1ϊΝlΤE50NΙ·ιΜΕAlΤΜθ’Ι½΅½ΙΝ·ΕΙ50NΩΗί¬Δ΅άΑ½γΘΜ©ΰH
#10@vasavattīnaṃ-āyuppamāṇaṃ@@©έVl½ΏΜυΚ
Navasatañcf ekavīsa, vassānaṃ koṭiyo tathā, tassasatasahassāni,
saṭṭhi
ca vasavattīsu.
»ΜΕA©έVl½ΏΝA921600NΕ ιB
υ½ͺBΘ_
manopadūsika ΛRΙ{Α½θΉi·ι±Ζͺ θA»κΙζΑΔυ½ͺΟνι
manopadosika-devaF'the celestial beings corruptible by temper'Care a class of devas iqDvDj of the sensuous sphereDϊWThey spend their time in becoming annoyed with one anotherCand getting into a temperCand thus by being bodily and mentally exhaustedCthey pass from that worldϊW iDD1G 24jD
gΜͺμΜΘΜΕAΉiΜ{θΙΟ¦ηκΘ’ΜΕAΉiͺEQΖΙΘιB
Ξ΅ΔAqgΜχΜΝ{θβΉiβ΅’ζΙΰΟ¦ηκιB
khiḍḍāpadosita@@VΡΙCͺζηκΔh{πζιΤπί¬Δ΅ά’υ½ͺIνι±Ζͺ ι
khiḍḍāFfD[SkDkrīḍā] YCVYD
gΜͺμΜΘΜΕAh{πζιΤπYκιΖΚB
āūīṭḍḷṇṅñṃṭṭññā@@ ṭṭ@ āṇū ṃā ṅ ñ ṭ ḍ ḷ īū ñ ṭ ḍ ḷ ī ṇ@@@ Ā
#11 rūpa-paṭisandhi@@@FEΆ
Paṭhamajjhāna-vipākāṃ paṭhamajjhāna-bhūmiyaṃ paṭisandhi-bhavaṅga-cuti-vasena pavattati.
Tathā dutiyajjhāna-vipākāṃ tatiyajjhāna-vipākañ ca dutiyajjhāna-bhūmiyaṃ, catutthajjhāna-vipākāṃ tatiyajjhāna-bhūmiyaṃ, pañcamajjhāna-vipākāṃ catutthajjhāna-bhūmiyaṃ.
Asaññasattānaṃ pana rūpam eva paṭisandhi hoti. Tathā tato paraṃ pavattiyaṃ cavana-kāle ca rūpam eva pavattivā
nirujjhati. Imā cha rūpāvacara-paṭisandhiyo nāma.
TΩnSΝTnΙAΆALͺASΖ΅Δ]N·ιB―lΙAζρTΩnSΖζOTnSΝζρTnΙAζlTΩnSΝζOnΙAζάTΩnSΝζlnΙ]N·ιB
½Ύ΅A³zLξΙΝFΎ―ͺΆ·ιB―lΙA»ΜγΜ]NΙ¨’ΔΰAΙΰAFΎ―ͺ]N΅ΔAΕ·ιB±κηΜ6ΒͺFEΆΕ ιB
TθΝσκι
TθπμΑΔΰA~β{θΘΗΜΟYͺ\ΙoΔ΅½ηTθΝσκιΜΕA»ΜΙΝμθΌ·B
TθͺΕ«ιΖA~ΰ{θΰ¨Ύ°ΰ{¬ΰoΈΙΚΙΆͺΕ«ιB
΅©΅AZε©ηΜMͺ΄φΕ~ͺΆάκ½ηATθσΤΝΑ¦Δ΅ά€B
#12 rūpa-puggla-āyuppamāṇa@@FEΜΆ½ΜυΚ
Tesu brahma-pārisajjānaṃ devānaṃ kappassa tatiyo bhāgo āyuppamāṇaṃ, brahma-purohitānaṃ upaḍḍha-kappo, mahā-brahmānaṃ eko kappo, parittābhānaṃ dve kappāni, appamāṇābhānaṃ cattāri kappāni, ābhassarānaṃ aṭṭha kappāni, paritta-subhānaṃ soḷasa-kappāni, appamāṇa-subhānaṃ dvattiṃsa kappāni, subha-kiṇhānaṃ catu-saṭṭhi kappāni,
vehapphalānaṃ asaññasattānañ ca pañca
kappa-satāni,
avihānaṃ kappa-sahassāni, atappānaṃ dve kappa-sahassāni, sudassānaṃ cattāri kappa-sahassāni, sudassīnaṃ aṭṭha kappa-sahassāni, akaniṭṭhānaṃ soḷasa kappa-sahassāni.
»ΜAOVl½ΏΜυΚΝ1/3
AγVl½ΏΜυΚΝ1/2
AεVl½ΏΜυΚΝ1
Ε ιB
υVl½ΏΜυΚΝQ
A³ΚυVl½ΏΜυΚΝ4
AυVl½ΏΜυΚΝ8
Ε ιB
ςυVl½ΏΜυΚΝ16
A³ΚςυVl½ΏΜυΚΝ32
AΥΔυVl½ΏΜυΚΝ64
Ε ιB
LΚVl½ΏΖ³zLξVl½ΏΜυΚΝ500
Ε ιB
sΜVl½ΏΜυΚΝ1000
A³MVl½ΏΜυΚΝ2000
AP»Vl½ΏΜυΚΝ4000
AP©Vl½ΏΜυΚΝ8000
A³ςVl½ΏΜυΚΝ16000
Ε ιB
FΜυ½
’EͺΆ¬³κι¬ iΆε€±€Avivaṭṭa-kappaj vivaṭṭaF[ntD] devolution of rebirth
’EͺΆ±·ιZ iΆγ€±€A vivaṭṭaṭṭhāyī-kappa jṭhānaCintDjCplaceG localityG condition
’Eͺjσ³κισ i¦±€A saṃvaṭṭa-kappa j
’EͺΆέ΅Θ’σ i€±€Asaṃvaṭṭaṭṭhāyī-kappa j
Μ4ΒΜϊΤΙͺ©κιBΗΜϊΤΰ20 θAvΕ80 Ε ιB±κͺPε mahākalpaΖΘιB
4ΒΜ
ε imahākalpaj
iantarakalpaj@@@ Νε πΟΙ80ͺ΅½ΰΜΕ θA1ε 80 Ε ιB
υ āyu-kappa@@@@@@υΚAυ½
’m_ asaṅkeyya-kappa@@@@10Μ140ζ
n
ΜΕΡϋ
oT28ΜuεΫΥgovΖuAOb^EjJ[v2.2.2ΜTb^X[Xb^ΙΪΧ³κΔ’ιB
Ύzͺ7ΒoΔAn Ύ―ΕΝΘA·ΧΔΜΆ½ͺΑ¦Δ΅ά€B
qgΜυ½
w’ωBεωkΉ_xΙζιΖAΤ ΙΝlΜυ½ͺ³ΐ©ηnάΑΔ10ΞΙΈιάΕΜΈ A10Ξ©η8ΞΙ¦ι A10Ξ©η8ΞΙ¦Δά½10ΞΙΈιΈ Μ3νήͺ θAΈ 1AΈ 18A 1Μ20 Ε’EͺΆ¬³κA20 ΜΤ’EͺΆ±΅A20 Ε’Eͺjσ³κA20 ΜΤ’EͺσΙΘιBw’ωBεωkΉ_xͺ135
w’ωBδΙ_xΙζιΖAZ Ευ½ͺ10ΞΙΈΑ½Ζ«AΊEΎuEQι[Μ¬OΠͺN«ιBά½σ ΜΙΝΞE EΜεOΠΜ’Έκ©ͺN«A64 ²ΖΙzΒ·ιi7ΒΜΞΠΜ ΖA1ΒΜ ΠͺN«ιB½Ύ΅ΕγΜ64ΤΪΜ ΕΝ ΠΕΘΠͺN«ι
w’ωBδΙ_xͺ12uΰOΠ]½ζBvζ³ΤN΅ΞΠA΄θκ ΠNBγ³Τ΅ΞΠBx΅ΞΠALκ B@₯T΅ ΠA΅ΞΠAγΠNB@₯Lͺ΅ΞΠEκ΅ ΠEκΠNBvB
lTVΜ€ΏAΞΠΕΝTVA ΠΕΝρTVAΠΕΝOTVάΕͺjσ³κιB
w’ωBδΙ_xͺ12uOΠΈΧέ½BζρΓΆΧΞΠΈBΊΧΞ°ΔΜBζOΓΆΧ ΠΈBΊΧ Zΰ£ΜBζlΓΆΧΠΈBΊΧιGUΜBvΘ¨ΓΆΝTΙ―Ά
lΤΜυ½ͺ8 4000ΞΜΖ«©η 100N²ΖΙ1ΞΈΒΈ΅Δ’ΑΔυ½ͺ 10ΞΙΘιάΕΜϊΤπ1ΈΖ΅C10ΞΜΖ«©η 100N²ΖΙ1ΞΈΒΑ΅Δ’ΑΔ8 4000ΞΖΘιάΕΜϊΤπ1Ζ’€ͺC±Μ¬ ΕΝ 20Έ (20¬ ) ͺ ιΖ’€B (2) Z @©REΖΆ«¨ΖͺΐΈΙ±΅Δ’ϊΤB 20Έͺ ιB (3) σ (¦±€) @άΈΆ«¨ͺjσΑΕ΅Δ’«CΙ©REͺjσ³κΔ’ϊΤB 20Έͺ ιB (4) σ @jσ΅Β³κΔ½ΰΘΘΑΔ΅άΑ½ϊB±κΙΰ 20Έͺ ιB
»έΜ π« i°ρ²€AbhadrakalpajΖΔΡA»ΜΠΖΒOΜ π΅ i΅ε€²ρ²€AvyūhakalpajAΠΖΒγΜ π―h i΅ε€΅γ±€AnakṣatrakalpajΖΔΤBη§MΒΕΝΠΖΒΜ Ιη§ͺo»·ιΖ³κAίή@Ν« Μ4ΤΪΜ§Ι ½ι
iπίιR
ϊνΆΕΐ΄·ι³νͺβaβV»ΘΗΖΘ±Ζͺ½’ΜΕAΟ»΅Θ’ΰΜΕ ιiπίιB
iΝΟzΘΜΕzΜζ€ΙΐΤͺΘ’ΜΕAΫθ΅ζ€ͺΘ’ΜΕAqgΜθ]ͺ ιΐθά½©ΡγͺΑΔιB
y΅έΝκ΅έͺ ι©ηH
y΅ή½ίΙΝA»ΜOΙκ΅έͺΘ―κΞy΅ίΘ’B
©ͺΙ©―Δ’ιͺΙζΑΔy΅έͺΆάκιΜΎ©ηAqΟIΙl¦ιΖA»ρ΄’Ά½’ΝASί΅’ΰΜΕ ιB
»ΜΕAy΅έ ιΖvΑΔ’ιB
Ο»ͺ ΑΔΝΆίΔF―Ε«ιBΟ»ͺΘ’ΰΜΝF―ΝΕ«Θ’B
qgͺy΅’ΜΝΟ»ͺ ι©ηΕ ιB³νπy΅ρΕ’ιΜΕ ιB
#13 āruppa-paṭisandhi @@³FEΆ
Paṭhamāruppādi-vipākāni paṭhamārūpādi-bhūmīsu yathākkamaṃ paṭisandhi-bhavaṅga-cuti-vasena pavattanti. Imā
catasso āruppa-paṭisandhiyo nāma.
ζκΜ³FΜΩnSΘΗͺAζκΜ³FnΘΗΙAΆALͺASΖ΅Δ]N·ιB
±κηSΒͺA³FΆΖΔΞκιB
#14 arūpa-puggla-āyuppamāṇa@@FEΜΆ½ΜυΚ
Tesu
pana ākāsānañcāyatanūpagānaṃ devānaṃ vīsati kappa-sahassāni āyuppamāṇaṃ
viññāṇañcāyatanūpagānaṃ devānaṃ cattālīsa kappa-sahassāni,
ākiñcaññāyatanūpagānaṃ devānaṃ saṭṭhi kappa-sahassāni,
nevasaññānāsaññāyatanūpagānaṃ devānaṃ caturāsīti kappa-sahassāni.
»ΜAσ³ΣΙB΅½V½ΏΜυΚΝ2
B―³ΣΙB΅½V½ΏΜυΚΝ4
B³LΙB΅½V½ΏΜυΚΝ6
BρzρρzΙB΅½V½ΏΜυΚΝ84000
Ε ιB
#15 eka-jāti-ekam eva@@κΆΝ―κ
Paṭisandhi bhavaṅgañ ca, tathā cavanamānasaṃ, ekam eva ththf evf eka-, visayañ cf ekajātiyaṃ,.
Idam ettha paṭisandhi-catukkaṃ.
ΆSΖLͺSΖA»κ©ηSΝA1ΒΜΆUΙ¨’ΔΝ1ΒΎ―B»Μζ€ΙPΒΜΞΫΎ―B
ΘγͺAΆΜSΒΕ ιB
ΖkammaΙΒ’Δ
ΖkammaΖΝusΧΖΚv
sΧΙΝRΎͺΚͺoιB
p[κΜkammaΝΖΖsΧΜΌϋΜΣ‘ΕgνκιB
kammaΖkamma-vipākaΖΩnπΐΧικΝAζΚ΅ΔsΧΖΖΜΚΖ’€Σ‘ΙΘιB
ΚπCΙ·ιlΝsΧi΄φjΙCπΒ―Θ―κΞΘηΘ’B
·ΧΔΜsΧπΖkammaΖΝ’νΈASΜsΧΙΒ’ΔΖkammaΖ’€B
SΜsΧΖΝAsΧπ΅½ͺιΣuΜ±ΖΕ ιB
sΧΙΝAgAϋAΣΜRΒͺ ιͺA±κηΜsΧ©ΜΝΖkammaΕΝΘ’B
ΘΊΘηΞA±ΜsΧΕΚπΎιν―ΕΝΘ’©ηΕ ιB
½Ζ¦ΞAΞπ°ι±ΖΝΖkammaΖΝ’νΈA½ΎΜsΧΕ ιBΘΊ°½Μ©AΖ’€CΏͺΖkammaΕ ιB
Ύ©ηΖkammaΖΝΣvcetanāΜ±ΖΕ ιB
ίΈΝΣ}IΙAsΧΖΣvΖπ¬―³ΉΔκΑΔ’ιΜΝRͺͺ©ηΘ·ι½ίΕ ιB
β½ηΖΖkammaͺͺ©Α½ΘΗΖΎ€ΘAΖ’€±ΖΕ ιB
ΚΝκΒΕΰ΄φΖπΝ³Ι ιΜΕAΖkammaπ©ΙίιΜΝο΅’B
ΖkammaΝΉΏΙΦνιAΒάθβΑΔΰ’’sΧΖβΑΔΝ’―Θ’sΧΜ2νήͺ»κιB
qgΜsπ2ΒΜJeS[Ιͺ―ΔAβΑΔΰΗ’sπ¦·±ΖΕAΏ ’ΔΆͺΕ«ιB
ΖkammaΜΚΝ©ͺΎ―ΙίΑΔι
Η’sΧΰ«’sΧΰΚΝ©ͺΎ―Ι ιB
u©ͺΜ±ΖΝ©ͺΕβιv@ΰAdAaC
ΖkammaͺΘΊ©ͺΙρνιΜΝAuSΜΣvvΕβΑ½©ηΕ ιB
SΝκ{Μβ¦ΤΘ’HΜ¬κΘΜΕA’Β©Ν»ΜΚͺ©ͺΜSΙ»κιΜΕ ιB
EΣͺΘ―κΞ£ΑΔρΕΰAElΜίΕΝΘ’B@₯ΝΖΰ©A§³ΝsΧπ·ιlΜCΏΕΖkammaπέιB
δΛ@θπ΅Δ»ΜΙn³ͺμρΕΰA»ΜγΙlϋͺ¦Δ ͺΝκΔμ΅ΔΰAδΛπ@Α½lΜsΧΝA«ΝΘ’B
―ζ€Ζ΅ΔFlͺ_HΜΚπβ΅Δ³ͺρΕΰA»κΝ§³ΕΝElίΕΝΘ’B
±κηͺ§³Ε’€uSΜCΏ©ΜͺΖkammaΕ ιvΖ’€Σ‘Ε ιB
©ΘΣ―uν½΅vΖΝSΜ±Ζ
GͺΙ’AΖ΄ΆιΜΝA»±ΙSͺΝ½η’Δ’ι©ηB
Ύ©ηGΙ ιΜΝMΕA»±ΙΙέͺ ιΜΕΝΘAΙέͺ ιΜΝSΕ ιB
ά½y΅’Ζ’€κΝA»κΝSΙΆάκι΄ξΘΜΕA«Μ ͺy΅ρΕ’ιΜΕΝΘ’B
±κηΜζ€ΙASͺΙέASͺy΅ρΕ’ιΜΕ θA±ΜSΜΝ½η«πuν½΅vΖ¨¦Δ’ιB
»΅Δuν½΅vΝΙ’Auν½΅vΝy΅’Ζ¨¦ΔΟz΅Δ’ιB
΅©΅A±ΜSΜΝ½η«πζΟ@΅ΔέιΖA±κΝ·ΙΆάκΔΝΑ¦Δ΅άΑΔ’ιB
±ΜΆΕπΈΑΖJθΤ΅ΔASΝρ]΅Δ¬κΔ’ιB
»±Ι½ΜΟzͺΆάκιJjYͺ ιB
EΙέΜMͺGΙ Α½ΜΕ θA»κΝν½΅ΕΝΘ’B
EMΙΞ΅Δ’λ’λΘTOπdΛΔAΟzπμθͺΎι±ΖΕAΙέπε³ΉΔ’ιB
EΙέΜMΙSͺdΘΑΔ’ι©ηAΈΑΖΙέπ΄ΆΔ’ιΜΕ ιB
Ξ@
MΜΣ‘πmF΅ΔA»κπΉπ΅ΔA}πv·ιΰΜΘηΞ½΅ΔA»€ΕΘ―κΞγΙ·ιB
±Μ»fπJθΤ·B
uν½΅vΖΝΟ»΅±―Δ’ιSΜ±ΖΕ ιB
±ΜSͺΜSͺRs[΅Δ’ιΜΕA©ͺΜΖkamma©η¦°ι±ΖΝΕ«Θ’B
ΧEͺB·ιΙADNAπRs[·ιζ€ΙASΕΰOΜSπRs[΅±―ιB
Rs[ΘΜΕOΜΰΜΖ―ΆΕΝΘ’BΗρΗρΖΟ»΅Δ’BΕΰOΜSπσ―p’Δ’ιB
σ―p’Ε’ιΜΝAν΄ν΄^π΅½iim-pressj©ηA»ΜΥͺ·ΙΝΑ¦Θ’©ηB
ά½P«ΙΦ·ιΥͺΖkammaΘΜΕA»κΝΑ¦ι±ΖΝΘ’B
ΣvͺΖkammaΕ ι@@΅©΅ΚΝπζB
βθ½’CΏͺΖkammaΕ ιB
ΖkammaΝ^πΒ―ιΜΕAP’CΏΙΝP’^πA«’CΏΙΝ«’^ΜΥπΒ―ιB
Ύ©ηΖ’ΑΔAΖΙζιΚͺ·Ι»κιΖΝΐηΘ’B
ΘΊΘηΞπͺ΅€ΖΚΙΘιΜΕAπͺ΅νΘ―κΞΚͺΆΆΘ’ΜΕ ιB
ΏεΑΖ΅½ίπΖ΅ΔnΙΒΏιlΰ’ι΅Aε«ΘίπΖ΅ΔAnΙΏΘ’lΰ’ιB
99lHπE΅½―ͺoθπΠηαΰ ιB
ΖkammaΜ@₯Ν^½_ΕΝΘA©wΝΜ_πΰΎ·ιΰΜΕ ι
§³ΕOκIΙΎ€ΜΝuwΝ΅Θ³’vB
wΝπΫθ·ιΜΝρΉΏIΕ ιB
©ͺΜίΜΖkammaΙΛΆ΅Θ’ΕAu’άE±±vΜΖkammaπΗ’ΰΜΙ·ιζ€ΙwΝπ·ιζ€Ι±’Δ’ιB
©ͺΜ^½πΖkammaΜΉ’Ι·ιΘB«ΏρΖ«πΑΔAIΙA°XΖAOπό’Δs΅Θ³’B»€·ιΖAlΆΝA^½ΝΟνιΜΎv
#16 catukamma-catugguṇa 4ΒΜΖΜ4ΒΜΑΏ
kicca@@μp
Janakaṃ upatthambhakaṃ upapīḷakaṃ upaghātakañ ceti kicca-vasena.
ίΆΖAxΖAWQΖAEQΖΝAμpΕ ιB
±κηΜΖkammaͺζμpβEμpΕA‘GΙμp΅ €B
oTβ§³ΕΝ±κηΜJjYπΰΎ΅Θ’ͺAγνθΙΎ€ΜΝ
ulͺ΄η©SΕ’ιΖA«’J}ΙΝΚπo·±ΖͺΕ«Θ’v
u»’ΕΏαρΖ΅Δ’κΞΖkammaͺ«ΔΰΗ’ϋΙό©€BΌΙΚͺoΘ’ΕΆ©ΰ΅κΘ’ͺAφΚ@₯ΝΤα’Θcιv
ίΆΖ@@janka-kamma
ΜΆάκπμισΜ±ΖAΆάκιΜΖkammaͺίΆΖB
»ΜlΜυ½A«iΘΗπΗ·ιξ{IΘvOB
xΖ@@upatthambhaka-kamma
T|[g΅ΔκιΖkamma
½Ζ¦ΞίΆΖΕnfBLbvβn΅’Ζ±λΙΆάκΔΰAΌΖ€ΙPsΧπ΅½θ·ιΖAέρΘΙ―ηκΔKΉΙΘΑ½Ζ΄Ά½Ζ·ιΖA»’Ε¨±ΘΑ½xΖͺA»ΜlπKΙ΅½B
ΖkammaΖΝίΕθίηκ½^½ΕΟ¦ηκΘ’Ζ’€ΜΝΧ©ΕAxΖβWQΖΙOC·ιB
vηΘ’ΙζT|[g΅ΔκιB
^ͺΒ’Δ’ιΖA©ηΙΒ’ΔιΜΕALΈVΙΝΘηΘ’ζ€Ι·ιB
WQΖupapīḷaka-kamma
KΖsKΜΌϋΜWQπ·ιΖkammaB
KπWQ·ιΖkammaΎ―ΕΝΘA½Ζ¦ΞnΕΆάκ½κΙ»κπWQ΅ΔΚΜΰWQΖB
εΟΘΙΐΑΔ³ηΙWQ΅ΔκιB
sKΙΘιΖA©ηΙsKΙΘιͺAΏάΘ’ΕHv΅ΔA©ͺΜΖkammaπΘρΖ©vO·ιB
3ΤAίΈΝκϊPΒΜcqATKΝ¨Μ²πn©΅½πκtωήΎ―Μo±ͺ ιB
ίΈΝͺΙΔΰ@πrΕ~ίι±Ζͺ Α½B
±κηΰWQΖΕ ιΖίΙ©κΔ’ιB
EQΖ
upaghātaka-kamma
©ͺΜΆάκ½ΜΖkammaΜGlM[πrΕΨιB
SͺΜπ£κι@ΚuΤ
ΚΖ«ΝSΜΝ½η«ΝγΘσΕ ιBΜͺγάΑΔ’ιΜΕΜΙ©³κι±ΖΘ©RΙΕ«ι©ηΕ ιBΜΙΛΆ΅Θ―κΞ΅Θ’ΩΗASΝσΙ¬ΘιB
»ΜΙΝRg[ͺ«©ΈASΝ\·ιB
±ΜASΝΖkammaΙϊνκιB
ΚuΤπmιΜΝASπΟ@Ε«ιαzo±Μ ιqdΜ ιCsΕA»ΜlΜSΕθΜSΙΌΪΙR^Ng·ιB
¨ΏΙΝσͺ ιͺASΙΝσͺΘ’
ΒάθSΙΝίE»έE’ΜζΚͺΘA ιΜΝί’ΰάί½σΜ·ΧΔͺ ιu’άE±±vΎ―Ε ιB
Ai: antarā-bhava, : bar doj ι’ΝL(Ώγ€€)ΝA§³Ι¨’ΔLξͺΆΖπJθΤ΅¬]·ιίφπlLi4νΜΆΆjΙͺ―ι€ΏΕAO’ΜΜuΤiLi΅€jj©ηΜ’ΙΆπσ―ιίiΆLi΅ε€€jjάΕΜϊΙ¨―ιHΜΖΕΰ’€Χ«ΰΜBά½ΝA»Μζ€ΘσΤΕ ιϊΤ[4]B
΄κΖΏσ@@@@ͺ‘ΆΖγΆΜΤΙ’ι½ίantarāiΤΜjbhavaiΆΆσΤjΖ’€B
Ch§³Με¬hΕ θAk`§³Ιε«ΘeΏπ^¦½ΰκΨLΕΝAΦτΙ¨―ι³ΜΆΖΜΆΖΜ ’ΎΙΤIΘΆέΖ΅ΔΜAΜϊΤͺ θA»ΜΙάΉΜΗΜ’EΙΆάκΟνι©ͺάιΖl¦ηκΔ’½B
κϋΕγΐA»nAεOAκΰAΰo’ΕΝΫθ³κΔ’½B
AΜϊΤΙΝA7ϊA49ϊA³ΐθΘΗ’ΒΰΜΰͺ ιBγ7ϊ²ΖΙ@vπcέAl\γϊπAΖ·ιΜΰ»κηΜΰΙξΓ’ΔN±Α½K΅Ε ιB
±ΜAΜϊΤΙR»ͺ θAθ ε€ΙζΑΔΆOΜίͺΩ©κιΖl¦ηκ½Bίͺd’ΖnΙΖ³κιͺAβ°ͺA@vπs’AΗPΜχΏπΜlΙτό·ιΖΝ³κιB»κͺ7ϊΙs€@vΕ ιB
ΕΝθ €ΜΌΙ9lΜΩ»―ͺΗΑ³κAήηͺπΩΖ³κ½B γΙϊ{Ιΰ`νθAqγΙΘιΖwn \€oxͺμηκAΦΜΩ«ΝκxΕΘAAϊΤΜ7ϊ²ΖΖ100ϊAκόυAOρυΙ10lΜ€ΙζΑΔ10ρΜΩ«ͺ ιΖ³κA@|ΙζΑΔlXΘl¦ϋΙΚκ½B
ά½lTΪΖάTΪΜ@vΜΤΙAΕΜ½ϊͺιB
ςy^@ΕΝAΜlΝ’νΙ§Μ{θΝΙζΑΔΥIΖ―ΙΙyςyΙΆ·ιΖl¦ιΜΕAAΝAΜlπΚ΅Δ@ΜΆπ·ιϊΤΕ ιB
Γ°pΖ±±λΜΝ½η«ΜJjY
½Ζ¦ΞΓ°pπ©―ιΖΜͺ©ΘΘιB
Sͺ·ιΖ¨ΏπμιBSi[}Ν¨Ώ[pΖA·ιB
SΝεΘGlM[ΘΜΕAΜΜΛΆxπΈη·ΖAΌΙV΅’f±qxΜΜͺoΔ’ιB
HΜ£EβμΖΝASͺΜζθΰε«ΘXP[Ε·ι±ΖΕA^ΜiHΜjͺΆάκΔ΅ά€±ΖB
A¨σΤΜSΝσΙ΅Δ’ιΜ©H
4εΜ@\ͺ©ΘΘΑΔMͺrβ¦ΔΰAGεΖΣε©ηΜMΝ ιΜΕΝΘ’©H
ΜΜ§Νͺγάι±ΖΕAΘOζθΰSΝ©RΙ·ιζ€ΙΘΑ½Μ©H
ί’ΜL―
ΆSΝκΒΜΧEΙόιΜΕA»ΜΙίΜf[^πΫΆΕ«ΘΘιΜΕAYpΖ’€»ΫͺN±ιB
»κ©ηΧEͺτΖ’€ΧEΜΑͺN±θA¬··ι±ΖΕAf[^ΫΆπεΚΙΕ«ι]ΰB·ιB
άκΙΧEΕL―Ε«ιΝΝΕί’πΫΆ·ιP[Xͺ ιH
f[^ΫΆκΝHDDi]jβCi_oΗjΎ―ΕΝΘASicpujΙΰLbV
iΧEjͺ ιΜΕALbV
ΖGlM[ͺε«’SΝAiΥκ΄ΙζΑΔ[^ͺ³κ½jL―πc·P[Xͺ ιB
ΖkammaΝ¨ΏΜΕvφΕ ι4ε³fΜgένΉΜp^[Ύ―ΜuΘΜΕAσͺΕΜmΜPΒΘΜΕAΧEΜLbV ΙΪs·ιΜΙ\ͺΕ ιB
\κιϋ
ί’Μp^[iΖkammajβGlM[ͺϋΙΝϋάθ«ηΘ’ΜΕA½ΰ©ΰΙΘθA’½θA\κ½θ·ιͺASͺΏ ’Δ«½ηAoεπίΔA±ΜΜΖ€Ιs΅Θ―κΞΘηΘ’±ΖπoιB
dϋͺΘ’AΖ’€S«ΝAί’ΜΖkammaΖ»ΐΜΜΖΜΤΜMbvπϊΟ·ιΙΆΆιB
uO’πL―·ιq½Ώv@CAEXeB[\@@[WjAεw
Ο
uvΝKΜL[[h: uη¬OvΜXX (ϊ§³Μ{) KindleΕ@@A{bEX}iT[
]ΜdΖΎ€ΜΝAΜΜΧEgDπΆ©·B΅©΅’ηζ£ΑΔΰσκΔΚρΎΖ’€±ΖΝA]Νν©ηΘ’ρΕ·BΎ©ηA]ΙπF―·ιΝͺΘ’ρΕ·B
©ͺΜπz·ι±ΖΰΕ«Θ’ρΕ·Bz·ι±ΖΰΟz·ι±ΖΰsΒ\Ε·BπΟ΅ΔAOΆΔέΘ³’ΖBΌlΜπέΘ³’ΖB
Ά«ιΏlπ©’o΅AOό«Ι.»΅Δ½ΡΙΏΔϊXπιΧΙΝΟͺKvΘΜΕ ιB
΄Ν[ΆΟ]Εΰ θAlΝπ|κι]θ.[]πl¦ι©η΄©θπ―.©ͺΙΝΘΗ³ΦWΎΖφo΅.εΨΘΤπlάηΘ’¨.ΊηΘ’¨.Η€Εΰ’’¨ΙQο΅½θAΘρΕΆ«ιΜH½ΕΜH½Εσ΅’ΜHΖΟΐΦΖΧΑ½θ·ιA±κ±»ͺ]Μ«(εΟ)Ε θA](vl)ΝπF―·ιͺoΈA΄oν―Ι½©΅ηhπ^¦Δ’Θ’ΖΐθπΈΑΔ΅ά€ΜΕ ιB
ΆΝκ@ΘθA
lΝ½Μ½ίΙΆάκA½Μ½ίΙΆ«ιΜ©Ζ’€fpΘ^βΙ·η¦ι±ΖͺoΘ’άάΙ³Ύ({ΏIΘ³m)ΜΕπψ¦½άάΣΪIΙθTθΕΓιsHπsͺ@.«ΎΙ.Ν½CΘ. eΙp.Ά«Δ’ιΜΎͺA’ΒΜΤΙ©dβwΖβΩ«βL¨ΙCπΖηκ½θCπ΄ηνΉ½θ΅ΘͺηA»ΜfpΕ{ΏIΘ^βΝ.½ΜΤΙ©SΜΠχΙΗ’Α½θ.σ΅½θYκΑΔ.ϊπcXΖ©ͺΜ½ί.Ζ°Μ½ίΖ.ΆUποβ΅Δ’ιΜΎͺAlΆΣΖ΅½uΤΙ©ͺΜΆ«ϋβΆ«½Ι½ΖΰΎ¦Θ’sΐβ°|β^ββΥπo¦½θ΅½AόίΔ½Μ½ίΙΆάκ½Μ½ίΙΆ«ιΜ©Ζβ€ΊͺαSι...XΙχΜIV»βλ³βΆ½ΝΜ¦πΐ΄·ιΖ«A{ΏI³m(³Ύ)ΜΕΜπΣΪIΙΆ«Δ’½ΙΙRΖCt’½θ.lΝπgίΙ΄Άι.πΌ΄IΙ΄oIΙ¨¦ιζ€ΙΘθΆπΟzIΙSIΛ΅.κY΅Ύ·ΰΜAΘͺΰρΕ«½lΆπUθΤΑ½θv’o΅½θόίΔ½ΜΧΙΆάκ½ΜΧΙΆ«ιΧ«©β’Ό·.Yέχβέπ°|·ιB
κ(hDbJ)ΝΆέ~ΙNφ΅AlΤΜΟYΖΝΆέ~Μ»gΕ ιBΟYπΆΆΜfφΖ΅ΔΟYΙζθΆ©³κΔ’ιΜΕ θΆ«ιΣ~ΰά½ΟYΘθAμ{£yΰAΟY(Άέ~)Ε θΆΆΙvXΎΖ΄ΆιΰΜπζΓλ€Ζ~΅AΆΆΙ}CiXΎΖ΄ΆιΰΜΙ{θAΆΆΙρ^΅Θ’ΚΙsπ΅ΔιsPΘ΄oπ©ͺΎΖφo΅ΘͺηΆ«Δ’ιB
lάθΝlΤΖΝκ(hDbJ)ΖΟYΜ~ΙΆ©³κΔ’ιΆέΎΖΰΎ¦Aκ(hDbJ)ΖΟYΙΆf³κΆΎ―π©ΒίAΆΙϊνκAΆΙ· ΅ΘͺηΆ«Δ½κΆΝAΖ’€»ΐΜOΙΘΜlΆΜ^ΏπβνκιB
½ΙΈκtΙΆ«Δ½€ͺA{ΙΆπχ’Θί²΅½Ύλ€©ΖAά½κΒΜ· ΙίζηκΔδB
ΆΜΏlΟΖΝAπOρπΖ΅Δ¬θ§ΑΔ’ιΙCt―ΘκΞAΆπ[‘ν’s·ΘΗoΈAΰ΅πΠΙΙL³Θ’ΆΖ’€ΰΜͺΆέ·ιΖ΅½η.»ΜΆΜΙΏlΟπ©’o·ΘΗoΈ.ΖΌΙπ¬³Θ’ΆΖΝκ(hDbJ)»ΜΰΜΎλ€B
΅©΅ΆΝκ@ΘΰΜΕ θAΆΜΌΙΙζθ¬θ§ΒB
ͺ³Ή(Ή)Ι¦ΞA[ΆΝy΅’ΰ ι©ηΖΝί΅’ΰΜΎλ€][ΆέπΈ€ΜΝ|’©ηΆέ΅Δ’½’]Ζ’€Ι_π΄z΅Δ.WxGΜΌΙΜΆΖ’€(¨ΰθ)ΜΉΙΆ«ιͺΕγΕ θAΆΜΉΙ’Δ½ΐD½ΡDxyDΓνͺΎηκιΜΕ ιB
»ΰκΆΖΝτ©AκΆΖΝκ§ΜΙέθΔAκ§ΜΙiπf΅Ύ·AOΜκ§AΜκ§A½κΰΆπΗ€Ι―ΆB
ηδι· ©ηπ«ϊ½κuΟvπΎ½κΞΆ«ιΙΕA°|Ν³΅BΆέ~©ηΆΈιuΆΜηbvπζθz¦½κΞAΆ«ιΝ½ΐΘθΔΚιΰA½ΐΘθBΜΙuyyvΘιήΜ’ΦΖΐ―ιΜΕ ιB
uΚ±Ζͺί΅’±ΖΕΝΘAΆzΙ|M³κA³ΚΙΆUποβ΅Δ΅ά€ͺAί΅’±ΖΘΜΕ ιBv
uΚ±ΖͺΙ΅’±ΖΕΝΘA^ΜΆ«ιΣ‘ΰA½ΜΓIπ‘ν€±ΖΘΐ±ΖͺΙ΅’±ΖΘΜΕ ιBv
uΚ±Ζͺί΅’±ΖΕΝΘAΌΜΧΙΆ«ιͺoΈA΄Σ³κιΘΐ±Ζͺί΅’±ΖΘΜΕ ιv
u©( ΅½)ΙΉπ·©Ξ@[ΧΙ·Ζΰχ’ΘA©( ΅½)ΙΆ«½κΞA[ΧΙ·Ζΰχ’ΘΆ«ιv
lΜΆ«ιuΆΆΜfφvΙΟ(νΈη)ν³κΈYά³κι±ΖΰΘΘθ½ιπuΟYΜΕsvΖ’€B
uTέΘ©§·ι±ΖΰΘ΅ΙSNΆ«ιζθAΏπΟέΘπ₯΅ΔκϊπΆ«ιΩ€ͺΈ’κΆΕ ιv
‘Ζ’€uΤuΤΙv’π±η΅vό΅Δ΅Α©θΆ«Δ±»gSΝΆέΜ½Ρπ‘ν’½ΜLο³Ι^ΙCtB
u½Νf°η΅Ά«Δ’ι©ΜͺΕΜυyΘΜΕ ιBv
u±ΜgΝAi€½©½jΜ@Ε θAzi©°λ€jΜζ€ΙR’{«ΜΰΜΕ ιΖoΑ½ΘηΞA«ΜΓ’UfπfΏΨΑΔΜ°|Ιζθΰ½η³κι«βγχβκΨΜΟ·©ηπ«ϊ½κAΦΜ°|πζθz¦ιBv@
{\ͺ’θΎ·΄ξΖΝSΔΆΆ~iΆέ~jΘΜΕ ιB
iΙΆ«ΔδγΕmθIΘ¨ΙΞ΅Δψ«ρΉ½’ΖζΓθπΆΆiΙΆ«ΔδγΕΫθIΘ¨ΙΞ΅Δ΄―½’Ζ{θπΆΆAΆ«ΔδΜπjQ·ι¨ΙΞ΅Δ°|βsπΆΆAΆ«ΔδγΕsΐθΘσΤΙsππΆΆιB
΄ξiζΓαΡsjΙε±³κιΖ~[ΘθA ηδι¨Ι· ΅Θ’ΕΝηκΘΘΑΔδB
»κΝ΅Δ½³κι±ΖͺΘ’κIΘμΡΖε«ΘκYπL·ι±ΖΕΰ θA΅Δ½³κι±ΖΜΘ’ΆέΦΜ· Ιζθ°|Ζκ΅έΖsΜπ¬κιB
uφΙζθΆΆφΙζθΟ»΅φΙζθΕ·ιv
±Μ’Eͺs³νΘι»Ϋ’EΕ ι±Ζη’NΕΰπΕ«ιΜΎͺA©ͺ©gΰά½±Μ»Ϋ’EΜ»ΫΕ΅©Θ’±Ζͺφέ―Ιπ³Ήι±Ζͺο΅’ΜΕ ιB
½ΜΘηΞA{\ζ©ηΝνΙuΆ«Δ’½’AΆέ΅Δ’½’vΖ’€Υͺφέ―Ιΰ½η³κΔ’Δ΄ξiζΓαΡsjΙζθ’θo³κ½u©δvΝ©ͺπΐΆΕ ιΖΆz΅Δ’Δ»ΫΕ΅©Θ’±ΖπXΐ΄΅½ͺηΘ’ΜΕ ιB
΅©΅©ͺΰά½»ΫΕ΅©Θ’ΜΕuφΙζθΆΆφΙζθΟ»΅φΙζθΑ¦Δδv
ΟzΙζθχΜπΐΜ»΅½ͺιͺSΖ’€ΰΜΰΐΆ΅Δ’ιΖΟz΅Δ’ιͺASΖ’€ΰΜΰΆ½GlM[ͺ¨FGlM[Με]θi ΒάθjΙhθAΈ_GlM[idCGlM[jΖ΅ΔΜ¬κΕ θuΆΆΔΝΟ»΅ΔΑ¦Δδvπβ¦ΈJθΤ΅Δ’ιΎ―ΘΜΕ ιB
uSΝ«ΙΑΔ]ΆA]ΐΙ\HΘθv(SΖΝlΆΜΕΙ]ΑΔ]ΆΔ’ιΎ―ΘΜΕ ιj
‘Ζ’€±ΜuΤΝm©ΙΆ«Δ’ιA»΅ΔΣuΙζθ±Μ½πΫ΅Δδ±ΖΝΕ«ιB΅©΅κuζΰy©ήϋΰ©ͺΜΣvΙζθμ΅Δδ±ΖΘΗoΘ’ΜΕ θA±κΝu‘ΝΆ©³κΔ’ιvΙί¬Θ’ΜΕ θAΆ«ιΖΝlmΜyΞΘ’ΆέΙuΆ©³κΔ’ιvΜΕ θAΎϊΝ½π’γ°ηκι©ΰ΅κΘ’R’{«ΜΆέΕ΅©Θ’±ΖπoκΞAu‘ΝΆ©³κΔ’ιvΐΙ΄Σ±»·κA ½ηa©ΙΝΆ«ηκΘ’ΜΕΝȩ뀩B
ΆΆΙΛΑΔΑΔ· ·ιΰΜΝ½άΕΰΆ©³κιͺ@νΚΆzπψ«A½πεΙ‘ν¨€ΖΝ΅Θ’ASΔΜ¨»΅ΔΆ½EΆέΖ’€ΰΜΙΛΆ΅AθA΅ͺέΒ«· ³Ήι«i€EάΎ«θΘ’AΰΑΖ~΅’ΰΑΖ~΅’Ζ’€SjΙCt«}§΅ΔδζΙ½ΐΝΰ½η³κιB
ΰΑΖΎ½’Ζ’€ζΓθΜSΰAΰΑΖ³ΘκΖ’€{θΜSΰA»σΙ«Ε«Θ’sΜSΰSΜ«i€jΜΥΙ|M³κΔ’ιΙί¬Θ’ΜΕ θA€πuφvΙAάε]Ιζθ΄σ·ιhEξρπuvΙΆΆΔ’ιΆzΙί¬Θ’±Ζπ©jκΞ€©ηπ«ϊ½κ½ΐΖυyΖ½μΙ½³κιΜΕ ιB
΅©΅ΐ’Μπfr’A³ΎΘάά¬κA³νΘι¨ΙΆf³κΔΆ«½ΘηΞAΑ¦ΔδθίπoιΖ«ΙΝε«ΘΈ]Ζ°|ΖγχΜΙκY·ιΜΕ ιB
φΙζθΆΆφΙζθΟ»΅Δ«½δͺgAφΙζθΑ¦ι»ΜϊάΕA½’ΙΆ½Μυyπ‘ν¨€B
ά\NγSNγΝ½ά½Ύϊ©ΰ΅κΘ’’γ°ηκιϊπ°|΅ΔΆ«ΔΰF³’Ύ©ηΆέ(ΆΆ)ΦΜ· ©ηπ«ϊ½κoεπθίBΟ΅Alπs΅ΔV½πΏA©( ΅½)ΙΉπ·©Ξ[ΧΙ·Ζΰχ’ΘA©( ΅½)ΙΆ«.[ΧΙ·Ζΰχ’ΜΘ’ϊXπί²·Ύ―B
uqΝ³SΙΟΆvό΅ΔσΙgπά©ΉιΎ―v
uδͺgΙΝuδvΘΗ³’ΖΟιΙACt«ΖqdͺΆΆιB~Ύ©η£κΔ’Μiάε]jΜ½ΰΜΙΰ· ΉΈΙZ·ιBv
lάθAlΝ»Μ^(³ν)ππ΅σ―όκA‘Ζ’€κu(κ§)ΜΙ©ͺΖ’€SΆέASFAiπf΅Δs΅©sΐθΕσΘ{Ώπΐθ»³ΉιpΝΘA»΅Δ¬]ΜA½πfΏΨιpΝΌΙΝΘ’ΜΕ·B
uvΖΎ€ΰΜπl¦ιππ―ΔέΔΰ½κΝKΈKκιΰΜΘΜΎ©ηπ―ιΞ©θΕΝΘtΙσ―όκΔ΅ά’Ά«ιΙ΅ͺέΒ©η£κιϋ@𨳦·ιΖuρΕ΅ά’Θ³’BvuSΜΕ©ͺΜ¨πΟάΉΔ΅ά’Θ³’BvΖ’€ΛςΘϋ@Ε ιB
uδͺgΝΕΙAχΜΝωΙΏΚΔ½ΰΜΖv’θίκΞΕASΙ罣βGi―’°j·ιΰΜΘ΅Bv
κxAρΎΰΜΖv’θίAcθΜϊXπ]ΆΎΖv’θίκΞcθΜϊXΝ¨ά―(ΰ€―ΰΜ)ΜlΆΖ΅ΔΆ½ΜLο³π‘νΑΔ΄Σ΅ΔΆ«Δδ―κΞSθΘ¨νκΘ^¦ηκ½½πy΅ήSΕΟι’EΝ«ΑΖ‘άΕΖΝαΑ½έθΜάάΙυθP’EπίηκιΕ΅ε€B΅©΅· ©η£κηκΘ’S«ΕΝAvlζΕ»€l¦Δΰφέ―Ν»€ΘPΙΝF―΅ΔΝκΘ’ΜΕ·ͺAvlΕJθΤ΅SΜπΟάΉΔδΖφέ―ΰiXΖ»€F―΅ΔιΜΕ·B»΅ΔβͺΔΝφέ―ΜΣ―ͺ{\ζΙΰ`νΑΔδ«uqdvπΆΆ^Ν°»·ιB
½ΜAlΝΥIΙΫ΅v’Yέκ΅ήΜ©Ζβ¦Ξ.»κΝΆέ΅Δ’ι. Άέ΅Δ’½’(Ά«Δ’½’)Ζφo΅Δ.v’Yέκ΅ήΜΕ·B
’ΤΕΰuρΎCΙΘΑΔEEEEEvΖΎ’ά·ͺA»ρΘCΙΝXΘκιΰΜΕΝ θάΉρB
ΎΑΔSΜ¨ͺΟρΕ’Θ’γΙ.SΙψ±πn΅Δΰ’Θ’ΜΕ·©ηAφέΣ―©ηΜuΰΑΖΆ«Δ’½’vΖ’€Υͺӯ𬳹龯ΘΜΕ·B΅©΅\ΚΣ―(΄ξΕΝΘ«EqΟIΘπ\Ν)Εv’πθίΔδΖφέ―ͺ«(qΟIΘπ\Ν)©ηΜ»fπDζ΅ΔδΰΜΘΜΕ·B
p@Ζ΅ΔΠ’π]ΆΔΖΧ·ΜΝuqdvΕ θAΠQEΜEaCEEEΠ’ΙλΠ³κ½Ζ«ΙuρΎvΖv’θίκΞ½πΈΘ¨€ͺ½ͺσκζ€ͺuΆ½ͺcΑ½vΖ’€ΙιΘΗΘ’ΙCtΎλ€B
ΥIV ~[V
ψ±πn³κ½ΕϊπV ~[V΅Δ©ιΖ©ͺΝεΨΘΤπ@½Ι³ΚΙQο΅½©Ζ©A©ͺΝ{Ν½π΅Δί²΅½©Α½©Ζ©ͺ©¦ΔιΎλ€A’ΎΤΙ€ΘηΞχ’ͺcηΘ’Ά«ϋΦΖOΉC³΅ΔAΐθ ιlΆΜκκAuΤuΤπ[‘퀫nπΎιΝAoθΕ θ΄(ΆΟ)Ε ιB
΄πΎΔΆ«ιΙΝA«ΑΖP’’ͺKκιΰΜB
‘Μ’ΕΝA½ΜOΆͺ Μ’ΘΗ³’Ζι€ͺA’Α½’Nͺ Μ’ͺ³’ΖΨΎ΅½ιβB
»΅Δ©ͺΜΆ«½ΏlΟπF―·ιA»κΝ©ͺΜπ§d©ηίFlβηmlβηΜ’πσ―ικΚπv’`A©ͺͺ½Ζ\»³κι©ΜΙέιΜΕΝΘ’Ύλ€©B
·§ΒgΙΝΕE¬ΜΔΔδ@uLΜ³vΜ¨(ΰΝEnΚEΌ_E ΠE¨ΝEEE)ΘΗπ_ίηκ]¦ηκΔΰπ΅ΝΘ’ΜΕΝȩ뀩(’ΕζΘ³κιΝȩ뀡)A»±ΕΝuΆέΜ³vΖ΅ΔΜlΤ«βlΏβs’ΘΗπΓρΕΰ禽η{]ΘΜΕΝȩ뀩B
ΰ΅ΆάκΟνιΖ’€±ͺ ιΘηΞu«ΑΖΗ’Φΐ«A«ΑΖΗ’ΙΆάκΟνιͺ€Ύλ€BvΖA»€v¦ιζ€ΘΆ«ϋ±»ͺ©ͺΜΏ(NIeB)πίΔδ―ιΉΘΜΕΝȒš倩B
Garukaṃ āsannaṃ āciṇṇaṃ kaṭattā-kammañ ceti pākadāna-pariyāyena.
dΖAίΖAvKΖA€μΖΝAΩnπ^¦ιΙζιB
dΖgaruka-kamma @@@garukaF[adj.] heavyG seriousG grave.
¨±ΘΑ½sΧͺd’ΜΕAΚͺoιΖkammaΜ±ΖB
κAΉA’
ΏΜEQ
Χ©ΜΕ·
Ήπ
jamiΝν²€»€j@TKπooΙͺτ³Ήι
TKΜa
―ΆO[vΜΕ’λ’λΘΩ_ͺN«ιΘηΞAάπ΅Θ’ΕAoTΙΖη΅νΉΔAζ²ΧΔAΗΜΣ©ͺ³΅’©€·ιB¨έ’ΙΣ©ͺαΑΔ’ιΖ±λπFίΔω³·ιB
f[@_b^ͺTKπͺτ³Ή½ΜΕAίΈΝuΙο€±ΖΝΕ«Θ’vΖqΧ½B
Χ©
©ͺΜΉΏIΘiP«ΜjΣ©πu±κ±»³΅’vΖfθIΙίt―ι±ΖB
V½Θf[^βΨͺόθζΙAΣ©πC³·ιΘηΞΧ©ΕΝΘ’B
©ͺΜ¬·ΙBπ€ΏAqdΜΰπΒ΄·±ΖΙΘιB
§TΙΝ10ΜΧ©ͺ ιͺAΗκΰφΚ@₯ΖΉΏπΫθ·ιΰΜΕ ιB
³©ΝκΒ΅©Θ’ͺA»κͺ½Ε ι©Νν©ηΘ’ΜΕA©ͺΜΣ©π»΅ΘͺηAΕθ»·ι±Ζππ―A_ξ«πΫ―΅ΔAΟ»ΙΞ΅ΔC³·ιB
½Ζ¦ΞAB¨_ΰΧ©Ε ιBκ©AΉΏΖΝΦAͺΘ³»€ΎͺA¨ΏΘOΙ½ΰΆέ΅Θ’Ζfθ·ιΖA½πβΑΔΰΚάΕΎΖv€±ΖΙΘθAΆ½ΜP«ΙΒ’Δ^ΙΘηΘ’Xόͺ ι©ηΕ ιB
ά½―Άζ€ΙAφΚΜ@₯ͺ ι±ΖβCs·ι±ΖΕSπςίι±ΖͺΕ«ι±ΖβΉΏπΫθ·ιl¦ϋΰΧ©ΖΘιB
lΙiΜ°ͺ ιΖ’€ΜΰΧ©ΎͺA±κΝόΗΜ]nΜ ιΧ©Ε ιͺA
iΜ°ͺ ιΜΎ©ηAχΜπΒ―ΔΰβθΘ’ΖAiCtπΛ«h΅Δ΅άΑΔΝA±κΝόΗΕ«Θ’dίΜΧ©ͺ ιB
ίΖāsanna-kamma@@@ [ppDof ā + sadΎΊito sink downjAΏisitjāsīdatiίΏ·@@@@near
ΕίΙβΑ½±ΖͺκΤσΫΙcΑΔ’ιΜΕA»έΙσͺί’ΖkammaΜ±ΖπίΖΖ’€B
κΤΕίΜΰΜͺAΗ€΅ΔΰCpNgͺΘιB
πl¦ιΖSͺςίηκι
Κ±ΖΎ―ͺm©Ε ιA±Ζππ΅Δ’ιlΝAS΄η©Ιy΅ΎιΆ«ιB
ΘΊΘηΞ³νΜ@₯ππ΅Δ’κΞA’ΒΚ©ͺ©ηΘ’ΜΕA«’±Ζπ·ιΣ‘ͺΘ’©ηΕ ιB
Κ±Ζπl¦Δ’Θ’lΝA¦έπΑΔΆ«ιBΘΊΘηΞ
vKΖāciṇṇa-kamma@@@āciṇṇaF[pp. of
ācināti] practised.
’ΒΰsΑΔ’ΔK΅ΙΘΑΔ’ιΖkammaΜ±ΖB
K΅Ζ΅ΔβΑΔ«½ΰΜͺΚπo·B
€μΖkaṭattā-kamma@@kaṭa[karoti s€Μ pp]@@βΑ½±Ζͺ ι
·ΕΙsνκ½ίΜΖkammaΜ±ΖB
ΚOΙΝgΜΜF―@\ͺαΊ·ιΜΕASπ§δ·ιΰΜͺΘΘθA\·ιB
SΙΝσͺΘ’ΜΕAίΰ’ΰΘ·ΧΔͺu’άE±±v
»ΜΙΦτΜΕsΑ½ί’ΜΖkammaπz’o·B
iΜΆΕί’πzNΕ«Θ’ΜΝΜΜeΏπσ―Δ©³κΔ’ι©ηB
ΖͺΩn·ιϊΝ4νή
Diṭṭhadhamma-vedanīyaṃ upapajja-vedanīyaṃ aparāpariya-vedanīyaṃ ahosi-kammañ ceti pāka-kālavasena cattāri kammāni nāma.
»@σΖAΆσΖAγγσΖAωLΖΖ’€4νήΜΖΝAΩn·ιϊΙζΑΔΌt―ηκ½B
vedanā@@σA΄oA΄σ
»@σΖ diṭṭha [ppDof passati] seenG foundG understood @dhamma -vedanīya
βΑ½±ΖΜΚͺNΙΕΰ©ηκιΖkammaB
ΆσΖ papajja-vedanīya
Μ’ΕΚͺoιΖkammaB
γγσΖ aparāpariya-vedanīya
γΕKΈΚͺoιΖkammaB
ωLΖ@@@ahosi-kamma
ΖkammaΝ Α½ΜΎ―ΗAΚπo·@οπΈΑΔΑ¦½ΖkammaB
ά½ΖkammaΜGlM[ΝάΑΔ’ιΜΕ¬³’ΰΜΘηΞΜπΒ±ΖΙσΙ³κΔΑ¦ι±Ζΰ ιB
ά½oι±ΖΕ«ΖΝΑ¦ιB
uΜάΙ ιyΖεnΜyΖAΗΏηͺ½’©Hvulͺa¬ΚΙoΑ½ΘηΞAήΙcΑΔ’ικ΅έΝ±ΜάΜγΙζΑΔ’ιyη’ΜΰΜΕ·BήͺΑ΅½κ΅έΝAεnΜyη’ΜΰΜΕ·B
άζNakhasikhā-suttav E»ΟP
½Ζ¦ΞAEQπΖ΅½lͺψβΩ»Ε³ίΙΘΑΔ©ηSπόίA΄η©ΙΆπ΅ΔΈβ©ΘCΏΕSΘιΖA’ΜΆΝΗ’Ζ±λΙΆάκιB
±κΕEQΜΖkammaΝωLΖΙΘιͺA±ΜElίΜΖkammaΝγγσΖΖΘΑΔcιB
ΗAΖkammaΝcθA’Β©ΝΚͺoι±ΖΙΘιB
§³ΙaC‘όπϊ·ισά΅³
uαz΅ΔaCͺΘ¨Θ’Μ©vΖ·ΜΝΗκΩΗ
ΑΔ’ιΜ©H
uCs΅½ηΰͺ‘Α½vΖ©AΗκΩΗxͺαΔiͺΘ’±Ζ©B
aCͺ‘ΑΔΩ΅’Ζ©Al¦ι±Ζ©Μͺξ―Θ’B
»ρΘ±ΖΕ@³ΙsΘAa@ͺ ιΜΝ»±ΕaCπ‘·½ίΕ΅ε€B
@³πq[OΎΖvΑΔ’ιl½Ώͺ’ιB
gΜπ‘·ΜΝΜβθIβγΜdΕ θA
Έ’αzCsπA»ρΘ±ΖΜ½ίΙg€Ζ©Aζΰl¦ιΰΜΕ ιB
Η€Ή ΑΔφκιgΜΜ±ΖΕ ιB
ιaCͺ‘ΑΔAΜaCΙΘιB
aCΙΘΑΔΰΘηΘΔΰέρΘΚB
S©ηΆάκιaCΘηΞA§³π^ΙβκΞ‘ιB
ά½aCΜ90ΩΗΝSΕμηκιaCΎ©ηA§³Ε‘ιB
΅©΅gΜΙ©RΙoΔιaCΝ‘ηΘ’BΑ»ν―Μ@\αΊAα°AΜpΘB
§³ΝSπ΄ίι±ΖΕAaCΖΝΦWͺΘ’B
lΤΜ~]πψιΜΕΝΘΔA»κπΑ·ζ€Ι΅Θ³’BSΜκπβ·ΜΕΝΘA»ΜκπΜΔιζ€Ι΅Θ³’A»κͺΉΕ·B
PΒΜsΧΙΖkammaΝ7ρ
¬sSΜPρίΝγA»’ΕΚπo·
VρΪΝγΜ’ΕΚπo·B
΅©΅ΐΫΙΝΗΏηΜΖkammaΰGlM[ͺγ’ΜΕΑ¦Δ΅ά€B
Q`UρΪͺcιB
ΖͺΩn·ι³ΝSνή
Tathā akusalaṃ kāmāvacara-kusalaṃ rūpāvacara-kusalaṃ arūpāvacara-kusalañ ceti pākaṭṭhāna-vasena.
ά½AsPA~EPAFEPA³FEPͺAΩn·ι³ΙζιB
vasena vasoF WishCdesireG willCauthorityCpowerCinfluence
FEΙΘι½ίΙΝAαzπ΅ΔTθπμι΅©Θ’B
sPΖ
#17@kāmāvacara-akusala-kamma@@~EsPΖ
Tattha akusalaṃ kāya-kammaṃ vacī-kammaṃ mano-kammañ ceti
kamma-dvāra-vasena tividhaṃ hoti.
ά½»ΜΕsPΝAgΖAϋΖAΣΖΖ’€ΖεΙζιRνήΕ ιB
κΚIΙΝίΜd³Νl¦ιΎ―ΘηΞίΝΘ’©ΰ΅Νy’Ζv’AgϋΣΜΤΎΖv€ͺA
§³ΕΝΣϋgΜΤΕAl¦ι±ΖͺκΤΜd’ίΙΘθA»κζθΰΝι±ΖͺyA»κζθΝsΝy’Ζ·ιB
RΝAΗΝl¦Θ’ΖκΘ’΅AsΰΕ«Θ’©ηΕ ιB
ΠοβθπΌ·ΙΝvlπΌ·±ΖͺκΤεΕ ι
¬wZΕiCtπΑΔ―Άπh΅½ΙA^Ιl¦ιΜΝ»ΜqͺΗΜζ€Ι΅Δ»€v€ζ€ΙΘΑ½©πl¦ι±ΖΕ ιB
ΐΫΙh·άΕΙ’λ’λΘ±Ζπl¦Δ«½ΝΈΕ ιB
ΘΊA»€l¦½©ͺν©ηΘ’ΖAπ΅Θ’B
sPgΖ
#18@kāya-kamma@@gΖ
kathaṃ? Pāṇātipāto adinnādānaṃ kāmesu micchācāro ceti
kāya-viññatti-saṅkhāte kāya-dvāre bāhulla-vuttito kāya-kammaṃ nāma.
ΗΜζ€Ι©HEΆAs^ζA~ΧsΝAug\vΖΌt―ηκ½gεΙ¨’ġΡΨ±ΘνκιΜΕAgΖΖΔΞκιB
kāya-viññatti-saṅkhāte@@g\@@@ΜπgΑΔΌlΙ½©π`¦ι±ΖAΜΜR~ jP[V@
adinnādānaF[nt.] theft@@ή
BāhullaCintDj [frDbahula] 1DabundanceCsuperfluityCgreat quantity
vuttitāF[fD] condition
~kāmaΖΝ~]ΘΜ©Aα¨@γgΜάͺπy΅άΉι±ΖΘΜ©H
~EkāmāvacaraΜ~kāmaΝα¨@γgΜMπσ―όκι’EΖ’€Σ‘ΕgνκΔ’ιB
uα¨@γgΜΞΫΖΘιFΊ‘GΜSͺkāmaΕ ιvΖoTΕθ`³κΔ’ιB@oTH
Ξ΅ΔFEΝα¨@γgΜ¨ΏIΘMπσ―όκΘ’’EΖ’€Σ‘Ε ιB
~]β]Μζ€ΙA»κͺ«’Ζ’€ν―ΕΝΘ’B
kāmesu micchācāro@ΖΝ½©H
kāmesu @@@kāmaΜ‘`
micchācāro@@ΤαΑ½s@@Wrong conduct or living
uα¨@γgΜΞΫΖΘιFΊ‘GΕ ιkāmavͺ«’ΜΕΝΘA±κηΜkāmesuπζΓαΡsΜSΕΪ·ι±ΖΕAα¨@γgπs³Ιy΅άΉι±ΖΕAΖkammaͺsPΙΘιB
FΊ‘G©ηy΅έπΎι±ΖΕΖkammaͺsPΙΘιΜΕΝΘA©ͺΜSgA»΅ΔΌΜSgΙΐfΘy΅έϋͺsPΜΖkammaΖΘιB
ΒάθAkāmesuΜΜAΧΘΰΜΙCπΒ―λAΖ’€±ΖΕ ιB
X}iT[ΜπίΝAu§³ΕΝAϊνΆπy΅ή±ΖπΫθ΅Δ’Θ’A½Ύ΅AάθπηκAοΜIΙΝAΉyπΘAΕΝΘAΉyπ’ΔΞ©θ’½θA¨’΅’ΰΜπHΧιΜΝ’’ΜΎͺA»κΙΓΑ½θAΛΆ΅½θ΅ΔA~bg𴦽θ΅ΔAlΆπ䳡ɷιΘAΖ’€±ΖΕ ιB
Ύ©ηA»€’€±ΖΰίΎΖvΑ½Ω€ͺAlͺζθ©ͺΜSπRg[·ι±ΖͺΕ«ιB
½ΎAoTΙL³κΔ’ιξρ©η»f·ιΖAkāmesu micchācāroΝά~Μ§δΎΖπ·ι±ΖΰΕ«ιB
sPκΖ
#19@ vacī-kamma@@κΖ
Musāvādo pisuṇā-vācā pharusā-vācā
samphappalāpo ceti vacī-viññatti-saṅkhāte vacī-dvāre bāhulla-vuttito vacī-kammaṃ nāma.
ΟκA£ΤκAκe«κAγYκΝuκ\vΖΌt―ηκ½κεΙ¨’ġΡΨ±ΘνκιΜΕAκΖΖΔΞκιB
ΟκMusāvādo@@@RπΎ€±Ζ
£Τκpisuṇā-vācā@@@\b@@@@@@@ΐΕ ΑΔΰlXΜΦWπ£·ζ€ΘΰeΜΰΜΝ_
κe«κ@pharusā-vācā@@lΜvChπΒ―Δ―Θ·Ύt@@θΜ½ίΙΘηΘ’Ύt
γYκsamphappalāpo@@³Κb@@θΙ€±Ζ@@ζιΖΝͺͺ¬σΤΕ ιΨ@
@@@@@@@@@@@@³Κbπ·ιΖΤπεΙ·ιCΏͺκιB
sPΣΖ
#20 mano-kamma@@ΣΖ
Abhijjhā byāpādo
micchā-diṭṭhi ceti aññatrāpi viññattiyā manasmiṃ yeva bāhulla-vuttito mano-kammaṃ nāma.
ΩνΘ~AΩνΘ{θAΧ©ΝA\κΘΔΰASΜΎ―šΡΨ±ΘνκιΜΕAΣΖΖΔΞκιB
Abhijjhā @@@@½ΎΜζΓ~ΕΝΘ’AΩνΘ~@@@ΩνΘ~ΝίπΖ·
byāpādo @@@@½ΎΜαΡΕΝΘAaIΘ{θ@@@SΜΖkamma
@@@@@@@@ͺβRΝΘSΜΎ―Ε{θπ¬·³ΉΔ΅ά€«iΜζ€ΘΰΜνΙ{θπηΔι
micchā-diṭṭhi@@ Χ©
sPΖΜͺ
αΡͺΜsP
#21 kamma-mūla@@ΖΜͺ@
Tesu pāṇāipāto pharusāa-vācā byāpādo ca
dosa-mūlena jāyanti,
»ΜΕAEΆA―Θ΅ΜΎtAΩνΘ{θΝAαΡͺΙζΑΔΆΆι
neBOΝ~ΕΝΘ{θ@@@@EΆΜ³Μ
CMXlΝXJΜΏ΅’]EπneBOΖ’€X|[cΖ’€½ΎΜVΡΕSE΅½γΙAu¨π€μ΅λvΖX[Kπ§ΔιB
±κΝy΅έβVΡβX|[cΕβΑΔ’ιζ€Ι©¦ιͺAβΑΔ’ιsΧΝEΆΘΜΕSΙ ιΜΝ~ΕΝΘΤα’Θ{θΕ ιB
αΙh³κιΖαyΔΘΜΕA{θΕE·B
RΕN}Ι€Ζ°|ΕE·B°|ΰ{θΕ ιΜΝA»ΜͺΑ±ͺΞΫΜΫΎ©ηΕ ιB
HΧι½ίΙπήιΜΰAq{΅½ΰΜπE·ΜΰAΞΫΙΆ«ιΏlͺΘ’Ζ©Θ΅Δ’ΔA»Μ½ΜΈ΅πηΑΔ’Θ’B
EQΜuΤΖΝΞΫΜΫΕ θA±κπ{θΖ’€B
΄φΜΘ’sΐΝaCΕ θA{θΕ ι
°|βsΐΖΝASΜΕ{θπηΔΔ’ιΨΕ ιB
Έ_IΙΎ¦ΞA»κΝaCΕ ιB
byāpādo
@aIΘ{θ
{θͺSΜΙ―άθ±―ιΖkamma
―Θ΅½θA«ϋβ\ΝΖ’€`ΙΘΑΔ\Ιoι±ΖΘAνΙSΜΕηάκAc£΅Δz»·ιB
u{θvͺ¬³Δΰ«ϋβ\ΝΖ’€`ΙΘι±Ζͺ ιͺAίΜd’κΤΜβθΝAbyāpādoαΡΕ ιB
ΠοΕΝ»κΩΗ«Θ’ͺA§³ΕΝίͺεΟd’B
ΘΊΘηΞͺΰΘ’ΜΙ{θπz»³ΉΔ’ι±Ζͺ½’Φρ«’B
’ΆίηκΔ{Α½ΜΕ κΞA’ΆίηκΘ―κ{ηΘ’ΜΕAΈ_IΘaCΕΝΘ’B
΅©΅byāpādoαΡΝ`Ι΅Δ{ι±ΖΝΉΈΙASΜΕ©¦Θ’`Ι΅Δz»³ΉΔ’ιB
±ΜSΜ¬κΙ΅κΔ΅ά€ΖAΔΆΜΙsKΘΆάκΙΘΑΔ΅ά€B
Ύ©ηASΜΕ{θΜ΄ξπμΑΔΝ’―Θ’ΜΝNZΙΘΑ½ηRg[Ε«ΘΘι©ηΕ ιB
Α{θΜΟzΝΰΜ·²’¨’Δρ]΅Δ΅ά€ΜΕ~ίͺψ©ΘΘιB
ζΓͺΜsP
kāmesu micchācāro abhijjhā micchā-diṭṭhi ca lobha-mūlena
~ΧsAΩνΘ~AΧ©ΝζΓͺSΙζΑΔΆΆι
lobha @sPΖΜ³Ε ιRΒΜζΓαΡsΜκΒ@ζΓ~@greed@@@kāma, rāga ,taṇhā,abhijjhāΖΜα’ΝH
ψ«ρΉίΓm@@mθ@D«@@~@
|
ͺΝ |
§³σκ |
ΰe@@@@@Α₯@·Ω |
pκ |
kāma |
|
~ €~C~O |
FΊ‘GπF―·ι’E ΄oπσ―όκΔAψ«ρΉιS x^[πίι±Ζ |
the five sense-objects sense-desire@pleasure |
rāga |
|
ζΓCζΓ~ υFCFΚ |
a¬ΚAκΚΙΘΑΔΰΫ·ι |
lust,greed ,attachment colourG hueG dyeG |
taṇhā |
|
€C€~ |
κΖΦτ]ΆΜεΘιͺΉ dosaΖlobhaΜ±ΖH ]έ |
craving |
abhijjhā |
abhi’ jheΓIvl iccha |
ζΓ~CζΓCζΓ€ |
~Ιμηκ½ΩνΘΟz RΒ ιsPΣΖkammaΜPΒ abhixͺ’-icchā~ |
covetousnessζΓ~A~ ήβέΙ~΅ͺι |
lobha |
|
ζΓ~ |
sPΖΜͺ³ΙΘιRΒΜPΒ |
greed |
|
|
|
|
|
sukha |
σvedanā |
y ]iVAJj |
ίΓ^O@ίΓΖ’€ΜI½ vedanāπy,κ,sκsyΜ3ΒΙζͺ |
physical pleasure craving |
somanassa |
σvedanā |
μ |
ίΓ^O@@ίΓΖ’€SI½ y,κ,μ,J,ΜΖͺή΅½ΜPΒ |
mental happiness |
|
|
|
|
|
chanda |
©¦Θ’ξ |
~/u~/Σ~ |
FΊ‘GΙΞ·ι~] ζΓ~i kāmacchandoj |
intentionCwill desire |
iccha |
aniccā |
θ/渴]/~] |
σπ±³Ήι |
wishingClonging having desires |
ψ«ρΉιmΜW`
sukhaσvedanāΕσ―ζι^O¨ rāgaD΄AΟYΙΘι ¨lobhaζΓ~¨abhijjhā~·ιΩνΘΟz
΅£κιm@Ϋθ@’@{θ@@@
|
§³σκ |
Ξ`κ |
ΰe@Α₯@·Ω |
pκ |
rūpa,arūpa alobha |
FEA³FE |
kāma kāma |
¨ΏΎ―ΕΝΘ’A¨ΏͺΘ’ |
|
paṭigha |
αΡCαV |
rāga |
a¬ΚAκΚΕΰΫ·ι |
repulsion½΄/sυ΄ |
|
|
taṇhā |
κΖΦτ]Ά©ηΜπϊH |
|
byāpādo |
αΡ |
abhijjhā |
{θΙμηκ½ΩνΘΟz RΒΜsPΣΖkammaΜPΒ |
malevolence« fury@{Aξ |
dosa |
ί«AafAαΡ ¦ |
lobha |
sPΖΜͺ³ΙΘιRΒΜPΒ |
hatredCanger |
|
|
|
|
|
dukkha |
κ «iVAJj |
sukha |
σvedanāπyAκAsκsyΜ3νΙζͺ΅½PΒ |
physical displeasure aversion |
domanassa |
J |
somanassa |
σvedanāπyAκAμAJAΜΖͺή΅½ΜPΒ |
mental unhappiness |
|
|
|
|
|
|
|
chanda |
FΊ‘GΙΞ·ι~] ζΓ~i kāmacchandoj |
|
aniccā |
³ν |
iccha |
σΜ±ΝsΒ\ |
impermanent |
΅£κιmΜW`
dukkhaσvedanāΕσ―ζι^O¨paṭighasυ΄AΟYΙΘι ¨dosaαΡ¨byāpādo{θΜΩνΘΟz
ΟYΜvφ@
Ων |
ϊ{κσ |
κΚl |
ϊ{κσ |
Sotāpanna |
a¬ |
abhijjhā |
μηκ½ζΓ~ |
Lobha |
ίxΘζΓ~ |
raga |
σ―όκΜ~ |
byāpādo |
μηκ½{θ |
dosa |
ίxΘ{θ |
paṭigha |
βΜ{θ |
|
|
moha |
Οz |
avijjā |
³Ύ |
`ΊΆ(J+)BuΆEΙΉάιJΜΫ`ΖJΜϋΜΫ`v
±±ΕΝuJΜϋvΝuevΙΚΆAu¨πόκιvΜΣ‘ΖulͺϋπJ―Δ’ιvΫ`
©ηA¨πϋΙόκζ€Ζ·ιπΣ‘΅A»±©ηAuΩ΅’vπΣ‘
ΕΓΜoTΕΝAu~]vΝ©¦Θ’ξA»κ©ηjappaA»΅ΔW΅Δ’Α½B
~]Ν`ͺ 5 σΕΝm©¦Θ’ξnΖ\³κΔ¨θAΕ θASn4-15 ΕΝWbpΖΘθ»ΜγΙΟ»΅Δ’Α½l¦ηκιB
Wbp jappa/@BπΛ«©·ΰΜB~]βΥβM]B
γΙ^n[ tanhā/ €A`_ chanda/ σACb`iccha/ σAwό«AΘΗΕ\³κιB
ζΓ~Ζρζib: kāmacchandoj- ά~ΙΞ·ι~]E·
taṇhāFilitD'thirst'jF'craving'Cis the
chief root of sufferingCand of
the ever-continuing cycle of rebirthsDϊWWhatCo
monksCis the origin of suffering? It is that
craving which gives rise to ever-fresh rebirth andCbound
up with pleasure and lustCnow
hereCnow thereCfinds
ever fresh delightDIt is the sensual craving ikāma-taṇhājCthe
craving for existence ibhava-taṇhājCthe
craving for non-existence ivibhava-taṇhājϊW iDD22j
ΫGͺΚPakiṇaka-saṅgaha-vibhāga@@@@G½ΘΰΜΜͺΝ @@
#2 vedanā σ
tattha vedanā-saṅgahe tāva tividhā vedanā; sukhaṃ dukkaṃ adukkhamasukhā ceti, sukhaṃ dukkhaṃ somanassaṃ domanassaṃ upekkhā ti ca bhedena puna pañcadhā hoti.
»ΜΕσΜάΖίΙΦ΅ΔΝAάΈAσΝyAκAsκsyΜ3νήΕ ιBά½AyAκAμAJAΜΖ’€ͺήΙζΑΔΝA5νΕ ιB
abhijjhā@ΩνΘ~@@abhijjhāF[abhi +] wishes for ] ζΓCζΓ~CζΓCζΓ€.
½©ͺ~΅Δ¨ΰπί½θ΅ΔwΝ·ιΜΕΝΘA
u κͺ~΅’A±€ΘκΞ’’vΖ½ΎΟz·ιΎ―ΜsΧB
~ͺβθΘΜΕΝΘAΈΑΖΟz·ι±ΖͺβθΘΜΕ ιB
±ΜSΜΖkammaͺabhijjhāΩνΘ~ΖΔΞκι
SΝ©Θρ]Ε«ιΜΕAbyāpādoαΡΖ―ΆΕΟzΝ±―ι±ΖΕΫΐΘ~ͺ¦ιB
~ΜΧ©@{θΜΧ©
Ά«Δ’½’Ζ’€Άέ~ͺ ικΝAL_IΘl¦ϋπ΅ΔAusΕΜΐΜͺ ιvΖ’€~ΙΏ½Χ©πΒXόͺ ι
’ΜΙΈ]ͺ ικΝAuΉΏΙΣ‘ΝΘAVΰΘ’vΖ’€{θΙΏ½Χ©πΒB
ChΕκΚIΙB¨_ΎΖΎ€κΝAuΗ€ΉρΎηyΖ ΙιΎ―BΎ©ηΆ«Δ’ιΤΙy΅ίΞ»κͺΎΕ ιvΖ’€l¦ΕAΦτΰΘ’ΜΕAZ’½ͺ ιΐθΝζςπ΅ΔΎιy΅Ά«ΔsΖ’€ε£Ε ιB
½Ζ¦ΞuΨΰ΅Δΰ^fBiϋjπHΧζ€vΖ’€ζ€ΙAB¨_ΜΆ«ϋΝ©¬ηκ½»’Ύ―ΘΜΕ»ΜϊΤπΕ«ι±ΖiζςjπεΨΙ΅A~ ιvlΕ ιB
γLΝ~πίι±ΖπζκΙ·ιυyε`ΙΔ’ιͺA}NXε`Μζ€ΘjσIΘ{θπΊ€B¨_Νυyε`ΕΝΘA{ε`HΕ ιB
Χ©Ν~Ζ{θΜΌϋΜΗΏη©ΜΖkammaΙζιͺAChΕΝ{θΕΝΘ~ΙζιΰΜͺ½©Α½ΜΕA~ΜΖkammaΜϋΙͺή³κ½Μ©ΰ΅κΘ’B
’Δlβ_lΜB¨_β€Yε`ΙΝσΘ{θΕμηκ½ΰΜͺ½’Μͽ̾뀩H
{θΙξΓ’Δμηκ½vzΝAεΚΜlE΅πγΕψ«N±΅ΔAB¨_©Μΰjσ΅½B
{θΖΝ½©πηΔι±ΖΕΝΘAjσ·ι±ΖΕ ιB
±Μζ€Θ€Yε`IΘ‘VXeΝηΔι±Ζπ΅ζ€ΖΝ΅Θ’B
{θΙξΓ’Δ’ιΜΕAVXeβΜ§ΝΫΕ«ιͺA¬·ΝΉΈAβͺΔΝ|κΔ’B
©ͺΜΧ©Ι·
·ιν―
©ͺΜl¦πω³΅ΔAOΜΤα’πC³΅ΔAΎρΎρΖΟέγ°Δ’Α½ΰΜͺA»ΜlΜvzΕ ιB
λTͺΑ¦ΔA³΅Θιo±Ι ΕΏ³κΔ’ιΜΕA©ͺΜvzπεΨΙ·ιΜΝRΜ±ΖΕ ιB
©ͺΜvzΝ©ͺΜΆ«Δ«½ΨΕ θA©ͺΜΆέ»ΜΰΜΜξΙ΅Δ’ικΝAΰYβ½ζθΰεΨΘΰΜΙΘιΜΕA· ·ιB
©ͺΜl¦ϋͺ½ζθεΨΘP[XΘΗΝΘ’Ύλ€Ζv€©ΰ΅κΘ’ͺA½Ζ¦ΞuE³κΔΰl¦ϋΝΟνθάΉρvΖ’€±ΖΝπjγΕΝ½A[}γβ]ΛγΜLXg³kΜ}ΝζmηκΔ’ιB
©ͺΜl¦ϋͺ½βΰYζθΰD«Ύ©ηΕ ιB
u±κΝΘ©Θ©’’Σ©ΎΘvΖvΑ½ηA»κͺ©ͺΜΣ©iΧ©jΙΘιΒ\«ͺ ιΜΕACΙόηΘΔΝΧ©ΙΘηΘ’B
ά½ ιlΝI―vzΙΝΘηΘ’ΜΝA»Μl¦ϋͺΰΖΰΖD«ΕΝΘ’©ηΕ ιΜΕAβΝθΧ©ΖDέΖ’€~Ιͺή³κιΜΕ λ€B
Sesāni cattāri pi dvīhi mūlehi sambhavanti.
cθΜSΒΝ2ͺΙζΑΔΆΆιB
ΟκA£ΤκAκe«κAγYκΝlobha-mūleiζΓͺjΖdosa-mūleiαΡͺjΙζιB
έΙΰ~ΕΝΘ{θΜP[Xΰ ι
XΜhπ‘νΑ½θ΅ΔAή±ΖΕ©ΘmFπ΅Δ’ικΝA»κΝ~ζθΰ{θͺͺΙΘΑΔ’ι±Ζͺ½’B
©ͺΜlΆβΠοΙΞ·ιsͺκIΙπΑ³κι½ίΙψπ·ιP[Xͺ½’ΜΎͺA{θπΒlΝβ·ι±Ζ©ηΝΆάΑΔ’ιΜΕAlΜbΰ·©ΈA©ͺΜ³΅³ΙΕ··ιΜΕAΘ©Θ©νQΜ§κΙ§Β±Ζͺο΅’B
»γΜΈ_aΜΩΖρΗΝA{θi©ͺAΠοΦΜβ]Ζβj©ηΆάκιB
ιͺάάπ©ιΜΕΝΘAβ·ι±Ζ©ηnίΔ΅ά€ΜΕ ιB
©ͺΜ]ή’EΖ»ΫΖΜΤΙMbvͺ ιΜΕA»ΫπΫ΅ΔΆ«ι±Ζ©ηAͺ{Ν{θπΑΔSπρ]΅±―Δ΅άΑΔΟzΙάΕ’½ιΜͺAΈ_aΜSΜJjYΜκΒΕ ιB
Cittuppāda-vasena
panf etaṃ akusalaṃ sabbathā pi dvādasa-vidhaṃ hoti.
SΜΆΆϋΖ΅ΔΝA±ΜsPΖΝSΕ12νή ιB
~EPΖ
#22 kāmāvacara-kusala-kamma@@@~EPΖ
kāmāvacara-kusalam pi
kaya-dvāre pavattaṃ kāya-kammaṃ vacī-dvāre pavattaṃ vacī-kammaṃ mano-dvāre pavattaṃ mano-kammañ ceti kamma-dvāre-vasena
tividhaṃ hoti.
~EPΖΰAgεΙ]N·ιgΖAκεΙ]N·ικΖAΣεΙ]N·ιΣΖΖ’€ΖεΙζΑΔ3νή ιB
Tathā dāna-sīla-bhāvanā-vasena, cittupāda-vasena
panf etaṃ aṭṭha-vidhaṃ hoti.
»κ©ηAz{AϊACKΖ’€ͺ―ϋΙ·ιBκϋASΜΆNΙζΑΔͺ―ΔέιΖA8νή ιB
PΖΝ~EPSΜ8νή
μδΕqΜΰΜΝA@³sͺκΒALsͺκΒB
μδΕqsΜΰΜΝA³sͺκΒALsͺκΒB
ΜδΕqΜΰΜΝA@³sͺκΒALsͺκΒB
ΜδΕqsΜΰΜΝA@³sͺκΒALsͺκΒB
€ΖΝζθbάκ½Φτ]Άπ]ή~Μ±ΖH@@€ΝqdpaññāͺΘ’H
ΦτΜγΜXebvπ]ή~ͺ€ΙΝφρΕ’ιB
P’sΧπ·κΞAP’ΚΙΘιB»κΕΝΦτ]Άͺ±Ύ―ΕA»±©η£E·ι±ΖͺΕ«Θ’B
qdpaññāΖΝAΖΖφΚ@₯ππ·ι±ΖΕA±Μ’Μ· ©η£κι±ΖΘΜΕA±Μζ€ΙπEΙB΅½’CΏͺ ιΘηΞA»κΝqΕ θA»€ΕΘ―κΞqΕΝΘ’B
€ΝAάΎ~ΜiKΕ~άΑΔ¨θAΖΖφΚ@₯ππ΅Δ’Θ’ΜΕAΦτπ£E·ι±ΖΜΣ‘ͺͺ©ΑΔ’Θ’B
·ΘνΏAz{ΘΗΜPsΧΙζΑΔAP’ΚͺΎηκ½θAΠοI]Ώͺ ιΎλ€Ζϊ΅Δ’ιΖ’€±ΖΕ ιB
€ΑCΘ΅ΕuPsΧπ·ιAβιΜΝ½θOvΖ’€qΜsΧπ·ιΜΝΘ©Θ©ο΅’B
ρtΰπWίιΙΝP’Κβ]Ώͺ ͺι±ΖπAs[·ι
{ΝAPSΙAs[·Χ«Ζ±λπA~βΜSΙAs[·ιβθϋΕ ιB
~β©hπΝι½ίΙ¨±Θ€sΧΝPsΧΕΝΘ’ͺAρt·ι±ΖΝ«sΧΕΰΘ’ΜΕAqsΜPSΙΘιB
qgΜSΝsPSΜΥΕΜΕA~A{θAΜSπg€ζ€Ι·κΞAμρΕz{π·ιB
£Sΰ{θΘΜΕA±κπp΅ΔAρtΰπWίιϋ@ͺζΖηκΔ«½B
ρt΅½_ΕA»κΝ©ͺΜΰΜΕΝΘ’ΜΕA· ΝΜΔιΧ«Ε ιB
gϋΣΖΠο
gΜπgΑΔP’±Ζπ·ιdānaz{@@@@ΠοIs@@@@@@@@
«iπΌ·ΜΝsīlaϊ@@@@@@@@@@@@ΒlIs
SπηΔιΜΝbhāvanāCK@@@@@@@@@ΒlIs
PΖ3νπΧͺ@10Ζ
#23
puñña-kiriya-vatthu@@Ζ
Dāna-sīla-bhāvanā-apacāyana-veyyāvacca-pattidāna-pattānumodana-dhammassavana-dhammadesanā-
diṭṭijukammavasena dasavidhaṃ hoti.
z{AϊACKA±hAμ±AΎ½ΰΜΜz{AΎ½ΰΜΜμA·@Aΰ@A©ΌΖΖ’€dϋΕA10νήΙΘιB
±Μ10ΖΝAΗκΰ©δπΜΔAΉiπΘ΅A«i𼻀ƒ€SΜΝ½η«πA΅§Ιl¦½ΰΜB
±hapacāyana
ΪγΜlΙsV泡s·ι±ΖB
ΈhΖΝASΙβ©δβΉiβ{θͺΘ’Ζ’€±ΖB
SΜ¬·AliΜόγASΜκΜΖ΅ϋ𳡳¦Δ{¨ΜKΙw±΅ΔκιlͺΪγΜlB
μ±veyyāvacca@
ΕaπΝΆίAβηΘΔΝ’―Θ’G±π·ι±Ζ
Ύ½ΰΜΜz{pattidāna
pattiΖΝuΎ½ΰΜvA·ΘνΏPΖΜχΏ±ΖΘΜΕA»κπdānaz{·ι±ΖB
©ͺͺΎ½χΏπΖθθί΅Θ’ΕAέρΘΜKΰθΑΔͺ©Ώ€±ΖB
uͺPsΧπ΅ΔμρΕ’ιζ€ΙA Θ½ϋΰμρΕΎ³’AΜΏπέρΘΙ °ά·v
z{Ζ’ΑΔΰ¨ΏIΙ½©ͺν―ΕΝΘAP’sΧΝέρΘΖκΙβιΰΜΖ΅ΔASΜqͺθπΒB
©ͺΜSπ·’©δΣ―©η½Εε«ΘSΙηΔΔ’B
τόΜ±Ζ@
Ά«Ζ΅Ά―ιΰΜΙA©ͺΜPΖΜχΏπρό·ιB
Ή]αΨΊu³θͺ½«δο©€Μ€ΏΙΝv
σϊEφϊΕΝAuͺ‘άΕ¨±ΘΑ½PsΧΜΏπSAζΆΙ °Δτό΅ά·BΰAζΆΜ±κάΕ¨±ΘΑ½PsΧΜΏπSσ―ζθά·Bv@@
»γΆΎΕΝΰΏͺπ©―Δ’ιΜΕAΉiβ{θͺΆάκuΧ―ΔvπζΓθοζ΅Δ’ιvΖ’€CΏͺΆάκΔ΅ά€B·ιΖAs½Νjσ΅Θ―κΞΘηΘ’Ζ’€€Yε`Μζ€ΘOπ΅½ujσε`vͺoΔιB
Ύ½ΰΜΜμpattānumodana
ΌlΜPΖπfΌΙ©ͺΜ±ΖΜζ€ΙμΤ±ΖB
pattidānaΜtΕAlΜΏπ©ͺͺσ―ι±ΖB»΅Δ―ΆμΡπ‘ €Ζ’€±ΖB
anumodanaΖΝ΄ΣβjΜ±Ζ@@@satisfactionCthanksCesp. after a meal or after receiving gifts
makkhī hoti paḷāsī@@ΌlΜΏπy·ιΟY
makkhīhθΒΤ΅ΔΑ»€Ζ·ι±Ζ @@ paḷāsī@Πͺή±Ζ
attukkaṃsako hoti paravambhī ©ͺΙΘ’ΏπΦ£΅ΔέΉιΟY
paravādīF[mD] the opponent in a controversy
±ΜρΒΜyAΜΟYͺμπΘ·B
·@dhammassavana@@savanaFnD[=savaṇasuṇāti śru] ¨G ·C·
ΰ@dhammadesanā@@@desanāF[f.] discourseCsermonCpreaching.
©ΌΖdiṭṭijukamma@@@@diṭṭi§³Μ©π@@jus@kammaΖ
§³πwρΕXΙπ΅Δ[Ύ·ιsΧB
a¬ΚΜoθΙB·ι±ΖΕ±ΜPsΧΝΉ·ιB
Taṃ panf etaṃ vīsati-vidham pi kāmāvacara-kammam icceva saṅkhaṃ gacchati.
ΘγA±Μ20νήͺ~EΜΖΖΌt―ηκιB
#24 rūpa-kusala-kamma@@FEPΖ
Rūpāvacara-kusalaṃ pana mono-kamma eve, tañ ca bhāvanāmayaṃ appanāpattaṃ jhānaṅga-bhedena pañca-vidhaṃ hoti.
κϋAFEΜPΖΝΣΖΜέΕ ιB»κΝCKΙζΑΔμηκ½Aΐ~ΙB΅½ΰΜΕ θATθΜxͺΙζΑΔ5νή ιB
#25
arūpa-kusala-kamma@@³FEPΖ
Tathā
arūpāvacara-kusalañ ca mano-kammaṃ, tam pi bhāvanāmayaṃ appanāpattaṃ ārammaṇa-bhedena catubbidhaṃ hoti.
―lΙA³FEΜPΖΰΣΖΜέΕ ιB»κΰά½CKΙζΑΔμηκ½Aΐ~ΙB΅½ΰΜΕ θAΞΫΜζΚΙζΑΔ4νή ιB
#26@ kāmāvacara-kamma-pākaṭṭhāna @@@~EPΙζιΩn
Etthākusala-kmmam
uddhacca-rahitaṃ apāya-bhūmiyaṃ paṭisandhiṃ janeti. Pavattiyaṃ pana
sabbam pi dvādasa-vidhaṃ sattākusala-pākāni sabbatthā pi kāma-loke rūpa-loke ca
yathārahaṃ vipaccati.
±ΜΕA{π’½sPSΝA£PSΙΆSπΆΆ³ΉιB
κϋA]N·ιΖ«ΙΝA12νήΜ·ΧΔͺA7ΒΜsPΩnSπA~EΙ¨’ΔΰFEΙ¨’ΔΰA’ΒΕΰAKXΙΩn·ιB
FEVΕΰO’Μ«ΖͺΩn·ιΒ\«
αz΅ΔΉΑ©VΙΆάκΔΰA«’ΖͺΔAΧπ·ιΒ\«ͺ ιB
EQΖΜΝ½η«ͺPsΧΙΘιΒ\«@@MallikāάΜP[X
R[T€pZ[ifBΜάΝΚuΤΙκρΎ―Β’½Rπv’o΅SͺκAnΙΒΏ½B
΅©΅κTΤγΙEQΖΙζΑΔnEπθAΙΝ¦VΙΆάκΟνΑ½B
AM[ΜΏΖWQΖΖuΜdϋ
P’J}ͺ’lΝA«’J}ͺoΔΰCΙ΅Θ’B½Ζ¦ΞGΉβΉB
P’J}ͺγ’lΝA«’J}ͺoιΖCΙΘιB@½Ζ¦ΞdgAd₯gA
H¨AM[βΤ²AM[ΰAr_}©ηέκΞWQΖΕ θAgΜβAν―π’ΆίιB
AR[β^oRΜΛΆΗΰAͺ©ΑΔ’ιΜΙβίηκΘ’ΜΝA©ͺΜKπWQ·ιUfͺ³Σ―ΙΝ½η’Δ’ιΜΕAKΘΆ«ϋπW°ιΰΜΝSΔWQΖΕ ιB
WQΖΝRg[ͺΒ\ΕAxΖπόκιΘΗΜHv·ι±ΖͺΕ«ιB
AM[Ν‘λ€Ζv¦Ξ½Μ±ΖΘ‘ιB
‘΅ϋΝ«ΏρΖSπΒ±ΖB
Ύι’Έβ©ΘvlπνΙΫΑΔ’ι±ΖB
ΑΙίΜαzπOκIΙ΅ΔAίπηήΖAWQΖΝoΔ±ΘΘθAγνθΙxΖͺoΔιB
qΜAM[ͺεlΙΘιΖ‘ιJjYΝAΛΆ΅Δγ’SπΑΔ’½qͺAuΘρΖ©΅ζ€vΖoε΅ΔA©ͺΜΣuΕΎι΅ΔAΛΆβΓ¦©ηΖ§΅ΔSπηΔAuAM[ͺ ιΜΝ΅ε€ͺΘ’©ηΘρΖ©ΎιΆ«Δ’±€vΖίΔΆ«Δ’ΖAAM[ΝΑ¦Δ΅ά€B
gΜΙγέͺ ικΜΞΜdϋ
«SππΕ·ιPSπηή±ΖB
«ΖΙΘΑ½WQΖΜ±Ζπ²ΧΔA»κΙ½·ιPΖπ΅Δa³ΉιB
ΗκΙΰίΜαz
ίμΜΜCΏΕΆ«ι±ΖB
ΌlΙπΙ§ΒsΧπ΅ΔlXπμΞ·±Ζ
ΕWQΖππ―ι
{ιΖaCΙΘΑ½θAυ½ͺkή@@@@@@@
Ήi·ιΖXΘι@@@@@@@@@@@@@@lπJίΜ¦ι@@Ύ½ΰΜΜμpattānumodana
ΙΘιΖSίΙΘΑΔ’Άίηκι@@@@@
νͺγΔ·ΆπϊΕ«Θ’κΝAπΕΙΘιPSπηήB
Z½ΝΆ½ΙΞ·ι{θΖ\ΝΙζι«ΖΘΜΕA±κππΕ·ι΅έπΐH΅Aalπ―A{ηΘ’ΕD΅’SΕΞΕ«ιζ€ΙγρΕΕ«ιζ€ΙΘκΞA·Ά«Ε«ιζ€ΙΘιB
~EPΖΙζιΩn
kāmāvacara-kusalam pi
kāma-sugatiyam eva paṭisandhiṃ janeti. Tathā pavattiyañ ca mahā-vipākāni,
ahetuka- vipākāni pana aṭṭha pi sabbatthā pi kāmaloke rūpaloke ca yathārahaṃ vipaccati.
~EPΖΝA~EPοΙΜέΆSπΆΆ³ΉιB―lΙA]N·ιΖ«ΰAεΩnSΕ ιB
κϋA³φΩnSΜ8ΒΝA~EΙ¨’ΔΰFEΙ¨’ΔΰA’ΒΕΰAKXΙΩn·ιB
#27 tihetuka-m-ukkaṭṭhādi-bheda@@@OφΜΘΗΙζιζΚ
Tatthāpi tihetuka-m-ukkaṭṭhaṃ kusalaṃ tihetukaṃ paṭisandhiṃ darvā pavatte soḷasa vipākāni vipaccati. Tihetukam omakaṃ dvihetukam ukkaṭṭhañ ca kusalaṃ dvihetukaṃ paṭisandhiṃ datvā pavatte tihetuka-rahitāni
dvādasa vipākāni vipaccati.
Dvihetukam omakaṃ pana kusalaṃ eva paṭisandhiṃ deti, pavatte ca
ahetuka-vipākānf eva vipaccati.
»ΜΕΰAκ½OφΜPΖΝAOφΜΆπ^¦ιB]N·ιΖ«ΙΝA16ΜΩnSͺΩn·ιB
ςΑ½OφΖκ½ρφΜPΖΝAρφΜΆπ^¦ιB]N·ιΖ«ΙΝAOφπ’½12ΜΩnSͺΩn·ιB
κϋAςΑ½ρφΜPΖΝA³φΜΆΎ―π^¦ιB]N·ιΖ«ΙΰA³φΜΩnSΎ―ͺΩn·ιB
ukkaṭṭhaΖomaka@@ΖςΜͺή
SΜ³A·ΘνΏAβιCΜ³ΜγπξΙ΅½ζͺΜdϋB
±Μ³ΙζΑΔsΧΜ§xͺα€B
Ύ©ηAP’±Ζπ·ιΘηΞA³CΙAOό«ΙA°XΖAβηΘ―κΞΘηΘ’B
Ζκ½θApΈ©΅©Α½θABκ½θ΅Δ·ιΖAγ’sΧΙΘΑΔ΅ά€B
#28@keci-vāda-saṅgaha-gāthā@κίΙζιΫσ
Asaṅkhāraṃ sasaṅkhāra-, vipākāni, na paccati,
sasaṅkhāram asaṅkhāra-, vipākāni kecena.
Tesaṃ dvādasa pākāni, desāṭṭha ca yathākkamaṃ, yathā-vuttānusārena, yathāsambhavam
uddise.
³sΝLsΜΩnSπΩnΉΈALsΝ³sΜΩnSπΩn΅Θ’ΖA ιlXΝ’€BήηΙζιΖA12A10A8ΜΩnSͺΙA±κάΕΰ©κ½Ι€Ζ’νκιB
κ½Oφ@@@@@12@@@@8εΩnS|SiLsE³sj@@@@@@@+@W³φΩnS
ςΜOφΖΜρφ@10@@@@8εΩnS|SiLsE³sj|2qs@+@W³φΩnS
ςΑ½ρφ@@@@@8@@@@@εΩnSΝΘ’ΜΕAW³φPΎ―@
’ΜΚπ₯¦ιλ―«
uJ~Μ½ίΙν’Θ³’AρΎηJ~ͺVΙAκΔ’ΑΔκιv
’πξΙ·ιΜΝA@³Ι΅Θ’B
Religion ΝeκΜreligio©ηhΆ΅AΪͺ«reuΣ½½ΡvΖligareuΡΒ―ιvΕAuΔΡΡΒ―ιvΖ’€Σ‘Ε θA_ΖlπΔΡΡΒ―ι±Ζ
α³πDήqgΜS
uΌ]ΜlΝgΜπ~±Ζπy΅ήv
Ό]π‘΅Δ~±Ζπ~ίιΜΕΝΘAΗ€~―ΞCΏΗ’©AΖ’λ’λHv·ιB
u©ͺΙΝ³Θ\Νͺ ιvΖΎ€l½ΏΝAκΚΘlζθΰα³Θ’EΙόΑΔ΅άΑΔ’ιB
FEζκTθΜΩn
#29
rūpāvacara-kamma-pākaṭṭhāna@@FEΖΙζιΩn
Rūpāvacara-kusalaṃ pana paṭhamajjhānaṃ parittaṃ bhāvetvā brahmapārisajjesu
uppajjati, tad eva majjhimaṃ bhāvetvā brahma-purohitesu, paṇītaṃ bhāvetvā mahābrahmesu.
FEPΖΕ ιζκTθπ΅CK·κΞAOVΙΆάκιB»κπΩΗΩΗΙCK·κΞAγVΙΆάκA΅Α©θCK·κΞAεVΙΆάκιB
³FEΜΆ½Ζ¨ΜΜθ`
¨ΜΖΝ[pΎ―ΜΰΜ
Ά½ΖΝ[pΖi[}ͺκΙs·ιΰΜ
ΕΝ³FEΜΆ½Μθ`ΝH
Β«Μθ`Ζ’S
Β«ΝAlābhaΎalābhaΉnindāξζpasaṃsaΜ^ayasasΌ_ yasaΌ_ sukhay dukkhaκΜ
8νήΜΰΜͺ’ΜΕνΙρ]΅Δ’ιB
±κπuaṭṭha-loka-dhammai8νήΜ’ΤΜ@₯jvΖΔΤB@oTH
Source F Buddhānusmṛti - A Glossary of Buddhist Terms
Aṅguttara Nikāya. xAN,@ Dutiyalokadhamma Sutta AN 8.6 AN iv 157
Paṭhamalokadhamma Sutta AN 8.5 AN iv 156
Dīgha Nikāya.
According to the Bhagavadgītā, he who is the same in honour and dishonour, cold and heat, pleasure and pain, censure and praise is an ideal devotee (XII.18-19). One should treat pain and pleasure, gain and loss, victory and defeat alike. (II.38)
ΚνΜSΝvͺ κΞμΡAΉQπ©κΞί΅ήBά^πσ―ιΖ«΅Aροπσ―ιΖ_·ιB
ά^ΖροΝA½ΏΜσ]Η¨θΙΝΘηΈA©ͺ©gΕίι±ΖͺΕ«Θ’B’EΜΕN±ι±ΖΝA½ΏΙΝ§δΕ«ΈA¨Μ¬κΙζΑΔN±ιΰΜΕ ιB
±Μζ€ΙA©ͺΜSΝόΝΜΒ«ΜeΏπσ―ΔA·ΙΟνΑΔ΅ά’A΅ά’ΙΝA{lβόθΜlΙΰπΕ«ΘΘιB
SΝΒ«Μθl`ΖΰΎ¦ιB
½Ζ¦ΞA‘±±ΕΝeΨΘlͺ«’Β«ΙΧιuΤΙseΨΘlΤΙΘι±Ζΰ ιB
ά½AgΜΝ¨ΏΕ ι½ίA¨ΏΜ@₯ΙζΑΔΟνΑΔ’BΎ©η»κͺ©ͺΜgΜΕ Α½Ζ΅ΔΰA§δΝΕ«Θ’B
Ζ±λΕ©ͺΖΝSgκ@Ε ιAΖ’€¨¦ϋͺ ιB
½΅©ΙΜΖSΝ[ΦA΅Δ’ιͺASΙΝSΜ@₯Ε’Δ’ιB
»±ΕASπ¨ΏiΜβΒ«jΙΛΆ΅ΘΔΰζ’ζ€Ιη¬·ι±ΖΕASͺ¨ΏπRg[΅β··ιΒ\«ͺ ιB
±κͺuSπηΔιvΖ’€±ΖΕAuΒ«ͺ½lΙΟ»΅ΔΰASͺ΄ςΘσΤπηΑΔ’±ΖͺΕ«ιSπμι±ΖvΕ ιB
’SΝAΒ«ΙζΑΔΆE³κΈASΜ΄η©ΘσΤπζΕΙηθ±―ιΝͺ ιB
±κΝΉΏΜξ{Ε ιB
qdpaññāπJ΅ΔA³ΎΜ’’πͺΉιζ€ΙSπ΅Α©θΖηΔι±ΖΕ ιB
α¦ΞAAun³ΕΝAήͺ_Ιw’½½ίAsKΙΘΑ½ΜΕAlΤΖ_Μρ©Ιζιϊ₯πθί½ΜΕA»κπηηΘ―κΞΘηΘ’B
Ξ΅Δ§³ΕΝAe©ͺ©ͺΜSπ©ιΖAuSͺγ’vΖ’€»ΐͺ©¦ιB
»±ΕSπ·ι½ίΙϊ₯πθί½ΜΕ ιB
½ΕΝΘ’Ζ’€·ΚΖΐ
ΝΆίΙ·Κπ©ιB
·ΚΝPΘι³mΙζΑΔΆΆιB
½Ζ¦ΞΖΙͺ―ηκΘ’ΰΜπψΙΗΏηΙͺ―ΔAΙρΒΜΤΜ§xΜα’ΙX|bgCgπΔι±ΖΕίθκΚ»΅A»κπΦWΜΘ’P«Ζ’€ΉΏΜxπ\θt―AΕγΙΝA«πr·ιB
4ΒΜiKΙν½ιλTΜA±΅½ΟέdΛͺ·ΚΕ ιB
α_πΟzΕcηάΉΔA»±Ι©ͺΜγέπdΛιΜΕ ιB
θπ©ͺΜσ]Η¨θΙΟ»³Ήζ€Ζ΅ΔA}¦½θA’Άί½θ΅ζ€Ζ΅ΔAguͺΆ·ιB
ͺ―ηκΘ’ΰΜπͺ―A»κπκΚ»΅½ρΒΜε«Θ~XΙCΓ©Θ’ΝAPΖΕ ιΜŠ뀩H
ΗS©ηΝΆί½±ΖͺΌπr·ι±ΖΕΰAPΘιsΧΘΜŠ뀩H
Ιΐπ©ιB
Ά½ΙΝ½ΝΘ’B±Μ’Ι―κΜΰΜΝΘ’ΜΕέ’Ια΅Δ’ιB
ζΚ·ιdϋΝ³Ι θAζΚ΅½ΰΜΝά½ζΚ³κA»κͺΫΐΘ±B―κͺΆέ΅Θ’©ηΕ ιB
»±ΙΝαͺ ιB»΅Δ»κπ]Ώ·ι±ΖΕ ιB
€Κ_π©©°ι³ΘX[K@@@@α_π²aΜͺ{Ι΅Δέι
Νπp·ι½ίΙA©ΌΜ€Κ_πT΅A»κπX[KΙ΅ΔAΗΖζθκΜ΄πίΔ’ιl½ΏΜSπp·ιB
lXΜ€Κ_ΝίΈΙζΑΔΰ©κΔ’ιBSΕ’€Ζ―κΕ ιB
€Κ_ΝΘ’ΜΕTΉΞT·ΩΗ©Β©ιΜΝα_Ε ιB
Η΅ζ€Ζ·ι±ΖΕE΅ΑΔ΅ά€σ@@@xΜΧιγ©@’ΆίA²a
βθΝΧ©Ε ιB
α_Ξ©θΕΝ²aΝΕ«Θ’Ζ’€©πΕ ιB
±κͺλTΕ θA·ΚΣ―πΆέo΅Δ’ιξ_Ε ιB
Ά½ΙΝΐΜπjͺ ιB
»κΝAα_ΙΦSπΏA]Ώ΅AαΑΔ’Δζ©Α½±ΖπΜ¦ι±ΖΕ ιB
u·ΧΔΜΆ½Να€A΅ε€ͺΘ’vΖ’€ΐB
±κͺKΉΦΜΉB
©ͺπΌlΙνΉιΞ©θΕΝκ΅έΕ ιB
ά½Aθπ©ͺΜσ]Η¨θΙΟ»³Ήζ€Ζ΅ΔA}¦½θA’ΆίιΜΰκ΅έΕ ιB
FETΜV
FEΖΝA¨ΏπξΙ΅½~Eπ£κΔA¨ΏΝ ιͺSπξΙ΅Δ’ι’EB
αzΜCsAlTi΅ΊρjΕΎηκιΕΜSΜ«nΜTΙVͺZρΕ’ιB
TVigVut}j@@
³ηΙΧ©ͺή³κΔA
1.OViΪρ΅γΔρjuut}EJ[CJv
2.γViΪρΩΔρjuut}Ev[q^v
3.εViΎ’ΪρΔρju}n[Eut}[v
·ζ11ouΕovΙ}n[ut}[ͺoΔιB
Mahābrahmā
The singular leading deity and the king of heavens Brahmā is sometimes referred in Buddhist texts as Mahābrahmā.[27][23] However, the Suttas are inconsistent in this regard and several early Buddhist texts depict Sakra (Pāli: Sakka) – who is same as the Hindu Vedic god Indra – as more important than Mahabrahma.[28]
The Mahābrahmā, or the Great Brahma, states Peter Harvey, is mentioned in Digha Nikaya as the being who dwells in the upper heaven; a Buddhist student can join him for one kalpa (eon, Brahma-year in Indian religions) after successfully entering the first jhana in the form realm of Buddhist practice.[29]
VTnpeB@@brahmã sahampati
ζ67ouΙ€ζdΪAVlεΛov
V©Ώu³¦π·―ΞACs΅ΔεκιOΆΰ’ά·©ηAΗ€©ΰ@΅ΔΎ³’v
uΰ€΅CπΒ―ΔAΣ΅Δ’Μπ©ΔΎ³’B»΅ΔπΕ«»€ΘlXΙΰ@΅ΔΎ³’v
Gold covered Phra Phrom statue at Sanggar Agung, Surabaya, Indonesia.
Brahmā Sahāmpati, said to be the most senior of the Mahābrahmās, was the deity who visited the Buddha when he attained enlightenment, and encouraged him to teach the Dharma to humans.[3]
VTiN}[@@Brahmā Sanaṅkumāra
VΜκlΜ§qΖ³κι
·ζ3ou’ovAζ18ouθςΉovAζ19ouTΈovAζ27uNΉov
the "Ever-young", appears in the Janavasabha-sutta (DN.18), where he is recalled as having created an illusionary presence to make himself perceptible to the coarser senses of Śakra and the gods of Trāyastriṃśa.
VoJBaka Brahmā
ζ49ouV΅ovMajjhima Nikaya
VΜΠΖθAlΤΜΝP[T@Ζ’€ΌOΕΔΞκΔ’½B
he is a deity who believes that his world is permanent and without decay (and that therefore he is immortal), and that therefore there are no higher worlds than his.[25]
@@
VSubrahmā and Suddhāvāsa
A pair of Brahmās who are usually seen together while engaging in conversation with the Buddha
V©ηΆάκιν°
VΜϋ©η€άκιΝo
VΜΉ©η€άκιΝ€°
VΜΦ»©ηΆάκιΝ―
VΜΠ΄©ηΆάκιΜΝκ―
VΜ«©ηΆάκιΝΉΜl
·@ζ3ou’ovΕAob^ΒNͺub_πJ΅½½Ζ¦ΕgΑΔ’ιB
FEζρAζOAζlTθΜΩn
Tathā dutiyajjhānaṃ tatiyajjhānañ ca parittaṃ bhāvetvā parittābhesu, majjhimaṃ bhāvetvā appamāṇābhesu, paṇītaṃ bhāvetvā ābhassaresu,
catutthajjhānaṃ parittaṃ bhāvetvā paritta-subhesu, majjhimaṃ bhāvetvā appamāṇā-subhesu, parittaṃ bhāvetvā subha-kiṇhesu.
―lΙAζρTθΖζOTθπ΅CK·κΞυVΙAΩΗΩΗCK·κΞ³ΚυVΙA΅Α©θCK·κΞυΉVΙΆάκιB
ζlTθπ΅CK·κΞςυVΙAΩΗΩΗCK·κΞ³ΚςυVΙA΅Α©θCK·κΞΥΔυVΙΆάκιB
FEζάTθΜΩn
pañcamajjhānaṃ bhāvetvā vehapphalesu, tad eva
saññā-virāgaṃ bhāvetvā asaññasattesu, anāgāmio pana suddhāvāsesu uppajjanti.
ζάTθπCK·κΞLΚVΙΆάκιB»κπAzπ}€ΔCK·κΞA³zLξVΙΆάκιBκϋAsΝςVΙΆάκιB
sanāgāmiΜVΝAΚΖ’€±ΖΝΘAςVΕSΙεθπJ’ΔAΈΟΙόιB
#30
arūpāvacara-kamma-pākaṭṭhāna@³FEΖΙζιΩn
Arūpāvacara-kusalañ ca yathākkamaṃ bhāvetvā arūpesu uppajjanti.
³FEΖΜPΖπΙCK·κΞA»κΌκΜ³FEΙΆάκιB
³FEVΖΝR^NgsΒ\
FEΜVΝ³ͺα’ΜΕA³ͺ’³FEΜVΙΝR^NgΕ«Θ’B
qgͺ³FEΜTθπμΑ½κΰR^NgΝΖκΘ’B
SΝ¨Ώ©ηͺ£΅Δ©RΙΘιͺAΌΜΞΫ©ηκΨΜeΏπσ―ΘΘιΜΕAΌπF―·ι±ΖͺΕ«ΘΘιB
ΰ΅uVΖΜR~ jP[VπSΕ΄ΆιvκΝASΜGlM[i¨Ώjπ}ΜΙ΅Δ’ιΜΕAFEΜVΖR^Ng΅Δ’ιΖ’€±ΖB
υͺ©¦ιA΄³ΜΉͺ·±¦ιAΖ’€ΜΝFEΜαzΕΜoΕ³FEΕΝΘ’B
ά½³FEΜTθπμιΖAα³ΜΆ½ΖΰR^Ng·ι±ΖΝsΒ\ΙΘιB
R^Ng·ιΙΝθͺπΕ«ι}ξͺKvΘΜΎͺA»κͺΘ’½ίΕ ιB
qgͺ³FEΙόιΖAgΜΖSΝΚΜ¨ΖΘθAgΜΜ@\ΝΩΖρΗβ~·ιBά½Ά½ΜΖ΅Δ’ΔΰSΙΝeΏͺΘ’B
_ΚΝΝζάTθΕ
»κΘΊΎΖSͺΘA»κΘγΜ³FEΙΘιΖAΌΜΆ½ΖR^NgΕ«ΘΘιB
_ΚΝΜΐEΝFEΖ~EΕ΅©@\΅Θ’Ζ’€±ΖB
ΆάκΒ«ΑΔ’ι\ΝΕHμπέι±ΖΝ ιͺA±κΝ_ΚΝi΄\ΝjΕΝΘAΖkammaΜΚΖ΅Δ»κͺ©¦½Ζ’€±ΖB
΅©΅±ΜΝཀྵΙΛΆ΅½θA~β{θΙMκι±ΖΕΑ¦Δ΅ά€B
±κηͺ_ΚΝΕΝΘ’ΖΎ¦ιΜΝAΣ}IΙvZXΕCK΅½ΰΜΕΝΘ’ΜΕA»ΜΝπRg[Ε«Θ’©ηΕ ιB
½Ζ¦ΞHμπέι_ΚΝΖΝA½ΎuμSEvΙ©ͺΜ`lπνΉιΎ―Μ±ΖΕ ιB
u±κ©ημSEΜΆ½ΖΊπ«vΖίΔATθπμι±ΖΕA»ΜEΜόgΙνΉι±ΖΙΘιB
ΪAΈΜζ€ΙΝCs·ιΖAαzσΤΕΘΔΰAΚΕΝ©¦Θ’ΰΜͺ©¦½θ·ιB
oTΙ ιHμΜb
O Μo Ιͺ θA»Μζ19ΙLakkhaṇa-saṃyuttaΖ’€oͺ ιB
ubJivΖΔΞκAΏσΕΝuθΣ³ίviλ΅αΘ»€¨€jΖΔΞκιB
2i21o©η¬ιBPaṭhama-vagga --- S10oΖDutiya-vagga --- S11o
bJiΖ’€ΌΜδuͺΪ犍A·VΖίΈΙΏβπ·ι`Εΰ@³κΔ’ιB
½ΜHμΜO’ΙΒ’ΔκηκΔ’ιB
https://suttacentral.net/sn19.1/en/sujato
#31nigamana@@κ
Itthaṃ mahaggataṃ puññaṃ yathā-bhūmi-vavatthitaṃ, janeti sadisaṃ pākaṃ, paṭisandhi-pavattiyaṃ.
Idam ettha kamma-catukkaṃ.
±Μζ€ΙAΜεΙΘΑ½ΖΝA»Μζ€Ιmθ³κ½ΙA―lΜΩnπAΆΜΖ«Ιΰ]NΜΖ«ΙΰΆΆ³ΉιBΘγͺA±±Ι¨―ιΖΜSΒΕ ιB
ΆΖ]NΜα’H
SΜΑ₯
uΤ²ΖΙAρΕΝΆ«ιB
±Μρ]·ιTCNπSίΖ’’APρ]πPίΖζΤB
Pρ]ΜXs[hΝυΜ17{Μ¬³B
±ΜuΤuΤΜuvͺρ]΅±―Δ’ι΄ΝΕ ιB
ΜGlM[ͺΆέΜͺΉ
γ’gΜΜqgΝA^·ι±ΖΕAΆνΆνΖ»ΜgΜΝρΕ’«AΙΝ’gΜͺΆάκΔιB
gΜΖ’€@Bΰ±Μζ€ΙAδΑθΖΟ»΅Δ’B
ΘΘ―κΞAΟνι±ΖͺΕ«Θ’BΒάθΜlM[πΎΘ’Ζ½ΰ¬θ§½Θ’Ζ’€±ΖB
uuΤΜvΙζΑΔA±Μ’ΙΆέ·ιGlM[πΎΔ’ιB
±ΜuuΤΜvππ·ιlͺAugΜΜγΰSΝ±vΖ’€Φτπ’ΖΰΘPΙπΕ«ιB
γΜs«ζ
Sͺ]ήΖ±λΙsΖ’€Νͺ ιB
Ζkammaͺ ιB
Sͺ ιB
±κηΙζΑΔs«ζͺάιB
uΗ±Ι©ν©ηΘ’A΅ε€ͺΘ’vΖvΑΔ΅ά€ΖA»€ΘιΜΕΣͺKvΕ ιB
P’Ζ±λΙΆάκΟνιΙΝA»κΘθΜ~ͺKvΘΜΕ ιB
Φτ]ΆΝ€ͺ ι©ηN±ι»ΫΕ ιB
πEΕ«Θ©Α½Cs
ΆάκΟνθ½’Ζ’€Σ~ΝΘ’B
΅©΅AάΎ€ͺSΙcΑΔ’ισΤΘΜΕAΈΟΙ±ΖΝΕ«Θ’B
CsΜΚAΥIΜΙΕΰASΝ΄η©ΘΜΕA»ΜSΜGlM[ΙζΑΔA΅’SΙΆSπN±·B
ά½AΟYπc΅½±Ζπ©o΅ΔAcΑΔ’ιΝ©ΘΤππEΜCsπ·ιΖ’€KR«π΄ΆΔA©ΘΟ@·ιΘηΞAπEΜΒ\«ΰε’Ι ιB
€ͺ’lΝAuΝεΚΙΏπΟήΆ«ϋπ΅Δ’½ΜΕΝΘ’©vΖ©ͺΜlΆπv’o·B
KvΘΏΖΝAάϊπηι±ΖA¨z{π·ι±ΖB
εΚΜΏπΟρΕ¨ΖA»ΜΏΙ΅’Ζ±λΙΆάκΟνι±ΖͺΕ«ιΜΕACsΝγΙΒ’ΔSz·ιKvΝΘ’BͺκΕΰ«’Ζ±λΙΆάκι±ΖͺΘ’©ηAΕγάΕπEΜέπϊ·ιζ€ΙΎνκΔ’ιB
Φτ]ΆΝ·ιΧ«ΕΝΘ’±Ζππ·ιvZX
Μ]NΜSΒ
#32 maraṇuppatti@@Μ]N
Āyu-kkhayena
kamma-kkhayena ubhaya-kkhayena upacchedaka-kammunā ceti catudhā maraṇuppatti nāma.
υ½ͺs«ΔAΖͺs«ΔAΌϋͺs«ΔA³ηΙfΖΙζΑΔAΖ’€SνήͺAΜ]NΖΔΞκιB
υ½ͺs«ΔĀyu-kkhaya
gΜΝs«ΔΰΖͺcΑΔ’ιP[X
·Ά«ΖΝυ½πLΞ·Ζ’€Σ‘ΕΝΘAυ½πΩΪS€·ιΖ’€±Ζ
»γΘwΜOΘΜΝASΙζΑΔgΜΜΫΗπ·ιϋ@
Ζͺs«Δkamma-kkhaya
ά΄ν―ΜΖͺs«ιΖ΄o\ΝͺΘΘθA@\΅ΘΘθF―Ε«ΘΘιB
ρΕΩ΅’ΖόθΜlͺvΑΔ’ιP[Xͺ ιB
ρΎηΰ€YκηκΔ΅ά€B
Όϋͺs«Δubhaya-kkhaya
VΝΌϋͺs«ΔΚ
΅©΅qgΜκΝκΤSίΘl
fΖupacchedaka-kamma
ΛRAΛRΜΜ
υ½ζθΰΖͺε
γΜlXͺo¦Δ’ιB
½Ζ¦ΞeΜΏͺ―κΞA΄Σ΅ΔAΈΑΖo¦Δ’ιB
―ΆΖΕΰVEΙΰlΤEΙΰΆάκιΒ\«ͺ θAΰ΅lΤEΙΆάκ½κΝcεΘΖΜGlM[ͺ ιΜΕAVΛΜζ€Ι·²’π·ιB
΅©΅gΜΜΐEπz¦½π·ιΖAgΜͺσκΔ΅ά€ΜΕυ½ΝZΘιB
±κͺ ινΜVΛͺ\ρΕ΅ά€R
υ½ͺΒ«ΔΰAΖkammaΝs«Δ’Θ’ΜΕA½Μlͺ»ΜlΜ±Ζπv’o΅½θAΈh΅½θ΅Δo¦Δ’ιB
x[g[xβίΈΘΗB
ΖkammaβΏͺcΑΔ’ι€ΏΙAΚΜͺΗ’B
»€ΕΘ’ΖΙϋͺsKΙΘιB
#33 maraṇāsanna-kāla-ārammaṇa-paccupaṭṭhāna@@@@ΥIΜΜ»κ
Tathā ca marantānaṃ pana maraṇakāle yathārahaṃ abhimukhībhūtaṃ bhavantare paṭisadhi- janakaṃ kammaṃ vā taṃ kamma-karaṇa-kāle rūpādikam
upaladdha-pubbam upakaraṇa-bhūtañ ca kamma-nimittaṃ vā anantaram uppajjamāna-bhave
upalabhitabbam upabhoga-bhūtañ ca gati-nimittaṃ vā kamma-balena channaṃ dvārānaṃ aññatarasmiṃ paccupaṭṭhāti.
κϋA»Μζ€ΘΥIΜΥIΜΙΝAKXΙΌΚ·ιAΌγΜΆπΆΆ³ΉιΖ©A ι’ΝA»ΜΖπ¨±ΘΑ½Μ¨ΏΘΗπΝΆίΖ·ιAΘOΙΎηκ½οΖ’€ΖΜ©A ι’ΝAΌγΙΆάκζ€Ζ΅Δ’ιΆάκΙ¨’ΔΎηκιΝΈΜσp¨ΖΘιΰΜ©A ι’ΝA«UAοΜͺAΖΜΝΙζΑΔAUεΜΗκ©Ι»κιB
abhimukhaF[adj.] facingG presentG face to face with.
ΥIΜΆz
ΥIΜΙΝίΜ’λ’λΘ±Ζπv’o·B
]Μ@\ΰΙΐΙαΊ΅Δ’ιΜΕAΆzͺ»κιΖ\»΅½Ω€ͺKΨB
ΜΖ]Μ@\ͺαΊ΅Δ’ιΜΜ±ζθΰίΜL―ΜϋͺͺNΎΕ ιΜΝAά΄ν―ΜΤΪIΘΜ±ΕΝΘAΣε©ηΜΌΪΜΜ±Ε ι½ίΕ ιB
ΥIΕΝAcϊ©ηAΙO’Μ±Ζͺ»Μάά»Ϋ»manifest·ιΜΕASΝ θ θΖ±κάΕΜ±ΖπΔΜ±π·ι±ΖΙΘιB
±±©ηSπψ«£·ζ€ΙRg[·ι±ΖΝΕ«Θ’ΜΕAπE΅Θ’ΐθAΦτ]Άππ―ι±ΖͺΕ«Θ’B
Ζkamma
ΦτΜΕ©ͺͺβΑΔ«½ΖΜΘΙ©1ΒͺASΙfιBdΖiTθAEQjAίΖAvKΖA€μΖ
Ζkamma-nimitta
ίΜsΧπ΅½ΜΒ«βA»ΜΙgΑ½Ήο
οgati@@@@@@@]Ά·ι«U@§κAnΚA«φ
ΙΆάκικβΒ«ͺ©¦ι@@Τ¨AζΞΜΝ΄AS
cf. duggatiF[f.] a realm of miserable
existence@ sugatiF[fD]
a happy state@@@ΜζAΚHAσΤ
οgati-nimitta
ΙΆάκικΜά΄΄oiσ΅ΜFΊ‘GjΜΗκ©π΄Άι©AΣεΜC[Wͺ»κι
’ΤΖ§³ΜuvΜα’
’ΤΜ@kaḷebarassa nikkhepo@@@kaḷebaraΜnikkhepoΜΔιAu’Δ¨
§³Μ@@uΤ²ΖΙΚ±ΖΕA±Μ’Ι’ι±ΖͺΕ«ιB
ΜΙ¨―ιΕϊΜSΜΝ½η«ΝΜ]ΆΕΆSΖ΅ΔΆάκιBΜΖ΅ΔΜΝ ιͺASΝρΕΝΆάκ±―Δ’ιB
SΝiΕΝΘ’ΜΝAuΤ²ΖΙρΕ’ι©ηΕ ιB
ΥIΜΙ½©|’±ΖπΎ€P[X
»Μl¦πJbg΅ΔAy΅’±Ζͺv’©Τζ€Ι΅Δ °ιB
{lΜP’Ζ±λπ΅Α©θΖb΅©―Av’o΅ΔΰηΑΔA΄η©ΘΏ ’½SΙΘΑΔΰη€B
u Θ½ΝlΆπζζ£ΑΔ«½BέρΘΜΚ|πζ©Δκ½v
u Θ½ΝζβΑΔκ½B¨©°Εν½΅½ΏΝKΉΎΑ½v
VEΙ]Ά·ικ
±Μ’ΙΘ’’mΜό΅’΄η©Θθπk’Ύθ·ι±Ζͺ ιB
ωmΜθΎΖAlΤE©ΰH
SΜ@₯@@@ΕGlM[ΖΆGlM[@@@@~άηΘ’@@@@@νή@@@ΣuΕΝΗΕ«Θ’
Ά½ΜiSΖΜΜ¬κjͺΚRΝAβ³κΔ’½GlM[ͺrΨκ½½ίB
·ιΖΜͺσκΔ΅ά€B
΅©΅ASΝ1ΒΜSͺΚ±ΖΕAV΅’Sͺά½ΆάκΔιB
uΤ²ΖΙρΕ’ιΜΕAΜΖΝα’AΫ³κιΰΜΕΝΘAΖΔΆͺJθΤ³κιΰΜB
hΖ’€GlM[π^¦ΔΰAυ½ΝuΤΘΜΕASͺ―ΆσΤπΫΒ±ΖΝ1bΰΕ«Θ’B
ΚSΖΆάκιSΝΚXΘΰΜΕ ιAΖ’€Μͺ§³Με£B
α’πF―·ιΜΕ ΑΔA―ΆΕ Α½ηA½π©Δΰ·’ΔΰA©¦ΰ·±¦ΰ΅Θ’ΜΕF―·ι±ΖͺΕ«ΈAΆ«Δ’Θ’±ΖΙΘιB
±€΅ΔAνΙΖ©ΜSΜρ]ͺ±«A~άι±ΖͺΕ«Θ’ΜΰSΜ@₯B
»ΜSΜνήΝ45νήΎ―A’ ΏΝ89νήΜΒ\«ͺ ιB
΅©΅ASΙΝ―κΕ«ιΰΜΝΘ’ΜΕA45νήΙͺήΕ«ιΖ’€Ύ―ΕA―ΆΤπό΅’ΖvΑΔΰ1ρΪΖQρΪΕΝASΜ³βJθΤ·ρΘΗα’ͺ ιB
SΜκΒκΒΜα’ΘΗΝuSΜΝ½η«Μ»Μζ€ΘΝ½η«Ύ―ΝqgΙΝπΕ«Θ’Bl¦ιKvΰΘ’Bl¦½ηͺͺΆΑΔ΅ά€vΖίΈΝΰBoTH
PΒPΒΜSΝάΑ½ΚΜΰΜΘΜΕAOγπ©RΙΟ¦Δ ΕΒΘ°ι±ΖͺΕ«Θ’ͺAPΒΜSͺ΄φΖΘθAΜSΜΚΖΘιA©¦Θ’ͺ΅ΔΨκΘ’φΚΜ ΕΕqͺΑΔ’ιΜͺA θΜάάΜσΤΕ ιB
SΝΣuΕΝRg[Ε«Θ’ΜΕAΫΖCΓ«Ζ’€ρΒΜαzπ§³ΕΝ©ίΔ’ιB
T}^αzΝAκ·ι±ΖΕASΜ¬κπΗ’ϋόΜάάΙΫ·ι±ΖͺΕ«ιB
BpbTi[αzΝACΓ«±―ι±ΖΕASΜ¬κπ]·³Ήι±ΖΕSπΗ·ι±ΖͺΕ«ιB
½Ζ¦ΞΚuΤΙ½©sPSͺΝ½η»ΫΙΠΑ©©ΑΔ΅άΑ½Ζ΅ΔΰACΓ«πόκιΘͺΒ’Δ’ιΜΘηΞA»κΙζΑΔ¬κπ]··ι±ΖͺΕ«ιB
±κͺqdpaññāΕ ιB
±κͺΕ«Θ’ΖASΙfΑ½ΰΜΙψΑ£ηκΔ΅ά’AΊθπ·κΞΟzΜρ]©η¦κιΜΙΤͺ©©ιB
|CgΝSΝuΤuΤΙρΕ’ιΖ’€±Ζ
±κͺF―΅Γη’ΜΝA¨ΏΜMΙΛΆ΅ΔF―΅Δ’ι©ηB
¨ΏiΜjΜΟ»ΝSΜΟ»ζθx’ΜΕA¨ΏΜMΕF―΅ζ€Ζ·ιΖͺ©θΙ’B
ΘΊΚΖV΅’SͺΆάκΔιΜ©H
ͺ΄φΖΘΑΔΆΖ’€ΚπΆέo·©ηB
PΒΜGlM[ͺΑ¦ιΖA»κΙ½GlM[ͺΔ»·ι½ίB
F―ͺSΜK\
qgΝΰΜπ©½θ·’½θl¦½θ·ιRΝASΙhπ^¦ΔAu½ΏΜsankhāraΜL^ināma gottajvπμι½ίBnāmaFby name @@gottaF[nt.] clanG ancestry.
SΝuF―v·ι½ίΙΆάκA»ΜdπI¦ιΖρΕ’B
΄IΘMͺόΑΔιΖAΥκ΄ͺάθASπρ]³ΉΔ΅ά’AΦτπΞ·±ΖΙΘιB
σΘΞΫiMjͺόΑ½ηA»±ΙψΑ©©ΑΔρ]·ιB
ΒάηΘ’MΕAΥκ΄ΝΘΔΰASΝ©Θρ]·ιB
ψΑ©©θπΖιBpbTi[αzB
σΘMͺόΑΔιΖAΥκ΄ͺάθA»±ΙψΑ©©ΑΔASπ½xΰρ]³ΉΔ΅ά€B
±κsPSΕ Α½κΝΆSΙΘΑΔ΅ά€ΜΕA±Μρ]πΌΜΞΫΙΟ¦ιKvͺ ιB
»κͺΕ«ιΜͺBpbTi[αzΕ΅Δ’ιuSΙCΓv©ϋΎ―Ε ιB
©ͺΜ΄oΕN«Δ’ι±Ζπ΅Α©θΖmF·ιNZπΒ―ι±ΖΕAσΘΞΫͺsPSΙ±p^[πΟX·ιΙS©η£κι±ΖͺΕ«ιB
σΘp^[ΝβπνΑ½ζ€Ι[ΘΑΔ’ιΜΕA»κηΜ~β{θΜ^Oπ§Ι·ιάΕΙΝA·’BpbTi[ΜΐHͺKvΖ³κιB
ΥIΜΜΆzΝAά΄ν―ΜΤΪIΘΜ±ΕΝΘAΣε©ηΜΌΪΜΜ±Ε ι½ίζθNΎΕA±±©ηSπψ«£·ζ€ΙRg[·ι±ΖΝΕ«Θ’ΜΕAπE΅Θ’ΐθAΦτ]Άππ―ι±ΖͺΕ«Θ’B
#34 maraṇāsanna-kāla-citta-santāna@@@@ΥIΜS±
Tato paraṃ tam eva tathopaṭṭhitaṃ ārammaṇaṃ ārabbha
vipacca-mānaka-kammānurūpaṃ parisuddhaṃ upakkiliṭṭhaṃ vā upalabhitabba-bhavānurūpaṃ tatthoṇataṃ va citta-santānaṃ abhiṇhaṃ pavattati bāhullena.
»ΜγA»Μζ€Ι»κ½ά³Ι»ΜΙΦ΅ΔAΩn΅ζ€Ζ΅Δ’ιΖΙ΅’A΄η©ΘA ι’Νκ½S±ͺAΎηκιΝΈΜΆΆΙ΅A»±ΙX’ΔA΅Ξ΅Ξμκo·ζ€ΙA]N·ιB
#35 atha vā kamma- ārammaṇa-paccupaṭṭhāna@@@@ΖΜ»κ@@Κ@
Tam eva vā pana
janaka-bhūtaṃ kammaṃ abhinava-karaṇa-vasena dvārapattaṃ hoti.
ι’Νά½Aά³Ι»κiΆjπΆΆ³ΉιΖͺA‘ά³ΙsΧπ΅Δ’ι θϋΕAεΙB·ιB
athaF[indD] then; and also
ΆUΙ¨―ικΤΜA
ΥIΜSΙΔ»³κι»ΫͺA±κάΕΕκΤAΕ ιB
ΜΜS©ͺΘΘΑ½SΝΙΰΜι’Ε«ρθA»ΜΰΜΜ΄oΕΌΪΙΜ±·ι©ηΕ ιB
g¦ιΖAϊνΜ΄oΝ¨ͺ«ΘΑ½σΤΜx[g[FAΥIΜ΄oΝ¨ͺΗ’Μx[g[FB
ϊνΝ^Ή΅½e[vAΥIΝz[ΕΜt»ΜΰΜB
#35 atha vā kamma-ārammaṇa-paccupaṭṭhāna@@@@ΖΜ»κ@@Κ@
Tam eva vā pana
janaka-bhūtaṃ kammaṃ abhinava-karaṇa-vasena dvārapattaṃ hoti.
ι’Νά½Aά³Ι»κiΆjπΆΆ³ΉιΖͺA‘ά³ΙsΧπ΅Δ’ι θϋΕAεΙB·ιB
athaF[indD] then; and also
#36 maraṇāsanna-vīthi @@@@ΥIΜHS
Paccāsanna- maraṇassa vīthi-cittāvasāne bhavaṅga-kkhaye vā cavana-vasena
paccuppanna-bhava -pariyosāna-bhūtaṃ cuti-cittaṃ uppajjitvā nirujjhati.
ΥIͺΤί’»ΜΙΝAHSΜIνιΖ«A ι’ΝLͺSΜs«ιΖ«AΖ’€dϋΕA»έΜΆΆΜIθΖΘιSͺAΆΆΔΕ·ιB
PaccāsatiC[frDpaṭi+āśā or=paccāsaṁsati or siṁsati?] to askCbegCpray
#37 paṭisandhi-citta-uppajjamāna @@ΆSΜΆN
Tasmiṃ niruddhāvasāne tassānantaram eva tathā
gahitaṃ ārammaṇaṃ ārabbha savatthukaṃ avatthukam eva vā yathārahaṃ avijjānusaya-parikkhittena taṇhānusaya-mūlakena saṅkhārena janiyamānaṃ sampayuttehi pariggayhamānaṃ sahajātānam adhiṭṭhāna-bhāvena pubbaṅgama-bhūtaṃ bhavantara -paṭisandāna-vasena paṭisandhi- saṅkhātaṃ mānasaṃ uppajjamānam eva patiṭṭhāti bhavantare.
»κͺΕ΅IνιΖAά³Ι»ΜΌγΙA»Μζ€Ι¨¦ηκ½Lξ ι’Ν³ξΜΙΦ΅ΔKXΙA³ΎΜ°Ι’νκΔ€Μ°πͺ{Ζ·ιsΙζΑΔΆάκζ€Ζ΅Δ’ιA·ιΰΜΙΝάκΔ’ιA€ΙΆΆιΰΜ²ΖΜθΗ±λΖΘι±ΖΙζΑΔζ±ΖΘιAγΜΆΙΡt―ιμpΙζΑΔΆΖΌt―ηκ½SͺΆάκΔAγΜΆΙm§·ιB
ārabbhaFadvD[ārabhati Μ gerDBSkDārabhya] Φ΅Δ@@@beginning with
avatthuka @@avatthu aD[a-vatthu-ka] ξbΘ«C³ξ@@@@Zͺπ£κ½S
parikkhittaF[ppDof parikkhipati] encircledG surrounded
mūlakaF[mD] the reddishDiadjDjCiin cpdsDjCbeing conditioned byG originating in@ͺ{Ζ·ι
pariggayhaF[absDof parigaṇhāti] having exploredG having examinedG having comprehendedD
L ρΕ©ηΜπΎιάΕΜΤ
Fίι@@@k`§³ΜΰκΨL
FίΘ’@@μ`§³Μe[[_
ΘPΙs―ιV
VEΕιη·ϋ@
ΚuΤΙuΝΘθΙP’±Ζπ΅½vΖ’€ΔP’CpNgπ΄Άι±ΖΎ―ΕA΅xΜ’³Ι]Ά·ι±ΖͺΕ«ιB
VΙΑΔΰnΝnΘΜΕAnΘJ~ΰ½’ͺAlΤζθΰxͺKΙΆ«Δ’ιB
΅©΅A½ΎAHΧΔAVρΕ’ιΎ―ΕΝ³B
ΘwΜΕζ[Ε λ€ΖΰAqgͺβΑΔ’ι±ΖͺίHZΜ³π΄¦ιKvͺ ιB
ΘPΙϋ@Ν
VΜ³Μ±ΖπA^όΜβπχβFθβΰ@Ε³¦Δΰη’A»Μo±βm―βF―πYκΘ’ζ€Ι·ιB
uΚΜlΤζθΝά΅ΘΆπ΅½vΖ’€CΏΖvlπμθγ°ιB
±κΎ―ΕρΎηAVΙ±ΖΙΘιB
§³kΝVEΙΑΔΰASΜ¬κASΜΝ½η«AΟYΜΝ½η«AΙΒ’Δ€θr·ιΜͺ’’B
Φτ]Άππ·ιAv[`
’ΤΕ»‘ͺ ιΜΝAΜΜΦτ]ΆΕ ιΜΙΞ΅ΔA
§³ΝΜΙ»‘ͺΘAuSΜ¬κͺΦτ]ΆΕ ιv±ΖΙΪ·ιB
Μπ²«Ι΅ΔΦτ]ΆΜ±Ζπl¦ιΖA±κΝ½θOΜ±ΖΎΖͺ©θAΦτ΅Θ’Ω€ͺsΒvcΕ ιΖv€ζ€ΙΘιB
’άάΕ©ͺΜSͺ~άΑ½±ΖΝκxΰΘ’B
SΝ~άι±ΖͺΕ«Θ’B
»±Εΰ΅sPSΕΟz΅Δ’ιΜΘηΞA»ΜάάΕΝLͺΘ’ΜΕAψΙΕΰΌΜ±Ζπl¦ΘΔΝ’―Θ’BγνθΙV΅’ΞΫπF―·ι±ΖΕASͺ»ΏηΙ¬κΔ’B
SΝ~άι±ΖͺΘ’BΦτπσΙΈΑΖβΑΔ’ιB
ΜΝ’«ΘθκΒΜΧEΙΘλ€ΖASΝΚΙΗ€’€±ΖΰΘAΟνηΈΙσΙρ]π±―Δ’ιB
#38 kāma-paṭisandhi-citta-ārammaṇa @@~EΆSΜΞΫ
Maraṇāsanna-vīthiyaṃ panf ettha manda-ppavattāni pañcf eva javanāni pāṭikaṅkhitabbāni, tasmā yadi paccuppannārammaṇesu āpātham āgatesu dharantesv eva
maraṇaṃ hoti. Tadā paṭisandhi-bhavaṅgānam pi paccuppannārammaṇatā labbhatī ti katvā kāmāvacara-paṭisandhiyā cha-dvāra-ggahitaṃ kammanimittaṃ gatinimittañ ca paccuppannam atītārammaṇaṃ upalabbhati.
ά½A±±ΥIΜHΙ¨’ΔΝA5ρΎ―]N·ιχγΘ¬sSΖ’€±ΖΙΘΑΔ’ιB»Μ½ίAΰ΅A»έ΅Δ’ιΞΫͺiF―ΜjΜζΙόΑΔιΘηΞAΫ΅Δ’ιά³Ι»ΜΕΙAΚB»ΜκΝAΆSβLͺSΙ¨’ΔΰA»έΜΞΫΖΘιB»Μ½ίA~EΙΆ·ιΖ«ΝA6εΙ¨¦ηκ½AΖΜΰοΜΰA»έΜΞΫΕ θAίΜΞΫΖΘιB
pāṭikaṅkhinFaD[Dpaṭi+kāṅka -in] ]·ιCϊ·ιlhoping for
paccuppannaFmD[paṭi-uppajjati Μ pp] »έ
Kammaṃ pana atītam eva, tañ ca mano-dvāra-ggahitaṃ, tāni pana sabbāni pi
paritta-dhamma-bhūtānf evf ārammaṇāni.
κϋAΖΝAίΜΰΜΎ―Ε ιBά½»κΝAΣεΙ¨¦ηκιΰΜΕ ιB³ηΙά½A»κη·ΧΔΝA¬@Ύ―ΜΞΫΕ ιB
paritta¬-dhamma@-bhūtāJ^`ΙΘΑ½Κ@@@@@~ESH
#39 rūpārūpa-paṭisandhi-citta-ārammaṇa @@FE³FEΆSΜΞΫ
Rūpāvacara-paṭisandhiyā pana paññatti-bhūtaṃ kamma-nimittam evf ārammaṇaṃ hoti.
Tathā ārūppa-paṭisandhiyā ca mahaggata-bhūtaṃ paññatti-bhūtañ ca kamma-nimittam eva yathārahaṃ ārammaṇaṃ hoti.
Asañña-sattānaṃ pana jīvita-navakam eva paṭisandhi-bhāvena patiṭṭhāti, tasmā te rūpa-paṭisandhikā nāma.
Āruppā arūpa-paṭisandhikā. Sesā rūpārūpa-paṭisandhikā.
κϋAFEΦΜΆΙΒ’ΔΝA{έΖΘΑ½ΖΜΎ―ͺΞΫΖΘιB―lΙA³FEΦΜΆΙΒ’ΔΰAεSΖΘΑ½ΖΜΖ{έΖΘΑ½ΖΜΎ―ͺAKXΙΞΫΖΘιB
κϋA³zLξΙΒ’ΔΝA½γWΎ―ͺΆ·ιΰΜΖ΅Δm§·ιB»Μ½ίA³zLξΝuFΙζΑΔΆ·ιvΖΔΞκιB
³FΝu³FΙζΑΔΆ·ιvΖΔΞκAΌΝuFE³FΙζΑΔΆ·ιvΖΔΞκιB
jīvita-navaka@n ΞΖF‘ ΜWsΘΚFΖ½ͺ
patiṭṭhātiF[pati + ṭhā + a] is establishedG stands firmlyG finds a support
#40 cuti-paṭisandhikkama-gāthā @@ΖΆΜΜσ
Āruppa-cutiyā honti, heṭṭhimāruppa-vajjitā, param
āruppa-sandhī ca, tathā kāma-tihetukā.
Rūpāvacara-cutiyā,
ahetu-rahitā siyuṃ, Sabbā kāma-tihetumhā, kāmesv eva panetarā.
Ayam ettha cuti-paṭisandhikkamo.
³FΕΜΜγΙΝAΊΚΜ³FEπ’½³FEΕΜΆΖA―lΙA~EΕΜOφΜΆͺ ιB
FEΕΜΜγΙΝA³φπ’½Άͺ ιB
~EOφΕΜΜγΙΝA·ΧΔΜΆͺ ιB
κϋA»ΜΌΜΜγΙΝA~EΕΜΆΜέͺ ιB
ΘγͺA±±Ι¨―ιΖΆΜΕ ιB
#41 bhavaṅga-cuti@@LͺΖ
Iccevaṃ gahita-paṭisandhikānaṃ pana paṭisandhi-nirodhānantarato pabhuti
tam evf ārammaṇam ārabbha tad eva cittaṃ yāva cuti-cittuppādā asati vīthi-cittuppāde bhavassa aṅga-bhāvena bhavaṅga-santati -saṅkhātaṃ mānasaṃ abbocchinnaṃ nadī-soto viya
pavattati.
Pariyosāne ca cavana-vasena cuti-cittaṃ hutvā nirujjhati.
κϋA±Μζ€ΙΆπζΑ½ΙΝAΆSͺΕ΅½Όγ©ηnίΔAά³Ι»ΜΞΫΙΒ’ΔΜ³ά΄άΙ»ΜSͺASͺΆN·ιάΕΈΑΖAHSͺΆN΅Θ’Ζ«ΙΝΆΆΜxͺΖΘΑΔ]N·ιB
uLͺΜ±vΖΌt―ηκ½»ΜSͺAfβ·ι±ΖΘAΝΜ¬κΜζ€Ιuβ¦ΤΘA±΅Δv]N·ιB
IνθΜΖ«Ιΰά½AΖ’€ θϋΙζΑΔASΖΘΑΔΕ·ιB
#42@saṃsāra-cakka-parivattna
@@ΦτΜΦΜ]N
Tato parañ ca paṭisandhādayo ratha-cakkam iva
yathākkamaṃ eva parivattantā pavattanti.
Paṭisandhi-bhavaṅga-vīthiyo, cuti ceha tathā
bhavantare, puna sandhi-bhavaṅgam iccayaṃ, parivattati citta-santati.
ά½A»κ©ηγΙΰAΆΘΗΜSͺAΤΜΦΜζ€ΙΙ]N΅AΆN·ιB
±±ΕAΆSALͺSAHSASͺΙ]N΅ΆΆιζ€ΙA»Μζ€ΙA’Ι¨’Δΰά½AΆSALͺSΖ’€Σ€ΙA±ΜSΜ±ͺ]N·ιB
bhavantaraF[ntD] another existence
sandhiF[fD] unionG junctionG jointG connection
santatiF[fD] continuityG durationG lineage
#43@saṃsāra-cakka-samucchinna@@@ΦτΜΦΜif
Paṭisaṅkhāya panf etam addhuvaṃ, adhigantvā padam accutaṃ budhā,
susamucchinna-sineha-bandhanā, samam essanti cirāya subbatā.
κϋAPCs·ι½ΏΝA±κπΝ©Θ’ΰΜΕ ιΖΟ@΅ΔAsΜ«nΙB΅εΑΔA€Ζ’€©πζif΅ΔAβΓΙiηΕ λ€B
addhuvaF[adj.] unstableG impermanent.
gantvāF[absDof gacchati] having gone
susamucchinnaFaD[su-samucchinna] ζfβiͺβjΉιD
sinehaFsneha mDΌC€ξC€·Ce€@affectionG loveG oilG fatD
bandhanaFnDCίCS©CΪΪCί@bound; fetter; attachment; imprisonment; binding; bondage
samaF[adjD] evenG equalG levelG similar@βCΓC½Γ
essatiF[eti Μ fut.] siιjΕ λ€.
cirāyaF[adv.] for a long time
subbataF[adjD] of good conductD
Iti Abhidhammattha-saṅgahe vīthi-mutta- saṅgaha-vibhāgo nāma pañcamo
paricchedo.
ΘγΕAAr_}bTKnΙ¨―ιuΫ£HͺΚvΖΌt―ηκ½ζάΝΕ ιB
ζ6ͺ@NΜͺΝ
ΫWͺΚ@samuccaya-saṅgaha-vibhāga
#1 paṭiññāṇa@ο|
Dvāsattati-vidhā-vuttā vatthu-dhammā salakkhaṇā, tesaṃ dāni yathāyogaṃ pavakkhāmi samuccyaṃ
72νήΜΑπΒΐ@πΰ’½B±ΜΝ©ηA»κηπKXΙ΅ΔΰB
salakkhaṇaF aD[saha€Ι-lakkhaṇa] ΑΖ€Θι@[adjD] together with the
characteristicsD
dāniF[adv.] now.
#2 mātikā@@vΪ
Akusala-saṅgaho missaka-saṅgaho bodhipakkhiya-saṅgaho sabba-saṅgaho ceti samuccya-saṅgaho catubbidho veditabbo.
ΜάΖίϋΙΝAsPΜάΖίAGΜάΖίAμρͺΜάΖίAκΨΜάΖίΖ’€4νήͺ ιB
bodhipakkhiyaF[adjD] belonging to enlightenment
mātikāvΪ@@ΪπΒι±Ζ
ͺή·ι±ΖcategorizeΕA±κͺΕ«κΞdΝΩΖρΗIνΑ½±ΖΙΘιB
vΜΜnϋΖΝAvΪͺ΅Α©θgΙt’Δ’ιmātikā-dharaΜ±ΖΕ ιB
Ar_}ΜΪIΝAίΈΜ³¦πͺή΅ΔͺΝ΅ΔάΖίΔ·ι±ΖB
P@sPΜάΖίAkusala-saṅgaho
#3 āsava@@R
Kathaḿ? Akusala- saṅgahe tāva cattāro āsavā kāmāsavo
bhavāsavo diṭṭhāsavo
avijjāsavo.
ΗΜζ€Ι©HάΈsPΜάΖίΙΝASΒΜRͺ ιB~RALRA©RA³ΎRΕ ιB
āsava@@Rκι
tΜͺ¬κιAΖ’€Σ‘B
ͺπJΙ’Δ’Θ’ΖJΜΙΝΰΙ’ΔΰGκιζ€ΙASΜCΓ«π΅Δ’Θ’ΖAΟYΙζΑΔeΏπσ―ιAΖ’€Σ‘ΕΜuRv@@oTH
SΜΙRκι©ηΕ ιB
SͺκΘ’ζ€Ιηιζ€Ιΰ’Δ’ιΜͺA§³Ε ιB
Rκι΄φΖΞ@
ΗΜζ€ΘΙ½ΙζΑΔκιΜ©H
α¨@γgΣ©ηFΊ‘G@ΜMͺόΑΔιΕ ιB
Ζ€±ΖΝAκΘ’ΝΘ’Ζ’€±ΖΙΘΑΔ΅ά€B
satiΖ’€CΓ«πΏαρΖ©κ½ͺΙg¦ΔA±ΜtB^[πgΑΔARκιΜπhΜΕ ιB
~Rkāma-āsava
±Μ~kāmaΖΝα¨@γgΜ΄oν―ΕhiMjπσ―½’Ζ’€CΏB
ΪΕ©½’AγΕ‘ν’½’AgΜΕ΄Gπ΄Ά½’
SπηΔΘ’Εϊu΅Δ’ιΖAβθ½’±Ζͺ¦Δ’B
uβθ½’±Ζͺκt ιvΖ’€ΜΝAΙy΅Ά«Δ’ιΜΕΝΘA½Ύα¨@γgΙMπ^¦Δ’ιΎ―Ε ιB
±Μζ€Ι΄oν―ΕMπσM·ιy΅έπϊ·ι±Ζπkāma~Ζ’€B
~ΖΝx^[πίι±ΖΘΜ©H
kāma~Ν½·±ΖͺΕ«Θ’ΜΕA’ηΎΔΰά½ΜMπKvΖ·ιΜΕA±Μγ©ΙϊνκιΖΫΐͺΘJθΤ·ΜΕASͺ¬··ισͺΘΘθASͺκΔ’B
κάAi¨A¨A·sΘΗΝΗκΰ΄oν―ΙMπ^¦ι±ΖπΪIΙ΅Δ’ιΆ«ϋΕ ιB
½ΎMπσM·ι±Ζπ©΅Δ’ιB
½ΎhΜέπΗ΅Δ’ι¨βqgB
΅©΅A±κηΝ©·ιΙΝl΅Θ’B
sPSΙKΈ ιSA»΅ΔtΑ³κιΰΜ
akusala-cetasika 14@@@sPS
moho ahirikaṃ anottappaṃ uddhaccaṃ lobho diṭṭhi māno doso issā macchariyaṃ
kukkuccaṃ thīinaṃ middhaṃ vicikicchā ceti cuddaf ime cetsikā akusalā nāma.
sA³ΞA³ΑA{AζΓA©AAαΡAΉAΚA«μA惛ΎA°A^Μ14ΜSπsPSΖ’€B
sPSΙΝsΜ4gisA³ΞA³ΑA{jͺKΈZbgΕ ιB
»΅ΔA±κΙ~Μ3giζΓA©AjΜΗκ©ͺΑνιΖA~ͺΆάκΔA±κͺSΜΙ¬κιπ~Rkāma-āsavaΖ’€B@@@@@@@@@±Μu~Μ3gvΜ~ΖΝkāmaΜ±ΖH
πE΅Θ’ΐθA~ΝKΈN±ιB
πEπΪIΙ·ιΜΘηΞA~Ν«’ΰΜΕAuΰΑΖό‘΅’ΰΜπHΧ½’vuΰΑΖyΘΖ±λΙZέ½’vΖ’€κΚν―IΘΆ«ϋΝ~Rkāma-āsavaΕSπ·Ά«ϋΕ ιB
~πΗ¦ΞA»ΜlΜi»ͺxκιB
~Rͺ ιΖA»ΜΆ½ΜΜσΤΝ»ΜάάΕA¬·΅Θ’B
~Ζ’€SͺSΜ¬·π~ίι©ηΕ ιB
Cs΅ΔoθπJ±€Ζ·ιβoΖΝνΈ©ΘSΜRκΙΰCπΒ―ιζ€Ι·ιB
Rκι±ΖāsavaΙCπΒ―ιΜΕ ΑΔAχͺγYνΎΖv€±ΖΕΆάκιζΓlobhaΰ΅Ν~kāmaͺΆΆΘ’ζ€ΙCsΝ·ιΧ«ΘΜ©H»€ΘηΞΗΜζ€ΙCs·ιΜ©H
kāmaΖlobhaΜα’
οΜΌ`«
ΦΘοͺE·ιn¨ΙΘιζ€ΙAζΓlobhaΝ ιΙΝRāsavaΖ΅ΔΜΕAλΘ’ΜΕ ιB
ζΓlobhaΜSΝiΝϊνΆΜΕdπ΅Δ’ιͺARāsavaΙΘιΖ§κͺΟνθλ―Ε ιB
u~vΝ«Θ’AΖΰ@·ιν―
κΚlΙA~πΫθ΅Δΰ@·ιΖANΰ»ΜbΙ¨πX―ΘΘι©ηB
πEΜΪIͺΘ’κΚlΙΰ@·ικΘηΞAuqgΙΝ»κΘ’Μ~ͺ ΑΔAdπ΅Δζ£ι±ΖΝf°η΅’±ΖΎBίπΖ³ΈAΉΙ]ΑΔ©ͺΰΖ°ΰKΙΘιΆ«ϋπ·κΞ’’B»κΕΰγAVΙ―ιΜΎBvΖίΈΰΰBoTH
LRbhava-āsava
bhava-āsavaΖΝuβΑΟθΆ«Δ’½’AΙ½Θ’vΖv€CΏΜ±ΖB
±κͺΦτΜ· ΙΘιB
±Μbhava-āsavaͺ ιΜΕAdβ’λ’λΘ±Ζπ©©ηΣάΕ΅Δ’ιͺ¨Μ―ΆxΜbΕ ΑΔA½ΎΆ«ι±ΖΕIνΑΔ΅άΑΔASΜ¬·ΝΘ’B
SΝlobha
©Rdiṭṭhi-āsava
ͺΜΙ―ίΘ©πͺΆάκΔ«ΔAOi»ΫjΙΞ΅ΔΜΣ©ͺμκισΤΙΘιB
SΔΜ©πΝ³νζVΕΝΘΐΜζVΙζΑΔΆΆιΜΕA©πͺΆάκΑΟΘ΅ΜσΤπ{lΜε]ηΏΝ«΅A±Μζ€Ιλπ΅ΔΆ«ι±ΖΕκ΅’Ά«ϋΙΘιB
κΨΜ©ππΜΔι±ΖͺζκΤΪΜoθΕ ιΜΙA»Μ½ΞϋόΙΑΔ’ιB
uΧ·ιvΖΎΑΔwΝ΅ΔΰAβΑΔ’ι±ΖΝ©ππμιΎ―Μ±ΖΘΜΕA½©π©½θ·’½θ΅ΔO©ηMͺόΑΔ«½ηA»κΙ½΅Δ΅ά’Σ©ͺRκιB
©diṭṭhiΝ~ΜSilobha, diṭṭhi, mānajΙ·ιB
©πΜ΅
\ό«ΙΝul¦ιΜΝ©RA©ͺΜΣ©πΒΜΝέρΘΜ©RvΖζ’ΒΒA
ΐΫΙΝAΌΜΣ©πΈd΅½θeFΝ΅Δ’Θ’B
©ͺΖαΑ½©ππΒlπζͺ΅Δ’ιB
{lΝ³Σ―Ε ιͺA©πΙΝ±Μζ€Θ»fΖΩ«ͺ ιB
±Μ©ππAΰYβ½ζθΰεΙ΅Δ’ι±ΖΕAΌΙΐfπ©―Δ’ιB
©ππΒlΝΙuδ±»³΅’vΖ’€©ͺΜε`πηι½ίΙA©ͺΖΝဩππU·ιΜΕAν’Ύ―ΕΝΘA@³ivljΜe³βesΧΕΜ©QΙιP[Xΰ ιB
Sͺ©πΜ¬Ι΅¬³κ½½ίΕ ιB
»±ΜTPOΙ΅’ίβ«β»fΝͺ«ςΞ³κΔ΅ά€B
±κΩΗqgΝ©πΙ€ πΑΔ’ιB
©ππΒ±ΖΜκΤΜβθΝA^π©Ε«Θ’±ΖΕ ιB
³ΎRavijjā-āsava
³ΎΖΝu·ΧΔΜ±ΖΝ³νΕ ιvΖ’€±ΖͺΜ±Ε«Θ’σΤΜ±ΖB
ΘΊΘηΞά΄ν―ΙζΑΔΜF―ΕΝsΒ\Ε ι½ίΕ ιB
³νΝ»κΔΝΑ¦ιΜΎͺAXΙ»κιΰΜΝΖ©ΘΰΜΎͺΔ’ιΜΕA»κηπ―κΜΰΜΎΖλπ΅ά€B
ά½ΑΕ·ιuΤΙX|bgCgπΔηκΘ’ΜΕAΟ»ΙΒ’ΔΰF―Ε«Θ’B
Ύ©ηΚΝACsΘOΕΝA³νπΜ±Ε«ΈA±ΜσΤπavijjāΖζΤB
ϊνΆΕD«ΘΌΙsΜͺ―Ά|’‘β΅ΝCπ‘ν’ΙsΜΎΖ΅½ηA θΜάάπ΄ΆΔέιΖAίΜΜ±Ζ―κΜ±ΖΝ θ¦Θ’ΜΕA±κΝ³ΎΜΚͺ¦ιsΧΕ θA³ΎͺΗρΗρΖRκΔ’ιΜΕ ιB
Ά½ΙΝu ιvΰΜπuΔ»v΅½’AΖ’€CΏͺ ιB
±κͺ³ΎΕ ιB
±κΎ―ΘηΞάΎ’’ΜΎͺA±κͺRκΝΆίΔ»³κιΖA³νΖ’€»ΐ©η£κΔ΅ά’AζΓαΡsΙϊνκΔ΅ά€B
±€΅ΔΐΜβiΖ’€Χ©ͺ¨«ΔA»κΙ΅ͺέΒ±ΖΙΘιB
»΅Δ±Μ³ΎΙζθΌΜ·ΧΔΜΟYͺN±ι±ΖΙΘιB
³Ύ©ΜΝ«πsνΈAλ―Θ±Ζπ·ιsPSΜκΜΙΘΑΔ’ιΜΕ ιB
½Ζ¦ΞAπ·_Μ‘Ε§ΑΔ’ιΙΝΪͺ©¦ΘΔΰβθΝΘ’ͺAΰ«ρι±ΖΕAΪͺ©¦Θ’±ΖΝv½IΘβθΖΘιζ€ΙAΪͺ©¦Θ’±ΖΝΌΪIΘβθπN±΅Δ’ΘΔΰAλ―Θ±ΖπN±·κΜΙΘΑΔ’ιB
CsͺoκΘ’ΜΝ©ͺΜSΜ³ΎͺΨκΘ’©η
³νπͺΕΝ[Ύ΅AΦτ]ΆͺζΘ’±Ζππ΅AπE΅½’Σͺ ιB
ϊXA]vΘ±Ζπ΅Θ’ΕCsΞ©θ΅Δ’ιΜΕARκΰΘ’ΜΎͺASΙ³νͺ©¦Θ’ΜΕAoκΘ’B
u ιvΰΜΝΘρΕΰΑ¦Δ’B
Α¦ι±ΖΙCΓ±Ζͺ³Ύ©η£E·ιΙΝKvΘΜΕAεΟΙο΅’B
±κΝαz΅Θ’ΐθ©Ε«Θ’BΗΜζ€ΘαzΜvZXΕH
#4 ogha@@\¬
Cattāro oghā kāmogho
bhavogho diṭṭhogho
avijjogho.
~\¬AL\¬A©\¬A³Ύ\¬Ζ’€4Βͺ\¬Ε ιB
\¬oghaΕΝ¦°ζ€ͺΘ’
~kāmaΙόιΖAΗ€·ι±ΖΰΕ«Έ¬³κΔ΅ά’A¦°ιΉͺΘ’B
¬ͺ\¬ΙAͺ³ͺΙΘΑ½ζ€ΘΰΜΕAΗ€΅ζ€ΰΘ’B
{lΝj’Ε’ιΖvΑΔ’ΔΰA½Ύ~ALA©A³ΎΕ¬³κΔ’ιΎ―Ε ιB
hͺ~΅’AΆ«Δ’½’A©½AvP[VΕ¦π·Ιo·A―ΆΜ±πΔ»΅½’AΖ’€΅’¨’Ι½Ύ¬³κΔ’ιΜΕ ιB
κ«€Ν~Ε ι
κΆ½ΙqπηΔιπκ«€ΖΔΞκΜ^³κιB
΅©΅»κΝRΕAPΘι~Ι¬³κΔ’ιsΧΕ ιB
^RΕΰ©ͺΜπηι½ίΙ2ΜΤA π«©―ιΜΕA»ΜγΝΜΝπΑΥ΅Δ©ΘΘιB
uκͺ½πq―ΔqπηΔιvΖ’€NHKΜi[VΎͺAΐΫΝκΜSΙΆάκ½~Ζ’€΄ξΙηκΔ’ιΎ―Ε ιB
oθΝxΘqdpaññāΜs’’EΘΜΕAΐπ θΜάάΙ©ιKvͺ ιB
ίΖ~Μα’
ΞΜg¦@@εΞΜΖΜΙqͺζθc³κΔ’ιP[X
|
|
|
|
|
|
ί |
vΜΑhm@ |
« |
σ΅c¬Ζ»fΖs |
ηήΰΜ |
ΗΒ\@ |
~ |
qΜκe |
€ξA΄ξ |
~Μc£Ζΰe¬@C·ρΘ³` |
©RΆ |
ΗsΒ\ |
#5 yoga@@ηb
Cattāro yogā
kāma-yogo, bhava-yogo, diṭṭhi-yogo, avijjā-yogo.
~ηbALηbA©ηbA³ΎηbΖ’€4ΒͺηbΕ ιB
yogaηb
«ΏρΖΖίή
§³ΕΝAΆ½ΝΦτ]ΆΙΖίάκΔ’Δ£κΘ’ζ€Ι³κΔ’ιAΖ’€Σ‘B
4ΒΜyogaηbΕΆΜρ]Ιq°Δ’ιB
πE΅½―κΞA4ΒΜyogaηbπβ½ΘΔΝ’―Θ’B
½’ΟY¨R¨\¬@@@@@Θ’ΟY¨ηbΙCΓ
u~ALA©A³ΎvΜΟYͺ½’κΙΝA»κηͺSΙRκιB
±κͺΘιΖ\¬ΖΘθAΗ€΅ζ€ΰΘ’±ΖπqgΝCΓ
΅©΅AΟYͺ’lΝ±Μζ€Θ±ΖͺN±ηΘ’ΜΕAu~ALA©A³ΎvͺηbΜζ€ΙΖίάκΔ’ι±ΖΙSͺβ·η¬π΄Άι½ίΙΝACΓKvͺ ιB
Ά«ι±ΖΝκ΅έΕ ιAΖ©o΅½lΕΰAΘΊΦτ]Ά΅½ͺιΜ©H
uΆ«Δ’½’AΙ½Θ’vΖ’€ΟYͺ ι©ηΕ ιB
Ά«ικ΅έπΐ΄·ιΖAiΜ½πϊ΅Δ΅ά€B
ΙΝκ΅έΜΘ’Άπΐ»³Ήζ€Ζ·ιΜΕAππ―AΆΙ±ΎνιRΕ ιB
±κͺu~ALA©A³ΎvΜΟYΕ ιB
u~vΜ΄oΙhͺ~΅’AΖuLvΜΆ«±―½’AͺΦτ]Ά·ιεΘRΕ ιB
©πΖ³Ύͺ~ΖLπx¦Δ’ιB
ΐΝ±Μ’ΙΆέ΅Δ’ιΜΝAΆΖͺA±΅ρ]΅±―Δ’ι©ηΕ ιB
Θ΅ΕΝΆέΝ¬θ§½Θ’B
iΜΆΘΗΝΘAuΤΜΆ΅©Θ’B
³νΖ’€^ΙCΓ©Θ’©ηAiΜ½Ζ’€u©vπμΑΔ΅ά€ΜΕ ιB
Ά«±―½’AΖ’€uLvπμΑΔ΅ά€ΜΕ ιB
±€΅ΔΆ«ιΙ’Βΰ΅Δ’ιhiMjΙ· ·ιu~vπμΑΔ΅ά€ΜΕ ιB
±κηΜΟYΜηbπβ½Θ’ΐθAuΆ«ι±ΖΝ³νΕκΎvΖͺΕͺ©ΑΔ’ΔΰπEΙΝB΅Θ’B
δu½ΏΝκΚlΜζ€Ι’Μ~Ι’ϋΝΘ’ΜΙπEΕ«Θ’ͺ’ιΜΝ±ΜΟYΜηbΜ½ίΕ ιB
#6 gantha@@q
Cattāro ganthā
abhijjhā kāyagantho byāpādo
kāyagantho sīlabbata-parāmāso
kāyagantho idaṃ -saccābhiniveso kāyagantho .
ΩνΘ~Ζ’€ΡΜVXeAΩνΘ{θΖ’€ΡΜVXeAϊΦζΖ’€ΡΜVXeAu±κͺ^ΐΎvΖ·
·ιΡΜVXeΖ’€SΒͺAΡΜVXeΕ ιB
~Μ³Μ
ΞΫπ©ͺΜϋΙψΑ£ι±ΖΕ ιB
uΗ’ΰΜΎvu~΅’ΰΜΎvΖψΑ£ι±Ζͺ~Ε ιB
―Ά~Εΰ³ά΄άΘΰΜͺ ιΜΕA«Μα’ΙζΑΔζΚ΅ΔAlXΘpxΕ§³ΝΰΎ΅Δ’ιB
RκιA\κιAΖίήA‘xΝAΤB
ΡΜVXekāyagantho
gΜΖ’€VXeπΚΆΔASΝΦτ]ΆΖΡΜVXekāyaganthoΙζΑΔqͺΑΔ’ιB
Cs·ιOΙΝSΝΜΖOκIΙΞκΔ’ιΜΕAΜΘ΅Εl¦ι±ΖΝΕ«Θ’B
C[WβσzβΟzΰm―ΰTOΰίΜά΄ν―iΜjΙζιF―πx[XΙ΅Δgέν³κ½ΰΜΕ ιB
ΜΙΤΒ―Δ’ιAΖ’€±Εkāya-ganthoΖ’€B
cf.@oθΜ«nΜuo’ΤvΝΜ̳𴦽ƱλΜbΕ ιB
ηbΖΡΜα’
ηb@@©RΙΰ«½’ΜΎ―ΗAΧπψΑ£ηΘΔΝΘηΘ’ζ€ΙΘΑΔ’ιΜΕA©RΝΘ’
Ρ@±κͺ ιΜΕA©RΙ΅Θ’ζ€Ι΅Δ’ιB@@Ύ’σ
΄ξΜ’λ’λΘ«ΙζΑΔAqgΝϊνκΔ’ι±Ζπ\»΅Δ’ιB
lΤΜ_
qgΜΜπΒΖ»κΙΦA΅½΄oͺΆάκA»κΕF―·ιB
qgΖα€ΜπΒΖဴoͺΆάκιΜΕAm―AFΟAΆέ΄πF―·ιB
qgΜF―΅½ΰΜΝAqgΙ΅©Κp΅Θ’ΜΕAqgΜm―ͺSΔΕ ιΖ’€ΜΝAΌΜΆ½ΜΙΝΚp΅Θ’B
±Μ½ίΙqgΜ_ΙΑ»΅ΔΰΣ‘ͺΘ’ΜΕA§³ΕΝAOΆALξΖ’€κεπg’A
uVΕ λ€ͺA_XΕ λ€ͺANΕ λ€ͺAχΆ¨Ε λ€ͺέρΘLξsattaΕ ιvΖΰB
sattaΖΝuϊνκΔ’ιvΖ’€Σ‘Ε ιB
ΆέΙΖηνκΔ’ι©ηΕ ιB@
LξΖΝAξͺ ιAΒάθ΄ξΜέΕAΘρΜ±ΖΝΘ’BΖ’€Σ‘Ε ιB
J~ΖA[o[ΰΗΏηΰϊνκΔ’ι_Εα’ΝΘ’B
gΜͺα€ΜΕAF―΅Δ’ι’EΝα€±Ζͺz³κιB
½ΎΗΏηΜF―ͺ³΅’Μ©ΝAΎ€±ΖͺΕ«Θ’B
]ͺε«’Ω€ͺΜ’ΜΘηΞANWΜΩ€ͺqgζθΰmΐΙm\ͺ Α½θα€’EπF―΅Δ’ιΖ’€±ΖΙΘιB
©ͺΜpxΕ©ͺΙ©¦ι’E΅©Amλ€Ζΰ΅Θ’±ΖͺA³mΜ’EΙΘιB
ΩνΘ~Ζ’€ΡΜVXeabhijjhā kāyagantho
ΩνΘ~ΕOΆπΦτΙΡt―ιVXe
ΚΜ~lobhaΙΞ΅ΔΩνΘ~abhijjhāΝGlM[ͺ’B@@
abhijjhā= abhi-ijjhā= abhixͺ’-icchā~@@@ΩνΙ’~
ΚΜ~lobhaΝ½π~΅’Μ©Ζ^[QbgπiΑΔ’±ΖΕiKIΙ~πΜΔι±ΖͺΕ«ιͺA
abhijjhāΙΝ^[QbgΰΘA½ΎΕ_Ι~΅ͺΑΔ’ιAΩΖρΗΐ»sΒ\ΘΟz©ηΆάκιΝΘ~B
KΖabhijjhā
’ ΏΙΘιάΕASΙ~lobhaͺ ιB
Ύ©η~lobhaπΘΉΖ’€ΜΕΝΘ’B
»κͺuΩνΘ~vΙΘηΘ’ζ€ΙA’ΒΕΰ«ΏρΖRg[΅ΘΔΝ’―Θ’B
lobha~Aicchā~ͺ’«Θθ΅Δ abhixͺ’-ijjhā’~ΙΘΑΔΝλ―Ε θAπEΕ«Θ’B
abhijjhāΝΰΙΔ’ιB
KΝΜΜΧEΕ ιBΌΜΧEΖ―Άζ€ΙA²ΧEͺͺτπJθΤ΅ΔAV΅’ΧEͺΆάκAΓ’ΧEΝρΕ’B
K»ΜΰΜΝaCΕΝΘ’BΆάκΔΝΕ΅Δ’ΰΜΕ ιB
Ζ±λͺ ιϊAͺτΜXs[hͺΟνι±ΖΕAΩνΙB·ι±Ζͺ ιB
h{ͺπόΝ©ηψ«ρΉΔAͺτΜXs[hπΖ³ΈΙ}¬ΙΙBπnίιΖA»κΝaCΕ ιB
ΆάκΔΝΕ·ιΖ’€@₯Ι]νΈAΆάκι±ΖΙX|bgCgπΔΔA©ͺΖ’€ΧEΜΆέΜ½ίΙΝόΝΜΧEΜh{ͺπD’ζθAB·ιB
½ΎͺτΜXs[hͺ’Ζ’€Ύ―ΕΙι±ΖΙΘιB
SΙlobha~ͺ ιSHΜpxͺ¦ι±ΖΕabhijjhāΩνΘ~ΙΘθA΅ά’ΙΝA~ΜΞΫͺΘΔΰA~ΜSHΜΆέπΫ·ι½ίΙA~ΜSHΜρπε³ΉΔ΅ά€B
ΩνΘ{θΖ’€ΡΜVXebyāpādo kāyagantho
΄φsΎΜRg[Ε«Θ’{θΘΜΕAϋίιϋ@ͺΘ’B
»γΠοΜLι»ΫΝbyāpādoΙζιΈ_aBuΕ«ι±ΖΘηΰΑΖβ轩Α½v
ΩνΘ~Ζ―ΆΟz©ηΆάκιB
ϊΦζΖ’€ΡΜVXesīlabbata-parāmāso kāyagantho
sīlaϊbbata[vata]’λ’λΘCs@parāmāsaΕ·Aϊνκι±Ζ
SΝ~ΜO[vΜ©diṭṭhi
ΡΙΘιΖ©πͺsīlabbata-parāmāsoCsΜ`Ιϊνκι`ε`ΙΘιB
Ano[hALLAHABAD (TK¬πΣ‘·ι)@
KK[(KWX)Ζi[A±ΜρΒΜΉΘιμͺπνικͺTKΕ ιB`ΰΕΝA³ηΙn©ηTX@eB[Ζ’€nΊ ¬ͺ―Ι¬΅Δ’ιΖ³κΔ’ιB
BπSΙALεΘΝ΄ͺεΘ@³σΤπ`¬΅Δ’ιΜͺ±ΜΉnΜΑ₯Ε ιB
ΓγChΜ}n[o[^ΕΝATKΝΩ©ΙΐΤΰΜΜΘ’ChΰΕΝζκΜΉnΖl¦ηκΔ’½B
κsπ θͺ½ιΜΝqgΜ{«
]π½³ρg€lΝA6ΤΩΗO§π₯¦±―ιΎ―ΕAΆoͺΆΆιB
]πgνΘ’lΝA1ΩΗO§π₯¦±―ιΖAΆoͺΆΆιB
sΙϊνκιΜΝqdpaññāͺ»κιΉΖΝ³½ΞΕ ιB
¨π«ΏρΖ©ι±ΖͺΕ«κΞAqdpaññāͺ»κιB
κsΝ~πΘ·ΜΕΝΘA~πμιΉΕ ιB
~Μ’EΜζͺΕΑά΅½ͺκsΙιB
sΙΖηνκΔ’ιoΖa¬ΚΜ
uΝ©±ΜΝΙΔA΅ΔASΜίπτ’¬΅Δ’ιΜΎvΖoͺΎ€ΖA’g’ΜΜqͺuΕΝA Θ½ζθζΙ±ΜΝΜJGβ½Ώͺ΄η©ΙΘΑΔVΙΜΕ·ΛvΖ¦½B
EΆͺΗΘ’R
ΗρΘΆ½ΰAE³κ½θA’Άίηκ½θ·ι±Ζπͺι©ηB
΅«½θΜκΒΜ€Κ
|A΄AηVΘΗπΠοlΖ΅ΔΜsVπζ·ι±ΖΕAΣ―Δ’ι«iπΌ·B
Σ―Θη’ΝΌ³Θ’ΖA’Έ_IVbNπσ―ι±ΖΙΘιCsΙΝγή±ΖͺΕ«Θ’B
ϊ₯AΉΏA΅«½θAK΅ͺASΜκπΘ·½ίΜx¦ΙΘιB
u±κͺ^ΐΎvΖ· ·ιΡΜVXeidaṃ -saccābhiniveso kāyagantho
idaṃ±κΝ@sacca^ΐabhinivesoΕ··ιB@@@cf.nivesa@ZAΖ
ΞΫΜ±Ζπ±Ζ½CΕθΙίΒ―Δ΅ά€±ΖΕAAϊ{ΕΝΑΙσΙ±Μ»Ϋͺ ιB
MΝAͺΜΘ’Rπ©ͺθΙίΒ―ΔΜ»€Ι΅A―aΜσMΝu»€’€±Ζ©vΖ»ΜίΒ―πfΌΙσ―όκιB
±κΝKΘΜΕ‘·±ΖͺΕ«Θ’B
SΔΜΣ―ΜͺβηκΔ΅ά€KB
qgͺoκΘ’ΜΝ±Μ½ίB
΅ͺέΒΘΗA½©πίά¦½ηA»±ΕπEΕ«ΘΘιB
―lΙAvζβ\υθͺ ιΖAπEΕ«ΘΘιB
V΅’Μ±π·Ιπί΅ΔAωmΜTOΙψ«ρΉΔͺΚ΅ΔΰAπEΕ«ΘΘιB
u±κ±»^ΐvΖ’€KΙ· ³¦Θ―κΞA’EIΘεm―lΙΘκιB
³¦ηκ½RπMΆAmΑ½±ΖΙϊνκΔ΅ά€ΖA»±Ε¬·ͺ~άΑΔ΅ά€B
{πΗήΙΰ©ͺΜ©ππmθ·ι{πIΡA©ππφ·{ΝAΰeπΫθ΅ΘͺηΗήB
ά΄ν―ΜhiMjπίι±ΖͺΆ«ι±ΖΕ ιB@@@tCgΝ§@πmΑΔ’½H
uΆ½ΖΝ«~Ζ’€ΥΕ ιv
«~ΖΝά΄ν―©ηΜMπψ«ρΉζ€Ζ·ιΝ½η«ΘΜΕA«ΙΑ»·ιKvΝΘ’ͺ§@Ζ―ΆΕ ιB
uqgπάί½Ά½ΜΝZε©ηΜhiMjπGlM[Ζ΅ΔΆ«Δ’ιBMΘηΞ½Εΰ’’B±κͺΆέΘΜΕ ΑΔA±ΜJjYπFίιΖA©RΜ@₯ππΕ«ι±ΖΕA’ΙN«Δ’ι»ΫΙΞ΅ΔSͺΐη©ΙΘιͺA»€ΕΘ’Ζ©ͺΜ©πiΟzjΖ»ΫΜΤΙMbvͺΕ«ιΜΕASΙβθͺN«ιBv
±κΙΞ΅ΔA[bpΠοΝAuΆ½ΝΈ’A±κ±»ͺ^ΐΕ ιvΖ΅½B
u©ͺͺ³΅’vΖΐS·ιΣ―Μ
u±κ±»ͺ^ΐΕ ιvΖ· ·ιaCͺqgΙΝ ιB
umηΘ’±ΖͺN±ιΖsΐvΙΘιΜͺ΄φΕ ιB
΄φΜ1ΒΝ’mΘιΰΜπͺΚ΅ΔωmΘιΰΜΙ΅Θ’ΖsΐΙΘι©ηΕ ιB
ζͺΕ«ιΖ[ΎΕ«ΔAΐS΅½B
’mΙΞ΅ΔJΞ@
u©ͺͺ³΅’v±ΖπξΙ·ιΖAV΅’ξρΙΞ΅ΔΒΆΔ΅ά€±ΖΙΘιB
©Ζ’ΑΔAΒΆΘ’ΜΖ©ͺΜl¦πάΖίι±ΖΝΕ«Θ’B
»±ΕAu‘Μv±€’€_ΙΘιAΖJ’½σΤΕ[’Δ¨ΜͺI[vRfBVB
πβφπ²ΧΔAuκA±€’€±ΖΙΘιvΖ½ΰίΒ―Θ’Μͺ’’B
BpbTi[αzΖπί
BpbTi[αzΕπίΝΦ¨Ε ιBπί΅Θ’ΕAΜ±·ιΰΜπ»ΜάάΜ±΅±―ΔAζΙsB
πίΖΝwK΅½ωmΜΕθΟOΖδΧι±ΖΘΜΕA’mΜV΅’Μ±π±κάΕΜΜ±Ιͺή΅Δ’ιζ€ΕΝA»κΝλππΟέdΛιsΧΕ ιB
CsΙγρΕΰA©ͺΜΓ’ΕθTOπmθ΅½ηASΜ¬·ΝΖάιB
πEΖΝu±κͺ^ΎvΖΏ «½ΘιCΏπnίAκΨΜTOΙΞ·ι· πΜΔΔA^Μ©Rπo±·ι±ΖΕ ιB
#7 upādāna@@Ε·
Cattāro upādānāni
kāmupādānaṃ diṭṭhupādānaṃ sīlabbatupādānaṃ attavādupādānaṃ.
~ΜΕ·A©ΜΕ·AϊΦΜΕ·AδΰΜΕ·Ζ’€4ΒͺΕ·Ε ιB
ηbΖΡΖΕ·Μα’
ηb@@@©ͺΙq°ηκΔ’ιA©ͺΝ©RΙΘθ½’ͺ@@©ͺ©η©½JjY
Ρ@@©ͺΙΞκΔ’ιΜͺΐ@@@@@@@@@@@qΟIΙ©½gDIΘVXe@Ύ’σ
Ε·@@©ͺΕίάΑΔ’ιAν΄ν΄B@@@@@@@@@³Σ―πάίΔAΣ}IΙ©ͺ©η
upādānaΕ·ΝAΙ©¦ιΆzΘΜΕAάΈΝ±κΝΆzΕ ι±ΖπΜ±΅Θ―κΞΘηΘ’B
ηbΖΡ©ηΜπϊΝͺΕπΕ«ιͺAΕ·©ηπϊΝuΰ€Ε·΅Θ’vΖͺΕπ΅ΔΜΔι±ΖͺΕ«ιΰΜΕΝΘACsͺKvΘΰΜΕ ιB
ΗΜζ€ΘCsΘΜ©H@@BpbTi[αzΙζι΄oΙCΓ«±―ι±ΖΕA΄oΜΕ·ι±ΖπΜ΄·ι±ΖΘΜ©H
kāma-upādāna
ΰΑΖ«κ’ΘΉπT·AΰΑΖό‘΅’‘πT΅A©ͺ©η~ΙίάΑΔA½πq°ζ€Ζ·ιsΧ
diṭṭhi-upādāna
±±ΝΎAΖΎ€ΜΰΧ©ΘΜΝAFΊ‘GΜMπξΙ΅Δu±€Ε ιvΖπ·ι±Ζ©ΜͺΤαΑΔ’ι©ηΕ ιB
ξρΙίάΑΔ’ι±ΖΕA³νπΜ΄΅Δ’Θ’©ηB
sīlabbata-upādāna
usπ·ι±ΖΝΗ’±ΖΕ ιvΖ’€l¦Ι{lͺίάΑΔ’ισΤ
ίάΑ½η«ͺΘΘιB«ͺΘΘιΖoθͺΘΘιB
sπβΑΔ’ιΐθΝA³νπΜ±΅Θ’B
sΝεΨΎΖAsπΐΜ΅Δ’ι©ηΕ ιB
attavāda-upādāna@@@@vādaF[mD]
theoryG sayingG creed controversyDΰA_
©δΜZI[A·ΘνΏuͺ’ιvΖ’€TOΙΕ··ι
2iKΜΟz
PbΜΤΙcεΘΉXͺΆΕΟ»΅Δ’B
»ΜΉXπSάΖίΔAuΉπ«’½vΖΎΑΔ’ιB
±κΝΟzΕ ιB@@@@cεΘΆΕ·ιΉXπάΖίι±ΖΕAuΉyvuΜΊvΘΗΖF―·ιͺA±κͺ·ΕΙΆzΕ ιB
άΖίιμΖΖΝAΆάκιΉΎ―q°ι±ΖΕAΑ¦Δ’ΉπO΅AΙ»κπωΆΜTOΖͺΰΘ’ΜΙΡt―ι±ΖΆΕ·ιΉXπTOΖ΅ΔΐΜ»³ΉΔ’ι±ΖπΟzΖζΤB
ΙΝ»ΜΟzΙξΓ’ΔAuͺvΉπ·’½AΖvΑΔ΅άΑΔAuδvπμθγ°ιΖ’€QΒΪΜΟzπ·ιB
BpbTi[αzπ΅Δm©ίΔέιΖAu»±ΙΝΉyΰΜΊΰΘ’B½ΎPΘιΉXΖ’€gΜGlM[ͺuΤuΤΙ¨Ι ½ιΎ―ΕA»κπΉΖ΅Δ»f΅A»ΜΑ¦ιͺπr΅½AΆάκιͺΎ―πq°ΔTO»΅Δ’ιB
±κΝf’uΤΙN«ι±ΖΎ©ηAqgΙΝu©δvΕΝΘ’Ζͺ©ηΘ’ΜΕA©δΖ’€ΆoͺAKRIΙΆάκΔ΅ά€B
#8 nīvaraṇa@@W
Cha nīvaraṇāni kāma-cchanda-nīvaraṇaṃ byāpāda-nīvaraṇaṃ thīna-middha-nīvaraṇaṃ uddhacca-kukkucca -nīvaraṇaṃ vicikicchā-nīvaraṇaṃ
avijjā-nīvaraṇaṃ.
~ζΓΜWA{θΜWA¨ΎE°ΜWAΒ«EγχΜWA^ΜWA³ΎΜWΖ’€6ΒͺWΕ ιB
vicikicchā^@ Θ½ΜΎ€±ΖΝMΆάΉρΖ©ͺΕm©ίΘ’m―IΘΣ―S
D«A’ΙΦνηΘ’
ukāmaFΊ‘G@chandaD«vΖΝA
αzπ΅Δ’ιΖAIνΑΔA²ΝρπHΧ½’ΘAΖv€CΏB
u’άE±±vΕΝΘ’±Ζπ΅½ΘιCΏB
u»κΝ’ΎvΖ’€±ΖΝA»κΙΦνθͺ ιA·ΘνΏϊνκΔ’ιΖ’€±ΖB
D«ΰ’ΰΞΫΙΦνθͺ ισΤΕ ιB
±κΝTθβαzΙΝΦWΘ’’EΕ ιB
»f΅ΔΝ’―Θ’
½Ζ¦ΞA€ά’Α½©A’©Θ©Α½©AΖ’€±ΖΰvΑΔΝ’―Θ’B
€ά’Α½AΖvΑ½ηA»κΝΠ£ι±ΖΕA~ΜΟYͺΙB΅A
€ά’©Θ©Α½AΖvΑ½ηA»κΝγχ·ι±ΖΕA{θΜΟYͺΙB·ιB
#9 anusaya@@°
Satta anusayā
~ζΓΜ°ALζΓΜ°AαΡΜ°AΜ°A©Μ°A^Μ°A³ΎΜ°Ζ’€7Βͺ°Ε ιB
anusaya°@@@QΔ’ιΟYA³Σ―EφέΣ―ΜΟY
OΜW³Σ―ΝΆέ΅Θ’B½Ύ¨έ’ΜSͺΔ’ιAΎ―ΜbΕA»Μζ€ΘΰΜΝΘ’B
WΣ―Ζ’€ΰΜΰΘA½Ζ¦ΞAJͺ~πo΅½ηA―Άζ€Θ½π’EΕΰ·ιΎ―ΜbB
§³Ε³Σ―ΖΎνΘ’ΜΝABΕΣ―Ε«Θ’σΤͺ½ΰcηΘ’ΩΗAOκIΙSπΟ@΅Δ’ι©ηB
bhava-rāgā@@
Ά«Δ’½’B@ΈΟͺ_ΘΜΝΆάκΟνκΘ’©ηBΚρΎΑ½ηVΙA»΅ΔiΙB
{\Ζ΅Δ ΑΔAΗ€΅Δཀྵβη΄ιπΎΘ’σΤΙΘιB
mānaΖΝ©ͺΖΌlπδΧι±ΖΕAͺξΖΘιΜΕoκΘ’B
#10 suttanta-saṃyojana@@oΜ
Dasa saṃyojanāni kāmarāga-saṃyojanaṃ rūparāga-saṃyojanaṃ arūparāga-saṃyojanaṃ paṭigha-saṃyojanaṃ māna-saṃyojanaṃ diṭṭhi-saṃyojanaṃ sīlabbataparāmāsa-saṃyojanaṃ vicikicchā-saṃyojanaṃ uddhacca-saṃyojanaṃ avijjā-saṃyojanaṃ suttante.
oTΙΝ~ζΓΜAFζΓΜA³FζΓΜAαΡΜAΜA©ΜAΦϊΜA^ΜAΒ«ΜA³ΎΜΖ’€10Μͺ ιB
F―ΖΝΞΫπΕΜ»΅Δͺπ΅AΙάΖίγ°ΔTO»·ι±Ζ
½Ζ¦Ξu±κΝoΜΤΎvΖF―·ιάΕΙΝAά΄ν―©ηΜMπF―΅ΔάΖί °A±κΖΣ―ΜΙ ιzsaññāΜMΖΖ΅ΔAΝΆίΔ¬θ§ΒB
oΜΤΖ’€ΐΜΝΘA»κΝzsaññāΖ’€ΆoΕ ΑΔA©½ΰΜΖΝα€ͺA±κηπΤΒ―ιΝ½η«ͺ ιB
±Μζ€Ι’λ’λΘF―πκΣΙάΖίιΝ½η«πsaṃyojanaΖ’€B
½Ζ¦ΞκΒκΒΜiπΏαρΖάΖίιΖAΤΖ’€Ν½η«π·ιB
΅©΅άΖίηκΘ’ΖAΤΜΝ½η«ΝΘ’B
saṃyojanaάΖίι«ΰΟYΕ ι
iΙΦSΝΘ’ͺΤΙΝ·
πΒlΝ’ιB±ΜΟYΜΖlͺHwF―Ε ιB
ooΜF―π1ΒΙΡt―ΔάΖί °ιF―\ΝΜ±ΖB
»΅Δ±ΜάΖίι«ͺqgͺΦτΙϊνκΔ΅ά€10νήΜΟYΕ ιB
kāma-rāga-saṃyojana
FΊ‘GΙΞ·ι·
±ΜkāmaΝkāma-vatthuEΞΫ¨Μ±ΖΕAά΄ν―ΙGκι¨ΏIMΜ±ΖB
½Ζ¦Ξ^sIJπHΧιΖAΓ³ΖγGθΖ΄νθΖΜΗz΅πάΖίΔF―·ιB
ά΄ν―©ηΜMΙϊνκΔ΅άΑ½ηA~Μ«ΙζΑΔASΜΕκΒΙάΖίΔ΅ά€«ͺ·ιB
ΦτΜdgέ
qgΝρΕΰ»ΜGlM[ͺά½Η±©ΕςΖ΅Δ»κΔ΅ά€Μ©HΖ’€JjYπΎη©Ι΅½ΜͺίΈB
½ΏͺΈΑΖΆoΜΙ’Δκ΅ρΕ’ιRΝAFΊ‘GΜ¨ΏGlM[ΙΞ΅Δ΅~ͺΆάκι©ηΕ ιAΖB
±κηΜ¨ΏGlM[πά½Δ»΅½’Ζ’€~ͺΆάκιB
ΐΝΔ»sΒ\Ε θAκx«θΜoΕ ιB
΅©΅A±Μu±―½’vΖ’€Δ»θ]ͺAV΅’GlM[πΆρΕ’B
±κͺ¨Ώ~Ε ιB¨ΏΖ’€ΜΝFΊ‘GΜ5νΜ±ΖΎ―Ε΅©Θ’B
VβJ~ΜΎt@@@@~EΜΐE
Vͺ8lΜεlΙF[_𳦽ƒ€bΙΞ΅ΔAίΈΝu»κΝu·±¦½vΖ’€±ΖΕ ιBΉΕ ιBΆΕ·ιΉΖ’€¨ΏΜ¬κiόgjπ·’½ΜΕ ΑΔA»κηπ»f΅½ΜΝqgΕ ιB»κηΜ»fΝe©ΜπίΘΜΎ©ηAΗΝ³΅’ΰΜΝ`νηΘ’BΎ©ηAVΜΎΑ½±Ζͺ`νΑ½©Ζ’€Ζu»€©κ΅ΘΘ’΅A»€ΕΝΘ’©ΰ΅κΘ’v
Ύ©η^ΐ©Η€©Μ»fΝάͺάͺΘΜΕA±±άΕΙ΅Δ[’Δ¨±€B
VβJ~ΜΎtΝAΗρΘΉTΕ λ€ͺAlΤΜΆέΜβθΙΒ’ΔΝ½ΰ¦Δ’Θ’B
Ύ©ηu±€΅Θ³’vΖ’Δ ιΎ―B»ΜRΙΒ’ΔΝ¦Δ’Θ’B
FΊ‘GΜMΙ~πΒ±ΖΕA»±Ι©ͺΆάκΔAΰΜ²ΖπάΖίΔl¦ιζ€ΙΘθA³ΎͺΆάκιB
rūpa-rāga
n ΞΙΞ·ι·
u‘ΜΆέζθ’xΕΆ«½’AVζθΰFEͺ’’vΖ’€~ͺ ιΖΦτΝIνηΘ’B
FEΕVΙΆάκΟνΑΔΰAά½ΟYͺ θAΦτΜΕ ιB
arūpa-rāga-saṃyojaṃ
SΙΞ·ι·
ΝSΕl¦ιΜΕA»ΜSͺΕΝΘ’©BF―·ιΝ½η«ͺΕΝΘ’©ΖvΑΔASπACfeBeBΙ·ιB
αzπ΅Δ©ͺΜSͺuΤuΤΟνι±ΖπΜ±΅ΔΰAu©ͺΜSͺΎB©ͺΜSΜΙεΘν½΅ͺ’ιvΖvΑΔ΅ά€B
arūpaΖΝSΎΖπί·ιΖA»κΝarūpa-rāgaΕ ιB
¨ΏπΫθ΅ΔASΜέAΝ©Θ¨ΏΙΰηΘΘιΖAFΖΜΦWΝΘΘθA³FEΜ³Ι]Ά·ιB
½Ζ¦Ξj~b^Μζ€Ια πgνΔ੦ι±Ζͺ ιͺA±κηΰ]ΰΕΜ¨ΏI½ΜΚΕ ιΜΕA³FEΕΝΘ’B
VπMΆΈAHΧΔVρΕy΅ρΕ’κΞ’’ΜΕΝΘ’©ΖvΑΔ’ιlΰA¨ΏΙΞ·ι· rūpa-rāgaͺ θASΜΝ½η«ΙΞ·ι· arūpa-rāgaΰ ιBΒάθ±ΜRΒΜ~ΝΗρΘΆ½ΜΙΰ ιB
paṭigha-saṃyojanaṃ
±κΝ©½Θ’ΜΎAΖ’€CΏͺpaṭighaΜGlM[B
paṭigha ΖrāgaΝ«Ν³½ΞΎͺARCΜ \B
D«’Ζ³ν
Η€΅ΔAΰΜ²ΖͺD«’ΘΜ©Ζ’€ΖAuΰΜ²ΖͺLιvΖvΑΔ’ι©ηB
ΐΝuΰΜ²ΖΝA³’BuΤ΅©»ΫΝΆάκΘ’B2xΖ―Ά»ΫΝΆάκΘ’vΕ ιAΖ’€qdpaññāͺΘ’©ηΕ ιB
qdpaññāͺ©·ιΜΝAuεΜΖ’€»ΫΰAqΜΖ’€»ΫΰASA½ΎΜuΤΎ―A»΅ΔPρΎ―Ζ’€±ΖπΎmΙΜ±·ι±ΖBv·ιΖ»ΜlΜ³ΎΝjκAΑ¦Δ΅ά€B
māna-saṃyojana
ͺ’ιΖ’€ΟzTO©ηΆάκιB
ΘΊuͺ’ιvΖΐ΄·ιΜ©H
»κΝsaṃyojanaΜΝ½η«Μ½ίASͺθΙuάΖίζ€Ζ·ιv©ηΕ ιB
»κΕͺ©ιAͺ·Ζ΄ΆΔ΅ά€B
uάΖίιv½ίΙΝξͺKvΘΜΕA―ΙuάΖίιvͺΆάκΔ΅ά€B
πg€Ζu©ΘvͺΆ·ιH
β»κβήΘΗΜεκΎ―ΕΝΘAπgΑΔΰA©ΘΝΆ·ιB
ChE[bpκΕΝAΝεκΙζΑΔΟ»·ιΜΕA»κΕεκiεΜjͺͺ©ι©ηΕ ιB
½Ζ¦ΞAp[κΜasmiΝatthiΖ’€beΜ»έκlΜΘΜΕAεκͺuvΕ ιahamΕ ι±Ζͺͺ©ιB
uaham asmivΝAΝA’ιΖ’€Σ‘Ε ιͺAahamͺΘasmiΎ―ΕΰΣ‘Ν―ΆΕ ιB
I am, You are, He isΜζ€ΙbeΝεκΙΞ΅Δ’ι©ηΕ ιB
cf. as@ΆέALibeji= γbūj
ͺ±Μζ€ΙεκΙζΑΔΟ»·ιΜΝAuΆέvΙX|bgCgπΔι©ηΕ ιB
±κΩΗAuͺ’ιvΖ’€ΐ΄ΝAρνΙ’ΰΜΕ ιB
»΅Δ»κΝεΜΙζΑΔAuΆέΜΰevͺα€±ΖπChE[bpκΕΝ\΅Δ’ιB
±κη©ηΒlε`A©δΙ±ΎνιXόAWc³Σ―AΒXΜΆέͺα€Ζ’€³νΙίΓ’½\»π·ι±ΖΕΜ_AΖμpπl@·ιΜΝΚ’B
ΏΜ¬θ§Ώ
ΏΕΝΜ«π\ΉΘ’B
ΗΜζ€ΙμΑ½©Ζ’€ΖAuΰvΖ’€Ό©ηAuΰvΖ’€«πΘρΖ©z΅ΔΙ΅½B
½Ζ¦ΞuΰvΖ’€«Μ«Ν»ΫΕz΅Θ―ΞΘηΘ’B
·ΘνΏΏΝA«Μ ισΤπ·ΧΔΓ~³ΉΔJ^`Ι΅ΔA·ΘνΏTO»΅ΔA»κπ©·±ΖΕAΎtΙ΅Δ’ιB
qΟIΘ©πiΘwjΝ·ΧΔ»ΜlΜΣ©Ε ι
]_Ζβm―lβΘwIfΎΝPΘιA»Μ\»π·ιlΜΣ©Ε ιB
½Ζ¦ΞAu±ΜΉΝNAΕ ιBvΖ’€ΜΰAάΈΝξ_πέθ΅A½©Ζδr΅ΔAΞIΙ]Ώ΅½ΎΘΜΕAuΕ ιvΖfΎ΅Δ’ιΜΝAξ_πέθ΅½liΘwπ΅Δ’ιMΆρΕ’ιjΜ΅θΕ ιB
uΙΖΑΔvΖ’€±ΖΘ±ΖΕAεΟΕ ι±ΖπqΟIΐΕ ιΖ¨α’³ΉΔ’ιB
±Μζ€Ν\»π·ͺA·ΕΙqΟIΐΖ’€ΰΜͺΆέ·ιΖ’€Άoπ·ΕΙΑΔ’ιΜΕALψΙΘιΜΕ ιB
±Μ’ΙqΟIΐΖ’€ΰΜΝΆέ΅Θ’B»΅Δ·ΧΔΜsΝΕ½ηίΘεΟΜΚ
―ΆΰΜπHΧΔAΌΜlͺ―Ά±ΖπΎΑΔΰ»κΝqΟIΘΐΕΝΘ’B
»κΝΌΜlΜεΟΖΜεΟͺ―ΆΕ Α½’€±ΖΕ΅©Θ’B
lΤΜF―ΝεΟΎ―Ε ΑΔAqΟIΐΝΘAεΟΝ»ΜlͺθΙμθγ°ιΰΜΕ ιB
±ΜεΟΕNwβwβπμΑΔ’ιB
uͺ’ιvΖ’€ξπμθA»±©η ηδιΰΜπδΧΔ’B
δΧι±ΖΙζΑΔV΅’GlM[ͺΆάκιB
Ζ’€Μΰuvπέθ·ι±ΖΕA»κΝF―μpΜσvedanāΜiKΙ¨’ΔίΜ^OπΒ―Δ΅ά€ΜΕA»κΙΞ΅Δ½΅Δ΅ά€A·ΘνΏ»fβvlβπ½Λβsπ΅Δ΅ά€ΜΕ ιB
±€΅Δ·ΧΔΜsΝ©ͺΜεΟΙξΓΕ½ηίΕ θA~ίι±ΖΝΕ«Θ’B
diṭṭhi-saṃyojana
δΧι±Ζ©ηΣ©πμιlͺ’ιB
χΖL[{[hπδΧΔέιBd³AήΏAliA
uδΧιvΖΝAδΧκιΰΜΜΞIΘ±ΖΕκΚIiΥIAβΞIjΘ±ΖΕΝΘ’B
δΧηκ½ΞΫΜΤΙ΅©Κp΅Θ’ΰΜΕ ιB
’©Θιδr©ηཀྵκΚIΘΣ©πμθγ°ι±ΖΝΕ«Θ’B
΅©΅A½ΏΝKΙΘΑΔΣ©πμΑΔΆ«Δ’ιB
Σ©ͺΘ―κΞATOͺΘ―κΞA»fͺΘ―κΞAsͺΘ―κΞAΆ«Δ’―Θ’©ηΕ ιB
»΅ΔA±ΜΣ©ͺβθπμθo΅Δ’ιΜΕ ιB
±κͺdiṭṭhiΕ ιB
ͺΜΘ’±ΖπC[W΅ΔA»ΜC[Wͺ ι©ηA»κΝΆέ·ιΖά½¨α’·ιB
±Μζ€ΘTOΜ©πdiṭṭhiΙξΓ’ΔAΣ―ΜΝΆ«AGlM[πΆέo΅Δ’ιB
Ύ©ηΦτΙ©³κιΜΕ ιB
ͺ³ΉΜ³©sammā -diṭṭhiΖΝΣ©ͺΘΘΑ½σ΅π’€ΎtB
sammāΖΝζΓαΡs©η£κ½±ΖπΣ‘·ιΜΕAtΙΎ€Ζ ηδιΣ©ΝζΓαΡsΙζΑΔμηκιΖΰ’¦ιB
sīlabbata-parāmāsa-saṃyojana
parāmāsaF'adherence'CattachmentC'misapprehension'@΅ͺέΒ’Δ’ι±Ζ
ΪIͺ ιAΎ©η΅ͺέΒ±ΙΘιB
ΪIΙάΖίηκΔA©³κΔ΅ά€B
°π΄η©Ι΅Θ―κΞ’―Θ’BΖ’€ΪIͺ ιΖAΕΝAΗ€·κΞ΄η©ΙΘι©HΖ’€±ΖΕ
»±Ιθiͺ»κΔιͺA»κηΕ{ΙΪIΝB¬·ιΜŠ뀩H
ΪIΖ’€±ΎνθΙϊνκιB
ΪIB¬Μ½ίΙΗΜζ€Θθiͺζ’Μ©ΝAΒXΙζΑΔα€ΜΕA’λ’λΝϋ@ͺ·΅©ΘAϊνκΜΆͺnάιB
sβ΅«½θΙ©³κιͺA»ΜgΜ±ΖΝl¦Δ’Θ’ΜΕ ιB
άΖίιΖ’€ΡπA²ΧA€΅AΡπΩ΅ΔAπKvͺ ιB
Ρππ½ίΙsβ΅«½θππΕάΙ·ιΜΕ ιΜΙAtΙ΅«½θπ· ΅ΔA»κπΡΙ΅Δ΅άΑΔ’ιB
»Μζ€Θ’sβsΜ±Ζͺΰ©κΔ’ιoTͺ·24Μup[eBJov
vicikicchā-saṃyojana
½©πΎζ€A½©ΙΘλ€AΖ’€CΏͺΜΰ^ΜΑ₯B
CsΙ·ι±ΖΝA½Ύu³νΕ ι±Ζπ΅Α©θ©ζ€vΖ·ιΎ―B
#11 abhidhamm-saṃyojana@@Ar_}Μ
Aparāni pi dasa saṃyojanāni kāmarāga-saṃyojanaṃ bhavarāga-saṃyojanaṃ paṭigha-saṃyojanaṃ māna-saṃyojanaṃ diṭṭhi-saṃyojanaṃ sīlabbataparāmāsa-saṃyojanaṃ vicikicchā-saṃyojanaṃ issā-saṃyojanaṃ macchariya-saṃyojanaṃ avijjā-saṃyojanaṃ abhidhamme.
Ar_}ΙΝΚΙ10Μͺ ιB~ζΓΜALζΓΜAAαΡΜAΜA©ΜAΦϊΜA^ΜAΉiΜAε₯ΜA³ΎΜΕ ιB
5ΊͺΖ5γͺ
Ίͺ@@orambhāgiya-saṃyojana _η©’©@@kāmarāga paṭigha diṭṭhi@sīlabbataparāmāsa vicikicchā
γͺ uddhamhāgiya-saṃyojana@@ζΕΘ©@@@bhavarāga@ māna@ issā@macchariya @avijjā
a¬ΚΙoΑ½lΰkāmarāgaΝ ιΜΕAα¨@γgΜΞΫπy΅ρΕ’ι΅A{θΰ ιB
5ΒΜγͺΝ’
ΏΙΘιάΕcιΟYΕ ιB
#12 @kilesā@@ΟY
Dasa kilesā lobho doso moho māno
diṭṭhi
vicikicchā thīinaṃ uddhaccaṃ ahirikaṃ anottappaṃ
ζΓAαΡAsAA©A^A惛ΎA{A³ΞA³ΑΖ’€10ΒͺΟYΕ ιB
kilesāΖ saṃyojanaΜα’@@@ΟYΜόΣ
kilesaΝA±±λΜκΖ’€Σ‘ΕAΟYΜ±ΖB
saṃyojanaΝooΜF―π1ΒΙΡt―ΔάΖί °ιF―\ΝΕA±κΰΟYΕ ιB
ΗΜζ€ΙSͺκΔ’Μ©H
άΈζΓαΡslobho doso mohoΕSͺκιB
ΙAδΧιSmānoΕASͺ«κ’ΙX[YΙ©RΙ©ΘΘιBΎmΙ©oΕ«ιΜΕκΎΖͺ©ιB
»΅Δ»±©η©πdiṭṭhiͺΕ«ιΜΎͺA±κΕ’Μπ θΜάάΙ©ι±ΖͺΕ«ΘΘιB
©ͺΜΣ©Εs΅ζ€Ζ·ιB
ά½A^vicikicchāΝΕάΑΔ΅ά€½ΘΜΕASΝ«ΏρΖsΕ«Θ’B
ࡨΎthīinaͺSΙόΑ½ηA°ΔΝ½η«ͺΘΘθA
ΰ΅{uddhaccaͺSΙόΑ½ηAΒ’Δ΅ά’AΏαρΖ©Θ’B
³ΞahirikaΕpΆΘ©Α½θA³ΑanottappaṃΕ|ͺηΘ’ΜΕ κΞA~ίͺψ©ΘΘθASΝ«’±ΖΕΰβΑΔ΅ά’ASΜκͺ~άηΘ’B
«’±Ζπβθ½ͺιCΏ@@ΘΊ«’±Ζͺ ιΜ©H@@³ΞΖ³Αͺ ι½ί
³ΞahirikaΕpΆΘ©Α½θA³ΑanottappaṃΕ|ͺηΘ’ΜΕ κΞA«’±Ζπβθ½ͺιB
ͺΜΘ’ECͺ ι©η«’±Ζπ·ιB
qgΙΝ{Ν«’±Ζπ΅½’Ζ’€CΏͺ ιB@@{\H»κΘηΞΗ±ΜSH
qgΝ³ΎΘσΤΕΆ«Δ’ιΜΕAβθ½’±ΖΖΝ³ΎΙξΓ’½ζΓαΡs©ηΆ΅Δ’ιB
΅©΅A’Μͺh€ΆΔ¬θ§ΑΔ’ιΜ©Ζ’€ΖAΉΏͺ’穬θ§ΑΔ’ι©ηB
ΉΏΜΤΦΝΞΖΑΜQΒΕAΉ©ηΝΈκΘ’Ε’ιB
±ΜQΒͺΘΘιΖA’ΜΝ³κΙΘθA@₯βΉΏͺ¬θ§½ΘΘιB
±±Εuβθ½’±ΖvΖuβΑΔ’Ν’―Θ’±ΖvK₯iϊ₯AZ₯A@₯AΉΏjΖΜΤΙΞ§ͺΆΆιB
ίΈͺκΚlΙΝ½ί`πgνΘ’R@
Ξ§ͺΆΆιΖA±ΖͺOΙiάΘ’ΜΕAuKΙΘθ½―κΞA±€΅½ϋͺΗ’B±€’€±Ζπ·ιΖ·’ΤΙν½ΑΔsKΙΘιBvΖζΓαΡsΜΘ’Ήπw΅¦·B
Ύ©ηAβΑΔΝ’―Θ’±ΖπβίΘ³’AΖΝΎνΘ’BψΚͺΘ’©ηΕ ιB
΅©΅oΖΙΝuβΑΔΝ’―Θ’vΖΎ€ΜΝAίΈͺ½ί΅Δ’ι±ΖβlΙΞ΅ΔASΚIΙΣCπΑΔ’ι©ηΕ ιB
#13 vatthu-dhamma-ggahana-naya@@ξ@Μζθϋ
Āsavādīsu panf ettha kāmabhava-nāmena tabbatthukā taṇhā adhippetā. Sīlabbataparāmāso idaṃsaccābhiniveso attavādupādo ca tathāpavattaṃ diṭṭhigatam eva pavuccati.
κϋARΘΗΖ΅ΔΝA±±ΕΝ~βLΖ’€ΌOΕA»κΙξΓ€ͺΣ‘³κιBά½ϊΦζAu±κͺ^ΐΎvΖ’€·
Auδͺ ιvΖ€·
ζ
ΝAN±ΑΔ’ιάάΙAά³Ι©ΙξΓ’Δ’ιΖΎ’νκιB
adhippetaF[pp.] meantG intendedG desired.
#14 @saṅgaha-gāthā@Ϋσ
Āsavoghā ca yogā ca, tayo ganthā ca vatthuto, upādānā duve vuttā
aṭṭha nīvaraṇā siyuṃ. Chaḷevānusayā honti, nava saṃyojanā matā, kilesā dasa vuttoyaṃ navadhā pāpa-saṅgaho.
RA\¬AηbAqΝξ@Ζ΅ΔΝ3ΒAΕ·Νξ@Ζ΅ΔΝ2ΒΖΰ©κ½BWΝ8ΒΖΘιB°Ν6Β θAΝ9ΒΙΘθAκΝ10Ζΰ©κ½B±Μ9νήͺ«ΜάΖίΕ ιB
qganthāiΡΜVXejΝζΓ~AαΡAϊΦζAu±κͺ^ΐΎvΖ·
ΜSΒΎͺA
ϊΦζΖ· ͺu©vΙάΖίηκιΜΕ3ΒΙΘιB
Ε·upādānāΝ~A©AϊΦζAδ_ΜSΒΎͺAϊΦζΖδ_Νu©vΙάΖίηκιΜΕ2ΒΙΘιB
WnīvaraṇāΝoTΕΝ5ΒΎͺAAr_}ΕΝthīna-middhaΖuddhacca-kukkuccaπͺ―Δ¦A±κΙ³ΎπΑ¦ιΜΕ8ΒΖΘιB
Q.missaka-
saṅgaha GΜάΖί
#15 hetu@@@φ@@
Missaka- saṅgahe cha hetū lobho doso moho alobho adoso amoho.
GΜάΖίΙ¨’ΔAζΓAαΡAsAsζΓAsαΡAssΖ’€6φͺ ιB
#16 jhānaṅga @@@Tx
Satta jhānaṅgāni vitakko vicāro pīti ekaggatā somanassaṃ domanassaṃ upekkhā.
qAfAμxAκ««AμyAJAΜΜVΒͺTxΕ ιB
μxpīti @@@@@@gΜΕ΄·ιζ€ΘΝΘμΡ
μysomanassa@@@SΜμΡAy΅έ
Jdomanassa@@@@SΜί΅έAJ’
Μupekkhā@@@@@ μΡΕΰί΅έΕΰΘ’
©«Ζ΅ΔΝAqAfAμxAκ««ΖσvedanāΜTTx
©«ΖΝΑ₯Μ±ΖBΗΜSΙ·ιΜ©π\·B
ΫGͺΚPakiṇaka-saṅgaha-vibhāga@@G½ΘΰΜΜͺΝ@@#2 vedanā σ
tattha vedanā-saṅgahe tāva tividhā vedanā; sukhaṃ dukkaṃ adukkhamasukhā ceti, sukhaṃ dukkhaṃ somanassaṃ domanassaṃ upekkhā ti ca bhedena puna pañcadhā hoti.
»ΜΕσΜάΖίΙΦ΅ΔΝAάΈAσΝyAκAsκsyΜ3νήΕ ιBά½AyAκAμAJAΜΖ’€ͺήΙζΑΔΝA5νΕ ιB
#17
maggaṅga@@Ήx
Dvādasa-maggaṅgāni sammā-diṭṭhi sammā-saṅkappo sammā-vācā sammā-kammanto
sammā-ājīvo sammā-vāyāmo sammā-sati sammā-samādhi micchā-diṭṭhi micchā-saṅkappo micchā-vāyāmo micchā-samādhi.
³©A³vA³κA³ΖA³½A³ΈiA³OA³θAΧ©AΧvAΧΈiAΧθΜ12ͺΉxΕ ιB
aṅga@@a constituent part of a whole or system or collection@@ͺAxͺAvf
maggaΉΖΝoθΙ±AπEEΈΟΙ±Ή
ν΄ν΄ΐH΅ΔA¬·΅ΔA¬χ΅ΘΔΝΘηΘ’ΰΜΘΜΕAΉΖ’€B
QΒΜͺ³Ή
oΑ½lΜͺ³ΉΖει½ίΙwΝ·ιlΜͺ³Ήͺ ιB
3ΒΜ³vsammā-saṅkappa
Nekkhamma-saṅkappao£v@@ nekkhaFmD[=nikkhaCSkDniṣka] έΌCΰέ
~πβ·±Ζπ24Τl¦ιΜͺΚΜl¦ϋΎͺA»±©η£κι±Ζπl¦ι±ΖB
³~ΜϋόΙvlπΝ½η©ΉιB
abyāpāda-saṅkappa ³v@@@byāpādαΡ @{θΙμηκ½ΩνΘΟzβ«βξ
όγSΜκ¬Ι ιΰΜ
γΙs«½’Ζ’€SΝNΰͺΑΔ’ιB΅©΅A»±ΙΝBκ½ΞΫͺ ιB
ΐΝόγSΝ£SΖ―`κΕ ιB
½Ζ¦ΞAuΜΘηΘΔΝvΖ’€ΜΝASΜΙ ιΘhSΜζ€ΘΰΜΕASͺσΑΫΜσΤΕΰeΝΘ’ΰΜΕ ιB
»κπB·½ίΙκΆ½ΙuόγSvπμΑΔADΜζ€Ι»κπcηάΉΔ΅ά€B
όγSπζ£ΑΔ¬·³ΉκΞ³ΉιΩΗAσΑΫͺε«ΘθA΅³ͺε«ΘθA½ΰΕ«ΘΘιB
ΘΊγΙs«½’©Ζ’€ΖA‘ͺsΐΎ©ηΕ ιB‘ͺ΅’©ηΕ ιB
Ύ©ηγΙs―ΞsΩΗAν€ΞΫͺ½Ύε«ΘιΎ―ΕA]vΙ΅³ͺ¦Δ΅ά€B
όγSΙκ¬Ι ιΰΜΝuν’½’vΖ’€σΘ{θΕ ιB
»±ΙΝ’Ϋ»΅Δβͺ ιB
Ύ©ηtΜ±Ζπl¦ιΜͺ’’B
³vΕ ιB{θΕΝΘ’l¦ΖΝAίΙξΓ’Δl¦ιΖ’€±ΖΕ ιB
ͺ ιΖίͺΐsΕ«ΘΘιB
©ͺͺ½ΕΰΘ’σΤΎΖAlΜ±ΖπeΨΙl¦ι±ΖͺΕ«ιB
όγSΝζΘ’B
©δπΗρΗρα’Ζ±λΦΑΔ’«AΕϊΙΝ©ͺΝ½ΰΘ’Ζ’€Ζ±λΙΘΑ½Ζ±λͺAδ§ΜSB
±κͺanattā©H
lΝΕαΜxΕ’½ϋͺ³΅’B»κΕΐθ·ιB
όγSͺΘΘκΞ©δΝαΘθAlΙβΑΔ °ΘΔΝ’―Θ’±Ζπ’ΖΰΘPΙΕ«ιB
u©ͺΝ½ΕΰΘ’A½Μ§κΰΘ’vσΤΙ’ιΖ½ΕΰΕ«ιͺAu½Ε θA§κͺ ιvΖ©RΙsͺΕ«ΘΘιB
avihṃisā-saṅkappa ³Qv
byāpādaΝΝΘ{θΕAvihṃisāΝΚΜ{θB
’ΜC[Wͺ ιΖA»κΙίΓ±€Ζ΅Δ΅ά€B΅©΅C[WΗ¨θΙΝΘηΘ’ΜΕAΘρΕ±€ΘΑ½Μ©AΖΆεπ’€B
vζΗ¨θΙ’©Θ’Ι{θͺvihṃisāΕ ιB
½Ζ¦ΞAΧ³¦’Θ―κΞ’’ΜΕΝΘ’©AΖ’€φxΜ{θB
»±ΕA³Qvπ·ιB
σ]Η¨θΙ’©Θ’Ζ«Εΰuά A»ρΘΰΜΎ©ηA’’ΜΕΝΘ’©vΖΏ l¦ϋΜ±ΖΕ ιB
±κͺbyāpādaΝΘ{θΕ ιΖAuΖρΕΰΘ’AβΞΙvζΚθΙ΅Θ―κΞvΖUIΕAΧπSΑ΅ΔA©ͺΜ±Ζπΐs΅ζ€Ζ·ιB
T}[fBαzͺΕ«Θ’R
³θΖ’€³΅’TθͺΆάκΘ’RΝA»Μ½ίΜPSπηΔΔ’Θ’©ηΕ ιB
Ύ©η³θͺΆάκι½ίΜyδͺΘ’©ηΕ ιB
ζΓαΡsͺ·’ΤΝ½η’Δ’ιΜΕA~EΕΧθiκ«jπμιΜΝeΥΕ θAlΝδπYκΔζΓαΡsΖκΜ΄ΖΘθ«’±Ζπ·ιB
P’±ΖΝΘPΙΕ«Θ’BκJ΅Θ―κΞΘηΘ’BKvΘSͺηάκΔ¨ηΈA΅ΑΔ’Θ’©ηΕ ιB
PSΝ25 ιB
€ςSΜMAOAΞAΑA³ζΓA³αΡAΜAgyΐASyΐAgyυ«ASyυ«Ag_ξ«AS_ξ«AgKΖ«ASKΖ«AgϋB«ASϋB«Ag[Ό«AS[Ό«Μ19B
£SΜ³κA³ΖA³½Μ3
³ΚSΜίkaruṇāΖμmuditā
dSΜqdpaññā
#18 indriya@@ͺ
Bāvīsatf indriyāni cakkhudriyaṃ sotindriyaṃ ghānindriyaṃ jivhindriyaṃ kāyindriyaṃ itthindriyaṃ purisindriyaṃ jīvitindriyaṃ@manindriyaṃ@ sukhindriyaṃ dukkindriyaṃ somanassindriyaṃ domanassindriyaṃ upekkhindriyaṃ saddhindriyaṃ viriyindriyaṃ satiindriyaṃ samādhindriyaṃ paññindriyaṃ anaññātaññassāmītindriyaṃ aññindriyaṃ aññātāvindriyaṃ.
αͺA¨ͺA@ͺAγͺAgͺAͺAjͺA½ͺAΣͺAyͺAκͺAμͺAJͺAΜͺAMͺAΈiͺAOͺAθͺAdͺAumηΘ’±Ζπmλ€vΖ’€ͺAumιvͺAumθI¦½vͺΖ’€22ͺͺΕ ιB
indriyaͺΖΝAΝ½η«ΜϋΖ’€±ΖB
itthindriya purisindriyaͺAjͺ
―ΆHπ20N΅ΔΰAjΕΝ―ΆΜΙΘηΘ’B
gΜΜΙ«Μα’πίιϋͺQΒ θA»κͺͺΖjͺ«Ε ιB
½ͺjīvitindriya
½πΫ΅ΘΔΝ’―Θ’AΖ’€Ν½η«ΕASΧEΙΙ ιB
DNAͺΌͺ΅©Θ’ECXΰΆ½Ζ΅ΔΆ«Δ’ιB
DNAͺ΅Δ’ι±ΖΝAΙ½Θ’A·ΘνΏΆ½ΜΫΜ½ίΙRs[πμι±ΖB
Rs[΅±―ι¨ΏΜ¬κΕ ΑΔAΕθ»³κ½ΰΜΕΝΘ’B
±€΅ΔA©ͺͺΆ«±―Δ’ιΖ’€φoπ·ιB
»€΅ΔV΅’Rs[ͺηΏAΓΘΑ½³ΜDNAΝKvͺΘΘιΜͺ©RΜ@₯B
Ά½ͺq·πμιΜΰ―Ά±ΖB
±κπu½vuΆ«Δ’ιvΖΔρΕ’ιB
½ ιΰΜΝΜΖSΜΝ½η«ͺ ιB
SΜΝ½η«ΖΝAOEΜΟ»Ι½·ι±ΖΕ ιB
»΅ΔAvOπμΑΔAvP[V𬳹ιΝ½η«Ε ιB
@BΖ΅ΔΜΜπ©΅Δ’ιΜͺASΕ ιB±κͺ§³Μ¨¦ϋΕ ιB
Sͺp±·ιJjY
¨ΏΜΜζΕ ιΜiDNAjΜζ€ΘJjYΕRs[πμιΜΕΝΘ’B
SΝρ]π΅±―ΜΎͺAκAΜ¬κΙΝ17iKΜXebvͺ θA»κͺIνιΖAά½V΅’17iKΜ¬κπp±·ιB
¨ΏΖαΑΔSΜRs[ΝL―ΘΗΜωmΜf[^©ηκuΕμηκιͺAΗΜζ€ΘRs[πμι©Ν{lΙΰͺΕ«ΈAΗ€βΑΔΰν©ηΘ’B
½ΎNZβJΤ΅ΜK«ͺ ιΜΕAΰ΅«’±Ζπl¦ι±ΖͺNZΙΘΑΔ’ιlΝA’pxΕ«’±Ζπl¦Δ΅ά€B
±Μζ€ΙSΜRs[Ν’λ’λΘvφΰΑνθPΕΝΘ‘GΕ ιB
SΝ―ΙρΒΜΝ½η«π·ι±ΖͺΕ«ΈAκAΜSΜ¬κͺIνιΖAΜ¬κͺ
Μζ€ΙqͺΑΔ’BΎ©η―ΙμΡΖ{θΜΝ½η«ΝΘAΰ΅2ΒΜ΄ξͺ ιΖ·κΞA»κΝκAΜμΡΜ¬κͺρ1ͺΜPbΕIνΑ½γΙAΙ{θΜ¬κͺnάιB
άθΙ¬ΘΜΕ©ͺ©gΕΰF―Ε«Θ’B
Σͺmanindriya@@SΜϋΝΗ±Ι ιΜ©H@@
κΒΜΧEΜA[o[Ζ΅ΔΰAOEπF―΅Δ’ιiSͺΝ½η’Δ’ιj©ηΆ«¨Ε ιB
½Ζ¦ΞAHΧ¨©Η€©AgΙλ―ͺ ι©Η€©π@m΅ΔAΜπ©΅Δ’ιB
±Μζ€Θ@m·ι\ΝͺmanaΣ·ΘνΏSΕ ιB
SΝ¨ΏΕΝΘσ©η£κΔ’ιΜΕAκπΐθ·ι±ΖΝΕ«Θ’ͺA’ΔΎ¦ΞAΜSΜΙSͺ ιB
Η±©κΣΙ ιΖv€lΝASπu°vΖ¨α’΅½B»κΝAqgΝ¨ΏπF―·ιζ€ΙASΙΰ»ΜβθϋπίθκΚ»΅½½ίΕ ιB
αzπ΅Δu°vͺ ιAΖΎΑΔ’ιlΝA»ΜlΜαzΜζͺάΎσͺΊ€¨ΏΜxΜ’EΕ΅©F―΅Δ’Θ’ΜΕAκΣΕSͺ@\΅Δ’ιΖ©AnΉΎΖ©AiΎΖ©ΜTOͺ¬θ§ΒΜζΙ’ι±Ζͺν©ιB
±€΅ΔAΗ±©πT΅Δ΅ά€B
EpjVbhΕΝASΝSΜΜewη’Με«³Ε ιAΖ©κΔ’ιB
±κΝ^ΜΜRRΙΒ’ΔΎy΅Δ’ιΜ©A¨ΏxΕΎy΅Δ’ιλTΜΗΏη©Ε λ€B
ά½A»γγwΕΝSΝ]Ι ιΜΕΝΖT³κΔ’ιB
¨ΏxΜF―ΕΝA»ΫͺF―³κιΖ’€±ΖΝAF―·ιΰΜͺKvΘΜΕA±ΜQΒͺZbgΝΆίΔF―ͺ¬θ§ΒB»±ΕF―·ι½ΡΙεΜiF―·ιΰΜjͺ»κιΜΕAuA©ΘAδvπ@m·ιB»΅ΔA³©η»κιΎ―ΙX|bgCgπΔΔ’ι½ίAF―·ιuΤͺ·¬ιΖAεΜΝΑ¦ιΜΎͺA»±ΙΝX|bgCgπΔΔ’Θ’½ίΙAεΜͺ’Θ’σΤπCΓ±€ΖΝ΅Θ’B
»±Εuͺ’ιvΖ’€v’έA·ΘνΏTOπμθγ°ι±ΖΕAΝΆέ΅Δ’ιAΖ΄Άιζ€ΙΘιΜΕ ιB
Σ―πΚΆΔΜvlβ΄oν―πΚΆΔΜF―π΅Δ’ιΙΝAεΜͺuΤIΙΝu ιvΜΙΞ΅ΔA½©Ι²ΙΘΑΔ’ιΙΝAίβ’ͺ ι’E©η£κΔAu’άE±±vΜΜζΙ’ιΜΕAεΜπ@m·ι±ΖͺΘΘΑΔ’ιB
±Μσ΅πΜ±·ιΜͺ}ChtlXΜΪIΜPΒΕ ιB
ιμΖi½Ζ¦Ξή΅θjΙ²ΙΘΑΔ’ιΜΕ½΅©Ιuδvπ΄Άι±ΖΝ»ΜΙΝΘ’ͺA²ΙΘΑΔ’ιΕΰF―π±s΅Δ’ιΜΕAZbgΕ ιεΜͺΆάκΔΝΑ¦±―Δ’ιΜΕAεΜͺ ιiΖ’€TOjΖΝΎ¦Θ’±ΖΰΘ’ͺA²ΙΘΑΔ’ι±ΖΙW΅Δ’ιΜΕAΖ’€TOΙX|bgCgπΔι±ΖΝΘ’AΒάθ@m΅Θ’ΜΕA»ΜΤΝΜΆέiεΜͺ ιΖ’€TOjΝΘΘΑΔ’ιB
SΜ«ΝdCGlM[Μζ€ΘΰΜ
WIͺ@\·ιΙΝAiΜSΔΙdqͺ¬κΔ’ι±ΖͺπΕ ιBΗ±©ΕdqΜ¬κͺ~άΑΔ’ιΖWIΝΉπo³Θ’B
AeiΕdqΜχ¬ΘόgΜUπLb`΅ΔA»κπ΅ΔAΐθ³ΉΔAdqπΉΜGlM[ΙΟ··ιB
dC»iπC·ιlͺ·ι±ΖΝAdCeX^[πgΑΔAdqΜ¬κΔ’Θ’Ζ±λπT΅o΅A»±πCUiζΦACj·ι±ΖΕ ιB
SΜΝ½η«ΰdCΜGlM[Μζ€Ιl¦ΔέιB
½Ζ¦ΞAχΧΘ¨Ώͺ@EΜZT[ΙLb`³κΔA»ΜMͺ]Ιό©ΑΔ¬κA»±Ε³κAΟ·³κAΜsΙΒΘͺιB
»±Ε_owΝ]ΙX|bgCgπΔΔA±κͺSΜ«π΅Δ’ιΖθ΅½ΜΎͺAWIΜκΙΝdqΜ·ΧΔͺqͺθμp·ι±ΖΕAWIͺΉπΎ΅½ζ€ΙAqgΜκΙΰ@EΜZT[ΙΝ¨ΏπLb`·ιΖ’€SΜ«ͺ θA_oΗΝ`B·ιΖ’€SΜ«ͺ θA]ΙΝΟ··ιΖ’€SΜ«ͺ θAΗ±ΜͺͺrΨκΔΰASΜ«Ν~άΑΔ΅ά€B
±Μζ€ΙκΣΙΐθ·ιΜΕΝΘASΜΜ¬κΕ¨¦ι±ΖͺASπ¨ΏΜxΕΝΘASΜxΕSΜ«ππ·ι½ίΙΝKvΕ ιH
uΗ±vΙ ιΜΕΝΘAuΗ±ΙΕΰ ιvΖF―·ιΝ½η«πΣͺmanindriyaΖ’€B
IπΙ³κΔ’ιΐΤ
Η€΅Δ½ΏΝu±κΕΝΘΔ κͺ’’vAΖIΤ±ΖπΈΑΖ΅Δ’ιΜ©H
κ¬Ι ιΜΝuΆ«Δ’«½’vΖ’€ΆΆ~AΆέ~ΖΎνκιAΆ«½ͺιΝB
±Μ{\ΖΰΎνκι~ͺAx^[ΘIππ΅ζ€Ζ΅Δ΅ά€΄φΕ ιB
πE΅½Θ’Ζ’€άWi~ζΓA{θA¨ΎAΒ«A^jAΑ¦Δ’pπ©ζ€Ζ΅Θ’³ΎAΆ«Δ’«½’Ζ’€Άέ~ͺ
¨ΏπTΒΙͺή·ιB
¨ΏΜϋ@SΜϋ
¨Ώπσ―ζιΙ¨ΏΖSΕΝϋͺα€B
sukhindriya dukkindriya @@@@@΄oν―Ύ―Ε΄ΆιuCΏζ³AΙέv@@@
somanassindriya domanassindriya @SΎ―Ε΄ΆιΈ_IΘuμΡAy΅έAί΅έAκ΅έv
upekkhindriya@@@@@@@@@@ΗκΕΰΘ’ΐη©Θϋ
αͺA¨ͺA@ͺAγͺAgͺAͺAjͺA½ͺAΣͺAyͺAκͺAμͺAJͺAΜͺ
PΕΰ«ΕΰΘ’AΆ½Ζ΅ΔΜΝ½η«Ζ΅ΔΜϋB
qgͺΆά꽩ηΑΔ’ιϋ
MͺAΈiͺAOͺAθͺAdͺ
Sͺi»·ι½ίΜϋ
MͺΖΝAm―ͺΜ±ΙζΑΔΐΨ³κΔA»κͺ©MΖΘθAmMΙΘι±ΖΕAΤα€ϋόΦΝs©ΘΘιB
θͺπg€±ΖͺNZΙΘιΖAκ΅έΘΆ«Δ’ηκιBβι±Ζͺκt Α½θAκ΅’σ΅ͺ ΑΔΰAάΈA±κπβθAΙ±κπβθA»κ©η±κπβιAΖ«ΏρΖίΔAβιΧ«±ΖΙW΅ΔΕ«ιμΡΙοάκAΆ«ι±Ζͺκ΅ΘΘιB
umηΘ’±Ζπmλ€vΖ’€ϋΙs―ΞCsͺΕ«ι
s΅©ηEo·ιΙΝAάΈe©ͺumηΘ’±Ζπmλ€vΖ·ι±ΖΕ ιB
OαͺΘ’σΤΕΆ«ιΜΎ©ηAmΑΔ’ι±ΖζθΰAάΈΝ½πmηΘ’Μ©mΑΔέζ€B
±ΜuάΎͺ©ηΘ’±Ζπmθ½’vΖ’€SΜ«ͺ ι©ηACsͺΒ\ΙΘιB
½Ζ¦ΞAoTΙ ιqdΖΝΘρΕ λ€H
΅Δέ½’AΖ’€CΏͺΆάκΔ±Θ―κΞAqgΝ½ΰβηΘ’B
umιvͺΖΝM«oι±Ζ
f[^πWίAl@΅½ΙAu Aν©Α½vΖΠηίuΤB
umθI¦½vͺΝ±κΘγΝT·KvͺΘ’Ζ’€ΨΎπs·ιϋ
IνΑ½Ζ’€ζΨθπΒ―ι±ΖΕAΜWJͺnάιB
#19 bala@@Ν
Nava
balāni saddhā-balaṃ viriya-balaṃ sati-balaṃ samādhi-balaṃ paññā-balaṃ hiri-balaṃ ottappa-balaṃ ahirika-balaṃ anottappa-balaṃ.
MΝAΈiΝAOΝAθΝAdΝAΞΝAΑΝA³ΞΝA³ΑΝΖ’€9ΒͺΝΕ ιB
Tθβαzπ·ιΙΝSΙΝͺ[·ιKvͺ ι
ΝΘGlM[ͺΏΔ’Θ’ΖTθΰαzΰΕ«Θ’B
ε«ΘGlM[ͺάΑΔ’Θ’ΖAPbgΝdΝ©ηEoΕ«Θ’B
dΝ©ηEo΅ΔεCΙόιΖAΝͺ’ηΘ’³dΝσΤΖΘθAΜͺ ι©Θ’©ͺΦWΘΘιB
balaΝΖΝAϋΙ’ΔΝ½η’Δ’ιl
Μζ€ΘΰΜΕA»ΜlΜΝͺΘ’ΖμΖͺiάΘ’B
ΞΝ@«’±Ζπ·ιΜπpΈ©΅ͺι@@@@P’±ΖΘηβλ€
ΑΝ@«’±Ζπ|ͺι@@@@@@@@@@@P’±ΖΘη|Θ’
#20@adhipati@ε@
Cattāro adhipatī chandādhipati viriyādhipati
cittādhipati vīmaṃsādhipati.
Σ~εAΈiεASεAζVεΖ’€SΒͺεΕ ιB
vīmaṃsāF[fD] experimentG investigation ΟCΟdCv@CR@CvΚCv
adhipatiεF[m.] lordG masterG ruler @@@
άΖίπA@@@@πκΕΎ¦ΞΊ·AΕΎ¦ΞAΰ΅Ν@₯
chanda βιC
u½©΅½’As΅½’Aζ£θ½’vΖ’€CΏB@@Σ~Εΰ’’ͺAu~lobhavΕΝΘ’B
BpbTi[αzͺiέAβιCΖwΝΜΝͺηάκιΖA
³CΙΘΑΔΙΘθAsͺf¬Ά«Ά«Ζ·ιB
»Μlͺ’ιΎ―Ε΅ΝCͺΎιΘιB«κ’ΙΘιB»ΜlΜηπ©ιΎ―ΕΏ B
ΐHΜgͺ΄mΕ«ιΜΕAηΘΔΰέρΘͺΗ’CΏΙΘΑΔΏ B
cittādhipati
F―\Νͺε«Ν½η«A΄\ΝΜζ€ΘΝͺgΙΒ
vīmaṃsāΟF[fD] experimentG investigation ΟdCv@CR@CvΚCv
Ο@ΒάθA΄m΅Δα‘·ι±ΖB
±ΜΝͺ’ΖAΎtΜΐEβTOΜβθAΒάθNwͺ·ΙπΎΕ«ιζ€ΙΘιB
θΜΗ’_Ζ_ͺImΙͺ©ιζ€ΙΘιB
vīmaṃsāͺsatiOΙΘιΒ\«ΰ ιͺASΝqd@@
±ΜSΒπηρΎΜΕίΈΝoι±ΖͺΕ«½
u©ͺΝ±ΜadhipatiεΜSΒπΈ’ΤρηΔ½BNζθΰηΔ½BΎ©ηΕΙΉπJ±ΖͺΕ«½Bv
oTHίΔΉπJΜΝεΟΘGlM[ͺKvΕ ιB
qgΙζΑΔαzΜΚΙ·ͺ ιΜΝAβιCAwΝAF―·ιΝA@m΅Δv·ιΝͺဩηB
±κΝ_ΚΝΙB·ι½ίΙΘ―κΞΘηΘ’ΝΕΰ ιB
#21
āhāra@@@H
Cattāro
āhārā kabaḷīkāro
āhāro phasso dutiyo mano-sañcetanā tatiyā viññāṇaṃ catutthaṃ.
iHΖAζQΙGHAζRΙΣuHAζSΙ―HΖ’€SΒͺHΕ ιB
āhāraHΖΝRΏΜ±Ζ
GlM[ΖΝGWΕΝK\AΆ½ΜΕΝHEaASΕΝumιvΖ’€±ΖB
¨Ώπ©·GlM[@@kabaḷīkāro@ikabaḷīΝ¨ΏkāroΝMakingCactionj@@
Sπ©·GlM[@@@phasso Amano-sañcetanāAviññāṇaṃ@@@@@@@@
phassoG
GκιΜΝAOE©ηΝά΄oν―πΚΆΔ¨ΏIMAΰE©ηΝuΣvA·ΘνΏSΜρ]Μ±ΖΕAACfBAβz’β΄ξͺSΜΙKvΘh{ΖΘιB
mano-sañcetanā@SΜΣu
mθ½’AGκ½’Aβθ½’Ζ’€SΜΙΆάκιGlM[
mθ½’±Ζπmι±ΖͺRΏΖΘθASͺρ]·ιB
viññāṇa@@@
S»ΜΰΜͺRΏΕ ιB@@ΘΊSπviññāṇa―Ζ·ιΜ©H@@F―·ιΰΜΎ©ηH
SͺΚ±ΖΕA»κͺGlM[ΖΘθAΜSͺΆάκιBΒάθRΏΖΘιAΖ’€±ΖB
Sͺρ]π·ιΜΝASͺsΕΜΐΜΘΜΕΝΘASͺΑ¦ι±ΖΕGlM[πΎΔ’ι©ηB
Κ±ΖͺͺΆάκιRΏΖΘι
ͺGlM[Ε ι±ΖπΰΎ·ιΜΙ¨Ώ’EΕΜg¦ͺΕ«Θ’B
»κΕΰA ¦Δ¨Ώ’EΕg¦πT΅ΔέιΖA½Ζ¦ΞDͺjτ΅½ηAΉͺoιB
»ΜΉΜGlM[ΕΜDͺΆάκιΝΖΘιB
¨ΜGlM[ΫΆΜ@₯ΕAJ^`ΝdCAd₯gA^AΝΖ’λ’λΟ»΅ΔΰGlM[ΝκθΕ ιζ€ΙACβσCοRͺΘ’SΜΜζΕΝAGlM[ΝΫΆ³κA`±΅±―ιB
d³©η©ιΖAqͺΑΔ’ιρHΜΕΝd³ΝκθΘΜΕA1ΒΜdqͺOΙoΔ’ΖA―ΙPΒΜdqͺV½ΙρHΙόΑΔιBά½ρHπf·ιΰΜπXCb`ΖζΡAρHͺqͺηΘ’Ζd³Ν¬κΘ’B
±Μζ€ΙAdqͺΚiOΙoιj±ΖΙζΑΔAV½ΘdqͺΆάκiΰΙόιjAdqͺ¬κι±ΖΙζΑΔρHΝΆ«i@\΅jAdqΜ¬κͺ~άιΖAρHΝΚi@\΅ΘΘιj
±Μζ€ΘJjYΕWIΝΉπo΅Ad
ΝυιB
¨ΏΜ¬κAdqΜ¬κAdgΜ¬κAgΜ¬κAGlM[Μ¬κΜ€Κ_ΝA1ΒͺΑ¦ι±ΖΕAΜΰΜͺΆάκιB
―Άζ€ΙASΜgΰ±Μζ€ΙrΨκΘ’Ε±’Δ’ιB
OΜSͺΚ±ΖΕAΜSͺΆάκιB
±€΅Δ¬κͺΨκΘΘιΜͺAΦτΜ@₯Ε ιB
Φτ]ΆΜJjY
ϊνΕΚΖ’€Σ‘ΝΜΜxΙΒ’ΔΎy΅Δ’ιΜΕAΜͺ
θAΑΕ΅ΔAρxΖΔ»΅Θ’±ΖΕ ιB
Ά½π2wΕ©ΔέιB
ΜΜxΕΝA¨ΏIGlM[ͺόηΘ’ΖΜΜ@\ͺ~άθAΜΝ
ιB
SΜxΕΝAGlM[ΝuvΘΜΕA»Μ½ΡΙuΆάκιvΜΕASΝ
ι±ΖΘAρ]΅±―ιB
ΜΖSΜxΜ€Κ_ΝνΙAΆΖΜ¬κͺΘ’ΖA»ΜσΤπΫΕ«Θ’Ζ’€±ΖΕ ιB
Φτ]ΆΝASΜxΜPΘ@₯Ε ιB
V΅’SͺΆάκιRΝAOΜSͺρΎ©ηΕ ιB
·²’¬³i10ͺΜPbjΕSΝΙA»Μ½ΡΙV΅’SͺΆάκΔ’ιB
ΜΜxΖΝΦWΜΘ’@₯Ε ιB
§³ΕΝASΜxπξΙ·ιΜΕA»±©ηAΜΜΜαΕρΕ
ιΖ’€ΜΜxπ©ιB
SΜxΕΝASΙuΝΘ’vΖΰΎ¦ι΅Au’ΒΕΰρΕ’ιvΖΰΎ¦ιB
SΝΜΙΛΆ΅ΔΰA΅Δ’ΘΔΰASΜ¬κiρ]jΝ±’Δ’B±Μ¬κπx¦ιΜͺA
phasso Amano-sañcetanāAviññāṇaṃ@@Ε ιB
#22 vatthu-dhamma-ggahana-naya@ξ@Μζθϋ
Indriyesu panf ettha sotāpattimagga-ñāṇaṃ anaññātaññassāmītindriyaṃ, arahattaphala-ñāṇaṃ aññātāvindriyaṃ majjhe cha ñāṇāni aññindriyānī ti pavuccanti, jīvitindriyañ ca rūpārūpa-vasena
duvidhaṃ hoti.
ά½A±±Ι¨―ιͺΜΕAumηΘ’±Ζπmλ€vΖ’€ͺΝa¬ΉqΎΖΎνκAumθI¦½vΖ’€ͺΝ’
ΏΚqΎΖΎνκAumιvΖ’€ͺΝA»ΜΤΜUΒΜqΎΖΎνκιB
ά½½ͺΝFΖρFΜ2νήͺ ιB
Pañca-viññāṇesu jhānaṅgāni aviriyesu balāni ahetukesu maggaṅgāni na labbhanti. Tathā vicikicchā-citte
ekaggatā maggindriya-bala-bhāvaṃ na gacchati. Dvihetuka-tihetuka-javanesv eva yathāsambhavaṃ adhipati eko va labbhati.
ά―ΙΝTxΝΎηκΘ’B³ΈiΙΝΝΝΎηκΘ’B³φSΙΝΉxΝΎηκΘ’B―lΙA^SΙΝΉͺΜΝΖΘικ««ΝΆΆΘ’BρφSΖOφSΜ¬sSΙΜέAεͺ1ΒΎ―A»κΌκͺΆΆιάάΙAΎηκιB
#23 @saṅgaha-gāthā@Ϋσ
Cha hetū pañca jhānaṅgā, maggaṅgā nava vatthuto, soḷasindriya-dhammā ca, bala-dhammā navf eritā.
Cattāro
e dhipatī ti vuttā, tathāhārā ti sattdhā, kusalādi-samākiṇṇo, vutto missaka-saṅgaho.
ξΖ΅ΔΝAφΝ6ΒATxΝ5ΒAΉxΝXΒAͺ@Ν16AΝ@ΝXΒΖΰ©κ½B
εΝSΒAHΰ―ΆΖΰ©κ½BΘγΜζ€ΙAPΘΗΕ½³κΔ’ι7νήͺAGΜάΖίΖΎνκιB
vuttaFaD [vuccati Μ ppD] Ύνκ½Cΰ©κ½
RμρͺΜάΖί@bodhipakkhiya-saṅgaho
#24
satipaṭṭhāna@@O
Bodhipakkhiya-saṅgahe cattāro satipaṭṭhānā kāyānupassanā satipaṭṭhānaṃ vendanānupassanā satipaṭṭhānaṃ cittānupassanā satipaṭṭhānaṃ dhammānupassanā satipaṭṭhānaṃ.
μρͺΜάΖίΙ¨’ΔΝA4ΒΜOͺ ιBgπΟ·ιOAσπΟ·ιOASπΟ·ιOA@πΟ·ιOΕ ιB
paṭṭhānaCintDj setting forthG putting forwardG starting point@@οAo_
37μρͺ@
ΈiΘΗΜζ€ΙJθΤ΅ΕΔιΰΜ ιͺA§³ΜΐHΝ~άι±ΖΘ¬·΅ΔOΙΗρΗρΖiή±ΖΕ ιB
½Ζ¦ΞAΈiΝ‘ΜJeS[ΜΙ ιΜΎͺAeJeS[ΙζΑΔΈiΜΝ½η«ͺα€B
―Ά«Ε ΑΔΰAΙ·AΊAΘA
AoAκAcκΕ ιζ€ΙB
#25 sammappadhāna@@³Ξ
Cattāro
sammappadhānā uppannānaṃ pāpakānaṃ pahānāya vāyāmo anuppannānaṃ pāpakānaṃ anuppādāya vāyāmo anuppannānaṃ kusalānaṃ uppādāya vāyāmo uppannānaṃ kusalānaṃ bhiyyobhāvāya vāyāmo.
·ΕΙΆΆ½«πΜf·ι½ίΜΈiAάΎΆΆΔ’Θ’«πΆΆ³ΉΘ’½ίΜΈiAάΎΆΆΔ’Θ’PπΆΆ³Ήι½ίΜΈiA·ΕΙΆΆ½Pπε³Ήι½ίΜΈiΖ’€SΒͺ³ΞΕ ιB
pahānaF[ntD] removalG giving upG abandoningG avoidance@@Μf·ι
vāyāmoFToilCfatigueCexertionCeffortCcontention@@κJAwΝAΈi
uppannānaṃ pāpakānaṃ pahānāya vāyāma@@·ΕΙΆΆ½«πΜf·ι½ίΜΈi
{θͺ€άκ½ηA{θΖmF΅ΔA»κπΜf·ι
anuppannānaṃ pāpakānaṃ anuppādāya vāyāmo άΎΆΆΔ’Θ’«πΆΆ³ΉΘ’½ίΜΈi
anuppannānaṃ kusalānaṃ uppādāya vāyāmo άΎΆΆΔ’Θ’PπΆΆ³Ήι½ίΜΈi
uppannānaṃ kusalānaṃ bhiyyobhāvāya vāyāmo ·ΕΙΆΆ½Pπε³Ήι½ίΜΈi
±Μ4ΒΜΈiͺZbgΕΘ’ΖAoθΜxͺΙΝΘηΘ’B
CsΜ«ΖP
SΙ ι΄ξβΟzπ«Ζ·ιB
ΆΆΔ’Θ’PΖΝAΟYπΘ΅AoθΙι±ΖB
CsΜ³ΈiΖΝπE·ιάΕϊίΘ’Ζ’€΅΅’ϊίΜ±ΖB
#26 iddhi-pāda @@@_«
Cattāro iddhi-pādā chandiddhi-pādo viriyiddhi-pādo cittiddhi-pādo vīmaṃsiddhi-pādo.
Σ~Ζ’€_«AΈiΖ’€_«ASΖ’€_«AζVΖ’€_«ΕASΒΜ_«ͺ ιB
#27 indriya@@ͺ
Pañcf indriyāni saddhindriyaṃ viriyindriyaṃ satindriyaṃ samādhindriyaṃ paññindriyaṃ.
MͺAΈiͺAOͺAθͺAdͺΖ’€TΒͺͺΕ ιB
#28 bala@@Ν
Pañca balāni saddā-balaṃ viriya-balaṃ sati-balaṃ samādi-balaṃ paññā-balaṃ
MΝAΈiΝAOΝAθΝAdΝΖ’€TΒͺΝΕ ιB
#29 bojjhaṅga@@ox
Satta
bojjhaṅgā
sati-sambojjhaṅgo dhammavicaya-sambojjhaṅgov iriya-sambojjhaṅgo pīti-sambojjhaṅgo passaddhi-sambojjhaṅgo samādi-sambojjhaṅgo upekkhā-sambojjhaṅgo.
O³oxAπ@³oxAΈi³oxAμ³oxAyΐ³oxAθ³oxAΜ³oxΖ’€VΒͺoxΕ ιB
΅oxoι½ίΙΝΤΗ¨θΙΐH·ι
BpbTi[αzπΐH·ιCsͺπEΙB·ι½ίΙΉ΅ΘΔΝ’―Θ’ΰΜB
§ΉΜΕγΜiKΙόΑΔΈi·ιlͺυ¦ιΧ«SΜgΜbB
±κ©ηCsπnίιlΝA1ΤΪΜsatiA·ΘνΏgΜΜ΄oπ@m·ιCΓ«©ηΝΆίιB
Cs΅Δ’ιlΝA©ͺΙKvΘμρͺπIρΕΐH·ιB
O³oxsati-sambojjhaṅgo
OΜsπΐH΅ΔAχΙΕΰΜͺ’½η»κπ©IΙmF΅Δ΅ά€Aΰ΅ΝA@m΅ΔmF΅Θ’ΖΜπ©³Θ’Ζ’€NZͺΕ«ιάΕ±―ιB
±Μζ€ΙΐHͺ©ͺΖκΜΙΘιζ€ΘCͺ·ιάΕ±―ιB
»ΜΙΝCsΝACΓ±ΖΎ―ΕΝΘA
¨Μϻ੦Διζ€ΙΘιΖρΤΪΜπ@³oxΦB
π@³oxdhammavicaya-sambojjhaṅgo
ΐΫΙΪβ¨ΙGκ½ΰΜΖTOiΌOjπΡt―ι±ΖΘA»ΜάάsatiΕ«ζ€ΙΘιΖA»±Τ’`Ν ιͺAoΜΤΝΆέ΅Θ’΅A¨ΙGκιΉΝ ιͺAΉyΝΆέ΅Θ’B
±κΝsatiΜΐHͺiρΎ±ΖΜΨΕ ιB
±±άΕsatiͺiήΖAπ@³oxͺ»κΔιB
π@ΖΝAͺΚ\ΝΜ±ΖB
PαΜOΙ¨Ώπ©ι
QΗρΘνήΰΜ©Ζͺ©ιζ€Ι·ι@@ήΏA«ΏAΦW«
RΗΜJeS[Ιόκι©»f·ι
SͺΚ·ιB
BpbTi[αzΰ―Άζ€ΙA
Pu’άE±±vΜ΄oπ@m·ι
QΗρΘνήΰΜ©Ζͺ©ιζ€Ι·ι@@
RΗΜJeS[Ιόκι©»f·ι
SͺΚ·ι
³ΙͺΝ\ΝπΒ―ΔΝ’―Θ’BͺΚ\ΝͺθΙN±ιάΕCΖπ±―ΘͺηAΒB
κΚΠοΕΝAͺΚiͺΝj\ΝͺΘ’ΜΕAα_ͺ ιΰΜπάΖίΔPΒΙ΅Δ΅ά€B
±κͺίθκΚ»Μ±ΖB
»΅ΔͺΚπΏαρΖ΅Θ’άάΙάΖίι±Ζπ·ι±ΖΙζθAuSΜρ]vΙΰA±±λΜΝ½η«AΟ@AF―A©δΣ―A©ΘΣ―Ζ’λ’λΖtΑ³ΉΔAΒ’ΙΝΜΰu©ͺvΖ·ιζ€ΙΘιB
±Μζ€ΘͺΚ΅Θ’ΕάΖίΔκΚ»·ιΖ’€sp^[ͺAΟzπg°Δ’ιB
ͺΝ\Νͺ ιΖAoΜΤͺ«κ’©Η€©ΝA©ͺΜSΜ«π΄ΆΘͺη»f·ιB
±ΜvZXΝA
oΖΔρΕ’ιΤΜ`ͺΪΙGκιB
»΅Δ©ͺΜSΜlqπ΄m·ιBρΕ’½θAZ΅©Α½θA©Α½θAuβ©ΎΑ½θΖ’λ’λΘSΜlqͺ θAά½ΗΜSͺSΜΙόΑΔ«Δ’ι©π΄mΕ«ιB
ά½A½ΜlΝ±κͺLCΎΖvΑΔ’ιf[^β©ͺΜίΜoΙΦνιCxgπuΣεvπΚΆΔ΄m·ιB
ΪΜOΙ ιΤΙΒ’ΔΜ΄oi½Ζ¦Ξ«κ’AΡΑθAΦSͺ ιAΦSͺΘ’jͺΆάκιΜΕA‘Ν±Μζ€Θ΄ξͺ±ΜΤΖΦA΅Δ’ι±Ζπ΄m·ιB
±Μζ€ΙͺΝ\ΝπΊ€CΓ«ΝAΞΫΙt΅Δ’½ξρπζθ₯€±ΖΕAΞΫΙΞ·ι·
ͺXΙκΔ’B
satiΖdhammavicayaΝZbgΕ@\·ιB
uό‘΅’vΝφoH
ό‘΅’Ζ’€΄oΝAͺΚ΅Θ’ΕάΖίγ°ι±ΖΙζΑΔΆάκιB
·ΘνΏTOAΒάθίθκΚ»Ε ιB
άΖίγ°½ι±ΖΕTOΖ΅ΔF―·ιΜΕATOΙΝtΑ³κ½^Oͺt’Δ’ιΜΕA»κΙζΑΔ~lobhaΰ΅Ν{θdosaπΆέo·±ΖΙΘιB
‘ΝPΖiΓ‘A|‘Aκ‘Aκd‘A_‘jΕ‘ν€κΝASͺ~lobhaΕκΘ’B
΅©΅½Ζ¦ΞAJJIΜκ‘Ζ»ΜΓ‘Ζ~NΜ|‘ͺ¬΄ιΖό‘΅’Ζ’€φoͺN±ιB
ΘΊγ°ι«ΝyAΊ°ι«Νd΄ΆιΜ©H
ΰsαzA·ΘνΏΰμΙsatiπόκΔ΄oπ@m΅ΔέιB
»κΝ«πγ°½’A«πΊλ΅½’AΖ’€ΣuΙζΑΔA¨ΏΜ΄ΆϋͺΟ»·ι©ηΕ ιB
΄oA¨ΏASͺΟ»·ιJjYΝH
u³νΜΕvͺΜ΄Ε«κΞoθ@@@dhammavicayaΜΝαe
π@³oxdhammavicaya-sambojjhaṅgoΜΕIiKͺ¬·ιΖoθΜSͺ»κιB
ΆέΝTOΙί¬ΈAΐΫΙΝA¨Ν½ΎΟ»·ιΎ―ΕAΑ¦ΔΝά½ΆάκΔ’Ύ―ΕAΆάκ’vZXπ@m΅Δu ιvΖζρΕ’ιΎ―ΕAΑ¦Δ’vZXΝ@m΅ΔΝ’Θ’B
Α¦Δ’vZXπ@m·ι±Ζπ³νΜΜ΄ΖΔΡA±κͺqdΕ ιB
qdΙΝm―©ηΜ΄ApάΕΜ½ΜNͺ ιB
m―Ύ―ΕΝoι±ΖΝΘ’B
u±κͺ ι©ηA±κͺN±ιB±κͺΑ¦ιΖA±κΰΑ¦ιvΖ’€©πΜ΄·ιCsͺKvB
±κͺφΚ@₯Μ©Ε ιB
u³νΜΕvͺΜ΄Ε«κΞCsΝΉΙΘιͺAe©ΜSΜκοΙζΑΔA±Μ©Ι©©ιΤΝqgΙζΑΔ³ά΄άΕ ιB
nāmaΖrūpaΜͺΚ
dhammavicayaΖΝSΜΝ½η«Ζ¨ΏΜΝ½η«πζΚΕ«ι±ΖΕ ιB
ζΚΕ«Θ’lΝuSΖΜΝκΜΕ ιvΖ©u°ΖΜΝκΜΕ ιvΖΎ΅½θ·ιB
ΐΝASΖΜΝsΒͺ£ΜσΤΕΝ½η’Δ’ιΜΎͺAΏIΙΝα€ΰΜΕ ιB
ΒάθASΖΜΝΚXΙΝ½η’Δ’ιB
SΖΜͺζΚΕ«½ηAΙΝSΜέπ@m·ιB»΅ΔΜΜέπ@m·ιB
·ιΖSΰΜΰuΤuΤΟ»΅Δ’ι±Ζͺ@mΕ«ιB
Έi³oxv iriya-sambojjhaṅgo
ΰΜ²ΖͺͺΚ΅Δ©¦ΔιΖA±κΝΚ’A³ηΙΗ€Θι©ΖΜ±΅½ΘιB
»Μάά±―κΞoθΙιΜΎͺAvZXΜ]ΏArtHAAt^[Μ]ΏiSgΜόγAWΝΜόγΘΗjπ΅½ΘθA»κΕ«΅ΔrΕ~ίΔ΅ά€Ζ’€Ζ΅ͺ ιB
~ίΔ΅ά€ΖA³νΜ@₯Ι]ΑΔAΒ΅Δ’B
«·ιΖ½ΰβθ½ΘΘιΜΕAsΖ¬€ΜΕΝΘAsππΖ΅ΔεΙ΅€B
rΜΚπμΡ½’ͺAΣ―πθάΉArΕΈiπXgbv·ιB
³ά΄άΘHvπ΅ΔA©ͺπ±’§½ΉιKvͺ θA±κͺΈiΕ ιB
CsΜ³ΈiΖΝΕIπEΙιάΕ«΅Θ’ΖΣ·ιΜͺA’
ΏΦΜΉB
SΙ ι΄ξβΟzπ«Ζ΅AΆΆΔ’Θ’PΖΝAΟYπΘ΅AoθΙι±ΖB
u§³ΜCsΝνΙsΑΔ¬€ΩΗ΅΅’ΰΜΕ ιvΖίΈΝΰBoTH
μ³oxpīti-sambojjhaṅgo
O³oxAπ@³oxͺζΕ«½ΘηΞA»±ΕuζΕ«½vΖ«·ιΖCsͺ~΅Δ΅ά€ΜΕAνκσΤΕ ιΈi³oxπs€B
Sͺ΄η©ΙΘΑΔ’ΖA’ΤΜYέκ΅έͺΈΆιΖAWΝͺγͺιΖAqdͺηάκΔ’ΖA©RΙSΙμΡͺΆΆιB±κͺμ³oxΕ ιB
©Θ]Ώ·ι±ΖΰA«·ι±ΖΰΦΆηκΔ’ιΜΕACs·ιOΜ©ͺΖ‘Μ©ͺΜΈ_σΤποΜIΙδr΅ΔέιB
·ιΖ»€Ζ€iρΕ’ι±ΖΙCΓ«AμΡͺΆάκιBCsΝ³ΚΕΝΘ’±Ζͺͺ©ιB
^ͺͺ©ιμΡ
^Ιsatiπ·ιΖAZ΅ΔΟz·ιΙͺΘΘιB’IΘy΅έΝΩΖρΗΑ¦Δ’ιB
»€·ιΖAΕASΙASͺ·’Τ΄η©Ιρ]΅Δ’ιΜΎ©ηAΚΖ΅ΔSΖΜΙμΡπ΄ΆιB
ΘΊμρΕ’ιΜ©{lΙΰν©ηΘ’B
QιΤΰΰΑ½’Θ’AΖvΑΔά½CsΞ©θ΅Δ’ιBκ΅’ΝΈΘΜΙA{lΝ·²y΅’B
Ξ’½’ΩΗy΅’B
±Μy΅έΝo’ΤΜΉΙόΑΔ’ιΙmΐΙΆάκιB
»κΝ©ͺΝ’ΤΜκ΅έ©η£κΔ’ιAΖ’€΄ΆB
BpbTi[αzΜΐHπ΅Δ’ΔΰA’ΤΜκ΅έͺͺΙ©ρΕΰA»±©η£κΔ’ι±Ζͺΐ΄Ε«AσΘμΡͺΆάκΔιB
μΡͺΆάκΔιΖAβιCͺoΔ«ΔA³ηΙΈi΅β·ΘιB»΅ΔκiΖͺΚ\ΝΙ«ͺ©©ιB
»€·ιΖA³ηΙsatiπΐH·ιζ€ΙΘιB
±Μζ€ΙXgΜΤΜtϋόΙΰiΰ·ιB
±Μζ€ΙSΔΝ©RΙiΰ΅Δ’ͺAsatiΎ―Ν{lͺΣ―΅ΔβηΘ―κΞ’―Θ’B
satiͺyδΕ ιB§³ΝsatiΕnάιB
sati³¦·κΞAΌΜΰΜΝ«κ’Ι©RΙ΅ΑΔιBwΝ΅ΘΔΰ’’B
yΐ³oxpassaddhi-sambojjhaṅgo
μΡΙΰΖ΅ͺ ιB»κΝ»±ΙζΑΔWΝͺΨκΔACsͺΕ«ΘΘι±ΖB
»±ΕμΡΙΝΆίΝΑ’ΔΰA»κΙ΅κΔΏ
Μͺ’’B
uΏ
Χ«Ε ιvΖ’€πͺAyΐ³oxpassaddhi-sambojjhaṅgoΕ ιB
±ΜΏ
«ΝAiΜΏ
«ΖΝiα’Ε ιB
ΜͺyΘθA_ξΙΘΑ½Ζ΄ΆAΜdͺ[Ιί’σΤΙΘΑ½ζ€Ιo±·ιCsΰ’ιB
ά½|βΰsβΘΗΜiΜΆΕsatiͺ©R©έΙόκι±ΖͺΕ«ιζ€ΙΘιB
αzΜvΙΘΑ½ΜΕAχΜΜΙέβΒ«Μ¦gΘΗΜguͺΘΘθACsπΘPΙiίηκιζ€ΙΘιB
Sͺγ’β{θβ~ͺ ιΖΜΝdAdΘιB
θ³oxsamādi-sambojjhaṅgo
SΝ‘ΜΞΫπ―ΙF―·ι±ΖΝΕ«Θ’B
satiΝSͺθΙΞΫπί΄΅ΔςΡρΑΔ’ιΜπβ~³ΉιB
±κͺBpbTi[αzΙ¨―ιT}[fBΕ ιB
»ΐπmF·ιμΖΝAΎtπΟ¦ιΖWΝΕ ιB
Μ³oxupekkhā-sambojjhaṅgo
±κάΕΜUΒΜxπΕ«ιΎ―¬·³ΉΔAoXπ¦ιuΕγΜ²vΕAX[YΙΝ½η―ιζ€ΙΏ
’ΔβΓΙCsπ±―ιCΏΜΝ½η«ͺupekkhāΕ ιB
#30 maggaṅga@@Ήx
Aṭṭha sammā-diṭṭhi sammā-saṅkappo
sammā-vācā sammā-kammanto sammā-ājīvo sammā-vāyāmo sammā-sati sammā-samādhi.
³©A³vA³κA³ΖA³½A³ΈiA³OA³θΖ’€WΒͺAΉxΕ ιB
kammantoFCworkC
ājīvoFLivelihoodΆvΜθiClivingCsubsistenceCprofessionCoccupation
ͺ³ΉΝ§ΉSΜπΣ‘·ιB@cf.΅oxΝΕγΜiKB@@@@ͺ³ΉΉ΅ox
πEΙB·ι½ίΙKvΘπͺSΔόΑΔ’ιB
»κπΪIΙͺή·ιΖ37μρͺΙΘιB
³©@
^Ι[Ύ·ι±ΖB
qd𬡽߸̩ϋΕ±Μ’πΟ@Ε«ι±Ζͺ³©B
§Ήόε೩A§ΉΉΰ³©B
©ͺΜ\ΝΜΝΝΕ^ππ·ι±ΖͺSΜ³©ACs΅ΔSΙ^πΜ±·ι±ΖͺAπEΜ³©B
³©ΕΝΆίΔA³©ΕIνιBPΤΪΕ ΑΔΕγΕΰ ιBΕ ΑΔΆΕ ιB
³©ΙνΉΔ«’l¦ΘηΞ~ίΔAΗ’l¦ΘηΞΐH·ιΖ’€³΅’vlπ³vΖ’€B
oπέ½ΙAκΚΜlΜ³vΝζΓαΡsπψ«N±³Θ’φxΘΜΕA«κ’ΎΘAΖv€©ΰ΅κΘ’ͺA΄ξπψ«N±³Θ’ζ€ΙCπΒ―ιB
αzΐHΝAαΙFͺόΑ½±ΖAα―ͺΆάκ½±ΖAΣΕΤΎΖ¬΅½±ΖπζΚ΅ΔέιB
³κA³ΖiΜΜsAEΆAέAρsπ£κι±ΖjΕϊπηθAiiΜ ιxΘΆ«ϋπ΅Θ―κΞΘηΘ’B©ͺΜΎtΖΜΜsΧπ§δ΅ΘΔΝ’―Θ’B
ͺ³ΉΜ³ΈiΝ΅oxΜΈiζθΰxͺA³OiCΓ«jπβ¦Έ±―ι±ΖΕ ιB
CΓ«Νο΅’ΜΕAΈiͺΘ’ΖΕ«Θ’B
#31 vatthu-dhamma-ggahana-naya@ξ@Μζθϋ
Ettha
pana cattāro satipaṭṭhānā ti sammā-sati eko eva pavucccati, tathā cattāro sammappadhānā ti ca sammā-vāyāmo.
ά½A±±ΕΝASOͺ³OΜPΒΎ―Εΰ©κA―lΙAS³ΞΜPΒΎ―Εΰ©κΔ’ιB
#32 sabhāva-dīpaka-saṅgaha-gāthā@©«πΰ¦·ιΫσ
Chando
cittam upekkhā ca, saddhā passaddhi pītiyo, sammā-diṭṭhi ca saṅkappo, vāyāmo viratittayaṃ.
Sammā-sati samādhī ti, cuddasf ete sabhāvato, sattatiṃsa-ppabhedena, sattadhā tattha saṅgaho.
Σ~ASAΜAMAyΐAμA³©A³vA³ΈiA£RΒA³OA³θΖ’€©«Ζ΅ΔΜ±κη14ͺAO[vͺ―·κΞ37A»κπάΖίκΞ7νήΙΘιB
viratittaya@@@£RΒ@@@³κA³ΖA³½
37@@@@@@@SΖ΅ΔΝ14ΎͺA4OA4³ΞA4_«A5ͺA5ΝA7oxA8Ήx
7νή@@@@@OA³ΞA_«AͺAΝAoxAΉx
#33 ṭhāna-vibhāga
Saṅkappa-passaddhi ca pītupekkhā, chando ca cittaṃ viratittayañ ca, navf ekaṭhānā viriyaṃ navaṭṭha,
satī samādhī catu pañca paññā. Saddhā duṭhānf uttama-sattatiṃsa-dhammānam eso pavaro vibhāgo.
ΒΙζιͺΚvAyΐAμAΜAΣ~ASA£Μ3ΒΖ’€XΒΝAκΙoιB
ΈiΝ9AOΝ8AθΝ4AdΝ5AMΝ2ΙoιB±κͺΕγΘι37@ΜΕΰDκ½ͺΚΕ ιB·ΧΔΝo’Τ@Ε ιͺAvΖμΝΘ’κΰ ιBά½A’ΤΙ¨’ΔΰA6΄ςͺΆΆιΙΝAKXΙΆΆιB
SκΨΜάΖίsabba-saṅgaho
Sabba@@κΨA·ΧΔ
sabbaΖΝA·ΧΔΜΆ½Μ±ΖB
cf.’ΜAFΜSΔΖ’€ΜͺAκΚΜSΔΕ ιB
SqΖ’€ΖAίE»έE’AΎκAΘwA|pAΆwπmΑΔ’ιΰΜAΖ’€ΜΰκΚB
±Μζ€ΘSqΝΘ’ΜΕA±κπ_ΎΖΟz·ικΚB
±κηΝlΙm―~ͺ ι©ηB»κΘΜΙA©ͺπmι±ΖΙΝ»‘ͺΘ’B
§³ΜκΨqΖΝAΆ«ιΖΝ½©AΖ’€½Μ±Ζπmι±ΖB
±κͺmιΧ«ΰΜπA·ΧΔmΑΔ’ι±ΖB
κΨΖΝA·ΧΔΜΆ½Μ±ΖB
uF―·ιΝ½η«ͺΆ½Ε ιv
ίΈͺΰ’½B@oTH
χΝF―΅Θ’ΜΕΆ½ΕΝΘ’BA[o[ΝOEΙ½·ιΜΕΆ½B
#34 khandha@@ε]
Sabba-saṅgahe-pañca-kkhandhā rūpa-kkhandho
vedanā-kkandho saññā-kkandho saṅkhāra-kkandho viññāṇa- kkandho.
κΨπάΖίιΖAάε]Ε ιBΒάθAFε]Aσε]Azε]Asε]A―ε]Ε ιB
άε]
Ά½π5ΒΜͺΙͺ―ιB
±κηΜ5ΒΜΝ½η«πάΖί½ΰΜπΆ½Ζ’€B
Fε]
Φτ]Ά·ιΆ½ΜΝάε]Ε\¬³κΔ’ιB
ΜΝΒ«ΙK·ιB
nA¨AVEΜ_AFEΜVΝΜͺ ιΜΕFε]πΒB³FEVΝΜπ½Θ’ΜΕFε]ΝΘ’B
ΜΝn ΞΕΕ«Δ’ΔAf±qΜζ€ΘΰΜΘΜΕAJ~βVΝqgΜoΕΝ©ι±ΖͺΕ«Θ’B
σε]
΄Άι±ΖBΜͺOEΖΰEπ΄ΆιB
΄σ«©ΜͺσΕ ιB
±κΝSΜΝ½η«Ε θA¨ΏΜΝ½η«ΕΝΘ’B
¨ΏΝ΄Άι±ΖΝΕ«Θ’B
ΜΖ’€¨ΏΙSͺΘ’Ζ½ΰ΄ΆΘ’B
zε]@@@zsaññāΜΝ½η«ΝAm―ATOA’EΟAζΚA»f
A[o[Ιΰzsaññāͺ ιB
TOπ©«ρ·@@©½ΰΜͺΒ―κΞAΒΖ’€ΚΝzsaññāΕ ιB
v’o·@@@@@ίΜzsaññāΕ ιL―π»έΜF―ΕhηΉι±Ζ
ζΚ»f@@@@@zsaññāͺγΘιΖ»fΕ«ΘΘθAFmΗΙΘιB
m―@@@@@@@Χ΅Δm―πβ·±ΖΝzε]πβ·±Ζ
Ύ@@@@@@@zsaññāΜ@\ͺΘl
zsaññāͺθΙΝ½η«o·ΖAΆlΙΘιB
sε]
½©ͺ©¦ι@σ
HΧ¨ΎΖ»f·ι@¨’΅’ΰΜΎΖ»f·ι@@z
½©π΅½’ΖΥͺΆΆιB@HΧ½’AHΧ½Θ’A³΅½’@s
νΙΟ»΅ΘͺηAu½©π΅½’vΖ’€ΥA·ΘνΏssankhāraͺ ιB
ssankhāraͺ ι©η§πz€BzΑ½Ζ±λΕf«½’Ζ’€ssankhāraͺΆΆιΜΕ§πfB
u½©π΅½’vΖ’€ssankhāra©ηAΚάΕ£κι±ΖΝΘ’B
―ε]
¨ΏΕ ιΜͺΆ½ΜΕ ιΜΝA―ͺ ι©ηΕ ιB±ΜΆ¬ΕΝ―ΖΝSΜ±ΖΕ ιB
―ΝΖ§ΕΝsΕ«Θ’ΜΕAFε]iΜjΙΛΆ΅Δ’ιBpure dhammaΖπίΜα’ͺ ιB
ΜSΜΙF―·ι@\ͺ θA±κπ―ε]ΖΔΤB
κΚΕΎ€F―Ν_oΗi]jΙΐΑ½«ΘΜΕA―ΖF―ΝΖΝα€B
―ε]ΖΝumιv±ΖB
½πmΑ½©AΝzsaññāΜ«ΘΜΕA―ε]Ν½ΎΙumιvΎ―Μ@\B
―πumιvΜΝuοͺο©gπΨιvζ€ΙεΜͺΞΫΙΘιΜΕο΅’B
Ά½ΜΜsπσAzAsΖΙΰΎ΅A»€’€Ν½η«π΅Δ’ιΜͺu―vΕ ιB
Ά½Μ©ηFσzsπζθ’ΔcΑ½GlM[ͺu―vΕ ιB
―ΜΝ½η«ΙΝP’ΰ«’ΰΘ’B
uΤuΤΙΟ»΅Δ’Ν½η«Ε ιΖίΈΝΰ«AoTH
―viññānaπTO»izsaññāj΅½ΰΜͺ[KCsΜ’€A[g}i°jΕ ιB
Ά½Νάε]ΜέΕ\¬³κΔ’ιΜΕAuν½΅AδvΝΘ’ΜΕA§³Ν³δ_ΙΘιB
#35 @upādāna-kkhandha@@ζε]
Pañcf
upādāna-kkhandhā rūpupādāna-kkhandho vedanupādāna-kkandho saññupādāna-kkandho
saṅkhārupādāna-kkandho viññāṇupādāna-kkandho.
άζε]ΝAFζε]Aσζε]Azζε]Asζε]A―ζε]Ε ιB
άε]ΙUf³κιΣ―Μ@@@@½ΏΜoθπW°Δ’ιΜΝ«»κΖΰJ~H
ΜΙ· ΅Δ’ιAFζε]
yEκEsκsyΖ’€΄oΙ· ΅Δ’ιAσζε]
vlETOEm―Ι· ΅Δ’ιAzζε]
KΉΙΘθ½’A κΰ±κΰβθ½’Ζ’€ΥΙ· ΅Δ’ιAsζε]
Ά«Δ’ι±ΖΙ· ΅Δ’ιA―ζε]
½ΏΝ±Μ©ͺΖ’€άε]Ι· ΅Δ’ιͺAάε]Ν· Ιl΅Θ’uΤuΤΙΟ»·ι³νΜΰΜΕ ιB
±Μ±Ζππ΅½Θ’Σ―ΜB
ΌlΜΉ’Ι΅½ϋͺCΏͺ’’©ηΕ ιB±ΜσΤπ³ΎΖζΤB
³ΎΙζΑΔSΝκAΟYͺ»κAκ΅έͺ±B
π}¦Δΰβθ½’±ΖͺκtάΑΔ’ιΜΕAάΎΙ½ΘΰΑΖΆ«±―½’isζε]jΜΕAΔΡΗ±©ΕΆάκΔ΅ά€B
±κͺΦτ]ΆΖ’€Bάε]Ι· ·ι±ΖͺΦτ]ΆΜ΄φΕ ιB
TOΙ· ·ι΅³
yβΙyςyΙ· ·ιΜΝsΒ\Ε ιB
SmS\ΜJ~Ι· ·ιΜΝsΒ\Ε ιB
»κηΝΜ±΅½±ΖΰΘ’A’ΎΙmηΘ’A½Ύσz΅½Ύ―ΜAΟzΜ’EΕ΅©Θ’©ηΎB
TOΙ· ·ι±Ζπu€vΖζΤB
φlβybgπ€΅Δ’ιΖ’€ΜΝA½Ύ©ͺπ€΅Δ’ιΎ―Μ±ΖΕ ιB
φlΕAybgΕA©ͺͺy΅’v’π΅Δ’ιΜͺzε]Ε ιB
»Μy΅’z’π±―Δ’½’Μͺsε]Ε ιB
»ΜΚAά½SΙ€ ͺΆάκιB
»κπΌlπ€΅Δ’ι±ΖΎΖλπ΅Δ’ιB
©ͺΜzε]ΙV½Θ€ ΜzsaññāͺΑνΑ½Ύ―Μ±ΖΕ ιB
κ΅έπζθz¦½’Ζv€ΘηΞAάε]ΙΞ·ι· πΜΔι±ΖΕ ιB
άζε]πΜΔΔAVvΘάε]Ι·κΞπEΙι±ΖͺΕ«ιB
#36 āyatana@@
Dvādasf āyatanāni cakkhāyatanaṃ sotāyatanaṃ ghānāyatanaṃ jivhāyatanaṃ kāyāyatanaṃ manāyatanaṃ rūpāyatanaṃ saddāyatanaṃ gandhāyatanaṃ rasāyatanaṃ phoṭṭhabbāyatanaṃ dhammāyatanaṃ.
12ΝαA¨A@AγAgAΣAFAΊAA‘AGA@Ε ιB
āyatana@@ sphere; region; sense-organ; position@dπ΅Δ’ικ
#36 dhātu@@E
Aṭṭhārasa dhātuyo cakkhu-dhātu sota-dhātu ghāna-dhātu jivhā-dhātu
kāya-dhātu rūpa-dhātu sadda-dhātu gandha-dhātu rasa-dhātu phoṭṭhabba-dhātu cakkhu-viññāṇa-dhātu sota-viññāṇa-dhātu ghāna-viññāṇa-dhātu jivhā-viññāṇa-dhātu kāya-viññāṇa-dhātu mano-dhātu mano-viññāṇa-dhātu dhamma-dhātu
18EΝαEA¨EA@EAγEAgEAAFEAΊEAEA‘EAGEAα―EA¨―EA@―EAγ―EAg―EAΣEAΣ―EA@EΕ ιB
dhātuΖΝH@@Ν’AgAζͺξΜ±ΖB
hātuF[f.] an elementG natural conditionG a relicG root of a wordG humour of the bodyG faculty of senses.
18EΜκΝAάΖίγ°ι½ίΜξόΕΝΘA]vΘΰΜπr΅½KvΘGbZXΎ―πΣ‘·ιB
cf.@@loka dhātu FSΜ
umιv@@@@@αEA¨EA@EAγEAgEAΣE
umιvΞΫ@@@@FEAΊEAEA‘EAGEA@E
umιvΰe@@@@α―EA¨―EA@―EAγ―EAg―EAΣ―E
@Edhamma-dhātu@@_}dhammaΙΝ½wΜΣ‘ͺ ι
l¦ι@\πuΣvΖ’€B½Ύ@\ͺ ιΎ―ΕΝ½ΰnάηΘ’B
ΣΙGκιΰΜͺ ΑΔΝΆίΔ@\·ιB
ΣΙGκιΞΫπdhamma@Ζ’€ΜΕAFΜ@₯Ύ―ͺ_}dhammaΕΝΘ’B
dhamma-dhātuΙΝΟzΰσzΰ\zΰL―ΰv’α’ΰA
»΅Δ^ΰ’ϊΰ`ϊΰΈΟΰάάκιB
±Μ’ΙΆέ΅Θ’ί©η’ΙιάΕΜmΜΜ±ΖA»΅ΔΆέ΅Δΰ`ΜΘ’ΰΜΜ±ΖΕ ιB
LO_Μζπ©ιΖ«ΙΝAMβγ³瘣ΝΆέ΅Δ’ιB
΅©΅ζπΗέIνΑ½η»ΐΙίιBίηΘ’ΜΝεlΜwβA‘AoΟA@³Ύ―B
±Μ’βqgΜ[£Μκ¬ΙΝ^ͺ θACsπ·κΞΈΟπΜ±Ε«ιB
gC΅Θ’©ηΆέ΅Θ’Ύ―Μ±ΖΕ ιB
ΆέΖΝΘΙ©H
ΝΆέ΅Δ’ιB»κΝΗ€’€Σ‘ΘΜ©H@
Ar_}ΝΆέΙΝ½©πΪΧΙΰΎ·ιB
±Μ18ΪΝππr΅Δΰ©ΉΘ’ΰΜΎ―ΘΜΕAEΖ’€\»A·ΘνΏKvΘGbZXπΣ‘΅Δ’ιB
uΆέ΅Δ’ιvΖ’€ΎtΜΣ‘ΜGbZXΝA±Μ18EΙΘιB
ΆέΖΝ±Μ18Μ±ΖΕ θAtΙ’€ΖA±Μ18ΘOΝΆέ΅Θ’B
#38 sacca@ϊ
Cattāri ariya-saccāni dukkhaṃ ariya-saccaṃ dukkha-samudayo ariya-saccaṃ dukkha-nirodho ariya-saccaṃ dukkha-nirodha-gāminī paṭipadā ariya-saccaṃ .
lΉϊΖΝAκΉϊAκWΉϊAκΕΉϊAκΕΙιΉΉϊΕ ιB
gāminī@@Ιι
paṭipadāFIngressCaccessCwayCstepCcourseCprogressCpractice
Ά«ιΖΝκΕ ι
Ά«ιΖΝ½©ΖΟ@΅½Ζ±λAΆ«ι±ΖͺκΕ ιΖ©΅½B
±κͺκΉϊΕ ιB
Ά«ι±ΖͺκΕ ιΘηΞAΆ½ͺΕ_ΙΘΑΔΆ«ι±ΖΙ§ν΅ΔAΦτ]Ά·ιΝΈͺΘ’B
»ΜRπΟ@΅½Ζ±λAκπ±―AWίι΄φΝ€Ε ι±Ζπ©΅½B
±κͺκWΉϊΕ ιB
ΆέΖ’€κπζθz¦ηκιΜ©AΖΟ@΅½Ζ±λΕA€©ηSπSΙπϊ΅½Ζ±λΕAκ΅έπζθz¦ι«nΙB·ι±Ζπ©΅½B
±κͺκΕΉϊΕ ιB
±Μ«nΙB·ιΉΝͺ³ΉΕ ι±Ζπ©΅½B
±κͺκΕΙιΉΉϊΕ ιB
±Μζ€Ιlπ³©ηΉΘι³ΦΖ±ΜΕlΉϊΖ’€B
#39 vatthu-dhamma-ggahana-naya@ξ@Μζθϋ
Ettha
pana cetasika-shukhumarūpa-nibbāna-vasena ekūnasattati dhammā
dhammāyatana-dhamma -dhātū ti saṅkaṃ gacchati. Manāyatanam eva satta-viññāṇa-dhātu-vasena bhijjhati.
ά½A±ΜΕASAΧFAΈΟΖ’€69@ͺ@E@EΖΔΞκιBΣΝV―EΙͺ―ηκιB
69@@@@@@52ΜSA16ΜΧFA1ΜΈΟ
ΣΝV―E
κeΖΝe’Ζ’€Σ‘ΕAΝΑ«θΖF―Ε«ιFB
οΜIΙΝAςFT{«FVΜv12@α¨@γgFΊ‘GinAΞAj
ΧFΖΝAΝΑ«θF―Ε«Θ’κeFΘOΜ16ΜFB@ΧFΝ22ΕΝΘ©Α½Μ©HοΜIΙΝH
#40 pañca-kkhandha-vatthu-dhamma άε]Μξ@
Rūpañ ca vedanā saññā, sesa-cetasikā tathā,
viññāṇaṃ iti pañcf ete, pañcakkhandhā ti
bhāsitā.
»ΜΕAFAσAzAcθΜSA―Ζ’€±κη5ΒͺAάε]Ε ιΖΰ©κ½B
»ΜΖΝ69Μ@E@E
ΘΊssankhāraΖΝ©ΈΙucθΜSsesa-cetasikāvΖ’€\»π΅Δ’ιΜ©H
#41 @upādāna-kkhandha-vatthu-dhamma@@ζε]Μξ@
Pañcupādānakkhandhā
ti, tathā tebhūmakā matā, bhedābhāvena nibbānaṃ, khandha-saṅgaha-nissaṭaṃ.
άζε]ΖΝA»ΜΕAOEΜΰΜͺΣ}³κΔ’ιBͺήΙόηΘ’ΜΕAΈΟΝε]ΜάΖί©ηO³κιB
tebhūmakoFBelonging to the three stages of being
mataF[ppDof maññati] knowG understandD
#42 Āyatana-dhātu-bheda@@ΖEΜζΚ
Dvārālambaṇa-bhedena, bhavantf āyatanāni ca, dvārālamba-taduppanna-pariyāyena
dhātuyo.
εΖ«ΜͺήΙζΑΔAΖΘθAεΖ«ΖA»ΜΌΙζΑΔΆΆι©ϋΙζΑΔΝEΖΘιB
εiMΜΝ’ιΖ±λjΖ«iΞΫjΜͺήΙζΑΔΝA12
εΖ«Ζ»κηΜΪGiF―ͺ¨±ιjΜͺήΙζΑΔA18E
#43 @catusacca-vatthu-dhamma@@lϊΜξ@
Dukkhaṃ tebhūmakaṃ vaṭṭaṃ, taṇhā samudayo bhave, nirodho nāma
nibbānaṃ, maggo lokuttaro mato.
OEΜΦτΝκΕ θA€ͺφΕ ιBΕΝΈΟΕ θA’Τπ΄¦ιΉͺ¦³κ½B
#44 Sacca-vimutta, nigamana ϊ©η©κιΰΜ
Magga-yuttā phalā
ceva, catu-sacca-vinissiṭā,
iti pañca-ppabhedena,
pavutto sabbba-saṅgaho.
ΉΖ»κΙ·ιΰΜAΚΖ»κΙ·ιΰΜΝlϊ©ηO³κι
κ@ΘγA5νήΙͺ―ΔAuκΨΜάΖίvͺΎη©Ι³κ½B
Iti Abhidhammattha-saṅgahe samuccaya-saṅgaha-vibhāgo nāma sattamo
paricchedo.
ΘγͺAuAr_}b^TKnvΙ¨―ιuΫWͺΚvΖ’€ζ7ΝΕ ιB
ΫͺΚ @paccaya-saṅgaha-vibhāga
#1 paṭiññāṇa@@ο|
Yesaṃ saṅkhata-dhammānaṃ ye dhammā paccayā yathā taṃ vibhāgam ihedāni pavakkāmi yathārahaṃ.
½©Μ@ͺA½©Μμηκ½@ΜΖΘιA»ΜͺΚπA‘±±ΕKXΙΰ±€B
ίΈΝuͺΝπκιv
e[[_§³ΖΝAuίΈΜε£ΝͺΝπκιv±ΖΎAΖ²΅Δ’ιO[vΕ ιB
theravāda [mD] the doctrine of the
TherasG the Southern Buddhism
theraF[mD] an elderG
a seniorG a monk who has spent
10 years from his upasampadā
upasampadāF[fD] higher ordination of a monk@@@
σϊ@§Μθί½ϊ₯πσ―ι±ΖBoΖAέΖπβνΈA³cΙΝ’Α½΅ι΅Ζ΅ΔAΑθΜK₯Ι]€±ΖπΎ€VB³ΜmiδujΙΘικΝOt΅ΨΜκZt©ησ―ιBϊ{ΕΝVΊOϊdΖΜ΅½εEΟ’ΉEςtΕA¬ζϊͺφ―ηκ½ͺA±κΙΞ΅εζϊπφ―½ΜͺοΕ ι
gKiṃvādī bhante, sammāsambuddhoh ti? gVibhajjavādī, maharajah ti.
ΈtA³oΝ½ε`š倩H@ε€ζAͺΝε`Ε·B
Samantapāsādikā PTS P61 @Buddhaghosa(5c)Ιζι₯ Μί
'samanta' indicates 'all' or 'entire', and 'pāsādika' means 'lovely' or 'pleasing
ίΈΜͺΝ
Ά½ΖΝFσzs―Ζ’€άε]Ε ιAΖͺΝ΅½B
±ΜΆ½ΖΝΜΖSΜΌϋΘΜ©Aΰ΅ΝSΎ―ΘΜ©H@½Ζ¦Ξ³FEΙΝΜΝΘ’B
±Μάε]πΚXΙΟ@·ιΖAuΤuΤσκΔΟ»΅Δ’ΰΜΎΖ©¦ΔιB
· Ιl·ιAuA©δvΖ’€Εθ΅½ΰΜΝΆέ΅Θ’Ζ©Ε«ιB
¬³κ½»Ϋͺ»Μάά^Ε ιΖπ·ι±ΖΝλπΕ ιB
ͺΝ·ιΖ^ͺ©Ε«ιB
ͺΝ΅Θ’ΐθAΟYπβΒ±ΖΝΕ«Θ’B
³ΐΙ ι»ΫπwΤ±ΖΙZ΅’B’ηwρΕΰIνθͺΘ’B
{ΝκCΎͺA{πgΑ½ΏΝ³Ε ιB
{ΙΝ· ΅ΘΔΰA{ΏΙΝ· ·ιB
lΝ»ΫΙψΑ©©ΑΔSͺκιBΟYͺN±θAκ΅έͺ±B
Ύ©ηίΈΝA»ΫπχΧΙͺΝ΅ΔAΕIIΙ½ͺ©Β©ιΜ©Ζ²ΧΔδB
ͺΝπΉ·ιΖAV½ΘΫθͺ©¦ΔιB
½Ζ¦ΞAHQΖOΜCΜΝ Ζ’€»ΫπμιBΕΝOΖ NΕΝ½©ωίιtΜΙΘιΜ©H
»Μ½ίΙAr_}Ν¨ΏΎ―ΕΝΘAF―ΜͺΝάΕΈ§Ι¨±Θ’A»ΜγΙ·ιB
±κ©ηΝ_πκΑΔ’B
#2 dvi-naya@@2ΒΜϋ@
Paṭiccasamuppāda-nayo paṭṭhāna-nayo ceti paccaya-saṅgaho duvidho veditabbo.
N·ιdϋΖAπΖ’€dϋΖAuNΜάΖίvΝ2νή ιΖmιΧ«Ε ιB
΄φΖΚ@φ_@paṭiccasamuppāda @@@@@@@@@@΄φΙζΑΔΦA΅½ΰΜiΚjͺ»κιB
πΖΚ@π_@paṭṭhāna@pa+sthā ΘήAx¦ηκΔ@@Β«Ζ’€πΜ±ΖΕA±κπuvΖ’€B @@
Paticca-samuppādap[κΜΣ‘
΄κΜPaticcasamuppādaΖΝupativ+uiccav{usamav+uuppādavjΜ±ΖΕA
upativ+uiccavΖΝAupativΝS©AAuiccavΝDέπΣ‘΅A
uμρΕ½©ΖΡΒ’Δ’ιvAά½Νu»κπD«ΙΘι±ΖΕ½©Ι€
πΒvΖ’€Σ‘Ε ιB
»κͺN±ιΖASamuppāda=usamavi―Άά½Νή΅½―lΘΰΜj+uuppādaviΆ¬AoΆAaΆj·ιB
ΒάθA―lά½Νή΅½iΏά½ΝνήΜΰΜͺοΫ»·ιΖ’€±ΖΕAκΎΕ’€Ζu½ΰΜͺ»κoΔιvΖ’€Σ‘Ε ιB
΅½ͺΑΔAsamuppādaΖΝAΆέiοΫ»΅½ΰΜjΙ±±ΖΕ θAΎ’·¦κΞA©π£i·ι½ίΜp^[»iκjΜφΚΦWπμθγ°ι±ΖπΣ‘·ιB
΄φikammajͺΆέ·ικAπͺ΅¦ΞAΞ·ιΟ»iΚjΙΘιΒ\«ΝΘιB
±Μζ€ΘφΚΦWͺNΰiPaticcasamuppādajΜ½ίA΄φikammajΝθ_IΕΝΘ’B
ΒάθAΗΜζ€ΘΝΘ΄φͺ λ€ΖAπͺνΘ―κΞAΚͺΆΆιΖΝΐηΘ’AΖ’€±ΖΕ ιB
±Μζ€ΙPSiPaticcasamuppāda@NΰjΜdvΘ_ΝAΚiΰ΅Ά΅½κjͺ΄φΙqͺιΒ\«ͺ θA»κΝAuπvͺIπ³κ½½ίΕ ιAΖ’€©ϋͺΕ«ιB
gPati ichchahͺgsama uppādahΙ±Ζ’€±ΖAΒάθA€
πΒΖA»κͺ½«ΏπΒV΅’ΰΜπoΆΙ±Ζ’€±ΖΕ ιB
ΚΜ©ϋπ·κΞA΄φͺΚπΰ½η·κA»κηΝ―lΜ«ΏπΒ±ΖπNΰΝ\΅Δ’ιB
X}iT[Μ©π@@paṭiccaΜΣ‘@@@
avijjā paccayā saṅkhārā, ΜpaccayāΜγνθΙpaṭiccaπgΑΔ’ιoTͺ ιBoTH
u³ΎΙζΑΔsΖΘιvΜ|σΎΖAA±«ͺ²³κA―«i³ΎͺΘ―κΞsΝΘ’AΖ’€΅§ΘΦW«jͺσΙΘιB
paccayāΝ΄φπ\·iA±«jΎ―ΕΝΘΦWi―«jπ\΅Δ’ιB
ζΑΔΖσΉΞA±«AΦWΖσΉΞ―«ΙX|bgCgͺ½ιB
A±«π²·ιΎ―ΘηΞAuppajjati,hotiΜuΆάκιvΖ’€PκΕ’’B
T}[fBΖBpbTi[αzΝ―«ΙΣ
u’άA±±vΜ»Ϋπ΄mAΟ@·ιΜΕAA±«ζθΰ―«ΜφΦWͺεΙ ιB
―«
u³ΎΙζΑΔsΖΘιvΝAusͺ ιΖ«Ιΰ³Ύͺ ιA»΅ΔAΕγΜΆAVͺ ιΖ«ΰAΌΜΪΜSΔͺ ιvΖ’€±ΖΕ ιB
½Ζ¦ΞAπ¦·@BΕ ιvΝAΗΜiΙΰπͺ θA1ΒΕΰiπζΑΔ΅ά¦ΞAΰ€vΕΝΘΘιBiΝ»κΌκΜ@\π΅Δ’ιΎ―ΎͺA»κͺΕIIΙΝvΖ’€Άoπ€ήB
―lΙA12xNΝA»ΫΜ@\ͺ΅ΑΔ’ι±ΖΕAlΖ’€Άoͺ¬θ§ΒB
#3
dvi-naya-visesa@@2ΒΜϋ@Μα’
Tattha
tabbhāvabhāvi-bhāvākāra-mattopalakkhito paṭiccasamuppāda-nayo. Paṭṭhāna-nayo pana āhacca -paccaya-ṭhitim ārabbha pavuccati. Ubhayaṃ pana vomissitvā papañcenti ācariyā.
»ΜΕuN·ιdϋvΝA ιΰΜΜ΄φΖ θϋΎ―πΆΑθΖΟ@·ιdϋBκϋAuπΖ’€dϋvΝAΎνκΔ’ιΜ§κΙΦ΅ΔΎ€B΅©΅tΝΌϋΜdϋπ¬ΊΔAΰΎ΅Δ’ιB
ίΈΝ2ΒπΝΑ«θΖͺ―Έ¬ΊΔΰΎ΅Δ’½B
A±«Μh½_A―«Μαz_
Τͺη«Aσ²΅ΔAUΑΔΐͺΘιAΖ’€A±IΘΤΜ ιoΝ’ΜΙ ιB
΅©΅A±κπ^Ζ΅Δσ―ζΑΔ΅ά€ΖAΗ€΅ζ€ΰ·ι±ΖΜΕ«Θ’ΜΕ «ηί΅©Θ’^½_ΖΘθAA±«ΜΰΎΝfpΕ ιͺA»σΜκ΅έπζθΙΝπΙ§½Θ’B
uGlM[πΑΔAβθ½’±Ζͺκt ιάάΕρΕ΅ά¦ΞAΙΆάκΔ’BΦτ΅½Θ―κΞAβθ½’±Ζͺ½ΰΘ’σΤΕΘΘ―κΞ’―Θ’Bv
Ύ©η’η12φπmθAφΚ@₯πΧ΅ΔΰAΤβΖ’€A±IΘ€ΚπmιΎ―ΕΝAh½_ΙΧΑΔ΅ά€B
ίΜ³ΎβΖkammaΝΗ€΅ζ€ΰΘ’ΜΕAϊΑΔ¨’ΔAu’άE±±vΕΖkammaπμηΘ’±ΖΕ’πΘ·±ΖΙX|bgCgπΔιΜͺ’’B
»κͺ12NΜ―«πmθA±ΜNΜ[vπfβ·ι±ΖΕ ιB
#4 paṭiccasamuppāda-naya-padassana@@N·ιdϋΜρ¦
Tattha avijjā-paccayā
saṅkhārā,
saṅkhāra-paccayā viññāṇaṃ,
viññāṇa-paccayā nāma-rūpaṃ,
nāma-rūpa-paccayā saḷāyatanaṃ,
saḷāyatana-paccayā phasso,
phassa-paccayā
vedanā,
vedanā-paccayā taṇhā,
taṇhā-paccayā upādānaṃ,
upādāna-paccayā
bhavo,
bhava-paccayā jāti,
jāti-paccayā
jarā-maraṇaṃ soka-parideva-dukkha-domanassa-upāyāsā-sambhavanti.
Evam etassa kevalassa
dukhakkhandhassa samudayo hotī ti.
Ayam ettha paṭiccasamuppāda-nayo.
N·ιdϋΕΝA³ΎΙΛΑΔsͺΆΆιB
sΙΛΑΔ―ͺΆΆιB
―ΙΛΑΔΌFͺΆΆιB
ΌFΙΛΑΔZͺΆΆιB
ZΙΛΑΔGͺΆΆιB
GΙΛΑΔσͺΆΆιB
σΙΛΑΔ€ͺΆΆιB
€ΙΛΑΔζͺΆΆιB
ζΙΛΑΔLͺΆΆιB
LΙΛΑΔΆͺΆΆιB
ΆΙΛΑΔVEEDEίEκEJEYͺN±ιB
±Μζ€Ι΅ΔA·ΧΔΜκΜWάθͺΆΆιB
±κͺN·ιdϋΕ ιB
o ΕΝMajjhima NikāyaΜρoAAṅguttara Nikāya»΅ΔKhuddhaka Nikāya
Vinayai₯ jΕΝMahā vaggaiεijΙ΄Άͺ ιB
φΜΝ’λ’λ ι@@4A6A10ΰ ιͺΘ’B@12ͺ½’B
32φΰ@
Xb^jp[^suttanipāta mahāvagga12 Dvayatānupassanā-sutta https://suttacentral.net/snp3.12/pli/ms
3.12. Observation of Dualities https://suttacentral.net/snp3.12/en/sujato
φΖΚΜZbgͺ16 θAκ΅έΜ΄φπάΖίΔ’ιB
πΖπϊA· Ζκ΅έA³mΖΪZiΦτjAΖΖ©ΜAΣ―ΖβΓAΪGΜπΖβΓAΘΗ
φ κΞΚ θ@@φΘ―κΞΚΘ΅
ίΈΝ\ρNπΰ©κιΫΙAΘΊΜζ€ΙΘΙNΜπ_ΖφΚ_πΰ’Δ’ιB
iti imasmiṃ sati idaṃ hoti, imassuppādā idaṃ uppajjati;
imasmiṃ asati idaṃ na hoti, imassa nirodhā idaṃ nirujjhati@@@@@@@@@@@@@@@@@@@@@@@@
SN. Nidānavagga, Natumhasutta (12-37)
±Μζ€ΙA
P±κͺLιΖ«Ι»κͺLθA
Q±κͺΆΆιΖ«Ι»κͺΆΆιB
R±κͺ³’Ι»κΝ³A
S±κͺΕ·ιΖ«Ι»κͺΕ·ιB
P±κAͺ»κBπx¦Δ’ι@@@@@@@@@@@π@ΎzΖn ΜψΝΖn Μ©]φ]@@―«
QΘ©Α½AΖ’€΄φͺ»κιΖABͺέ¦Δι@φΚ@@ΜΪΖΜΏ―@νΖθ@@@A±«
RBΙΝAͺ©ΉΘ’±Ζπ©·ι@@@@@@@―«ΜΒΘͺθΜmθ
S³νΜΟ»ΖΑ¦δ±ΖπφΚΦWΜΕ©@@φ@₯Μ¬
BΘάάΕ΄φπT·©ηAβθΜπͺΕ«Θ’B
ιΖΘ’ΜQΒΜP[XΕ²ΧΔ©ηAφΚ@₯πκιΜΕAθΕΝΘAfθΕ ιB
ΎmΘφΚΦWπmηΘ’©ηAκ΅έ©ηEoΕ«ΈAYρΕ’ιB
12φe_
1,2@avijjā-paccayā saṅkhārā@@³ΎΙζΑΔs
³ΎΜSΝmohas
^πmηΘ’±Ζͺ³ΎB·ΧΔΜsΝ³Ύ©ηΆΆιB^πmηΘ’ΜΕsͺΆΆιB
^ΖΝAlΉϊΜκWΕΉΜ±ΖΕAΆέͺκWΕΉΕ ι±ΖπάΎmηΘ’±Ζͺ³ΎB
lΉϊππ·ι½ίΜwΝπ΅Δ’Θ’lΜSΜσ΅Ν³ΎΕ ιB
³Ύͺ ιΖmηΘ’l@@@εΘ±ΖπmηΘ’Ζ©oΉΈΙλ―Θsπ·ιB@κΚl
³Ύͺ ιΖmΑΔ’ιl@@³ΎπΘ·½ίΜsπ·ιB@@@@@@@@@@@@δu
³Ύͺ ιΙsͺΆΆιA³ΎͺΘ’ΖsͺΘΘιB@½Ζ¦Ξp[κΜwKB
lΉϊπmθs΅½ηA¨±Θ€Χ«ΰΜͺΰΑ¦Δ³ΎͺΘΘιB
³ΎΜ΄φH
³ΎΙ΄φͺΘ’ΖAφΚ_Ι΅ͺΆΆιB·ΧΔΜ»ΫΙφΚ ιΖΰ’Δ’ι©ηΕ ιB
³ΎΖ€ΙΝA ιn_ζθΘOΙΝΘ©Α½AΖθίι±ΖΝsΒ\Ε ιAΖίΈΝΰB
ui»ΫΜjΕΜ[Ν¬θ§½Θ’Bv@
pubbā koṭi I_naΫθ paññāyati [pa + ña+ ya]ΎmΙ·ι
½Ζ¦ΞA’ηkΑΔΰΤΜΫπ©Β―ι±ΖΝΕ«Θ’B
nίΝ½ΰΘ©Α½AΖ’€ΜΝqΟIΘf[^ͺΘ’B
cf.α¨@γgΣΜ@\ΜΰΎ©ηnάιφΚ_ΰ ιB@oTH
ΟzΜno@@@@―«ΜφΚ@₯Μ©Ζ΅
A±«ΜφΚ@₯@@@@ν©ηθΖͺͺoιΖAνͺΑ¦ιB@`ͺΟ»·ιΜΕ³νπ§Ψ΅β·’B
uΕvΜ΄φπzθ·ιlΝAA±«ΜφΚ@₯ΙX|bgCgπΔΔ¨θA―«ΜφΚ@₯π©Ζ΅Δ’ιΜΕAA±«Μ΄φπT΅A»κͺν©ηΘ―κΞAzΕμθγ°Δ΅ά€B
BκΜ_βn’_πβΞI΄φΖΣM·ιXόͺ ιB
―«ΜφΚ@₯Νn Μφ]E©]ΙΝψΝͺνΙKvΕ ιB
ΤΝTOΕAοΜIΙΝΖ§΅ΔΆέ΅Θ’
mͺΟ»·ι±ΖΝΟ@Ε«ιB
γζπδr΅ΔAvͺ·ι±ΖΕΤΖ’€TOͺ¬θ§ΒB
mΝKΈΟ»·ιΜΕAΤΖ’€_it@N^[A€ΚAΨθϋjπg€±ΖͺΕ«ιB
ΤΝΖ§΅ΔΆέ·ι»ΐΕΝΘ’B
»ΐΝu·ΧΔΜ¨ΝΟ»΅Δ’ιvΖ’€±ΖB
A±«ΜφΚ@₯ͺΤΙX|bgCgπΔιππ·ι
―«ΜφΚΦWΙΝAφΖΚͺ―ΙΆέ·ιͺA
A±«ΜφΚΦWΙΝAφΙΰΚΙΰΚXΙA±«ͺ ιB
Ύzͺ·ιOΙAn ΝMΙΫέάκΔAΆέͺζΙΑ¦Δ΅ά€B
¨ΏΜψΝΘΗΜ―«ΜφΚ@₯ΝAόϊπ\»·ιͺAΤπ\»΅ζ€ΖΝ΅Θ’B
Rsaṅkhāra-paccayā viññāṇaṃ,@sΙζΑΔ―
s·ι±ΖΙζΑΔA©ͺΜSͺΟ»΅Δ’B
sπβίΘ’ΐθA―viññānaΝΆάκ±―ιB
΅©΅AqgΝκu½θΖΰsπ~ίι±ΖͺΕ«Θ’B
±κͺΦτΕAIνθͺΘ’B
vlΙζΑΔ΄ξβΟYͺΆάκAΟzπμι±ΖΝͺ©ΑΔ’ιͺAvlπβ~³ΉιΜΝeΥΕΝΘ’B
΅©΅Avlπβ~·ιΖAαΜOΙ ιΆΕΟ»·ι»ΫπA½Ύ θΜάάΙmF·ι±ΖͺΕ«ιζ€ΙΘιB
±κͺ^Μ©ΙΒΘͺιB
ΙSΜκͺΏΔ’B
»ΜζΙπEΙιB
Ζ±λͺAusπ~ίζ€Al¦ι±Ζπ~ίζ€vΖ΅Δΰ~ίι±ΖͺΕ«Θ’ΜΕA―viññānaͺ«±―ιB
±Μusaṅkhāra-paccayā viññāṇaṃ,@sΙζΑΔ―vΜζ€ΙAQΒΜΦWΎ―ΕπEπΰΎΕ«ιB
Saṃyutta Nikāya, SNoTζ12, Nidāna-saṃyuttaφζSKaḷārakhattiya-vaggaJ[EVgiΜñaṇassa vatthūniqAβAvijjā-paccayā³ΎΙζΑΔ
https://suttacentral.net/sn12.33/en/sujato
https://suttacentral.net/sn12.35/en/sujato
saṅkhāraΝΖkamma@@@ί’Μ³ΎͺΖkammaΖΘθA»’ΜSͺ»κι
Ar_}ΕΝA³ΎΖsΝί’Μ±ΖΎΖ΅AsaṅkhāraΖ’€ΖkammaΙζΑΔ―viññānaͺΆάκιΖπί·ιB
ΒάθΖkammaΙζΑΔΦτ]Ά·ιΖ’€AA±«ΜΰΎπ·ιBΆάκΟνθΜ±ΖΕ ιB
ΝΝπF_AO’©η’πάήΰΜA»’Ιΐθ΅½ΰΜAF―·ιvZXA17XebvΜSHπΟέdΛιA±«AΖ’λ’λΟ¦ΔΰΚp·ιβΞI^Ε ιB
³Ύͺ ιΖAsaṅkhāraΖΙζθAV΅’SͺΆάκιB
Κ±ΖΰsaṅkhārasΕ θA»κΙζΑΔφΚ@₯Ι]ΑΔV½ΘSπμι±ΖΝπ―ηκΘ’B
uί’ΕqgΙ³Ύͺ Α½ΜΎ©ηA’λ’λΘsΧπ΅ΔAΖkammaπΟέdΛΔ΅ά€BΖkammaπΟέdΛΔ΅ά€ΖAρΕΰΙV΅’κΕ―viññānaͺ»κΔ΅ά€vΖΰΎ·ιB
―ΆisΕΜ―viññānaͺί’A»’A’’π¬κΔ’ιΜΕΝΘ’B
―viññānaΝΆάκΟνιB
Ο»·ιΖΝA―ΆSΘΜΙΟ»·ι±ΖΕΝΘ’B
Ο»·ιΘηA―ΆSΕΝΘ’BSͺρΕA»ΜγνθΙV΅’SͺΆάκιB
Sviññāṇa-paccayā nāma-rūpaṃ,@@―ΙζΑΔΌF
ΌFΖΝSΖΜΜ±ΖB
ί’ΜΕϊΜ―viññānaΝ]Ά΅ΔA»’ΕΝV΅’―viññānaΙΘθAV½ΘSΖΜͺΆάκιB
cf.ΌΝΌOAFΝF`Ε θAΌOπΒ―½ΜΝ―viññānaΕ ιAFΝσκιͺAΌOΝσκΘ’AΖ’€πίΝub_ΜΎtiulΝV’ΔρΕgΜΝΑ¦ιͺAΌOΜέͺcιvjπλπB
ΌOΝΟOΕ θV’ιΖΪβ―AΚΖΌOΰ»Μ€ΏYκηκι
Tnāma-rūpa-paccayā saḷāyatanaṃ,@ΌFΙζΑΔU
SΖΜ©ηF―ΜϋΕ ια¨@γgΣͺΆάκι
Usaḷāyatana-paccayā phasso, UΙζΑΔG
F―ΜϋΙFΊ‘G@Ζ’€OEΖΰEΜMͺGκι
Vphassa-paccayā vedanā,GΙζΑΔσ@@@
FΊ‘G@ΝίEE§Μ^Oͺt―ηκι±ΖΕ΄oΙΘι
Wvedanā-paccayā taṇhā, σΙζΑΔ€
tΑ³κ½^OΙζΑΔAp^[F―ͺΒ\ΙΘθA±κͺ~i€Ζ«jΜ½πΆέo·
Xtaṇhā-paccayā upādānaṃ, €ΙζΑΔζ
€ ΙζθAΰΜΙ摑άκAϊνκι
10upādāna-paccayā
bhavo, ζΙζΑΔL
είΙS©³κιΜΕΝΘAΚ’ΰΜA΅½’ΰΜAl¦½’ΰΜͺκt ιΜΕAsπN±΅Δ΅ά€B
±κͺΆ«ι±ΖΕ θAbhavaLΖΔΞκιΰΜΕ ιB
οΜIΘΰeΝA©ιA·AkA‘ €AGκιAl¦ιΖ’€±ΖB
LsH
qgΝ©½’ΰΜΙίΓ«A©½Θ’ΰΜ©η΄©ιB·ΘνΏs·ιB
s·ι±ΖπsaṅkhāraΖΔρΎͺAbhavaLΖΝα’ͺ ιΜ©H
Ar_}ΕΝAbhavaLsaṅkhārasΕ ιB
ΕΝΘΊ―ΆΎtπΰ€κxgνΘ’Μ©H
lΝ―«ΜφΚ@₯ζθΰAA±«ΜφΚ@₯ΜΰΎΜΩ€ͺπ΅β·’ΜΕA»Μζ€Ι\¬³κΔ’ιB
A±«ΕΰΎ·ιΙΝAα€pκπg€ϋͺν©θβ·A―Άpκπg€ΖA¬π«½·B
½Ζ¦Ξu³Ύ©ηsͺΆΆιAΕ·©ηsͺΆΆιvΖ·ιΖAsΜ΄φβsΜθ`ͺͺ©θΓη’B
LΖsΜα’ΝALΝu©ιA·AkA‘ €AGκιAl¦ιv±ΖΕΆ«Δ’ι±ΖΙΞ΅ΔA
sΝΖkammaΕΆΆΙΕ·΅ΔAΘθΣθ\νΈΆ«Δ’ι±ΖB
sΝΆ«ι±ΖͺsΧΕ θA»κΙζΑΔLͺ¬θ§ΑΔ’ιB
κ¬ΝLΖsΝ―ΆΎͺ\wΝ±Μζ€Θα’ͺ ιΜΕA\wͺLΕA[wͺsΖΎΑΔΰ’’Μ©ΰ΅κΘ’B
lͺΕ·πΘΉΞAsΧΰΘΘθA»κΕ]Ά·ι±ΖΰΘΘιΜΕAπE·ι±ΖΙΘιB
11bhava-paccayā jāti,
LΙζΑΔΆ
Ar_}ΕΝΦτ]ΆΙξΓ’ΔΰΎ΅Δ’ιΜΕA±ΜLΙζΑΔΆΖΝ’Μ±ΖπΰΎ΅Δ’ιB
jātiΝΆάκι±ΖΎ―πΣ‘·ιͺAΆάκι±ΖΙζθV΅’»ΫͺXΖπ»κιB
¬·A₯AqAΖΖV΅’»ΫͺΆάκιΜΝA»ΜlΙLbhavaΖ’€Ά«Δ’ιCΏͺ ι©ηΕ ιB
ΘΊΆ«Δ’ιCΏͺ ι©ΖΎ¦ΞAϊνκΔ’ιupādāna©ηΕ ιB
±Μζ€ΙA±«Ν―«ΙζΑΔ¬θ§ΑΔ’ιB
φΚ@₯Ν―«ͺ ι±ΖΕA±«ͺ ιΜΕ ιB
12jāti-paccayā
jarā-maraṇaṃ
soka-parideva-dukkha-domanassa-upāyāsā-sambhavanti.
VEEDEίEκEJEY
sokaF[mD] griefG sorrow@@@@@@@@ί£@D’A³’
paridevaF[mD] wailingG lamentation@@κΙΜ©Ρ@ίQ
ChΜΦτA§³ΜΦτ
ChΜΦτ@@sΕΜ°ΜΪ]
§³ΜΦτ@@@³ν½ι»ΫΜA±«@@φΙζΑΔΆάκAφΙζΑΔΑ¦ι
κu²ΖΙρΕΆάκΔAάιΑ«θΟνθΘͺηΰA³ΦWΕΝΘ’B»κΗ±λ©ρΎηͺΆάκ½ΜΕ ΑΔAρΕΝΆάκι±ΖΕAκ{Μ¬κΕArΨκι±ΖΘΈΑΖ±’Δ’B
{ΜφΚΝκx΅©Θ’σΤΘΜΕAuΰvΖ΅ΔΎκΖ΅ΔάΖίι±ΖΝΕ«Θ’ͺAΔ’ισ΅ͺί’©η’’ΙιάΕ±±Ζπ\»΅Δ’ιB
κx΅©Θ’»ΐΝ©ͺΜαΜOΙ΅©Θ’ΜΕA©ͺΜβθΖ΅ΔA©ͺΕl¦ι΅©Θ’B
©ͺΕl¦ιΜΘηΞA½©ΤαΑΔΰA»±ΕlΙ·’½θA©ͺΕsφλ·ι±ΖΕAiή±ΖͺΕ«ιB
12φΰΝ©ͺΕΜ±΅Al¦As΅Am©ίΔ’ΰΜΕ ιB
κuΰ12ΜSΜΝ½η«ͺ―ι±ΖΘAS ι±ΖΕA±Μ¬κΝ±’Δ’B
εΙ΅Δ’ιΰΜͺΚΖί΅ΘιR
εΘlͺΚΖί΅ήΜΝA·
β~ͺ Α½©ηΕ ιB
~ͺΘ―κΞί΅ΰΆάκΔ±Θ’BuΤΙΰ»ΜlΙ€ͺ ΑΔAί΅έπμΑΔ’ιB
ί΅έπΑ·ΙΝA΄φΜ€πΑ³Θ’ΖAί΅έΝΑ¦Θ’Bί΅έΖ€ΝsΒͺ£ΜΦWΕ ιB
±κͺφΚΦWΕ θAΚΕΝΘφπΑ·Kvͺ ιB
½Ζ¦ΞVβκ΅έπΑ΅½―κΞAΆπΑ³Θ―κΞΘηΘ’B
ΆπΑ΅½―κΞALπALπΑ΅½―κΞAΕ·πΑ³Θ―κΞΘηΘ’B
12xΜA½πfΒϋ@
12xNΜXgπμΑ½RΝAΗ±πΑΉΞζ’Μ©πΎmΙ·ι½ίΕ ιB
½Ζ¦ΞAuZvπΑ»€Ζ΅ΔΰAα¨@γΝΑ΅ΔΰgΖΣπΑ·±ΖΝsΒ\Ε ιB
uGvΰRg[΅ΔΈη·±ΖͺΕ«ιͺASΙΑ·±ΖΝsΒ\Ε ιB
uσvΰRg[΅ΔΈη·±ΖͺΕ«ιͺASΙΑ·±ΖΝsΒ\Ε ιB
Ξ΅ΔA€Ζ³ΎΝRg[·ι±ΖͺΒ\Ε ιB
PuGvͺ ΑΔΰu€v·ΘνΏ€~πμηΘ―κΞ’’ΜΕ ΑΔA»€·κΞ12xΜPΒͺΑ¦ι±ΖΕAVXeͺάι²ΖΙσκιB
Α·ΞΫΝtaṇhā€Εΰ’’΅A upādāna·
Εΰ’’B
Qu³ΎvΖΝΰΜ²ΖΜ{ΜpπmΑΔ’Θ’σΤΘΜΕA±κπmι±ΖΕu³ΎvπΑ·±ΖͺΕ«ιB
u³ΎΖΝκWΕΉπmηΘ’±ΖΎvΖίΈΝΰ’Δ’ιBoTH
±€΅Δ§³ΕΝqdͺI_ΖΘθA³¦ΖΘιB
saṅkhārāsΖΝcetanāΣuH@UπN±·saṅkhārāsΖCCΜUͺ―viññāna
uκΨΝκΕ ιvΖ’€±Ζͺν©Θη’ΜΕAGlM[ΝuΘρΖΘ½©·ιv±ΖΙΘιB
±ΜsaṅkhārāsΖΝAr_}ΕΝcetanāΣuΕ ιB
SΙSΜcetanāΣuͺ ιΖu½©΅ζ€vAΖ’€CΏΙΘιΜΎB
±Μu½©΅ζ€A½©΅ΘΏαvΖ’€CCσΤͺUπN±·B
CCΖΝAsΐθΘσΤΘΜΕAuΘρΖ©΅Θ―κΞvΖ’€SσΤΜ±ΖΕ ιB
½ΜκΝ±κΝ³Σ―Ε θA{lΝ©o΅Θ’B
½Ζ¦ΞAHΜΙA’λ’λΘ‘π΅¦ιΜΝACC΅Δ’ιUͺ ι½ίΕAPΒΜ‘ΎΖO«Δ΅ά€ΜΕASπρ]΅±―ι½ίΙ½Μhπ^¦Δ’ιB
u‘iMjπΟ¦ΘΔΝBΌΜMΰ΄m΅Θ―κΞvΖsaṅkhārāsͺΈΑΖ’Δ’ιB
³ΎΎ©ηA±Μζ€ΘσΤͺ±«A³ΎΎ©ηAΚΝ’ΒΰsdukkhaΕIνθAΤγΙΝά½―Άζ€ΘSσΤπ’ΒάΕΰ±―ζ€Ζ·ιB
sdukkhaΜ^A·ΘνΏAϊνΜsaṅkhārāsͺ³Σ‘dukkhaΕ ιA±ΖπΈΑΖΜ±΅±―’Δ’ιΜΙCΓ©Θ’B
±ΜUͺN«ιΜΝAu·ΧΔΝκvΕ ι±Ζͺͺ©ΑΔ’Θ’½ίΕ ιB
UπN±·±ΖπsaṅkhārāsΖ’€B
U©ΜΝA―viññānaΕ ιB―viññānaͺuΤuΤU΅Δ’ι±ΖΕASΖ’€B
Ύ©ηsaṅkhāra-paccayā viññāṇaṃΖ±ΜQΒΝ£κι±ΖͺΘ’B
κΨΝκΕ ι
sdukkhaΜ^A·ΘνΏAϊνΜsaṅkhārāsͺ³Σ‘dukkhaΕ ιA±ΖπΈΑΖΜ±΅±―’Δ’ιΜΙCΓ©Θ’B
CΓ’½Ζ΅Δΰ\ΚIΎ―Ε θAβΑΔ’ι±ΖπέκΞCΓ’Δ’Θ’±ΖͺΨ³κιB@
½Ζ¦ΞAϋζΕugΜπb¦ΔΰA¦ιΜΕA³Σ‘ΎBvΖΎ€ͺASΝuΕΰζ£ΑΔgΜπb¦ιv
ΖvΑΔAb¦ιsπ·ιB
±€΅ΔA©ͺΜlΆπRΕΕίιB±Μζ€ΙΆ½Μ·ιsΝ·ΧΔͺRΜςΕ ιB
^πκιΜΝoΑ½lΎ―Ε θAoΑΔ’Θ’lΝ^πl¦½θAκι±ΖΰΘ’B
―viññānaΜUͺΌnāmaFrūpaπΆήB
ΌΙ΅ζ€Ζz€±ΖΕAΌΖ’€¨Ώͺ»κAHΧι½ίΙΜπ©·±ΖΙΘιB
u½©΅½’vΖ’€UͺCΏΖ¨ΏΙΘιB
ΈΑΖΐΑΔ’ιΖAζκ½Ζ’€CΏΙΘιΜΝAΟ»΅½’Ζ’€CCσΤΙΘΑΔ’ι©ηΕ ιB
±ΜCCσΤͺu§Ώ½’vΖ’€isΣujΜ`πΖθA§ΒΖ’€―viññānaΙΘθAGlM[Ν§ΑΔ’ιΖ’€V΅’SiΌnāmaj§ΑΔ’ιV΅’ΜiFrūpajΙΟ»·ιB
±Μζ€ΙAlΜΜΕA12φΜ@\ͺ1ΒcηΈAνΙ’Δ’ιB
#5 addhādi-vibhāga@@ΘΗΜͺΚ
Tattha tayo addhā
dvādasaṅgāni
vīsatākārā
ti-sandhi catu-saṅkhepā tīṇi vaṭṭāni dve mūlāni ca veditabbāni.
»κΙ¨’ΔΝA3A12xA20sA3AA4WA3ΦτA2ͺ{ͺ ιΖmιΧ«Ε ιB
#6 addha@@@
Kathaṃ? Avijjā saṅkhārā atīto addhā jāti jarā-maraṇaṃ anāgato addhā majjhe aṭṭha paccuppanno addhā ti tayo
addhā.
ΗΜζ€Ι©H@3ΖΝ³ΎΖsͺίAΆΖVͺ’A»ΜΤΜ8Βͺ»έΕ ιB
#7,8 aṅga@@x
Avijjā saṅkhārā viññāṇaṃ nāma-rūpaṃ saḷāyatanaṃ phasso vedanā taṇhā upādānaṃ bhavo jāti jarā-maraṇaṃ ti dvādasaṅgāni. Sokādi-vacanaṃ panf ettha nissandaphala-nidassanaṃ.
³ΎAsA―AΌFAZAGAσA€AζALAΆAVͺ12xΕ ιB±±ΕDΘΗΜΎtͺ±ΜΝΚΖ΅Δ¦³κ’ιΜΕ ιB
nissandaF[mD]@resultG outcome@Κ
#9,10 ākāra,sandhi, saṅkhepa@@@sAAAW
Avijjā-saṅkhāra-ggahaṇena panf ettha taṇhupādāna-bhavā pi gahitā
bhavanti. Tathā taṇhupādāna-bhava- ggahaṇena ca avijjā-saṅkhārā, jāti-jarāmaraṇa-ggahaṇena ca viññāṇādi-phala-pañcakem eva gahitan
ti katvā atīte
hetavo pañca idāni phala-pañcakaṃ idāni hetavo pañca āyatiṃ phala- pañcakan ti.
Vīsatākārā ti-sandhi catu-saṅkhepā ca bhavanti.
±ΜΕA³ΎΖsπ·ι±ΖΙζΑΔA€AζALΰ·ηκιB―lΙA€AζALπ·ι±ΖΙζΑΔA³ΎΖsΰ·ηκιBά½AΆAVπ·ι±ΖΙζΑΔA―ΘΗΜTΒΜΚͺ·ηκι©ηAίΜφΝTΒA»έΜΚΝTΒA’ΜΚΝTΒΕ ιB±€΅ΔA20sA3AASWΖΘιB
φΚΕΝΘΚφ
mπ©ιΙΝA»κπξΖ·ιΜΕA»κΝuΚvΕ ιΜΕA»€ΘΑ½u΄φvπl¦ιB
φΚΖ’€ΖA»±Ε~άΑΔ΅ά€©ϋΰ·ιͺAΚφΖΘκΞA~άηΈΙ±±Ζͺζͺ©ιB
»±ΕφΚΕΝΘAΚφΕΝΘ’Μ©AΖ’€ub^S[T·VΜρΔΕ ιB
12NΖί’E»έ’E’’
ί’@@³ΎAsA
»έ’@@―AΌFAZAGAσA€AζALA
’’@@ΆAV
5ΒΜΚΖ20s
ί’ΙΝA³ΎAsΎ―ΕΝΘA€AζALΜuφvΰ ιΜΕvΕTΒΜuφvͺ Α½ΜΕA
»έ’ΕΝA―AΌFAZAGAσͺTΒΜuΚvΖΘΑ½B
±Μ―AΌFAZAGAσTΒΜuΚvͺTΒΜuφvΖΘΑΔA
€AζALΖ³ΎAsͺTΒΜuΚvΖΘιB
±Μ€AζALΖ³ΎAsͺTΒΜuΚvͺTΒΜuφvΖΘΑΔA
’’ΕΝA―AΌFAZAGAσΖ’€TΒΜuΚvΖΘιB
ί’Μ΄φTΒA»έ’ΜΚTΒA»έ’Μ΄φͺTΒA’’ΜΚͺTΒπ«΅Δ20
±€΅Δί’Ζ»έ’Ζ’’Μ3ΒπρΕOAB
#11 vaṭṭa@@Φ]
Avijjā taṇhupādānā ca kilesa-vaṭṭaṃ, kamma-bhava-saṅkhāto bhavekadeso saṅkhārā ca kamma-vaṭṭam, upapatti-bhava- saṅkhāto bhavekadeso
avasesā ca vipāka-vaṭṭan ti tīṇi-vaṭṭāni.
³ΎΖ€ΖζΝAΟYΦ]BΖLΖΎνκιLΜκΖsΝΖΦ]BNLΖΎνκιLΜκΖcθΝΩnΦ]B±κͺRΦ]Ε ιB
#12 mūla@@ͺ{
Avijjā-taṇh-vesena dve mūlāni ca veditabbāni.
³ΎΖ€ͺQΒΜͺ{ΖmιΧ«Ε ιB
ΦτΜκ΅έΜκΤΜξΜ΄φΝ³ΎΖ€
uΘΊAlXͺIνθΘΦτπJθΤ·©ΖΎ¦ΞA³ΎΖ€ͺ ι©ηΎvΖίΈΝΰBoTH
#13 vaṭṭacchedana-pavattana@@Φ]ΜfβΖΆN
Tesam eva ca mūlāṃ nirodhena nirujjhati. Jarā-maraṇa-mucchāya pīḷitānam abhiṇhaso, āsavānaṃ samuppādā avijjā ca pavattati. Vaṭṭam ābandham iccevaṃ tebhūmakam anādikaṃ, paṭiccasamuppādo ti paṭṭhapesi mahāmuni.
ά³Ι»κηΜͺ{ͺΕ·ι±ΖΙζΑΔAΕ·ιBVΜ¨ΐΙζΑΔYQ³κ½lXΙΝ΅Ξ΅ΞRͺΆΆιΜΕA³ΎͺΆN·ιBΘγΜζ€ΙANΖ³nΘιOnΙν½ιΦ]ΜqΕ ιΖAε΄ςΝΰ©κ½B
ābandhiF[aor. of ābandhati] bound toG fastened on to.
anādika@@nίΜΘ’
³νπ©ιΜΝeΥH
ϊ§³ΕΝACΖΙζΑΔA©ͺΜgΜπΰΑΔASΜΝ½η«ΖΜΜΝ½η«πΜ±΅ASΜΟYiκjπΎmΙ©ιίφΕA³νπΘPΙ©κιΰΜΕ Α½B
SΜΕθΟOβζόΟͺΑ¦ΔASͺI[vΙΘκΞΘιΩΗA³νͺ©¦ιΝΈB
ϊ§³ΕΝφhetuΖpaccayaΝ―`κ
φhetuΖpaccayaΝoTΕΝhetupaccayaΖq°Δ―`κΖ΅Δgνκι±Ζͺ½A12φΜζ€ΙAtΙpaccayaπhetuφΜΣ‘Ζ΅ΔgΑΔ’ιB
±Μζ€Θ±Ζ©ηίΈΝφΖπζΚ΅Δ’Θ©Α½ΖvνκιB
hetuΖpaccayoπZbgΕgΑΔuko hetu ko paccayo?vΖΝ΄φΝ½Ε ι©HΖ’€Σ‘Ε ιB
Ar_}ΕΝφhetuΝ΄φcauseApaccayaΝπcondition
avijjāΖ’€hetu΄φͺA ιpaccayaπΙζΑΔ saṅkhāraͺΆάκιB
Ar_}i_ jΝ7ΒΜeLXgͺ θ
w@W_xiDhammasaṅgaṇīj@@@@@ZoTΙίAΗέβ·’
wͺΚ_xiVibhaṅgaj@@@@@@@@ͺΝπͺ©θβ·ΰ’Δ’ι
wE_xiDhātukathāj@@@@@@@@
wl{έ_xiPuggalapaññattij@@@@liπJeS[ΕͺΝ·ι
wo_xiYamakaj@@@@@@@@@@
wο_xiPaṭṭhānaj@@@@@@@@@π_@@cεΘΚΕπθΓη’
w_xiKathāvatthuj@@@@@@@@ΌhΜΣ`ΙΒ’Δ
PaṭṭhānaΜκ`@@@pκΕΝdependence, conditionalityAϊ{κΕΝuπ_v
paṭi@x¦ηκΔΖ’€Ϊͺ«@ γṭhā Άέ·ιΖ’€Μξ{`@@naΌπμιΪφ«
γṭhā@Ά½Θη’ιAΰΜΘηΞ ιB
#14 paṭṭhāna-naya-padassana@@@πΖ’€dϋΜρ¦
Hetu-paccayo ārammaṇa-paccayo adhipati-paccayo
anantarapaccayo samanantara-paccayo sahajāta-paccayo aññamañña-paccayo
nissaya-paccayo upanissaya-paccayo purejāta-paccayo pacchājāta-paccayo
āsevana-paccayo kamma-paccayo vipāka-paccayo āhāra-paccayo indriya-paccayo
jhāna-paccayo magga-paccayo sampayutta-paccayo vippayutta-paccayo atthi-paccayo
natthi-paccayo vigata-paccayo avigata-paccayo ti ayam ettha paṭṭhāna-nayo.
φAAεA³ΤAΙ³ΤAδΆAέAΛAeΛAOΆAγΆAKsAΖAΩnAHAͺATAΉAAsALAρLA£As£Ζ’€±κηͺ±±Ι¨―ιπΖ’€dϋΕ ιB
±Μ24ΜπΜ’Β©ͺ΅Α½ηAΚͺoιB
·oTΖoTΕΝάΑ½―ΆΰeΜoTͺ ιBοΜIΘoTΌΝH
PφHetupaccayo (The Root-causal-relation)
΄φ©ΜππΖ·ιB@@@@@@@
φΖΝ΄φΖπΕΚΜΰΜΖ΅Δ΅€_ͺ ι
Qārammaṇapaccayo (The Object-causal-relation)
FΊ‘G@Ζ’€6ΒΜΞΫͺ ι±ΖππΖ·ιB
oͺΆάκι½ίΙΝΉΖ’€πͺΘ―κΞΘηΘ’B
Ήͺ΄φΕoͺΆάκιB@@@
Rεadhipatipaccayo (The
Predominance-causal-relation)
1ΒΜΞΫͺΌΜF―πxz΅Δ΅ά€BRΝ»ΏηΜΩ€ͺCpNgͺ’©ηB
¨πάΉΔW·κΞA’λ’λΘΉͺ΅Δ’ιΝΈΎͺA»κηΝ·©ΈΙεΎ―π’Δ’ιB
S³Τanantarapaccayo (The
Adjacence-causal-relation)
SΰΜΰΆΕΜΤΝΘΟ»·ιAΖ’€ίφπΰΎ΅Δ’ιB
½Ζ¦ΞAΨπRβ·ΖDΙΘιίφB
uΤΎ―π©ιΖAΐͺ©¦ΔιB
ΰsBpbTi[αzΕΝA«πγ°ΔA^ρΕAΊλ·AΖ’€«πΟ@·ιB
ΗκΩΗW΅ΔΗκΩΗχΧΙΟ@΅ΔΰAesΧΜΤΙΝAΤIΘΤͺΘ’B
ά½QΒΜsΧΝ―ΙN±ι±ΖΝΘ’±ΖͺΘPΙ©Ε«ιB
Ι©ͺΜvlπBpbTi[αzΕΟ@΅ΔέιB
©ͺΜvlπΟzΕ ιAά½ΟzͺͺoΔ«½Aά½EEEΖCΓ«π±―Δ’ιΖAl¦Ζ’€ΜΝ―ΙQΒA3ΒͺoΔιΜΕΝΘAPΒπl¦Δ©ηΤΘΜvlΙΪι±ΖͺmFΕ«ιB
Sͺ~άΑ½Ζ’€o±ΝNΙΰΘ’B
»±ΕφΚ@₯π³΅Δuͺ’ιΖv’ήv±ΖπayonisoiΫθ+@ΐj-manasikāras@μΣΖ’€B
uͺ’ιvΖ’€φoΝAgΜͺ³ΤΙΆάκΔΝΑ¦Δ’¬κπΜ±Ε«Θ’±Ζ©ηuΟνηΘ’ͺ’ιvΖ’€φoͺΆΆιB
SΜΟ»Ν άθΙ’ΜΕA±Μ©ͺο΅’ͺA³ΤΜ@₯ππ·κΞASΝisΕΕΝΘA³ΐΙΟ»΅Δ’ΰΜΎΖ©·ιB
»€ΘκΞAΒΙΝisΕΜ°ͺ ιΖ·ινZ_ΝAΑ¦Δ’B
³ΤΖL
»ΫiSΖ¨ΏjΝΑ¦ιΖΤπΘ΅ΔΜ»Ϋͺ»κιB
¨ΏΰSΰ±Μ’Ε~άιΰΜΝ½ΰΘ’B
ΜΝΚΖ»Μ¬ͺΝ_»΅ΔΌΜ»¨ΙΟ»΅ΔAV΅’¨ΏΝAά½Α¦ΔΝ»νκιB
ΜͺΑ¦ιΖSͺΗ€Θι©πΨΎΝΕ«Θ’ͺAΰΖΰΖJ^`ͺΘ’ΜΕA»ΜάάΑ¦ΔΝ»κιΖ’€Ο»π±―’Δ’ιAΖͺΕ«ιB
φΚ@₯ΙtηΑΔASͺρΎη»κΕIνιAΖl¦ιΝ±ΖΝ’οΕ ιB
±€΅Δ’Μ±ΖπΨΎΝΕ«Θ’ͺA_IΙͺ·ι±ΖΙΘιB
_IΙΝΦτπFίιΘOΙAΌΜIπΝΘ’B
e[[_ΕLπΫθ·ιΜΝA»ΫΙΝΦτΜx°σΤέ½’ΘΰΜiLjΝΘ’AΖ·ι©ηΕ ιB
LͺA~EΕΰFEΕΰ³FEΕΰΘA©R©έΕ ιAΖ’€ΜΝΤα¦Ε ιBΖ·ιΜͺX}iT[Μπί
SΜγΜΆSi]ΆjΝAΌΏΙ±Μ’ΕΘ³κιΖe[[_hΕΝͺ΅Δ’ιΜ©H
XJΜ§³ΜipuredhammajΙΝLΜΤΝχΜπΈΑ½ΰΜΝSπΒ^{fBgandhabbaK_bo@ΙΘιΖπ΅Δ’ι@hͺ ιB
±κΝGandhabbaΖΔΞκιΰΜΕAίΈΝΩͺηΒπΖ΅ΔA«ΜoϊA«πAgandhabbaͺ ι±ΖͺO Ι©κ’Δ’ιB
Majjhima Nikāya 38@Mahātaṇhāsaṅkhayasutta@@@ ²
https://suttacentral.net/mn38/pli/ms@@p[κ
Tiṇṇaṃ kho pana, bhikkhave, sannipātā gabbhassāvakkanti hoti. Idha mātāpitaro ca sannipatitā honti, mātā ca na utunī hoti, gandhabbo ca na paccupaṭṭhito hoti, neva tāva gabbhassāvakkanti hoti. Idha mātāpitaro ca sannipatitā honti, mātā ca utunī hoti, gandhabbo ca na paccupaṭṭhito hoti, neva tāva gabbhassāvakkanti hoti. Yato ca kho, bhikkhave, mātāpitaro ca sannipatitā honti, mātā ca utunī hoti, gandhabbo ca paccupaṭṭhito hoti—evaṃ tiṇṇaṃ sannipātā gabbhassāvakkanti hoti.
https://suttacentral.net/mn38/en/horner@@pσ@by I.B.Horner
Monks, it is on the conjunction of three things that there is conception. If there is here a coitus of the parents, but it is not the mother's season and the gandhabba is not present—for so long there is not conception. If there is here a coitus of the parents and it is the mother's season, but the gandhabba is not present—for so long there is not conception. But if, monks, there is here a coitus of the parents and it is the mother's season and the gandhabba is present, it is on the conjunction of these three things that there is conception.
saṃyutta nikāya 31.1 gandhabbavagga@@@@@@@@https://suttacentral.net/sn31.1/pli/ms@ p[κ
https://suttacentral.net/sn31.1/en/sujato@pκσ
https://suttacentral.net/sn31.1/es/baron XyCκσ
±±ΕΝgandhabbaΝdΈΜζ€ΘΰΜΖ΅Δ©κΔ’ιB
TΙ³Τsamanantarapaccayo (The
Closely-adjacent-causal-relation)
Ϊͺ«ΜsamͺsaṃΘηΞuΖΔΰvAsamaΘηΞuάΑ½ΰvsamānaΘηΞuCR[A―vΙΘιB
UδΆsahajātapaccayo (The Co-Arising-causal-relation)
sahaκΙjātaΆάκι
N[ΝσCΖκΙιΖ\tgN[A΅ΜσCΎΖACXN[AσCͺΘ’ΖXΙΘιB
qgΙΖΑΔA·ΧΔΜh{¨Ν ΖκΙ ι±ΖΕAΝΆίΔzϋ·ι±ΖͺΕ«H¨ΙΘιB
SΝ7ΒΜSi€κΨSSjΖκΙ ι±ΖΕAΝ½η’Δ’ιB
Vέaññamaññapaccayo (The
Mutuality-causal-relation)
aññamaññaFa. [añña-añña] ΌΖΌCέ
OrΜζ€ΘΝ½η«
WΛnissayapaccayo (The
Supportive-causal-relation)
XeΛupanissayapaccayo (The
Foundational-support-causal-relation),
nissayaF[mD] 1DsupportG 2DprotectionG 3Dthat on which anything dependsD
upa-FprefD[V] ίCΜC符ι
Η’lΜ€―ΜΙόΑ½ηΗ’lΙΘθA«’lΜ€―ΜΙόΑ½η«’lΙΘιB
₯ΞπSΖκΙuΖASͺ₯ΞΙΘιB±Μζ€ΘeΏͺnissayaβupanissayaB
ιlΖb·Ζ©ͺΜCΏΰζΘι
10OΆpurejātapaccayo (The
Pre-born-causal-relation)
pure@Ϊͺ«ΜuOΙv
OΙΆάκΔ’ι±ΖͺπΙΘιB
u`π·ιΙΝAΓ©Ε©°η΅Μζ’σΤͺάΈΝKvΕ ιB
11γΆpacchājātapaccayo (The
Post-born-causal-relation),
pacchāΪͺ«ΜuγΙv
qͺΆάκ½ηvwΜΆ«ϋͺΘOΖΝε«Ονι
20ΞάΕP’lΎΑ½ͺAsοΕκlιη΅π·ιΖAΆͺrκΔ«iΰΟνΑΔ΅άΑ½
12Ksāsevanapaccayo (The
Recurrence-causal-relation)
½©Pϋ΅Δ’ι±ΖͺAΚΙeΏπ^¦ι
BpbTi[αzΕΟ@·ιPϋΝA·ΧΔΜ»ΫΝu{ΝA³νΕ ιvΖ©ϋπΟ¦Δoι½ίΙKvΘπΕ ιB
13Ζkammapaccayo (The Kamma-causal-relation)
oTΙζιΖΖkammaΝΣuΕ ιB
ΗΜζ€ΘsΧΕΰA»κΝ»ΜlΜΰΜΙΘΑΔ΅ά€ΜΕA©ͺΜsΧΝ©ͺΕΣCπ½Θ’Ζ’―Θ’B
Ζkamma©η¦°ι±ΖΝΕ«Θ’B©ͺͺ¨±ΘΑ½sΧΝΎ©ηΣCͺ ιB
±ΜΣCπΖkammaΖ’€B
14Ωnvipākapaccayo (The
Fruitional-causal-relation)
ΕΙΆN΅½nāmaΖrūpaͺίΜΖkammaΜvipākaΚΕ ιB
·ιΖA‘Μ΄oν―ΖΜΝΩnΖΘιB
Ήyπ’ΔΰοΜlΝy΅ίΈA¨ͺ’’lΝy΅ήB
«ͺγ’lΝKiπoιΖhA«ͺ’lΝy΅έπ΄ΆιB
―ΆΒ«Ε ΑΔΰAΚΜσ΅ΙζΑΔAo±ΝΟνΑΔ΅ά€B
±Μ’ΕΔ’ιlΝκlΰ¨ηΈAe©ΙSΜ¬κͺ ιΜΰAΕΙΆN΅½ΩnSΙζΑΔΟνΑΔ΅ά€©ηΕ ιB
15Hāhārapaccayo (The
Sustenance-causal-relation)
V΅ζθόκι {fΙζΑΔΚͺΟνιB
4ΒΜāhāra@kabaḷīkāro¨Ώ phassoFΊ‘G mano-sañcetanāΣu viññāṇaF―·ιΰΜ
16ͺindriyapaccayo (The Faculty-causal-relation)
20ΜͺΝκΙζΑΔAF―ΙxzIΘeΏπ^¦ιB
α¨@γgΣΜ6ͺΖ½ͺAAyͺAκͺAμͺAJͺAΜͺAMͺAΈiͺAOͺAθͺAdͺAumηΘ’±Ζπmλ€vΖ’€ͺAumιvͺAumθI¦½vͺΜ20ͺͺΙΘιBMohavicchedanī,p329 ί
ͺͺuxzΖ΅ΔΝ½ηv±ΖΕF―ΙeΏπ^¦ιB
BpbTi[αzΕΝA ¦ΔOsatiΜSπηΔA ηδιF―ΙOͺeΏπ^¦ιB
±€΅ΔASͺΟνΑΔ’«AOΖ’€SͺΘθAxzΖ΅Δΰ±·ιζ€ΙΘιB
17Tjhānapaccayo (The Attention-causal-relation)
αzπ·ιΖyΙΘιByπ΄Ά½η»ΜeΏΕ³ηΙCΖπ±―A»κ©ηΜF―ΙyͺeΏπ^¦ιB
Ώ «ΖΝγ’κ««iWΝjΜ±ΖΘΜΕA±ΜΕA³ηΙWΝͺάθAγΚΜTθΙB·ι±ΖͺΕ«ιB
T}[fBαzΜOAnussatiiΝρzrecollectionAnlcontemplationAL―remembranceAαzmeditation}ChtlXmindfulnessAO’ΜρzΘΗπw·κΰj
ΖΟ@ΙζΑΔAVΒΜTxΜSiqAfAμxAκ««AμyAJAΜjͺΝ½η«AeΏπ^¦ιB
Ar_}ΜSwΝSΜ¬·ΜbΙΐθ³κιBT}[fBΜTθSA»΅ΔπEΜSΕ ιB
TθΙB·ιΖA~lobhaΰ{θΰN«ΈA°ΜΟYΰ@\΅Θ’B
J’βί΅έΰN«Θ’B{A^Ν°σΤΙΘιB
±κηΜΕA»ΜγΙN±ιF―ΰeΏπσ―ιͺA’ΥͺόΑ½ηT}[fBΜΝΝσκιΜΕAά½μθΌ·Kvͺ ιB
18Ήmaggapaccayo (The Path-causal-relation)
oT8Sallekha suttaΕΝ10Μ³ΉΖ10ΜΧΉΜ20πΠξ΅Δ’ιBhttps://suttacentral.net/mn8
8³ΉΙΉΙB·ιΚQΒπΑ¦Δ10
ΉΝφΕΰ θΘͺηΙΰΘιB
ίήΙζΑΔAT[vb^iΙ€jΜνΕ ι` _ΙΞ΅ΔAαzΙ¨―ιϊίͺqΧηκιB
u£ηκ½BΙ’v@@@@@@@@@@@@΄φΖΚ
uάΆίΙΧ΅½BͺͺΗΘΑ½v@@@πΖΚ@@
19sampayuttapaccayo (The
Association-causal-relation)
20svippayuttapaccayo (The
Dissociation-causal-relation),
sampayuttaΝZbgΙΘΑΔ’ιAΖ’€Σ‘B
@@@X[p[ΕΑΔ’ιΩΝgΖόκ¨ͺZbgΜΙΝΦΕ’’ͺA
s@@gπζθo΅Δrj[άΙόκιΖAΆS~ΖvXeBNΜS~ΙΘιB
21Latthipaccayo (The Presence-causal-relation)
22ρLnatthipaccayo (The
Absence-causal-relation),
½©ͺ ιΖ’€πΖΘ’Ζ’€π
23£vigatapaccayo (The
Disappearance-causal-relation)
24s£avigatapaccayo (The
Non-disappearance-causal-relation)
£κΔ΅άΑ½Ζ’€πΖ£κΔ’Θ’Ζ’€π
[\NΜΖͺR¦ιΜΝ΄φΖΚ@@ΕΝπΖΝH
κΙ’ι±Ζ@@@
ι±Ζ@@@@@@L
£κΔ’Θ’±Ζ@@s£
mΐΘφΚΦW
A©ηBͺΆάκιAΖmΐΙΎ€½ίΙΝA
AͺΘ―κΞBͺΆάκΘ’AAͺΑ¦½ηBΰΆέ΅Θ’AAͺ ιΙ©¬ΑΔBͺΆάκιA
Ζ’€AΖBΜsΒͺ£ΜΦWπ¦·ΜͺπB
ΎmΕΝΘ’AiW[Ζ΅ΔΜφΚ@₯@@@φΚΜκ€Κ«
ϊνΆΜφΚ@₯ΝAΎmΘΰΜΕΝΘAπ·ι½ίΜg¦bΕ ιB
uκΖΝ΄φΕAqΝΚvΝmΐΘφΚΦWΙ©¦ιB
Ζ±λͺA±κΝΎmΘφΚΦWΕΝΘ’B
RΝuAͺΘ―κΞBͺΆάκΘ’AAͺΑ¦½ηBΰΆέ΅Θ’AAͺ ιΙ©¬ΑΔBͺΆάκιvπΔΝίιΖAκͺSΘΑΔΰqΝSΘιA±ΖΝ¬θ§½Θ’©ηΕ ιB
κͺ΄φΕqΝΚAΖ’€φΚΦWΝκΝΑΔ’ιͺASΕΝΘ’B
Η±ͺSΕΝΘ’ΖΎ¦ιΜ©H
qΜaΆΜ΄φΝκΎͺA»ΜγAqΝ‘Μ΄φΙζΑΔ¬θ§ΑΔ’ι©ηΕ ιB
‘Μ΄φΖΝA©ΝΙζιΔzAh{ΫζAγΣ@\ΘΗΘΗB
uSͺΫ΅Δ’ι©ηqgΝΆ«Δ’ιBv
m©ΙASͺ~άιΖqgΝΚΜΕφΚΦWΝ ιB
΅©΅A±κΝφΚΜP€ΚΎ―ΕAmΐΘφΚΦWΕΝΘ’B
SΎ―ΕΝΘAΔzν―A]@\AΜ@\ΘΗͺ~άΑΔΰqgΝΚB
qgΜ½Ν½Μν―ͺ―ι±ΖΘ@\΅Δ’ι±ΖΕΫ³κΔ’ιΜΕA΄φΝPΒΕΝΘ’B
φΚΦWπgΑ½πϋ@
φΚΦWπΝΑ«θ³ΉΘ’ΖβθΝπΕ«Θ’B
³΅’φΚ@₯πmι±ΖͺεΨB
ίΙ΄φπT΅ΔΰA‘XΗ€΅ζ€ΰΘ’κͺ½ ιB
Τ²ΜA±«ΙζιφΚΦWΝA³΅mθΎΘ’΅AΟOIΕA`§γwIΘAρΐHIΘbΙΘΑΔ΅ά€°κͺ ιB
O©ηκΒΓΒ¦Δ’ικA½Ζ¦Ξ‘15π¦Δ’½Ζ΅½ηAu0ͺ15Μ΄φvΘΜΕΝΘAu14{Pͺ΄φvΕ ιB
»±ΕAu’άE±±vΜφΖπ²ΧιΜͺA»ΐIΕ³΅φΚ@₯πgp΅Δ’ιB
ά½SΜΫΖ’€΄φͺν©ιΖAuv੦ΔιB
ΫΝ¬ΘΜ©s¬ΘΜ©H@³ΝΗ€©H
Ά«ι±ΖΝκ΅’B@±Μ΄φΖ£E@πΐH΅½ίΈ
΅’B’ηζ£ΑΔΰ·ΧΔπΜΔΔ Α―ΘΚB
»ΜγA~A{θA΅έAΉiAJ’Aί΅έΘΗΕϊXκ΅ρΕ’ιB
ϊΝOκAϊ΅Θ’±ΖͺN±ιB
SΙΐη¬ΝΘ’B
±ΜβθΙφΚ@₯πp΅ΔA΄φΖ¦π©Β―Aΐs΅½ΜͺίΈΕ ιB
uΜΰ‘ΰAΝκ΅έΖ»Μ΄φΙΒ’ΔκΑΔ’ιBv
#15
chabbidhā-paccaya- saṅgaha-gāthā@6νΜΜάΖίΜΫσ
Chadhā nāmaṃ tu nāmassa, pañcadhā nāma-rūpinaṃ, ekadhā puna rūpassa. Rūpaṃ nāmassa cf ekadhā.
Paññatti-nāma-rūpāni, nāmassa duvidhā dvayaṃ dvayassa navadhā ceti chabbidhā
paccayā. Kathaṃ.
ΌΝΌΙΞ΅Δ6νAΌFΙΞ΅Δ5νAFΙΞ΅ΔPνΜΖΘιBFΝΌΙΞ΅ΔPνΜΖΘιB{έAΌAFΝΌΙΞ΅ΔQνΜΖΘθAiΌFΜjQΝiΌFΜjQΙΞ΅ΔXνΜΖΘιB±Μζ€ΙΝUνήΖΘιBΗΜζ€Ι©B
#16 chadhā nāmaṃ nāmassa paccayo@@@ΌΝΌΙΞ΅ΔUνΜ
Anantara-niruddhā
citta-cetasikā dhammā paṭuppannānaṃ citta-cetasikānaṃ dhammānaṃ anantara -samanantara-natthi-vigata-vasena. Purimāni
javanāni pacchimānaṃ javanānaṃ āsevana-vasena. Sahajātā citta-cetasikā dhammā aññamaññaṃ sampayutta-vaseneti ca chadhā
nāmaṃ
nāmassa paccayo hoti.
ΌOΙΕ΅½SS@ΝA»κΙΞ΅ΔΆΆ½SS@ΙΞ΅ΔA³ΤAΙ³ΤAρLA£Ζ’€dϋΕΖΘιB@OΜ¬sSΝγΜΜ¬sSΙΞ΅ΔAKsΖ’€dϋΕΖΘιBδΙΆΆ½SS@ΝAέΙέΖ’€dϋΕΖΘιBΘγͺAuΌΝΌΙΞ΅ΔUνΜvΕ ιB
SΜXs[h@@@5ͺΜ1b
F―Ε«ι¨ΏΜΕΕΰ¬Ο»·ιΜΝυΕ ιBPΒΜυqπF―·ι½ίΙΘΔΰ17ΜSΜρ]ͺKvΕ ιB
±κ©ηSΜXs[hπTZ·ιΖAb¬30i299792458j m/sΜυͺΪΜOΜ1Z`πΚθί¬ιΤΝAρ3000ͺΜ1bΕ»ΜΤΙ17ρΜSΜΆΕͺ ιΜΕA±κπ17ͺ·ιΖAρ5ͺΜ1bΖΘιB
κSίΙΦνι
SͺΑ¦ΔΆΆΔΟ»΅Δ¬κΔ’ίφΕUΒΜͺΦνΑΔ’ιB
³ΤASͺΑ¦½uΤΙΜSͺ»κι@₯
Ι³ΤASΖΜSΜΟ»ΝκθΙN±ι@₯
ρLAOΜSͺΑ¦½©ηΜSͺΆΆι@₯@SͺΑ¦½±ΖͺV½ΘSΜΆάκΜπΙΘι
£AρLΖ―ΆΣ‘
KsAΰeΜ―ΆSͺA±·ιΖκΒOΜSΜeΏπ€―ι@₯@¬sSΙ²άκιΖΝͺΘι@₯
έ@SͺΆάκιΖSͺΆάκιBSͺΘ’ΖSΝΆΆΘ’BSΖSΝέ’ΙΛΆ΅Δ’ι@₯B
SΖ¨ΏΜ
V΅’SͺΆΆι½ΡΙA»ΜSΙζΑΔV΅’¨ΏΰΆΆιB
SͺΟνιΖΜΰΟνιB
#26 rūpa-nāma-pariccheda@@@ΌΖFΜͺΚ
Tattha rūpa-dhammā
rūpa-kkhandho va, citta-cetasika-saṅkhātā cattāro arūpino khandhā,
nibbānañ ceti pañca-vidhaṃ pi arūpan ti ca nāman ti ca pavuccati.
Fε]Μ±ΖπF@ΖΎ€BSΖSΖ’€SΒΜρFε]ΖAΈΟΖ’€5νΝAρFΖΰΌΖΰΎ€B
F@@@@@@@ΣͺmιΞΫΕ ιdhamma-dhātu@E@ΣΙζΑΔFπmιF@EπFε]Ζ’€B
SΒΜρFε]@@―ε]Ζ’€SΙAσEzEsε]Ζ’€Sπ«΅ΔSΒ
ΈΟΝunāmaΌvΘΜ©A»κΖΰrūpa-nāma©η£E΅Δ’ιΜΕAγLͺΤαΑΔ’ιΜ©H
rūpa-nāmaΜ³ΕΜζͺΕΝnāmaΕ ιΜΕAnibbānaΝΣΙζΑΔmι±ΖΕ«ιB
΅©΅»κͺκuΕ΅©Θ’ΜΝAnāmaΙe΅©fηΘ’urūpa-nāmaΜ³vπ£E΅½ΰΜΘΜΕAΏαρΖ’ΒΕΰmι½ίΙΝA{lͺPϋπdΛΔurūpa-nāmaΜ³v©η£E·ιKvͺ ιB
rūpa-nāmaΕζͺ·ιΜΝ’ϊsammuti
saccaA
±κ©η£E΅½«nΕζͺ·ιΜͺ`ϊparamattha saccaH
#27 paññatti-bheda@@@{έΜΚ
Tato avasesā paññatti
pana paññāpiyattā paññatti, paññāpanato paññattīti duvidhā hoti.
κϋA»κΘOΜΰΜπ{έΖΎ€Bu{έ³Ήηκι©η{έvu{έ³Ήι©η{έvΖ’€2νήͺ ιB
`{έ u{έ³Ήηκι©η{έv paññāpiyattā paññatti
Ί{έ u{έ³Ήι©η{έv@@ paññāpanato paññatti
`ϊparamattha saccaΝA±κΘγͺΝ·ι±ΖΝΕ«Θ’AΖ’€Σ‘H
paramaF[adjD] superiorG bestG excellent
atthaF[mD] welfare; gain; wealth; need; want; use; meaning; destructionDiattha presD2nd pluDof atthiDj
{έpaññattiΖΝ’Μρ©
’Τͺgp·ιTOκΨπpaññattiΖΎ€B
κΚIΙFίκκΔ’ιAΖ’€Σ‘ΕAκΉΝ¬³’qdpaññāH
ίΈΝΙν©θβ·’{έiΎtjπgΑΔA’ϊΜbπ΅ΔAXΙ^Ι±©κ½B
wβIΘm―ͺΘ’lΙΰ§³ΜΟA’EΟAΆ«ϋAιΧ««nπu¨κvπgΑΔ³¦½B
½Ζ¦ΞW[^J¨κΕΝA¨ͺlΤΙAhoCXπ·ιB
δu½ΏΙΝ`ϊ paramattha saccaΕAκΚlΙΝ’ϊΕΰ@΅½B
Nwvl·ικεΖΙΰ@·ιΝAΈ§Θ_IΘΞbπ΅½ͺA»κηΰ’ϊΕ Α½B
#28 attha-paññatti-bheda
Kathaṃ? Taṃ taṃ bhūta-vipariṇāmākāram upādāya tathā tathā
paññattā bhūmi-pabbtādikā, sambhāra-sannivesākāram upādāya geha-ratha-sakaṭādikā,kahandha-pañcakam upādāya
purisa@-puggalādikā, candāvaṭṭanādikam upādāya disākālādikā,
asamphuṭṭhākāram
upādāya kūpaguhādikā, taṃ taṃ bhūta-nimittaṃ bhāvanā-visesañ ca upādāya kasiṇa-nimittādikā ceti evam-ādi-ppabhedā
pana paramatthato avijjamānā pi atthacchāyākārena cittuppādānam ārammana-bhūtā taṃ taṃ upādāya upanidhāya kāraṇaṃ katvā tathā tathā parikappiyamānā saṅkhāyati samaññāyati voharīyati paññāpīyatī ti paññattī ti pavuccati. Ayaṃ paññatti paññāpiyattā
paññatti nāma.
`{έΜΚΗΜζ€Ι©H»κΌκΜενΜΟ»ΜσΤΙξΓ’Δ»κΌκΙ{έ³κ½nΚβRΘΗAήΏΜWΜσΤΙξΓ’Δ»κΌκΙ{έ³κ½ΖAnΤAΤΘΗAάε]ΙξΓ’Δ»κΌκΙ{έ³κ½jβlΘΗAΜρ]ΘΗΙξΓ’Δ»κΌκΙ{έ³κ½ϋΚβΘΗAGκΘ’Ζ’€σΤΙξΓ’Δ»κΌκΙ{έ³κ½BAAΘΗA»κΌκΜενΜΖCKΜΚΙξΓ’Δ»κΌκΙ{έ³κ½ΥAΘΗΖ’€A±Μζ€ΘνήΜΰΜΝA`Ζ΅ΔΝΆέ΅Θ’ΰΜΕ ιͺA`ΜeΜσΤΖ΅ΔSͺΆN·ιΞΫΖΘθA»κΌκΙξΓ’Δδr΅AφΖΘθA»κΌκΙl¦o³κΔΌΓ―ηκAmηκAκηκA{έ³Ήηκι©ηA{έΖΎνκιB±Μ{έΝA{έ³Ήηκι©ηA{έΕ ιB
upādāya@@@@@@ΏIi΄ΏAήΏj΄φ@@@` ιΰΜ@Μ`Θ«vO@nimitta isoftwarej
kāraṇa@@@@@@@΄φ@@@@kāla (time), daiva (destiny), karma (actions) and svabhāva (innate disposition)
`{έ u{έ³Ήηκι©η{έv paññāpiyattā paññatti@@ν―ͺ ΑΔ¬θ§Β{έ
Σ‘ΝΘPΕAuΘΙ©ΜΣ‘ͺ ΑΔA±ΜΎtΙΘΑ½vΖ’€±ΖB
Ϊ{έ
½Ζ¦ΞA·ΧΔΜ¨ΏΝn ΞΘΜΕ ιͺA±κͺ½’Ζ±λπuΖ’’AΖΔΰ½’Ζ±λπRΖ’€B
ά½ ͺ½―κΞΌ΄AΖΔΰ½―κΞAΐAΘ―κΞrμAΖΔΰΘ―κΞ»uΖ’€ΎtπgΑΔAζΚ΅Δ’ιB
±ΜJeS[ΝΪ{έΖ’€B
ΟγΪ{έ
iπgέ§Δι±ΖΕΚΜ«π·ιΰΜμι±ΖB½Ζ¦ΞAΤAΖB
Lξ{έ
ΌOΝΟνΑΔΰάε]πx[XΙ΅Δ’ιΰΜBΆ½ΜBAqALA~~YA
ϋΚ{έ
n ©ηέ½ΎzΜ«ΙζΑΔάΑ½ΎtB©AAιAΌμk
σ{έ
όθΙΝGκκιͺ^ρΙΝGκι±ΖͺΕ«Θ’©ηΌΓ―ηκ½ΎtB΄AARA
{έ@@@T}[fBαzͺμιΞΫ
T}^αzπ·ιΖA³ά΄άΘ»ΫͺSΜΙΆάκιB
»κΝαzΐHͺW·ι½ίΙΞΫπμΑΔ’ι©ηΕ ιB
O©ηΜMπΥf΅ΔA©ͺΕΞΫπμΑ½»ΫΕ ιB
»΅ΔA»κΝά΄΄oζθΰΎmΙF―·ιB
uυvπ©Δΰ^πΜ±΅½ν―ΕΝΘ’B»ΫπΜ±΅½Ι·¬Θ’B
΅©΅AαzΞΫΜΑFΜέπΙΜ±΅½±ΖΙΝΘιB
΄oν―©η£κΔΰΞΫπF―·ι±ΖͺΕ«ικΝAάΈΝυθP’Δ’ιΞΫπF―·ιB
³ηΙW·ιΖAαΏ΅’υΜέπF―·ιB
±ΜυΜ»Ϋΰ’ϊΕ ιB]ͺμθo·»ΫΕ ιΜΕA{έΖ’€B
#29 sadda-paññatti
Paññāpanato paññatti
pana nāma-nāmakammādi-nāmena paridīpitā.
Sā
vijjamāna-paññatti, avijjamāna-paññatti,
vijjamānena avijjamāna-paññatti, avijjamānena vijjamāna -paññatti,
vijjamānena vijjamāna-paññatti, avijjamānena avijjamāna-paññatti ceti chabbidhā
hoti.
Tattha yadā pana
paramatthato vijjamānaṃ rūpa-vedanādiṃ etāya paññāpenti tadāyaṃ vijjamāna- paññatti, yadā pana
paramatthato avijjamānaṃ bhūmi-pabbatādiṃ etāya paññāpenti tadāyaṃ avijjamāna- paññattīti pavuccati. Ubhinnaṃ pana
vomissaka-vasena sesā yathākkamaṃ chaḷabhiñño itthi-saddo cakkhu-viññā ṇaṃ rāja-putto ti ca veditabbā.
Ί{έκϋAu{έ³κι©η{έvΖΝAΌβΌπμιΖΘΗAΌΖ΅ΔΎ©³κιΰΜΕ ιB»κηΝAΆέ{έAρΆέ{έAΆέρΆέ{έAρΆέΆέ{έAΆέΆέ{έAρΆέρΆέ{έΖ’€6νήͺ ιB
»ΜΕA`Ζ΅ΔΆέ·ιFβσΘΗπ±κΙζΑΔ{έ³ΉιΖ«A±κΝΆέ{έΖΎνκιBά½`Ζ΅ΔΝΆέ΅Θ’nΚβRΘΗπ±κΙζΑΔ{έ³ΉιΖ«A±κΝρΆέ{έΖΎνκιBκϋAcθΝΌͺΡΒdϋΙζΑΔAΙU_ΚAΜΊAα―A€qΖmηκιΧ«Ε ιB
ΌOΝ’Μρ©²Ζ
±Μ’ΜΕF―·ι·ΧΔΜΰΜAo±·ι·ΧΔΜΰΜΙΌOπΒ―ιB
xΖ’€ΌOͺα€ΖvΑ½ηΘPΙΟ¦ιB
½Ζ¦ΞAsπΗπFmΗAΈ_ͺτΗπΎ³ΗΖ’€ζ€ΙB
©ͺΎ―ͺΌΓ―ΔΰΚΆΘ’ΜΕAΌt―μΖΝ€ΚΣͺKvΙΘιB
Ύ©ηΌOΖ’€ΜΝ’ϊΕ θA{έiέρΘΜρ©j³Ήι©η»ΜΌOΘΗπΊsaddaiΉj{έΖ’€B
^ΙξΓ’Δ’ιuΆέvξΓ’Δ’Θ’uρΆέvπgένΉΔUνή
§³ππ·ιΙApκπΎκwIΙͺΝ΅½θAΏΜκΉΕͺΝ΅½θ·ιΜΝΤα’Μ³ΖΘιB
ΎtΝxΘΜΕA»ΜΎtͺΣ‘·ιΰeπΜ΄΅ΔA²ΧΘΔΝΘηΘ’B
±±Ε’€ΆέΖΝ`ϊΖ΅Δ ιΰΜAρΆέΖ’€ΜΝ’ϊΖ΅Δ ιΰΜAΖ’€Σ‘Ε ιB
Άέ{έ@@@@@@SASAFA³ΎA~AγχAΉiΘΗ{ΙέιΰΜΙt―½ΌO
ρΆέ{έ@@@@@RAΝA@@ΤAΖA@@οAA@@@h¦ΰρAyKTX
ΆέρΆέ{έA@ΜΊ@@ ιΰΜ©ηΘ’ΰΜπμι@@ΉΝ ιͺAΖΊΝθ΅½ΰΜ
ρΆέΆέ{έ@@U_Κ@ΚΝΘ’ͺABlΎ―ͺμι±ΖͺΕ«ιB
ΆέΆέ{έ@@@α―@@`ϊΖ΅Δ ιΰΜΜΌO
ρΆέρΆέ{έ@€q@€ΰqΰΆέ΅Θ’ΰΜπ‘΅ΔAΆέ΅Θ’ΌOπμι
±Μζ€ΙlΝo±Ε«Θ’TO©ηTOπμΑΔAΐθΘΟzπηΉA^©η£κιXs[hͺGXJ[g΅Δ’B
½Ζ¦ΞA_A°Aμ°AVAnAiΘΗΜ{έΝA`ϊΖ’ϊΜα’A»΅Δ’Μρ©ΜdϋπwρΕ’Θ’©ηAιx³κι±ΖΙΘιB
BpbTi[αzΖΟz
BpbTi[αzΝ^π©·ι½ίΙs€ΐ±B
¦ΔxO·ιΣ‘ΝA’ϊΙτ]³κΔ’ισΤ©η²―o·½ίΜeNjbNΕ ιB
ΘρΙΕΰxO·ιΜΕΝΘA·ιΜΝ©ͺΜuΆέvΙxO·ιB
ΆέΖΝAuΘ’ΰΜv©ηuΘ’ΰΜvπμιJeS[ΙόιB
½Ζ¦ΞAuΆ«ιvΖΝΫIΘΆέΕAοΜIΙΝAΔz·ιAΰA§ΒΘΗΜsΧΕ ιB
xOπ·ιΙΝAάΈΝgΜΙ΄oͺΘ’ΖsΧͺF―³κΘ’ΖnάηΘ’B
»±ΕAΰ’½θAΐΑ½Ζ«ΜηΜ΄oπxO΅Δ’B
»±Ι ιοΜIΘF―ΕAdSͺ©©Ζ©ηewΙΪΑΔ’ίφΕ Α½θAE«ͺ n΅½θA£κΔ’ίφΘΗΕ ιB
±κͺu ιΰΜvπl[~O·ιμΖΕ ιB
½Ζ¦ΞA«ΙΙέͺ κΞAuΙέvΖxO·ιB
΅©΅uΙ’vΖ’€ΎtΝΦ~·ιB»ΜRΝAuΙ’vΖ’€ΎtΝA±κάΕΜlΆΕuͺΙέπ΄ΆιvΖ’€Ιgp΅Δ’ιͺ½’ΜΕA»±Ιuν½΅ͺ΄ΆιvΖ’€ρΆέͺόθή©ηΕ ιB
xOΜΪIΝAρΆέποΜIΘΆέΕ\»·ι±ΖΘΜΕA{Ι΄o·ιΰΜΎ―ΙKΨΘΎtΕxO·ι±ΖΕAΘΙͺφoΕ ι©π©ΡγͺηΉιϋ@ΘΜΕ ιB
±±ΕΎ€uΙ’vΝρΆέΘΟzΕ θAuΙέvΝ`ϊΖ΅Δu ιv΄oΜ±Ζπw·B
¨ΙόιΉgπxO·ιΜΝο΅’ͺAΰ΅·ιΜΘηΞAβΞΉ΄Ε\»·ιΜΘηΞ’’ͺAJXΜΒ«ΊβΤΜGWΉβ€ι³’ΉΘΗΕΝxO΅ΔΝ’―Θ’B½ΜΘηΞ±€’€xΝF―μpπ‘³Ήι±ΖΕμηκιvlβ΄ξΘΜΕA±κηΝ’ϊΕ ι©ηΕ ιB
±±ΕΜxOΝuΉAΉA{θvΖxO·ιΜͺPϋΜ\bhΕ ιB
αzΐHΝ±€΅Δ’ϊΖ`ϊΜζΚπΎmΙ·ι±ΖΝAA^π©·ι½ίΙ©ΉΘ’yδΙΘιB
ΐHͺiήΖAu ιΰΜvΖuΘ’ΰΜvΜ·ͺΜ΄΅A©ͺ―ιζ€ΙΘιB
·ιΖAάΖί °ιF―@\ͺ θΖ ηδιΟzTOπμΑΔA»ΜTOΙ· ΅Δ’ι±Ζπ©·ιB
±κͺ θΜάάΙu©ιv±ΖΙqͺιB
»΅Δτ]ͺσκA³νπ©΅ΔAπEΙιB
πΰΝλ―
qgΝαzπnίΖ΅ΔlXΘo±π·ιͺA`ϊΖ’ϊπζΚ·ι\ΝͺΘ’ΜΙA±κηΜ©ͺΜo±ππΰ΅Δέζ€Ζ·ιB
½Ζ¦ΞAαzπ΅ΔυπΜ±΅½ηA»κͺ½Ε ιΜ©±κάΕΜ©ͺΜl¦Δ«½TO©³¦ηκ½TOπgΑΔπΰ΅ζ€Ζ·ιB
ε]ηΏΝπΰ΅Θ’ΖΏ ©Θ’{\πΑΔ’ι©ηΕ ιB
±€΅ΔΆέ΅Θ’{έ©η³ηΙΆέ΅Θ’{έπμΑΔ΅ά’A^Μ©©ηΜ’Δ΅ά€B
BpbTi[αzΜΐHΝ΄oΖo±Ν―ΆΰΜΕ ι±Ζππ΅AxO΅ΔmF·Ύ―Ε~ίΔ¨©ΘΔΝΘηΘ’B»κΘγΜsΧA±±ΕΝTO»βπβπΰπ΅ζ€Ζ·ιΖAά½Άέ΅Θ’ΟzΜ’EΙόΑΔ΅ά€©ηΕ ιB
s’ΤxΖΝAUͺΙMͺόΑ½ηA»κΙCΓ±ΖΕ~άηΘ’Ζ’―Θ’B
»€΅Θ’ΖAΙΦWΜΘ’ξρͺΣΜΕN«ΔAΗρΘ»fΙB·ιΜ©ͺͺ©ηΘΘιB
ΉΎ―ΕF―·ιlΝA{[bΖ΅Δ’ιlΎΖΰΎ¦ιΜΝA½³ρΟz΅Δ»ΐ£κ΅Δ’ι±ΖΝΎmΘΐΕ ιB
·oTΜζκΜuΤoBrahmajāla SuttavΕΝαzΐH½ΏΜ62νήΜΧ©ͺΠξ³κΔ’ιB
https://suttacentral.net/dn1@@@@ https://suttacentral.net/dn1/en/bodhi
#30 paññatti-dvaya-vijānana@@@Q{έΜ―Κ
Vacīghosānusārena sotaviññāṇavīthiyā
pavattānantaruppanna-manodvārassa gocarā. Atthā yassānusārena viññāyanti tato
paraṃ sāyaṃ paññatti viññeyyā lokasaṅketa-nimittā. Iti Abhidhammattha-saṅgahe paccaya-saṅgaha-vibhāgo nāma aṭṭhamo paricchedo.
ΎtΜΉΙΑΔA¨―ΜHͺΆN·ι³ΤΙΣεΜ«EͺΆΆιB»κΙΑΔA»ΜγΕΣ‘ͺF―³κιB»Μζ€Θ±κͺAu’ΤΕ¦³κιvΖ΅ΔF―³κι{έΕ ιB
ΘγͺuAr_}b^TKnvΙ¨―ιuΫͺΚvΖ’€ζWΝΕ ιB
F―Ν’©ΙTOΙΘιΜ©H
άΈ¨ΙΉͺGκιB
¨Ε½©π΄ΆιB΄ΆιͺmηΘ’B±κπ¨―Ζ’€B
¨―ͺN±ιάΕΙΝA’Β©ΜSΜA±IΘΝ½η«ͺKvΕ ιB
όΑΔ«½ΉΜ΄oi¨―jπΞΫΙ΅ΔAΣεΕV½ΘSHͺN±ιB
όΑ½ΉΝuJ[vΕ ιΖAΣͺίιΜΕ ιB
»κ©ηΣΜΙ’Β©ΜΣ―HͺN±ιBΒάθuΙl¦ιB
ίΜf[^πv’o΅½θAδr΅½θA»f΅ζ€Ζ·ιB
»κΕuJ[vΖ’€ΉπJXΜΒ«ΊΙ΅Δ΅ά€B±κͺ¨ΙόΑ½ΉπΌΓ―½±ΖΙΘιB
JXͺΒΖ±λπ©Δΰ’Θ’ΜΙAΒ«ΊͺJXΕ ιΖ’€±ΖΝsΒ\Ε ιͺA
¨ΙΉgͺGκ½uΤΙA±ΜΒ«ΊΝJXΎAΖ’€{έπΒΑΔ΅ά€B
±Μζ€ΙAUͺΙMͺGκιΖA»ΜάάF―·ιΜΕΝΘA¬΅ΔTOπμθAs’·ιB
±κπ³Ι΅Δμθγ°½Μͺm―Ε ιB
Ύ©ηm―Ν^Ι±±ΖΝΉΈA³ά΄άΘΟYͺΆάκASͺκιB
^π©·ι½ίΙΝAvlπT¦½Ο@\ΝπKvΖ·ιB
Ύ©ηF―TOΝAΰΜ²ΖͺN«Δ©ηΤπoί΅Δ©ηN±ιΰΜΕ ιB
±ΜTOΜ’Eͺ{έΜ’EAΎtΜ’EΕ θAΌt―ι«Ε ιB
ͺΕl¦½ΰΜΝΐΕΰ^ΕΰΘ’AΖ’€_ΙΘιB
±Μζ€ΙΎtΖo±ΝΦWͺΘ’ΜΕAΙ_ΕΎ¦ΞAΎtΝΐΰ^ΰ`¦Θ’l[~OΕ ιB
ζΙ±ΖͺN«ΔAγ©η»κΙΎtΕl[~O·ιB
ΎtΕ»Ϋͺ»κιΘηΞAuβΞIΘ_ΝΆέ΅Θ’vΖΎtΙ·κΞAβΞ_ΝΑ¦Δ΅ά€B
uΘ’ΰΜvΕΰl[~O·ιuSΜΝ½η«v
ΰΜ²ΖπF―·ιASΝΐΖΦWΘl[~O·ιB
SΜΝ½η«ΜκΝ{έπΒι±ΖΕ ιB
±ΜJjYππ΅Θ’ΐθASΝΕΜ©η²―o·±ΖͺΕ«Θ’B
ΎtΖΜ±A{έΖΐAQΒΜα’ΙCΓ©Θ’ΜΝASͺzπβ·ι¬³ΕΟ»·ι©ηΕ ιB
Ήͺ·±¦½uΤΙl[~OͺIνΑΔ’ι©ηΕ ιB
ΐΫΙΝA±ΜvZXΜΤΙAcεΘSHͺΆάκΔΝΑ¦Δ¨θAΎtͺΕ« ͺΑΔ’ι±ΖΙCΓ’Δ’Θ’ΜΕ ιB
±κΝ`ϊΕΰ―Ά±ΖΕAΎtΕxO΅Δ©ηΝΆίΔΌlΙbZ[Wπ`¦ι±ΖͺΕ«ιζ€ΙΘιB
ίΈΜΎtπO ΕwΡAͺΕπ΅½ηAΙΝ©ͺΜ»ΐIΘΜ±Ι΅ΘΔΝΘηΘ’B
πΖΝͺΜΌzA{έΜϋΦATOΜVΡΕ΅©Θ’B
^Νo±·ιΰΜΕ ιB
ζVͺ@@αzΖεθΜͺΝ@T}^αz
Kammaṭṭhāna-saṅgaha-vibhāgaΖΜͺΝ yΫΖͺΚz@@@@@@@@
#1 paṭiññāṇa@@ο|
Samathavipassanānaṃ bhāvanānam ito paraṃ, kammaṭṭhānaṃ pavakkhāmi, duvidham pi yathākkamaṃ.
±±©ηΝA~ΖζVΜCKΜΖπAQνήΖΰAAπΰ·ιB
samatha@@@@SΜΏ
«πμιϋ@@@pacification
Vipassana ΎmΙΟι±ΖΕA6΄Μm―x𴦽qdpaññāͺ»κι±ΖπΪw·ϋ@
αzΙKvΘπΝ΄ξπ}¦ι±Ζ
΄ξπ}¦«IΙΘιΜͺ¬χ·ιπ
~β{θΜ΄ξβ³mΜΥπ§δΕ«Θ’lΝ¬Κͺ»κΙ’
RΝ΄ξβΥΖ’€π½ΛΕ½΅Δ΅ά€ΜͺNZΙΘΑΔ’ιΖASπΐθ³Ήζ€Ζ΅ΔΰA©IΙh΅Δ΅ά€½ίB
ΘΙ©ΙΈs΅½±Ζͺ@ΙΘΑΔαzπ·lΝ΄ξͺ΅’ΜΕsό«Ε ιB
αzΝ΄ξΜ½πgp΅Θ’±ΖΕA©ͺΜΣuΕs·ι±Ζπ±³Ήι±ΖΕASπΐθ³Ήι\bhΕ ι©ηB
@³IΜ±ΝΘPH
spiritualtyΝΘPΙo±Ε«ιB
©½ΛAvP[VΙμ³κΘ’sπ·ιΎ―ΕAΈβ©ΘCΙΘιB
±κπΈ_«ΖΔρΕ’ιΎ―B
ͺΝ·ιΖu©δSIΕ΄ξΙxz³κΔΆ«Δ’ιϊνΆ©ηA½η©Μϋ@Ε£κιΖASͺΏ
v±ΖΘΜΕAΜAΗζuAFθAΜAxθΕΰΒ\Ε ιB
Ύ©η½Μ_ιhΕΝ±Μζ€Θ±ΖπΐH΅ΔΈ_«πΎΔ’ιB
»΅Δ±ΜΈ_σΤΖV½ΘmπΡt―Δ©½ΛAvP[Vπμθγ°ι±ΖΕA’ΒΕΰΈ_«ΜσΤΙΘι±ΖͺΕ«ιζ€ΙΘιB
±ΜV½ΘAvΖΝ@ίΖ’€πZ€±ΖβAΑθΜΉKΕOΆιΖ’Α½VVηΕ ιB
΅©΅§³ΕΝA±Μζ€ΘVVηΕΝΘAT}^αz@πΰB
τΆΝε]ΜNZπp·ι
ΎtΙΝΝͺ ιBgΜΝΰ ιͺν©θβ·’ΜΝΣ‘ΜΝΕ ιB
Ύ©ηθΙΎtΜΣ‘ͺπΕ«Θ’Ζ±ΜΝͺΘ’B
τΆΰΎtΎͺΣ‘ΝΚΆΘ’ΜΕA»ΜΝΝgΖθΜzOΙζιB
ε]ΣnΝπΕ«Θ’±Ζπͺ©θ½’Ζv€{\i³Σ―jͺ ιΜΎͺA»κͺΕ«Θ’ΙΩlΙ£Νπ΄ΆΔ΅ά’AD«θΙπί΅ΔA½©_ιIΘΝβΝͺ ιΝΈΎΖ’€ΟzΜΝπp΅Δ’ιB
z€±ΖͺΝΖΘι©ηΕ ιB
Ύ©ητΆΖΝΣ‘ͺν©ηΈA_ιIΘΰΜΕ ι±ΖͺKvπΕ ιB
T}^αzΕΝτΆΝgνΈAΣ‘Μ ιΎtπ₯¦ιB
ΎtΜΐE
ΎtΕΝlΜ΄Άι±Ζβv€±Ζπ»Μάά·ΧΔθΙ`¦ι±ΖΝΕ«Θ’B
άθΙΰ½lΕ‘GΘ΄oβv’π`¦ιΙΝgp΅Δ’ιΎtΜͺΘAά½ΎtΜgΜO€Ιΰ΄oβv’ͺ ι©ηΕ ιB
1.Samatha-kammaṭṭhāna-naya@@~ΖΜβθϋ
#2 40 kammaṭṭhāna-saṅkhepa-mātikā@@40ΖͺΰΜvΪ
Tattha samatha-saṅgahe tāva dasa kasiṇāni dasa asubhā dasa anussatiyo
catasso appamaññāyo ekā saññā ekaṃ vavatthānaṃ cattāro āruppā ceti sattavidhena
samatha-kammaṭṭhāna-saṅgaho,
»ΜAάΈT}^ΜάΖίΖ΅ΔΝA10ΥA10sςA10OA4³ΚAPzAP·ΚAS³FΖ’€VνήΕAT}^ΜΖͺάΖίηκιB
40ΖΜΪI
40ΖΜαzπΐH·ιΜΝΟYΜ@\ͺΙΝαΊ·ι½ίB
40ΖΜαzΝTθπμκιαzΖTθπμκΘ’αzͺ ιB
TθπμκιαzΝ½Μ@³Ε ιB
TθπμκΘ’αzΝ§³Ύ―ͺΠξ·ιT}^αzΕ ιB
TθπμκΘ’αzπΠξ·ιΜΝAqdpaññāͺ»κι½ίΕ ιB
qdpaññāΖΝ θΜάάΙ¨πΟ@Ε«ιA@ΐm©ͺN±ι©ηΕ ιB
TθͺμκΘΔΰA§³Μ©ίιT}^αzπ·ι±ΖΕAΟYΜ@\ͺαΊ΅ΔA@ΐm©ͺ»κι±ΖΝmΐΕ ιB
»΅ΔA±ΜT}^αzͺ»ΜάάBpbTi[αzΙΟνιB
Ήyπ’½θAxΑ½θAΜΑ½θAhbOβCχΕSπΏ
©ΉιΜΰT}^αz
΅©΅§³ΕFίιΜΝ40νήΎ―ΜαzΕARΝλ―«Μ ιμpͺ[ΕΐSΘΰΜΎ©ηB
[KαzΰSπκ³ΉΔ_ΖκΜΙΘιΪIΜΰΜΕ ιB
ίΈͺ³¦πΏ€½εl
obJoεl@@@VΦΜΆάκΟνθπΏ€Cs
A[[EJ[[}iSktFĀlāra Kālāmaj@@@³LΜ«n
Eb_JE[}vb^iSktFUddaka-Rāmaputtaj
ρzρρzΜ«n
½Ζ¦ΞuΜ½Εΰ·΅γ°ά·vΖ₯¦ι±ΖΕΰT}^αzΝΕ«ιͺA»€·ιΖ»Μ_πJ·ιlXΙΞ·ι{θΰΆάκΔιΜΕAJ·ιlπr΅ζ€Ζ·ιλ―«ͺ ιB
εΉΏβτΆπ₯¦ιWοβ^όΜβxθΰ΄oπα³ΉΔT}^αzΙΘιB
±κηΜsΧΙζθA΄ξβvl©ηπϊ³κxz³κΔ’Θ’σΤπu_πΜ±΅½vΖπί·ιB
hbOΕΰπΕΰSΝΏ
«AyΙΘιB
]ͺ»w½ΙζΑΔ@\΅ΘΘιΜΕA»ΜlΜCΏΙνΉ½σzπΫΕ«ι©ηΕ ιB
΅©΅κIΕ ι΅A©ͺΜDάΘ’σzͺ»κΎ΅½ηκ΅έΙΟνιB
»΅Δ»κΝ©ͺΜ]ΙV½ΘAvπ쬡A»κΙΛΆ΅Δ’ι±ΖΙCΓ©ΘΘιB
θIACχΕΰSπΏ
―ι±ΖͺΕ«ιͺAΈΑΖΝψ©ΈAΎρΎρΖε«Θhπίιζ€ΙΘιB
oRβθβφ
ΘΗΜ_ΰ]Μ@\παΊ³ΉΔSπΏ
©ΉιB
WCi³ΜκsB
fHβχΜͺπ΄ΆιΙASͺΜπ£κζ€Ζ·ιΙ΄π΄ΆιͺAT}[fBΙΝB΅Θ’B
u~ΙΝΧηΈΒ·ι±ΖΝΘ’ͺAκsΕΝT}[fBΙΝB΅Θ’v
kammaṭṭhānaΖΖΝΫθΜ±ΖH
kammaΝΖΖ’€Σ‘Ύ―ΕΝΘA±±ΕΝu½©βι±ΖAs€±Ζv
thānaΝuκvuθΗ±λvΖ’€Σ‘ΰ ιͺA±±ΕΝudΜΰev
ΌϋπΒΘ°ιΖAs€κΖ’€Σ‘ΙΘιΜΕA½Ζ¦ΞItBXAEκA³ΊAEEE
^¦ηκ½μΖπ±Θ·κΕ ιΜΕAkammaṭṭhānaΖΖΝCsΙΐH΅β·’αzΫθΜ±ΖΙΘιB
³Μαzϋ@ΜΕAΕIIlπΚί΅½40νήΜαz@ΎͺA·ΧΔT}[fBπμιν―ΕΝΘAΙΝsςOΜζ€ΙΆ«ι±ΖΙΞ·ι·
ΖλπͺΑ¦ΔAqdͺ»κιψ«ΰΙΘιB
©RΘσΤΝκuΎ―B©RΖΝΜτ]ΜΊυB»±Ε©ͺΙK΅½τ]πIΤA»Μ½ίΜΎ
ϊνκΔ’ιΙ»±©ηπϊ·ιsͺ ιB
΅©΅Ag©ηoιΖA»±ΙΝ»±ΜφΚ@₯ΙK΅½ΜζΙΘιΜΕAt[ΘσΤΝp±΅Θ’B
»±ΕTPOΙK΅½αz@πIΤ±ΖΙΣ·ιKvͺ ιB
@³ΝA_bAΐMA³α»ΘMΒΙζΑΔ¬θ§ΑΔ’ιrΌIΘVXeΙτ]³κι±ΖΘΜΕA©ͺΜσΤβόθΜΒ«ΙK΅½ϋ@Μ}ChRg[πIπ·ιΜͺ’’B
±±Εβθͺ ιBαzϋ@πεΟΕIΤΖ©ͺΜΕθTOπm§·ιλ―«ͺ θAΌΙιΖ}ChRg[³κιΒ\«ͺ ιB
aΖ‘ΓΜΦWΜζ€ΙAφΚΦWπζmΑΔ’ιζBΙΎπσ―ιΜͺ’’B
©ͺ©gΕαzπIΤκΕΰA΅έΜSΕ΅AαzΜo±ͺ[’ζyΙA©ͺΜΫθπIρΕΰη€Μͺ`IΘβθϋΕ ιB
αzw±Νu±ΜlΝΗ€·κΞΈ_IΙγB·ι©vΖ’€_ΕΟ@΅Δ’ιB
^¦ηκ½Ϋθͺ€ά’©Θ―κΞA{lΰw±ΰ·ΙπΕ«ιΜΕAΟX·ιB
#3 carita6@@«iU
rāga-caritā
dosa-caritā moha-caritā saddhā-caritā buddhi-caritā vitakka-caritā ceti
chabbidhena carita-saṅgaho,
ζΓ«AαΡ«As«AM«Ao«Aq«Ζ’€UνήΙA«iΝάΖίηκιB
©κ½ΌOΖZΕ»f·ι
«iͺΝΝi©ͺΖΜδrj©ηΕΝΘACsͺψ¦ζiήw±π·ι½ίΙΆάκ½B
ϊνGπβΑΔ’ιΖ±λπΟ@΅ΔA³Σ―ͺΗΜζ€Ι@\΅Δ’ι©π²ΧιB
lΙΝ΄ξΜgͺ ιΜΕA»κΘOΜ³Σ―ΙκΡ΅½p^[A·ΘνΏ«iπ²ΧιB
«iΖΝSΜξ{vOOSΘΜΕA{ΉΜOπ{l©η’ΔΰA»κΝ{lͺ©o΅Δ’ιΰΜΕ ΑΔ³Σ―Ι ιΰΜΕΝΘ’B
JeS[ΜΌΜ©ησ―ιC[WΖΰeΝα€ΜΕAζόΟΙΣ·ιB
rāga-caritāζΓ«@@@’½Άͺ©½ΪΜΗ’μiΙΘΑΔ’ιB
ΰΜ²ΖΙtηνΘ’A»Μάάσ―όκι«i
σ―όκηκΘΰΜ²ΖΕΰAσ―όκηκιζ€Ι·ιB
ό΅’ΰΜβy΅’±ΖΙΘPΙδ©κιB
ͺκΔ’½ηγYνΙ΅Δ΅ά€BZήΖ±λΝΪ΅Δ¨B
FπIΤΙΰR[fBl[gΙΣπ₯€B{Εΰ©½ΪπΗ·ιB
y΅Ά΅ζ€Ζ·ιBLcCdΕΰ@Μπ€½’ΘͺηB
’Τbπ·ιΰc_ΙΘιbθζθΰAέρΘͺ^¬Ε«ιbθΙ·ιB
³νπnCCg΅Δ^πκιΖπ·ιB
κπnCCg΅ΔΰW΅Θ’B
³δπnCCg΅Δΰπΰ΅Θ’B
sςΟΜαzΝκθB
dosa-caritāαΡ«@@’½ΆΙΝͺόΑΔ’ιBΆΜε«³Ν―ΆΕ ιͺAΐΡβsΤuΝCΙ΅Θ’B
ΰΜ²ΖΙΞ§·ιAv[`πΰΒB
ΰΜ²ΖΜΧβZπΘPΙ©Β―AζΙ²ΧιB
’±ΖβΘ±ΖΙΪͺ’ΑΔ΅ά€B
»κπΌ·½ίΙAπΠt―ιBζθo·±ΖπDζ΅Δ·ιBZήΖ±λΝΪ³κΔ’Θ’B
¨’ζdπnίιͺ±ΝͺΘAΘPΙϊίιB
ΘΗΝ@\πd΅Δ©½ΪπCΙ΅Θ’BηΝDάΘ’B
c_D«ΕAχΙόθΧπϊΑΔβθ_πζθo΅Δ½Ξ·ιB
CC΅Δ{θβ·’A
ίΜαzππ·ιͺAμΜαzΝπΕ«Θ’B
κΜ^πnCCg·ιΖπ·ιB
sςΟΜαzΝ΅β·’B
³νβ³δπnCCg΅Δΰπΰ΅Θ’B
ΔzαzΝκθB
moha-caritās« Με«³ͺ΅ΑΔ’Θ’AoXͺ«’A§ΘΗπΘͺAW΅Δ’Δ’Θ’
¨πσ―όκΰ½Ξΰ΅Θ’BΚΙCΙ΅Θ’B
γ_Ν»fΖWΝB
ΣCΜ ιγiͺ’κΞdΝiήͺA©ͺΕΣCπΑΔdπ±Θ·ΜΝsΐB
»fͺKvΘdΝκθΕA¬κμΖΘηΞΏ
BzθOͺN«ιΖt[Y·ιB
κxΙ½ΜoͺN«ιΖA»fΕ«ΈΙqXe[πN±·±Ζΰ ιB
ΓLΝΎΣΎͺAμΆΝκθ
ΔzαzΝK΅Δ’ιB
P«ΜζΚAΉΏA^ΖΤΙ³¦Δ’B
’«ΘθlΉϊπ³¦ιΖ¬
saddhā-caritāM«@@γYνΙΜΝAάκ½dΘΜΕάΆίΙ±Θ·B
³ΧCΕfΌ@@@@½©πMΆι±ΖπKvΎΖvΑΔ’ιB
©ͺΕ»fΕ«Θ’B
UΤ¨ΝΖηΘ’@ΌlΙιx³κιΖΝvνΘ’B¨lD΅ΕAlπΘPΙMΆιB
MΆιΰΜͺΘ’ΖAlΆΝiάΘ’BΎνκ½Ζ¨θΙ·ιΜͺRBvζθΰΎνκ½Ζ¨θΙ΅½’B
{ΏΜΚπo΅½’B
o±©ηwρΕ¬··ιΜΝο΅’B
buddhi-caritāo«@@@ΗίιΖ’€@\πΚ½ΉΞ’’ΖvΑΔ
π΅Δ[Ύ΅Θ―κΞΜπ©³Θ’B
³λΙΦWΘAπ΅Θ’ΖOΙiάΘ’B
πΕ«Θ’ξρΙΞ΅Δs@ΙΘθAt[Y·ιB
θΚπo΅½’B
_πo·ΪIΕιB
gΎ΅ΘέβΜΪΙΝ»‘ͺΘ’B
vitakka-caritāq«@@@ΗΜζ€Ι―Ξ’’©l¦ΔAπΜͺx’
l¦ι«iB
_βΪIΙB·ι±ΖζθΰAίφπl¦ι±Ζπd·ιB_ίφπΚͺθΎmΙ΅½’B
ΎtΘA»fΰxAs½ίΰx’ͺA]ΰΕΝvlAΟzAc_ΕZ΅’B
vlΜΙΒΆ±ΰΑΔ΅ά€Β\«ͺ ιB
©ͺΜo±Μίφπ©·ι½ίΙZ΅’B
ε«iΖ«i
ε«iΖΝA³Σ―Μsp^[Μ±ΖB
«iΖΝAθiβθ@@@ΪIπB¬·ιΜsp^[
ζΓαΡ«@@@³Σ―ΝζΓΕA»κπΐ»·ιsp^[ͺαΡ
νΑΔΕΰ©ͺΜD«ΘΰΜπθΙζιBΰͺΧ©ιΘηΞAΗρΘκJΰ·ιB
AJΜO[o[[V
ζΓs«@@@³Σ―ΝζΓΕA»κπΐ»·ιsp^[ͺs
oΟͺ€ά’©Θ’ΖYέAΗΘιάΕΑΔ’ιB
XyCoΟ
αΡζΓ«@@@³Σ―ΝαΡΕA»κπΐ»·ιsp^[ͺζΓ
Χ―ι±Ζζθΰν€±ΖπDζ·ιB
ΜΞ’ΔΙΞ·ι‘
#4 bhāvanā3@@CK
Parikamma- bhāvanā upacāra- bhāvanā appanā- bhāvanā ceti tisso bhāvanā,
ΥμCKAίsCKAΐ~CKΖ’€RΒͺCKΕ ιB
Parikamma- bhāvanāΥμCK
parikammaF[ntD] arrangementG preparation
αzΙ΅κι½ίΙζ£ΑΔ§ν΅Δ’ιυϊΤ
άΈΝμ±πI¦ι
upacāra- bhāvanāίsCK
upacāraC[frDupa + car] -- 1DapproachCaccess
Ηz΅ΙTθπ©Δ’ισΤ
SΜn[TΜiK
appanā- bhāvanāΐ~CK
appanāFThoughtCreasoningCresolve
ΐ~AΞΫΦΜκ_WͺΕθΕ«ιζ€ΙΘθθΙόθIνΑ½T}[fBσΤΜiK
άWͺΓ°σΤΙΘιͺA·’Ταzπ΅Θ’ΖAθͺσκιB
#5 nimitta 3@@
Parikamma- nimittaṃ uggaha- nimittaṃ paṭibhāga- nimittañ ceti tīṇi nimittāni ca veditabbāni.
ΥμAζAΖ’€RΒΜͺ ιΖmιΧ«Ε ιB
parikamma- nimittaΥμ
nimittaΖΝαz·ιΖ«ΜΞΫAparikammaΝυΘΜΕAνΉιΖuυiKΜΜαzΞΫv
άΈΝΝΆίΜiKΘΜΕκJ΅ΘͺηΰW΅ΘΔΝΘηΘ’B
αzΜmΓͺiήΖAΤπ©―Δ―ΆΞΫπF―΅±―ιΖASͺΞΫΙιυρΕAΑΒ’Δ’ιΖ΄Άιζ€ΙΘιB
αzΜΞΫΘOΜMͺόιΖASΝ»κηΙ½·ιͺAά½αzΞΫΙίιΖ±ΖΕAΏ «π΄Άιζ€ΙΘιB
ΔzαzΕΝAΜΜΆέζθΰAΜSΜͺΔzΖ’€Ν½η«Μέπ΅Δ’ιΖ΄ΆιB
©ͺΜΔzΜYΙνΉΔAOΜ’EΰgπΕΑΔ’ιζ€Ι΄ΆιB
ānāpāna-satiΐίΚίO@ānaΝό§AapānaΝo§AsatiβsmṛtiΝOiΣ―΅Δ’ι±ΖjπΣ‘·ιB
L`ΙΝA»±©ηgΜΜΟ@ΦΖΪs΅Δ’«AlOΙ·ιΟsiBpbTi[jΜΜζΰάήB
p[κoTo Μwόo§OoxiΐΚOoAAnapanassati-suttajAΜwόo§xiΐΚAAnapana-samyuttajΕΰ©κΔ’ιB
uΐίΚίOoviĀnāpānasati suttajΕΝAΔzπgΑ½αz@ΙΒ’ΔΜζ€ΙοΜIΙLq³κΔ’ιBΘΊΝΐίΚίOo(p[κΜpσΕ)©ηΜψpΕ ιB
Breathing in long, he discerns, 'I am breathing in long'; or breathing out long, he discerns, 'I am breathing out long.' Or breathing in short, he discerns, 'I am breathing in short'; or breathing out short, he discerns, 'I am breathing out short.' He trains himself, 'I will breathe in sensitive to the entire body.' He trains himself, 'I will breathe out sensitive to the entire body.' He trains himself, 'I will breathe in calming bodily fabrication.' He trains himself, 'I will breathe out calming bodily fabrication.'
·§πzΑΔ’ιΖ«ΙΝuΝ·§πzΑΔ’ιvΖΝΑ«θmθipajānātijA·§πf’Δ’ιΖ«ΙΝuΝ·§πf’Δ’ιvΖΝΑ«θmιBZ§πzΑΔ’ιΖ«ΙΝuΝZ§πzΑΔ’ιvΖΝΑ«θmθAZ§πf’Δ’ιΖ«ΙΝuΝZ§πf’Δ’ιvΖΝΑ«θmιBuΝSgΜ΄oπc¬΅Θͺηipaṭisaṃvedīj§πz¨€vΖPϋ·ιisikkhatijBuΝSgΜ΄oπc¬΅Θͺη§πf±€vΖPϋ·ιBuΝgsiz€§j[5]πΓίΔ§πz¨€vΖPϋ·ιBuΝgsif§j[5]πΓίΔ§πf±€vΖPϋ·ιB
±κͺΗΜζ€ΙCsπ·ιΜ©ΙΒ’Δ©κ½κίΕ ιB±Μζ€ΘCsΙΦ΅ΔΜζ€ΙqΧηκΔ’ιB
This is how mindfulness of in-&-out breathing is developed & pursued so as to be of great fruit, of great benefit.
±κͺΔzΙζιCΓ«Ε θA±Μζ€ΙMSΙs’A©gπPϋ·ι±ΖΝε«ΘΚρΖΘθAε«ΘvΖΘιB
uggaha- nimittaζ
UggahaCiadjj i-j [frDud + gṛhCsee gaṇhāti] -- 1Dtaking upCacquiringClearning
αzΞΫͺζθΎmΙA»΅ΔΘPΙF―Ε«ιζ€Ιε«Ο»΅Δ’ιB
αzΞΫΎ―πF―΅±―Δ’ιΜΕA]ΝΌΜμΖͺΕ«ΘΘθA±Μ_oρHͺ½xΰJθΤ³κAKb`ΖΕ« ͺιB
±€ΘιΖαzΞΫͺvηΘΘθAαπΒΆΔOΆιΎ―ΕAΞΫͺΎmΙͺΜΙ»κιB
αzπ±―ιΖOΆΘΔΰ¨ΏIΞΫͺΘΔΰA©ι±ΖͺΕ«ιζ€ΙΘιB
±ΜσΤπuggaha- nimittaζΖΔρΕ’ιB
ζ’¦Ξ]Μ\ΝͺγͺθA«Ύ¦ΞA]ͺΆoπμΑΔ’ιB
±κΝΣ}IΙμΑ½V½Θ_oρHΘΜΕAΘPΙ³Ιί·±ΖͺΕ«ιB
Ο»΅½V½ΘαzΞΫπΣ}IΙgε·ι±ΖͺΕ«ιζ€ΙΘιB
qgΜ]ΝqΟIΙΐπF―΅Θ’ΕΆoπμιvΕ ιΜΝAίΙwρΎp^[πΔΝίΔA»κπξΙ·ι±ΖΕAF―Xs[hπkίΔ’ιBtΙ’€ΖAκuΙF―·ι½ίΙAαΜOΜΐπίΙwK΅½f[^πgΑΔWΖs’π΅Δ’ιΜΕ ιB
paṭibhāga- nimitta
PaṭibhāgaC[paṭi+bhāga] 1DcounterpartClikenessCresemblance@ήCCΞδ
αzΞΫͺTθ»ΜΰΜΙΰψΙΔ’ιB
±±άΕιΖ±Μpaṭibhāga- nimittaπΞΫΙ΅Δαz·ιΖ½ΏάΏTθΙόιB
BpbTi[αzΜαzΞΫΝuΆ«ιΖΝΘΙ©Hv
BpbTi[αzΕT}[fBπΒιΪIΝA^π θΜάάΙmθ½’Ζ’€qdpaññāπΪw·½ίΕ ιB
Ά«ιΖΝAΔzA ΜϋkΖgεAΔzAΰ’½θΐΑ½θ§Α½θ‘ΙΘΑ½θ·ι±ΖB
MA΄oATOAΥAF―Ζ’€Fσzs―ͺ ι±ΖͺΆ«ι±ΖΕ ιB
»κηΜκΒπIρΕA»κπΞΫΖ΅Δαz·ιB
ΟzπT¦ΔΟ@Ι΅κΔιΖAParikammaiKB
ΜupacāraiKΙΘιΖAΔzζθΰA»ΫͺΆάκΔΝΑ¦ι±ΖπΟ@·ιζ€ΙΘιB
WΝͺγͺιΖF―΅«κΘ’¬³ΕA»Ϋͺ»κΔΝΑ¦ι±ΖͺΟ¦ιB
u³ν΅©Θ’A³νΜA±Νκ΅έΎBΆ½Ν³νΕ θAκΕ ικIΘ»ΫΙ΅· ΅Δ’ιΜΎB±ΜJN©ηπϊ³κ½ϋͺζ’ΜΎB·ΧΔΝκIΘ»ΫΕ ΑΔAΆ«ιΖΝεCOΜζ€ΘΰΜΎv
Ζqdpaññāͺ»κιB
Φτ]ΆΝΙIΘ°|΄Ζ΅Δ΄ΆA·ΧΔΜ»ΫΙΞ΅ΔAuϊίvͺΆΆιB
±κͺappanāΐ~ΜiKΕ ιB
±ΜγΙAoθΙB·ιB
#6 kasiṇa@@@Υ
Kathaṃ? Pathavī-kasiṇaṃ āpo-kasiṇaṃ tejo-kasiṇaṃ vāyo-kasiṇaṃ nīla-kasiṇaṃ pīta-kasiṇaṃ lohita-kasiṇaṃ odāta-kasiṇaṃ ākāsa-kasiṇaṃ āloka-kasiṇañ ceti imāni dasa kasiṇāni nāma.
10ΥΖΝAnΥA
ΥAΞΥAΥAΒΥA©ΥAΤΥAΥAσΥAυΎΥΖ’€10ΥΕ ιB
kasiṇaΥΝΪΖoπgΑΔWΝπηΔιϋ@
T}^αzΝΤͺ©©θA2,3Τ±―Δαz·ιCΏΕnίΘΔΝ’―Θ’B
αzΝΏ
ΪIΕ·ιΰΜΕΝΘAT}[fBΙB·ιΪIΕ¨±Θ€B
T}[fBΖΝASͺ’ΤΜF―³π΄¦ι±ΖB
άΈΝυͺKv
dβΖ°ΘΗΜ΅ͺηέ©η£κι±ΖB
SͺΏ
Aά΄΄o©ηΜMͺόθΓη’κΙΪ
Μπ΄ίAδΑ½θΖ΅½πZ€
ΜΙΑ»΅β·’KΚΜHπΫι
jhānaΖ samādhiΖΜα’
jhānaΖΝvl@\ͺ ικσΤiζκTθjΜαzΜ±ΖΕA
samādhiΖΝ±ΜεqΜζΚͺΘΘΑ½αzΚΜ±Ζπw·B
nΥPathavī@@@ΗΙyFΜπ\ι
Υāpo@@@@@eνΜκͺΓ’FΙ
π£ι
ΞΥtejo@@@@@[\NΘΗΜ
Υvāyo@@@@ΨΜ}ͺhκιΖA»±Ι¬κισCπF―΅ζ€Ζέι@@\ΜΖ«ΘηΞΘP
ΒΥnīla@@@@@ΪπΒΆΔΘΊΜFͺ©¦ιζ€ΙPϋ·ι
©Υpīta@@@@@IΤΜΝD«ΘFΕΝΘASͺΏ
F
ΤΥlohita
Υodāta@@@@ΝSΔΜFΜυπ¬ΊιΖυΙΘι
σΥākāsa@@@@Ψθ²’½~ΥπμΑΔ»ΜπΟΔākāsoΖOΆι
υΎΥāloka@@@@~πΨθ²’½_{[ΙΌ§ΎΜπ\θ»±ΙCgπ·
#7 asubha 10@@@sς
Uddhumātakaṃ vinīlakaṃ vipubbakaṃ vicchiddakaṃ
vikkhāyitakaṃ vikkhittakaṃ hatavikkhittakaṃ
lohitakaṃ puḷuvakaṃ aṭṭhikañ ceti ime dasa asbhā nāma.
c£rAGΒrAR^rAΨfrAHcrAUrAaUrAhrAεv[rA[rΖ’€±κη10ͺsςΕ ιB
sςΥΜ_’ΝT}[fBΕΝΘAΟ@Ε~πΜΔι½ί
\ΚΎ―π©Δ»f·ιΜΝΞ©ΘΜΕA»Μβ β[wΰ©ιdϋπ΅ΔASπΏ ©ΉιΜͺ_’
~Μ΄ξΙΖηνκΔA~πΜΔηκΈΙ’ΑΔ’ιlΙK΅Δ’ι~ΦΜΞ@B
u«κ’ΎA©ν’’vΖΞ©θ©ιlΙΰ±ΜCΖͺΗ’Β\«ͺ ιB
΅©΅NΕΰSͺ¬··ιΖΝΐηΈA΄ξΙxz³κβ·’lΙΝtψΚΙΰΘθ¦ιB
OΆιΎtΝAYathā etam, tathā idam.
Yathāζ€Ι etam κ, tathāζ€Ι idam±κ.@@ Μζ€Θ±ΖͺA±±ΙΰN±ι
#8 anussati 10@@O
Buddhānussati
dhammānussati saṃghānussati sīlānussati cāgānussati devatānussati upasamānussati maraṇānussati kāyagatāsati
ānāpānassati ceti imā dasa anussatiyo nāma.
§OA@OAmOAϊOA{ΜOAVOAβ~OAOAgNOAoό§OΖ’€10ͺOΕ ιB
anu-ssati@@@O
½©Μe[}πίΔA»κΙΒ’ΔOΆΔΟ@΅Δέι±Ζ
cf. @satiΝCΓ«@@@satippaṭṭhānaΖΝCΓ«Μm§
OΆι±ΖΕSΙΟ»ͺN±ιΖ·ιΘηΞAζθψΚIΘΰΜπIρΕOΆ½Ω€ͺΗ’B
±±ΕΝAψΚI©ΒIΙASͺ΄η©ΙΘθAqdͺB·ι10νήΜαzπρΔ΅Δ’ιB
ίΈΜΜΖγγΜ¨α’
Amitāyus @@³Κυ@māraΙΕΏΑΔsΘι«nΕ ιΈΟΙB΅½AΖ’€Σ‘@
māraΖΝuvΜ±ΖΘΜΕΙΕΏΏsΙΘι±ΖΝΘA80ΞΕ΅½B
amitābha@@@³Κυ@±ΜυΖΝqdpaññāΜ±Ζ@@qdΙΝΐθͺΘ’AΖΣ‘
ΗΏηΰΌσ΅½ΜΕA§ͺisΕΕΆέ΅±―ιΰΜΎΖ’€l¦ͺΆάκA»Μζ€Θ§Oΰ ιͺA@ͺisΕΕΆέ΅±―ιΖπί΅ΔMΆρΎηA»κΝ³νπΰ§³ΕΝΘΘιB
uΎ©θΜͺΑ¦ιζ€ΙπEΝΈΟΙόιΜΎvΖΰ©κĒ鳦ɽ·ιBoTH
ίΈΜΰ’½§ΜXΒΜ\Ν@@γΏ
’
ΏA³oAΎsο«APΐA’ΤπA³γΜ²δδvAoA’Έ
Itif pi so bhagava arahaṃ sammāsambuddho vijjācaraṇasampanno sugato lokavidū anuttaro purisadammasarāthi satthā
devamanussānaṃ buddho bhagavāfti.
aṅguttara nikāyax, ekādasa nipāta 11σW, paṭhama Mahānāma sutta 2-1
https://suttacentral.net/an11.11/pli/ms
΄ςΉ_Visuddhimagga @μ`ε ³QOͺPOy[W
PDarahaṃ’ ΏF@κΨΜΟYπΕs΅A_XElΤΜΈhA{πσ―ιΙl·ιϋ
an accomplished one
QDsammāsambuddho³oF@S½ιεθπΕΙεΑΔA»ΜεθΦΜΉπΌΙ³¦ι±ΖΜΕ«ιϋ
a fully-enlightened one
^πΌlΙ³¦ηκι\Νͺ ι
RDvijjācaraṇasampannoΎsο«F@uͺνΜqdvΖu\άΜΉΏvπ尿ϋ
vijjācaraṇaF[ntD] special wisdom and virtueD
sampannaF[ppDof sampajjati] succeededG prosperedG happenedG become
endowed with knowledge and good conduct
ͺνΜqdiͺΎj
PD³νAκA³δπΝΑ«θ©ι±ΖΜΕ«ιqd
QD©ͺΜv’ΚθΙΕ«ιΠΝͺ ιqd
RDκgA½gΘΗΙΟgΕ«ι±ΖAσΙςΡγͺι±ΖΰAnΙΰι±ΖΰΕ«ιΠΝ ιqd
SD̺⬳Ⱥπ―ιΠΝ ιqd
TDΌlΜSπΗίιqd
UD©ΘyΡΌlΜO’πmι±ΖΜΕ«ιqd
VD’βχ¬ΘΰΜ©ι±ΖΜΕ«ιqd
WD ηδιΟYπΕ΅s·±ΖΜΕ«ιqd
\άΜΗ’«ii\άsj
PDϊ₯πηι±Ζ
QDΟYͺN±ηΘ’ζ€Ια¨@γgΣπηι±Ζ
RDHΧ¨ΜKΚπmι±Ζ
SD°ηΘ’ΕwΝ·ι±Ζ
TD§@myΡφΚ₯πMΆι±Ζ
UD«π·ι±ΖπpΆι±Ζ
VD«π·ι±Ζπ°κι±Ζ
WDm―ͺL’ͺμΙyρΕ’ι±Ζ
XDΈi·ι±Ζ
POD§@mΘΗΜΏπOΆΔYκΘ’±Ζ
PPDqdͺ ι±Ζ
PQDTπCΎ΅Δ’ι±Ζ
PRDρTπCΎ΅Δ’ι±Ζ
PSDOTπCΎ΅Δ’ι±Ζ
PTDlTπCΎ΅Δ’ι±Ζ
SDsugatoPΐiΊρΊ’jF@³΅ΈΟΙB΅APCsπ¬΅A³΅P’Ύtπκιϋ
½ΕΰΚͺoιάΕSΙs€ϋ
well gone or gone to bliss
TDlokavidū’ΤπiΉ―ρ°jF@FAOΆAsΖΎ€RΒΜ’Eπmθs΅½ϋ
Ά½Μ±ΖΘη½Εΰmθs΅Δ’ιϋ
a knower of the world
UDanuttaro purisa-damma-sarāthi³γ²δδvF@lXπw±·ι±ΖΙ¨’ΔΝ³γΜ\ΝπΒϋ
an unsurpassed leader of persons to be tamed
VDsatthā deva-manussānaṃVltF@lΤA_XΘΗΜκΨOΆΜBκΜt@@@
Ά½Μt @½Ζ΅ΔΕΰηΔΔAκlOΙ·ιΕΜw±
a teacher of humans and devas
WDbuddhooi§ΙjF@^ΙΪoί½ϋΕ·B
ΟYπͺβ΅ΔS½ιεθΙιΉΖ’€ΚΌB
oΑ½lΘηΞNΕΰg¦ιΌΜΕAΈi·κΞεθΙB·ιΖ’€©MΙΘιB
the awakened or the one who knows
XDbhagavā’ΈF@·ΧΔΜΏπυ¦½ϋΕ·B
ΙΜKπ^¦ηκιΏπΏAgίΙ΄Άι±ΖͺΕ«ιΈhΕ«ιl
the sublime or exalted
§O
ΜεΘιl¨Μ\Νπl@΅Δ’ιΜΎ©ηAlΜSπΎι΅Δκιαz
±ΜT}^αzπ±―ιΖABpbTi[αzπΐH΅ζ€Ζ’€Σ~ͺάΑΔιB
άΈΝXΒΜΏπΧ·ιΖAPΒΜΏͺΖθν―CΙόιζ€ΙΘιΜΕA»κπ©ͺΜ«iΙ€ΏΖ΅ΔαzΜΞΫΖ΅ΔIΤB
dhammānussati @O
svākkhāto bhagavatā dhammo
sandiṭṭhiko akāliko ehipassiko opaneyyiko paccattaṃ veditabbo viññūhī ti
svākkhāto @@@@@@@Pκηκκ½AΖ’€Σ‘ΕΰeΝαz΅ΔwΤB
SΙBΘCΏͺN±ηΘ’ζ€ΙκηκΔ’ι±ΖAπ’€B
sandiṭṭhiko @@άΜ ½θΙΚͺ»κι
εΟβͺΕΝΘA·ΙNΙΕΰm©ίκκι^πκΑΔ’ιB
akāliko @Υ«ͺ θi½ι³¦
aΫθ`+kālikoΝΤΜ¬κΜΙ ιAΘΜΕA³¦ΝΓγxκΙΝΘηΘ’AΖ’€Σ‘B
lͺ§³Ι»‘ͺ ι©Aπͺ ι©AΐH·ι©ΝγΜ¬κΙΑΔΟνιͺA^ΝΟνηΘ’B
ehipassiko @@½κ©ζ
΅ΔέκΞζ’AΖ’€B΅ΜΘ’I[vΘΤx
opaneyyiko @@ΐHπΈΟΙ±
ΐH·ι±ΖΕSͺ©ΈΖ¬·΅AκͺΏAqdͺ»κAΕγΙπEΙB·ιB
paccattaṃ veditabbo viññūhī @@«Μ ιlͺe©Εo±΅Θ―ΔΝ’―Θ’
©ͺΜͺπΗ΅½―κΞ©ͺΕ·ι΅©Θ’B
§³ΝSΜόvπΰ«A»Μΐ»ΙΝe©ͺΐH·ι΅©Θ’
saṃghānussati@mO
ίΈπξΙ΅½ηβιCπΈ€°κͺ ιΝACsΙ¬χ΅½ζyͺ’ιΘηΞAΣ~ͺN’ΔιB
ίΈ΅©πEΙB΅Δ’Θ’ΜΘηΞA§ΉΜMί«ͺ^νκι©ΰ΅κΘ’ͺA ηδιKβvzβ«iΜlͺπE΅½ΜπmιΜΝ±ΜγΘ’γέΙΘιB
§ΙΜνqͺAmcΜγΏπv’©ΧιΖAνqΜSΝ~©η£κA{θ©η£κAΐ’©η£κιB
ά½AνqΜSΝ»ΜA§ΙΙζΑΔfΌΙΘιB
SΜfΌΘνqΝΉΙξΓ«AυKΙΘιB@₯ΙξΓ’ΔυKΙΘιBυKΙΘΑ½ΙΝμΡͺΆάκιBBμΡͺΆάκ½ΜgΝyΐΙΘιBgͺyΐΘΝyΙΘιBy΅ήΜSΝTθΙΘιB
iμ`ε ³QOͺPPy[Wζθj
bhagavato sāvaka·saṅgho@§ΙΜνqΕ ιmcΝ@@@@@@bhagavato§Ιsāvakaνq·saṅghoWc
PDSu paṭipanno@A³΅’ΉπΐH·ιB
su-FA prefD[V] ζ«CP«
paṭipannaF[ppDof paṭipajjati] entered upon a path or courseG gone along@@sΉΉιCόΉΜCs
QDuju paṭipannoΈΟΦΜ^ΌΜΉπΰή
ujuF[adjD] straightG up-rightD^ΑΌAΌAΌόA
RDñāya paṭipannoΈΟπΪw΅ΔCs·ι
ñāyaF[mD] methodG systemG right manner@@πEΙB·ιϋ@
SDsāmīci paṭipannoΈhΙl·ιΉπΐH·ι
sāmīciF[fD] proper courseG friendly treatment
ΉΝΗ±Ι’ΔΰΉΕ θAiΝDκ½ΉΏͺ ι±ΖBζΓαΡsπΘ΅Δ’ι±ΖB
TDāhuneyyo@@©ηΑΔιΰΜπσ―ιΜΙl·ι
āhutiF[f.] oblationG offering
UDpāhuneyyo@@qΖ΅ΔΪπσ―ιΜΙl·ι
VDdakkhiṇeyyo@ΏπΟή½ίΙ¦ιΰΜπσ―ιΜΙl·ι
dakkhiṇāFA giftG a present to a Buddhist monkG an offering to a peta@@HΜz{H
WDañjali karaṇīyoηqπσ―ιΜΙl·ι
5`9ΝooΜK΅©ηζθόκ½B
XDanuttaraṃ puññakkhettaṃ lokassā’Μ³γΜciΏͺΆάκιcρΪj
cΖΝ§νqΜΉΜ±ΖBΉΝYρΕ’ιlΜβθππ΅Δ °ΔKΙ·ιB
sīlānussatiϊO
5ϊΝϊηιΰΜΕA8Ζ10ϊΝCs·ιϊΙηιΰΜ
`IβJgIΙϊπηΑΔΰtΙSͺdΘι±Ζͺ ιB@@@@ϊΦζ©
Ariya·sāvako attano sīlāni anussarati
ΉΝϊOπ·ιB
akkhaṇḍāni entire@@jκΘ’±ΖBκΡ΅Δηι±ΖB
acchiddāni not defective@ͺΘ’±ΖB
asabalāni unspotted@@@Α_ͺΘ’±ΖB^’ͺ κΞ»κΝΑ_B
akammāsāni unblemished@GFΕΘ’±ΖB©ΞάΘ’Εͺ’’
bhujissāni liberating@@@@©RΙηηκΔ’ι±ΖBϊ₯ΙζΑΔ©Rπ΄ΆηκιB
viññuppasaṭṭhāni praised by the wise@«Ι^Q³κι±ΖBϊΦζΙΘιΒ\«πρπB
aparāmaṭṭhāni without attachment@@αθΙΘηΘ’±ΖB«gβζΕβ£ΝΘΔzΜζ€Ι©RΙB
samādhi·saṃvattanikāni. leading to concentration@ϊ₯πηιΖSͺΏ
«ATθͺN«β·ΘιB
cāgānussati{ΜO
cāgāΝ{΅π·ι`eBΈ_BdānaΝz{Μ±ΖB
©ͺ©gΜ{ΜΈ_πOΆιB
{ΜOΝASπΟY©ηπϊ·ιBmMͺN±ιB[ΐ΄ͺ»κιBWΝͺΘΑΔTθΙB·ιB
devatānussatiVO
MAϊAwA{ΜAdΜ5ΒΙξΓ’½Ά«ϋΙζΑΔAlΝγAVΙΆάκιB
J~Ν’ΝπΑΔ’ιͺAPsΧΜΝΘηΞ©ͺΙΰ ιΜΕ―ΆxΙ ιΖmF·ιB
lͺJ~ΜOΕήk·ιζ€ΘΈ_ΙΝΘηΘ’B
©ͺΜΜP’Έ_πOΆιΖμΡπ΄ΆA[ΐ΄π΄ΆAΜΝyΘθAWΝͺγͺθATθͺN±ιB
upasamānussatiβ~O
upasamaF[mD] calmnessG appeasement@ΑΓ
ΈΟπΞΫΙ΅ΔT}^αzπ·ιB
uβΓΜ«nΝΈΟΕ ιvίΈΜΎtΝ’ΤΜ\»B@
ϊνo±πξbΙ΅ΔuβΓvuΐΈvΜΣ‘πͺ΅Δαz·ιB
ͺ·ιήΏΝ
Κ΅½lΙΞ΅ΔA€ ͺ ιΖSΝ΅hηB
ΘΘ’Ζ’€ θΎΘ’OρΕΆ«Δ’ιB
ζΓαΡsΜ΄ξΕYέκ΅ήB
©ͺͺΐΈΕ’ηκιζ€Ι§ν΅ΔέιB
½ά½άΟYͺ©ΈA΅έΜCΏΕ’ιͺ ιΜΕAuΰΜ²ΖΝκIΕA³νΕAΑ¦ιΰΜΎvΖ’€βΓΘσΤΘͺ ιΜΕA±ΜΜlqπεΙo¦Δ¨B
Sͺκ½ΙΝA΄ξͺΑΔΐΈͺΑ¦Δκ΅ήσ΅π θΜάάΙΟιB
±Μζ€ΘΈ_PϋͺAβ~OB
±ΜPϋͺAπEΙB·ιBpbTi[αzΜυαzΙΘιB
maraṇānussatiO
Sabbe sattā marissanti, maraṇantanhi
jīvitaṃ
κΨΜOΆΝΚΜΎBΆ«ι±ΖΜI_ΝΕ ιB
lΝΘΘ’Ζ’€OρΕAuKΙΘιvlΆέvπ΅Δ’ιB
±κͺκ΅έπΆήΖ’€ΚΙIνιB
΅©΅±κΕΰϊίΈAΜvζπ§ΔΔAκ΅έΜ«zΒΜΕΆ«ιB
πϋ@ΝκΒΎ―ΕAuΝKΈΚv±ΖπmF΅ΔAFίι±ΖB
ππ―ιρHΝ ιͺAFίιρHΝΘ’ΜΕA±κΝπOΆι±ΖΕμιKvͺ ιB
ρHͺoγͺΑΔιΖuNΕΰΚvΖ’€OρΕlΆέvπ·ιζ€ΙΘιB
ΌlΜπΟΔA©ͺΰ©ΘηΈ―Ά^½ΙΘιA©ͺΜΙόκΦ¦ΔOΆιB
u±ΜlΝSΘΑΔΜΖΘΑΔ’ιBΰmΐΙ±Μζ€ΙΘιBΙΰͺKκιvΖOΆιB
uΖ’€»ΫΖoο€½ίΙAΝ±Μ’Ι’ιΜΎvΖOΆιB
VΕiΙιη·ζ€ΙFΑΔ’ιΜΝA©ͺͺ±Μ’Ιi’ηκι±ΖπθΑΔFΑΔ’ιB
BpbTi[αzΕKvΖΘιqdπJ·ι\sKΙΘιB
~A{θAGSAΉiA³mΘΗΜ΄ξͺ@\΅Θ’σΤΙΘι±Ζͺ±ΜαzΜ_’Ε ιB
BpbTi[αzͺiάΘ’ΜΝuκΨ»ΫΜΕvπΟι±ΖͺΕ«Θ’Μͺ΄φΙΘΑΔΙιP[Xͺ½’ͺAOπo±΅Δ’κΞA±ΜΫθπpX·ιB
RcΝuΆάκ½Ά½Ν©ΘηΈΚB±κͺΥIΘΐΕ ιBNΙΰ~ίι±ΖͺΕ«Θ’vΖπ΅½γΕO·ιB
΄ξIΙ©ιΖtψΚΙΘιΜΕA«ΙξΓ’ΔOπΐH·ι±ΖB
OΙζΑΔAΎι’«iΕ·
ͺ’lΤΙΘιB
YάΘ’Aκ΅άΘ’A{ηΘ’ACyΙΆ«ιlΙΘιB
kāyagatāsatigNO
gataF[ppDof gacchati] goneG movedG walkedG passed@@BΉιCΦWΉιG lqCp
gsOoΝo majjhima nikāyaΜζ119o@@https://suttacentral.net/mn119/pli/ms
ίΈAδu½ΏΙόo§OiA[i[p[iETeBjAlOA΅oxΘΗΙΒ’Δΰ’Δ’B
kesā― lomāΜΡ nakhāά dantā tacoη maṃsaṃ ΨχnhāruΨ aṭṭhi aṭṭhimiñjaṃ vakkaṃt hadayaṃS yakanaṃΜ kilomakaṃ] pihakaṃδB papphāsaṃx antaṃέ° antaguṇaṃ°Τ udariyaṃέ¨ karīsaṃεΦ pittaṃ_` semhaṃα pubbo^ lohitaṃt sedoΎ medob assuά vasāp kheḷoΑ siṅghāṇikā@
lasikāΦίt muttaṃA@@imatthaluṅgaṃ]πΑ¦ικΰ ιj
ānāpānassatioό§O
Kāyesu kāyaññatarāhaṃ, bhikkhave, evaṃ vadāmi yadidaṃ—assāsapassāsā.
uδu½ΏζAΔzΖΝΜΜΜPΒΜΝ½η«Ε ιΖAΝΰ«ά·Bv
majjhima nikāya 118@oό§OoĀnāpānassatisutta@@@https://suttacentral.net/mn118/pli/ms
T}^αzΕT}[fBπz«½’ΜΕ κΞΔzαz
Tͺ
Γ©ΘΖ±λπT΅ΔAwΨπLΞ΅ΔΏιB
CΓ«ΜΐHΘΜΕACΓ’Δ§πf«ACΓ’Δ§πz€B
Δzͺ·ΘΑ½θAZΘΑ½θ·ιΜΕA»κΙCΓ’Δ’ιB
ΔzπPΘΜΜ@\Μ1ΒΖ΅ΔΟΒΒAΔzΙX|bgCgπΔι
ΔzΜ«ΖΖΰΙAΜSΜΰ±Ζπ΄ΆΔιB
ΔzΙΞ·ιWͺΘιΖAΜΜ@\ͺΏ
«AΜΜΥͺΏ
’Δι±ΖΟιB
ΜΜΏ
«lqAΔzΜlqΙCΓ’Δ’ιB
GOvlͺΧπ΅ΔT}[fBͺN«Θ’κΝAΎtπOΆιB
ζQTθΙB΅Δ©ηΝAΎtπgνΈAΔzπ΄ΆιΎ―ΕζRASATΜTθΙB·ιB
ΙμΡͺN«Δι±ΖπΜ΄·ιB
»κπ΄ΆΘͺηΔzΙW΅Δ’ιΖAμΡΜΙyͺΆΆιB
SΙCΓ«ΘͺηAΔzπ±―ιB
SΙ ¦ΔμΡπ^¦ΘͺηAΐHπ±―ιB
Sͺ³ηΙκσΤΙΘΑΔ’ΜΕA»κΙCΓ’Δ’ιB
\ͺΘμΡπ΄ΆΔ’ι©ηAΟYΜhͺvηΘΘιB
»κ©η³νΙCΓB
·
©η£κιΧ«AΖ’€CΏΙΘθA»κΙCΓ’Δ’ιB
·ΧΔΕ·ιΰΜΕ ιAΖ’€±ΖΙCΓB
Μ£ΜCΏͺN«ιΜΕA»κΙCΓ«Θͺηf’ΔAz€B
±Μζ€ΘΤΕΐH·ιΖAlOβ΅oxͺ¬΅AπEΙιB
#9 appamaññā 4@@@@³Κ
Mettā karuṇā muditā upekkhā ceti imā
catasso appamaññāyo nāma; brahmavihāro ti ca pavuccati.
AίAμAΜΖ’€SΒͺ³ΚΕ ιBZΖΰΎ€B
AίAμAΜΖΝu·ΧΔΜΆ½vΜ±Ζ
·ΧΔΜΆ½Μπc¬Ε«Θ’ΜΕ³ΚAΖ’€
{Ν·ΧΔΜΆ½Ν©ͺΙvπΰ½η·ΰΜΙD΅·ιͺAsΜ«’ΰΜΝ΅΅’ΤxπζιA©ͺΜ±Ζ΅©l¦Θ’GSCXgΕ ιB
±Μζ€Ι»f·ιΜΝAξπ©ͺΜΜΖ’€«EόΜΰ€Ι΅Δ’ι©ηΕA
±κΙζΑΔ©ͺπΐ΄΅A©δπm§·ιB
±Μ½θOΜ΄nIσ΅©ηASπi»³ΉιΜͺA³ΚαzΕ ιB
©ηΝΆίΔAο΅’ίAμAΜΦΖiίΔ’B
ΗΜαzΰA©δΣ―ͺΑ¦Δ’ΜΕAίπΖ·±ΖͺΘΘθAiΜsΧͺPsΧΙΟνιB
sΚΜπEΙB·ι±ΖΰΒ\B’ ΏΙΘκΘ’ΜΝA³ΚαzΝκΨΜΆ½ΙΞ΅ΔίμΜΜΐHπs€½ίΙΝu©ͺͺ’ιvΖ’€Σ―πKvΖ·ι©ηΕ ιB
θΎΘ’±Ζπΐ»·ιl³ΚSΜαzΕ ιB
³ΚMettā
FξΖ’€Σ‘
FlΜ±Ζπv’©ΧιΖSͺΎιΘθA©δSIΘCΏͺΙήΜΕA±ΜCπηήB
uKΉΕ θά·ζ€ΙvΖ₯¦ΘͺηA©RΙN±ιΎι³AD΅³AχΞέπz’o·B
άΈΝ©ͺ©gΜKΉπOΆιB
Ά½ΜSΜ{\π³Ήι±ΖΕAΎιΘιB
Ιe΅’lXΜ±Ζπv’©ΧΔuKΉΕ θά·ζ€ΙvΖOΆιB
X^[gΝΌeβffκβFlͺΣ³ν΅’B
Ω«βqπIΞΘ’ΜͺRcBe΅έͺ€ξΙΟνΑΔAΟYΙMκΔ΅ά€Β\«ͺ ι©ηΕ ιB
ΜlΝί΅έπμιΒ\«ͺ ιΜΕπ―ιB
ΎρΎρΖ»ΜΦΜΙAΚΜFlβnζΜlβmθ’ΘΗπόκΔ’B
»΅Δά½X^[gΜl½Ώπv’©ΧιΖASΙ»κ½Ύι³AD΅³ͺ»³κΔgε΅Δ’B
ΙAnϋβAβAn ΜlήΖΦΜΙόκΔ’B
ά·ά·Ύι³πSͺo±΅Δ’ιΖAlKeBuΘ΄ξβvlΙΝκͺΘΘθA]ΰSΰμΡπ΄ΆA±κͺΜΙΰΏ’ΔιB
Φͺgε·ιΖAe΅’ΕΝκΘΘιΜΕA
uΆ«Ζ΅Ά―ιΰΜͺKΉΕ θά·ζ€ΙvΖOΆιΎtπΟ¦ΔAΞΫΙΆ½πόκΔ’B
ΪΙ©¦ιΆ½A©¦Θ’Ά½AFΆ½Bn©ηVάΕΜ31EΜΆ½Νΰ΅A’ιΜΘηΞAέρΘAKΉΕ θά·ζ€ΙΖ’€CΏΕαzπ±―ιB
ΙA©ͺͺ{iIΙ©δΜΘ’D΅’lΤΙ¬·΅½Μ©Η€©πm©ίι½ίΙA
uΜ’ΘlXΰAπΑΔ’ιlXΰKΉΕ θά·ζ€ΙvΖOΆΔέιB
’Νlπz’©Χι±ΖΕCsΜSΝΓΘιͺAβθΝΘ’B
βͺΔ’ΘlΰAΑΔ’ιlΰ’Θ’ΜΕΝΘ’©Ζ’€±ΖΙCΓB
±κͺuΜαzvͺ¬χ΅½σΕ ιB
σρθΙΘιΎtΝOΆΈAΐ΄πOΆAΆ«Ζ΅Ά―ιΰΜΘηΞNΕΰKΉΕ ΑΔΩ΅’AΖ’€CͺΙΘιάΕAαzπ±―ιB
©ͺΜSΜD΅³ΖΎι³πηΔιΐHΘΜΕA©ͺΖ’€«EόͺgͺΑΔ’±ΖΕAν―ΜxπOκ½μx΄ͺΜΙN«oΔASͺκ·ιB»κͺT}[fBΕ ιB
ΌΜΆ½Μ±Ζπ©ιΙAv€Aί΅έΜCΏͺDζΙΘΑΔ΅ά’AΌΜCΏͺN±ηΘΘιB
±±άΕ¬·΅½ηupacāra- bhāvanā Ε ιB
Ι΅έΜCΏͺΘΑΔAΜΰSΰ΅έΜCΏΙxz³κΔ΅ά€σΤΝappanā- bhāvanāΕ ιB
»κ©ηTTθͺN±θA}[fBσΤΙΘιB
±ΜΙΝA΅έΜCΏΖ©ͺ©gͺκΜΙΘΑΔ’ιΜΕAδΝΑ¦Δ’ιB
ί³Κkaruṇā
karuṇāΖΝAΌΜΆ½ΜYέβκ΅έͺΘΘΑΔΩ΅’Ζ’€CΏΕ ιB
Η€·ιΞκ΅έͺΘΘθ©ιΜ©Ζ’€CΏΝΎιAIΕ ιB
±ΜCͺN«γͺΑΔιΖαzΖ΅ΔηήΖAν―πz¦½μΡͺ»κιΜΕASͺκσΤΙΘιB
©δͺ’lΙΝkaruṇāΜCΏΝN«Θ’ΜΕA©δͺ ιφx’lΙK΅½αzΖΘιB
κ΅ρΕ’ιlπ©½Θ’ΜΕπ―ιΜΕ κΞSΜΫ½ΘΜΕASͺΓΘΑΔ΅ά’AαzͺΐHΕ«ΘΘιΜΕCπΒ―ιB
άΈΝ©ͺ©gΙkaruṇāπΐH·ιBuΜYέκ΅έͺΘΘθά·ζ€ΙvΖOΆιB
Yέͺ½ΘΜ©πT΅o΅A»κπ΅½σΤπv’©ΧιB·ιΖSͺΎιΘθAβιCͺoΔιB
Ιe΅’l©ηYρΕ’ιlπΞΫΙIρΕAuκ΅έͺΘΘιζ€ΙvΖOΆιB
±Μζ€Ι±―Δ’ιΖAV½ΘM«ͺ θAκ©KΉ»€Ι©¦ιe΅’lXΰAYέκ΅έͺ ι±Ζπ©·ιΜΕAe΅’lπέρΘ©ͺΖ’€ΦΙόκιB
»΅Δ±ΜαzπΟέdΛΔ’ιΖAΆ«Δ’ιΆ½ΝKΈκͺ ι±Ζͺν©ιΜΕAΌΜΆ½ΰΦΜΙόκιζ€Ι·ιB
±€΅ΔκΨΜΆ½πΞΫΙ΅ΔΐH·ι±ΖͺΕ«ιB
μ³Κmuditā
ΌlΜμΡAKA¬χπfΌΙμΤCΏB
uເΘθ½’vΖv€ΜΕΝΘAuNΕΰΕ«ιvΖ©ιΜΕΰΘA½Ύuζ©Α½vΖμΤΜΝkaruṇāρζθΰο΅’B
Ά½ΝκπΘ»€Ζ24ΤA½©Ιζ£ΑΔ’ιB½Ζ¦ΞAAͺ’Δ A ͺΈΑΔHAζκΔ°ΘΗΝA·ΧΔκ΅έπΘ·½ίΙsΑΔ’ιB
’E§eΖ’€Τͺ©©Α½θΟzΜΰΜΕΝΘAθ’ΝuΤuΤΙN±θAKΈ©ΘΑΔ~΅’ϊXΜθ’²Ζͺ ιB
±κηΜκΒκΒΜsΧͺ¬χ·ιΖlΝCͺͺΗΘθAμΡπ΄ΆιBzbΖ·ι©ηΕ ιB
±Μ»ΫπαzΞΫΙ·ιΜΕAuθ’ͺ©Θ¦ηκά·ζ€ΙvΖOΆι±Ζ©ηnίιB
άΈΝA©ͺΜθ’²Ζͺ¦ηκ€ζ€ΙOΆA©ΘΑ½ΙN±ιzbΖ·ιΏ «π‘νΑΔέιB
»κπe΅’lX©ηΝΆίΔAΎρΎρΖΦπg°AΕγΙΝ·ΧΔΜΆ½πΦΙόκιζ€Ι·ιB
ΤΙΦπg°Δ’ΖA{θAΉiA΅έAΏέΘΗΜΓ’΄ξΜκͺΘΘιB
½Ζ¦ΞζΫΜX|[c`[π΅½θ·ιΜΝAζΚ΅Δsΰμθo΅Δ’ιsΧΘΜΕA±κΝ©ͺΜ΄ξπ~«§Διy΅έΕ ΑΔAΦπΆ½SΜΙg°Δ©δΣ―πjι±ΖͺΕ«Θ’ΜΕmuditāΕΝΘ’B
Μ³Κupekkhā
·ΧΔΜΆ½ΙΞ΅ΔAμΡΰί΅έΰΏέΰψ«N±³Θ’ΕAβΓΕN[Ι’ι±ΖB
·ΧΔΜΆ½Ιε’ΙΦSͺ ιΜΙβΓΎ Ι΅Δ’ηκιζ€Ι·ιΜΕA
«Ζqdπ尿γΕ©δΣ―ͺΘ’ΖΕ«Θ’ΜΕο΅’B
½Ζ¦ΞAΩ©ΘΔΝ’―Θ’«’±ΖπΌlͺ·ιΖAu―΅©ηρvΖv€΄ξͺΕΔιͺA
upekkhāΜlΝuέρΘΙΟYͺ θAqdͺΘ’©ηAίπΖ·BΏ΅’»ΫΕΝΘ’vΖv€B
ΊΜε«Θ€ι³’lͺ’ιΖuόθΙΐfΎvΖv€΄ξͺΕΔιͺA
upekkhāΜlΝu±κΝ»ΜlΜΜΏΕ ιB»ΜlΙΖΑΔΝΚΘΜΎͺAόΝΖδr·ιΖε«’Ζ’€Ύ―ΜbΕ ιvΖv€B
ΛRAe΅’lͺSΘθAί΅ΘΑΔΏρΕ΄ξΙxz³κιͺA
upekkhāΜlΝulΘηNΕΰΘΘΔΝΘηΘ’B»ΜΐπYκΔ’ι©η}η―Aί΅ΘΑΔ’ιΎ―Ε ιBΆάκ½lͺΘΘ’±ΖΝΘ’ΜΕA’Βͺ«Δΰζ’ζ€Ι‘ϊπιη΅Δ’vΖv€B
D΅½θ·ιΖAμΡΕ»±·ιΜΰ΄ξΎͺA
upekkhāΜlΝu»κΙΝRͺ θAKΨΙwΝ΅½RΜΚΕ ιBvΖv€B
Ά½π½ΙΟι\ΝAΆ½ΙΦ·ι@₯ΜπA³νπΜ΄΅±―ιqdͺ κΞAupekkhāΝΐHΕ«ιB
|CgΝAφΚ@₯Aάε]AOianiccā,dukkhā,anattājΜ[’πΕ ιB
OΆιΎtΝ
uέΘΦτ]Ά΅Δ’ιΆ½Ε ιv
uΆ«Ζ΅Ά―ιΰΜΙqdͺ»κά·ζ€ΙBεθΜυͺ»κά·ζ€Ιv
Ά½ΙΞ΅Δ½Μ«΄ξΰΆΆΘ’ζ€ΙΘιΖAΏ «Ζ’€GlM[ͺN’Δ«ΔASΝκ΅ΔAT}[fBͺN±ιB
ίμΝζSάΕΎͺAΜΜαzΝζάTθάΕμι±ΖͺΕ«ιB
#10 saññā@1@@@z
Āhāre paṭikūla-saññā eka saññā nāma.
HΙ¨’Δ}€zͺAzΖ’€PΒΕ ιB
ά΄ν―ΕF―·ιi©½θ’½θ‘νΑ½θjΙΝKΈuzvΜSͺSΙόιB
uΤΙͺΙ©ΤC[WβTOΜ±ΖπuzvΖ’€B
±±Ε’€C[WΝoΙΐηΈAΉβθβ‘β΄GΜC[WΜ±ΖΕ ιB
±ΜC[WΕ ιzΝAζΓαΡsΙζΑΔΆE³κιB
―ΆMπ©ΔΰA―ΆuzvΝN±ηΘ’ΜΝAuzvΙΝe©ΜεΟͺόι©ηΕ ιB
cf.vlΖΝA³ά΄άΘuzvπuΣvΜΕhAgένΉ΅Δ’ι±ΖB
εΟͺόιAΖ’€±ΖΝzπΣ}IΙΟ¦ι±ΖͺΒ\Ε ιAΖ’€±ΖΎB
΄oν―ΙMͺGκιΖuzvͺΆΆιΜΕA»κπ§δ·ι±Ζπuϊ₯vΜΕίΈΝΰ’Δ’ιB
indriya-saṃvara-sīla@@hμ₯`ϊ@@iͺ₯Vϊ₯jFα¨@γgΣΜZͺΜhμ@
ub_S[TΝw΄ςΉ_xΜΕAϊπlνΙθ`·ικίΙΞ΅ΔAo_πψp΅ΒΒίπΑ¦Δ’ιB
ϊΜθ` |
ί |
v |
ϊβΉA ι’ΝEΆEχEΧϊEΌγEΟκE«ϋEγYκΜgΜΖΎtΙ¨―ι«Ζ©η£κΔ’ιΜΣuB |
S |
ϊΜAζΓ~EαΡEΧ©isj©η£κ½ΜSΜ«B |
₯V |
ig
ρΨ³Pātimokkhaϊ₯πL΅½TΠπΫΒjϊEiZͺΙΞ·ιjOEiXΜ~]πj~·ιjqEi¦ΙΞ·ιjEJEi~€ͺN±ΑΔΰ»κΙΪ
΅Θ’jΈiΜάνήΙζι₯VAΆΔΝ«π°κΔ«πΘ³Θ’AΖ’€₯VB |
³Ζ |
ϊΙ¨―ιAgΜΖΎtΙΒ’Δα½iίjΜ³’±ΖB |
H}z
HπΫιΙHΧιΰΜΙΞ΅ΔΜz’πΣ}IΙΟ¦ιPϋB
saññāzΝΖΜPΒΕAΐH·ιΐH·ιαzπĀhāra-paṭikūla-saññāH}zΖ’€B
paṭikūlaΖΝCΏ«’Ζ’€±ΖB
{Ζ}Μα’ΝA{θΝ©IΙΆάκιͺA}ΝqdpaññāπΑΔΟ@·ιΙΆάκιB
HΧι±ΖΝ½πq°ι±ΖΘΜΕA½πηι±ΖΕ θA±κΝΆΆ~Ε ιB
Hπ·ιA·ΧΔΜΆ½Ν©ΘηΈ{\IΙ€ͺN±ιB
Σπ΅Θ’ΕHΧι±ΖΝ€π»·ι±ΖΙΘιΜΕACsΙΘηΘ’B
»±Ε€πϊίιαzπ·ιB
HΝ~Ιl·ιΰΜΕΝΘA}€±ΖΙl·ιsςΘΰΜΕ ιAΖCΏπΟ¦ιB
±ΜαzΙΝ¨α’πψ«N±·P[Xͺ ιΜΕΣͺKvΕ ιB
Hπ}€Rc
uζΟ@΅Δ±ΜHπ’½ΎBYκy΅ή½ίΕΝΘAΈΝπΒ―ι½ίΕΝΘAΗ’ΜiΜ½ίΕΝΘAepπν΅·ι½ίΕΰΘ’B½ΎPΙA±ΜχΜπΫ·ι½ίΕ ιB
σ ΄πT¦CsΜx¦ΖΘιζ€ΙA±ΜHΙζθίΜσ Μκ΅έπΘ΅A’ΜV½Θ ΜκΰN±³Θ’B
ίπΖ³ΈAΈβ©Ιί²Ήά·ζ€ΙBv
±κΎ―ΕΝαzΙΘηΘ’ΜΕAHΧ¨πgΑΔ©ͺΜσΫΜΟ»π΅ΔέιB
MΜγΜHΧ¨πΌlͺGιP[XAκϋ©ΆιP[XAρΕf«o·P[XAέΙΑ»³κ½ΰΜπf«o·P[XAΖXΙsςΙ΄Άιζ€ΙΘιB
±€’€iKπΟ@·ι±ΖΕAHΧ¨πu¨’΅’ΰΜΎAΰΑΖHΧ½’vΖ’€~ΜΞΫ©ηAuHΧ¨ΝθΙGκ½uΤ©ηsςΙΘΑΔ’v±Ζππ·ιB
ό‘΅©¦ιΜΝΩρΜκuΕAHΧ¨ΝΕIIΙΝ©ͺ©gΙΰsςΘΰΜΙΘιB
±κͺΐ΄Ε«ιάΕAsπdΛιB
Άέ~i€jͺΘΘιαzΕA@ΐm©ͺΆάκιB
#11 vavatthāna @1@@ͺΚ
Catu-dhātu-vavatthānaṃ ekaṃ vavatthānaṃ nāma.
lEΜͺΚͺAͺΚΖ’€PΒΕ ιB
SΔπͺΚ·ιαz
vavatthānaΖΝζΚ΅Δmι±ΖB
ͺΚαzΖΝA©ͺ©gΜgΜπn ΞΙζΚ΅ΔΟ@·ι±ΖB
Ε’Ν½η«ΝnA¬κιΝ½η«Ν AΜΜMΝΞAσΤΝΖζΚ΅ΔΟ@·ι±ΖΕA©ͺΜgΜΖΎ€TOΦΜ· ͺ¬θ§½Θ’±Ζπ©·ιB
nΜ³f
kesā― lomāΜΡ nakhāά dantā tacoη maṃsaṃ ΨχnhāruΨ aṭṭhi aṭṭhimiñjaṃ vakkaṃt hadayaṃS yakanaṃΜ kilomakaṃ] pihakaṃδB papphāsaṃx antaṃέ° antaguṇaṃ°Τ udariyaṃέ¨ karīsaṃεΦmatthaluṅgaṃ]
Μ³f
pittaṃ_` semhaṃα pubbo^ lohitaṃt sedoΎ medob assuά vasāp kheḷoΑ siṅghāṇikā@
lasikāΦίt muttaṃA@@
ΞΜ³f
gΜΜMAΑ»AνΜΝ½η«AV’Δδ@\A
Μ³f
ΜΜ«Aθ«βνΜ«
@\ΝΞΕA«Ν
©δΣ―iβ©ͺΜΆέjͺΑ¦ιαzΕ@ΐm©ͺΆάκιB
12 āruppa 4 @@³F
Ākāsānañcāyatanādayo cattāro āruppā nāmāti sabbathā pi
samatha-niddese cattālīsa kammaṭṭhānāni bhavanti.
σ³ΣΘΗΜSΒπ³FΖΎ€BΘγAT}^ΜπΰΙ¨’ΔΝASΕ40ΜΖͺ ιB
ζ5TθΜ³δ
ζάTθΖΝA©ͺΖ’€Σ―ͺΑ¦ΔA·ΧΔΜ»ΫΖκΜΙΘΑΔ΅άΑ½ζ€Θo±B
g¦Ζ΅ΔΝAεCΖκHΜ B
κHΜ ΙΖΑΔΝAεCΜε³βΟ»ΙΝ’Α½θ―¦½θ·ιͺAκHΜ ΝεCΜκΙί¬Θ’Ζ’€ζ€ΙΘΑΔεCΙΘθ«ιΖAYέΰ°|ΰΘΘιB
©ͺͺ’ιAΖ’€y΅έΖκ΅³©η£κιΖAΐθ΅½CͺΙΘιB
ΰΖOΜ«ΪͺΘΘιBκΜ΄ΝζPTθΕΰ ιͺA»ΜΙΝμβyβvlΰ ιΜΕAΒΖ’€CΏΝSΙΑ¦Δ’Θ’B
ζ5TθΝΒΖ’€Σ―ΰΑ¦½κΜ΄ΘΜΕAμβyΝΑ¦Aκ««ΜέͺcθΜΖΘιB
ζΚ΅Δ¨πF―·ιΖAκΡ΅½κ««ΝΫΒ±ΖΝΕ«Θ’B
SΝ ιΜΕAαzΞΫπF―΅Δ’ιB
αzΞΫΙΑΔAκ««πμΑ½B
σ³Σ@ākāsānañcāyatanaσ³Σ@@
ākāsa虛σ+ānañca³η²+āyatana|
σΖΝσΤAΣΖΝΐθΜΣ‘ΘΜΕAεFΜσΤΝ³ΐΕ ι±ΖπF―·ι
qgΙΝσπF―·ι±ΖͺΕ«Θ’B
L³ΝugAΣAEvΖ’€ΝΝπF―·ι±ΖΕπ·ιΜΕ ΑΔAσ»ΜΰΜπF―΅Δ’Θ’B
±Μζ€F―·ισΤΝͺ΅½±ΖΙ·¬Θ’B
ΐΫΜσΤ©ηΝ΄oν―ΙGκιMΝΘΙΰΘ’ΜΕAF―ΝN±ηΘ’B
ζTTθΙζΑΔA©ͺΖ’€ΆέͺεFΙn―Δ΅άΑ½o±ΙξΓ’Δ’ιΜΕAσΤπF―·ι±ΖΙΝΆίΔ§νΕ«ιB
σπF―΅ζ€Ζ’€Σ~π’Ύ«Auσ³ΣvΖ’€ΎtπOΆ±―ιB
σΝ¨ΏiFjΕΝΘ’B
FEαzΕAΔzπF―΅Δ’ιiKΕΝTθΙΝB΅Δ’Θ’BTθΙΝβͺΔB·ιB
Ξ΅ΔA³FEαzΝAσπF―·κΞ»κΕTθΕ ιB
σ³ΣθΙόιϋ@
³FEΜTθΙB΅ζ€Ζ·ιlΝAΕΙoIΘΖπΞΫΙ΅Δαz·ιB
»κΕFEΜζTTθΙB·ιBζTTθΕ»κιπg°ιζ€ΙΣuπόκιB
ͺXΙgͺΑΔ’B
©ͺΜSΜΝΜMMάΕπg°ιζ€ΙΖΣ·ιB
_IΙΝπ³ΐΙg°ηκιΝΈΕ ιB΅©΅ΐΖ΅ΔΝΕ«Θ’B
ΙW΅Δ’ιΖAΘOΜΰΜΝo»ΫΖ΅ΔΣεΙόηΘ’B
»κ©ηͺΑ¦ιζ€ΙΖΣuπόκιB
ΝΑ¦Δ΅ά€ͺA»ΜγνθΙσͺΣ―ΙόιB
σΝ³ΣΕ ιB
±±άΕΜαzΝparikammaΙΘιB
σͺ»κ½_ΕAupacaraΕ ιB
σΙW΅ΔATθπμιB±κͺappanaΕ ιB
viññāṇañcāyatana―³Σ@viññāṇa―+ānañca³η²+āyatana|
εΜΖΞΫΝZbgΘΜΕAσ³ΣπF―Ε«½Ζ’€±ΖΝA―iSjΰ³ΣΕ ιΖ’€±ΖB
»±ΕAΙΝΞΫΜσΕΝΘAεΜΜSπF―΅ζ€ΖΈi·ιB
©ͺΜSπ©ͺΜSΕF―Ε«ιΝΈΝΘ’Ζv¦ιͺAϊνΕΰζN«Δ’ι»ΫΕ ιB
½Ζ¦ΞAu ΜΝ±ρΘCͺΕ Α½vΖv€±ΖΝζ ιζ€ΙA©ΒΔΜCͺπΔΡv’o΅ΔA―ΆCͺΙΘι±ΖΕ ιB
±κͺ©ͺΜSΜΔΜ±Ε θA©ͺΜSπF―΅Δ’ι±ΖΙΘιB
±Μζ€Θ@\ΝNΙΕΰ ιͺA―³ΣΜαzΕΝν―ͺα€B
σ³ΣπF―΅½ΜCͺΙίιΜΎͺAΞΫΝσ³ΣΕΝΘA―³ΣΕ ιB
σ³ΣπF―΅½_ΕASͺ¨Ώ©η£κΔ’ιB
΅©΅σΰuFͺΘ’vΖ’€φxΜΣ‘Ε ιB
―³ΣΜκΝASΙ¨Ώ©η£κΔ’ιB
―³ΣπF―Ε«½Ζ±λΕATθΕ ιB
Ιά©έΜPϋπ·ιB
»κ©ηQΤίΜTθΙ§ν·ιB
ΰ€κxA³ΣΜσΖ’€πμιB
CsΙqΟIΙσͺ ι©Μ²Ζ»κΔ’½ΜΎͺAΐΝα€B
Σεͺ³ΣΜσπμΑ½ΜΕ ιBͺΜΜ»ΫΕ ιB
ΒάθAΣ―ΙΝ³ΣπF―·ι\Νͺ ιB
³ΣπF―·ιΣ―ΙW΅ΔέιB
TθͺN«½ηΞ»κΝ―³ΣθΕ ιB
ākiñcaññāyatana³L@@a³-kiñcanaL
³πF―·ιαz
uākiñcanaṃ½ΰΘ’vΖOΆιB
σΖ³ΜΦWΝA³ΉσΖA³ͺσπάρΕ’ιΜ©H
―³ΣπF―·ιαzΕASπ³ΐΙ·ι±ΖπΒ\Ι΅½B
΅©΅SΝTθΜάάΕ’ι±ΖΝ΅Θ’B
³ΐΙΘΑ½SͺΑ¦ΔAPNΊͺιB
―³ΣΜTθͺΑ¦ιuΤͺu³vΕ ιB
»Μ³πF―΅ζ€Ζ·ιΜΕ ιB
±κͺF―Ε«½η³FEζRTθΕ ι³LθΕ ιB
ΚαSoΙgνκΔ’ιu³vΝ{¨Μu³vΕΝΘA»κΝuTOπΫθ·ιvΖ’€Σ‘Ε³Ζ’€\»πgp΅Δ’ιB
½Ζ¦Ξu³κWΕΉvΖ’¦ΞAlΉϊͺΘ’AΖ’€Σ‘Ε ιΜΕA±Μζ€Θ³ΝA³ΙB΅½±Ζΰ³ππ΅½±ΖΕΰΘATOΜVΡΕ΅©Θ’B
³FEΜαzΜκΝA³πF―·ι±ΖΕ ιB
―³ΣΜSπyδΙ΅ΔAu³Μ«nvΙΐΫΙB΅½ΘηΞA»κͺ³FEΜζRTθΕ ιB
±κΝίΈΜE·ιπEΕΝΘ’B
σ³ΣΖ’€»ΫΝΣ―ͺμΑ½ΰΜΕ ιBΎ©η»ΐΕΝΘ»ΫΕ ιB
»κΘηΞASπ ¦Δ½Μ»ΫΰμηΘ’σΤΙ¬·³ΉκΞζ’B
SΙΘΙ©ΜMπόκιΖA»ΫπμιB
Ύ©ηA½ΰ³’AΖΎ€Σ‘Μu³vΙW·ιB
SΝσΕ³ΐΕ ιΖF―΅½ͺAΐͽ೩Α½B
±Μ½ΰ³©Α½±ΖΙW·ιΖATθͺΆάκιB
»κͺRΤΪΜ³LθΕ ιB
nevasaññā-nāsaññāyatanaρzρρz@@nevaρ+saññāz@nρā saññāρz
SΖΝ½©πF―·ι±ΖB
F―·ιΖΝzsaññāͺN±ι±ΖΕ ιB
ϊνΆΜATθΙόΑΔ’ιAκΜ΄ΙB΅Δ’ιAΗΜSΰzsaññāΜA±I¬κΕ ιB
ΒάθAzsaññāͺF―πψ«N±΅±―Δ’ιB
»±ΕCsΝzsaññāΙX|bgCgπΔιB
»€΅ΔzsaññāͺΘ’Ω€ͺζθ꽫nΕΝΘ’©Ζ΄Άιζ€ΙΘιB
³πF―·ιΖ«ΜzsaññāΝAgΰ§½Θ’’ΰΜΕ ιB΅©΅³ΐΕ ιB
zsaññāͺΔ³ΐΙΘΑ½±ΖπyδΙ΅ΔAzsaññāπ΄¦ι±Ζπϊ΅ΔW΅ζ€Ζ·ιB
ΕγΜTθΙ¬χ΅ΔΰAzsaññāΝΑ¦ιΜΕΝΘ’B
zsaññāΝΘΘιΜΕΝΘA ιΖΰΘ’ΖΰΎ¦Θ’Ζ±λάΕSͺ¬·΅ΔiήΜΕ ιB
SΘικ««Ε ιB
±κΘγΜSΜ¬·ΝΘ’B
ά½ά©έΜPϋπ·ιB
³FEΜζRTθΙόιB³πF―·ιΖ«ASΝΖΔΰΈβ©Ε ιB
gΝ§½Θ’B
»κΕΰF―Νu³vΖ’€TOΙ©©ΑΔ’ιB
CsΝgΜ§½Θ’ζSTθσΤΙW·ι±ΖΙ·ιB
·’CΖΜΚASͺAΣ―ͺ ιΖΰΘ’Ζΰ’¦Θ’σΤΙB΅Δ΅ά€B
»κͺζSΜTθΕ ιB
³FEαzΕΜΎt
FEαzΕΝAΎmΙΎtπOΆΔWΝπηήB
Ξ΅ΔA³FEαzΕOΆιΖ’ΑΔΰΎtΜπͺIνΑΔ’ιEΘΜΕAKΨΘzsaññāΙW·ι±ΖπOΆιΖ\L΅Δ’ιB
³FEΜTθΙ§ν·ιCsΝάΈFEΜζTTθΙB΅ΔA»κ©ηXΙ~θΔ~EΜF―ΙίιB
JjYͺπΕ«Θ’B
»±©ηuσ³ΣvΖF―΅ΘͺηAΤΙTθΙόΑΔ’B
ΎtΕOΆιKvΝΘΘθAσ³ΣΖ’€zsaññāπF―΅ΔTθΙόιB
2.sappāya-bheda@@@KΜͺΚ
#13 carita kammaṭṭhāna vibhāga@@«iΖΖΜͺΝ
Caritāsu pana dasa
asubhā kāyagatāsati saṅkhātā koṭṭhāsa-bhāvanā ca rāgacaritassa sappāyā, catasso appamaññāyo nīlādīni ca cattāri kasiṇāni dosacaritassa, ānāpānaṃ mohacaritassa vitakkacaritassa ca, buddhānussati-ādayo
cha saddhācaritassa, maraṇa-upasama-saññā-vavatthānāni buddhicaritassa, sesāni pana
sabbāni pi kammaṭṭhānāni sabbesam pi sappāyāni, tatthāpi kasiṇesu puthulaṃ mohacaritassa, khuddakaṃ
vitakkacaritassf evāti. Ayam ettha sappāya-bhedo.
«iΜΕA\sςΖgNOΖ’€ΌΜgΜΜσΤEͺΙΒ’ΔΜCKΝAζΓ«ΙK΅Δ’ιBαΡ«ΙΝAl³ΚΖΒΘΗi©AΤAjΜSΥͺK΅Δ’ιBs«Ζq«ΙΝoό§ͺAM«ΙΝ§ΘΗi@AmAϊA{ΜAVjΜUOͺAo«ΙΝAβ~AiH}jzAζΚͺK΅Δ’ιBcθΜ·ΧΔinA
AΞAAσAυΎΖS³FjΜΖΝA·ΧΔΜ«iΙK΅Δ’ιB»ΜΕΰΥΙ¨’ΔAε«ΘΰΜΝs«ΙK΅A¬³’ΰΜΝq«ΙK΅Δ’ιB
ΘγͺAKΜͺΚΕ ιB
ζΓ«@@\sςΖgNO
αΡ«@@l³ΚΖΒA©AΤAΜSΥ
s«@@oό§
M«@@§A@AmAϊA{ΜAVΜUO
o«@@Aβ~AiH}jzAζΚ
q«@@oό§
3. bhāvanā-bheda CKΙζιζΚ
#14 bhāvanā-kammaṭṭhāna-vibhāga CKΙζιΖΜζΚ
Bhāvanāsu pana sabbatthāpi parikamma-bhāvanā labbhatf eva.
Buddhānussati-ādīsu aṭṭhasu, saññā-vavatthānesu cāti dasasu kammaṭṭhānesu upacāra-bhāvanā va sampajjati, natthi
appanā. Sesesu pana samattiṃsa- kammaṭṭhānesu appanā- bhāvanā pi sampajjati.
CKΜΕAΥμCKΝ·ΧΔΜΖΕΎηκιB§OΘΗΜWΖAzΖͺΚΜ10ΖΕΝAίsθΝΆN·ιͺAΐ~θΝΆάκΘ’BcθΜΏε€Η30ΜΖΕΝΐ~θΰΆN·ιB
#15 jhāna-kammaṭṭhāna-vibhāga@@@TθΙζιΖΜζΚ
Tatthāpi dasa kasiṇāni ānāpānañ ca
pañcake-jjhānikāni, dasa asubhā kāyagatāsati ca paṭhamajjhānikā, mettādayo tayo
catukka-jjhānikā, upekkhā pañcamajjhānikā ti chabbīsati rūpāvacara-jjhānikāni kammaṭṭhāni. Cattāro pana āruppā
āruppa- jjhānikā ti.
Ayam ettha bhāvanā-bhedo.
»ΜΕA\ΥΖoό§OΝζ5TθάΕB\sςΖgNOΝζPTθάΕBΘΗΜRΒΝζSTθάΕBΜΝζ5TθάΕBΘγΜ26ΖΝFETθάΕ ιBS³FΎ―ͺ³FETθάΕB
ΘγͺACKΙζιζΚΕ ιB
ζQTθΙΝ’―Θ’TOαz
ΜβgΜΜΟ@π·ιαzΝͺΕl¦Δαz·ιΜΕAΎtβl¦ι±Ζπ~ίΔΝαzͺp±Ε«Θ’ΜΕAζQTθΝΕ«Θ’B
4. gocara-bheda@@@«ΙζιζΚ
#16 nimitta-kammaṭṭhāna-vibhāga@@@ΙζιΖΜζΚ
Nimittesu pana parikamma-nimittaṃ uggaha-nimittañ ca sabbatthāpi yathārahaṃ pariyāyena labbhantf eva. Paṭibhāga-nimittaṃ pana kasiṇā asubha-koṭṭhāsa-ānāpānesv eva labbhati.
Tattha hi paṭibhāga-nimittam ārabbha upacāra-samādhi appanā-samādhi ca pavattanti.
ΜΕAΥμΖζΝ·ΧΔΕKXΙΌέΖ΅ΔΎηκιBΝΥΖsςΖgͺΖoό§ΕΎηκιB
»±ΕΝAπΞΫΖ΅Δίsθΰΐ~θΰΆN·ι©ηB
gocaraΖΝΝΞΫΖ’€Σ‘B
#17 bhāvanā-nimitta-payoga@@CKΖΜgένΉ
Kathaṃ? Ādikammikassa hi pathavī-maṇḍalādīsu nimittaṃ uggaṇhantassa tam ārammaṇaṃ parikamma-nimittan ti pavuccati, sā ca bhāvanā nāma.
Yadā pana taṃ nimittaṃ cittena samuggahitaṃ hoti, cakkhunā passantassf eva manodvārassa
āpātham āgataṃ, tadā tam evf ārammaṇaṃ uggaha-niittaṃ nāma, sā ca bhāvanā samādhiyati.
ΗΜζ€Ι©H@ίΔΜlͺnΜ~iΦδΆ
jΘΗΙπζιA»ΜΞΫΝΥμΖΎνκA»ΜCKΝΥμCKΖΔΞκιB΅©΅»ΜΞΫπSΙζΑΔΏ^ΡAΪΕ©ι©Μζ€ΙΣεΜΜζΙζθήΘηA»ΜΖ«»ΜΞΫΝζΖΔΞκA»ΜCKΝθάιB
Tathā samāhitassa
panf etassa tato paraṃ tasmiṃ uggaha-nimitte parikamma-samādhinā bhāvanam anuyuñjantassa yadā tappaṭibhāgaṃ vatthu-dhamma-vimuccitaṃ paññatti-saṅkhātaṃ bhāvanāmayam ārammaṇaṃ citte sannisinnaṃ samappitaṃ hoti, tadā taṃ paṭibhāga-nimittaṃ samuppannan ti pavuccati. Tato
paṭṭthāya paribandha-vippahīnā kāmāvacara-samādhi-saṅkhātā upacāra-bhāvanā nipphannā nāma hoti.
³ηΙA»Μζ€ΙθάΑ½»ΜγA»ΜζΙ¨’ΔΥμθΙζιCKπ΅Α©θ±―ι»ΜlͺA»κΙΔ’ιAξ@iZͺjπ£κ½A{έΖ’€ΌΜACKΙζΑΔΒηκ½ΞΫπSΙsb^Ζ―ίAθ
³Ή½ΘηA»ΜΖ«A»ΜiΞΫΜjͺΆΆ½ΖΎνκιB»±©ηΝA©πΜf΅½A~EθΖΔΞκιίsθͺ¬΅½Ζ’€±ΖΙΘιB
#18 rūpa-jhāna-pavattana@@FETΜΆN
Tato paraṃ tam eva paṭibhāga-nimittaṃ upacāra-samādhinā samāsevantassa
rūpāvacara- paṭhamajjhānam appeti.
»ΜγAά³Ι»ΜπίsθΕ΅Α©θ¨Ξί·ιlΙAFEζκTθͺo»·ιB
Tato paraṃ tam eva paṭhamajjhānaṃ āvajjanaṃ samāpajjanaṃ adhiṭṭhānaṃ vuṭṭhānaṃ paccavekkhaṇā ceti imāhi pañcahi vasitāhi
vasībhūtaṃ katvā vitakkādikam oḷārikaṅgaṃ pahānāya vicārādi -sukhumaṅguppattiyā padahato yathākkamaṃ dutiyajjhānādayo yathāraham appenti.
»ΜγAά³Ι»ΜζκTθπAψ]AόθAέθAoθAΟ@Ζ’€TΒΜ©έΙζΑΔ©έΙΘιάΕCs΅AqΘΗΜe’ͺπΜΔΔfΘΗΜΈΘͺͺΆΆιζ€ΙwΝ·κΞAΙζQTθΘΗͺKXiΆΆΔjΐ~·ιB
Iccf evaṃ pathavī-kasiṇādīsu dvāvīsati-kammaṭṭhānesu paṭibhāga-nimittam upalabbhati. Avasesesu pana appamaññā
satta-paññattiyaṃ pavattanti.
ΘγAnΥΘΗΜ22ΖΙ¨’ΔΝͺΎηκιBcιΕA³ΚΝLξΖ’€{έΙΞ΅Δiΐ~θͺjΆN·ιB
ίμΜΜαzΜΞΫΝOΆiΆ½jΝ{έΘΜΕAoI»ΫΕ ιΝN±ηΘ’B
#19 arūpa-jhāna-pavattana@@³FETΜΆN
Ākāsa-vajjita-kasiṇesu pana yaṃkiñci kasiṇaṃ ugghāṭetvā laddham ākāsaṃ anantavasena parikammaṃ karontassa paṭhamāruppam appeti.
Tam eva paṭhamāruppa-viññāṇaṃ ananta-vasena parikammaṃ karontassa
dutiyāruppam
appeti. Tam eva paṭhamāruppa-viññāṇābhāvaṃ pana gnatthi kiñcīh ti parikammaṃ karontassa tatiyāruppam appeti.
Tatiyāruppaṃ gsantam etaṃ paṇītam etanh ti parikammaṃ karontassa catutthāruppam appeti.
Avasesesu ca dasasu
kammaṭṭhānesu
buddha-guṇādikam
ārammaṇam
ārabbha parikammaṃ katvā tasmiṃ nimitte sādhukam uggahite tatthf eva parikammañ ca
samādhiyati, upacāro ca sampajjati.
κϋAσΥπ’½ΥΜΜΗκ©ΜΥΙζΑΔΎηκ½σπΥμ·ιlΙζP³Fͺΐ~·ιB
»ΜζP³FΜ―πΥμ·ιlΙζ2³Fͺΐ~·ιB
ΙζP³FΜ―ͺΘ’±Ζπu½ΰΘ’vΖΥμ·ιlΙζR³Fͺΐ~·ιB
ζR³Fπu±κΝβΓΕ ιB±κΝκΔ’ιvΖΥμ·ιlΙζS³Fͺΐ~·ιB
cι10ΖΙ¨’ΔΝA§ΏΘΗΜΞΫπΥμ΅ΔA»ΜͺζΏ^ΞκιΘηA»±ΙΥμͺζθάθAίsͺΆN·ιB
#20 abhiññā-pavattana@@_ΚΜΆN
Abhiññā-vasena
pavattamāṇaṃ pana rūpāvacara-pañcamajjhānaṃ abhiññā-pādaka-pañcamajjhānā vuṭṭhahitvā adhiṭṭheyyādikam āvajjetvā parikammaṃ karontassa rūpādīsu ārammaṇesu yathāraham appeti.
_ΚΜ½ίΙΆN·ιFEζTTθΜκΝA_ΚΜ«κΖ΅ΔΜζTTθ©ηN±ΑΔAΎθΘΗπψ]΅ΔΥμπ·ιlΙA¨ΏΘΗπΞΫΖ΅ΔAKXΙΐ~·ιB
Ε©η_ΚΝπ_ΑΔ’ιΜΘηΞAαzΝΈs·ιB
TθΜBlΝAΙΒΤ΅Ι_ΚΙΰ§ν΅ΔέιB
#21 abhiññā 5@@_Κ
Abhiññā can nāma
Iddhi-vidhaṃ dibbasotaṃ, paracitta-vijānanā,
pubbe-nivāsānussati, dibbacakkhūti pañcadhā.
_ΚΖΝA³ά΄άΘ_ΚAV¨ΚAΌSmΚAhZOΚAVαΖ’€TνήΕ ιB
³ά΄άΘ_ΚIddhi-vidha
¨ΏβΜπΟ»³ΉιΝ
©ͺπRs[·ιΣπ΅ΔζTTθ·ιBRs[Ι©§«ΝΘ’ͺAμΕ½ΕΰΕ«ιB½ΜΕΰμκιB
σΪB@@@@@@@@nΥ@@ΥΕΝH
nΚΜΙφιB@@@@ ΥΜαzΕζTΦB ικͺ ΙΘιζ€ΙΣ΅ΔΔΡζTB@
ΗπΚθ²―ιB
ΟgB
V¨Κdibbasota
¨ΏiΉgjΙΛΆ΅Θ’o\ΝΕA_XΜΊΰ·±¦ι
ΌSmΚparacitta-vijānanā
uOovΙ ιSOΖ@OπΐH·ιΖgΙΒΜΕANΙΕΰΕ«ι\ΝB
lͺl¦ι±ΖπΗήΜΕΝΘASΜσ΅πLb`·ιB
SΜΝ½η«πΗ€±ΖΕΐ»Ε«ιB
lͺl¦ιΙASΜΕΤΙΑΔΟ»ͺN±ιB
άΈζΓAαΡAsAsζΓAsαΡAssΜΗκ©Μ΄ξͺΝ½ηB
Ι»κΙK΅½TOͺψ«N±θA»κηπΐΡΦ¦ΔAvlΙ·ιB
±ΜvlΖΝAΐΡΦ¦½TOΙΎtΖ’€beπ\ιB
TOπΐΡΦ¦Δ’ιΙΝA»κπLb`Ε«ιΜΕASΙMͺGκιΙN±ιuGvΜSΜ€ͺKvΕ ιB
hZOΚpubbe-nivāsānussati
ίπͺ«ί΅ΔΟι\Ν
Vαdibbacakkhūti
ΜυπΞΫ¨ΙΔι±ΖΕΟι±ΖͺΕ«ιB
σΤΜΗπjΑΔAoπμιB
χαΕ©¦Θ’ΰΜΙΰυπΔι±ΖͺΕ«ιΜΕAΗΜό±€βRΜό±€ΰVEΜ_ΰΟι±ΖͺΕ«ιB
Ayam ettha
gocara-bhedo. Niṭṭhito ca samatha- kammaṭṭhāna-nayo.
ΘγͺA±±Ι¨―ιu«ΙζιζΚvΕ ιB±κΕA~ΖΜdϋͺIνΑ½B
aniccā,dukkhā,anattā
kaḷ
āāāāāā
ḿṭḍḷṇṅñṭṭññāīūṃ@ Ā@
ṇaṃ
āāāāāāāāāāāāāṭḍḷṇ ṅñṭṭññāīūṃ@@ ṭṭ@ āṇū ṃā ṅ ñ ṭ ḍ ḷ īū ñ ṭ ḍ ḷ ī ṇ@@@ Ā
āāāāāāāāāāāāāāāāāāāāāāāūīṭḍḷṇṅñṃṭṭññā@@ ṭṭ@ āṇū ṃā ṅ ñ ṭ ḍ ḷ īū ñ ṭ ḍ ḷ ī ṇ@@@
F―ΜvZXπ}Ι·ι
½π·’½©HΖͺΜΕ’λ’λΘ«π·ιB¨πΚ΅Δ46νήΜSͺΆάκιB
ΣΜΕ45νήΜSͺΆάκιB
FΊ‘GΖ’€¨Ώ
α¨@γg@ν―
@@@@@@@±±λͺΏ ©Θ’΄φ@@LͺS©ηΪͺoίι
Gphassa@@¨ΏΜΤΒ©ι½πSΕσ―ζι±Ζ@@@@CpNgΜ±Ζ@
GiΤΒ©θjΖAσvedanāi΄Άι±Ζjͺ―ΙN±ιB@@@
ά―pañcaviññāṇa@@@@@@@@@@@@@α―A¨―A@―Aγ―Ag―
Μσsaṃpaṭicchana@@@@Sͺu·’½vΖ’€UπnίιB
xsantīraṇa@@@@@@@»ΜUΕΗρΘU©x·ι
mθvoṭṭhabbana@@@@@ίΜ»ΚHπ΅½xΜUθͺ―πθ·ιH
=@Σεψ]Smanodvārāvajjana
¬s@@@@
ή@@
FΊ‘GΖ’€¨Ώ
α¨@γg@ν―
άεψ]Spañcadvārāvajjana@@@@@@@±±λͺΏ ©Θ’΄φ@@LͺS©ηΪͺoίι
άεΜΗ±Ιs©πίιΝ½η«ͺάεψ]SB
ν―Ι¨ΏͺΤΒ©ΑΔAVbNπσ―½B±κͺGphassaΖσvedanāB
±ΜVbNπΗκ©Μν―Εσ―½±ΖΕάεψ]SͺΆάκAα¨@γgΜΗ±Ιs©ͺάιB
Gphassa@@¨ΏΜΤΒ©ι½πSΕσ―ζι±Ζ@@@@CpNgΜ±Ζ@
MΖάεͺΤΒ©ι½ίΙΝ€ΙuZvΕ ιKvͺ ιB@
GiΤΒ©θjΖAσi΄Άι±Ζjͺ―ΙN±ιB@@@σvedanāΜ±ΖΘΜ©H
±Μ2ΒͺΆάκιΖA»Μmπmι±ΖͺΕ«ιB
αΙMiυjͺΤΒ©θAΤΒ©Α½ησvedanāi΄ojͺΆάκA±Μ΄oπΚ΅ΔAγΙF―ͺΆάκιB
F―ΝSͺθΙ·ιΝ½η«ΕAγΙu½π©½Μ©HvΖ’€m―ͺΆάκιB
©½ΰΜͺu©¦½vΖ’€mΨͺΘ’ΜΝAαΙGκ½ΰΜπ΄σ΅½ΰΜπ»ΜάάF―Μ©AΪΙGκ½ΰΜΙuΣvΜf[^π¬΅ΔF―΅½Μ©AΗΏηΘΜ©{lΙΝͺ©ηΘ’©ηΕ ιB
ίΈΜΎt©ηθ·ιΖA
oΚsautrāntikaΜΎ€ζ€ΙuOEπΌΪΙF―·ι±ΖΝsΒ\Ε ιvΖ’€©πͺ ιB
γΐ§³ΕΝAuOEπΌΪΙF―·ι±ΖΝΒ\Ε ιvΖ’€©πΕ ιB
ά―pañcaviññāṇa@@@@@@@@@@@@@α―A¨―A@―Aγ―Ag―
½Ζ¦ΞSͺ¨ΙΪ΅ΔMΜUΜRs[πσ―ι@@@¨Ώ©ηSH
¨ΕΝA½Ύ·’½ ·Ύ―ΕF―ΝΘ’B
Μσsaṃpaṭicchana@@@@Sͺu·’½vΖ’€UπnίιB
ά―ΕN«½Ο»ΙΛΑΔAΆάκιSΘΜΕAOEΜ¨ΏIMΕΝΘASIgB
xsantīraṇa@@@@@@@»ΜUΕΗρΘU©x·ι
ίiD«’jΜͺήΜ»fπ·ιB
OΖP΅©Θ’Μ©H@ΗΏηΕΰΘ’Ζ’€§ΝΘ’Μ©H
mθvoṭṭhabbana@@@@@ίΜ»ΚHπ΅½xΜUθͺ―πθ·ιH
@@@@@@@@@@@@@θ³κι±ΖΕA¬sSπηΉι±ΖͺΕ«ιB
@@@·’½Ζ’€F―ͺΆάκι
@@@±κπTPOA½πΘΗΜΪΧπF―·ι½ίΙΝAΜXebvΜ¬sSͺKvΕ ιB
=@Σεψ]Smanodvārāvajjana
‘xΝάεψ]Sͺ`FbN΅½MπΣεψ]SΜΝ½η«ΕX|bgCgͺ½ΔA±κπ«Α©―Ζ΅ΔAΟzvZXͺΝ½η’Δu±€’€FΊ‘Gπ΄Ά½vΖ»f·ιB
FΊ‘GΜMπJ^`EFΘΗΙͺπ΅ΔAΙΣΙ ιξρπ¬΅ΔC[Wπμθγ°Δ’ιB
u±Μ‘Ν¨’΅’vΖ’€p^[πμιΖA]ΕΝό‘΅’©Η€©Ν»fΕ«Θ’ͺA{lΝ±Μp^[πK΅Γ―ηκ½B
Ά»AΒ«Ι¨―ιJθΤ΅ΙζΑΔu»fvΝόθή±ΖͺΕ«ιB
±€βΑΔAqgΝ©ͺͺμΑ½C[WΜ’EΜΕΆ«Δ’ιB
FΊ‘GΜMποΜIΙΟ@·ιΜΕΝΘA
Σ©β΄zΝC[WΙ·¬Θ’ΜΕA^ΙζθgήΰΜΕΝΘ’B
ΪπJ―½r[Ι©¦½Ζ’€F―ΝAmθS©η¬sSͺΆάκιΤΜ±ΖH
¬s@@@@mθ³κιΖA·Ι΄ξͺΑΔ΅ά€B±±ΕΖkammaΙΘιP«ΜsΧΙͺ©κιB
@@@@@@άεΜMΖΝΌΪΦWͺΘΘθA―ΆΤiMjπ©ΔΰA ιlΝ~A ιlΝ{θA ιlΝPSΜ¬sSͺN±ιB
ή@@zbΖ΅ΔCͺ²―½θA]Cπ‘ €±±λΜΝ½η«B
vl·ισ
wK΅½p^[ΖΜΖ L―@σz@
p^[Μμ¬
Ϋ»
ίθκΚ»
INTRODUCING
BUDDHIST ABHIDHAMMA
APPENDIX II - Cetasika
FIFTY-TWO KINDS OF CETASIKA
Mental properties are of 52 kinds:
(a) the Seven Common Properties (sabbacitta), so called on account of being common to all classes of consciousness, viz.:
1. phassa (contact)
2. vedanā (feeling)
3. saññā (perception)
4. cetanā (volition)
5. ekaggatā (concentration of mind)
6. jīvita (psychic life)
7. manasikāra (attention).
(b) The six Particulars (pakinnakā), so called because they invariably enter into composition with consciousness, viz.:
1. vitakka (initial application)
2. vicāra (sustained application)
3. viriya (effort)
4. pīti (pleasurable interest)
5. chanda (desire-to-do)
6. adhimokka (deciding).
The above thirteen kinds (a) and (b) are called Mixtures (vimissaka), or better, as rendered by Shwe Zan Aung "Un-morals", as they are common to both moral and immoral consciousness in composition.
(c) the fourteen Immorals (papajāti), viz.:
l. lobha (greed)
2. dosa (hate)
3. moha (dullness)
4. ditthi (error)
5. māna (conceit)
6. issā (envy)
7. macchariya (selfishness)
8. kukkucca (worry)
9. ahirika (shamelessness)
10. anottappa (recklessness)
11. uddhacca (distraction)
12. thīna (sloth)
13. middha (torpor)
14. vicikicchā (scepticism)
(d) The twenty-five Morals (kalayanajatika) viz.:
1. alobha (generous)
2. adosa (amity)
3. amoha (reason)
4. saddhā (faith)
5. sati (mindfulness)
6. hiri (modesty)
7. ottappa (discretion)
8. tatramajjihattatā (balance of mind)
9. kāya-passaddhi (composure of mental properties)
10. citta-passaddhi (composure of mind)
11. kāya-lahutā (buoyancy of mental properties)
12. citta-lahutā (buoyancy of mind)
13. kāya-mudutā (pliancy of mental properties)
14. citta-mudutā (pliancy of mind)
15. kāya-kammaññatā (adaptability of mental properties)
16. citta-kammaññatā (adaptability of mind)
17. kāya-pāguññatā (proficiency of mental properties)
18. citta-pāguññatā (proficiency of mind)
19. kāyafujukatā (rectitude of mental properties)
20. cittafujukatā (rectitude of mind)
The following three are called the Three Abstinences (viratiyo)
21. sammāvācā (right speech)
22. sammākammanto (right action)
23. samma-ājīvo (right livelihood)
The last two are called the two Illimitables or appamaññā.
24. karunā (pity)
25. muditā (appreciation)
1. Phassa means contact, and contact means the faculty of pressing the object (arammana), so as to cause the agreeable or disagreeable sap (so to speak) to come out. So it is the main principle or prime mover of the mental properties in the uprising. If the sap cannot be squeezed out, then all objects (arammana) will be of no use.
2. Vedanā means feeling, or the faculty of tasting the sapid flavour thus squeezed out by the phassa. All creatures are sunk in this vedanā.
3. Saññā means perception, or the act of perceiving. All creatures become wise through this perception, if they perceive things with sufficient clearness in accordance with their own-ways, custom, creed, and so forth.
4. Cetanā means volition or the faculty of determining the activities of the mental concomitants so as to bring them into harmony. In the common speech of the world we are accustomed to say of one who supervises a piece of work that he is the performer or author of the work. We usually say: "Oh, this work was done by so-and-so", or "This is such and such a personfs great work". It is somewhat the same in connection with the ethical aspects of things. The volition (cetana) is called the doer (kamma), as it determines the activities of the mental concomitant, or supervises all the actions of body, of speech, and of mind. As every kind of prosperity in this life is the outcome of the exertions put forth in work performed with body, with speech and with mind, so also the issues of new life or existence are the results of the volition (asynchronous volition is the name given to it in the Patthana, and it is known by the name of Kamma in the actions of body, speech and mind) performed in previous existences. Earth, water, mountains, trees, grass and so forth, are all born of Utu, the element of warmth and they may quite properly be called the children or the issue of the warmth element. So also all living creatures may be called the children or the issue of volition, or what is called kamma-dhatu, as they are all born through Kamma.
5. Ekaggatā means concentration of mind. It is also called Right Concentration (samādhi). It becomes prominent in the jhāna-samapatti the attainment of the supernormal modes of mind called Jhāna.
6. Jīvita means the life of mental phenomena. It is pre-eminent in preserving the continuance of mental phenomena.
7. Manasikāra means attention. Its function is to bring the desired object into view of consciousness.
These seven factors are called sabbacitta, Universal Properties, as they always enter into the composition of all consciousness.
8. Vitakka means the initial application of mind. Its function is to direct the mind towards the object of research. It is also called Sankappa (aspiration), which is of two kinds, viz., Sammāsankappa or Right Aspiration, Micchasankappa or Wrong Aspiration.
9. Vicāra means sustained application. Its function is to concentrate upon objects.
10. Viriya means effort of mind in actions. It is of two kinds, right effort and wrong effort.
11. Pīti means pleasurable interest of mind or buoyancy of mind or the bulkiness of mind.
12. Chanda mean desire to do, such as desire to go, desire to say, desire to speak, and so forth.
13. Adhimokkha means decisions, or literally, apartness of mind for the object, that is, it is intended to connote the freedom of mind from the wavering state between the two courses: "Is it?" or "Is it not?".
These last six mental properties are not common to all classes of consciousness, but severally enter into their composition. Hence they are called Pakinnaka or Particulars. They make thirteen if they are added to the Common Properties, and both, taken together are called vimissaka (mixtures) as they enter into composition both with moral and immoral consciousness.
14. Lobha ethically means greed, but psychically it means agglutination of mind with objects. It is sometimes called Tanhā (craving), sometimes Abhijjhā (covetousness) sometimes Kāma (lust) and sometimes Raga (sensual passion).
15. Dosa in its ethical sense is hate, but psychically it means the violent striking of mind at the object. It has two other names, i.e. patigha (repugnance, anger), and vyāpāda (ill-will).
16. Moha means dullness or lack of understanding in philosophical matters. It is also called avijjhā (ignorance), annana (not knowing) and adassana (not-seeing.)
The above three just mentioned are called the three akusala-mula, or the three main immoral roots, as they are the sources of all immoralities.
17. Ditthi means error or wrong seeing in matters of philosophy. It takes impermanence for permanence, and non-soul for soul, and moral activities for immoral ones; or it denies that there are any results of action, and so forth.
18. Māna means Conceit or wrong estimation. It wrongly imagines the name-and-form (nāma-rūpa) to be an "I", and estimates it as noble or ignoble according to the caste, creed, or family, and so on, to which the person belongs.
19. Issā means envy, or disapprobation, or lack of appreciation, or absence of inclination to congratulate others upon their success in life. It also means a disposition to find fault with others.
20. Macchariya means selfishness, illiberality, or unwillingness to share with others.
21. Kukkucca means worry, anxiety, or undue anxiousness for what has been done wrongly, or for right actions that have been left undone. There are two wrongs in the world, namely, doing sinful deeds and failing to do meritorious deeds. There are also two ways of representing thus "I have done sinful acts", or "I have left undone meritorious acts, such as charity, virtue, and so forth." "A fool always invents plans after all is over", runs the saying. So worry is of two kinds, with regard to forgetfulness and with regard to viciousness, to sins of omission and sins of commission.
22. Ahirika means shamelessness. When a sinful a is about to be committed, no feeling of shame, such as "I will be corrupted if I do this", or "Some people and Devas may know this of me", arise in him who is shameless.
23. Anottappa means utter recklessness as regards such consequences, as Attan-uvadabhaya (fear of self-accusations like: "I have been foolish; I have done wrong", and so forth,) Paranuvadabhaya (fear of accusations by others): Dandabhaya (fear of punishments in the present life inflicted by the rulers:) Apayabhaya (fear of punishments to be suffered in the realms of misery).
24. Udhacca means distraction as regards an object.
25. Thīna means slothfulness of mind, that is, the dullness of the mindfs consciousness of an object.
26. Middha means slothfulness of mental properties, that is, the dimness of the faculties of each of the mental properties, such as contact, feeling and so forth.
27. Vicikicchā means perplexity, that is, not believing what ought to be believed.
The above fourteen kinds are called papajāti or akusala-dhamma; in fact, they are real immoralities.
28. Alobha means disinterestedness of mind as regards an object. It is also called nekkhamadhatu (element of abnegation or renunciation) and anabhijha (liberality).
29. Adosa, or amity in its ethical sense means inclination of mind in the direction of its object, or purity of mind. It is also called avyāpāda (peace of mind), and mettā (loving-kindness).
30. Amoha means knowing things as they are. It is also called ñāna (wisdom), paññā (insight), vijjha (knowledge), sammā-ditthi (right view), paññindriya (reason).
These three are called the three kalaya-mulas or the three Main Moral Roots as they are the sources of all moralities.
31. Saddhā means faith in what ought to be believed. This is also called pasada (transparency).
32. Sati means constant mindfulness in good things so as not to forget them. It is also called dharana (Retention), and utthana (readiness).
33. Hiri means modesty which can notes hesitation in doing sinful acts through shame of being known to do them.
34. Ottappa means discretion which can notes hesitation in doing sinful deeds through fear of self accusation, of accusation by others, or of punishments in spheres of misery (apayabhaya).
35. Tatramaijhattatā is balance of mind, that is to say, that mode of mind which neither cleaves to an object nor repulses it. This is called upekkha-brahma-vihara (equanimity of the Sublime Abode) in the category of brahma-vihara; and upekkhasambojjhanga (equanimity that pertains to the factors of Enlightenment) in the bojjhanga.
36. Kāya-passaddhi means composure of mental properties.
37. Citta-passaddhi means composure of mind. By composure it is meant that the mental properties are set at rest and become cool, as they are free from the three Immoral (papadhamma) which cause annoyance in doing good deeds.
38. Kāya-lahutā means buoyancy of mental properties.
39. Citta-lahutā means buoyancy of mind. By buoyancy it is meant that the mental properties become light, as they are free from the Immoral which weigh against them in the doing of good deeds. It should be explained in the same manner as the rest.
40 Kāya mudutā means pliancy of mental properties.
41. Citta-mudutā means pliancy of mind.
42. Kāya-kammaññatā means fitness of work of mental properties.
43. Citta-kammaññatā means the fitness of the mind for work.
44. Kāya-pāguññatā means proficiency of mental properties.
45. Citta-pāguññatā means proficiency of mind. Proficiency here means skilfulness.
46. Kāyafujukatā means rectitude of mental properties.
47. Citta-fujukatā means rectitude of mind.
48. Sammā-vācā means Right Speech, that is abstinence from the fourfold sinful modes of speech i.e. lying, slandering, abusive language and idle talk.
49. Sammā-kammanto means Right Action, that is abstinence from the threefold sinful acts, i.e. killing, stealing, and unchastity.
50. Sammā-ājīva means Right Livelihood.
These three sammā-vācā, samm-kammanto and sammā-ājīvo are called the Triple Abstinences.
51. Karunā means pity, sympathy, compassion or wishing to help those who are in distress.
52. Muditā means appreciation of, or congratulation upon or delight in, the success of others.
These two are respectively called karuna-brahma-vihara and mudita-brahma-vihara. They are also called appamaññā (Illimitables) according to the definition "Appamanesu sattesu bhava ti appa-maññā," that is: "appamaññā is so called because it exists without limit among living beings."
Nibbāna may be classified into three kinds, viz.: First Nibbāna, Second Nibbāna and Third Nibbāna.
Freeing or deliverance from the plane of misery is the first Nibbāna.
Freeing or deliverance from the plane of kamaloka is the second Nibbāna.
Freeing or deliverance from the planes of Rūpaloka and Arūpa-loka is the Third Nibbāna.
Consciousness one, Mental properties fifty-two, Nibbāna one, altogether make up fifty-four Mental Phenomena. Thus the twenty eight material phenomena and 54 mental phenomena make up 82 ultimate things which are called Ultimate Facts. On the other hand, Self, Soul, Creature, Person and so forth, are Conventional Facts.
See the Table II. Mental-States (sankhāra kkhandha)
ABHIDHAMMATTHA
- SANGAHA
of
Anuruddhācariya
A
manual of ABHIDHAMMA
Edited
in the original Pali Text with English Translation and Explanatory Notes
by
Nārada Thera, Vājirārāma, Colombo
http://www.palikanon.com/english/sangaha/sangaha.htm
CHAPTER VI - ANALYSIS OF MATTER
Introduction
[The first Edition comprised 2 Volumes. The first Volume contained Chapter I to V and the second Volume Chapter VI to IX.]
The first five chapters of the Abhidhammattha Sangaha deal with the 89 and 121 types of consciousness, 52 mental states, various thought-processes in the course of one's lifetime and at rebirth, 31 planes of existence, and classification of Kamma. In one sense they form one complete book.
The remaining four chapters are devoted to
The sixth chapter is confined mainly to rūpa and Nibbāna.
Twenty-eight species of Rūpa are enumerated. What they are, how they arise, persist, and perish, are also explained. Rūpa is the third paramattha mentioned in the Abhidhamma, and is one of the two composite factors of this so-called being - the other being nāma (mind). As nāma, so rūpa too has been microscopically analysed. But no logical definition of rūpa is found either in the Text or in the Commentaries.
Rūpa is derived from rup, to break up, to perish (nāsa).
According to the Vibhāvini Tīkā, rūpa is that which transforms or assumes a different mode owing to the adverse physical conditions of cold heat, etc. (sītonhādi virodhippaccayehi vikāram āpajjati).
From a Buddhist standpoint rūpa not only changes but also perishes (khaya, vaya). It endures only for seventeen thought-moments. Rūpa changes so rapidly that one cannot strike an identical place twice.
Rūpa is also explained as that which manifests itself ( rup - pakāsane).
Scholars suggest various renderings for rūpa. It is generally rendered by 'form', 'body', 'matter', 'corporeality', etc. meanings differ according to the context. One particular meaning is not universally applicable.
From a philosophical standpoint, 'matter' is the nearest equivalent for rūpa, although scientists too find it difficult to define matter.
It should be noted that the atomic theory prevailed in India in the time of the Buddha. Paramānu was the ancient term for the modern atom. According to the ancient belief one ratharenu consists of 36 tajjāris; one tajjāri, 36 anus; one anu, 36 paramānus. The minute particles of dust seen dancing in the sunbeam are called ratharenus. One paramānu is therefore, 1/46, 656th part of a ratharenu. This paramānu was considered indivisible.
With His supernormal knowledge the Buddha analysed this so-called paramānu and declared that it consists of paramatthas - ultimate entities which cannot further be subdivided.
The paramatthas are pathavi, āpo, tejo, and vāyo. One must not understand that these elements are earth, water, fire and air, as some Greek thinkers believed in the past.
Pathavi means the element of extension, the substratum of matter. Without it objects cannot occupy space. The qualities of hardness and softness which are purely relative are two conditions of this particular element. It may be stated that this element is present in earth, water, fire and air. For instance, the water above is supported by water below. It is this element of extension in conjunction with the element of motion, that produces the upward pressure. Heat or cold is the tejo element, while fluidity is the āpo element
āpo is the element of cohesion. Unlike pathavi it is intangible. It is this element that makes scattered particles of matter cohere, and gives rise to the idea of 'body'. When solid bodies are melted, this element becomes more prominent in the resulting fluid. This element is found even in minute particles when solid bodies are reduced to powder. The elements of extension and cohesion are so closely interrelated that when cohesion ceases extension disappears.
Tejo is the element of heat. Cold is also a form of tejo. Both heat and cold are included in tejo because they possess the power of maturing bodies, Tejo, in other words, is the vitalizing energy. Preservation and decay are also due to this element. Unlike the other three essentials of matter, this element has the power to regenerate matter by itself.
Inseparably connected with heat is vāyo, the element of motion. Movements are caused by this element. Motion is regarded as the force or the generator of heat. "Motion and heat in the material realm correspond respectively to consciousness and Kamma in the mental."
These four elements coexist and are inseparable, but one may preponderate over another as, for instance, pathavi in earth, āpo in water, tejo in fire, and vāyo in air.
They are also called Mahābhūtas, or Great Essentials because they are invariably found in all material substances ranging from the infinitesimally small cell to the most massive object.
Dependent on them are the four subsidiary material qualities of colour (vanna), smell (gandha), taste (rasa), and nutritive essence (ojā). These eight coexisting forces and qualities constitute one material group called 'suddhatthaka rūpa kalāpa - pure-octad material group'.
The remaining twenty kinds of rūpa are equally important.
It should be noted that physical life-principle (rūpa jīvitindriya) and sex are also conditioned by Kamma. Life in inorganic matter should be differentiated from life in animate beings.
The fact that rūpas arise in four ways such as Kamma, mind, seasonal phenomena, and food, will be a novel idea to modern thinkers. All these four sources can, to a great extent, be brought under one's control.
To some extent we are responsible for the creation of our own material phenomena, desirable or undesirable.
The accumulated Karmic tendencies created by persons in the course of their previous lives, play at times a greater role than the hereditary parental cells and genes, in the formation of physical characteristics.
The Buddha, for instance, inherited like every other person, the reproductive cells and genes from His parents. But physically there was none comparable to Him in His long line of honorable ancestors. In the Buddha's own words, He belonged not to the royal lineage, but to that of the Aryan Buddhas. He was certainly a superman, an extraordinary creation of His own Kamma.
According to the Lakkhana Sutta (D. 30) the Buddha inherited these exceptional features, such as the 32 major marks, as the result of his past meritorious deeds. The ethical reason for acquiring each physical feature is clearly explained in the Sutta.
In the sixth chapter only a few lines are devoted to the fourth paramattha - Nibbāna - the summum bonum of Buddhism. But the path to Nibbāna is described in detail in the ninth chapter.
The seventh chapter enumerates all ethical states and classifies them into various groups.
The two most profound philosophical teachings of Buddhism - namely, the Law of Dependent Arising (paticca-samuppāda) and the twenty-four Causal Relations (Patthāna) are described in the eighth chapter.
The last chapter is the most important and the most interesting, as it deals with Mental Culture (bhāvanā) and Emancipation, the quintessence of Buddhism.
To understand the intricacies of Abhidhamma one should critically read and reread the Abhidhammattha Sangaha patiently and carefully, pondering at the same time on the profound teachings embodied therein.
One who understands the Abhidhamma well can fully comprehend the Word of the Buddha and thereby realize one's ultimate goal.
Rūpa-Sangaha-Vibhāgo
Katham ?
Iti ca atthārasavidhamp' etam sabhāvarūpam, salakkhanarūpam nipphannarūpam rūparūpam, sammasanarūpanti ea sangaham gacchati.
Jātirūpam eva pan' ettha
upacayasantatināmena pavuccatī' ti ekādasavidhamp' etam rūpam atthavīsativi
dham hoti sarūpāvasena.
Katham ?
Ayam' ettha rūpasamuddeso.
Analysis of Matter
Introductory
1. Having thus far described the consciousness and mental states in accordance with their classes (1) and processes (2), matter will now be dealt with.
With respect to enumeration (3), divisions (4), arising (5), groups (6), and the mode of happening (7), the compendium of matter therein is fivefold.
Enumeration of matter (samuddesa)
2. Matter is twofold-namely, the four Great Essentials (8), and material qualities derived from them (9). These two constitute eleven species.
How?
Thus these eighteen (22) kinds of material qualities are grouped:
(8) Limiting material quality, viz: the element of space (28).
(9) Communicating material quality (29) - viz: - bodily intimation and vocal intimation.
(10) Mutable material qualities (30) - viz: - material lightness (31), softness (32), adaptability (33), and the two forms of intimation.
(11) Characteristics (34) of material qualities, viz: material productivity, continuity, decay and impermanence.
Here by productivity and continuity are meant the material quality of birth.
Thus the eleven kinds of material qualities are treated as twenty eight according to their intrinsic properties.
How (twenty-eight)?
Essentials, sensory organs, objects, sex, heart, vitality, and food thus (matter) is eighteen fold.
Limitation (space), intimation, change-ability, and characteristics - thus there are ten non-conditioned (by kamma ). In all there are twenty-eight.
Herein this is the enumeration of matter.
Notes:
1. The first three chapters dealt with different types of consciousness and mental states, both concisely and descriptively.
2. The fourth chapter was confined to 7 thought-processes during lifetime, and the fifth chapter, to various planes and processes of rebirth consciousness.
3. Samuddesa - i.e., the brief exposition of rūpa.
4. Vibhāga - i.e., the analysis of rūpa.
5. Samutthāna - i.e., the arising of different constituents of rūpa such as eye-decad, etc., caused by Kamma, mind, seasonal phenomena, and food.
6. Kalāpa - the group compositions of rūpa, such as body-decad, sex-decad. etc.
7. Pavattikkama - i.e., how rūpas take place in accordance with the states of existence, time, and classes of beings.
8. Mahābhūtāni - lit ., those that have grown great. The four Great Essentials are the fundamental material elements which are inseparable. Every material substance, ranging from the minutest particle to the most massive object, consists of these four elements which possess specific characteristics.
9. Upādāya-rūpāni - Derivative or secondary material properties dependent on the Great Essentials. Like the earth are the Essentials; the Derivatives are like trees that spring therefrom. The remaining 24 rūpas are regarded as Derivatives.
10. Pathavi--dhātu - The Pāli term -dhātu means that which bears its own characteristic marks. Element is the closest equivalent for -dhātu. Pathavi -dhātu, literally, means the earth-element. It is so called because like the earth it serves as a support or foundation for the other coexisting rūpas. Pathavi (Sanskrit: prthivi), also spelt pathavi, puthavi, puthuvi, puthuvi - is derived from puth, to expand, to extend. So far, though not very satisfactory, the closest equivalent for pathavi--dhātu is 'the element of extension'. Without it objects cannot occupy space. Both hardness and softness are characteristics of this element.
11. āpo--dhātu - lit., the fluid element . āpo is derived from ap, to arrive, or from ā + pāy, to grow, to increase. It is 'the element of cohesion . According to Buddhism it is this element that makes different particles of matter cohere, and thus prevents them from being scattered about. Both fluidity and contraction are the properties of this element. It should be understood that cold is not a characteristic of this element.
12. Tejo--dhātu - lit., the fire-element, is explained as 'the element of heat'. Tejo is derived from tij, to sharpen, to mature. Vivacity and maturity are due to the presence of this element. Both heat and cold are the properties of tejo. Intense tejo is heat, and mild tejo is cold. It should not be understood that cold is the characteristic of āpo and heat is that of tejo; for, in that case, both heat and cold should be found together, as āpo and tejo coexist.
13. Vāyo--dhātu - lit., 'the air-element', is explained as the element of motion. Vāyo is derived from vay, to move, to vibrate. Motion, vibration, oscillation, and pressure are caused by this element.
14. Pasāda-rūpa - They are the sensitive parts of the five organs - eye, ear, nose, tongue, and body. They tend to clarify the coexisting material qualities. The perceptible physical eye, for instance, is the sasambhāra cakkhu or composite eye, which consists of the four bhūta-rūpas, four upādā-rūpas (colour, odour, taste, and sap), and jīvitindriya (vitality). The sensitive part which lies at the center of the retina and which enables one to see objects is, the cakkhu pasāda. This is the basis of the eye-consciousness (cakkhu-viññāna) and becomes the instrument for the eye-door thought-process (cakkhu-dvāravīthi). The desire to see tends to develop the sense of sight. The eye, therefore, consists of ten material qualities of which pasāda is one.
The oth er pasāda-rūpas should be similarly understood.
The pasāda-rūpas of ear, nose, and tongue are in their respective centers; the kāya-pasāda-rūpa is diffused throughout the body except on hair, on the tips of nails, and in withered skin.
15. Gocararūpa - The sense-fields which serve as supports for the sense-cognitions to arise.
16. Rūpa - Both colour and shape are implied by this term.
17. Photthabba - owing to its subtlety, the element of cohesion (āpo) cannot be felt by the sense of touch. Only the other three Fundamental Elements are regarded as tangible. In water, for instance, the cold felt is tejo, the softness is pathavi, and the pressure is vāyo. One cannot touch āpo as its property is cohesion.
See Compendium, p. 155, n. 6.
18. Itthattam purisattam - also termed itthindriyam, purisindriyam - are collectively called in the abbreviated form bhāva-rūpa, the state by means of which masculinity and femininity are distinguished.
19. Hadayavatthu - The seat of consciousness. Dhammasangani omits this rūpa. In the Atthasālini hadayavatthu is explained as cittassa vatthu (basis of consciousness).
It is clear that the Buddha did not definitely assign a specific seat for consciousness, as He has done with the other senses. It was the cardiac theory (the view that heart is the seat of consciousness) that prevailed in His time, and this was evidently supported by the Upanishads. The Buddha could have accepted this popular theory, but He did not commit Himself. In the Patthāna, the Book of Relations, the Buddha refers to the basis of consciousness in such indirect terms as "yam rūpam nissāya'' "depending on that material thing", without positively asserting whether that rūpa was either the heart (hadaya) or the brain. But, according to the views of commentators like Venerable Buddhaghosa and Anuruddha, the seat of consciousness is definitely the heart. It should be understood that the Buddha has neither accepted nor rejected this ancient popular cardiac theory.
See Compendium p. 156, n. 1, and p. 277.
20. Jīvitindriya - There is vitality both in mind and in matter. Psychic life, which is one of the fifty-two mental states (cetasikās), and physical life, which is one of the twenty-eight rūpas, are essential characteristics of this so-called being. Psychic life is one of the seven universals and physical life is associated with almost every material group except in dead matter. Simultaneous with the arising of the rebirth-consciousness, physical life also springs up together with the initial material groups. Jīvita is qualified by indriya because it has a dominating influence over other co-adjuncts in vivifying them.
21. Kabalīkāro āhāro - so called because gross food is taken in by making into morsels. Here āhāra means nutritive essence (ojā) which sustains the physical body. In the statement - sabbe sattā āhāratthitikā, all beings live on food - āhāra means a condition (paccaya).
22. Eighteen - 5+4 (tangibility excluded), 2+1+1+1 = 18.
23. Sabhāva-rūpa - With respect to their own peculiar characteristics such as hardness, fluidity, etc.
24. Salakkhanarūpa - So called because they arise with the inherent general marks of impermanence (anicca), suffering (dukkha) and soullessness (anattā).
25. Nipphannarūpa - i.e., produced by Kamma mind, etc.
26. Rūparūpa - Here the first term rūpa is used in its etymological sense, i.e., change-ableness, as in the Pāli phrase - dukkha-dukkha.
27. Sammasanarūpa - Because it enables one to employ them as objects fit for contemplation or insight.
28. ākāsa-dhātu - Ceylon Commentators derive ākāsa from ā + kas, to plough. Since there is no ploughing as on earth, space is called ākāsa. According to Sanskrit, ākāsa is derived from ā + kās, to view, to recognize. In Ledi Sayadaw's opinion it is derived from ā + kās, to shine, to appear. ākāsa is space which in itself is nothingness. As such it is eternal. ākāsa is a -dhātu in the sense of a non-entity (nijjīva), not as an existing element like the four Essentials. By ākāsa, as one of the 28 rūpas, is meant not so much the outside space as the intra-atomic space that 'limits' or separates material groups (rūpakalāpas). Hence in Abhidhamma it is regarded as a 'pariccheda-rūpa'. Although ākāsa is not an objective reality, as it is invariably associated with all material units that arise in four ways, Abhidhamma teaches that it, too, is produced by the same four causes such as Kamma, mind, seasonal changes. and food. Simultaneous with the arising and perishing of the conditioned rūpas, ākāsa rūpa also arises and perishes.
See Compendium p. 226.
29. Viññatti is that by means of which one communicates one's ideas to another and one understands another's intentions. It is done both by action and speech - kāya-viññatti and vacī-viññatti. The former is caused by the 'air-element' (vāyo--dhātu) produced by mind (cittaja); the latter by the 'earth-element produced by the mind. The duration of viññatti is only one thought-moment.
30. Vikārarūpa - Change-ability of rūpa.
31. Lahutā denotes physical health, and is comparable to an iron rod heated throughout the day.
32. Mudutā is comparable to a well-beaten hide.
33. Kammaññatā is opposed to the stiffness of the body, and is comparable to well-hammered gold.
34. Lakkhanarūpa - So called because they assume distinguishable characteristics at different stages, such as arising (upāda), static (thiti) and dissolution (bhanga).
Upacaya means the first heaping-up or the first arising. Here 'upa' is used in the sense of first. The arising of the first three decads - kāya, bhāva, and vatthu - at the very moment of conception, is regarded as upacaya. The subsequent arising of the three decads from the static stage of rebirth-consciousness throughout lifetime is regarded as santati. Both upacaya and santati are sometimes treated as jāti - birth. Then the number of rūpas amounts to 27 instead of 28.
The life term of conditioned rūpa is normally 17 thought-moments or 51 minor thought-instants (according to Commentators, during the time occupied by a flash of lightning, billions of thought-moments arise.)
The first thought-moment is like the upacaya, the last thought-moment is like the aniccatā, the intermediate 15 are like the jaratā. Aniccatā is the dissolution of rūpa.
Strictly speaking, there are only three lakkhanarūpas, viz: birth, growth-decay, and death. Aniccatā is synonymous with marana (death). The entire interval between birth and death constitutes development or decay.
With the exception of the five rūpas - namely, two viññattis, jāti, jarā, and aniccatā - all the remaining 23 rūpas last for 17 thought-moments.
Rūpavibhāgo
Katham?
Icc'evam atthavīsati vidham pi ca
vicakkhanā
Classification of Matter
3. Now all this matter divides itself into various categories as follows:
Matter is thus one-fold. When conceived as personal, external, and so forth, matter becomes manifold.
How?
The five kinds of sensitive material qualities are personal (43); the rest are external.
The six kinds, comprising the sensitives and the heart, are material qualities with basis (44); the rest are without a basis.
The seven kinds, comprising the sensitives and (the two) media of communication, are material qualities with a door (45); the rest are without doors.
The eight kinds, comprising the sensitives, sex-states, and vitality, are material qualities with a controlling faculty (46); the rest are without a controlling faculty.
The twelve kinds, comprising the sensitives and (seven) sense-objects (because "tangibility" comprises the three elements, excluding āpo), are gross (47), proximate, and impinging material qualities; the rest are subtle, distant, and non-impinging.
Material qualities born of Kamma are 'grasped at' (48); the others are 'not grasped at'.
Object of form is visible; the rest are invisible.
Eye and ear, as not reaching (the object), and nose, tongue and body, as reaching (the object), are five kinds of material phenomena that take objects (49); the others do not.
Colour, odour, taste, sap (50), and the four Essentials are the eight kinds (51) of material phenomena that are inseparable; the rest are separable.
Summary
Thus the wise analyze, accordingly, the 28 kinds with respect to 'personal' and so forth.
Herein this is the analysis of Matter.
Notes:
35. Ahetukam - Because they are not associated with the roots lobha, dosa, etc.
36. Sappaccayam - Because they are related to the causes - Kamma. citta, utu, and āhāra.
37. Sāsavam - Since they serve as objects for Defilements.
38. Sankhatam - Because they are conditioned by the four causes - Kamma, citta, etc.
39. Lokiyam - Because they are connected with the world of the Five Aggregates of Attachment (pañcupādānakkhandhaloka). There is no supramundane rūpa.
40. Kāmāvacaram - Because they come within the range of sensual objects.
41. Anārammanam - As they themselves do not perceive objects. It is the mind that perceives objects through the senses. Rūpas serve as sense-objects.
42. Appahātābbam - Because there is no gradual eradication of matter like passions. 'Indestructibility' of matter is not implied by this term.
43. Ajjhattikam - Belonging to the so-called self. The five sensitive organs are essential for living beings. Without them they are inanimate logs. They serve as doors to the mind.
44. i.e., they serve as seats of consciousness.
45. They serve as doors to moral and immoral actions, mind and mental states, deeds and speech.
46. They are so called because they possess a controlling power in their respective spheres. The physical eye, for instance, is composed of ten material qualities; but it is the sensitive eye (cakkhupasādarūpa) that controls the remaining nine. The remaining pasādarūpas should be similarly understood. The state of sex controls masculinity and femininity. Like the captain of a ship it is vitality that controls rūpas.
47. Olārikam - Because of their importance both subjectively and objectively. They are regarded as santike (near) because of their receptivity. Owing to the grossness and nearness both sensitive organs and sense-objects mutually strike each other. Hence they are called sappatigha, lit., 'with striking against'.
See Compendium p. 159, n. 4.
48. Upādinnam - The first 18 kinds of rūpa born of Kamma are grasped by craving and false view.
49. Gocaraggāhikarūpam - They are so called because they take external objects as pasture. According to the Abhidhammattha Sangaha, sight and sound are regarded as objects that do not approach the eye and ear respectively as in the case of bodily contacts, etc. Both eye and ear cognize distant objects without any direct approach. In the case of other objects they directly contact the sense-organs. For instance, taste must directly touch the tongue. So are the other two objects. This may be the reason, irrespective of the wave theory, why the author distinguishes between senses that reach, and do not reach, the objects.
See Compendium, p. 160.
50. Ojā, as a rūpa in itself, has the power of producing other rūpas as well.
51. As a rule these eight rūpas are bound together. The four Essentials are inseparable and so are the four Derivatives. Hence they are also termed 'suddhatthaka' ('pure octad') and 'ojatthaka' ('with ojā as the eighth'). The growth of inanimate matter is also due to the presence of this universal ojā.
Rūpasamutthāna-Naya
4. Kammam, cittam, utu, āhāro c'āti cattāri rūpasamutthānāni nāma.
Tattha kāmāvacaram rūpāvacaram ca ti
pañcavīsatividham pi kusalākusalakammam abhisankhatam ajjhattika-santāne
kammasamutthānarūpam patisandhim upādāya khane khane samutthāpeti.
Arūpavipākadvipañcaviññānavajjitam
pañcasattatividham picittam cittasamuttānarūpam pathamabhavangam upādāya
jāyantam eva samutthāpeti.
Tattha appanājavanam iriyāpatham pi
sannāmeti.
Votthapanakāmāvacarajavanābhiññā pana
viññattim pi samutthāpenti.
Somanassa-javanāni pan' ettha
terasa-hasanam pi janenti.
Sītunhotu-samaññātā
tejo--dhātu-thitippattā'va utusamutthanarūpam ajjhattañ ca bahiddhā ca yathāraham
samutthāpeti.
Ojā-sankhāto āhāro āhārasamutthānarūpam
ajjho-haranakāle thānappatto' vā samutthāpeti.
Tattha hadaya-indriyarūpani kammajān,
eva viññattidvayam cittajam eva, saddo cittotujo,lahutādittayam utucittāhārehi
sambhoti.
Avinibbhogarūpāni c' eva ākāsa-dhātu ca
catūhi sambhūtāni. Lakkhanarūpani na kutoci jāyanti.
Atthārasa pannarasa terasa dvādasāti ca
Kammacittotukāhārajāni honti
yathākkamam.
Jāyamānādirūpānam sabhāvattā hi kevalam
Lakkhanāni na jāyanti kehicī' ti
pakāsitam.
Ayam' ettha rūpasamutthānanayo.
The Arising of Material Phenomena (52)
4. Material phenomena arise in four ways, viz:
1. Material Phenomena arising from Kamma (53)
Therein, the twenty-five types of moral and immoral Kamma, pertaining to the kāma and rūpa Spheres, produce ,in one's own continuity, duly constituted material phenomena born of Kamma, at every moment, commencing from conception.
2. Material Phenomena arising from Mind (54)
The seventy-five types of consciousness, excluding the Formless Resultants and the twice fivefold cognitives, produce mind-born material phenomena, from the first moment of life-continuum just as it arises.
Therein the ecstatic javanas regulate the bodily postures. But the Determining Consciousness, javanas of the kāma Sphere, and Super-knowledge Consciousness, produce also (bodily and vocal) media of communication. Herein the thirteen pleasurable javanas produce laughter too.
3. Material Phenomena arising from Seasonal Conditions (55)
The tejo-element, which comprises both cold and heat, on reaching its static stage, produces, according to circumstances, both internal and external material phenomena, resulting from seasonal conditions.
4. Material Phenomena arising from Food (56)
Food, known as nutritive essence, during assimilation on reaching its static stage, produces material phenomena resulting from food.
Therein the heart and the (eight) material Faculties are born of Kamma. The two media of communication are born only of mind. Sound is born of mind and seasonal conditions. The triple qualities of lightness and so forth arise from seasonal conditions, mind, and food. The inseparable material qualities and the element of space arise from four causes. Characteristic material qualities do not arise from any cause.
Eighteen, fifteen, thirteen, and twelve arise respectively from Kamma, mind, seasonal conditions, and food.
The characteristic marks of matter that arise and so forth are not produced by any cause, they say, since they are wholly intrinsic.
Notes:
52. Rhūpasamutthana - Buddhism does not attempt to solve the problem of the ultimate origin of matter. It takes for granted that matter exists and states that rūpa develops in four ways.
53. Kammaja - Strictly speaking, by Kamma are meant past moral and immoral types of consciousness. It is only those classes of consciousness pertaining to the kāma and rūpa-spheres that tend to produce rūpa. They are 12 types of immoral consciousness, 8 types of moral consciousness, and the 5 moral rūpa jhānas. A moral or immoral birth-reproductive Kamma generated at the dying moment of a person, conditions the rebirth-consciousness (patisandhi-citta) in a subsequent birth. Simultaneous with the arising of the rebirth-consciousness, rūpas conditioned by past Kamma spring up at every instant, like the flame of a lamp, up to the 17th thought-moment reckoned from the dying moment of the person.
At the very moment of conception there arise, as a result of the reproductive Karmic force, three dasakas or 'decads' - namely, the kāya, bhāva, and vatthu - body, sex, and base decads. The body decad is composed of the four elements, four derivatives, vitality and the kāyapasāda. The sex-decad and the base-decad are similarly constituted.
54. Cittaja - Mind, the invisible but more powerful composite factor of the so-called being, has the potentiality to produce rūpa. In other words, good and bad thoughts produce desirable and undesirable material phenomena. This is apparent from the physical changes that result from thoughts generated by a person. According to Abhidhamma, it is from the arising moment of the first bhavanga, that is, immediately after the rebirth-consciousness, that material phenomena arising from mind spring up. The rebirth-consciousness does not produce mind-born rūpas, since Kamma does that function, and since it is a newcomer to the fresh existence. No mind-born rūpas arise at the static and perishing thought-moments, as they are weak. The ten sense-cognitives lack the potentiality to produce rūpa. The four arūpa vipāka jhānas do not produce rūpa, as they are developed through non-attachment to rūpa.
It is stated that jhāna factors are essential to produce mind-born rūpa. One who possesses jhānas can therefore produce powerful rūpas which would enable him to live even without edible food. The mentally alert do not lack vitality. One who experiences Nibbānic bliss could live without any food for a considerable period. For instance, the Buddha fasted 49 days immediately after His Enlightenment.
Of the 75 types of consciousness, 26 javanas (10 rūpa kusala and kriyā, 8 arūpa kusala and kriyā and 8 lokuttaras) could produce abnormal bodily movements such as passing through the air, diving into the earth, walking on water, etc.
Here the Determining consciousness is the mind-door consciousness (manodvārāvajjana). 29 kāma-javanas are the 12 akusalas, 1 hasituppāda, and 16 sobhana kusala and kriyā; and abhiññā cittas are the two fifth jhāna kusala and kriyā, accompanied by equanimity and connected with knowledge.
13 pleasurable javanas are the 4 akusalas and 8 sobhana kusalas and kriyās, accompanied by pleasure, and one hasituppāda.
Worldlings, when laughing or smiling, experience the four akusalas and four sobhanas; Sekhas, the same types of consciousness excluding the two akusalas accompanied by misbelief; Arahats, the four kriyās and one hasituppāda. The Buddhas smile only with the four sobhana kriyās.
55. Utuja - It was stated earlier that Kamma produces, at the moment of rebirth, three decads kāya, bhāva, and vatthu. The internal tejo element, found in these three groups, combined with the external tejo element, produces material phenomena caused by seasonal conditions at the static stage of the rebirth-consciousness. At the genetic stage Kamma-born tejo element takes the place of mind-born tejo element.
It is clear that the term utu has been used in the sense of tejo which constitutes both heat and cold. Strictly speaking, it is the internal and external tejo elements which produce rūpa. It should be understood that rūpas produced by climatic conditions are also included in the utuja class.
56. āharaja - By āhāra are meant the nutritive essence present in physical food and the sap (ojā) contained in the material groups born of Kamma, mind, and seasonal conditions. The internal ojā, supported by the external nutritive essence, produces rūpa at the static stage which endures for 49 minor thought-instants. Rūpas arise when the ojā diffuses the body. Internal sap is alone incapable of producing rūpa without the aid of external nutritive essence.
Hadaya and 8 indriya rūpas (eye, ear, nose, tongue, body, masculinity, feminity, and vitality) are wholly produced by Kamma. Thus jīvitindriya or the life-principle present in animate beings such as men and animals should be differentiated from the inanimate life of plants and inorganic substances as they are not the inevitable results of Kamma.
They do possess a certain kind of life different from human beings and animals.
ākāsa - It is interesting to note that this inter-atomic space is caused by all the four causes.
Sadda - Articulate sounds are caused by mind; inarticulate sounds are caused by utu. Musical notes caused by men are produced by utu, conditioned by mind.
Kammaja = 18. They are: 8 inseparables + 1 Space + 1 Heart + 8 Controlling faculties .
Cittaja = 15. They are: 5 Mutables + 1 Sound + 8 Inseparables + 1 Space.
Utuja = 13. They are: 1 Sound + Lightness, etc. 3 + 8 Inseparables + 1 Space.
āhāraja = 12. They are: Lightness, etc. 3 + 8 Inseparables + 1 Space . The four lakkhana rūpas are common to all as there is no rūpa devoid of the three instants birth, decay, and death.
Kalāpa-Yojanā
5. Ekuppādā ekanirodhā ekanissayā sahavuttino ekavīsati rūpa-kalāpā nāma.
Tattha jīvitam avinibbhogarūpañ ca
cakkhunā asaha cakkhu-dasakan' ti pavuccati. Tathā sotādihi saddhim
sotadasakam, ghāna-dasakam, jivhā-dasakam, kāyadasakam, itthibhāva-dasakam,
pumbhāva-dasakam, vatthudasakaññ c'āti yathākkamam yojetabbam. Avinibbhoga
rūpam eva jīvitena saha jīvitanavakan ti pavuccati. Ime nava
kammasamutthāna-kalāpā.
Avinibbhogarūpam pana suddhatthakam.
Tad' eva kāyaviññattiyā saha kāyaviññattinavakam vacī-viññatti saddehi saha
vacī-viññatti-dasakam lahutādīhi saddhim lahutādi-ekādasakam
kāya-viññattilahutādi dvādasakam vacī-viññatti-saddalahutādi-terasakañ c'āti
cha cittasamut-thānakalāpā.
Suddhatthakam, saddanavakam,
lahutādi-ekādasakam, sadda-lahutādi dvādasakañ c'āti cattāro
utusamutthāna-kalāpā.
Suddhatthakam, lahutadekādasakañ cā'ti
dve āhārasamutthāna-kalāpa.
Tattha suddhatthakam, saddanavakañ c'āti
utusamutthāna kalāpā bahiddhā pi' labbhanti. Avasasā pana sabbe pi ajjhattikam
eva.
Kammacittotukāhāra-samutthānā
yathākkamam
Nava cha caturo dve'ti kalāpā ekavīsati.
Kalāpānam paricchedalakkhanattā
vicakkhanā
Na kalāpangam iccāhu ākāsam lakkhanāni
ca.
Ayam' ettha kalāpa-yojanā.
Grouping of Material Qualities (57)
5. There are twenty-one material groups inasmuch as they arise together (or have a common genesis), cease together (or have a common cessation), have a common dependence, and coexist.
Therein vitality and the (eight) inseparable material qualities together with the eye are called the 'eye-decad'. Similarly the 'ear-decad' together with the ear and so forth, 'nose-decad', 'tongue-decad', 'body-decad', 'female-decad', 'male-decad', 'base-decad', should respectively be formed. Inseparably material qualities, together with vitality, are called the 'vital nonad'. These nine groups are produced by Kamma.
The inseparable material qualities constitute the 'pure octad'. They, together with the bodily intimation, constitute the 'bodily intimation nonad'; together with the vocal intimation and sound, the 'vocal intimation decad'; together with the material qualities of lightness, pliancy, and adaptability, the 'un-decad of lightness' and so forth; the dodecad of bodily intimation, lightness, pliancy, and adaptability; and the tridecad of vocal intimation, sound, lightness, pliancy, and adaptability.
These six material groups are produced by mind.
The pure octad, the sound-nonad, the un-decad of lightness, pliancy, and adaptability; the dodecad of sound, lightness, pliancy, and adaptability-these four are produced by seasonal phenomena.
The pure octad, and the un-decad of lightness, pliancy and adaptability are the two material qualities produced by food.
Of them the two material groups produced by seasonal phenomena - pure octad and the sound, nonad - are found externally too. All the rest are strictly internal.
There are twenty-one material groups - nine, six, four and two produced in due order from Kamma, mind, seasonal phenomena, and food.
As space demarcates, and characteristic marks just indicate, the wise state that they are not parts of material groups.
Herein this is the formation of material groups.
Rūpapavattikkamo
6. Sabbāni pan' etāni rūpāni kāmaloke yathāraham anūnāni pavattiyam upalabbhanti. Patisandhiyam pana samsedajānañ c'eva opapātikānañ ca cakkhu sota-ghāna-jivhā-kāya-bhāva-vatthu-dasaka-sankhātāni satta-dasa kāni pātubhavanti, ukkatthavasena. Omakavasena pana cakkhu-sota-ghāna-bhāva-dasakāni kadāci pi na labbhanti. Tasmā tesam vasena kalāpahāni veditabbā.
Gabbhaseyyaka-sattānam pana
kāya-bhāva-vatthu-dasaka-sankhātāni tīni dasakāni pātubhavanti. Tathā, pi
bhāvadasakam kadāci na labbhati. Tato param pavattikāle kamena cakkhudasakādīni
ca pātubhavanti.
Icc' evam patisandhim upādāya
kammasamutthānā dutiyacittam upādāya citta-samutthāna thitikālam upādāya
utusamutthānā ojāpharanam upādāya āhārasa mutthānā c'āti
catusamutthānarūpa-kalāpa-santati-kāmaloke dīpajāla viya nadīsoto viya ca yāvatāyukam
abbhocchinnam pavattati.
Maranakāle pana cuti-cittopari
sattarasama cittassa thiti kālam upādaāa kammajarūpāni na uppajjanti. Puretaram
uppannāni ca kammaja-rūpāni cuticitta-samakālam eva pavattitvā nirujjhanti.
Tato param cittajāhāraja-rūpañ ca vocchijjhati. Tato param
utusamutthānarūpaparamparā yāva mata-kalebara-sankhātā pavattanti.
Icc' evam matasattānam punad'eva
bhavantare
Patisandhim upādāya tathā rūpam
pavattati.
Rūpaloke pana
ghāna-jivhā-kāya-bhāva-dasakāni ca āharaja-kalāpāni ca na labbhanti. Tasmā
tesam patisandhikāle cakkhu-sota-vatthuvasena tīni dasakāni jīvita-navakāni
c'ātui cattāro kammasamutthānakalāpā, pavattiyam cittotusamutthānā ca
labbhanti.
Asañña-sattānam pana
cakkhu-sota-vatthu-saddāni pi na labbhanti. Tathā sabbāni pi cittajarūpāni.
Tasmā tesam patisandhikāle jīvitanavakam eva. Pavattiyañ ca saddavajjitam,
utusamutthānarūpam atiricchati.
Iccevam kāmarūpāsaññi-sankhātesu tīsu
thānesn patisandhi-pavatti-vasena duvidhā rūpappavatti veditabbā.
Atthavisati kāmesu honti tevīsa rūpisu
Sattaras' ev' asaññīnam arūpe natthi
kiñci pi.
Saddo vikāro jaratā marañ c' opapattiyam
Na labbhanti pavatte tu na kiñci pi na
labbhati.
Ayam' ettha rūpa-pavattikkamo.
Nibbānam
7. Nibbānam pana lokuttara-sankhātam catumaggañānena sacchikātabbam magga-phalānam ālambanabhūtam vāna-sankhātāya tanhāya nikkhantattā nibbānanti pavuccati.
Tad'etam sabhāvato ekavidham pi;
saupādisesanibbāna-dhātu anupādisesa-nibbāna-dhātu c'āti duvidham hoti
kāranapariyāyena. Tathā suññatam animittam appanihitam c'āti tividham hoti
ākārabhedena.
Padamaccutamaccantam asankhātamanuttaram
Nibbānam iti bhāsanti vānamuttā
mahesayo.
Iti cittam cetasikām rūpam nibbānam
iccapi
Paramattham pakāsenti catudhā va
tathāgatā
Iti Abhidhammatthasangahe
rūpa-sangahavibhāgo nāma Chattho Paricchedo.
Arising of Material Phenomena (58)
6. All these material qualities are obtained, with no deficiency, according to circumstances, during lifetime in the kāma-sphere. But at conception, to moisture-born beings and to those of spontaneous birth, there arise at most the seven decads - eye, ear, nose, tongue, body, sex and base. As a minimum sometimes, eye, ear, nose, and sex decads are not obtained. This is how deficiencies of material groups should be understood.
To the womb-born creatures there arise three decads - body, sex and base. Sometimes, however, the sex-decad is not obtained. From the conception and thereafter, during lifetime, gradually there arise eye-decads and so forth.
Thus the continuity of material groups produced in four ways - namely, Kamma-born from the time of conception, mind-born from the second moment of consciousness, season-born from the time of the static stage, food-born from the time of the diffusion of nutritive essence - uninterruptedly flows on in the kāma-sphere till the end of life, like the flame of a lamp, or the stream of a river.
But at the time of death, from the seventeenth moment, reckoned backward from the decease-consciousness starting from the static stage of consciousness, kamma-born material phenomena no longer arise. Kamma-born material qualities that arose earlier exist till the decease-moment and then cease. Following that, the consciousness-born and nutriment-born material phenomena come to cessation. Thereafter a continuity of material qualities produced by physical changes persists while what is called a corpse lasts.
Thus to the dead persons, again in a subsequent life, material qualities similarly arise starting from the conception.
In the rūpa-plane decads of nose, tongue, body, sex and the material groups produced by food do not arise. Therefore to them at the time of rebirth there arise four material groups produced by Kamma, such as the three decads of eye, ear, and base, and the vital nonad. During life material qualities produced by mind and physical changes arise.
But to the mindless beings there do not arise eye, ear, base and sound. Similarly mind-born material qualities do not arise. Therefore at the moment of their rebirth only the vital nonad arises. During lifetime material qualities produced by physical changes, with the exception of sound, continue.
Thus in the three planes of kāma, rūpa and asañña (Mindless) the procedure of material phenomena should be understood in two ways as regards rebirth and lifetime.
In the kāma-sphere are obtained 28 material qualities, 23 in the rūpa-plane, 17 in the asañña-plane, but none in the arūpa-plane.
At the moment of birth, sound, mutation, decay and impermanence are not obtained. During lifetime there is nothing that is not obtained.
Herein this is the way how material qualities arise.
Nibbāna (59)
7. Nibbāna however is termed supramundane, and is to be realized by the wisdom of the Four Paths. It becomes an object to the Paths and Fruits, and is called Nibbāna because it is a departure (ni) from cord-like, (vāna) craving.
Nibbāna is onefold according to its intrinsic nature.
According to the way (it is experienced) it is twofold - namely, the element of Nibbāna with the substrata remaining, and the element of Nibbāna without the substrata remaining.
It is threefold according to its different aspects, namely, Void (60), Signless (61), and Longing-free (62).
Great seers who are free from craving declare that Nibbāna is an objective state (63) which is deathless, absolutely endless, non-conditioned (64), and incomparable.
Thus, as fourfold the Tathāgatas reveal the Ultimate Entities-consciousness mental states, matter, and Nibbāna.
In the Abhidhamma Compendium this is the sixth chapter, which deals with the analysis of matter.
Notes:
57. Rūpas do not arise singly but collectively in groups. There are 21 such material groups.
As all mental states possess four common characteristics, so rūpas found in the aforesaid groups possess four salient characteristics. For instance, in the 'eye-decad' all the ten associated rūpas arise and cease together (ekuppāda-ekanirodha). The earth-element, which is one of the ten, acts as a basis for the remaining nine (ekanissaya). All these ten coexist (sahavutti). It should be understood that the earth-element of the 'eye-decad' does not serve as a basis for the associated rūpas of the 'ear-decad'. These four characteristics apply only to the associated rūpas of each particular group.
58. This section deals with the manner in which these material groups come into being and how they exist during lifetime, at the moment of conception, and in different states of birth.
According to Buddhism there are four kinds of birth - namely, egg-born beings (andaja), womb-born beings (jalābuja), moisture-born beings (samsedaja), and beings having spontaneous births (opapātika).
Embryos that take moisture as nidus for their growth, like certain lowly forms of animal life, belong to the third class.
Sometimes moisture-born beings lack certain senses and have no sex. They all must possess a consciousness as they are all endowed with the base-decad, that is, the seat of consciousness. Beings having a spontaneous birth are generally invisible to the physical eye. Conditioned by their past Kamma, they appear spontaneously, without passing through an embryonic stage. Petas and Devas normally, and Brahmas belong to this class.
Some of those who have spontaneous birth in the kāma-sphere are asexual. But all beings who are Spontaneously born in the rūpa-sphere are not only asexual but are also devoid of sensitive nose, tongue, and body, though they possess those physical organs. The sensitive material qualities (pasādarūpas) of those particular organs are lost as they are not of any practical use to Brahmas.
Egg-born beings are also included among womb-born beings. At the moment of conception they all obtain the three decads of body, sex, and the seat of consciousness. At times some are devoid of both masculinity and femininity. From this it is seen that even eggs are constituted with a consciousness.
59. Nibbāna, Sanskrit Nirvāna, is composed of ni and vāna. Ni + vāna = Nivāna = Nibāna = Nibbāna. Ni is a particle implying negation. Vāna means weaving or craving. It is this craving which acts as a cord to connect the series of lives of any particular individual in the course of his wanderings in Samsāra.
As long as one is entangled by craving or attachment, one accumulates fresh Karmic forces which must materialize in one form or other in the eternal cycle of birth and death. When all forms of craving are extirpated, Karmic forces cease to operate, and one, in conventional terms, attains Nibbāna, escaping the cycle of birth and death. The Buddhist conception of Deliverance is this escape from the ever-recurring cycle of birth and death, and is not merely an escape from 'sin and hell'.
Etymologically, Nibbāna, derived from ni + vu, to weave, means non-craving or non-attachment , or 'departure from craving'. Strictly speaking, Nibbāna is that Dhamma which is gained by the complete destruction of all forms of craving.
Nibbāna is also derived from ni + vā, to blow. In that case Nibbāna means the blowing out, the extinction, or the annihilation of the flames of lust, hatred, and ignorance. It should be understood that the mere destruction of passions is not Nibbāna (khayamattam eva na nibbānanti vattabbam). It is only the means to gain Nibbāna, and is not an end in itself.
Nibbāna is an ultimate reality (vatthu-dhamma) which is supramundane (lokuttara), that is, beyond the world of mind and body or the five 'aggregates'.
Nibbāna is to be understood by intuitive knowledge and inferential knowledge (paccakkha or pativedha ñāna and anumāna or anubodha ñāna). To express both ideas it is stated that Nibbāna is to be realized by means of the wisdom pertaining to the four Paths of Sainthood and that it becomes an object to the Paths and Fruits.
Intrinsically (sabhāvato) Nibbāna is peaceful (santi). As such it is unique (kevala). This single Nibbāna is viewed as twofold according to the way it is experienced before and after death. The text uses a simple but recondite Pāli phrase - kāranapariyāyena. The Ceylon Commentary explains the cause for naming it as such with respect to its having or not having the aggregates as the remainder (sa-upādisesādivasena paññāpane kāranabhūtassa upādisesābhāvābhāvassa lesena). Adding a note on this term S. Z. Aung writes: "The Ceylon Commentaries explain it by paññāpane kāranassa lesena - by way of device of the means (of knowing) in the matter of language." - Compendium, p. 168, n. 6.
Saupādisesa - Sa = with; upadi = aggregates (mind and body); sesa = remaining. Upādi, derived from upa + ā + dā, to take, means the five aggregates as they are firmly grasped by craving and false views. It also signifies passions (kilesas). According to the text and the Commentarial interpretations, Nibbāna, experienced by Sotāpannas, Sakadāgāmis, and Anāgāmis, is saupādisesa-nibbāna-dhātu as they have the body and some passions still remaining. Nibbāna of the Arahats is also saupādisesa-nibbāna-dhātu as they have the body still remaining. It is only the Nibbāna of the Arahats after their death that is termed anupādisesa-nibbāna-dhātu because the aggregates and the passions are discarded by them.
Itivuttaka refers to these two kinds of Nibbāna, but mention is made only of Nibbāna comprehended by Arahats. It states:
"These two Nibbāna-states are shown by Him
Who seeth, who is such and unattached.
One state is that in this same life possessed
With base remaining, tho' becoming's stream
Be cut off. While the state without a base
Belongeth to the future, wherein all
Becomings utterly do come to cease."
Itivuttaka p. 38.
Woodward - As it was said p. 143.
(See the Buddha and His Teachings)
60. Suññata - Devoid of lust, hatred, and ignorance or of all conditioned things. Void here does not mean that Nibbāna is 'nothingness'.
61. Animitta - Free from the signs of lust, etc., or from the signs of all conditioned things.
62. Appanihita - Free from the hankerings of lust, etc., or because it is not longed for with any feelings of craving.
63. Padam - Here the term is used in the sense of an objective reality (vatthu-dhamma). 'State' does not exactly convey the meaning of the Pāli term. It may be argued whether Nibbāna could strictly be called either a state or a process. In Pāli it is designated as a 'Dhamma'.
64. Asankhata - Nibbāna is the only Dhamma which is not conditioned by any cause. Hence it is eternal and is neither a cause nor an effect.
Diagram XIII
How different types of consciousness produce various kinds of rūpa
Abbreviations:
K. |
= |
Kammajarūpa - |
rūpa born of Kamma |
C. |
= |
Cittaja - |
rūpa born of mind |
I. |
= |
Iriyāpatha - |
bodily movements |
H. |
= |
Hasituppāda - |
smiling consciousness |
V. |
= |
Viññatti - |
two media of communication - gestures and speech |
+ = Yes, - = No
|
K |
C |
I |
H |
V |
4 Rooted in Attachment, accompanied by pleasure |
+ |
+ |
+ |
+ |
+ |
4 Rooted in Attachment, accompanied by indifference |
+ |
+ |
+ |
- |
+ |
2 Rooted in Ill will, 2 rooted in Ignorance |
+ |
+ |
+ |
- |
+ |
10 Sense-cognitions, 4 arūpa vipāka |
- |
- |
- |
- |
- |
2 sampaticchana, 1 Sense-door, 3 santīrana |
- |
+ |
- |
- |
- |
1 Mind-door (votthapana) |
- |
+ |
+ |
- |
+ |
1 hasituppāda |
- |
+ |
+ |
+ |
+ |
5 rūpa kusala |
+ |
+ |
+ |
- |
+ |
5 rūpa vipāka and 5 rūpa kiriyā |
- |
+ |
+ |
- |
- |
8 arūpa kusala and kiriyā |
- |
+ |
+ |
- |
- |
8 lokuttara |
- |
+ |
+ |
- |
- |
4 sobhanas, accompanied by pleasure |
+ |
+ |
+ |
+ |
+ |
4 sobhanas, accompanied by indifference |
+ |
+ |
+ |
- |
+ |
8 sobhanas, vipāka |
- |
+ |
+ |
- |
- |
4 sobhanas, kiriyā, accompanied pleasure |
- |
+ |
+ |
+ |
+ |
4 sobhanas, kiriyā, accompanied equanimity |
- |
+ |
+ |
- |
+ |
|
|
|
|
|
|
RUKKHA MŪLA@@Abhidhamma
tutorials, Pali tutorials
https://rukkhamula.wordpress.com/
This the
sixth set of lessons of this Abhidhamma tutorial.
VĪTHI –
The literal meaning of the word gvīthih is estreetf.
In the olden days, if one walks into any street in an Indian town or city,
there would be houses, one after another, without a break – a series of houses.
In the same manner, cittas tend to arise, one after another, in a series, when
an object appears at one of the sense doors.
Hence the name gvīthih – specifically, h citta vīthih.
These series of cittas arise in order to cognize the object.
The order of cittas that arise in a series (citta vīthi) is according to the
citta-code or citta-law (citta niyama) .
In this
lesson, we will learn about this series of cittas.
But first, lets get the fundamentals.
Let me
introduce the time frame (or life-span) as per the Abhidhamma texts regarding
the mental and material phenomena. This is an important concept that needs to
be grasped well. So please make the appropriate effort to understand and
remember this.
The Life-span
of a citta
The
life-span of a citta is a very small fraction of a second.
In 1 second many billion cittas arise and pass away.
This emicrofmoment when a citta exists is called a ecitta khaṇaf or ecitta
momentf.
Each
citta khaṇa has 3 sub-moments (khaṇa) :
1. Uppāda khaṇa – arising moment
2. Ṭhiti khaṇa – existing moment
3. Bhaṅga khaṇa – passing away moment
Main
points to remember:
What is a citta khaṇā?
What is a khaṇā?
What are the 3 khaṇā?
Note:
khaṇā is plural form of khaṇa.
I will use the term ekhaṇaf instead of emomentf in this lesson – mostly
because, it makes it easier to grasp a new concept of time-frame.
(New concept ¨ New word)
Life-span
of rūpa
Each
rūpa can exist for 17 citta khaṇā.
If we consider the 3 (khaṇā) citta sub-moments –
then each rūpa can exist for 17 x 3 = 51 khaṇā (citta sub-moments).
Only 22
rūpa types have this life-span of 51 citta sub-moments.
The 2 viññatti and the 4 lakkhaṇa do not have such a life-span (the former is
merely a distortion of the present rūpa and the latter are merely
characteristics).
The
citta vīthi is a mental process.
The
rūpa vīthi is a material process.
Main
point to remember:
How long does a rūpa last – in terms of the life-span of a citta?
Revision
of what we have learnt so far:
In Pāḷi:
1 CITTA KHAṆA is comprised of 3 KHAṆAs.
In
English:
1 CITTA MOMENT is comprised of 3 SUB-MOMENTS.
Each
speck of matter – rūpa kalāpa – can exist for 17 MOMENTs.
That is
–
Each speck of matter – rūpa kalāpa – can exist for 17 CITTA KHAṆAs.
And
thus –
Each speck of matter – rūpa kalāpa – can exist for 51 KHAṆAs. (17 x 3)
One
more time:
A citta exists for only 1 CITTA KHAṆA. (1 CITTA MOMENT)
A citta exists for only 3 KHAṆAs.
Get a
good grasp of this contrast in the life-span of one citta and one speck of
matter.
In Abhidhamma,
it is taught that cognition occurs at the places where there is sensory
contact.
This may seem different from the western medical proposition of ebrain
centeredf cognition.
But please take note that the recent developments in neuroscience and cognitive
science show that neural networks in organs like the heart, skin etc. perform
cognitive functions, independent of the brain.
If you are interested you can read about the latest developments in cognitive
science and neuroscience using the internet.
What I want to bring to your attention is that cognition occurs at the point of
contact of the sense doors and the sensory objects, as per Theravāda
Abhidhamma. But it is majorly influenced by attention. And it is also
influenced by other extraneous factors like the presence of light for us to be
able to see and similar such factors for other sensory objects as well.
Wefll learn about them further down.
Let us
try to understand what happens when there is cognition of a visible object.
When we can understand what happens during cognition in one sense door, we can
extrapolate it and understand what happens at the other 5 sense doors.
Before
we proceed further, let me explain a little bit about the kind of cittas that
form the stream-of-life.
From the time of rebirth, the bhavaṅga cittas keep arising and passing away
continuously, using the hadaya vatthu in the hadaya dasaka kalapas as the
basis-matter.
Keep this in mind as we proceed to study the series cognitive series of citta
(citta vīthi).
Here, we
will take the case of the cognitive process that begins at the cakkhu dvāra
(eye-door) when there appears a rūpa-ārammaṇā (visible object):
1) At
the cakkhu dvāra (eye-door), where the cakkhu vatthu (eye-base) is present, a
visible sense object may arrive at a certain moment.
2)
Then, a series of cittas begin to arise, in order to cognize the newly arrived
sense object, which is actually a speck of matter or rūpa (kalāpa) that is
going to last for exactly 17 citta khaṇas.
3) As
we learnt earlier, the matter present in the sensitive part of eye keeps
arising and passing away in the form of kalāpas. Of these kalāpas, we will
focus on the cakkhu-vatthu in the cakkhu-dasaka kalāpas and the hadaya-vatthu
in the hadaya dasaka kalāpas, for this particular lesson.
4) When
a visible matter gets in contact with the cakkhu-dvāra (eye-door), it first
affects the arising of the bhavaṅga citta.
5)
After a time span of 2 citta khaṇas {during which 2 bhavaṅga cittas would have
arisen and passed away – see Note (6) (c) regarding this}, a
pañca-dvāra-āvajjana citta arises with that visible
matter as its object and turns the stream of cittas towards cognizing this
visible matter. As per its nature, this citta lasts for 1 citta khaṇa and
passes away.
6) a)
Following it, a cakkhu viññāṇa arises at the cakkhu vatthu (cakkhu pasāda)
taking up the visible matter as its object (ārammaṇa). This citta is essential
for cognizing a visible object. But, it will also pass away in one citta khaṇa.
6) b) A significant point to take note is : the cakkhu vatthu and the visible
matter should and will have the same life span – both these rupas would have
arisen at the same time – that is – at the arising-moment of atīta bhavaṅga
citta.
6) c) Note: the prior bhavaṅga citta is called atīta bhavaṅga citta and the
bhavaṅga citta at the time of impact of the object is called bhavaṅga calaṇa,
the last bhavaṅga citta is called bhavaṅga upaccheda.
(gatītah means gpasth ; h calaṇah means shaking, and gupacchedah means
cut-off.)
7) All
the other cittas (except the cakkhu viññāṇa) that arise in this vīthi (i.e.
cognitive series) have a hadaya vatthu as the base rūpa. Please note that each
of these cittas arise based on a different hadaya vatthu – that is – each of
these cittas will arise on a hadaya vatthu as the base rūpa that had arisen
exactly one moment before that citta. (This is a complex point – so you will
need to make appropriate effort to grasp it.)
8) Let
us continue with the cittas in the cognitive series:
The next citta that will arise is a sampaṭicchana citta which will also take up
the same visible matter as its object. And accordingly, it will last for one
citta khaṇa and pass away.
9) The
next citta to arise is a santīraṇa citta – which examines or investigates the
object.
10) The
next citta to arise is a mano dvārāvajjana citta – also called the voṭṭhabbana
citta. It determines or makes a decision regarding the object.
11)
Based on this decision, a series of 5 or 7 cittas – all of the same kind –
arise one after another – in rapid succession. These cittas are called the
javana cittas.
The kind of javana citta can be any of the akusala cittas or kusala cittas or
kiriya cittas. Whether it is akusala or kusala citta type – that depends on the
decision made by the voṭṭhabbana citta. Kiriya type cittas as javana
cittas can occur only in arahants (that includes the Buddhas) and in no one
else.
(This
is because, good and bad kamma (kusala or akusala kamma) is (ultimately)
generated at this stage. Kiriya cittas are indeterminate cittas and by their nature
are neither kusala or akusala – it is in this way that an arahant does not
generate any good or bad kamma.)
Please
go back to the Lesson 4 (Pakiṇṇaka) and do a revision of the different
functions performed by different cittas.
If you have forgotten, spend some time revising the 29 kāma javana cittas and
26 appana javana cittas.
Here is the place to actually apply the information you made much effort to
retain in your memory. If the memory is shaky, it will become more stable when
you put it to use here.
12)
Finally, 1 or 2 tadalāmabana cittas arise, which register the proceedings of
this cognitive series.
13)
Thatfs it – the cakkhu dvāra vīthi is done, completed.
14) By
then, the matter that is the visible object would have completed its life-span
of 17 khaṇas.
15)
Once again the stream of bhavaṅga cittas may begin to arise and pass away at
that location.
16)
But, then follow many many mano dvāra vīthis at the mind-door – closely
following the preceding vīthi at the sense door. Each of those vīthis will take
up the long-gone visible object as their object and continue to assess it in
various ways. All of this will happen in a split second.
In this way, sense organs are able to process multiple inputs in a multitude of
perspectives.
All
this is new to you – therefore take your time to comprehend it as best as you
can.
As we
already studied, the base and object must correspond for cognition to occur.
6 dvāra |
6 vatthu |
6 viññāṇa |
6 ārammaṇa |
cakkhu dvāra |
cakkhu vatthu |
cakkhu viññāṇa |
vaṇṇa |
sota dvāra |
sota vatthu |
sota viññāṇa |
sadda |
ghāna dvāra |
ghāna vatthu |
ghāna viññāṇa |
gandha |
jivhā dvāra |
jivhā vatthu |
jivhā viññāṇa |
rasa |
kāya dvāra |
kāya vatthu |
kāya viññāṇa |
phoṭṭhabba |
mano dvāra |
hadaya vatthu |
mano viññāṇā |
Note:
The mind objects are – 5 pasāda rūpa, 16 sukhuma rūpa, 89 cittas, 52 cetasikas,
Nibbāna, Paññatti. (refer back to Pakiṇṇaka lesson)
There
are 6 types of vīthi – in terms of door (dvāra) or in terms of viññāṇas.
1)
cakkhu dvāra vīthi OR cakkhu viññāṇa vīthi
This is
the series of cittas that arise at the eye door or with the cakkhu viññāṇa.
Bh(3) ¨
Pa ¨ cakkhu-viñ ¨ Samp ¨ Santi ¨ Vo ¨ Jav(kāma javana) ¨ Tad ¨ Bh
Bh(3) |
Pa |
cakkhu-viñ |
Samp |
Santi |
Vo |
Jav |
Tad |
Bh |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
|
bhavaṅga |
pañca-dvārāvajjana |
cakkhu viññāṇa |
sampaṭicchana |
santīraṇa |
mano dvārāvajjana |
javana |
tadalāmabana |
bhavaṅga |
3 |
1 |
1 |
1 |
1 |
1 |
7 |
2 |
= 17 cittas in one vīthi |
2) sota
dvāra vīthi OR sota viññāṇa vīthi
This is
the chain of cittas that arise at ear door or with the sota viññāṇa.
Bh(3) ¨
Pa ¨ sota-viñ ¨ Samp ¨ Santi ¨ Vo ¨ Jav(kāma javana) ¨ Tad ¨ Bh
Bh(3) |
Pa |
sota-viñ |
Samp |
Santi |
Vo |
Jav |
Tad |
Bh |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
|
3 |
1 |
1 |
1 |
1 |
1 |
7 |
2 |
= 17 cittas in one vīthi |
3)
ghāna dvāra vīthi OR ghāna viññāṇa vīthi
This is the chain of cittas that arise at nose door or with the ghāna viññāṇa.
Bh(3) ¨
Pa ¨ ghāna-viñ ¨ Samp ¨ Santi ¨ Vo ¨ Jav(kāma javana) ¨ Tad ¨ Bh
Bh(3) |
Pa |
sota-viñ |
Samp |
Santi |
Vo |
Jav |
Tad |
Bh |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
|
3 |
1 |
1 |
1 |
1 |
1 |
7 |
2 |
= 17 cittas in one vīthi |
4)
jivhā dvāra vīthi OR jivhā viññāṇa vīthi
This is the chain of cittas that arise at tongue door or with the jivhā viññāṇa.
Bh(3) ¨
Pa ¨ jivhā-viñ ¨ Samp ¨ Santi ¨ Vo ¨ Jav(kāma javana) ¨ Tad ¨ Bh
Bh(3) |
Pa |
sota-viñ |
Samp |
Santi |
Vo |
Jav |
Tad |
Bh |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
|
3 |
1 |
1 |
1 |
1 |
1 |
7 |
2 |
= 17 cittas in one vīthi |
5) kāya
dvāra vīthi OR kāya viññāṇa vīthi
This is the chain of cittas that arise at body door or with the kāya viññāṇa.
Bh(3) ¨
Pa ¨ jivhā-viñ ¨ Samp ¨ Santi ¨ Vo ¨ Jav(kāma javana) ¨ Tad ¨ Bh
Bh(3) |
Pa |
sota-viñ |
Samp |
Santi |
Vo |
Jav |
Tad |
Bh |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
|
3 |
1 |
1 |
1 |
1 |
1 |
7 |
2 |
= 17 cittas in one vīthi |
6) mano
dvāra vīthi OR mano viññāṇa vīthi
This is the chain of cittas that arise at mind door or with the mano viññāṇa.
Bh(3)¨Vo
¨Jav ¨Tad ¨Bh { for mind door }
Bh(3) |
Vo |
Jav |
Tad |
Bh |
¨ |
¨ |
¨ |
¨ |
|
bhavaṅga |
mano dvārāvajjana |
javana |
tadalāmabana |
bhavaṅga |
3 |
1 |
7 |
2 |
Note
that there will be no pañca-dvāra-āvajjana and the ensueing cittas in this
type. We will study this type of vīthi that arises at the mind door in great
detail further down.
Other
factors also play a role in cognition at the five sense doors.
For a
vīthi to arise – all the following essential conditions must be present.
And of
all the essential conditions – manasikāra (attention) plays
the pivotal role. This point is important.
Essential
conditions for cakkhu dvāra vīthi to arise:
1.cakkhu pasāda – sensitive matter in the eye
2.rūpārammaṇa – object that can be seen
3.āloka (light)
4.manasikāra (attention)
Essential
conditions for sota dvāra vīthi to arise:
1.sota pasāda – sensitive matter in the ear
2.saddārammaṇa – object that can be heard
3.ākāsa (space)
4.manasikāra (attention)
Essential
conditions for ghāna dvāra vīthi to arise:
1.ghāna pasāda – sensitive matter in the nose
2.gandhārammaṇa – object that can be smelled
3.vāyo dhātu (air element)
4.manasikāra (attention)
Essential
conditions for jivhā dvāra vīthi to arise:
1.jivhā pasāda – sensitive matter in the tongue
2.rasārammaṇa – object that can be tasted
3.āpo dhātu (water element)
4.manasikāra (attention)
Essential
conditions for kāya dvāra vīthi to arise:
1.kāya pasāda – sensitive matter in the body
2.phoṭṭhabbārammaṇa – object that can be felt
3.pathavī dhātu (earth element )
4.manasikāra (attention)
Essential
conditions for mano dvāra vīthi to arise:
1.hadaya vatthu – central base matter
2.dhammārammaṇa – mind objects
3.mano dvāra – life-stream of cittas(bhavaṅga cittas)
4.manasikāra (attention)
Please
note that, of all the essential conditions – manasikāra
(attention) plays the pivotal role. This point is important – especially
for meditation and practical application.
We will
learn in the next section that the length of the vīthi can vary depending on
the how intensely the object was taken up.
Let us
continue with the study of the cognitive series of cittas.
The
first 5 vīthis in the previous section are considered as the pañca dvāra
vīthis.
This is because, these are cognitive series that occur at the 5 sense doors.
gpañcah means five; gdvārah means door and gvīthih means cognitive series
of cittas.
The
last vīthi is called the mano dvāra vīthi as it occurs at the mind door.
Note
that there is only the mano dvārāvajjana citta in this cognitive series.
Also
make note that there is no pañca-dvāra-āvajjana citta or any of the 10 viññāṇas
or the sampaṭicchana citta or the santīraṇa citta – in this cognitive series
that occurs at the mind-door.
The
intensity with which an object appears, plays a role in the efficacy of a
vīthi.
At the
5 doors, an object can appear with great intensity or slight intensity.
At the
mind door, an object can appear clearly or in an unclear manner.
Accordingly,
a vīthi (cognitive series of cittas) is classified into different types.
at the five sense doors |
at the mind door |
ati mahanta ārammaṇa |
ati vibhūta ārammaṇa |
mahanta ārammaṇa |
vibhūta ārammaṇa |
paritta ārammaṇa |
avibhūta ārammaṇa |
ati paritta ārammaṇa |
ati avibhūta ārammaṇa |
NOTE:
Some authors consider only vibhūta and avibhūta ārammaṇa for objects at the
mano dvāra.
Try to
memorize these terms and their meaning as best as you can.
The
technical term for this is gVisaya pavattih – that is – the manner in which the
object appears at the doors.
The
following is an excerpt from the text book of Ven. Rewata Dhamma where he
explains how, depending on the length of vithi, the object is considered slight
or intense. He also mentions the fallacy of the differenciating the mind as
conscious and sub-conscious:
These
are important points. So consider them carefully from time to time and get a
good understanding of the cognitive process as taught in the Therāvāda tradition.
In this
section, we will study each of these vīthi types in greater detail.
1 kind of ati mahantārammaṇa vīthi:
also called Tadārammaṇa
vāra vīthi
It is called eati mahantārammaṇa vīthif because the appearance of the object
ārammaṇaf has very great intensity eati mahantaf – eatif means very and
emahantaf means egreatf.
It is called etadārammaṇa vāra vīthif because it ends in tadārammaṇa cittas.
2 kinds of mahantārammaṇa vīthi –
also called Javana
vāra vīthi
It is called emahantārammaṇa vīthif because the appearance of the object ārammaṇaf
has great intensity emahantaf.
It is called ejavana vāra vīthif because it ends in javana cittas.
6 kinds of parittārammaṇa vīthi –
also called Voṭṭhabbana
vāra vīthi
It is called eparittārammaṇa vīthif because the appearance of the object ārammaṇaf
has lesser intensity. Here, eparittaf means less, small.
It is called evoṭṭhabbana vāra vīthif because it ends in voṭṭhabbana citta.
6 kinds of ati parittārammaṇa vīthi –
also called Mogha
vāra vīthis
It is called eati parittārammaṇa vīthif because the appearance of the object
ārammaṇaf has very less intensity.
It is called emogha vāra vīthif because it is useless, empty, futile. emoghaf
means useless.
Thus we
can see that totally, there are 15
types of vīthis that are possible at each of the 5 doors.
(1 + 2 + 6 + 6 = 15 types)
15 kinds
of vīthi x 5 kinds of doors = 75 kinds of vīthis can arise at the 5
doors (pañcadvārā).
Note
how the time taken for responding to the impact of the object gets prolonged as
we go further down the categorization. You can use this observation to remember
the different types of vīthis.
Let us
have a short recap of the vīthi cittas :
There
are 80 vīthi cittas –
that is – cittas that can arise in a vīthi.
Āvajjana cittas – 2
viññāṇas – 10
sampaṭicchana cittas – 2
santīraṇa cittas – 3
javana cittas – 55
tadārammaṇa cittas – 8
Go
through this list of cittas and spend enough time to understand the cognitive
series well.
Let us
zoom in on the 54 pañcadvārā vīthi cittas :
Easy
way to remember the 7 types of cittas that participate in pañca dvārā vīthis:
Panca dvārāvajjana, pañca-viññāṇā, sampaṭicchana, santīraṇa, voṭṭhabbana,
javana, tadālambana.
Actually these 54
pañcadvārā vīthi cittas turn out to be the entire set of
the 54 kāmāvacara
cittas.
Also
note that the 14 kinds of cittas that are listed in the table above, when
considered along with the 3 preceding bhavaṅga – gives a total of 17 cittas per
vīthi.
And
this point I also want to bring to your attention that there are cittas that
arise independent of the cognitive series (vīthi mutta cittas) –
these are cittas that are involved in rebirth and in maintaining the
life-stream until the moment of death.
You will
study about them in the next chapter.
But it is good to have a brief acquaintance with what we will learn in the
following chapter.
It will make the learning easier.
So
merely browse through the following list of cittas for now. Note that they are
all vipāka cittas.
There
are 19 vīthi mutta cittas – that is – cittas that can arise without a vīthi (as
the paṭisandhi, bhavaṅga and cuti cittas).
Upekkhā santīraṇa cittas – 2
Mahā vipāka cittas – 8
Rūpāvacara vipāka cittas – 5
Arūpāvacara vipāka cittas – 4
Mano
dvāra vīthi
Next we
will start studying in detail about mano dvāra vīthi – that is – about the
cognitive series of cittas that occur at the mind door.
Do keep
in mind that the mind-door (mano dvāra) in any living being or individual is
that particular beingfs bhavaṅga citta. This bhavaṅga citta functions as the
mind-door or mano dvāra.
In a
mano dvāra vīthi, only 3 types of cittas will arise – gāvajjana javana
tadālambana.h
We have
already had brief introduction to this when we began:
bhavaṅga(3)
¨ voṭṭhabbana ¨ javana ¨ tadālambana ¨ bhavaṅga
Bh(3) |
Vo |
Jav |
Tad |
Bh |
¨ |
¨ |
¨ |
¨ |
|
bhavaṅga |
mano dvārāvajjana |
javana |
tadalāmbana |
bhavaṅga |
3 |
1 |
7 |
2 |
The object
need not be present for a mano dvāra vīthi to arise – cognition can happen at
the mind door regarding any object – the object can be present or it was
present in the past or the object can be present in the future.
Also all types of objects can be cognized at the mind door – whether it is one
of the sense objects or a mental object or even Nibbāna.
What is
important for clear cognition is whether the object appears clearly or not
(vibhūtārammaṇa).
Cognition
usually occurs at the mind door pertaining to objects of the kāmavacara sphere
– that is – regarding objects of the sensual world. At that time, the cognitive
series will be called kāma
javana vāra vīthi.
But if
anybody takes up meditation and they are able to attain absorption or jhāna, at
that time also cognition will occur at the mind door – it will be called appana javana vāra vīthi.
(eappanaf means absorption concentration or jhāna).
So
these are 2 main types of mano dvāra vīthi that we will be studying.
Particularly,
we will go into the intricate details of how the cognitive series arises when
there is jhāna, when someone attains magga or phala and so on.
Mano
dvāra vīthi – chart
For
those who have difficulty in recalling the javana cittas, Ifve added the javana
cittas here. Please make an effort to memorize them – it gives confidence and
avoids stress whenever you encounter the words ejavana cittasf.
Please
note that in kāma javana vāra vīthis – one of the 29 kāma-javana cittas arise
during javana.
In appana javana vāra vīthis – one of the 26 appana javana cittas arise during
javana.
Kāma
javana mano dvāra vīthis:
Explanation:
1) Ati
vibhūtārammaṇa vīthi [ tadālambana vāra vīthi ]
Bh ¨ AtīBh ¨ Bh cal ¨ Bh upc ¨ Voṭṭhabbana ¨ Javana ¨ Tadālambana ¨ Bh
It is called eati vibhūtārammaṇa vīthif because the object appears very
clearly, very distinctly eati vibhūtaf at the mind door.
And since it ends in tadālambana cittas, hence it is called tadālambana vāra
vīthi.
2)
Vibhūtārammaṇa vīthi [ javana vāra vīthi ]
Bh ¨ AtīBh ¨ Bh cal ¨ Bh upc ¨ Voṭṭhabbana ¨ Javana ¨ Bh
It is called evibhūtārammaṇa vīthif because the object appears clearly,
distinctly evibhūtaf at the mind door.
And since it ends in javana cittas, hence it is called javana vāra vīthi.
3)
Avibhūtārammaṇa vīthi [ voṭṭhabbana vāra vīthi ]
Bh ¨ AtīBh ¨ Bh cal ¨ Bh upc ¨Voṭṭhabbana¨Voṭṭhabbana¨Voṭṭhabbana¨ Bh
It is called eavibhūtārammaṇa vīthif because the object apears unclearly,
indistinctly, eavibhūtaf at the mind door.
And since it ends in voṭṭhabbana cittas, hence it is called voṭṭhabbana vāra
vīthi.
4) Ati
avibhūtārammaṇa vīthi [ mogha vāra vīthi ]
Bh ¨ AtīBh ¨ Bh cal ¨ Bh cal ¨ Bh
It is called eati avibhūtārammaṇa vīthif because the object apears very
unclearly, very indistinctly, eati avibhūtaf at the mind door.
And since it does not result in the arising of any cognitive series of cittas,
it is called mogha vāra vīthi.
As we
studied earlier, these are the vīthis that appear in the mind door while
cognizing objects.
Another
point to note is about the tadālambana cittas – notice that they occur only
when cognizing a sensory object that is of great intensity or is really clear.
Make note that these tadālambana cittas will occur only after the kāma javana
cittas. They never occur in any appana javana vīthi.
In
brief, these tadālambana cittas will occur when (1) the vīthi occurs in a
kāmāvara being, (2) while cognizing a kāmāvara object, and (3) only if the
javana cittas before it is one of the kāmā javana cittas.
Appana
javana mano dvāra vīthi
These
vīthis arise only as a result of successful meditation practice – either when
one of absorption states of concentration (jhāna) is attained or when one of
the magga and phala cittas arise which will have Nibbāna as the object.
Remember
that these appana vīthis arise on the successful completion of samatha and/or
vipassana meditation. Not otherwise.
Also study the 26 appana javana cittas one more time – only those cittas can
arise in an appana vīthi.
Now,
let us see what happens when a meditator is about to attain jhāna:
Bh(3) ¨ Ma ¨ Pr ¨ Up ¨ An ¨ Go ¨ Jh ¨ Bh ¨
¨ Manodvārāvajjana ¨ Parikamma ¨ Upacāra ¨ Anuloma ¨ Gotrabhū ¨ Jhāna ¨ Bhavaṅga
¨
1) As
usual, the Bhavaṅga stream of cittas is cut off when the sign or theme of
meditation appears on the mind door.
2) Next, a manodvārāvajjana citta arises, turning the citta stream towards the
meditation sign.
3) Based on the decision of the manodvārāvajjana, a series of 4 cittas begin to
arise – specifically – one of the 4 ñāṇa sampayutta maha kusala or maha kiriya
cittas will arise four times. These 4 cittas are called the eupacāra samādhi
javanasf.
Let us
zoom in on the 4 upacāra samādhi javana cittas :
i) the first one is called parikamma citta – it prepares for the jhāna – here,
it is denoted here as gPrh.
Suppose the five faculties of the meditator are very sharp, well-developed,
then the parikamma stage will be bypassed during this type of vīthi (that is –
this stage will get skipped over because of the sharpness of the faculties).
(The 5 faculties are faith, effort, mindfulness, concentration and wisdom.)
ii) the second one is called upacāra citta – as it is close to the jhāna
attainment – denoted here as gUph
iii) the third one is called anuloma citta – it bridges or connects the lower
kāmāvacara type cittas to a higher jhāna or rūpāvacara type of citta – denoted
here as gAnh
iv) the fourth one is called gotrabhū – as it indicates the change of lineage –
after this the lineage of cittas changes from kāma(avacara) lineage of cittas
to the mahaggata lineage of cittas – denoted here as gGoh.
After
this stage, one of the rūpāvacara or arūpāvacara kusala cittas will arise one
time. After this happens, the bhavaṅga cittas will begin to arise. All of this
will happen when the meditator attains jhāna for first time and is not yet
skilled in remaining in jhāna.
For Buddhas and Arahants, one of the rūpāvacara or arūpāvacara kiriya cittas
will arise – not the kusala cittas – understand this clearly.
The
type of that citta depends on the level of jhāna that is attained at that time.
Note that the person has to get the first rūpāvacara jhāna.
Only if he/she continues to practice after attaining first jhāna, he/she will
be able to get the second rūpāvacara jhāna vīthi.
Although the vīthi is same, the kind of jhāna citta in the vīthi depends on the
level of meditation practice of that person.
At each level of jhāna – the meditator must practice to maintain that state
(jhāna samāpatti).
When
the meditator is able to dwell in jhāna – that is – he is able to maintain the
state of absorption – then the jhāna cittas continue to arise without a break,
until he emerges from that absorption state. Such a state, where the meditator
dwells in jhāna is called jhāna samāpatti.
At that time the ejhāna samāpatti vīthie
arises. In this type of vīthi, many jhāna cittas arise continuously one after
another without any break, till that person remains in jhāna.
The duration of ejhāna samāpattif depends on the factors such as skill,
practice, resolve and so on. The maximum duration a person can dwell in such a
state of ejhāna samāpattif is 7 days.
The
citta series while a meditator is in jhāna
samāpatti is as follows:
Bh(3) ¨ Ma ¨ Pr ¨ Up ¨ An ¨ Go ¨ Jh ¨ Jh ¨ Jh (many times) ¨ c
[As an
aside: The rūpāvacara and arūpāvacara vipāka cittas are the result of
practising jhāna meditation so successfully, even at the time of death, that it
leads to rebirth in one of the brahma lokas.]
Abhiññā
refers to one of the 5 special powers. It also requires practise. But first the
meditator must be skilled in all the 5 rūpāvacara jhānas and the 4 arūpāvacara
jhānas – he must have mastered them also in terms of the different kasiṇas.
After that he/she can turn the attention to each of these powers and get
themselves trained.
The
five abhiññās are:
1) Iddhi vidhā abhiññā : the power to fly in the sky, walk on water, pass
through walls and dive into the land as though it is water.
2) Dibba sota abhiññā : the power to hear whatever one wishes to – whether far
or near.
3) Dibba cakkhu abhiññā : the power to see wherever one wishes – whether far or
near.
4) Ceto pariya ñaṇa or Paracitta vijānana abhiññā: the power to read othersf
mind.
5) Pubbe nivāsānussati abhiññā : power to recollect or remember a multitude of
onefs own past lives.
Lokiya
appana vīthi
1)
Rūpāvacara appana vīthi
( when attaining a rūpāvacara jhāna for first time)
Slow (manda) : ¨ Ma ¨ Pr ¨ Up ¨ An ¨ Go ¨ Jh ¨ Bh ¨
Quick (tikka) : ¨ Ma ¨ Up ¨ An ¨ Go ¨ Jh ¨ Bh ¨
2)
Arūpāvacara appana vīthi
( when attaining an arūpāvacara jhāna for first time)
Slow : ¨ Ma ¨ Pr ¨ Up ¨ An ¨ Go ¨ Jh ¨ Bh ¨
Quick : ¨ Ma ¨ Up ¨ An ¨ Go ¨ Jh ¨ Bh ¨
3)
Abhiññā appana vīthi
Slow : ¨ Ma ¨ Pr ¨ Up ¨ An ¨ Go ¨ Abñ ¨ Bh ¨
Quick : ¨ Ma ¨ Up ¨ An ¨ Go ¨ Abñ ¨ Bh ¨
Jhāna
samāpatti vīthi – when one remains in jhāna
Slow : ¨ Ma ¨ Pr ¨ Up ¨ An ¨ Go ¨ Jh ¨ Jh ¨ Jh (many
times) ¨c
Quick : ¨ Ma ¨ Up ¨ An ¨ Go ¨ Jh ¨ Jh ¨ Jh (many
times) ¨c
Memorise
the above diagrams – they are a short form of the explanation given earlier.
Next we
will learn about what happens when someone becomes an ariya – that is – attains
the magga and phala cittas which have Nibbāna as their object.
Lokuttara
appana vīthi
1)
Magga vīthi
For Sotāpanna:
Slow: ¨ Ma ¨ Pr ¨ Up ¨ An ¨ Go ¨ Mg ¨ Ph ¨ Ph ¨ Bh ¨
Quick: ¨ Ma ¨ Up ¨ An ¨ Go ¨ Mg ¨ Ph ¨ Ph ¨ Ph ¨ Bh ¨
From
Sakadāgāmi onwards:
Slow: ¨ Ma ¨ Pr ¨ Up ¨ An ¨ Vod ¨
Mg ¨ Ph ¨ Ph ¨ Bh ¨
Quick: ¨ Ma ¨ Up ¨ An ¨ Vod ¨ Mg ¨ Ph ¨ Ph ¨ Ph ¨ Bh ¨
2)
Phala samāpatti vīthi (when remaining in the phala state)
Slow : Bh ¨ An(Pa) ¨ An(Up) ¨ An ¨ Vod ¨
Ph ¨ Ph (many times) ¨c
Quick : Bh ¨ An(Up) ¨ An ¨ Vod ¨
Ph ¨ Ph (many times) ¨c
3)
Nirodha samāpatti vīthi
Bh(3) ¨ Ma ¨ An(Pa) ¨ An(Up) ¨ An ¨ Vod ¨
Jh ¨ Jh ¨ Nirodha Samāpatti ¨ Ph ¨ Bh ¨
Jh =
Jhāna citta. This citta will be the type of rūpāvacara or rūpāvacara kusala
citta that is appropriate to the jhāna that is attained by the meditator.
If a person has attained a rūpāvacara or an arūpāvacara jhāna, then that person
can practice to remain in that jhāna state. Such a state where the meditator is
able to stay in jhāna as he or she wishes, with a maximum of 7 days is
called jhāna samāpatti. At that time, eappana samāpatti vīthif arises in that
meditator.
After
the Stream-entry is attained, the person becomes an ariya. From then onwards,
the egotrabhūf citta is called eVODHĀNA citta (denoted as eVodf). This is
because, the change of lineage has become permanent from Sotāpatti magga vīthi
onwards. That person has changed lineage permanently from being an ordinary
worldling to that of a noble person (Ariya). eVodhānaf means cleansing.
Also,
in these lokuttara vīthis, the Parikamma and Upacāra cittas are also considered
as Anuloma cittas.
Nirodha
samāpatti vīthi can be attained only by Anāgāmis and Arahants – and not by others.
To enter this state both samatha and vipassana meditation will be practiced.
After emerging from each jhāna level, the perceptions of anicca, dukkha and
anatta are employed on that jhāna citta. Then they will proceed to attain the
next level of jhāna – one after another – upto the last formless jhāna.
Just before entering the cessation attainment (Nirodha samāpatti), 2
arūpāvacara jhāna cittas arise. Those 2 cittas will be kusala jhāna cittas in
anāgāmis and kiriya jhāna cittas in arahants.
They can remain in the cessation attainment according to the resolution they
had made before-hand.
They will also emerge from the cessation attainment according to the resolution
they had made before-hand.
When they emerge, 1 phala citta will arise, followed by a stream of bhavaṅga
cittas.
For Arahants, that phala citta will be Arahatta phala citta and for Anāgāmis it
will be the Anāgāmi phala citta.
You can read more about this process and the kind of resolutions that are made
in detail from the text book gProcess of consciousness and matterh by Ven.
Rewata Dhamma.
Note:
A person has to get the first rūpāvacara jhāna initially. Only if he continues
to practice after attaining first jhāna and obtains skill in maintaining that
jhāna and so on, he gets to a level where he can try and attain the second
rūpāvacara jhāna vīthi.
Although
the vīthi is same, the kind of jhāna citta in the vīthi depends on the level of
meditation practice of that person.
All
vīthis do not have 7 javana cittas. Some of them may have only 1 javana citta;
2 to 3 javana cittas; 5 javana cittas and so on. This depends on the kind of
vīthi.
It is very simple. We have learned about those vīthis already. But we have not
taken any special note of the number of javana cittas occuring in them. So it
is nothing new. Lets see what those vīthis are.
VĪTHIS
WITH ONLY ONE JAVANA CITTA:
1) lokiya appana vīthi (when jhāna citta arises for first time)
2) abhiññā vīthi
3) lokuttara appana vīthi (when magga + phala arises for the first time)
4) phala javanas of anāgami and arahant who emerges from nirodha samāpatti
VĪTHIS
WITH 2 OR 3 JAVANA CITTAS:
1) the vīthi with 2 nevasaññānāsaññāyatana javana cittas that arise before
entering into nirodha samāpatti
2) in magga vīthi – the 2 or 3 phala javana cittas that arise after magga citta
VĪTHIS
WITH 4 OR 5 JAVANA CITTAS:
1) when the Buddha emits both fire and water – 4 or 5 paccavekkhana javana
cittas (4 maha kiriya cittas) arise in the vīthi
VĪTHIS
WITH 5 JAVANA CITTAS:
1) the kāmāvacara vīthi at the death-moment has only 5 javana cittas.
VĪTHIS
WITH 6 OR 7 JAVANA CITTAS:
1) in kāmāvacara vīthi – there are 6 or 7 javana cittas.
VĪTHIS WITH
UNLIMITED NUMBER OF JAVANA CITTAS:
1) in jhāna samāpatti vīthis – unlimited number of kusala or kiriya jhāna –
javana cittas arise.
2) in phala samāpatti vīthis – unlimited number of phala javana cittas arise.
After
reading this, go back and look into those vīthis that you have studied already,
making special note of the number of javana cittas.
Also,
you have not yet studied some of the vīthi types, such as the one involving the
Buddha emitting fire and water and the vīthi at the time of death.
We will study about the vīthi that occurs at the time of death in the next
chapter. In the traditional texts, it is taught in the next chapter only. But
if you are curious, you can take a quick peek at the next chapter.
At one
time, the Lord Buddha performed the gTwin Miracleh where he emitted both fire
and water at the same time from his body. You can search for eTwin Miracle of
Buddhaf in the net and read more about it.
There
is one more detail about the appana javana vīthi :
The
part of the vīthi that spans from the Parikamma, Upacāra and Anuloma cittas is
considered as the kāma javana part. Here, any one of the ñāṇa sampayutta maha
kusala or kiriya cittas would arise.
The
part of the vīthi that comprises of the jhāna or the magga and phala cittas is
considered as the appana javana part. Here, any one of the appana javana cittas
would arise.
The
following chart studies how the kind of cittas that arise in the kāma javana
part relates to the kind of cittas that would arise in the appana javana part.
Although
it looks complicated, it is not. So just relax and go through the chart – it is
something you already know and have already studied – it is only that we did
not pay much attention to this detail until now.
If you have
any difficulty understanding or learning this, please leave a comment below.
SOME
MORE EXPLANATION FOR KĀMA JAVANA VĪTHI:
Bh(3)¨
Pa ¨ Viñ ¨ Samp ¨ Santi ¨ Vo ¨ Jav(kāma javana) ¨
Tad ¨ Bh
The
kind of cittas that arise in a vīthi, depends on the kind of object.
Note
that the javana cittas arise, based on the decision made by manodvārāvajjana
citta – they need not be affected by how desirable or undesirable the object
is.
This
connection between an object that occurs in the present and the vipāka cittas which
are the result of past kamma is an intricate point. You will encounter this
point again while you study paṭicca samuppāda and paṭṭhāna later on and
understand why it is so at that time. But for now, make note of it.
More
details about tadārammaṇa cittas
The
kind of tadārammaṇa cittas that arise in a vīthi, depends on the kind of javana
citta.
Bh(3)¨Pa¨Viñ¨Samp¨Santi¨Vo¨Jav(kāma
javana) ¨ Tad ¨Bh
CONDITIONS
FOR ARISING OF TADĀRAMMAṆA CITTAS:
Tadārammaṇa cittas arise when object is ati mahantārammaṇa or ati vibhūta
ārammaṇa.
1. The javana must be a kāmāvacara javana
citta.
2. The object must be a kāmāvacara object.
3. The vīthi must arise in a kāmāvacara being.
This is
an important point – although it is minor. What this means is that when it
involves the rūpāvacara or arūpāvacara worlds or objects or beings – there
would be no tadārammaṇa cittas.
There
are 80 vīthi cittas –
(89 cittas minus 5 rūpāvacara vipāka + 4 arūpāvacara vipāka).
Of them some them arise in some kinds of living beings, but do not arise in
other kinds of living beings. In the same way, some vīthi cittas can arise in
some kind of worlds (lokas) but cannot arise in other kind of worlds(lokas).
loka / world |
vīthi cittas |
|
number of vīthi cittas that can arise in
this loka |
number of vīthi cittas that cannot arise in
this loka |
|
kāmā loka |
80 |
—- |
rūpa brahma loka |
64 |
16 |
arūpa brahma loka |
42 |
38 |
The
vīthi cittas that can and cannot arise in the 2 brahma lokas are:
loka / world |
Number of vīthi cittas that can arise here |
Number of vīthi cittas that cannot arise
here |
what are the vīthi cittas that cannot arise
here? |
rūpa brahma loka |
64 (80 – 16 ) |
16 |
2 dosa mūla |
arūpa brahma loka |
42 (80 – 38 ) |
38 |
2 dosa mūla |
Of the
80 vīthi cittas, only some cittas arise in each kind of living being:
With
regard to noble persons who have gained the Path and Fruition cittas:
Use the
above table to gain a clear understanding of the nature of the different worlds
and the beings that live there.
Read through the information given in the table carefully – it will surely
increase your understanding.
This
lesson on the cognitive series of cittas is completed.
You have
just finished learning a lot. Take your time. Please read through the whole
chapter. Your understanding will increase each time you go through this lesson.
All that is taught here is completely new. So you will need time for it to sink
in.
Modern
science is slowly catching upto what Lord Buddha realized and compassionately
taught to all of us about the workings of the mind and matter. This kind of
knowledge will help us to lead our lives more skillfully and compassionately –
with regard to others and especially to our own selves. But for that to happen,
spend a lot of time contemplating on what you have learned in this lesson.
This is
the seventh set of lessons of this Abhidhamma tutorial.
VĪTHI
MUTTA SAṄGAHA
In this
chapter, we will study about the vīthimutta cittas.
Vīthimutta means gdissociated from the vīthih.
(Traditionally, this chapter is called the Vīthimutta saṅgaha. )
What
are these special vīthimutta cittas?
These are the cittas that are involved in rebirth and in sustaining the life
until death.
These vīthimutta cittas arise, not in a process of a cognitive series – but
arise in relation to rebirth, life-continuum and death.
There
are 19 cittas such cittas that arise in relation to rebirth, life-continuum and
death.
They
are called as paṭisandhi cittas
– bhavaṅga cittas – cuti cittas
– depending on what role they play at a given moment.
Paṭisandhi
citta means gRebirth cittah.
Bhavaṅga
citta means gLife-continuum cittah.
Cuti
citta means gDeath cittah.
At the
time of rebirth, a certain type of citta will arise at the time and place of
conception. It is called the Paṭisandhi citta (rebirth citta) – but it is
called by that name only at the foremost moment in that life – that is – at the
moment of rebirth.
From
then on, the same kind of citta keeps arising one after another – in a
continuum. At that time, those cittas that arise, are called the Bhavaṅga
cittas (life-continuum cittas). This continuum of cittas is interupted now and
then when the cognitive series of cittas arise.
Finally,
when that life-time comes to an end – this continuum of cittas end. And the
last citta that arises in that life-time is called the Cuti citta (death
citta).
In
short, there are certain cittas that can act as rebirth – life-continuum –
death cittas. They keep arising in a continuum and keep the life-stream going
until death. Since their arising (and passing away) continuously is not related
to the cognitive series – citta vīthi – they are called the vīthimutta cittas.
As mentioned earlier, vīthimutta means gdissociated from the vīthih.
This is
a very important explanation – so please pay attention to it and keep it in
mind. It will clear up a lot of confusion and misunderstanding regarding
consciousness.
There
are 19 vīthimutta cittas that are capable of doing
this kind of bhavaṅga function.
They
are:
·
2 upekkhā santiraṇa cittas,
·
8 mahā vipāka cittas,
·
5 rūpāvacara vipāka cittas,
·
4 arūpāvacara vipāka cittas.
All
these cittas (except the 4 arūpāvacara vipāka cittas) arise together with
matter (hadaya vatthu) at the time of rebirth.
Thus the first 15 vīthimutta cittas arise together with hadaya vatthu at the
time of rebirth and the 4 arūpāvacara vipāka cittas do not arise with any
matter. This is because arūpāvacara vipāka cittas give rebirth in arūpāvacara
worlds where there is no matter at all – there is only consciousness.
Important
Note:
Only one of these cittas will act as the rebirth-life continuum- death citta
for each living being. No one will or can have more than one rebirth citta in
any given life-time.
The
main aspects of study in this vīthimutta lesson
Since these
are cittas that are involved rebirth, sustaining of life and also death – we
will study about the different places where rebirth can take place; many
interesting details about the different kinds of deeds (kamma) that lead to
rebirth; about types of rebirth and about the types of death as well.
So, we
will study about the following also in this chapter.
1.
the 4 places of rebirth –
BHŪMI catukka
2.
the 4 kinds of rebirth –
PAṬISANDHI catukka
3.
the 4 kinds of kamma –
KAMMA catukka
4.
the 4 kinds of coming of death –
MARAṆUPPATTI catukka
(ecatukkaf
means efourf, efour typesf)
(ebhūmif
means place, sphere, realm)
(emaraṇaf
means death and euppattif means genesis)
We will
also study about the type of vīthis that would arise at the time of death in
this chapter.
Before
we continue please click here. You can
see the chart of all the different kinds of worlds or lokas in the cosmos,
their names, the kind of vipāka cittas that play a role in the rebirth into
such lokas or worlds and so on. Please go through it – if you are the type who
likes to get an overview of things before proceeding. Even if you are not, keep
it open in the tab and you can refer to it now and then, while you continue
with the following lessons.
Broadly
speaking, there are 4 kinds of places where a being can be reborn:
1) 4
Woeful Sensual worlds – 4 kāma duggati bhūmi
(actually it is the short form of kāmāvacara duggati bhūmi)
(these pertain to hell-beings, animals, ghosts and demons)
2) 7
Good (Happy) Sensual worlds – 7 kāma sugati bhūmi
(1 world where humans dwell and 6 kinds of deva worlds)
3) 16
worlds of subtle matter – 16 rūpa bhūmi
(where rūpāvacara brahmas dwell)
4) 4
formless worlds – 4 arūpa bhūmi
(arūpāvacara brahmas dwell here)
Let us
study this in more detail:
1) Rebirth can occur in a place of woe – such places are called duggati.
eDuf means bad and egatif means destination.
In case some previously done bad
deeds bear fruit at the time of death, then such a being will get
reborn here.
The length of the life-time and the severity of conditions in that life-time
will depend on multiple factors such as all the previously done good and bad
deeds by that being living there and so on.
The places of woe are also called the 4 apāya bhūmi or the 4
apāya lokas.
According to the texts, there are 4 woeful
realms or bad destinations (4 duggati).
You can
study their names and other details from the loka chart – I suggest
that you do so when you have learnt the basics well.
( The
upekkhā santiraṇa citta that is a resultant of some unwholesome deed, akusala
kamma is involved in rebirth in these places.)
2)
Rebirth can occur in a place where there is access to sensual comforts – such
places are called kāma-sugati.
{Actually, it is kāmāvacara sugati. But a short-form ekāma-sugatif is generally
used.)
eSuf means good and so esugatif means good destination. ekāmaf refers to
sensual comforts like things that are pleasant to see, hear, smell, taste and
feel.
When previously done good meritorious deeds like generosity and
virtuousness bear fruit
at the time of death, then such a being will be born here.
According to the texts, there are 7
sensual-good-destinations (7 kāma-sugati).
(For
most of the beings in such places, one of the 8 mahā vipāka cittas act as the
rebirth – life-continuum – death citta.)
(For some beings upekkhā santiraṇa citta that is a resultant of good, kusala
kamma act as the rebirth – life-continuum – death citta in such places.)
3)
Rebirth can occur in a place where the resident beings have fine or subtle
material bodies – such places are called rūpa
brahma lokas.
Usually, only those who are accomplished in meditation and are skilled in
attaining jhānas can be born in such places.
The residents of such places (worlds) are called rūpa brahmas.
According to the texts, there are 16
subtle-matter-realms (16 rūpa brahma lokas).
( One
of the 5 rūpāvacara vipāka cittas act as the paṭisandhi – bhavaṅga – cuti citta
for those rūpa brahmas – plus matter can also be the sole paṭisandhi factor for
one particular loka – we will learn about this soon.)
4)
Rebirth can occur in a place where there is no matter, but only mind and its
components – such places are called arūpa
brahma lokas.
The body of resident beings have no material components, but only have mental
components (i.e. they have no body, but are entirely made of consciousness
only).
The beings that dwell in such places are called arūpa brahmas.
garūpah means form-less or devoid-of-matter.
Only those who were skilled at attaining the 4 formless jhānas can be born in
these worlds.
According to the texts, there are 4 worlds
which have no matter (i.e. materiality) – they are the 4 arūpa brahma lokas.
Note that usually such worlds are refered to as the eformless realmsf.
Each
kind of arūpāvacara world will have a different arūpāvacara vipāka citta that
will act as the paṭisandhi – bhavaṅga – cuti citta for those particular
resident arūpa brahmas.
Thus,
totally, there are 31 different worlds or realms or planes of existence that
are put under 4 broad categories of duggati, kāma-sugati, rūpa brahma loka,
arūpa brahma loka.
You can
study all the names of these 31 planes and other details using the loka chart. But for
now, make yourself as familiar as you can with this brief introduction to the
cosmos as per Theravāda teachings.
Learn
these terms –
·
4 duggati,
·
7 kāma-sugati
·
16 rūpa brahma loka
·
4 arūpa brahma loka
(total 31
planes of existence)
Since all
this might be new to you, please allow some time and contemplate on it to let
it sink in before you proceed further.
This is
the basic knowledge about the different planes of existence or the different
planes of rebirth. So please study this well.
If you
are not comfortable with this level of knowledge, studying further about the
names of the planes and so on will not be easy. So please spend some time to
become familiar with this section as best as you can. And as always, allow
enough time for this information to sink in.
After
you have finished learning this section, you will be more comfortable learning
about the names of all the 31 planes and so on. As a reminder: Please click here to see the chart
of all the 31 planes. You can go through the chart and learn at
your own pace.
In this
section, we will study the basic information about rebirth or paṭisandhi.
We have
already learnt about the 4 possible places of rebirth in the previous section.
Now, it
is time to learn what kind of citta arises at the time of such a rebirth and
what kind of living being comes into existence due to that rebirth.
1)
Rebirth can occur in a place of woe – such places are called duggati.
Such a
rebirth is called apāya paṭisandhi meaning
ewoeful rebirthf.
The paṭisandhi
citta of such a rebirth is :
akusala vipāka upekkhā santiraṇa ahetuka citta
The beings in hell, animals, ghosts
and demons are reborn with this kind of paṭisandhi
citta (rebirth citta).
This kind of paṭisandhi citta is a result of akusala kamma
(unwholesome deed) in a previous life that happened to bear fruit at the time
of death.
2)
Rebirth can occur in a place where there is access to sensual comforts – such
places are called kāma-sugati.
Such a rebirth is called kāma
sugati paṭisandhi – sensual world- good rebirth.
There are two levels of such a good rebirth – depending on the
kind of paṭisandhi citta.
A ahetuka paṭisandhi citta gives a rebirth of low quality.
If the paṭisandhi citta has two or three roots – that is – if it is dvihetuka
or tihetuka, then the quality of rebirth is high.
(tihetuka has alobha, adosa and amoha, but dvihetuka has only alobha and adosa
– it does not have amoha(wisdom))
Note that these types of paṭisandhi cittas are the result of
kusala kamma (wholesome deeds), such as generosity and virtuousness, that
happened to bear fruit at the time of death.
These are the paṭisandhi cittas that can give rebirth in kāma
sugati:
kusala vipāka upekkhā santiraṇa ahetuka citta
As you can see, it is a ahetuka paṭisandhi – produces
rebirth of deformed humans and low level earth-bound
devas.
8 mahā vipāka cittas
These kind of cittas will result in a sahetuka paṭisandhi –
mostly of both dvi-hetuka and ti-hetuka humans
and devas. This includes ariyas – they will be tihetuka. Ariyas here
refers specifically to Sotāpannas, Sakadāgāmis and Anāgāmis who get reborn. It
does not refer to Arahants, for they have gone beyond rebirth.
(Note that, of the 7 kāma sugati – good desinations in sensual
worlds – one plane is the human plane of existence and the other 6 are different
levels of godly beings called devas.
Later, you can learn the names and characteristics of such deva planes (6 deva
lokas) from the loka chart. For now,
learn this well.)
3)
Rebirth can occur in a place where the resident beings have fine or subtle
material bodies – such places are called rūpa brahma lokas.
Such a rebirth is called rūpa paṭisandhi.
We learnt that there are 16 rūpa brahma lokas.
Of the 16 lokas-
The paṭisandhi cittas of 15 lokas is one of the following:
5 rūpāvacara vipāka cittas.
The rūpa brahmas who
are reborn here were accomplished in the 5 kinds of jhāna meditation in their
previous birth.
Of these 16 lokas, one loka has matter as paṭisandhi – the
brahmas in this loka have only material component and no mental components.
They are called āsañña-satta brahmas –
they have rebirth causing matter only – their paṭisandhi occurs
with the following material component:
jīvita navaka rūpa kalāpa.
These brahmas practised upto the fourth jhāna meditation, in
their previous life, and then altered their practice in such a way that they
can be reborn as a āsañña-satta brahma.
4)
Rebirth can occur in a place where there is no matter, but only mind and its
components – such places are called arūpa brahma lokas.
Such a rebirth is called arūpa paṭisandhi.
The paṭisandhi citta of these arūpa
brahmas is one of the :
4 arūpāvacara vipāka cittas.
In their previous life, these brahmas were accomplished in
attaining one of the 4 formless-jhānas.
Take time to study all this information. Once you are
comfortable, proceed further.
Here is a table that you can use to revise what you have studied
so far:
Note: ebhūmif refers to the broad category of lokas; epuggalaf
refers to the individual residents
gKammah means action, deed. I want to start with the basic
information about kamma that every disciple of Lord Buddha should be familiar
with. We will start with the basics and will proceed further. In this way, you
can apply the knowledge of kamma in your daily life and also in the study of
Abhidhamma.
The Lord Buddha has stated clearly – gintention is kammah. (cetanā-ahaṃ, bhikkhave, kammaṃ vadāmi)
We have studied that gcetanāh or intention is one of the
cetasikas. This cetanā or intention is present in all 89 cittas – it is a
gsabba citta sādhāraṇa cetasikah.
But, only the cetanā present in the javana cittas would qualify
as eintention is kammaf – in other words – only the cetanā of javana cittas
matter regarding kamma.
This is the first aspect of kamma that is to be kept in mind.
We know that kamma – whether it is akusala kamma or kusala kamma
– can be done by means of bodily action, verbal action or mental action.
Learn the following terms – they are quite simple and easy to
learn.
door of action |
type of kamma |
kāya dvāra |
kāya kamma |
vacī dvāra |
vacī kamma |
mano dvāra |
mano kamma |
Next, we will study about the good and bad deeds that can be
done via each of the doors. This gives a clear perspective into those deeds and
the role that doors play.
10 akusala kamma patha |
10 kusala kamma patha |
3 akusala kāya kamma |
3 kusala kāya kamma |
1) pānātipātā |
1) pānātipātā virati |
4 akusala vacī kamma |
4 kusala vacī kamma |
1) musāvāda |
1) musāvāda virati |
3 akusala mano kamma |
3 kusala mano kamma |
1) abhijjhā |
1) anabhijjhā |
Note:
The following is a very important list that every follower of
Buddha should keep in mind. It is a list of ways to make good kamma or merit or
practising goodness (puñña). Puñña is the currency or wealth that we can take
with us when we die. Without enough puñña, life would be unbearable. That is
why people in Buddhist countries are taught to focus on making as much puñña or
merit as possible.
Even
if you donft learn anything else, at least learn these 10 kinds of kamma and do
them as much as you can. Accumulate puñña as much as you can. Practice as much
goodness as you can in each lifetime. It will bestow all that is good onto you,
in all you lives and even after you become an arahant.
Another important point is this: do not look down on the dāna
group, thinking that it is basic – it is not
basic, it is the basis. If you do not have a generous
mind, then you cannot practise the sīla group of good deeds or the bhāvana
group of good deeds. Keeping this in mind, always self-check if you are able to
delight in the goodness of others. If you find that there is a problem in
there, then you have a lot of work to do. It is an indication that your
foundation is weak – do what is needed to strengthen the foundation.
If you learn these 10 ways of practicing goodness as a group of
three, then it is easier to remember, before and during the time you perform
such deeds. And you can take delight that you have done a good deed. Also, if
you do it with understanding, you add wisdom (amoha) as a root factor into all
your good kammas.
The relationship between kamma and the
results of kamma:
Whether it is akusala cetanā or kusala cetanā – they produce
vipāka cittas – either during paṭisandhi kāla (during rebirth) or at pavatti
kāla (during the life-time) of a living being.
Akusala kamma Μ
akusala cetanā ¨ akusala vipāka
Akusala kamma is accompanied by one of the 12 akusala cittas.
The cetanā of these 12 akusala cittas will produce results (vipāka) that are
undesirable.
Note that only 11 akusala cetanā can produce rebirth in woeful
states (apāya lokas) – the uddhacca sampayutta cittafs cetanā is very weak and
therefore cannot result in rebirth.
At paṭisandhi kāla, that is, at the time of rebirth, these 11
akusala cetanā are capable of producing the akusala vipāka santīraṇa citta that
results in rebirth in one of the 4 apāya loka.
But during the pavatti kāla, that is, during the life-time, all
the 12 akusala cetanās are capable of producing one of the 7 akusala vipāka
cittas in the sensual-planes. At the time when akusala vipāka cittas arise,
that being will experience unpleasant encounters in life.
The rūpa brahmas have only eye-faculty and ear-faculty.
Therefore, in the rūpāvacara planes, during pavatti kāla, these 12 akusala
cetanā are capable of producing only 4 akusala vipāka cittas. They cannot
produce the akusala vipāka ghāna viññāṇa, jivhā viññāṇa, kāya viññāṇa. (Pavatti
kāla means during the life-time.)
(sensual planes refer to both 4 duggati planes and 7 kāma sugati
planes – total 11 kāma planes).
What causes an action to give strong
results or weak results?
We must pay special attention to the kind of mind that we give
rise to – both before and after any kind of action that we do. Let us see why.
Let us learn about ukaṭṭha
kusala kamma or superior kusala kamma –
this is the kind of kamma where, before doing that kamma and after doing that
kamma, many wholesome cittas was made to rise. That is, that being or person
had good thoughts and intentions before and after doing a good kamma. Due to
that reason, that good kamma will be able to give results that are intense or
results that are very good. But, if for some reason, intentions relating to
lobha, dosa or moha were exercised, either before or after, then that good
kamma will give weak results. Note that it will surely give good results, but
they will be of lower quality than if it was otherwise. Such good kammas that
are tainted by lowly intentions, either before or after doing them, are
called inferior kusala kamma or omaka kusala kamma.
Let us contemplate on the following diagram:Notice
that if the kusala kamma is done with the intention based on alobha, adosa and
amoha, then a tihetuka kusala citta will arise at that time. Further more, if
it is surrounded, both before and after with kusala intentions – then the
result will be superior and it will give rise to a tihetuka kusala vipāka
cittas which are strongly effective.
Accumulating a lot of kamma that will give rise to tihetuka
kusala vipāka cittas is important. This is because, the possiblity of one of
them arising at the time of death becomes high. Then it will lead to a good
rebirth and also the rebirth citta will be tihetuka. And throughout that life,
the stream of consciousness will be tihetuka – it will be associated with
wisdom – ñāṇa sampayutta. Due to that reason, during that life-time, practising
and succeeding in the bhāvana group of good kamma is possible. If the stream of
consciousness is dvihetuka – that is – it has only the roots of alobha and
adosa, but no amoha, then success will be lesser, particularly in the bhāvana
group of good deeds, such as meditation and so on.
So please pay careful attention to your intentions not only
during, but both before and after doing a good deed.
FOUR KINDS OF KAMMA
Let us consider the table given below.
We can group kamma into 4 main types – based on:
·
the kind of work the kamma does
·
the probability of the kamma to
give results, at time of death and in next life
·
the time when the kamma will
give result
·
the place where the kamma will
take us
The first category is called ekicca
kammae. This is because the kammas are grouped according to the kind
of work (kicca) they do.
If the kamma gives effect as rebirth citta, then it is called janaka
kamma (ejaf refers to birth and ekaf is suffix).
If the kamma strengthens and enhances another kamma that is currently giving
effect, it is called upatthambaka kamma.
ethambaf means to make firm, support.
If the kamma weakens and nullifies another kamma that is currently giving
effect, it is called upapīlaka kamma.
eupapīlaf means oppress, suppress.
If the kamma puts an end to the janaka kamma and gives its own result, it is
called upaghātaka kamma. That is, it causes death
and subsequently causes a rebirth according to its nature. eghātakaf
means killer.
Note that these effects of strenghtening, weakening and
destroying can be done to akusala kamma and to kusala kamma.
If akusala kamma is strengthened by another kamma, it will give more bad effect
and vice versa. But if an akusala kamma is cut off and new rebirth in a good
place happens because of some upaghātaka kamma, then it is good.
Based on this explanation, you can understand with regard to kusala kamma also.
The second category is called epākadāniya
pariyāya kammae.
Some kammas are so intense and heavy (garuka kamma,
egaruf means heavy) that they will surely give their result at the time of
death and consequently, extend into the next life.
Such kammas are mostly the very serious unwholesome kammas like killing mother
or father or an arahant, causing physical harm to the Buddha and causing the Saṅgha
to split. Having very strong wrong views also gives such bad results. If we can
attain and maintain one of the jhānas, then it will be a very weighty kusala
kamma which will surely give result to a very good next life.
The next type (āsanna kamma) is
the kind of kamma that is accumulated at the time of death.
It has the next highest probability of giving result, since it in the proximity
of death and rebirth (eāsannaf means nearby).
The third type of this kind of kamma (āciṇṇa kamma,
eāciṇṇaf means habitual).
It can give result at the time of death and in the next life itself, since it
has greater probability of arising at the time of death and causing rebirth and
giving effect in that next life.
The fourth and last type of this kind of kamma (kaṭattā
kamma). It refers to some random kamma that was done (ekaṭaf)
previously.
It has the least probability to give result at the time of death and in
rebirth.
The third category of kamma is called epāka kāla
kammae. (epāka-kālaf means fruition-time).
Some kammas give result immediately or in this life itself. Such kammas are
called ediṭṭha-dhamma vedanīya kammae. (ediṭṭha-dhammaf
refers to the present, now and evedanīyaf means experienced).
Some kammas will give result only in the next life. Such kammas are called eupapajja
vedanīya kammae. (eupapajjaf means after rebirth).
Some kammas will give result not in this life-time, not in the next one also,
but in all the later lives. Such kammas are called eaparā
pariya vedanīya kammae. (eaparā pariyaf can be
loosely translated as later- till end).
Some kammas have already given their result and have thus become void of any
resultant effect. Such kammas are called eahosi
kammae. (eahosif means was, in the past).
The fourth category is called epāka ṭhāna
kammae. (epāka ṭhānaf means fruition-place). We have already studied
about this. So it will just be a short review for us.
Akusala kammas give rebirth in apāya lokas,
kāmāvacara kusala kammas give rebirth in the 7 kāmāvacara lokas,
rūpāvacara kusala kammas give rebirth in the rūpāvacara brahma lokas and
arūpāvacara kusala kammas give rebirth in the arūpāvacara brahma lokas.
After first learning the different groups of kammas, make an
effort to learn the Pāḷi terms also. Pace your learning – read it time and
again. After sometime you will be able to recall the terms.
The next method is as follows – kamma can be put into groups
(classified) according to the door of action.
About world cycles:
According to the Theravāda teachings, there are innumerable
world systems in the cosmos that are all in the process of destruction and
resurrection – none of them are permanent. Our world system is comprised of 31
lokas, as we have already studied.
The time frame used for considering the world cycles is called
ekappaf. But there are 3 kinds of kappas – maha kappa, asaṅkheyya kappa and
antara kappa. (easaṅkheyyaf means uncountable and eantaraf means
einterimf)
One antara kappa spans from the time when humans have a life
span of only about 10 years to the time when humans have an extremely lengthy
life span. The increase and decrease in life-span is dependent on the
collective morality of the humans.
64 such antara kappas make 1 asaṅkheyya kappa.
4 asaṅkheyya kappas make one maha kappa.
The diagram below will be helpful in understanding the
difference between the time-frames.
In the course of 1 asaṅkheyya kappa, the world is destroyed for
7 times by fire and every 8th time by water – until the 64th
time. On the 64th time, the world is destroyed by wind.
This is how the world keeps getting destroyed and rebuilt.
It is said that a world system can be in any of the following 4
phase – the disintegration phase; the destroyed phase; the evolving phase and
the static phase.
From the chart above, you can see that when a world system is
destroyed – not all the lokas are destroyed.
When it is destroyed by fire, all the lower lokas, the manussa
and deva lokas and even the first 3 brahma lokas get destroyed. The other
higher lokas remain intact. On the eighth time, when the world system is
destroyed by water, even the 3 brahma lokas obtained through the practice of
the second jhāna are not spared.
So even when you practice and obtain jhānas, donft let up. Try
to lever up to at least the fourth jhāna and develop as much skill as you can
in maintaining it. The life span of resident beings as we go up the deva and
brahma planes is many thousands of years. But still there is no guarantee –
when death occurs due to the rebirth kamma coming to an end – the beings mostly
tend to fall into the lower planes while being reborn.
So you can see that there is no safety and permanence anywhere –
Nibbāna is the only safety. So do not let up till it is attained. In the
meanwhile, do as much good kamma and also become proficient in the jhānas to
gain the temporarily safe places of rebirth.
Please see the appendix at the bottom of the page, for the table
listing the life spans of all the deva and brahma loka residents.
Death – Maraṇa
At the moment of death, cuti citta arises. The next citta is paṭisandhi
citta which gives rebirth in another place.
After death – 3 things stop to arise – jīvitindriya,
tejodhātu (usma), viññāṇa.
Death can arise in 4 ways – maraṇa-uppatti catukka
1.
Āyu-kkhaya maraṇa – death
occurs because life-span is finished.
{like wick of lamp burns out}
2.
Kamma-kkhaya maraṇa – death
occurs because the kamma of that caused that life is finished.
{like oil in a lamp is finished}
3.
Ubhaya-kkhaya maraṇa – death
occurs because both life-span and kamma are finished.
{like both oil is finished & wick is burnt out in a lamp}
4.
Upacchedaka maraṇa – sudden
death occurs because of arising of upaghātaka kamma which destroys the effect
of the kamma that gave that rebirth. (the janaka kamma is cut off by the
upaghātaka kamma)
{like the wind that blows out the lamp}
In what manner does kamma appear at the
time of death?
At the moment of death, the sign of the kamma that is going to
give the rebirth arises in 3 ways:
1.
kamma ārammaṇa – past kamma – arises only in the mind door
2.
kamma nimitta – sign of the past kamma – can arise in any of the 6 doors
[any sight/ sound /
smell etc. that was observed at the time of doing the janaka kamma]
3.
gati nimitta – sign of the place of rebirth – can arise in any of the 6
doors [any sight/ sound / smell etc. that is related to
the place where one is going to be reborn]
Maraṇāsanna vīthi – Cognitive process at
the time of death
Maraṇāsanna vīthi occurs in all the lokas. But it does not occur
in āsanna-satta loka (the world of non-percipient brahmas).
It occurs in all puthujjanas and in sotāpannas, sakadāgāmis and anāgāmis who
are being reborn.
First, let us take a look at the chart below:
As you can see from the chart, maraṇāsanna vīthi can occur not
only at the mind door, but also in any of the 5 sense doors – if the kamma
object is present at that time at that sense door.
Also take note that there are 4 possibilities with regard to the
cuti citta in the maraṇāsanna vīthi.
1.
cuti citta can arise right
after the javana cittas
2.
cuti citta can arise after
javana and bhavaṅga citta
3.
cuti citta can arise after
javana and tadālambaṇa cittas
4.
cuti citta can arise following
javana, tadālambaṇa and bhavaṅga cittas
The following is the outline of the maraṇāsanna vīthi that would
occur in the eye door where cuti citta arises right after the javana cittas
(this is the first
type of the 4 types mentioned in the chart above):
¨ Bhavaṅga(3) ¨ Pañcadvārāvajjana ¨ cakkhu viññāṇa ¨
Sampaṭicchana ¨ Santīraṇa ¨ Voṭṭhabbana ¨ Javana(5)
¨ Cuti ¨ Paṭisandhi ¨ Bh(15 or 16) ¨ Voṭṭhabbana ¨ Javana(7
bhava nikanti javana) ¨ Bhavaṅga c ¨
Notice the following in this maraṇāsanna vīthi:
·
the javana series in the maraṇāsanna
vīthi has only 5 javana cittas.
·
the Paṭisandhi citta is
followed by 15 or 16 Bhavaṅga cittas.
·
then the first cognitive series
of that life-time occurs. It does not need any other external object.
·
the javana cittas in this first
cognitive series are called the ebhava nikanti javanaf because they arise as a
result of attachment (nikanti) to that new rebirth. This javana series will be
comprised of lobha mūla cittas – since it arises due to attachment.
The other 3 types of maraṇāsanna vīthi will also have most of
above features. But the time when the Paṭisandhi citta arises will vary.
As shown in the chart above, if, in the maraṇāsanna vīthi the javana cittas are
followed by bhavaṅga cittas, then the Paṭisandhi citta will arise after that.
If javana cittas are followed by tadālambaṇa cittas or by tadālambaṇa cittas
and bhavaṅga cittas, then the Paṭisandhi citta will arise after that.
I will not go into the intricate details of the other 3 types of
maraṇāsanna vīthi, here. If you are interested in learning in more detail about
them, you can do so from this excellent text book – Process_of_consciousness_and_matter.
Although in the chart above, it says 4 kinds of maraṇāsanna
vīthi can occur for puthujjana and sekhas – only the first 2 kinds will occur
if the death and rebirth that involves rūpāvacara or arūpāvacara lokas. This is
because tadālambana cittas arise pertaining to kāmāvacara objects and
kāmāvacara lokas only. This point needs some contemplation in order to be
understood. But it is not a difficult point. So make sure you get this point.
FOUR MODES OF CONCEIVING
1.
aṇḍaja paṭisandhi
2.
jalābuja paṭisandhi (gabba
seyaka paṭisandhi)
3.
saṃsedaja paṭisandhi
4.
opapātika paṭisandhi
eaṇḍaf means egg, ejalaf means water, egabbaf means womb, esaṃsedaf
means moisture, eopapātikaf means spontaneous, ejaf is a particle with the
meaning ebirthf.
aṇḍa ja paṭisandhi |
jalābu ja paṭisandhi |
saṃseda ja paṭisandhi |
opapātika paṭisandhi |
egg – born
rebirth |
womb – born
rebirth |
moisture –
born rebirth |
spontaneous
rebirth |
tiracchāna |
peta asura tiracchāna manussa devas
on earth |
tiracchāna manussa |
niraya peta asura tiracchāna manussa
(at world beginning) deva
on earth devas
of the deva loka rūpa
brahmas |
Appendix
With this, we have covered all the important topics in this
chapter.
If you find that a topic is difficult to understand, please leave a comment and
let me know.
May you be successful.
Lesson 8 – Samuccaya
Let us begin this abhidhamma tutorial on samuccaya.
The word samuccaya is used in the sense of a compendium of paramattha dhammas.
In this lesson we will study about the collection of different categories of
the ultimate realities.
This lesson lays the foundation for the study of Dhammasangani categories. So
learn this lesson well.
Note: I have used the terms used in the Canon instead of
using the English translations. Each original term has a depth of meaning that
will be lost when translated. It is better to train yourself to think of these
concepts using the original terms. They will acclimatize you to a way of
thinking and comprehending that is in line with the Buddhafs Teaching. They
will certainly add depth to your understanding.
Whenever we venture into a new field of study, we first
learn the vocabulary to find our way around. In the same way, learn the
vocabulary used in Abhidhamma. It will help you to alter your thinking and
viewing in line with the Dhamma.
INTRODUCTION
There are 72 kinds of vatthu dhamma.
They are:
1 CITTA +
52 CETASIKAS +
18 NIPPHANNA RŪPAS +
1 NIBBĀNA
= 72 VATTHU DHAMMAS
NOTE:
18 NIPPHANNA RŪPAS are 4 mahābhūta, 6 vatthu, 2 bhāva, vaṇṇa, sadda, gandha,
rasa, oja, jīvita.
Those vatthu dhammas that are related are put into groups
as seen below:
1.AKUSALA SAṄGAHA
2.MISSAKA SAṄGAHA
3.BODHIPAKKHIYA
SAṄGAHA
4.SABBA SAṄGAHA
The following table gives the details of the above 4
groups:
AKUSALA
SAṄGAHA |
MISSAKA
SAṄGAHA |
BODHIPAKKHIYA
SAṄGAHA |
SABBA
SAṄGAHA |
4
āsava |
6
hetu |
4
satipaṭṭhāna |
5
khandha |
All these terms will be explained one by one as we take
them for study. For now read through the terms. I think by now you will be more
familiar with many of the terms given here.
Akusala saṅgaha means the compendium of immoral
categories.
There are 9 immoral categories –
1.
āsavas – intoxicants, effluents
2.
ogha – floods
3.
yoga – yokes
4.
gantha – bonds
5.
upādāna – attachments
6.
nīvaraṇa – hindrances
7.
anusaya – latent tendencies
8.
saṃyojana – fetters
9.
kilesa – defilements
Compendium means a collection of various kinds of things
– here it is various categories of unwholesome dhammas.
AKUSALA SAṄGAHA – in detail
·
4 ĀSAVA
Āsava means effluent – for they flow out of the mind.
They also mean intoxicant – for they intoxicate the mind.
There are 4 of them –
1.
the effluent of sensual desire (kāmāsava),
2.
the effluent of desire for becoming (bhavāsava),
3.
the effluent of wrong-view (diṭṭhāsava) and
4.
the effluent of ignorance (avijjāsava).
4 ĀSAVA |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
kāmāsava |
lobha
(in 8 lobha-mūla cittas) |
bhavāsava |
lobha
(in 4 diṭṭhigata vippayutta
lobha-mūla citta) |
diṭṭhāsava |
diṭṭhi (in 4 diṭṭhigata sampayutta
lobha-mūla citta) |
avijjāsava |
moha
(in all 12 akusala cittas) |
·
4 OGHA
Ogha means flood – for they flood the mind. There are 4
of them:
1.
the flood of sensual desire (kāmogha),
2.
the flood of desire for becoming (bhavogha),
3.
the flood of wrong-view (diṭṭhogha) and
4.
the flood of ignorance (avijjogha).
4 OGHA |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
kāmogha |
lobha
(in 8 lobha-mūla cittas) |
bhavogha |
lobha
(in 4 diṭṭhigata vippayutta lobha-mūla
citta) |
diṭṭhogha |
diṭṭhi (in 4 diṭṭhigata sampayutta
lobha-mūla citta) |
avijjogha |
moha
(in all 12 akusala cittas) |
·
4 YOGA
Yoga means yoke – for they yoke us to the rounds of
rebirth. There are 4 of them:
1.
the yoke of sensual desire (kāmayoga),
2.
the yoke of desire for becoming (bhavayoga),
3.
the yoke of wrong-view ( diṭṭhi yoga) and
4.
the yoke of ignorance (avijjā yoga).
4 YOGA |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
kāmayoga |
lobha
(in 8 lobha-mūla cittas) |
bhavayoga |
lobha
(in 4 diṭṭhigata vippayutta
lobha-mūla citta) |
diṭṭhi yoga |
diṭṭhi (in 4 diṭṭhigata sampayutta
lobha-mūla citta) |
avijjā
yoga |
moha
(in all 12 akusala cittas) |
·
4 GANTHA
Gantha means knot or tie. There are 4 of them:
1.
the covetousness aggregate-knot (abhijjhā kāyagantha),
2.
the ill-will aggregate-knot (vyāpāda kāyagantha),
3.
the adherence to rites and rituals aggregate-knot
(sīlabbata parāmāsa kāyagantha) and
4.
the adherence that,hThis alone is trueh, aggregate-knot
(idaṃ saccābhinivesa kāyagantha).
The word kāyagantha has 2 words kāya + gantha. Here kāya
refers to the aggregates. Thus the word can be understood as aggregate-knot –
the knot that ties up the aggregates to the rounds of rebirth.
4 GANTHA |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
abhijjhā
kāyagantha |
lobha(in
8 lobha mūla cittas) |
vyāpāda
kāyagantha |
dosa
(in 2 dosa mūla cittas) |
sīlabbata
parāmāsa kāyagantha |
diṭṭhi (in 4 diṭṭhigata sampayutta lobha
mūla citta) |
idaṃ saccābhinivesa
kāyagantha |
diṭṭhi (in 4 diṭṭhigata sampayutta lobha
mūla citta) |
·
4 UPĀDĀNA
Upādāna means clinging or taking sustenance. There are 4
kind of clinging:
1.
the clinging to sensual desire (kāmupādāna),
2.
the clinging to wrong-view (diṭṭhupādāna),
3.
the clinging to rites and rituals (sīlabbatupādāna) and
4.
the clinging to a doctrine of self (attavādupādāna).
4 UPĀDĀNA |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
kāmupādāna |
lobha
(in 8 lobha-mūla cittas) |
diṭṭhupādāna |
diṭṭhi (in 4 diṭṭhigata sampayutta lobha
mūla citta) |
sīlabbatupādāna |
diṭṭhi (in 4 diṭṭhigata sampayutta lobha
mūla citta ) |
attavādupādāna |
diṭṭhi (in 4 diṭṭhigata sampayutta lobha
mūla citta) |
·
6 NĪVARAṆA
Nīvaraṇa means hinderance. This is because they hinder
the attainment of jhāna, good rebirth and Nibbāna. There are 6 of them:
1.
the hindrance of sensual desire (kāmacchanda),
2.
the hindrance of ill-will (vyāpāda),
3.
the hindrance of sloth and torpor (thina-middha),
4.
the hindrance of restlessness and worry
(uddhacca-kukkucca),
5.
the hindrance of faithlessness or doubt (vicikicchā) and
6.
the hindrance of ignorance (avijjā).
6 NĪVARAṆA |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
kāmacchanda
nīvaraṇa |
lobha
cetasika |
vyāpāda
nīvaraṇa |
dosa
cetasika |
thina-middha
nīvaraṇa |
thina
+ middha cetasikas |
uddhacca-kukkucca
nīvaraṇa |
uddhacca
+ kukkucca cetasikas |
vicikicchā
nīvaraṇa |
vicikicchā
cetasika |
avijjā
nīvaraṇa |
moha
cetasika |
·
7 ANUSAYA
Anusaya means latent tendency. In other words, these are
tendencies that lie dormant in the mind stream, but become manifest once
suitable conditions are present. There are 7 of them:
1.
the latent tendency to sensual lust (kāmarāgānusaya),
2.
the latent tendency to lust for becoming
(bhavarāgānusaya),
3.
the latent tendency to ill-will (paṭighānusaya),
4.
the latent tendency to conceit (mānānusaya),
5.
the latent tendency to wrong-view (diṭṭhānusaya),
6.
the latent tendency to doubt (vicikicchānusaya) and
7.
the latent tendency to ignorance (avijjānusaya).
7 ANUSAYA |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
kāmarāgānusaya |
lobha
cetasika |
bhavarāgānusaya |
lobha
cetasika |
paṭighānusaya |
dosa
cetasika |
mānānusaya |
māna
cetasika |
diṭṭhānusaya |
diṭṭhi cetasika |
vicikicchānusaya |
vicikicchā
cetasika |
avijjānusaya |
moha
cetasika |
·
10 SAṂYOJANA
Saṃyojana means fetter or shackle. That is because they
shackle beings to the rounds of rebirth. There are 10 of them:
1.
the fetter of lust for sensual pleasures (kāmarāga),
2.
the fetter of lust for becoming (bhavarāga),
3.
the fetter of ill-will (paṭighā),
4.
the fetter of conceit (māna),
5.
the fetter of wrong-view (diṭṭhi),
6.
the fetter of adherence to rites and rituals
(sīlabbataparāmāsa),
7.
the fetter of faithlessness (doubt) (vicikicchā),
8.
the fetter of envy (issā),
9.
the fetter of stinginess (macchariya) and
10.
the fetter of ignorance (avijjā).
10 SAṂYOJANA |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
kāmarāga
saṃyojana |
lobha
cetasika |
bhavarāga
saṃyojana |
lobha
cetasika |
paṭighā saṃyojana |
dosa
cetasika |
māna
saṃyojana |
māna
cetasika |
diṭṭhi saṃyojana |
diṭṭhi cetasika |
sīlabbataparāmāsa
saṃyojana |
diṭṭhi cetasika |
vicikicchā
saṃyojana |
vicikicchā
cetasika |
issā
saṃyojana |
issā
cetasika |
macchariya
saṃyojana |
macchariya
cetasika |
avijjā
saṃyojana |
moha
cetasika |
·
10 KILESA
Kilesa means defilement. This is because they defile the
mind. Another meaning is that they torment the mind – so they are the
tormentors. There are 10 of them:
1.
the defilement of craving (lobha),
2.
the defilement of ill-will (dosa),
3.
the defilement of delusion (moha),
4.
the defilement of conceit (mānā),
5.
the defilement of wrong-view (diṭṭhi),
6.
the defilement of faithlessness or doubt (vicikicchā),
7.
the defilement of sloth (thina),
8.
the defilement of restlessness (uddhacca),
9.
the defilement of shamelessness (ahirika) and
10.
the defilement of fearlessness (anottappa).
10 KILESA |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
lobha |
lobha
cetasika |
dosa |
dosa
cetasika |
moha |
moha
cetasika |
mānā |
māna
cetasika |
diṭṭhi |
diṭṭhi cetasika |
vicikicchā |
vicikicchā
cetasika |
thina |
thina
cetasika |
uddhacca |
uddhacca
cetasika |
ahirika |
ahirika
cetasika |
anottappa |
anottappa
cetasika |
·
3 OR 6 TAṆHĀ
Taṇhā means craving, lust, passion, desire, attachment.
There are basically 3 modes or ways of craving:
1.
the craving for sensual pleasures (kāma taṇhā),
2.
the craving for becoming (bhava taṇhā),
3.
the craving for non-becoming (vibhava taṇhā).
Considering in another angle, taṇhā can arise with regard
one of the 6 types of objects:
1.
the craving for visible objects (rūpa taṇhā),
2.
the craving for sounds (sadda taṇhā),
3.
the craving for smells (gandha taṇhā),
4.
the craving for tastes (rasa taṇhā),
5.
the craving for touchable objects (phoṭṭhabba taṇhā),
6.
the craving for mental objects (dhamma taṇhā).
The taṇhā for each of the 6 objects can arise in one of
the 3 basic modes of craving. Thus there can be 6 X 3 = 18 kinds
of craving or taṇhā.
Further, these 6 objects can be internal or
external – then there can be 18 X 2 = 36 kinds of
craving.
Further, the 3 modes of craving can be related to the
past or present or future – then there can be 36 X 3 = 108 ways
by which taṇhā or craving can arise.
Consider this for sometime. You can comprehend the
enormity of the problem facing us. Luckily, the Dhamma teaches us the way to
avert this problem. So keep your chin up, keep learning and applying it to
life. But at the same time increase your vigilance and heedfulness.
3 OR 6 TAṆHĀ |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
kāma
taṇhā |
lobha
cetasika |
The following table compiles the above data in terms of
cetasikas:
akusala |
4 āsava |
4 ogha |
4 yoga |
4 gantha |
4 upādāna |
6 nīvaraṇa |
7 anusaya |
10 saṃyojana |
10 kilesa |
|
moha |
⊕ |
⊕ |
⊕ |
⊕ |
⊕ |
⊕ |
⊕ |
|||
ahirika |
⊕ |
|||||||||
anottappa |
⊕ |
|||||||||
uddhacca |
⊕ |
⊕ |
||||||||
lobha |
⊕ |
⊕ |
⊕ |
⊕ |
⊕ |
⊕ |
⊕ |
⊕ |
⊕ |
|
diṭṭhi |
⊕ |
⊕ |
⊕ |
⊕ |
⊕ |
⊕ |
⊕ |
⊕ |
||
māna |
⊕ |
⊕ |
⊕ |
|||||||
dosa |
⊕ |
⊕ |
⊕ |
⊕ |
⊕ |
|||||
issā |
⊕ |
|||||||||
macchariya |
⊕ |
|||||||||
kukkucca |
⊕ |
|||||||||
thina |
⊕ |
⊕ |
||||||||
middha |
⊕ |
|||||||||
vicikicchā |
⊕ |
⊕ |
⊕ |
⊕ |
||||||
actual |
3 |
3 |
3 |
3 |
2 |
8 |
6 |
8 |
10 |
This kind of information is very useful while we analyse
the dhammas into categories in Dhammasangani. So try to familiarize yourself
with these tables as much as you can now. It will be very helpful later on.
Even if you cannot fully retain it in memory now, you can appreciate its value
when you study the dukas and tikas of Dhammasangani.
Also during that process you will master this categorization. But studying this
compilation now, gives you a head start in learning the analytical method used
in Dhammasangani.
Missaka saṅgaha
There are 7 mixed categories (missaka means mixed) –
1.
hetu – roots
2.
jhānaṅga – components of jhāna
3.
maggaṅga – components of magga
4.
indriya – faculies
5.
bala – strengths
6.
adhipati – dominators
7.
āhāra – foods
They are considered as mixed because both akusala and
kusala factors are present in the same category.
·
The 6 HETUS
Hetu means root or root-condition. This is a fundamental
concept and so learn this well.
1.
The 3 wholesome root-conditions (kusala hetus) – generosity
(alobha), loving kindness (adosa) and wisdom (amoha) are the root of all
wholesome cittas.
2.
The 3 unwholesome root-conditions (akusala hetus) –
craving (lobha), ill-will (dosa) and delusion (moha) are the root of all
unwholesome cittas.
3.
The sobhana kiriya and sobhana vipāka cittas also have
the 3 roots of alobha, adosa and amoha – but in their case, these roots are
considered as indeterminate roots only (i.e. avyākata hetu).
6 HETUS |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
lobha |
lobha
in 8 lobha mūla cittas |
dosa |
dosa
in 2 dosa mūla cittas |
moha |
moha
in 2 moha mūla cittas |
alobha |
alobha
adosa amoha in the 59 sobhana cittas |
·
The 7 JHĀNAṄGA
Jhānaṅga is comprised of 2 words, jhāna + aṅga. Aṅga
means component of or part of. Jhāna usually means absorption concentration.
But in the context of missaka saṅgaha, the word jhāna should be understood as
beholding an object, taking up an object. Any citta, whether wholesome or
unwholesome will surely have an object that it beholds. So the category of
jhānaṅga comes under missaka saṅgaha (mixed categories).
7 JHĀNAṄGA |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
vitakka |
those
that are present in the 79 cittas |
·
The 12 MAGGAṄGA
Maggaṅga means components of the path. Here, the meaning
of path (magga) is more wide – path refers to the way leading to any
destination, be it the lower worlds or the human world or the deva worlds etc.
Therefore, we can find that some of the components of this category are
wholesome and some are not. (miccha means wrong). Since you are already
familiar with the terms, I have not explained them.
12 MAGGAṄGA |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
sammā
diṭṭhi |
paññā
in 42 cittas {8 maha kusala, 8 maha kiriya and 26 appana
javana} |
sammā
saṅkappa |
vitakka
cetasika present in the above 42 cittas |
sammā
vācā |
sammā
vāca cetasika present in 8 maha kusala and 8 lokuttara |
sammā
kammanta |
sammā
kammantā cetasika in 8 maha kusala and 8 lokuttara |
sammā
ājīvā |
sammā
ājīva cetasika in 8 maha kusala and 8 lokuttara |
sammā
vāyāma |
viriya
cetasika in the above mentioned 42 cittas |
sammā
sati |
sati
cetasika in the above mentioned 42 cittas |
sammā
samādhi |
ekaggatā
cetasika in the above 42 cittas |
micchā
diṭṭhi |
diṭṭhi cetasika in 4 lobha-mula
diṭṭhigata sampayutta citta |
micchā
saṅkappa |
vitakka
cetasika in 12 akusala citta |
micchā
vāyāma |
viriya
cetasika in 12 akusala citta |
micchā
samādhi |
ekaggatā
cetasika in 12 akusala cittas |
·
The 22 INDRIYA
Indriya means faculty. The indriya are like governors
that are the boss of their respective domains. There are 22 of them as a mixed
category. Some of the components are matter, some of them pertain to the mind.
Of them, some are lokiya (mundane) and some are lokuttara (supra-mundane). For
those terms that need explaining, it is given beneath the following table.
22 INDRIYA |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
cakkhundriya
(eye-faculty) |
cakkhu
pasāda (sensitive-eye-matter) |
sotindriya
(ear-faculty) |
sota
pasāda |
ghānindriya
(nose-faculty) |
ghāna
pasāda |
jivhindriya
(tongue-faculty) |
jivhā
pasāda |
kāyindriya
(body-faculty) |
kāya
pasāda |
itthindriya
(faculty of feminity) |
itthi
bhāva rūpa |
purisindriya
(faculty of masculinity) |
purisa
bhāva rūpa |
jīvitindriya
(life-faculty) |
jivita
rūpa & jīvitindriya cetasika |
manindriya
(mind-faculty) |
89
or 121 cittas |
sukhindriya |
sukha
vedanā (pleasant bodily feeling) |
dukkhindriya |
dukkha
vedanā (unpleasant bodily feeling) |
somanassindriya |
somanassa
vedanā (pleasant mental feeling) |
domanassindriya |
domanassa
vedanā (unpleasant mental feeling) |
upekkhindriya |
upekkhā
vedanā (neutral mental feeling) |
saddhindriya
(faith-faculty) |
saddhā
cetasika in 42 above mentioned cittas |
viriyindriya
(effort-faculty) |
viriya
cetasika in 42 above mentioned cittas |
satindriya
(mindfulness-faculty) |
sati
cetasika in 42 above mentioned cittas |
samādhindriya
(concentration-faculty) |
ekaggatā
cetasika in 42 above mentioned cittas |
paññindriya
(wisdom-faculty) |
paññindriya
cetasika in 42 above mentioned cittas |
anaññāt- |
paññā
associated with sotāpatti magga citta |
aññindriya |
paññā
associated with the upper 3 maggas & lower 3 phala citta |
aññātāvindriya |
paññā
associated with arahatta phala citta |
anaññātaññassāmītindriya = na + aññāta+ ñassāmi + iti +
indriya. gna + aññātah means gwhat is not knownh. gñassāmih means gI will
knowh. gitih is used to denote quotation marks. So this term has this meaning –
the faculty of gI will know what is not knownh. This is the faculty of a
sotāpanna. It is essentially wisdom specific to sotāpatti magga.
aññindriya = aññā + indriya. gaññāh means knowing. It is
the wisdom specific to all the remaining lokuttara cittas except the arahatta
phala citta.
aññātāvindriya = aññātāvi + indriya. gaññātāvih means
eone who has knownf. It refers to an arahant. It is the faculty of the arahants,
specifically, it is the wisdom of the arahatta phala citta.
·
The 9 BALA
Bala means strength or power. In the context of missaka
saṅgaha, both the wholesome powers and the unwholesome powers are given here.
The wholesome balas are powerful because they cannot be shaken by their
opposites. The balas also strengthen the accompanying mental phenomena like the
citta and cetasikas. It is because of these two reasons, they are called bala.
But the akusala balas of ahirika and anottappa are called balas, only because
they strengthen the accompanying citta and cetasikas. They will surely be
shaken by the opposing kusala phenomena. So these two are balas in one sense
only.
9 BALA |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
saddhā
bala |
saddhā
cetasika in 59 sobhana cittas |
viriya
bala |
viriya
cetasika in 73 cittas that have viriya |
sati
bala |
sati
cetasika in 59 sobhana cittas |
samādhi
bala |
ekaggatā
in 72 cittas |
paññā
bala |
paññā
in 47 cittas with paññindriya cetasika |
hiri
bala |
hiri
cetasika in 59 sobhana cittas |
ottappa
bala |
ottappa
cetasika in 59 sobhana cittas |
ahirika
bala |
ahirika
cetasika in 12 akusala cittas |
anottappa
bala |
anottappa
cetasika in 12 akusala cittas |
Hiri means shame to do evil actions. Ottappa means fear
to do evil actions.
Ahirika means shamelessness to do evil actions. Anottappa
means fearlessness to do evil actions.
·
The 4 ADHIPATI
Adhipati means the over-lord who pre-dominates. For any
difficult task to be accomplished, one of the adhipatis must pre-dominate over
the cittas and cetasikas. There are 4 of them: chanda (will-to-do), viriya
(effort), citta (intent), vīmaṃsa (investigate i.e. problem-solving).
4 ADHIPATI |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
chandādhipati |
chanda
cetasika in 52 javana cittas |
vīriyādhipati |
viriya
cetasika in 52 javana cittas |
cittādhipati |
52 javana
cittas |
vīmaṃsādhipati |
paññā
cetasika in 52 javana cittas |
·
The 4 ĀHĀRA
Āhāra means food or sustenance. Kabalīkāra āhāra sustains
the material body and the remaining three provide sustenance for the
mental components of a living being.
4 ĀHĀRA |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
kabalīkāra
āhāra (edible food) |
oja
rūpa {produces āhāraja suddhaṭṭhaka kalāpa} |
phassa
āhāra (contact as sustenance) |
phassa
cetasika in all 89 cittas |
mano
sañcetanā āhāra (intention as sustenance) |
cetanā
in 29 cittas |
viññāṇāhāra (consciousness as
sustenance) |
89 or
121 cittas {produces and sustains cittaja rūpa} |
Bodhipakkhiya literally means ethe wings of awakeningf.
There are 37 components which act as wings (pakkhiya) and
take us towards awakening (bodhi). They are:
·
4 satipaṭṭhāna – foundations of
mindfulness
·
4 sammappadāna – right exertions
·
4 iddhipāda – basis of accomplishment
·
5 indriya – faculties
·
5 bala – strengths
·
7 bojjhaṅga – components of
enlightenment
·
8 maggaṅga – components of the Path
This is a very important categorization. Altogether there
are 37 factors in this list. The Buddha emphasized that this list is a
distilled form of his Teachings. Bodhi + pakkiya means enlightenment + wings of
(parts of). That is, ethe wings of enligtenmentf. The word epakkiyaf can be
translated as erequisites off, efactors off, epertaining tof etc. But the
important point to keep in mind is that these factors when focused on and
mastered, lead the way out of suffering, out of the rounds of rebirth. So pay
careful attention and learn them well. Make effort to keep them in mind and to
keep cultivating them throughout your life. It would certainly lead the way to
lasting happiness in this life and in the future lives. In fact, I suggest that
it is better to focus on cultivating the bodhipakkhiya dhammas instead of
focusing on pāramis individually. For when the focus is on the bodhipakkhiya
dhammas, all the pāramis get developed automatically. Think about this for
yourself. You will find that it makes sense
BODHIPAKKHIYA SAṄGAHA – in detail
·
4 SATIPAṬṬHĀNA – 4 Frames of reference or 4 Foundations
of mindfulness
4 SATIPAṬṬHĀNA |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
kāyānupassana
satipaṭṭhāna |
sati
in 42 cittas |
·
4 SAMMAPPADĀNA – 4 Exertions
4 SAMMAPPADĀNA |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
1.
effort to remove akusala dhamma |
viriya
in 25 cittas |
·
4 IDDHIPĀDA – 4 pathways of accomplishment
4 IDDHIPĀDA |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
chandiddhipāda |
chanda
in 21 kusala cittas |
viriyiddhipāda |
viriya
in 21 kusala cittas |
cittiddhipāda |
citta
– that
is, 21 kusala cittas |
vīmaṃsiddhipāda |
paññā
in 21 kusala cittas |
·
5 INDRIYA – 5 faculties
5 INDRIYA |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
saddhindriya |
saddhā
in 42 cittas {8 maha kusala, 8 maha kiriya, 26 appana
javana} |
vīriyindriya |
viriya
in the above 42 cittas |
satindriya |
sati
in the above 42 cittas |
samādhindriya |
ekaggatā
in the above 42 cittas |
paññindriya |
paññā
in the above 42 cittas |
·
5 BALA – 5 powers or strengths
5 BALA |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
saddhā
bala |
saddhā
in the above 42 cittas |
viriya
bala |
viriya
in the above 42 cittas |
sati
bala |
sati
in the above 42 cittas |
samādhi
bala |
ekaggatā
in the above 42 cittas |
paññā
bala |
paññā
in the above 42 cittas |
·
7 BOJJHAṄGA – 7 Factors of enlightenment
7 BOJJHAṄGA |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
sati
sambojjhaṅga |
sati
in the above 42 cittas |
dhammavicaya
sambojjhaṅga |
paññā
in the above 42 cittas |
viriya
sambojjhaṅga |
viriya
in the above 42 cittas |
pīti
sambojjhaṅga |
pīti
in the above 42 cittas |
passadhi
sambojjhaṅga |
passadhi
in the above 42 cittas |
samādhi
sambojjhaṅga |
ekaggatā
in the above 42 cittas |
upekkhā
sambojjhaṅga |
tatramajjhattatā
in the above 42 cittas |
·
8 MAGGAṄGA – 8 components of the Path
8 MAGGAṄGA |
|
Components
of the category |
The
paramattha dhamma or ultimate reality |
sammā
diṭṭhi |
paññā
in the above 42 cittas |
sammā
saṅkappa |
vitakka
in the above 42 cittas |
sammā
vāca |
sammā
vācā in the above 42 cittas |
sammā
kammanta |
sammā
kammanta in the above 42 cittas |
sammā
ājīva |
sammā
ājīva in the above 42 cittas |
sammā
vāyāma |
viriya
in the above 42 cittas |
sammā
sati |
sati
in the above 42 cittas |
sammā
samādhi |
ekaggatā
in the above 42 cittas |
Note 1: (26 appana cittas = 5 rūpāvacara kusala + 5
rūpāvacara kiriya + 4 arūpāvacara kusala + 4 arūpāvacara kiriya + 4 magga + 4
phala )
Note 2: Although the 5 indriyas and the 5 balas are
indicated by similar terms and similar ultimate realities, their difference
lies in intensity.
The 5 balas (strengths) have to be developed to the point
where they become dominant in the mind. At that level, they become the 5
indriya (faculties).
The following table takes a look at the bodhipakkhiya
dhammas in terms of cetasikas.
14 |
4 |
4 |
4 |
5 |
5 |
7 bojjhaṅga |
8 maggaṅga |
total presence |
viriya |
⊕⊕⊕⊕ |
⊕ |
⊕ |
⊕ |
⊕ |
⊕ |
9 |
|
sati |
⊕⊕⊕⊕ |
⊕ |
⊕ |
⊕ |
⊕ |
8 |
||
paññā |
⊕ |
⊕ |
⊕ |
⊕ |
⊕ |
5 |
||
ekaggatā |
⊕ |
⊕ |
⊕ |
⊕ |
4 |
|||
saddhā |
⊕ |
⊕ |
2 |
|||||
pīti |
⊕ |
1 |
||||||
passaddhi |
⊕ |
1 |
||||||
tatra |
⊕ |
1 |
||||||
chanda |
⊕ |
1 |
||||||
citta |
⊕ |
1 |
||||||
sammā vāca |
⊕ |
1 |
||||||
sammā kammanta |
⊕ |
1 |
||||||
sammā ājīva |
⊕ |
1 |
||||||
vitakka |
⊕ |
1 |
Sabba means eallf. All phenomena can be categorized as
nāma and rūpa. These two can be further sub-divided as:
·
5 khandha – 5 aggregates
·
5 upādānakkhandha – 5 aggregates-clung-to
·
12 āyatana – 12 bases
·
18 dhātu – 18 elements
·
4 ariya sacca – 4 Noble Truths
These categories are the ways by which we identify a
phenomena and/or create an identity for ourself or for what we encounter
outside. If we know these categories, we can figure out the mode by which the
sense of identity was created by the mind or we can use this categorization to
identify a phenomena. Hence the knowledge of these categories is very important
to consider our experience in terms of anatta or not-self.
Note that the 4 Noble Truths also come under sabba saṅgaha.
Each Truth is actually a phenomena which is to be dealt with appropriately.
Once a phenomena is identified correctly, we have the appropriate action-mode
towards that phenomena – the first truth is to be comprehended, the second –
abandoned; the third – realized and the fourth – developed. If we act
appropriately, it removes suffering. Otherwise not. But first, we need to
identify what Truth a particular phenomena is. Hence this saṅgaha is very
important to learn and to understand.
SABBA SAṄGAHA – in detail
·
5 KHANDHA – 5 aggregates
5 KHANDHA |
|
Components
of the category |
Associated
ultimate reality |
rūpakkhandha |
28 rūpa |
vedanākkhandha |
5 kinds
of vedanā |
saññākkhandha |
1 saññā
cetasika |
saṅkhārakkhandha |
50 cetasikas
except vedanā and saññā |
viññāṇakkhandha |
89 or 121 cittas |
·
5 UPĀDĀNA KHANDHA – 5 aggregates-clung-to
5 UPĀDĀNA KHANDHA |
|
Components
of the category |
Associated
ultimate reality |
rūpupādānakkhandha |
28 rūpa |
vedanupādānakkhandha |
vedanā
associated with 81 lokiya cittas |
saññupādānakkhandha |
saññā
cetasika associated with 81 lokiya cittas |
saṅkhārupādānakkhandha |
50 lokiya
cetasikas except vedanā and saññā |
viññāṇupādānakkhandha |
81 lokiya
cittas |
·
12 ĀYATANA – 12 bases
12 ĀYATANA |
|
Components
of the category |
Associated
ultimate reality |
AJJHATTIKA
ĀYATANĀ |
|
cakkhāyatana |
cakkhu
pasāda |
sotāyatana |
sota
pasāda |
ghānāyatana |
ghāna
pasāda |
jivhāyatana |
jivhā
pasāda |
kāyāyatana |
kāya
pasāda |
manāyatana |
89
or 121 cittas |
BĀHIRA
ĀYATANĀ |
|
rūpāyatana |
vaṇṇa |
saddāyatana |
sadda |
gandhāyatana |
gandha |
rasāyatana |
rasa |
phoṭṭhabbāyatana |
pathavī,
tejo, vāyo |
dhammāyatana |
52
cetasika, 16 sukhuma rūpa, Nibbāna |
·
18 DHĀTU – 18 elements
18 DHĀTU |
|
Dhātus
are derived from āyatanas. |
|
Components
of the category |
Associated
ultimate reality |
DVĀRA |
|
cakkhu
dhātu |
cakkhu
pasāda |
sota
dhātu |
sota
pasāda |
ghāna
dhātu |
ghāna
pasāda |
jivhā
dhātu |
jivhā
pasāda |
kāya
dhātu |
kāya
pasāda |
mano
dhātu |
3
(1 pañcadvārāvajjana + 2 sampaṭicchana) |
ĀRAMMAṆA |
|
rūpa
dhātu |
vaṇṇa |
sadda
dhātu |
sadda |
gandha
dhātu |
gandha |
rasa
dhātu |
rasa |
phoṭṭhabba dhātu |
pathavī,
tejo, vāyo |
dhamma
dhātu |
52
cetasika, 16 sukhuma rūpa, Nibbāna |
VIÑÑĀṆA DHĀTU |
|
cakkhu
viññāṇa dhātu |
2
cakkhu viññāṇa |
sota
viññāṇa dhātu |
2
sota viññāṇa |
ghāna
viññāṇa dhātu |
2
ghāna viññāṇa |
jivhā
viññāṇa dhātu |
2
jivhā viññāṇa |
kāya
viññāṇa dhātu |
2
kāya viññāṇa |
mano
vññāṇa dhātu |
76
cittas (minus 10 viññāṇa) |
·
4 ARIYA SACCA – 4 Noble Truths
4 ARIYA SACCA |
|
Components
of the category |
Associated
ultimate reality |
dukkha
ariya saccaṃ |
81
lokiya citta + 51 lokiya cetasika (minus lobha) |
dukkha
samudaya ariya saccaṃ |
lobha
(present in 8 lobha-mūla cittas) |
dukkha
nirodha ariya saccaṃ |
Nibbāna |
dukkha
nirodha gāmini paṭipada ariya
saccaṃ |
8
maggaṅgas |
Lesson10
Paṭṭhāna
teaches us how or in what manner conditioning happens between two phenomena.
That is, it deals with the causal relations between the conditioned phenomena
and the conditioning phenomena.
There
are 24 such causal relations. They are:
1.
Hetupaccayo (The
Root-causal-relation),
2.
ārammaṇapaccayo (The
Object-causal-relation),
3.
adhipatipaccayo (The
Predominance-causal-relation),
4.
anantarapaccayo (The
Adjacence-causal-relation),
5.
samanantarapaccayo (The
Closely-adjacent-causal-relation),
6.
sahajātapaccayo (The
Co-Arising-causal-relation),
7.
aññamaññapaccayo (The
Mutuality-causal-relation),
8.
nissayapaccayo (The
Supportive-causal-relation),
9.
upanissayapaccayo (The
Foundational-support-causal-relation),
10. purejātapaccayo (The Pre-born-causal-relation),
11. pacchājātapaccayo (The Post-born-causal-relation),
12. āsevanapaccayo (The Recurrence-causal-relation),
13. kammapaccayo (The Kamma-causal-relation),
14. vipākapaccayo (The Fruitional-causal-relation),
15. āhārapaccayo (The Sustenance-causal-relation),
16. indriyapaccayo (The Faculty-causal-relation),
17. jhānapaccayo (The Attention-causal-relation),
18. maggapaccayo (The Path-causal-relation),
19. sampayuttapaccayo (The Association-causal-relation),
20. vippayuttapaccayo (The Dissociation-causal-relation),
21. atthipaccayo (The Presence-causal-relation),
22. natthipaccayo (The Absence-causal-relation),
23. vigatapaccayo (The Disappearance-causal-relation),
24. avigatapaccayo (The Non-disappearance-causal-relation)
It
is very good and so, is highly advised that you memorize the 24 conditions.
First
understand and memorise the names and the meaning of the names of the causal
relations.
A
good way to do that is to memorize the original term and understand what it
means. For example, study the word hetu and also its meaning erootf. For
sampayutta paccaya, you know that the word sampayutta means association. Keep
that meaning in mind.
As
you proceed, it is good to keep to the original terms instead of translations –
you will have a strong foundation that way.
Here
are the 24 causal relations as a verse for you to memorize:
Hetupaccayo,
ārammaṇapaccayo, adhipatipaccayo, anantarapaccayo, samanantarapaccayo,
sahajātapaccayo, aññamaññapaccayo, nissayapaccayo, upanissayapaccayo,
purejātapaccayo, pacchājātapaccayo, āsevanapaccayo, kammapaccayo,
vipākapaccayo, āhārapaccayo, indriyapaccayo, jhānapaccayo, maggapaccayo,
sampayuttapaccayo, vippayuttapaccayo, atthipaccayo, natthipaccayo,
vigatapaccayo, avigatapaccayo
Lets
proceed to study this very sacred lesson in detail.
After
you study the causal relation, memorize the original Pāḷi verse given
underneath. It will give you great spiritual strength and guidance to proceed
further.
PAṬṬHĀNA
BASIC TABLE
1. HETU PACCAYA |
|
paccaya FORTIFIES
paccayuppanna [LIKE THE ROOT FORTIFIES A TREE] |
|
PACCAYA |
PACCAYUPPANNA |
·
lobha dosa moha ·
alobha adosa amoha |
·
71 sahetuka cittas + 52 cetasikas ·
cittaja rūpas of the 71 sahetuka cittas ·
kammaja rūpas of 17 sahetuka paṭisandhi cittas |
Hetupaccayoti
hetū hetusampayuttakānaṃ dhammānaṃ taṃsamuṭṭhānānañca rūpānaṃ hetupaccayena paccayo. |
2. ĀRAMMAṆA PACCAYA |
|
paccaya IS OBJECT OF
paccayuppanna |
|
PACCAYA |
PACCAYUPPANNA |
1)
rūpārammaṇa |
1)
2 cakkhu viññāṇā + 7 cetasikas |
Ārammaṇapaccayoti rūpāyatanaṃ cakkhuviññāṇadhātuyā taṃsampayuttakānañca dhammānaṃ ārammaṇapaccayena paccayo. |
3. ADHIPATI PACCAYA paccaya PRE-DOMINATES the
paccayuppanna |
|
1.
SAHAJĀTA ADHIPATI – pre-dominates by being born at the same time |
|
SAHAJĀTA ADHIPATI PACCAYA (pre-dominates by being born at the same
time) |
|
PACCAYA |
PACCAYUPPANNA |
·
chanda ·
viriya ·
citta ·
vīmaṃsa |
·
52 javana cittas + 51 cetasikas (minus
vicikicchā) (minus
ekahetuka 2 moha mūla and ahetuka 1 hasituuppāda) ·
cittaja rūpas that arise with the above javana cittas |
ĀRAMMAṆA ADHIPATI PACCAYA (pre-dominates by being the object) |
|
PACCAYA |
PACCAYUPPANNA |
1)
18 desired and respected nipphanna rūpa |
1)
8 lobha mūla cittas + 22 cetasikas |
2)
17 lokiya kusala cittas |
2)
8 mahā kusala citta + 33 cetasika |
3)
8 mahā kusala cittas & Nibbāna |
3)
4 ñāṇa
sampayutta mahā kusala & 4 ñāṇa sampayutta mahā kiriya |
4)
Nibbāna |
4)
8 lokuttara cittas + 36 cetasikas |
Adhipatipaccayoti
chandādhipati chandasampayuttakānaṃ dhammānaṃ taṃsamuṭṭhānānañca rūpānaṃ adhipatipaccayena paccayo. |
4. ANANTARA PACCAYA |
|
paccaya IS ADJACENT TO
paccayuppanna |
|
PACCAYA |
PACCAYUPPANNA |
preceding
89 cittas +52 cetasikas |
following
89 cittas + 52 cetasikas |
Anantarapaccayoti
cakkhuviññāṇadhātu taṃsampayuttakā ca dhammā manodhātuyā taṃsampayuttakānañca dhammānaṃ anantarapaccayena paccayo. Ghānaviññāṇadhātu taṃsampayuttakā ca dhammā manodhātuyā taṃsampayuttakānañca dhammānaṃ anantarapaccayena paccayo. Jivhāviññāṇadhātu taṃsampayuttakā ca dhammā manodhātuyā taṃsampayuttakānañca dhammānaṃ anantarapaccayena paccayo. Kāyaviññāṇadhātu taṃsampayuttakā ca dhammā manodhātuyā taṃsampayuttakānañca dhammānaṃ anantarapaccayena paccayo. Purimā
purimā kusalā dhammā pacchimānaṃ
pacchimānaṃ kusalānaṃ dhammānaṃ anantarapaccayena paccayo. Purimā
purimā akusalā dhammā pacchimānaṃ pacchimānaṃ
akusalānaṃ dhammānaṃ anantarapaccayena paccayo. Purimā
purimā abyākatā dhammā pacchimānaṃ pacchimānaṃ
abyākatānaṃ dhammānaṃ anantarapaccayena paccayo. Yesaṃ yesaṃ dhammānaṃ anantarā ye ye dhammā uppajjanti cittacetasikā dhammā, |
5. SAMANATARA PACCAYA |
|
paccaya IS VERY CLOSELY ADJACENT TO
paccayuppanna |
|
PACCAYA |
PACCAYUPPANNA |
preceding
89 cittas +52 cetasikas |
following
89 cittas + 52 cetasikas |
Samanantarapaccayoti
cakkhuviññāṇadhātu taṃsampayuttakā ca dhammā manodhātuyā taṃsampayuttakānañca dhammānaṃ samanantarapaccayena paccayo. Ghāṇaviññāṇadhātu taṃsampayuttakā ca dhammā manodhātuyā taṃsampayuttakānañca dhammānaṃ samanantarapaccayena paccayo. Jivhāviññāṇadhātu taṃsampayuttakā ca dhammā manodhātuyā taṃsampayuttakānañca dhammānaṃ samanantarapaccayena paccayo. Manodhātu
taṃsampayuttakā ca dhammā manoviññāṇadhātuyā taṃsampayuttakānañca dhammānaṃ samanantarapaccayena paccayo. Kāyaviññāṇadhātu taṃsampayuttakā ca dhammā manodhātuyā taṃsampayuttakānañca dhammānaṃ samanantarapaccayena paccayo. Manodhātu
taṃsampayuttakā ca dhammā manoviññāṇadhātuyā taṃsampayuttakānañca dhammānaṃ samanantarapaccayena paccayo. Purimā
purimā kusalā dhammā pacchimānaṃ
pacchimānaṃ kusalānaṃ dhammānaṃ samanantarapaccayena paccayo. Purimā
purimā akusalā dhammā pacchimānaṃ pacchimānaṃ
akusalānaṃ dhammānaṃ samanantarapaccayena paccayo. Purimā
purimā abyākatā dhammā pacchimānaṃ pacchimānaṃ
abyākatānaṃ dhammānaṃ samanantarapaccayena paccayo. Yesaṃ yesaṃ dhammānaṃ samanantarā ye ye dhammā uppajjanti cittacetasikā dhammā, |
6. SAHAJĀTA PACCAYA |
|
paccaya ARISES TOGETHER WITH paccayuppanna |
|
PACCAYA |
PACCAYUPPANNA |
nāma |
1)
89 cittas + 52 cetasikas |
Sahajātapaccayoti
cattāro khandhā arūpino aññamaññaṃ sahajātapaccayena paccayo. |
7. AÑÑAMAÑÑA PACCAYA |
|
paccaya RECIPROCATES WITH
paccayuppanna |
|
PACCAYA |
PACCAYUPPANNA |
nāma |
1)
89 cittas + 52 cetasikas2) 4 mahā bhūta 3)
hadaya vatthu at paṭisandhi
khaṇa & |
Aññamaññapaccayoti
cattāro khandhā arūpino aññamaññapaccayena paccayo. |
8. NISSAYA PACCAYA |
|
paccaya SUPPORTS paccayuppanna 1.
SAHAJĀTA NISSAYA – supports by being born together 2.
PUREJĀTA NISSAYA – supports by being born before |
|
1. SAHAJĀTA NISSAYA PACCAYA (supports by being born together) |
|
PACCAYA |
PACCAYUPPANNA |
nāma |
1)
89 cittas + 52 cetasikas |
2. PUREJĀTA NISSAYA (supports by being born before) a.
VATTHU PUREJĀTA NISSAYA – it is the base and is born before b.
VATTHU ĀRAMMAṆA PUREJĀTA
NISSAYA – it is
the base; it is the object and is born before |
|
a. VATTHU PUREJĀTA NISSAYA (it is the base and is born before) |
|
PACCAYA |
PACCAYUPPANNA |
6
vatthu 1.
cakkhu vatthu |
85 cittas
+ 52 cetasika (except 4 arūpa vipāka) 1.
2 cakkhu viññāṇā + 7
cetasikas |
b. VATTHU ĀRAMMAṆA PUREJĀTA NISSAYA ( it is the base; it is the object and is
born before) |
|
PACCAYA |
PACCAYUPPANNA |
·
hadaya vatthu (17
citta khaṇas befor cuti citta) |
·
1 manodvārāvajjana ·
29 kāma javana ·
11 tadārammaṇa + 44 cetasikas (52
– issā macchariya
kukkucca 3virati 2 appamaññā = 44 cetasikas) |
Nissayapaccayoti
cattāro khandhā arūpino aññamaññaṃ nissayapaccayena paccayo. |
9. UPANISSAYA PACCAYA |
|
paccaya GIVES FOUNDATIONAL SUPPORT
to paccayuppanna 1.
ĀRAMMAṆA UPANISSAYA
– gives foundational support by being the object 2.
ANANTARA UPANISSAYA – gives
foundational support by being adjacent 3.
PAKATA UPANISSAYA
– gives
foundational support by being the law of nature |
|
1. ĀRAMMAṆA UPANISSAYA (gives foundational support by being the
object) (same as ārammaṇa adhipati) |
|
PACCAYA |
PACCAYUPPANNA |
1)
18 desired and respected nipphanna rūpa |
1) 8
lobha mūla cittas + 22 cetasikas |
2)
17 lokiya kusala cittas |
2) 8
mahā kusala citta + 33 cetasika |
3)
8 mahā kusala cittas & Nibbāna |
3) 4 ñāṇa sampayutta mahā kusala & 4
ñāṇa sampayutta mahā kiriya |
4)
Nibbāna |
4) 8 lokuttara
cittas + 36 cetasikas |
2. ANANTARA UPANISSAYA (gives foundational support by being
adjacent) (same as anantara paccaya) |
|
PACCAYA |
PACCAYUPPANNA |
·
preceding 89 cittas +52 cetasikas (except
cuti citta of arahant) |
·
following 89 cittas + 52 cetasikas (including
cuti citta of arahant) |
3. PAKATA UPANISSAYA (gives foundational support by being the
law of nature) |
|
PACCAYA |
PACCAYUPPANNA |
·
89 cittas + 52 cetasikas,28 rūpa, ·
Nibbāna, ·
Paññatti |
·
89 cittas + 52 cetasikas |
Upanissayapaccayoti
purimā purimā kusalā dhammā pacchimānaṃ pacchimānaṃ kusalānaṃ dhammānaṃ upanissayapaccayena paccayo. Utubhojanampi
upanissayapaccayena paccayo. Puggalopi upanissayapaccayena paccayo. |
10. PUREJĀTA PACCAYA |
|
paccaya PRE-EXISTS BEFORE
paccayuppanna 1.
VATTHU PUREJĀTA – pre-exists
before as the base 2.
ĀRAMMAṆA PUREJĀTA – pre-exists
before as the object 3.VATTHU
ĀRAMMAṆA PUREJĀTA – it is the base; it is the object and is born
before |
|
1. VATTHU PUREJĀTA (pre-exists before as the base) |
|
PACCAYA |
PACCAYUPPANNA |
(1)
cakkhu vatthu |
(1) 2
cakkhu viññāṇā + 7 cetasikas |
2. ĀRAMMAṆA PUREJĀTA (pre-exists before as the object) |
|
PACCAYA |
PACCAYUPPANNA |
·
18 nipphanna rūpas |
·
54 kāmāvacara cittas ·
2 abhiññā +
50 cetasikas (minus 2 appamaññā) |
3. VATTHU ĀRAMMAṆA PUREJĀTA NISSAYA |
|
PACCAYA |
PACCAYUPPANNA |
·
hadaya vatthu (17
citta khaṇas befor cuti citta except cuti citta of
an arahant) |
·
1 manodvārāvajjana ·
29 kāma javana ·
11 tadārammaṇa + 44 cetasikas (52
– issā macchariya
kukkucca 3virati 2 appamaññā = 44 cetasikas) |
Purejātapaccayoti
cakkhāyatanaṃ cakkhuviññāṇadhātuyā taṃsampayuttakānañca dhammānaṃ purejātapaccayena paccayo. Yaṃ rūpaṃ nissāya manodhātu ca manoviññāṇadhātu ca vattanti, taṃ rūpaṃ manodhātuyā taṃsampayuttakānañca dhammānaṃ purejātapaccayena paccayo. |
11. PACCHĀJĀTA PACCAYA paccaya IS BORN AFTER paccayuppanna |
|
PACCAYA |
PACCAYUPPANNA |
·
85 cittas + 52 cetasikas that follow those cittas |
·
rūpa that arise with the preceding citta (kammaja
cittaja utuja āharaja rūpa) |
Pacchājātapaccayoti
pacchājātā cittacetasikā dhammā purejātassa imassa kāyassa
pacchājātapaccayena paccayo. |
12. ĀSEVANA PACCAYA paccaya CAUSES RECURRENCE OF
paccayuppanna |
|
PACCAYA |
PACCAYUPPANNA |
preceding
47 lokiya javana + 52 cetasikas |
succeeding
51 javana + 52 cetasika |
Āsevanapaccayoti
purimā purimā kusalā dhammā pacchimānaṃ pacchimānaṃ kusalānaṃ dhammānaṃ āsevanapaccayena paccayo. |
13. KAMMA PACCAYA |
|
paccaya PRODUCES paccayuppanna 1.
NĀNĀKHAṆIKA KAMMA – produces the paccayuppana at another time 2.
SAHAJĀTA KAMMA – produces paccayuppanna at the same time –
paccaya is born with paccayuppanna |
|
1. NĀNĀKHAṆIKA KAMMA (produces the paccayuppana at another
time) |
|
PACCAYA |
PACCAYUPPANNA |
·
33 cetanās of past 12 akusala and 21 kusala cittas |
·
36 vipāka cittas + 38 cetasikas ·
kammaja rūpa at paṭisandhi and pavatti |
2. SAHAJĀTA KAMMA (produces paccayuppanna at the same time – paccaya is born with
paccayuppanna) |
|
PACCAYA |
PACCAYUPPANNA |
·
cetanā (all 89 cetanā) |
·
89 cittas + 51 cetasikas (minus cetanā) ·
cittaja rūpa ·
kammaja rūpa at paṭisandhi |
Kammapaccayoti
kusalākusalaṃ kammaṃ vipākānaṃ khandhānaṃ kaṭattā ca rūpānaṃ kammapaccayena paccayo. |
14. VIPĀKA PACCAYA paccaya MATURATES OR RIPENS PAST KAMMA
INTO paccayuppanna |
|
PACCAYA |
PACCAYUPPANNA |
·
36 vipāka cittas + 38 cetasikas |
·
36 vipāka cittas + 38 cetasikas ·
cittaja rūpa ·
kammaja rūpa at paṭisandhi |
Vipākapaccayoti
vipākā cattāro khandhā arūpino aññamaññaṃ vipākapaccayena paccayo. |
15. ĀHĀRA PACCAYA paccaya SUSTAINS paccayuppanna |
|
1) RŪPA ĀHĀRA |
|
PACCAYA |
PACCAYA |
a)
external oja b)
internal oja |
a)
āhārajā rūpa kalāpas |
2) NĀMA ĀHĀRA |
|
PACCAYA |
PACCAYA |
·
phassa ·
cetanā ·
viññāṇā |
·
89 cittas + 52 cetasikas ·
cittaja rūpa ·
kammaja rūpa at paṭisandhi khaṇa |
Āhārapaccayoti
kabaḷīkāro
āhāro imassa kāyassa āhārapaccayena paccayo. |
16. INDRIYA PACCAYA paccaya IS THE CONTROLLING FACTOR
OF paccayuppanna |
|
1.
PUREJĀTA INDRIYA –
controls by being born before2. RŪPA JĪVITA INDRIYA
– controls by being the vital life 3.
SAHAJĀTA INDRIYA – controls by being
born together |
|
1. PUREJĀTA INDRIYA (controls by being born before) |
|
PACCAYA |
PACCAYUPPANNA |
1)
cakkhu vatthu (indriya)2) sota vatthu (indriya) 3)
ghāna vatthu (indriya) 4)
jivhā vatthu (indriya) 5)
kāya vatthu (indriya) |
1)
2 cakkhu viññāṇā + 7 cetasikas2) 2 sota viññāṇā + 7 cetasikas 3)
2 ghāna viññāṇā + 7
cetasikas 4)
2 jivhā viññāṇā + 7
cetasikas 5)
2 kāya viññāṇā + 7 cetasikas |
2. RŪPA JĪVITA INDRIYA (controls by being the vital life) |
|
PACCAYA |
PACCAYUPPANNA |
·
rūpa jīvita in kammaja kalāpas |
·
kammaja kalāpa except jīvita rūpa of kammaja kalāpas at
pavatti and paṭisandhi |
3. SAHAJĀTA INDRIYA (controls by being born together) |
|
PACCAYA |
PACCAYUPPANNA |
·
jīvitindriya ·
cittas ·
vedanā ·
saddhā ·
viriya ·
sati ·
ekaggatā ·
paññā |
·
89 cittas + 52 cetasikas ·
cittja rūpa ·
kammaja rūpa at paṭisandhi |
Indriyapaccayoti
cakkhundriyaṃ cakkhuviññāṇadhātuyā taṃsampayuttakānañca dhammānaṃ indriyapaccayena paccayo. |
17. JHĀNA PACCAYA BY TAKING UP AND CONSIDERING AN OBJECT
paccaya CAUSES paccayuppanna |
|
PACCAYA |
PACCAYUPPANNA |
5 jhānaṅga |
·
79 cittas (except 10 viññāṇā) + 52 cetasikas ·
cittaja rūpa ·
kammaja rūpa at paṭisandhi khaṇa |
Jhānapaccayoti
jhānaṅgāni
jhānasampayuttakānaṃ dhammānaṃ taṃsamuṭṭhānānañca rūpānaṃ jhānapaccayena paccayo. |
18. MAGGA PACCAYA paccaya CAUSES ARISING OF a
paccayuppanna THAT LEAD INTO OR OUT OF SAṂSĀRA |
|
PACCAYA |
PACCAYUPPANNA |
9 maggaṅga |
·
71 sahetuka cittas + 52 cetasikas ·
cittaja rūpa ·
kammaja rūpa at paṭisandhi khaṇa |
Maggapaccayoti
maggaṅgāni
maggasampayuttakānaṃ dhammānaṃ taṃsamuṭṭhānānañca rūpānaṃ maggapaccayena paccayo. |
19. SAMPAYUTTA PACCAYA paccaya IS ASSOCIATED WITH
paccayuppanna |
|
PACCAYA |
PACCAYUPPANNA |
·
89 cittas + 52 cetasikas |
·
89 cittas + 52 cetasikas |
Sampayuttapaccayoti
cattāro khandhā arūpino aññamaññaṃ sampayuttapaccayena paccayo. |
20. VIPPAYUTTA PACCAYA paccaya IS DISSOCIATED WITH
paccayuppanna |
|
1.
SAHAJĀTA VIPPAYUTTA – paccaya is born together with paccayuppanna & is
dissociated from it. 2.
PUREJĀTA VIPPAYUTTA –
paccaya is born before paccayuppanna and is dissociated from it 3.
PACCHĀJĀTA VIPPAYUTTA – paccaya is born after paccayuppanna and is dissociated from it |
|
1. SAHAJĀTA VIPPAYUTTA (paccaya is born together with
paccayuppanna & is dissociated from it) |
|
PACCAYA |
PACCAYUPPANNA |
1.
75 cittas + 52 cetasikas |
·
cittaja rūpa ·
kammaja rūpa at paṭisandhi khaṇa hadaya
vatthu at paṭisandhi khaṇa & |
2. PUREJĀTA VIPPAYUTTA (paccaya is born before paccayuppanna and
is dissociated from it) |
|
PACCAYA |
PACCAYUPPANNA |
1.
vatthu purejāta ·
6 vatthu at pavatti 2.
ārammaṇa purejāta ·
18 nipphanna rūpa 3.
vatthu ārammaṇa purejāta ·
hadaya vatthu 17 citta khanas before cuti citta except the cuti citta
of an arahant |
1. ·
85 cittas + 52 cetasikas 2. ·
54 kāmāvacara cittas / 2 abhiññā + 50 cetasikas (minus 2
appamaññā) 3. ·
manodvārāvajjana citta ·
29 kāma javana cittas ·
11 tadārmmaṇa cittas + 44 cetasikas |
3. PACCHĀJĀTA VIPPAYUTTA (paccaya IS BORN AFTER paccayuppanna AND
IS DISSOCIATED FROM IT) |
|
PACCAYA |
PACCAYUPPANNA |
85 cittas
+ 52 cetasikas that follow those cittas |
rūpa
that arise with the preceding citta |
Vippayuttapaccayoti
rūpino dhammā arūpīnaṃ dhammānaṃ vippayuttapaccayena paccayo. |
21. ATTHI PACCAYA paccaya IS PRESENT AT THE SAME TIME
AS paccayuppanna |
|
1.
SAHAJĀTA ATTHI 2.
PUREJĀTA ATTHI 3.
PACCHĀJĀTA ATTHI 4.
ĀHĀRA ATTHI (rūpa āhāra) 5.
INDRIYA ATTHI (jīvita indriya) |
|
1. SAHAJĀTA ATTHI PACCAYA |
|
PACCAYA |
PACCAYUPPANNA |
nāma |
1) 89
cittas + 52 cetasikas |
2 .PUREJĀTA ATTHI PACCAYA |
|
paccaya PRE-EXISTS BEFORE paccayuppanna 1.
VATTHU PUREJĀTA –
pre-exists before as the base b.
ĀRAMMAṆA PUREJĀTA – pre-exists before as the object |
|
a. VATTHU PUREJĀTA ATTHI PACCAYA |
|
PACCAYA |
PACCAYUPPANNA |
1) cakkhu
vatthu |
1) 2
cakkhu viññāṇā + 7 cetasikas |
b. ĀRAMMAṆA PUREJĀTA ATTHI PACCAYA |
|
PACCAYA |
PACCAYUPPANNA |
·
18 nipphanna rūpas |
·
54 kāmāvacara cittas ·
2 abhiññā +
50 cetasikas (minus 2 appamaññā) |
3. PACCHĀJĀTA ATTHI PACCAYA |
|
PACCAYA |
PACCAYUPPANNA |
·
85 cittas + 52 cetasikas that follow those cittas |
·
rūpa that arise with the preceding citta (kammaja
cittaja utuja āharaja rūpa) |
4. RŪPA ĀHĀRA ATTHI PACCAYA |
|
PACCAYA |
PACCAYA |
a)
external oja b)
internal oja |
a) āhārajā
rūpa kalāpas |
2. RŪPA JĪVITA INDRIYA ATTHI PACCAYA |
|
PACCAYA |
PACCAYUPPANNA |
·
rūpa jīvita in kammaja kalāpas |
·
kammaja kalāpa except jīvita rūpa of kammaja kalāpas at pavatti and
paṭisandhi |
Atthipaccayoti
cattāro khandhā arūpino aññamaññaṃ atthipaccayena paccayo. Rūpāyatanaṃ cakkhuviññāṇadhātuyā taṃsampayuttakānañca dhammānaṃ atthipaccayena paccayo. Yaṃ rūpaṃ nissāya manodhātu ca manoviññāṇadhātu ca vattanti, taṃ rūpaṃ manodhātuyā ca manoviññāṇadhātuyā ca taṃsampayuttakānañca dhammānaṃ atthipaccayena paccayo. |
22. NATTHI PACCAYA paccaya IS ABSENT AT THE TIME
paccayuppanna ARISES (same as ANANTARA PACCAYA) |
|
PACCAYA |
PACCAYUPPANNA |
Natthipaccayoti
samanantaraniruddhā cittacetasikā dhammā paṭuppannānaṃ cittacetasikānaṃ dhammānaṃ natthipaccayena paccayo. |
23. VIGATA PACCAYA paccaya DISCONTINUES AT THE ARISING
OF paccayuppanna (same as ANANTARA PACCAYA) |
|
PACCAYA |
PACCAYUPPANNA |
Vigatapaccayoti
samanantaravigatā cittacetasikā dhammā paṭuppannānaṃ cittacetasikānaṃ dhammānaṃ vigatapaccayena paccayo. |
24. AVIGATA PACCAYA paccaya CONTINUES TO EXIST AT THE TIME OF
ARISING OF paccayuppanna |
1.
SAHAJĀTA AVIGATA 2.
PUREJĀTA AVIGATA 3.
PACCHĀJĀTA AVIGATA 4.
ĀHĀRA AVIGATA (rūpa āhāra) 5.
INDRIYA AVIGATA (jīvita indriya) (same
as ATTHI PACCAYA) |
Avigatapaccayoti
cattāro khandhā arūpino aññamaññaṃ avigatapaccayena paccayo. Rūpāyatanaṃ cakkhuviññāṇadhātuyā taṃsampayuttakānañca dhammānaṃ avigatapaccayena paccayo. Yaṃ rūpaṃ nissāya manodhātu ca manoviññāṇadhātu ca vattanti, |
lεΛ~FΖΝlενΙΛΆ΅ΔΆέ·ι¨ΏΜ±ΖΕ·B¨ΏΝQWΙͺή³κΔ¨θAlενΝSΒΘΜΕAlεΛ~FΝQSΆέ·ιΙΘθά·B
’νδιά΄Μ΄oνΜ±ΖΕ·B
·
αioνj
·
¨ioνj
·
@ikoνj
·
γi‘oνj
·
giGoνj
ΜTΒΕ·ΛB
gͺΌΜSΒΖα€Ζ±λΝAgΝΜΰΙΰΆέ·ι¨ΏΕ ιΕ·B
α¦ΞAΰΜπ©ιΖ«ΝAΪΙ ιΧEΙΛΆ΅ά·ΜΕAΜΰ¨ΏπΚ΅ΔΰΜπ©ιΝΕ«άΉρB
΅©΅AΙέβM³ΘΗΝΜΜ\ΚΕ ΑΔΰAΜΰΕ ΑΔΰ΄Άά·ΛB
«FΜ«ΝΞ«iΞΫjπΣ‘΅Δ’ά·BΒάθT΄πΆήATΒΜ΄oνΙΞ·ι¨ΏΜ±ΖΕ·B
οΜIΙΝΜ5ΒΕ·B
w¨ΏxΖ’€Σ‘ΕΰFi΅«jΖ’’ά·ͺA±±ΕΝwoπ΄Ά³ΉιΰΜxΖ’€Σ‘ΕgΑΔ’ά·B
v·ιΙA©¦ι¨Ε·ΛB
ΘwIΙΝAαΜΧEͺυπσ―A»κπdCMΙΟ·΅ΔA»ΜξρπΰΖΙ]Εfπμθά·B
Ε·©ηAΘwIΙΝAυΖ’€πίΙΘι©ΰ΅κάΉρΛB
woπ΄Ά³ΉιΰΜxπΣ‘΅ά·Bv·ιΙA·±¦ιΰΜΕ·ΛBκΚIΙΝAΉΖ’€ΙΘιΕ΅ε€B
wkoπ΄Ά³ΉιΰΜxπΣ‘΅ά·Bv·ιΙAk°ιΰΜΕ·ΛBκΚIΙΝAΙ¨’Ζ’€ΙΘιΕ΅ε€B
w‘oπ΄Ά³ΉιΰΜxπΣ‘΅ά·Bv·ιΙA‘ν¦ιΰΜΕ·ΛBΜ²ΖA‘ΜΕ·B
wGoπ΄Ά³ΉιΰΜxπΣ‘΅ά·BGΝAΌΜS«FΖΝα’AGΖ’€¨ΏͺΆέ·ιν―ΕΝ θάΉρB
GΖΝAlεFΜ
·
nvf
·
Ξvf
·
vf
πάΖίΔAGΖΔΡά·B
α¦ΞA½ΏͺgπΚ΅Δ
·
d³π΄ΆκΞAnvf
·
M’Ζ΄ΆκΞAΞvf
·
¨ ΜΣηέπ΄ΆκΞAvf
π»κΌκ΄ΆΔ’ιΖ’€ν―Ε·B
vfΎ―Ν½ΏΙ΄Άι±ΖΝΕ«άΉρB
α¦ΞA
ΙGκ½Ζ«Μβ½³ΝA
ΙάάκιΞvfπ΄ΆΔ’ά·B
ΙΕ½κ½Ζ«ΜΙέΝA
Ιάάκιnvfπ΄ΆΔ’ιν―Ε·B
«FΖΝ«Κπθt―ι¨ΏΜΕ·B
·
j«F
·
«F
ΜQνή θά·B
ΒlIΙΝA«υFΜΖ©»ρΘC[WΎΖvΑΔ’ά·B
j«FΝAj«πθt―Δ’ι¨ΏΕ·ΛBlΤπάή½Μ¨ΜκAIXΝπwxυFΜπΑΔ’ά·ͺA»Μζ€Θ¨ΏΘΜΕΝΖΒlIΙv’ά·B
«FΝA«πθt―Δ’ι¨ΏΕ·ΛBlΤπάή½Μ¨ΜκAXΝwwυFΜπΑΔ’ά·ͺA»Μζ€Θ¨ΏΘΜΕΝΖΒlIΙv’ά·B
SFΖΝAΣ―ͺΆάκικAΒάθSξΜΕ·B
»γIΙΎ€ΖASξΝ]Ζ’€πίͺκΤί’©ΰ΅κάΉρBi¦SξΙΒ’ΔΝAά½ΚΕΪ΅πΰj
SΝΊρΤΕWXνήB
»κπΜζ€ΙRΒΙͺήΕ«ά·B
·
ά―EPOiα―A¨―A@―Aγ―Ag―j
·
ΣERiάεψ]SPAΜσSQj
·
Σ―EVUiγLΘOj
»Μ€ΏAά―EPOΜSΝ»κΌκΜξΕΆάκά·BΣER{Σ―EVUΝASξΕΆάκά·B
oTΕΝAw½F½ͺxΖΰΎ³κΔ’ά·B½ͺΙΝAΘΊΜ2νή θά·B
·
½ͺFEEE¨ΏΜΆZΕπiιΝ½η«π·ι¨Ώ
·
ΌͺSEEESΜΆZΕπiιΝ½η«π·ιS
±±ΕΜ½FΝ½ͺFΜ±ΖΕ θΜΙgU΅Δ’ΔAΆ½Μυ½πάΰι¨ΏΖ’€±ΖΕ·B
ΒlIΘ©πΕΝAΧEΖ©»€’€C[W©Ζv’ά·B
HFΖΝA¨ΏIΘh{fΜΕ·ΛBΚΌΕiHΖΰ’’ά·BΒlIΘΣ©ΕΝAA~m_Ζ©½ρΟΏΖ©A»€’Α½ΰΜΕ΅ε€B
ͺfFΖΝA¨ΏΖ¨ΏΖΜΤΙΕ«½σΤΜΕ·B
GζΕΝ}ΖnΖ’€\»ͺ θά·Bα¦ΞARi}jΜGπ`’½Ζ«A»κπRi}jΖF―Ε«ιΜΝwiinjͺ ι©ηΕ·B
―Άζ€ΙA ι¨Ώπ¨ΏΖF―Ε«ιΜΝA»ΜάνθΙσΤͺ ι©ηΕ·B
±ΜσΤΜπͺfFΖΔΡά·B
\FΖΝAΣv\¦π·ιΖ«Μ\»Μ±ΖΕ·BθβϋΘΗΖΎΑ½¨ΏΙΛΆ΅ΔA\Fͺ»κά·B
\FΝ¨Ώ»ΜΰΜΕΝΘA άΕu»Μ¨ΏΜσΤvΕ ι±ΖΙ²ΣΎ³’BοΜIΙΝ\FΝΘΊΜ2Β θά·B
g\ΖΝAΜΙζιΣv\»ΜΕ·ΛBα¦ΞAθ΅«΅½θAΌθΕε«ΘΫπΒΑ½θ·ι\»ΜΕ·BWFX`[ΖΎΑΔΰ’’©ΰ΅κάΉρB
κ\ΖΝAΎtΙζιΣv\»ΜΕ·ΛB
½ΏΝ½ΜΣ‘ΰΘΊπo·Ν άθ θάΉρB½’Δ’½©π`¦ζ€Ζ΅Δ’ιΖ«ΙΎtπΊΖ΅Δ·ιν―Ε·ΛB±κͺκ\ΖΔΞκά·B
Ο»FΖΝA¨ΏΜΟ»·ιΑ«Μ±Ζπ³΅ά·B
Ο»FΖ’€οΜIΘ¨Ώͺ ιν―ΕΝΘA άΕ¨ΏΜΑθΜσΤπw΅ΔΟ»FΖΎ’ά·B
οΜIΙΝ
·
Fyυ«
·
F_ξ«
·
FKΖ«
·
g\
·
κ\
Μ5ΒͺΟ»FΕ·B
±κηΜ€ΏAg\Aκ\ΝΚΕ\FΖΰΔΞκά·ΜΕAΪ΅Ν»ΏηΕ²ΰΎ΅ά·B
±±ΕΝcθΜFyυ«AF_ξ«AFKΖΆΙΒ’ΔGκΔ’«ά·B
¨ΏͺyΘιΑ«ΜΕ·B
¨ΏΝA
1.
Ζ
2.
S
3.
ίi¦gj
4.
Hi {fj
Ζ’€4ΒΜ΄φΙζΑΔΆΆά·B±Μ€ΏAFyυ«ΝSAίAHΜ3ΒΜ΄φΙζΑΔΆΆά·B
ά½AFyυ«ΝΆ½ΜgΜΜΰΙΆΆιΖ’€Α«ͺ θά·B
α¦ΞA½Ώͺy΅’Ζ«AH~ͺ·ρΘAζ°κ½ϊΘΗΙΝ½ΖΘΜͺy΄Άά·ΛIH
±Μζ€Θ¨ΏΜΑ«Μ±ΖπFyυ«ΖΔΡά·B
¨Ώͺ_η©ΘιΑ«ΜΕ·B
F_ξ«ΰAFyυ«Ζ―ΆΆ½ΜgΜΜΰΙΆΆιΖ’€Α«ͺ θά·B
α¦ΞA½Ώͺy΅’Ζ«AH~ͺ·ρΘAζ°κ½ϊΘΗΙΝ½ΖΘΜͺ_ξΙ΄Άά·ΛIH
±Μζ€Θ¨ΏΜΑ«Μ±ΖπF_ξ«ΖΔΡά·B
¨ΏͺdΙK΅Δ’ιΑ«ΜΕ·B
FKΖ«ΰAFyυ«Ζ―ΆΆ½ΜgΜΜΰΙΆΆιΖ’€Α«ͺ θά·B
α¦ΞAgΜβϋΕ½©sΧπs¨€Ζ·ιΖ΅ά·ΛB»ΜΖ«ΝAgΜβϋΝ±κ©ηs¨€Ζ·ιsΧΙK΅½σΤΙΘθά·B
±Μζ€Θ¨ΏΜΑ«Μ±ΖπF_ξ«ΖΔΡά·B
FΖΝA¨Ώͺ{ΰΑΔ’ιΑ«ΜΕ·B
FΖ’€Α«ͺ ι±ΖΙζΑΔA»κΝTOi{έjΕΝΘAΐέ·ι¨ΏiFjΕ ιΖ’¦ιν―Ε·ΛB
οΜIΙ
·
FΟW
·
F±
·
FV«
·
F³ν«
ΜSΒΕ·B
±κηSΒΜΑ«πΘPΙΎ€ΖA
·
ΆάκiΆj
·
σΤπΫ΅iZj
·
Ε·ιiΕj
Ζ’€RΒΜΑ«ΙΘθά·B
α¦Ξ½ΏΜΜ©ηCͺoά·ͺA»κΝΰΖΰΖΆ«½ΧEΕ΅½B»ΜΧEΰΰΖΰΖΝΜΜΧE©ηͺτ΅ΔΆάκ½ΰΜΕ·B
³ηΙAΧEπ\¬·ιͺqΝΰΑΖAΆEZEΕπθΤ΅Δ’ά·B
³ηΙAͺqπ\¬·ι΄qΝΰΑΖAΆEZEΕπθΤ΅Δ’ά·B
³ηΙA΄qπ\¬·ιf±qΝΰΑΖAΆEZEΕπθΤ΅Δ’ά·B
ΒάθA½ΏΜΜκΒΖΑΔΰA³Μ¨ΏΜΆEZEΕΜΟ»ΜγΙ¬θ§ΑΔ’ιν―Ε·ΛB
»κΕΝΤΙ©Δ’«ά΅ε€B
άΈA¨Ώͺ¨ΏΖ΅ΔΆέ·ι½ίΙΝA ιάΖάΑ½GlM[if±qjͺKvΕ·B
f±qͺWάΑΔ΄qΙΘθά·B
΄qͺWάΑΔͺqΙΘθά·B
ͺqͺWάΑΔΧEΙΘθά·B
±Μζ€ΙAΧEΖ’€²¬³Θ¨ΏκΒΖΑΔΰA»±ΙΝ½³ρΜFͺWάΑΔΕ«Δ’ιͺν©θά·B
±Μζ€Ιέ’ΙΙWάΑΔκΒΜ©½άθπ`¬΅ζ€Ζ·ι«ΏͺFΟWΕ·B
F±ΖΝAOΜσΤπσ―pΑ«Ε·B
α¦ΞAlΜ½ΝκΒΜσΈ©ηnάθά·BΕκΒΎΑ½σΈΝAͺτ΅ΔQΒΜΧEΙΘθά·B
±ΜΖ«Ε«½QΒΜΧEΝAΕΜκΒΎΑ½σΈΜΑ«πσ―p¬ά·B»΅ΔAΧEΝͺτπθΤ΅ά·ͺA»ΜsxOΜσΤπσ―pν―Ε·ΛB
Ύ©ηA’«ΘθlRΜΧEͺ¬΄ιΝΘ’ν―Ε·B
gΙα¦ιΰΕ«ά·BgΰAGlM[ͺ
Κπ`νΑΔ’»ΫΕ·B
·
κΒΪΜgͺε«―κΞAΙΕ«ιgΰε«Θθά·B
·
κΒΪΜgͺ¬³―κΞAΙΕ«ιgଳΘθά·B
OΜΑ«πσ―pν―Ε·ΛB
±Μζ€ΙV΅’¨ΏͺΆάκιΫΙAOΜ¨ΏΜΑ«πσ―p«ΏπF±Ζ’’ά·B
FV«ΖΝAFͺV’Δ’«ΏΜΕ·ΛB
lΜΜΜΧEΰAF±ΜΑ«Ι΅½ͺΑΔAOΜΧEπΜ«Ώπσ―Β’ΕV΅’ΧEͺΒηκΔ’ά·B
Ύ©ηΖ’ΑΔASΙ―ΆΰΜͺRs[³κΔ’ιν―ΕΝ θάΉρB
΅ΈΒGlM[ͺγΘΑΔ’ΜΕ·B
gΕΰ―ΆΕ·B
κΒΪΜgͺε«―κΞAΙ`νιgΰε«Θθά·BΒάθAOΜgΜΑ«πψ«pν―Ε·ΛB
΅©΅AΈΑΖgͺε«’ν―ΕΝ θάΉρBgͺ`νΑΔ’ΩΗGlM[ͺγΘΑΔ¬³ΘΑΔ’«ά·B
±Μζ€Θ«ΏπFV«ΖΔΡά·B
F³ν«ΖΝAFͺΕ·ι«ΏΜΕ·B
ά½gΕα¦ά·B
κΒε«ΘgπΒΑ½Ζ΅ά·BiFΟWj
»ΜgΜ«Ώπσ―p’ΕAΰε«ΘgͺΕ«ά·BiF±j
»ΜΜgΰAOΜgΜ«Ώπσ―p¬ά·ͺASΙ―ΆΰΜΕΝΘAGlM[ΝΗρΗρ¬³Θθά·BiFV«j
»΅ΔΕIIΙgΝΘΘθά·BiF³ν«j
ΘγΕA
·
ςF5
·
«F5
·
«F2
·
SF1
·
½F1
·
HF1
·
ͺfF1
·
\F2
·
Ο»F5
·
F4
Μv26Μ€ΏA\F2ΝΟ»FΕ_uΑΔ’ιΜΕA2π·΅ψ«ά·B
ΕA26-224Μ¨Ώ¨ζΡ¨ΏΜσΤSΔπΰΎ΅ά΅½B
¨Ώπ\¬·ιͺ{IΘSΒΜvfπlενΖΔΡά·B
ΘwIΙΎ€ΖAΘOΝ¨Ώπ\¬·ιΕ¬PΚΝ΄qΎΖ³κΔ«ά΅½B΅©΅A»ΜγΜ€ΕA΄qΰ³ηΙΧ©Ε«ι±Ζͺͺ©θά΅½B
f±qΕ·B
χΰAΤΰAΰA
ΰAΞΰAΞΰAlΤΜΜΰ·ΧΔf±q©ηΕ«Δ’ιΖ’€Μͺ»γΘwΜ©ϋΕ·B
πΤΉΞA½ΏΝf±qΜWάθΙAχΎΖ©AΤΎΖ©ΌOπΒ―Δ’ιΙί¬άΉρB
±Μπ§³Μ§κ©ηΰΎ΅½κASΒΜGlM[vfπξ{Ζ΅Δ ηδι¨Ώͺ¬θ§ΑΔ’ά·B
»ΜlΒΖΝΜΰΜΕ·B
nvfΖΝd³βd³πΒΑΔ’ιvfΕ·B
nvfΝyβ»Ζ’Α½ΐθIΘΰΜπ³΅Δ’ιν―ΕΝΘA¨Ώπ©½ΏΓιͺ{IΘGlM[ΜκΒΕ ιΖ²πΊ³’B
d³ͺ κΞA»κΙΖΰΘΑΔd³i_η©³jΰΆάκά·ΜΕAΏΚπΒιGlM[ΖΎΑΔΰ’’©ΰ΅κάΉρB
wΘρΎ»κΝHxΖvνκι©ΰ΅κάΉρͺAίNΚ’±qͺ©³κά΅½B
_γΝΆέ·ιΝΈΕ΅½ͺAΐΫΙΝΘ©Θ©©Ε«Θ©Α½»Μ±qΝqbOX±qΖΔΞκΔ’ά·B
±ΜqbOX±qΝά³΅f±qΙΏΚ𠽦ιΝ½η«ͺ ιͺmF³κΔ’ά·B
vfΖΝA¨έ’πΒΘ¬νΉιGlM[ΜΕ·B
½Ζ¦ΞADΎρ²πC[W΅ΔΎ³’B
DΎρ²ΝAΰΖΰΖTT΅½»ΙA
πάΊΔ±ΛνΉΔΒθά·ΛB
ά½Jͺ~Α½γΝCΜ ΙDͺΑΒ«ά·B
±κηͺ
vfΜGlM[ΙζιΰΜΕ·B
ΞvfΖΝAΈΞθMGlM[ΜΕ·ΛB
MGlM[π·κΞM’Ζ΄ΆA
MGlM[πα·κΞβ½’Ζ΄Άά·B
ά½AΞvfΝΰΜ²ΖΜΟ»Μ¬xΙΰΦνΑΔ’ά·B
α¦ΞAΔκΝΰΜͺ
θβ·A~κΝΰΜͺ
θΙ’Ε·ΛB±κΰΞvfͺΦW΅Δ’ά·B
gΜΜΙΆΆιM
ΚνΜΜ·Μ±ΖB
ΧπΠ’½Ζ«ΘΗΙΆΆιMB37x5ͺΖ©»€’€MΕ·B
MMͺΑΙ’Ζ«ΕMΖΔΡά·B39xη’š倩B
―β΅νΘΗ½ΏΜgΜπV³ΉιMΜ±ΖΕ·B
HΧ½ΰΜπΑ»³ΉιMΕ·B
vfΝA¨ΜΙάάκΔ’ικΖA©Θ’¨ΜΙάάκΔ’ικΕ»κΌκΜΝ½η«π΅ά·B
±ΜΖ«ΝA’νδι^GlM[Ζ΅ΔΝ½η«ά·B¨Μπ©·GlM[Ε·ΛB
»Μ¨ΜͺA©Θ’ζ€ΙΕθ·ιGlM[Ζ΅ΔΝ½η«ά·B
α¦ΞA½©d’ΰΜπ·Ζ«ΙnΚΖΜCΘOΙΰAΘΙ©οRͺ θά·ΛB
±ΜGlM[Μ±ΖΕ·B
ΘγΜ4ΒΜvfͺlενΕ·B
sΘΚFΖΝ»ΜFΎ―πΌ©ηΨθ£ΉΘ’FΜ±ΖB
α¦ΞAΏπC[W΅ΔΎ³’B
ΏΝA
ͺΜΌΙθA‘Ah{fΘΗΜvfΘΗΰ θά·ͺA‘Ύ―ζθ±ΖΝsΒ\Ε·ΛIH
±Μζ€ΙA»κΎ―πζθ―Θ’¨ΏΜΕ¬PΚΜ±ΖπsΘΚFΖ’’ά·B
οΜIΙΝΜ8ΒΕ·B
·
F
·
·
‘
·
{f
·
n
·
·
Ξ
·
ΘΚFΖΝAsΘΚFΘOΜ20Fπw΅ά·B
«FπΖ΅ΔΖιFπζ«FΖΔΡά·B
άΈ¨³η’Ε·ͺA«FΖΝ
·
F1
·
Ί1
·
1
·
‘1
·
GinAΞAj3
Μ7ΒΕ΅½B
±κη7ΒπΖ΅ΔΖιΰΜΖΎ¦ΞAαE¨ΘΗΜ΄oνΜ±ΖΕ·ΛBΎ’·¦ιΖςF5ΖΰΖη¦ηά·B
»ΜA
FAΊΝαA¨ΙΌΪGκΈΙΖΘιΜΕAsBFΖΎ’ά·B
ά½AA‘AGΝ@AγAgΙΌΪGκΘ―κΞΖΘηΘ’ΜΕBFΖΎ’ά·B
ΒάθAζ«FΖΝ«FπΙζιAςF5Μ±ΖΕ·B
»΅ΔAsζ«FΖΝAζ«FΘOΜF23πw΅ά·B
L©ΖΝ©ι±ΖͺΕ«ιFΖ’€Σ‘Ε·B
ΒάθL©FΖΝAαFΙΞ·ιFΕ ιFFiFjπ³΅ά·B
tΙ³©FΖΝ©¦Θ’FΜ±ΖΕ·B
FFΘOΝS©¦Θ’ΜΕAFFΘOΜ27ͺ³©FΙΘθά·B
·σFΖΝίΙΘ΅½ΖΙζΑΔΕ«ιFΜ±ΖBiΖΆFj
οΜIΙΝΜPWΕ·B
·
ςFT
·
«FQ
·
½FP
·
SFP
·
ͺfFP
¨ΏͺΆάκιΖ«AΖASAίAHΜ4ΒΜ΄φͺ θά·B
γΜXgΜΤͺΝAΖΜέΙζΑΔΆΆιFΙΘθά·B
ά½AΤΘOisΘΚFAͺfFjΝΖΘOΜ·ΧΔΜ΄φΙζΑΔΆΆιFΕ·B
ρ·σFΖΝA·σFΘOΜ10Fπw΅ά·B
κeF
κeΖΝe’Ζ’€Σ‘ΕAΝΑ«θΖF―Ε«ιFB
οΜIΙΝAςFT{«FVΜvPQΜ±ΖB
·
α
·
¨
·
@
·
γ
·
g
·
F
·
Ί
·
·
‘
·
GinAΞAj
―lΙAίΙ ιΰΜΝΝΑ«θΙF―Ε«ι±Ζ©ηAίFΖΰΎ’ά·B
―lΙAςFΖ«FΝΞ·ιΦW«Ι ιΜΕLΞFΖΰΎ’ά·B
ΧF
κeFΘOΜPUFΜ±ΖB
ΝΑ«θF―Ε«Θ’±Ζ©ηΧFΖΎ’ά·B
―lΙAΙ ιΰΜΝΝΑ«θF―Ε«Θ’±Ζ©ηAFΖΰΎ’ά·B
―lΙAςFΖ«FΜζ€ΙΞ·ι«ΏͺΘ’½ίA³ΞFΖΰΎ’ά·B
ͺΖΝA[_[ΖΘΑΔ«πxz·ιΖ’€Σ‘ͺ θά·B
ͺFΝAςFTA«FQA½FPΜWΒΕ·B
α¦ΞAα―Μ©ιΝ½η«ΝαFΙxz³κΔ’ά·B
Ζ’€ΜΰAαFΜ\ΝΙζΑΔ©¦ιΰΜΙ·ͺoι©ηΕ·B
±Μζ€ΙςFΝαFΘΗT―πxz΅Δ’ά·B
ά½A«Fΰ»ΜΆ½Μ«Ώπxz΅ΦνΑΔ’ά·B
α¦ΞAj«FΙζΑΔj«ΑLΜ«Ώͺ»κά·B
½FΝ俱ΆFΙΞ΅ΔAημμpΖΘΑΔxz΅ά·B
ρͺFΝAͺFΘOΜ20Fπw΅ά·B
εFΖΝςFA\FΖΔΞκιΘΊΜ7FΜ±ΖB
·
α
·
¨
·
@
·
γ
·
g
·
g\
·
κ\
ρεFΖΝA±κηΘOΜ21FΜ±ΖB
ξFΖΝςF5ΖSF1Μv6ΒΜ±ΖBF―ͺΆάκιξΖΘιFB
·
αFiαξoνj
·
¨Fi¨ξoνj
·
@Fi@ξkoνj
·
γFiγξ‘oνj
·
gFigξGoνj
·
SFiSξ]j
ρξFΖΝA±κη6ΒΘOΜ22Fπw΅ά·B
ΰFΖΝΆ½πΆ½½η΅ίι¨ΏΜ±ΖBοΜIΙΝςFΖΔΞκιΜ5ΒΕ·B
·
αioνj
·
¨ioνj
·
@ikoνj
·
γi‘oνj
·
giGoνj
ά½A±κηΘOΜ23πOFΖΔΡά·B
FΖ΅ΔΰΎ΅Δ«½ΰΜΝAΜQW θά΅½B
·
lενS
·
ςFT
·
«FViSj
·
«FQ
·
SF
·
½F
·
HF
·
ͺfF
·
\FQ
·
Ο»FTiRj
·
FS
±ΜΕA
·
ΤΜPWνΝAΐΫΙΆέ·ι¨Ώ»ΜΰΜπ³΅Δ’ά·B
·
ΒΜPOνΝAΐΫΙΆέ·ι¨ΏΜσΤπ³΅Δ’ά·B
F
ΤΜͺΜΕ·B
±κηΝ¨ΏΖ΅Δ¬΅Δ’ιΖ’€Σ‘©ηFΖΔΡά·B
ά½A»ΜΌAΘΊΜζ€ΙΰΔΞκά·B
·
©«FEEE³ΘΗΜΖ©ΜΑ«πΰΑΔ’ι©η
·
LFEEEwΆEZEΕxw³νEκE³δxΘΗΜ¨ΏΖ΅ΔΜΑ«πΑΔ’ι©η
·
FFEEEΐέ·ι¨ΏΖ’€Σ‘Ε
ρF
Β’ͺΜΕ·B
FΕΝΘ’Ζ’€Σ‘ΕAρFΖΔΞκά·Bΐέ·ι¨ΏΕΝΘ’Ζ’€Σ‘Ε·ΛB
ά½A»ΜΌAΘΊΜζ€ΙΰΔΞκά·B
·
³©«FEEE³ΘΗΜΖ©ΜΑ«πΰΑΔ’Θ’©η
·
³FEEEwΆEZEΕxw³νEκE³δxΘΗΜ¨ΏΖ΅ΔΜΑ«πΑΔ’ι©η
·
ρFFEEEΐέ·ι¨ΏΕΝΘ’Ζ’€Σ‘
FΒάθ¨ΏΝ½©ͺ΄φΕΆάκά·B
α¦Ξ
·
ΆΝMͺ΄φΕΪΚΔ«ΙΘθά·B
·
Yέͺ΄φΕAz¨ΏͺΕ«Δ½ΏπCC³Ήά·B
·
HΧ¨ΙάάκιfvΝΜΰΕͺπ³κΔͺ€άκά·B
·
½ΏΝίΜΖͺ΄φΕjβΖ’Α½«Κͺ^¦ηκά·B
±Μζ€ΙA ι¨ΏͺΆάκιΖ«A»ΜwγΙΝKΈ»κΙΣ³ν΅’΄φͺ θά·B
»Μ΄φΝε«ͺ―ΔSΒ θά·B
·
ΖΙζΑΔΆΆι
·
SΙζΑΔΆΆι
·
ίiMjΙζΑΔΆΆι
·
Hih{fjΙζΑΔΆΆι
ΖNφF
ΖNφFΖΝ
ΖNφFΝ18νή θA»κΝ·ΘνΏ·σFπΣ‘΅ά·B
οΜIΙΝA
ΖΜέΙζΑΔΆάκι
·
ςFT
·
«FQ
·
½FP
·
SFP
ΜXΒB
»΅ΔAΌΜ΄φΙζΑΔΰΆάκιͺAΖΙζΑΔΰΆάκιΒ\«Μ ι
·
sΘΚFW
·
ͺfFP
ΜXΒB
νΉΔ18ͺΖNφFi·σFjΖΘθά·B
ΖNφFΜΆΆϋ
·
sPS12ΙάάκιvSiΖj
·
εPS8ΙάάκιvSiΖj
·
FEPS5ΙάάκιvSiΖj
ΜS25ΜvSiΖjͺΖNφFπΆΆ³Ήά·B
±κηΜ25SΜΆZΕΜ·ΧΔΜίΙ¨’ΔAΖΆFπΆΆ³Ήά·B
SΆF
SΆFΖΝ
SΙζΑΔΆάκιFΜ±ΖB
οΜIΙΝ
·
\Fig\Aκ\j
·
Ί
·
Fyυ«AF_ξ«AFKΖΆ
·
sΘΚF8AͺfF
Μ15FΙΘθά·B
SΆFΜΆΆϋ
½Ύ΅AWXΜSΜ€ΏASNφFπΆΆ³ΉιSΝάΑΔ’ά·B
άΈA
·
³φsPΩnSΙάάκιT―
·
³φPΩnSΙάάκιT―
ΜPOΒΜSΝΝͺγAFπΆΆ³Ήι±ΖͺΕ«άΉρB
ά½A³FEΩnSΜSΒΝAFͺΘ’³FEΜΆ½Ι΅©ΆάκΘ’SΘΜΕA»κΙζΑΔFͺΆάκι±ΖΝ θάΉρB
ΒάθAPO{SPSΜSΝFπΆΆ³ΉΘ’ν―Ε·ΛB
tΙAWX|PSVTΜSͺFπΆΆ³Ήά·B
S89 |
SNφFπΆΆ³Ήι |
ΠVπx·ι |
\ΜNφΙΘι |
ΞΜNφΙΘι |
FΜνήv |
ΣE3 |
|
1 |
|||
ΐ~¬s26 |
|
|
2 |
||
Σεψ]S1 |
|
|
|
3 |
|
~Eμ俱¬sS13 |
|
|
|
|
4 |
³FEΩnS4 |
|||||
75 |
56 |
32 |
13 |
ίNφF
ίNφFΖΝ
ίΖΝMiΞEjπΣ‘΅ά·B
ΒάθAMΙζΑΔΆΆιFͺίNφFΕ·B ά½AMΖΎΑΔΰA
·
β½’ΰΜΙΝ¦βΞE
·
M’ΰΜΙΝMΞE
ͺ»κΌκάάκΔ’ιΖπίΕ«ά·B
ίNφFΝΘΊΜ13ΙΘθά·B
·
Ί
·
Fyυ«AF_ξ«AFKΖΆ
·
sΘΚF8AͺfF
ίNφFΜΆΆϋ
SΝA
·
ΆEEE1ί
·
ZEEE1ί
·
ΕEEE1ί
Μ3ίΕΆZΕπJθΤ΅ά·B
FΝ
·
ΆEEE1ί
·
ZEEE49ί
·
ΕEEE1ί
Μ51ίΕΆZΕπJθΤ΅ά·B
SΝΆάκιΖ«iΆΚjͺΕΰGlM[ͺ’½ίASΆFΝSΜΆΚΜΖ«ΙΆΆά·B
κϋΕAFΝZΚΜΖ«ͺΰΑΖΰGlM[ͺA ιFͺΆΆΔ»ΜFΜ2ίΪiZΚΜ1ίΪjΙ»ΜFΙάάκιίiΞEjͺAΚΜίΆFπΆΆ³Ήά·B
HNφF
HNφFΖΝ
HΖΝh{fi {fjΜ±ΖπΣ‘΅ά·B
ΒάθAHNφFΖΝ {fͺΆ½ΜgΜΙzϋ³κ½Ζ«ΙAΆΆιFΜ±ΖΕ·B
{fΝϋ©ηΎ―ΕΘA_Hέ½’Θ`Ε»ΜΌ©ηΰzϋ³κι±Ζͺ θά·B
HNφFΝΘΊΜ12FͺY΅ά·B
·
Fyυ«AF_ξ«AFKΖΆ
·
sΘΚF8AͺfF
±κηΝSΜζΑΔΰAίΙζΑΔΰΆΆιFΕ·B
HNφFΜΆΆϋ
{fΝO©ηζθόκιΰΜΎ―ΕΘAgΜΜΰΙΰΆέ΅Δ’ά·B
±κηΜΰOΜ {fͺ·ι±ΖΕHNφFͺΆΆά·B
»κΌκΜ¨ΏΜ©«
F28 |
ΖΆF |
SΆF |
ίΆF |
HΆF |
|
ςF5 |
|
κΆF |
|||
\F2 |
|
κΆF |
|||
ΊF |
|
|
ρΆF |
||
Fyυ« |
|
|
|
OΆF |
|
sΘΚF8 |
|
|
|
|
lΆF |
F4 |
³ΛF |
||||
»κΌκΜRΙζΑΔΆΆ½FΜv |
18 |
15 |
13 |
12 |
γΪΖΝWάθΜ±ΖB
ΒάθAFγΪΜΑΖΝ¨ΏΜO[vΜ«Ώέ½’ΘΣ‘Ε·B
¨ΏΜO[vΝΜ21O[vΙͺή³κά·B
·
ΖΆγΪEEEΖΙζΑΔΆΆι¨ΏΜO[v
·
SΆγΪEEESΙζΑΔΆΆι¨ΏΜO[v
·
ίΆγΪEEEίΙζΑΔΆΆι¨ΏΜO[v
·
HΆγΪEEEHΙζΑΔΆΆι¨ΏΜO[v
ά½A±κηΜO[vΙ·ι¨ΏΙΝ
·
―NEEE―ΙΆΆι
·
―ΕEEE―ΙΕ·ι
·
―ΛEEE―ΆΙΛΆ΅ΔΆΆι
Ζ’€3ΒΜ«Ώͺ θά·B
ΖΆγΪ
ΖΆγΪΖΝΖΙζΑΔΆΆι¨ΏΜO[vͺ―Μ±ΖΕ·B
οΜIΙΝΊLΜζ€ΙΘθά·B
ΖΆF18 |
½γW |
α\W |
¨\W |
@\W |
γ\W |
g\W |
«\W |
j«\W |
ξ\W |
sΘΚF8 |
|
|
|
|
|
|
|
|
|
½F |
|
|
|
|
|
|
|
|
|
αF |
|
||||||||
¨F |
|
||||||||
@F |
|
||||||||
γF |
|
||||||||
gF |
|
||||||||
«F |
|
||||||||
j«F |
|
||||||||
SF |
|
||||||||
ͺfF |
|||||||||
v |
9 |
10 |
10 |
10 |
10 |
10 |
10 |
10 |
10 |
±κηΙΝA―NE―ΕE―ΛΜ«Ώͺ θά·B
α¦ΞA½γWΙάάκι9Μ¨ΏΝA―ΙΆΆA―ΙΕ΅A―ΆΰΜΙΛΆ΅ΔΆΆιΖ’€πίΙΘθά·ΛB
SΆγΪ
SΆγΪΖΝSΙζΑΔΆΆι¨ΏΜO[vͺ―Μ±ΖΕ·B
SΆF15 |
ͺW |
g\γW |
κ\\W |
yυΘΗ\κW |
gyυΘΗ\ρW |
κyυΘΗ\OW |
ΊγW |
ΊyυΘΗ\ρW |
sΘΚF8 |
|
|
|
|
|
|
|
|
g\ |
|
|
||||||
κ\ |
|
|
||||||
Ί |
|
|
|
|
||||
Fyυ« |
|
|
|
|
||||
ͺfF |
||||||||
v |
8 |
9 |
10 |
11 |
12 |
13 |
9 |
12 |
ίΆγΪ
ίΆFπO[vͺ―΅½ΰΜπίΆγΪΖ’’ά·B
ίΆFΝSΆF©η\Fig\Aκ\jπ’½ΰΜΕ·B
ΒάθAΊLΜζ€ΘO[vͺ―ΙΘθά·B
SΆF15 |
ͺW |
yυΘΗ\κW |
ΊγW |
ΊyυΘΗ\ρW |
sΘΚF8 |
|
|
|
|
Ί |
|
|
||
Fyυ« |
|
|
||
ͺfF |
||||
v |
8 |
11 |
9 |
12 |
HΆγΪ
HΆFπO[vͺ―΅½ΰΜπHΆγΪΖ’’ά·B
HΆFΝίΆF©ηΊFπ’½ΰΜΕ·B
ΒάθΊLΜζ€ΘͺήΙΘθά·B
SΆF15 |
ͺW |
yυΘΗ\κW |
sΘΚF8 |
|
|
Fyυ« |
|
|
ͺfF |
||
v |
8 |
11 |
άΖί
³ΔA±±ΕFγΪπ¨³η’Ε·B
ΖΆγΪ9
1.
½γW
2.
α\W
3.
¨\W
4.
@\W
5.
γ\W
6.
g\W
7.
«\W
8.
j«\W
9.
ξ\W
SΆγΪ8i6j
1.
ͺW
2.
g\γW
3.
κ\\W
4.
yυΘΗ\κW
5.
gyυΘΗ\ρW
6.
κyυΘΗ\OW
7.
ΊγW
8.
ΊyυΘΗ\ρW
ίΆγΪ4
1.
ͺW
2.
yυΘΗ\κW
3.
ΊγW
4.
ΊyυΘΗ\ρW
HΆγΪ2
1.
ͺW
2.
yυΘΗ\κW
±κηΜ€ΏAίΙζΑΔΆΆι
·
ͺW
·
ΊγW
Μ2ΒΝΆ½ΜgΜΜΰΙΰAOΙΰΆΆΎά·B»κΘOΜ·ΧΔΝΆ½ΜgΜΜΰΙΜέΆΆά·B
ΈΟΖΝκ΅έͺΕs΅½ΙΜKΉΜσΤΕ·B
±ΜΈΟΝΜlΉqΙζΑΔAΌΪΪΕ©ιζ€ΙmηκιΰΜΕ·B
·
a¬Ήq
·
κΉq
·
sΉq
·
’
ΏΉq
ΉqπΎιOΙ~EΕuΈΟΖΝ±κ±κΕ ιvΖF―΅Δ’ιΰΜΝ―ͺΙί¬άΉρB
ΉEΚΜΖΘθADΖΎνκ逩ηEo΅Δ’ι½ίΈΟΖΎνκά·B
ά½A±±ΕΎ€DΖΝA€ͺ»Li‘ΆjΖLiΆjπΡt―ΔΦτ]Ά³Ήι±Ζ©η±€ΔΞκά·B
L]ΈΟΖ³]ΈΟ
L]ΈΟ
L]ΈΟΖΝ’
ΏΙΘΑ½lͺAάΎΆ«Δ’ισΤΕΜ±·ιΈΟΜ±ΖΕ·B»@ΈΟAΟYΈΟΖΰΎ’ά·B
³]ΈΟ
ά½ASΘΑ½’
ΏͺΜ±·ιΈΟπ³]ΈΟΖΔΡά·BαcijΈΟAε]ΈΟΖΰΎ’ά·B
σΈΟΖ³ΈΟΖ³θΈΟ
ΈΟπ`ΙζΑΔΜ3νήΕ\»·ι±Ζΰ θά·B
σΈΟ
ΈΟΙΝAζΓαΡsEΌFͺΘ’½ίA»Μ½ΰΘ’lqπσ`ΖΔΡά·BΈΟΝσ`πυ¦Δ’ι½ίσΈΟΖΔΤ±Ζΰ θά·B
³ΈΟ
ΖΝ«ΏΜ±ΖΕ·B
Fi¨ΏjΝΰΏλρ`σΘΗΜ«ΏπΏά·΅AΌiSjΰ»κΌκΜσΤπΰΏά·B
΅©΅AΈΟΙΝΌFΜζ€ΘΑθΜ`σπ½Θ’½ίA±ΜσΤπ³ΖΎ’ά·B»΅ΔA³Μ`πΰΒΈΟΝ³ΈΟΖΰΔΞκά·B
³θΈΟ
³θΖΝAθ’ͺΘ’Ζ’€Σ‘Ε·B
ΒάθAΈΟΙΝ€ΙξΓθ’ͺΘAθ’ΜΞΫΖΰΘηΘ’½ί³θΜ`ͺ θά·B»Μ½ί³θΈΟΖΔΞκά·B
FE
FEΜΆ½ͺΆάκιΖ«ΰAΕΙΖΆFͺΆΆά·ͺA~EΜΆ½ΖΝα’
1.
@\W
2.
γ\W
3.
g\W
4.
«\Wij«or«j
Μ4ΒͺΆΆάΉρB
ΘΊΘη±κηΝAE‘EGE«ΘΗ~Μ΄φΙΘι©ηΕ·B
ΒάθAFEΜΆ½ΝΘΊΜ3ΒΜ\WΖ½γWΜέπΑΔ»Ά΅ά·B
1.
½γW
2.
α\W
3.
¨\W
4.
ξ\W
»΅ΔΆάκΔ©ηΝASΜ«ΙζθSΆFͺAΖΆFΖSΆFΙάάκιίiΞEjΙζΑΔίΆFͺΆΆά·B
΅©΅AFEΜΆ½ΙΝγ\WͺΆΆΘ’±Ζ©ηAϋ©ηHΧ¨πζθόκιΖ’€sΧπ΅άΉρB
Ζ’€±ΖΝAΰOΜ {fΜΙζΑΔΆάκι«ΏΜ ιHΆFΝΆΆάΉρB
³zLξ
³zLξΰFEΜΆ½ΜκΒΕ·ͺA³zLξΙΝSͺS’Δ’άΉρB
±Μ³zLξΜΆ½Ζ΅ΔΆάκιΖ«
1.
α\W
2.
¨\W
3.
ξ\W
ΰΆΆΈA½Ύu½γWvΜέπΰΑΔΆ΅ά·B
»΅ΔAΆάκ½Θ~ΰS’Δ’Θ’½ίSΆFΰΆΆΈAΖΆFΖΊπ’½ίΆFͺΆΆιΜέΕ·B
§³ΕΝΆ½ΜΆάκπΜ4ΒΕ ιΖΰΎ΅Δ’ά·B
·
ΌΆEEE
Α½
ΘΗΙΆ·ιεvΘΗ
·
»ΆEEE_XAVΘΗ
·
ΩΆEEElΤβMϋ¨ΘΗ
·
ΆEEEΉAΰ¦ήAΌΆήAΘΗ
±κηΆάκΜνήΙζΑΔAΆάκ½Ζ«ΙΗρΘ¨Ώπυ¦Δ’ι©ͺΩΘθά·B
ΌΆA»ΆΕΆάκιΖ«
ΌΆA»ΆΕΆάκιΆ½ΝAΆάκ½Ζ«ΙΕΕΜ7Μ\Wπυ¦ΔΆάκΔ«ά·B
1.
α\W
2.
¨\W
3.
@\W
4.
γ\W
5.
g\W
6.
«\Wij«or«j
7.
ξ\W
΅©΅AΘ’κΝαA¨A@A«Μ\WͺΎηκΈ
1.
γ\W
2.
g\W
3.
ξ\W
Μ3ΒΜ\WΜέπυ¦ΔΆάκιΆ½ΰ’ά·B
ΩΆAΆΕΆάκιΖ«
ΩΆAΆΕΆάκιΆ½ΝAσΈ΅½uΤΜ3Μ\Wͺ»κά·B
1.
g\W
2.
«\W
3.
ξ\W
±Μ3ΒΜ\WπJΖ’’ά·B
»΅ΔA»ΜγζΙ¬·΅ΔiΧEͺτ΅ΔjA11TΪi ι’Ν7TΪj±λΙΘιΖ
·
α\W
·
¨\W
·
@\W
·
γ\W
ΘΗͺ»κΔ«ά·B
ΖίΆF
JΝΖΆγΪΜWάθΕ θAΖΆγΪΙΝίΖ’€ΞEisΘΚFΙάάκιjͺάάκΔ’ά·B
±ΜίΙζΑΔAίΆFͺΆΆA»ΜΙάάκιίΙζΑΔA³ηΙίΆFͺΆΆά·B
±Μζ€ΙXΖίΆFͺΆΆΔJͺε«ΘΑΔ’«ά·iΧEͺτjB
±ΜΖ«ΜίΆFΝΖΙξΓ±Ζ©ηAΖίΆFΖ’’ά·B
SίΆF
ά½AJΜΙ·ΕΙSΝΝ½η’Δ’ιΜΕA»κΙζΑΔSΆγΪΰXΙΆΆά·B
³ηΙA»κηΜSΆγΪΙΰίͺάάκΔ’ιΜΕAΖΆγΪΜκΖ―lΙίΆFΰXΖΆΆι±ΖΙΘθά·B
±ΜΖ«ΜίΆFπSίΆFΖ’’ά·B
HίΆF
½ΏͺHΧ¨©ηh{πΫζ·ιζ€ΙΘιΖAHΆFͺΆΆιζ€ΙΘθά·B
»΅ΔA»ΜHΆFΙΰίͺάάκΔ’ιΜΕAΖΆγΪESΆγΪΜκΖ―lΙίΆFΰXΖΆΆι±ΖΙΘθά·B
±ΜΖ«ΜίΆFπHίΆFΖ’’ά·B
lNφFγΪΜ±
FΝ«ΏγAΆΆΔΝΕ΅πJθΤ΅Δ’ά·B
±ΜΖ«AΗΜζ€ΙΆΆΗΜζ€ΙΕ΅Δ’©Ζ’€κAΜ¬κπ±ΖΔΡά·B
·
ΖΆF
·
SΆF
·
ίΆF
·
HΆF
Μ»κΌκΙΑLΜ±Μ¬κͺ θά·ΜΕAΤΙ©Δ’«ά΅ε€B
ΖΆFΜ±
SΝΆZΕΜ3ΒΜσΤiίjπJθΤ΅AΆάκΔΝΕ΅πJθΤ΅Δ’ά·B
½ΏͺΆάκιΖ«AσΈ΅½uΤΙΆSͺΆάκά·B
±ΜΆSΰ΅§Ι’€ΖΆZΕΜΆΜσΤ©ηX^[g΅ά·ΛB±ΜA±ΜΆSΜΆΜσΤΜΖ«ΙΕΜΖΆFiJjͺΆΆά·B
Θ~ ηδιίΙΖΆFͺΆΆ±―ά·BΰΏλρ±ΜΖ«ΜΖΆFΝίΖΙζΑΔΆΆΔ’ιν―Ε·ΛB
SΆFΜ±
ΆSΜΙΆάκιΕΜLͺSiζκLͺSjΜΆΜσΤΜΖ«ΙΕΜSΆFͺΆΆά·B
Θ~ASΆFΜ΄φΖΘι75ΜSΜΆΜσΤΜΖ«ΙSΆFͺΆΆ±―ά·B
ΘΊΆΜσΤΜΙSΆFͺΆΆι©Ζ’€ΖASΝΆΜσΤiΆάκιΖ«jͺκΤGlM[ͺ’©ηΕ·B
ίΆFΜ±
ΆSΜZΜσΤΜΙΕΜίΆFͺΆΆά·B
»ΜΖ«ΜίΆFΝAΆSΜΆΜσΤΜΙΆάκ½ΖΆFΙάάκιίiΞEjΙζΑΔΆΆι½ίAΖίΆFΖΎνκά·B
Θ~AFΜZΜσΤΕ ι49ίΜΤΙFΙάάκιίͺ΄φΖΘΑΔXΖίΆFͺΆάκά·B
HΆFΜ±
ΜΰΜ {fΖAHΧ¨Μ {fͺ΅ΔHΆFͺΆΆά·B
lNφFγΪΜfΕ
±ΖΝAΗΜζ€ΙΆΆΗΜζ€ΙΕ΅πJθΤ·©Ζ’€κAΜ¬κΜ±ΖΕ΅½B
fΕΖΝAΗΜζ€ΙIνθπ}¦ι©Ζ’€ζ€ΘΣ‘Ε·BΒάθA½ΏͺΚΖ«AgΜΙΝV΅¨ΏͺΆάκΘΘθά·B±ΜσΤπfΕΖ’’ά·B
ΖΆFΜfΕ
ΖΆFΝS©η³©ΜΪΑΔ17SίΜLͺSΜΆΜσΤΜΖ«ΙΕγΙΆΆAZΜσΤΘ~ΝΆΆάΉρB
»΅ΔA±ΜΖ«ΙΆΆ½ΖΆFΝ17SίΜυ½ͺ θά·©ηAΏε€ΗSͺΕ·ιΖ―ΙΕ·ι±ΖΙΘθά·B
SΆFΜfΕ
ά½SΆFΝSΜΆΜσΤΜΙXΆΆι«Ώͺ ιΜΕAΕγΜSΆFΝSΜΆΜσΤΜΙΆΆά·B
±ΜΖ«ΜSΆFΰ17SίΜυ½ͺ ιΜΕASͺΕ΅Δ16Sίi48ίjΜγΙΕ΅ά·B
HΆFΜfΕ
ά½HΆFΝΜΜΰOΜ {fΜΙζΑΔΆάκά·B
±ΜΰOΜ {fΜΝSͺ’Δ’ιΐθsνκ±―ιΜΕAΚIΙSΜΕΜσΤΜΖ«ΙΕγΜHΆFͺΆάκά·B
ίΆF
ίΆFΝ¨ΏΙάάκιίiΞEjπ΄φΖ΅ΔΆΆά·B
ΒάθA½ΏΜgΜͺΜΖΘΑΔΰA»ΜΜΙίΝάάκι½ίAXΖΆΆ±―ι±ΖΙΘθά·B
ΜͺΈρΎθA
s΅½θΖ’€ΜΝίΆFͺΆΆΔ’ιΖ’¦ά·B
S
SΜvfπSΖ’’ά·B
SΝA`ϊΜκΒΕAγβnζΘΗΙζΑΔΟνηΘ’sΟIΘ^ΐΕ·B
SΝ欴ιΰΜΙα¦ηκά·B
α¦ΞA
·
R[q[@@
@{@R[q[Μ¬ͺ
·
¨@@
@{@¨Μ¬ͺ
·
IWW
[X@@
@{@IWΜ¬ͺ
Μζ€ΙAωέ¨ΝA
@Ζ@Ζ―Δ’½¬ͺ@ΙͺπΕ«ά·ΛB
±Μ±ΖΝΘPΘΘΜΐ±ΕmFΕ«ά·B
ωέ¨πΞΕM·ιΖAφCͺoΔAΕγΙ½©J^}ͺcθά·ΛB
±ΜΖ«ΜφCπββΉΞ
ͺΕ«ά·B
ΕγΜJ^}ͺΖ―Δ’½¬ͺΕ·B
±±Ε’€
ͺSΕAΖ―Δ’½¬ͺͺSΙΘθά·B
»΅ΔASΖSͺά΄ΑΔAsPSΖ©PSΜζ€ΘW
[XͺΕ«ιΖ’Α½C[WΕ·ΛB
±κ©ηSΜ¬ͺΙΒ’ΔwρΕ’«ά·B
SΜΑ₯
SΖSΜΦWΙΝSΒΜΑ₯ͺ θά·B
1.
―N
2.
―Ε
3.
―
4.
―ξ
±κηSΒπSΖ’’ά·Bά SΜΑ₯Ζ’€Σ‘Ε·ΛB
―N
ιSΙάάκιSΝ―ΙΆΆι±ΖB
α¦ΞAα―@@S@{@SiGEσEzEvEκ««E½ͺEμΣj@Ε ιͺASΜVΒΝ―ΙΆΆιB
―Ε
ιSΙάάκιSΝ―ΙΕ·ιB
α¦ΞAα―@@S@{@SiGEσEzEvEκ««E½ͺEμΣj@Ε ιͺASΜVΒΝ―ΙΕ·ιB
―
ιSΙάάκιSΝ»ΜSΖ―ΆiΞΫjπΖιB
α¦ΞAχπ©Δα―ͺΆάκικAχͺ ι©ηα―ͺΆάκιB
―Άζ€ΙΙAάάκιVΒΜSΰχͺ ι©ηΆάκιB
―ξ
ιSΙάάκιSΝ»ΜSΖ―ΆκΙΆάκιB
α¦ΞAα―ΝαΕΆάκιB
―Άζ€ΙAα―ΙάάκιVΒΜSΰαΕΆάκιB
―ΌSΜQΒίΝGSiΌ€΅ρΆεjΕ·B
―ΌSΝAPSEsPSΙΦWΘάάκιSΖ’€Σ‘Ε΅½B»΅ΔA―ΌSΜκΒίΜ€κΨSSΝA·ΧΔΜSΙ100%άάκιSΕ΅½ΛB
GSΰA―ΌSΜΤΘΜΕPSEsPSΙΦWΘάάκά·ͺA·ΧΔΜSΙ100%άάκιν―ΕΝ θάΉρB
»ΜSΙζΑΔάάκ½θAάάκΘ©Α½θ·ιSΘΜΕ·B
GSΙΝΜUνή θά·B
qiΆρj
qiΆρjΖΙoΔιfi΅jͺZbgΕA’νδιl¦ιΝ½η«πw΅ά·B
qΎ―ΜΣ‘ΝSπΞΫΙό©νΉιΝ½η«Ε·B
C[WΕΎ€ΖAΉͺςΡ§ΒuΤͺqA¬κΙΜΑΔσ΅Δ’ισΤͺfΙα¦ηκά·B
ΌΙΝA~co`ͺ¨πίΔΤΙό©€σΤͺqAΪIΜΤΙ
΅Δ»ΜΘνΞθπΫ·ισΤͺfΙα¦ηκ½θΰ΅ά·B
fi΅j
qfΕl¦ιΝ½η«ΎΖ¨b΅ά΅½BqΝάΈΕΙSπΞΫΙό©νΉιA’νΞΑUΰΜζ€ΘΝ½η«Ε·B
fΝA»ΜγΙΆΑθΞΫπ΄@·ιΖ’€Ν½η«ͺ θά·B
α¦ΞA·sΜvζπl¦ικB
άΈvζ·ιOΙAwvζ΅ζ€xΖvlπ»ΏηΙό―Θ―κΞAvζͺX^[g΅άΉρζΛIHiqj
»΅ΔAvl[hΙόΑΔ©ηAw½ΙΖπoζ€xΖ©wΗΜΉπΚλ€xΖ©ΆΑθl¦ιν―Ε·Bifj
QN«ΜΖ«ΙAwΝ’AΆα ·sΜvζπ§ΔΔΎ³’xΖΎνκΔΰA|JΖ·ιΎ―Ε·ΛBͺͺvl[hΙόΑΔ’Θ’©ηΕ·B
πi΅ε€°j
πΖΝΞΫπθ·ιΝ½η«ΜΕ·B’νδιWbWE»fΜΕ·ΛB
½ΏΝ ηδιΰΜπ»f΅ΘͺηΆ«Δ’ά·B»κΝKΈ΅ΰ³΅’ΖΝΐθάΉρB
α¦ΞA½ΏΝw ΜlΝ«iΓ’΅AFB’Θ’Ύλ€Θ`xΖ©½CΕ»f΅½θ΅ά·B
±ΜΖ«Μ»fπS΅Δ’ιΜͺπΙΘθά·B
Έii΅ε€Άρj
ΈiΝwΝΜΕ·ΛB±κΝͺ©θβ·’Ε·OO
κΜ΄ξΙ¬³κΔs·ι±ΖΝΈiΕΝ θάΉρB
α¦Aάνθ©η¨ΥθΜΉͺ·±¦Δ«ΔΰA»ΜΖ«Χ·ιΖ߽笳κΈΙβιI
»κͺΈiΕ·B
ΏΘέΙΣ~ΝΙGκ½Ζ«ΙΕΙu½©΅½’vΖ’€DοSΜζ€ΘΝ½η«ΕA»κπ±³ΉιΜͺΈiΜΝ½η«ΙΘθά·B
μi«j
μΝAΈ_IΘμΡΜ±ΖΕ·B»ΜάάΕ·ΛOO
α¦ΞA Θ½ͺ»π·΅Δ’½Ζ΅ά·B
ΈΑΖΰ«ΑΟΘ΅ΕAΜΗΝJJA«Ν_Μζ€ΙΘΑΔζκ«ΑΔ’ά·B
w±Μάά|κΔ΅ά€ρΆαΘ’Ύλ€©EEEx
»ρΘsΐΰζ¬θά·B
·ιΖAO©ηΚΜ·lͺA³CΙΰ’ΔιΕΝ θάΉρ©H
»΅Δ»Μ·lΝ Θ½ΙΎ’ά΅½B
wεͺζκΔά·ΛBΕΰεδvB±ΜζΙ·IAVXͺ θά·ζIx
³Δ»Μ Θ½ΝΙΝΗρΘΟ»ͺN±ιš倩HH
»ΜΙΆάκιμΡΜ΄oͺμipitijΕ·B
Σ~i’ζj
Σ~ΖΝβιCΜΕ·ΛB
ϊ{κΕΝAΣ~SΰζΓSΰw`΅½’xΖ’€GlM[Ε·ͺA±ΜQΒΝά½«Ώͺα’ά·B
α¦ΞA
1.
ΧπͺρΞθ½’
2.
¨’΅’ΰΜπHΧ½’
±ΜQΒΜw΅½’xΝ―ΆΣ‘š倩H
PΤͺΣ~SΕAQΤͺζΓSΜΝ½η«Ε·B
Σ~ΙΝA’’E«’ΝΘAζΎνκιΜͺwSΜθxΖ\»³κά·B
ΒάθAS©ηθͺΜΡΔ½ΕΰΒ©ΰ€Ζ·ιΝ½η«Ζ’€Σ‘Ε·B
ΰΑΖΘPΙΎ€ΖANN·ι΄ΆΕ·B
€ijΖΝA€Κ΅Δ’ιΖ’€Σ‘ΕAκΨΖΝA·ΧΔΖ’€Σ‘Ε·B
ΒάθA€κΨSSi’Α³’΅ρ΅ρΆεjΖΝ·ΧΔΜSΙKΈ€Κ΅ΔάάκιSΖ’€Σ‘ΙΘθά·B
€κΨSSΝΜVΒ θά·B
G
ΞΫΙGκιΖ’€«ΏπΒSΕ·B
§³ΕΜSΜθ`πo¦Δ’ά·©H
§³ΕΝASΖΝΞΫπF―·ιΝ½η«Ε΅½ΛI
α¦ΞA Θ½ΖΜΜα’ͽš倩HΗΏηΰ―ΆA~m_Ζ©A½ρΟΏΖ©ΕΕ«Δ’ά·ζΛIH
ΕΰA½©ͺα’ά·B
»Μα’ͺSΘΜΕ·B
ΜΝάνθΜΰΜπF―΅άΉρBΞ³κΔΰM’ΖΰvνΘ’ν―Ε·B
΅©΅A Θ½ΝάνθπF―΅ΔΆ«Δ’ά·B πΤΉΞAΆ«Δ’ιΖ’€ΝάνθπF―΅Δ’ιΖ’€ΘρΕ·ΛB
άνθπF―·ι½ίΙΝAάνθΜξρΙwGκ½IxΖάΈCΓ©Θ―κΞ’―Θ’ν―Ε·B
»Μζ€ΙAGκ½ΖάΈCΓ½ίΙKvΘvfͺGΕ·B
σ
σΖΝ΄oπ΄ΆιvfΕ·B
σΝοΜIΙRΒΙͺ―ηκά·B
·
κEEEDά΅Θ’΄o
·
yEEEDά΅’΄o
·
sκsyEEEΗΏηΕΰΘ’΄o
©ͺΙΖΑΔDά΅’΄o©ADά΅Θ’΄o©π΄Αθͺ―ιβθϋΕ·B
»ΜΌΰ€΅Χ©TΒΙͺ―ιϋ@ΰ θά·B
·
κEEEχΜIΙDά΅Θ’΄o
·
yEEEχΜIΙDά΅’΄o
·
JEEEΈ_IΙDά΅Θ’΄o
·
μEEEΈ_IΙDά΅’΄o
·
ΜEEE’ΈκΕΰΘ’΄o
σΜvfͺΘ’Ζ΄oπ΄Άι±ΖͺΕ«άΉρB
z
zΖΝΞΫπzOE\Ϋ·ιΖ’€Σ‘Ε·B
\Ϋπ²ΧιΖΜζ€ΙΰΎ΅Δ’ά·B
mo΅½C[WπL―ΙΫΏAΔΡSΜ€ΏΙ\κ½μpπ’€iC[W»ΜΰΜπάίΔΔΤ±Ζΰ ιjͺA³ΝuΘΙ©iΙγνΑΔjΌΜ±Ζπw·vΖ’€Σ‘Ε ιBή`κΙALAC[WAV{iΫ₯jͺ ιB
©έΣ’Δ’€ΖΞΫΜΑ₯π}[LO΅A»ΜΑ₯πC[W·ιΖ’€΄ΆΕ΅ε€©B
w±κΖΌΜΰΜΝ½ͺα€ΜΎλ€©HxΖuΤIΙC[W·ιν―Ε·ΛB±ΜzΖ’€vfͺΘ’ΖAΤΖPΜα’ͺͺ©ηΘΘιΜΕ·B
ά½γΜΰΎΙΰ ιζ€ΙAzΝL―·ιΖ’€«ΰSΑΔ’ά·B
ΘΊΘηA½ΏͺisΑΔ’ιL―·ιΖ’€sΧB»κΝAΞΫΜΑ₯ππ·ι±ΖΖ―Ά±ΖΘΜΕ·B
sπΜVlΝzͺγΘΑΔ’ιν―Ε·BΎ©ηAΖ°ΖΌlΜζΚͺΒ©ΘΘιΜΕ·ΛB
ά½A¨ͺ©©΅πwlΤΎIxΖv€ΜΰzΜΝ½η«ΙζιΰΜΕ·B¨ΘθΙwlΤΜΑ₯ΖΝxΖ’€C[Wͺ ιν―Ε·ΛB
v
vΖΝAb΅½θAl¦½θAs΅½θ·ι½ίΜ΄ΝΙΘιφέGlM[έ½’ΘΰΜΕ·B
w ΅ζ€xw±€΅ζ€xΖAΞΫΙSπό©Ήιͺ{IΘGlM[Ε·B
ΙΚπμιSΜνπΖiJ}jΖ’’ά·ͺAΐΝ±ΜvΜ±ΖΘΜΕ·B
ά½AvΝGlM[ͺAΌΜSπ½ΞΛΔ―ΆϋόΙΝ½η©ΉιΖ’€Α₯ͺ θά·B
α¦ιΘηAοΠΜΠ·έ½’Θ΄ΆΕ·ΛBΌΜSiΠυjπ½ΞΛΔA―ΆϋόΦζ±·ιν―Ε·ΛB
κ««
κ««i’Α«ε€΅ε€jΖ’€vfΝASπΞΫΙW³ΉιΝ½η«ͺ θά·B
T}^αziWΜαzjπsΑΔFEβ³FEΦΜTθΙόιΖ«ΙAΈΞ²―½WΝͺKvΙΘθά·B
»ΜWΝΜΉΙΘΑΔ’ιΜͺκ««Ζ’€SΕ·B
κ««ΜGlM[ͺάθβ·’πΖ΅ΔAyiσSjͺΦW΅Δ’ά·B
α¦ΞA{πΗρΕ·²W΅Δ’ιΖ«AyΕyυΘ΄Άͺ΅άΉρ©H
w¨’½’Θ`xΖ©wΒάρΘ’Θ`xΖ©vΑΔ’ιΖ«ΝAάΑΔWΕ«Δ’άΉρζΛB
½ͺ
½ͺiέε€±ρjΖΝAκΙΆΆιSESπΫ·ιΝ½η«ΜΕ·ΛB
κΒ½ͺπΰΎ΅½α¦ͺ θά·B
μΙ¬Dͺ ΑΔADͺ³ρͺζΑΔ’ά·B»±ΙζqͺζΑΔ«ΔADͺ³ρΝό±€έάΕAζqπθά·B
±±Ε’€Dͺ³ρͺ½ͺΕAζqͺΌΜSΙα¦ηκΔ’ά·B
ζ€·ιΙAΌΜSͺ«ΏρΖ¨Μ¨ΜΜ«πI¦ιάΕAΫ΅Δ °ιΝ½η«ΜΕ·ΛB
μΣ
μΣΖΝAΌΜSπΞΫΙΣπό―³Ήιέ½’ΘΣ‘Ε·B
ά ©£θπέ½’ΘC[Wš倩B
w¨[’έΘ³ρI±ρΘξρͺ½©ηπζ롨蒡ܷΛIxέ½’ΙΌΜSΙΣπΔΡ©―ιΝ½η«Ε·B
άΖί
VΒΜ€κΨSSπΚXΙΰΎ΅Δ«ά΅½BΕΰΐΫ±κηΝA―NΜ@₯Ι΅½ͺΑΔA―ΙΆάκά·B
»΅ΔAVΒΜ€κΨSSΝ·ΧΔΜSΙ100%άάκΔ’ά·BΕ·©η{AΚXΕπί·ιΝΕ«άΉρB
¨ίήlΜqdΙζΑΔͺΝ³κ½ΰΜΘΜΕ·B
α¦ιΘηA~bNXW
[XΜζ€ΙVΒΜήΏͺζ[¬΄ΑΔ’ιΖvΑΔΎ³’B»ΜΉΙζΑΫΗ·―½lΆαΘ’ΖA½ͺ¬΄ΑΔ’ι©Ύ’ ΔιΜΝο΅’Ε·ζΛB
―Άζ€ΙA½ΏκΚΜlΤΝSΙΒ’ΔΝflΕ·BΘΊΘηASΙΒ’ΔΜΑΚΘ³ηΰAΑΚΘg[jOΰσ―Δ«Δ’Θ’©ηΕ·B
w±ΰ’άΉρΕ΅½B
Ε·©ηAm―Ύ―Εΰw±ρΘvfͺάάκΔ’ιρΎxΖ²π’½Ύ―κΞΖv’ά·B
―ΌΖΝA«Ώͺα€ΰΜΙΰ―²·ιΖ’€Σ‘Ε·B
ͺ©θβ·Ύ€ΖA―ΌSΖΝPSEsPSΜΗΏηΙΰάάκιSΖ’€Σ‘Ε·ΛB
α¦ΞAsPSΙζΓΖ’€Sͺ θά·B
ζΓΝή³Ϊθi~jΜ«Ώͺ ιsPSΕ θAζΓͺSΙ΅©άάκάΉρB
άΏͺΑΔΰεPSΙoκ·ιΝΘ’ν―Ε·ΛB
―ΌSΙΝ³ηΙΜQΒΜΊΚO[vͺ θά·B
·
€κΨSS
·
GS
sPSΝsPSΙάάκιSΜvfΕ·BΘΜΕAPSΙΝάάκι±ΖΝ θάΉρB
οΜIΙΝΜPSνή θά·B
sΖΝA³mΜ±ΖΕAΐπ³mΙπ΅Δ’Θ’±Ζπ³΅ά·B
sPSΙΝζΓAαΡAsΜRΒΜ[_[ͺ’ιΖ¨b΅ά΅½B
»ΜΕΰAsPSΜκΤΜ{XΝsΘΜΕ·B
lΤΰάίΔΆ½Ν»ΰ»ΰ³mΎ©η~β{θπN±΅ΔA»ΜΚ©Ε·ιν―Ε·B
α¦Ξ
·
w±κΝ¨’΅»€ΘLmRΎIxΖvΑΔAΕLmRπHΧΔκ΅ρΎθ
·
ιΘ’πΟzπ΅Δ’ΔYκ¨π΅Δ΅άΑ½θ
·
{Ν³ΐΜFlπΖlΎΖv’ρΕU΅Δ΅άΑ½θ
·
lͺ©ͺΜv’ΚθΙΘηΘ’Ζ π½Δ½θ
·ιν―Ε·ΛB
±±ΕΆάκι~β{θΝAlΜ³m³ͺ΄φΙΘΑΔΆάκΔ’ιΜͺζͺ©ιΖv’ά·BΕ·©ηAsΝ·ΧΔΜsPSΙάάκΔ’ά·B
lbgΕΞΖ²ΧιΖAwΝΆιxΖΰΎ³κΔ’ά·BΒάθA³ΞΖΝwΝΆΘ’xΖ’€Σ‘Ε·B
«’π΅ΔΰA»κπpΈ©΅’ΖvνΘ’Ζ’€±ΖΕ·ΛB
ΑΖΝw¨»κιxΖ’€Σ‘Ε·B
ΒάθA³ΑΖΝA«’π·ιπ¨»κΘ’Ζ’€Σ‘ΙΘθά·B
α¦ΞAψ«΅½ηx@Ιίάθά·B
±κΝA»ρΘΙο΅’_Άα θάΉρζΛBΏεΑΖ«IΙl¦κΞ·ͺ©ιΕ·B
ΕΰAΰ΅»Μͺͺ©ηΘ’lͺ’½ηA ½θOΜζ€Ιψ«·ιΕ΅ε€B±Μζ€Ι³Αΰ³mΕ ιͺδ¦ΜsΕ ιΖΎ¦ά·B
{ΖΝASͺγΜσΕSWΝͺΘ’σΤΜ±ΖΕ·B
α¦ΞAwΰzͺΘ’IxΖΕΑΔT·κB
ΪΜOΙ ιΜΙA{lΝCͺ]΅ΔA»κΙCΓ©ΈΙQΔΣ½ί’Δ’ιB»ρΘσ΅Νζ θά·ζΛB
±ΜΙΝ½η’Δ’ιSͺ{ΎΖ²πΊ³’B
»ΜΌΙΝA
\οΕΩ£΅ΔΎ’½’±ΖͺςρΕ΅άΑ½EEE
ΘρΔΜΰ{Μ«ΏΙζιΰΜΕ·BκΚIΙΎ€ΖAΕθΖ©Ω£Ζ©»ρΘΣ‘’Ιί’©ΰ΅κάΉρB±κΰ·ΧΔΜsPSΙάάκΔ’ά·B
ζΓΝή³ΪθAΒάθ~Ε·
·ι«ΏπΰΑ½SΕ·BζΓΝ·ΧΔΜζΓͺSΙάάκά·B
ζΓΝ~]Ζ’€Σ‘Ε·ͺAκΚIΘ~]ζθΰΰΑΖL’Σ‘ͺ θά·B
ά΄ΖSΙόΑΔ«½ξρΙΞ΅ΔADρΕ·
΅½’GlM[·ΧΔπζΓΖ’€O[vΕάΖίΔ’ιν―Ε·B
ά½AζΓΝΘΊΜζΓO[vΜ[_[Εΰ θά·B
·
ζΓiΖρj
·
©i―ρj
·
iάρj
ζΣ~Ζδr³κά·ͺAΣ~ΝβιCΜΣ‘Ε·
πΖΰΘ’άΉρB
α¦ΞA Θ½ͺwSΜΧΜ½ίΙSwΜ{πΗΰ€IxΖvΑ½Ζ΅ά·B
±ΜΖ«ΝΣ~πΑΔSwΜ{πθΙΖθά·ͺA·
΅ζΓιCΏΕ{πθΙΖιν―ΕΝ θάΉρζΛIH
ΘΊΘηAΪIΝSΜΧπ·ι±ΖΕ ΑΔASwΜ{πθΙ·ιΕΝΘ’©ηΕ·B
ΕΰAα¦ΞwΆͺεD«ΘAChΜ{πθΙζικΝAά½σ΅ͺα’ά·B»ΜΖ«ΝA»Μ{πθΙ·ι±Ζ©ΜͺΪIΕA»±Ι·
ͺ θά·B
·
ͺ ιΜΕ½ϋθΙόκΔΰwΰΑΖΰΑΖxΖΘιν―Ε·B»κͺζΓΜΝ½η«Ε·B
©ΖΝv’έΜΣ‘Ε·B½Ύ΅A±±ΕΝ«©AΒάθΤαΑ½v’έπΣ‘΅ά·B
v’έΖ’€ΜΝA»€ΎΖMΆΔ’ιMOέ½’ΘΰΜΕ·ΛB©ΝζΓͺSE«©SΙάάκά·B
½ΏΝ©ͺΜv’έͺ³΅’ΖvΑΔΆ«Δ’ά·B
·
Μ»€ΙΣιά€lΝlΤΈiΎ
·
xΝΠοlΖ΅Δ ιάΆ«sΧΎ
·
ΞΚΕΝhκπgνΘ’ΖΈηΎ
·
βΑΔΰηΑ½η¨Τ΅·ιΜͺRΎ
Ζ©A½©΅η³΅’Ζv€v’έπΰΑΔ’ά·B
m©ΙA»κηΝ ικϋ©ηΝ³΅’©ΰ΅κάΉρB΅©΅ASΙ³΅’ΖΝΎ’ΨκΘ’ΜΕ·B
α¦ΞA
σ«ΚπwΫ’xΖΎ’£ΑΔ’ιlͺ’½ηΗ€v’ά·©H
¨»η»ΜlΝσ«Κπ^γ©^Ί©η©Δ’ιΜΕ΅ε€B»΅ΔA»Μϋό©η©κΞm©ΙΤαΑΔ’άΉρB
Ύ©ηΖΎΑΔσ«ΚΝΫ’ν―ΕΝ θάΉρζΛIH
±ΜκΰAwσ«ΚΝΫ’xΖ’€©πΝβΝθ«©ΘΜΕ·BΘΊA©ͺζΓO[v©Ζ’€ΖAN΅ΰ©ͺΜv’έπDρΕ·
·ι©ηΕ·B
ΖΝΌΖδr·ιΝ½η«Ε·ΛB
κΚIΙΰ©ΖΎ¦ΞAwΌΖδΧΔ©ͺΜΩ€ͺγΎIxΖ’€Σ‘Ε·©ηB
©ΝζΓͺSE«©SΙάάκά·Bi©«©Μ±ΖΕ·©ηj
tΙAΝζΓͺSE«©sSΙάάκι±Ζͺ θά·B½ΎAάάκΘ’±Ζΰ ιΜͺΑ₯Ε·B
ΙΰRνή θά·B
·
γEEEΌlζθ©ͺͺDκΔ’ιΖv€±Ζ
·
ΪΊEEEΌlζθ©ͺͺςΑΔ’ιΖv€±Ζ
·
―EEEΌlΖ©ͺΝ―Ε ιΖv€±Ζ
γΖΪΊΝͺ©θβ·’Ε·ΛBβθΝ―Ε·Bκ©βθͺΘ³»€Ι੦ܷͺB
α¦ΞAΌlΖ©ͺͺ―ΆΎΖvΑΔ’½κA©ͺΎ―|π½ί³κ½ηΗ€v’ά·©H
w ΜlΰΖ―ΘρΎ©ηA ΜlΙΰ|³ΉΔζIxΖvΑΔ΅ά’ͺΏΕ·B
ΰ΅―ͺΘ―κΞAwΝ’xΖΎΑΔfΌΙ|·ιΎ―ΘΜΕ·Bΰ©ηDρΕδΧι«Ώͺ ιΜΕAζΓO[vΙͺή³κά·B
αΡΝA{θΜvfπΰΒSΕ·B½Ύ΅A½ΏͺigΑΔ’ι{θΖ’€Σ‘ζθΰAΰΑΖL’Σ‘ͺ θά·B
Η€’€©Ζ’€ΖAαΡΝζΓΜtΜGlM[ΘΜΕ·B
ζΓΝu~΅’vΖ’€GlM[Ε·ͺA»κͺνΘ©Α½Ζ«AαΡΜGlM[ΙΟνιν―Ε·B
Ε·©ηAί΅έΰαΡΙάάκά·B
ΰ€΅Ϊ΅ΰΎ΅ά·ΛB
{θΙΰOό«Μ{θΖΰό«Μ{θͺ θά·B
·
Oό«Ι{θπ\ΉΞA’νδι{θΙΘθά·B
·
ΰό«Ι{θπ\ΉΞAί΅έΘΗΜ`ΙΘθά·B
αΡΰsPSRΒΜ[_[ΜPΒΕ·BαΡO[vΙΝSΒΜSͺ θά·B
·
αΡi΅ρj
·
Ήi΅Βj
·
Κi―ρj
·
«μi ³j
ΉΝΉiΜ±ΖΕ·ΛB
Dά΅’ΰΜͺ©ͺΙΝΘ’BθΙΝ ιB
±ΜΖ«Ιθπiά΅v€ν―Ε·ΛB
ΉΰA»Μσ΅Ι΅ͺ½’«΄ͺΆάκι±Ζ©ηA{θiαΡjΜO[vΙͺή³κά·B
ΚΖΝΰΜΙ΅έΜΕ·ΛB
ΉΝAwDά΅’ΰΜͺ©ͺΙΝΘ’BθΙΝ ιBxκΙΆάκιΉiΜ«ΏΕ΅½B
ΚΝ»ΜtΕAwDά΅’ΰΜͺ©ͺΙΝ ιBθΙΝΘ’BxκΙΆάκιΰΜΙ΅έΜ«ΏΕ·ΛB
θΖͺ©Ώ’½Θ’ΜΕ·B»Μσ΅ͺCΘΜΕ·B
α¦ΞAqͺ’ΘFBΙ¨ΰΏαπέ³Θ’±Ζͺ θά·ΛB»ΜgΑΔ’Θ’ΜΙAPΙέ·ΜͺCΘρΕ·ΛB
Ε·©ηΚΰ{θiαΡjΜO[vΙόθά·B
ΰ€κΒͺ©θβ·’½Ζ¦ͺh¦ΰρΙoΔιWCAΜΉθΣΕ·B
w¨OΜΰΜΝIΜΰΜBIΜΰΜΝIΜΰΜx
±κSΙͺ©Ώ’πΫ΅Δ’ά·ζΛOOG
±κͺΚΜC[WΕ·B
ΚζΓΖ’€Ύtΰ θά·©ηAΚΝ~ΜΤΎΖ’€C[Wΰ θά·B
ΰΏλρ~ͺ ι©ηAΰΜΙ΅έ·ιν―Ε·ͺAΰΜΙ΅έ΅Δ’ιuΤΝA»Μσ΅ΙΞ·ι«΄ͺΆάκΔ’ά·B
»΅ΔA«΄ͺΆάκΔ’ιuΤΝAΰΖΰΖ Α½~ͺΑ¦Δ’ιν―Ε·B»±ΕαΡΙO[vͺ―΅ά·B
«μΝγχΜ±ΖΕ·BγχΙΰQνή θά·B
·
ζ’π΅Θ©Α½ΦΜγχ
·
«’π΅Δ΅άΑ½ΦΜγχ
γχΰA»Μσ΅π«΅Δβ΅½’«Ώͺ ιΜΕ{θiαΡjΜO[vΙόθά·B
ά½A½ΎtΙ½ΘΖ’€Ύtͺ θά·B
½ΘΖΝA«ζΘι½ίΙίΜΈsπΘέιsΧΕ·BΒάθ½ΘΝ|WeBuΘsΧΘΜΕ·B
΅©΅AγχΝPΙίΜΕ«πβ·ιΎ―Ε·©ηASΙlKeBuΘsΧΙΘθά·B’ηγχ΅Δΰ«ΝζΘηΘ’©ηΕ·B
惛ΎΖΝASͺΎέέΘι«ΏΜSΕ·B惛ΎΝ°Ζ―ΙΆάκι«Ώͺ θά·B
ά½AsPSΜLsΖΞ΅ά·BLsΖΝAuO©ηΜ«©―ͺ ιΜSvAΒάθGlM[ͺγ’SΕ΅½B
α¦ΞAζΓͺSEμδE«©ELsΖ’€Ζ
·
μΡΜ΄oͺ ΑΔ
·
ΤαΑ½©ππΖΰΘΑΔ’Δ
·
GlM[ͺγ’
·
ζΓͺS
Ζ’€Σ‘ΙΘθά·B
C[W·ιΖͺ©θβ·’ΜΕ·ͺA½Ώͺ°ΘιΖ«ΝάΑΔSΜGlM[ͺγΘιΖ«Ε·B
α¦ΞAεD¨ΜP[LͺΪΜOΙ ΑΔA Θ½Ν¨ ͺyRyRΎΑ½Ζ΅ά·B»ΜΖ«ΝAΰΜ·²»±΅ΔζΓͺSEμδE«©sE³sΘΗΜSͺΆάκά·B
»ρΘΖ«Ιαͺoίι±ΖΝ ΑΔΰ°ΝΘθάΉρB
tΙAβθ½Θ’―ΗΆΜ½ίΙ΅Τ΅Τdπ·ικΝSͺΖΔΰέΘΑ½θ΅ά·B
ά½―Ι°CΰoΔ«ά·ΛBOΜϊΗρΘΙ\ͺQ½Ζ΅ΔΰB±ΜΖ«ΜvfͺA惛ΎE°Ε·B
Μ²ΖA°ΘΑΔSͺέΘι«ΏΜSΕ·ΛB
惛Ύ°ΜZbgΕLsSΙάάκι±Ζͺ θά·BάάκΘ’±Ζΰ θά·B
άάκιΖ«ΝKΈ惛Ύ°ZbgΕάάκά·BLsΝGlM[ͺγ’SΕ·ΜΕA惛Ύ°Ζ«ͺ’’ν―Ε·ΛB
^ΖΝΐπΪ΅²ΧΰΉΈ½ΖΘ^€Ε·ΛB
^ͺάάκιΜΝAsͺSE^ΜέΕ·B
^Μ«ΏΝͺΘ’^’ΘΜΕAΎ’·¦ιΖΐ’ͺ ισΤπw΅ά·BΕ·©ηAθΜ«ΏπΒπΖΝ³½ΞΜSΙΘθά·B
»Μ½ίsͺSE^ΙΝπͺάάκΘ’ΜͺΑ₯Ε·BiΌΜsPSΙΝ·ΧΔπͺάάκιj
³ΔA^Μα¦bπκΒB
α¦ΞAΜΐΖΝΖ_ΖΕAOΙΔ¨π΅½ͺ θά΅½BΜcκΝΠΗΞπ¨»κAΙ’ΒΰΣ΅ά΅½B
wπ¨Μ^ρΦWίΘ’ΖAΞπt―ΔΝ’©ρIx
Ν»ΜRπ·«ά΅½B
·ιΖAwRΞΙΘιΜͺ|’©ηxΖ’€RΕ΅½B
w¨Μ^ρΕ κΞ½ΖΘΐSxΖ’€ΘΜΕ΅ε€B
·
ΕΰAΗ€l¦ΔΰRάΕΝ£ͺ θά·B
·
»κΙ¨ΖRΜΤΙ¬μΰ θά·B
·
VσΘΗΜπ³¦l¦κΞΞΜΒ\«ΝΖΔΰα’B
Ζ’€ΜͺΜl¦Ε΅½B
»±ΕΝφΚΜ@₯Ι]ΑΔΔ¨πΐs΅ά΅½B·ιΖA·έΈέάΕLCΙΔ―ά΅½B
»±Ε»ΜπcκΙρ·ιΖAwλΘ’xΖΣ³κ½ΜΕ·B΅©΅A»Μγΰ―Άϋ@Ε½xΰΔ¨π¬χ³Ήά΅½B»Μ½ΡΙcκΙΣ³κιΙΘιΜΕ·ͺB
»΅ΔA ιϊΝcκΙΰΎ΅ά΅½B
w ΜΛBΞΝR¦ιΰΜEσCEΞΜRΒͺΘ’ΖR¦Θ’ΜζBRΞΙΘιΙΝΞͺ¬μπnΑΔςρΕ’©Θ’Ζ’―Θ’B»ρΘΝ½’Δ’Ν θ¦Θ’ζBx
ΖB
»κΕΰAcκΝwλΘ’xΖΎ’±―½ΜΕ΅½B
cκΝΞΜR¦ϋΜΐπ^ΑΔ’ά΅½B»±ΕͺΜΘ’°|π’Βΰ΄ΆΔ’½ΜΕ·B±κͺ^ΜC[WΕ·B
sPSΝΜ14 θά·BsPSΝARΒΜO[vΙͺ―ηκA»κΌκΙ[_[ͺ’ά·B
1.
sisO[vj
2.
³ΞisO[vj
3.
³ΑisO[vj
4.
{isO[vj
5.
ζΓiζΓO[vj
6.
©iζΓO[vj
7.
iζΓO[vj
8.
αΡiαΡO[vj
9.
ΉiαΡO[vj
10.
ΚiαΡO[vj
11.
«μiαΡO[vj
12.
惛ΎisO[vj
13.
°isO[vj
14.
^isO[vj
±κηPSνήΜsPSΝAεά©ΙRΒΜO[vΙͺ©κά·B»κΌκΜAO[v·ͺΎΙ΅½ζΓiΖρjAαΡiΆρjAsiΏjΜRΒΕ·B
·
ζΓΝAΞΫπDρΕwΰΑΖΰΑΖIxΖίι~Μ«Ώͺ θά·B
·
αΡΝAΞΫπΑΔwό±€Φs―IxΖr·ι{θΜ«Ώͺ θά·B
·
sΝAΐπΝΑ«θπΕ«Θ’³mΜ«ΏΜ±ΖΕ·ΛB
»΅ΔA»κΌκΜO[vΙΝA[_[Ζ½ζ€Θ«ΏΜSͺ΅Δ’ιν―Ε·ΛB
sO[vͺP`SΖPQ`PSΙͺ©κΔ’ά·ͺA±κΙΰΣ‘ͺ θά·BΖ’€ΜΰP`SΜsO[vΝ·ΧΔΜsPSΙάάκι©ηΕ·B
»Μ½ίP`SΜsO[vπ€sPSΖΔΤ±Ζΰ θά·B
»ΜΌAT`PSΙ¨’Δ
·
ζΓO[vΜSΝζΓͺSΙ
·
αΡO[vΜSΝαΡͺSΙ
·
sO[vΜSΝsͺSΙ
σ΅ΙΆΔάάκά·B
dͺSΝAdΎ―ΜO[vΕ·BO[vΖΔΧι©ͺ©θάΉρͺOOG
ζ€·ιΙAdΖΝqdΜ±ΖΕ·B
·
~EPSΜqS
·
FES
·
³FES
·
o’ΤS
ΙάάκΔ’ιSΕ·ΛB
§³ΙΝA’ΜΜΉπζπ΅A»κΙ»ΑΔΆ«κΞκ΅έ©η²―KΉΙΘκιΖ³¦Δ’ά·B
tΙA½Ώͺκ΅ήΜΝ’ΜΜΉΖ΅΅½sΧπ·ι©ηAΒάθ³mΎ©ηΘΜΕ·B
dͺάάκιSΝA’ΜΜΉπζπ΅A΅ΘΆ«Δ’ιΆ½ΙΆάκιSΘΜΕ·B
΅ͺΘ’ΜΕκ΅έͺ θάΉρBκ΅έͺΘ’Ζ’€ΝKΉΎΖ’€±ΖΕ·B
«qdΖ’€Ύtͺ θά·B
α¦ΞA«qdΕlΜ¨πΎά΅ζιΖ©Ε·ΛB
m©ΙA»ΜκΎ―©κΞAqdͺΝ½η’Δ«»€Ι©¦ι©ΰ΅κάΉρB
΅©΅A»ΜlΝA«qdΕlΜ¨πΎά΅ζιsΧ©Μͺ«ΖπΒρΕ’ιΖπ΅Δ’άΉρB
«A«ΖΜΚπ©ͺͺσ―ζιΖπ΅Δ’άΉρBΒάθAφΚ@₯ππ΅Δ’Θ’ν―Ε·B
±ΜΝA§³©η©ιΖqdͺΘ’Ζ»f³κιν―Ε·B άΕA§³ΜqdΖΝAφΚ@₯π[π·ιπΣ‘΅Δ’ά·B
³ΚSΖΝAΐθΘLͺιSΖ’€Σ‘Ε·B
³ΚSΝ ηδιΆ½πΞΫΙ΅ΔΆάκιSΕAΊρΤΕSΒ θά·B
·
·
ί
·
μ
·
Μ
±κηΜ€ΏA³αΡΘΜΕA±±ΕΜͺήΙΝoκ΅άΉρBά½AΜΰΜΖ―ΆΰΜΘΜΕA±κΰ±±ΕΜͺήΙoκ΅άΉρB
Ε·©ηA±±ΕΝ
·
ί
·
μ
ΜQνήΜSπ³ΚSΖ΅Δζθ΅€±ΖΙΘθά·B
ίΖΝκ΅ρΕ’ιΆ½ͺA»Μκ΅έ©η¦κΔ~΅’Ζθ€CΏΜ±ΖΕ·B
Ε·©ηAίͺΆάκι½ίΙΝAκ΅ρΕ’ιΆ½Ζ’€TOiC[WjͺKvΙΘθά·B
±ΜίΖΝκΚIΙΎ€w©ν’»€ΙxΖ’€Σ‘ΖΝα’ά·B
α¦ΞAάΕό@΅½lπ©Δw©ν’»€ΙxΖvΑ½Ζ΅ά·B±ΜΖ«A½ΜlΝΰS±Μζ€Ιv€ΜΕ·B
w Aͺ±ΜlΜ§κΆαΘΔζ©Α½BxΖB
±ΜκA
·
ͺά·ιΜΝCΎ
·
±Μlͺά·ιΜΝnj
Ζ’€θΙΞ·ιQΣͺάάκΔ’ά·BΒάθαΡͺSͺΆάκΔ’ιΖ»f΅ά·B
ίΖΝA
·
ͺ±ΜlΜ§κΆαΘΔζ©Α½@ΕΝΘ
·
±Μlͺκ΅έ©η~νκΔΩ΅’@ΘΜΕ·B
tΜGlM[ΘΜΕ·ΛB
μΖΝKΉΆ½ΙΞ΅ΔA»ΜKΉͺ±’Δ~΅’Ζθ€CΏΜ±ΖΕ·B
ΏΘέΙA±ΜκΜμΝp[κΕmuditaifB^jΖ’’ά·B
ά½AΘOΙoΔ«½GSΜμΝpitiis[eBjΖ’’ά·BΕ·©ηAΏΝκΕ·ͺAάΑ½Κ¨Ε·OOG
±ΜμΝά½AκΚIΙlΙΞ΅Δwζ©Α½Λ`xΖ’€κΖΝα’ά·B
α¦ΞAFBͺVΙψΑz΅ΔAwζ©Α½Λ`xΖj·ικπC[W΅ΔΎ³’B±ΜΖ«ΰSΕΝ±Μζ€ΙvΑΔ’½θ΅ά·B
w A©ͺΰ±ρΘΖ±λΙZέ½’Θ`xΖB
±ΜκΝA€κ΅’«ΰΏΕj΅Δ’ιζ€Ι©¦ά·ͺAΐΝζΓͺSEμδͺΆάκΔ’ιΖ»f΅ά·B
μΖΝ
·
ͺKΉΙΘθ½’@ΕΝΘ
·
±ΜlͺΈΑΖKΉΕ ΑΔΩ΅’@Ζ’€CΏΕ·B
tΜGlM[Ε·ΛB
³ΚSΝA ηδιΆ½πΞΫΖ΅ΔAΐθΘηΔΔ’―ιζ’SΜ±ΖΕ΅½B
{ΝA
·
·
ί
·
μ
·
Μ
ΜSΒπl³ΚSΖ΅ΔάΖίιΜΕ·ͺAΝ³αΡAΜΝΜΖ―ΆΘΜΕA±±ΕΝcθΜQΒίEμπ΅’ά΅½B
±κηΝ―ΙΆάκΘ’ΜͺΑ₯Ε·B
Ζ’€ΜΰAίΝκ΅ρΕ’ιΆ½πΞΫΙΆάκά·΅AμΝKΉΘΆ½πΞΫΙΆάκι©ηΕ·B
£ΖΝ«’sΧ©η£κιΖ’€Σ‘Ε·B
±ΜSΝA«’sΧ𡻀ΘσΤΙΘΑ½Ζ«Ιw A’©ρA’©ρxΖ§ΔΌ·Ν½η«ͺ θά·B
α¦ΞA‘ Θ½ΝΧΜ½ίΙA±ΜLπΗρΕ’ά·ΛB
¨»η‘E\πΒ±€Ζ©AΎκ©Ι\Ύπf±€Ζ©vΑΔ’Θ’Ζv’ά·BΎ©ηA Θ½ͺ‘E\πΒ’ΔΘΔΰA\Ύπf’ΔΘΔΰ£SΝΆάκάΉρB
£SΝAϋΖΜΜsΧΙΞ΅Δ’ά·Bα¦ΞA«ϋΕ κΞϋΜsΧAέΕ κΞΜΜsΧΖ’€Σ€ΙΕ·B
£SΙΝRΒ θά·B
³κΖΝAdΙΦWΜΘ’Ζ«ΙAΟκAΌγA«ϋAγYκΜSΒΜϋΙζι«sΧππ―ι«ΏΜSΕ·B
SΒΜϋΙζι«sΧΖΝΜΖ¨θΕ·B
E\Μ±ΖΕ·B
ργΜΕ·ΛB`³ρΖa³ρΙ»κΌκα€πΎΑ½θ·ι±ΖΕ·B
wνιΏxΖ’€Σ‘ΕΝΘA\ΘΎtΖ’€Σ‘Ε·ΛB
γYΝγYνΕ·ͺAόθΎ―ΕgͺΘ’ΎtΖ’€Σ‘Ε·BΒάθΪIͺΘ’_bΜπ³΅ά·B
³ΖΖΝAdΙΦWΜΘ’Ζ«ΙAEΆAχAΧϊΜRΒΜΜΙζι«sΧππ―ι«ΏΜSΕ·B
RΒΜΜΙζι«sΧΖΝΜΖ¨θΕ·B
Ά«¨πE·±ΖBα¦ΗρΘΙ¬³ΘΕΰEΉΞEΆΕ·B
ήΕ·ΛB
Χi污άjΘsΧΕ·BκΚIΙΝsΟΖπί³κά·B
³½ΖΝA³΅’dΖ’€Σ‘ͺ θά·BΰΑΖοΜIΙΎ€ΖdΙ¨’ΔA
·
ΟκAΌγA«ϋAγYκΜSΒΜϋΙζι«sΧ
·
EΆAχAΧϊΜRΒΜΜΙζι«sΧ
ππ―ι«ΏΜSΕ·B±ΜVΒπ£κ½dͺ³΅’dΖ³κΔ’ά·B
ά½§³ΕΝΖΙΦ~΅Δ’ιEΖπθίΔ’ά·B
·
ΕπΒι±ΖA»Μ
·
νπΒι±ΖA»Μ
·
lπνΉιΰΜiςEπjπΒι±ΖA»Μ
·
Ά«¨Μ
’ΈκΰΆ½Μκ΅έπΒιΙΒΘͺιΰΜΕ·B
£SΝA
·
³κ
·
³Ζ
·
³½
ΜRΒΕ΅½B
±κηΜΑ₯ΝAooΙΆάκιΕ·B
α¦ΞA Θ½ͺΣνΑΖE\πΒ«½’CΏΙΘΑ½Ζ΅ά·B»ΜΖ«ΙAw_ΎxΖv’ΖΗάΑ½Ζ«ΙA³κͺΆάκά·ΛB
ΕΰA±ΜΖ«ΝΜΜ«sΧπ΅Δ’Θ’ν―Ε·©ηA³ΖͺΆάκιΝ θάΉρB
ΌΙΝAα¦ΞA Θ½ͺπE΅½ΘΑ½Ζ΅ά·B»κπv’ΖΗάκΞA³ΖͺΆάκά·B
ΕΰA±ΜΖ«ΝϋΙζι«sΧπ΅Δ’άΉρ©ηA³κͺΆάκιΝ θάΉρB
FEβ³FEΝΖΔΰxͺA»ΰ»ΰ«sΧπ·ιGlM[·ηΆάκΘ’ΜΕA£SΝΆάκιΝ θάΉρB
½ΎαOIΙAo’ΤSΙΝ£Sͺ·ΧΔ―Ιάάκά·B
€ΖΝw€Κ΅ΔxΖ’€Σ‘Ε·B
Ε·©ηA
·
€κΨSSΖΝAΊρΤΜSΙ€Κ΅ΔάάκιS
·
€sPSΖΝAΊρΤΜsPSΙ€Κ΅ΔάάκιS
·
€ςSΖΝAΊρΤΜςSiPSjΙ€Κ΅ΔάάκιS
Ζ’€Σ‘ΙΘθά·B€ςSΙΝPXΜSͺ θά·B
MΖΝAΐπmM·ιΕ·B
α¦ΞA Θ½ͺM’JΕΞ΅½Ζ΅ά·B
γϊAΚΜl©ηAwΣΑΖ€΅½M’JπΞ΅ά·©HxΖ·©κ½ηA©MXΕw΅ά·IxΖ¦ιΕ΅ε€B
±Μζ€ΙA΅Α©θ΅½ͺͺ ΑΔMΆιͺwMxΕ·B
±±Ε½ΎtΙMΒͺ θά·B
ΚΜ@³Εζoκ·ιΎtΕ·ͺA±κΝ§³ΜMΖΝΣ‘ͺSRα’ά·BΖ’€ΜΰAMΒΝͺΘMΆιͺOρΖΘΑΔ’ά·B
_πMΒ·ιΖ’€κΰ
·
_Ζ’€ΆέΜͺΝ½©H
·
_ΝΘΊ©ͺΕμΑ½lΤΙ±π^¦ιΜ©H
·
»΅ΔAΘΊ±π^¦ΘΔ’’ζ€ΙL\ΙΒηΘ©Α½Μ©H
ΘΗAͺπΗ·ιΝ_ΦΜ`ΖΖ΅ΔA²@xΙΘΑΔ’ά·B πΤΉΞͺͺ ’ά’ΘΜΕ·B
MΖΝ «η©ΘΐπmM·ι±ΖB»κΝ½’Δ’Μ±ΙξΓ’Δ’ά·B
Θ½ͺΤΕ¬60kmΕΑ½±Ζͺ ιΘηAwΤΝ¬60kmΕκιxΖ’€πmM·ιΝΈΕ·B±Μζ€ΙAͺΙξΓ’½mMͺMΕ·B
OΖΝ»ΐΙCΓ±ΖΕ·B
α¦ΞA Θ½ͺΏνΉΙx΅»€Ε νΔΔ^]΅Δ’½Ζ΅ά·B
w As©Θ’ΖBγΕ`N`{ηκιΎλ€Θ`EEEx
ΘρΔl¦Δ’ιΖA·ΪΜOΙΤͺII
Τκ―Au[Lπ₯ρΕ©θά·B
±ΜαΕsΖAu[Lπ₯ήOΙΆάκ½ΰΜͺCΓ«Ε·B
Εl¦π΅Δ’½Ζ«ΝAάνθͺSR©¦Δ’Θ©Α½ν―Ε·BΒάθACΓ«ͺΘ©Α½ν―Ε·ΛB
±ΜαΝl²ΖΕΝ θάΉρBΖ’€Μΰ½ΏΝκϊΜεΌπAΩΖρΗ©½Μζ€Ιί²΅Δ’ά·B
Ε·©ηA‘»ΜuΤΙ½π΅Δ’ιΜ©ΐΝΩΖρΗπ΅Δ’άΉρB
SwΕΝ±ΜσΤπ³Σ―ΖΰΔρΎθ΅ά·ͺB½ΏΝ±Μ³Σ―Ιxz³κΔΆ«Δ’ά·B
Ύ©ηΈs·ιΖ«ΰ©oΘΈs·ιρΕ·ΛB»ΰ»ΰ©oͺ κΞΈsππ―ιΕ΅ε€ͺB
·
½ΖΘYꨡΔ
·
½ΖΘlπΒ―Δ
·
½ΖΘ«π©΅ΔΪInΦs«ά·
±κͺCΓ«ͺΘ’σΤΕ·B
ΰ΅uΤuΤΜ»ΐΙCΓ’Δ’½ΘηA»ΐΙΞ΅ΔΖΔΰs’πͺΆάκά·B
±κͺεθΜαzΕ ιBpbTi[αzΜl¦ϋΕ·BBpbTi[αzΕΝOͺξ{ΖΘΑΔ’ά·B
ΞΖΝ«’sΧπpΈ©΅v€Ζ’€Σ‘Ε·B
w±ρΘβΑΏαlΖ΅ΔpΈ©΅’ζΛIxΑΔ΄ΆιΕ·ΛBsΧπ·ιOΜSΕ·B
ΐΫΙ«sΧπ΅½γΙlΙΞκΔpΈ©΅v€ΜΝAαΡͺSΜΝ½η«ΙΘθά·B»Μσ΅Ι{θπ΄Άιν―Ε·©ηB
sPSΜ³ΞΖA^tΜSΙΘθά·B
ΑΖΝ«’sΧπ·ιπ°λ΅v€Ζ’€Σ‘Ε·B
§³ΕΝφΚ@₯πΰ’Δ’ά·ΜΕA«sΧΝ½η©Μ`ΕKΈ©ͺͺσ―ζι±ΖΙΘθά·B
·
l©η«ϋπΎνκι±ΖΘΜ©
·
εφδπ·ι±ΖΘΜ©
·
εΨΘΰΜπΈ€±ΖΘΜ©
·
nΙΆάκΟνι±ΖΘΜ©
Ϊ΅ΝAδX}lΙΝͺ©θάΉρͺA’ΈκΙ΅ΔΰΙνΘ’Νͺ©θά·ΛB
φΚ@₯ππ΅Δ’ιlΝA«sΧΝ½Μκ΅έπγΙσ―ζι±ΖΙΘθA°λ΅’Ζζπ΅Δ’ά·B
sPSΜ³ΑΖA^tΜSΙΘθά·B
³ζΓΖΝΰΜ²ΖΙ·
΅Θ’Ζ’€Σ‘Ε·ΛB
κΚIΘΎ’ϋπ·ιΖAwθϊ·xΖ©w^¦ιxΖ’€\»ͺ΅Αθι©ΰ΅κάΉρB
½ΏΝR΄ͺ ιΖ«lΙͺ―^¦ιΝΕ«άΉρBtΙ½ΏͺvZΘlΙ^¦ιΖ«Ν«΄πΖΰΘΑΔ’ά·B
·ΕΙ©ͺΜSΝ½³κΔ’ά·©ηAl©η©Τθͺ ΑΔΰΘΔΰAΗΑΏΕΰ’’ν―Ε·ΛB
ΰΏλρ¨ΏIΙ½³κΔ’ι©Η€©Ν άθΦW θάΉρB©ͺΜCΏ΅Ύ’ΕA‘·ΙΕΰ³ζΓπΒκά·B
΅©΅A΅§ΙΎ€Ζ³ζΓΖΝΰΜ²ΖΙ·
΅Θ’·ΧΔπο΅Δ’ά·BΕ·©ηAwθϊ·xΖ©w^¦ιxΖ©ζθΰΰΑΖL’Σ‘ͺ θά·B
³αΡΖΝ{θͺΘ’±ΖΕ·BαΡΜtΕ·ΛB
±κΝΎ’©¦ιΖA΅έΜ±ΖΕ·BΰΑΖκΚIΘΎ’ϋΎΖAv’βθAΖ©D΅³Ζ’€Σ‘ͺί’Ε΅ε€B
³αΡΖΝ{θͺΘ’σΤ·ΧΔπο΅Δ’ά·B
Ε·©ηAΏεΑΖΕΰ{θͺ»κ½η¦AEgI
ͺ©θβ·’Ε·ΛOOG
ΜΖΝAΞΫΙΞ΅ΔSπ§πΫΒ«ΏΕ·B
½ΏΝA½©π©½θA·’½θAk’ΎθA‘νΑ½θAGκ½θ΅½Ζ«ΝA»κΙζΑΔSͺΞΑΔ΅ά’ͺΏΕ·B
α¦ΞA
·
±ΜΤ·²LC
·
½©Ήͺ€ι³’ΘI
·
³Α«©ηΟΘυ’΅Θ’IH
·
ν ±κ¨’΅’
·
±Μ΄GCΏ’’ζΛ
έ½’Θ΄ΆΕAΞΫΙΞ΅ΔSͺΞιν―Ε·BSͺΞΑ½A±ΑΏΝOKE±ΑΏΝNGέ½’ΘΏlΜDςͺΆάκά·B
ΰ΅»Μζ€ΘΞθͺΘΘΑ½Ζ«A½ΏΜSΝ½Ζ’€©½ΓΘσΤΙΘθά·B
άιΕAΞΜ
ͺΗΜϋόΙΰgΕΒΘArVbΖΓ~΅Δ’ισΤΕ·ΛBΞΚΙgΝκΒΰ θάΉρB
ͺ©θβ·Ύ€ΖA©ͺΜθΘΏlξΕA’Eπ»f΅Θ’Ζ’€±ΖΕ·B
gΖ’€ΖΜπC[W΅»€Ε·ͺA±±ΕΝα€Σ‘ΕgΑΔ’ά·B
±±Ε’€gΝSΜWάθΖ’€Σ‘Ε·BΒάθAgyΐΖΝSΜWάθπΐη©Ι·ιΖ’€Σ‘ΙΘθά·B
ά½A―Άζ€ΙSyΐΖΝSπΐη©Ι·ιΖ’€Σ‘Ε·ΛB
KΕ·ͺ
·
SΖΝ
Ια¦ηκά·Bin}j1
·
SΖΝn―ιΰΜΙα¦ηκά·BinΏj52
·
SΙSͺά΄ΑΔAsPSβPSͺΕ«ά·Bintj89
ΒάθAΘSΖΝPνήΘΜΕ·BSͺTQνή θά·B
§³ΕΝΆ½πTΒΜvfΙͺ―Δ’ά·B
·ΘνΏ
1.
Fε]EEE¨ΏΜ±Ζ
2.
σε]EEEσSΜ±Ζ
3.
zε]EEEzSΜ±Ζ
4.
sε]EEEσΖzπΜΌcθTOSΜ±Ζ
5.
―ε]EEESͺΖ―ΔΕ«½WXνήΜSΜ±Ζintj
ΘPΙΎ€ΖA
PΝ¨ΏΕAQ`SΝTQSΕATΝSintjΖl¦ηκά·B
±±Ε’€gΖΝAσε]Azε]Asε]πΣ‘΅Δ’ά·Bά½SΖΝ―ε]AΒάθSͺΖ―ΔΕ«½WXνήΜSπ³΅Δ’ά·B
yυ«ΖΝAy³Ζ’€Σ‘Ε·ΛB
»ΜάράΕ·OOG
·
gyυ«ΖΝSͺyΘι«ΏΖ’€Σ‘Ε·B
·
Syυ«ΖΝSͺyΘι«ΏΖ’€Σ‘Ε·B
gΖΝA±±ΕΝSΜWάθΖ’€Σ‘ΕgΑΔ’ά·ͺAΜΖ¨θΙΜΖπ΅Δΰζ’Ε΅ε€B
·ΘνΏA
·
Μͺy΄Ά½Ζ«Νgyυ«ΜΝ½η«Ιζι
·
Sͺy΄Ά½Ζ«ΝSyυ«ΜΝ½η«Ιζι
Ζ΄Αθπ΅Δ¨―Ξζ’Ε΅ε€B
_ξ«ΖΝA_η©³Ζ’€Σ‘Ε·ΛB
·
g_ξ«ΖΝSͺ_η©Θι«ΏΖ’€Σ‘Ε·B
·
S_ξ«ΖΝSͺ_η©Θι«ΏΖ’€Σ‘Ε·B
ΕΝtΙ_η©Θ’σ΅πC[W΅Δέά΅ε€B
»κΝAα¦Ξ
·
©ͺ±»ΝΜ’ρΎ
·
©ͺ±»ΑΚΘΆέΘρΎ
Ζ’€v’έͺ ιΖ«Ε·ΛB±€’€Ζ«½ΏΝlΜΣ©π·±€Ζΰ΅άΉρ΅A©½ΘΙ©ͺΜΣ©ΙΕ·΅ά·B
ΰ΅w©ͺ±»ΝxΖ’€v’έͺΘ―κΞA©RΖάνθΖ―²·ιν―Ε·BάιΕ_η©’zͺΣνΑΖοέήζ€ΙB
KΖ«ΖΝAΝ½η«ΙK΅Δ’ιΣ‘Ε·ΛB
·
gKΖ«ΖΝSͺSΜΝ½η«ΙK΅Δ’ιΖ’€Σ‘Ε·B
·
SKΖ«ΖΝSͺSΜΝ½η«ΙK΅Δ’ιΖ’€Σ‘Ε·B
ϋB«ΖΝAτϋ³κ¦ηκΔ’ιΣ‘Ε·ΛB
·
gϋB«ΖΝSͺτϋ³κ¦ηκΔ’ιΖ’€Σ‘Ε·B
·
SϋB«ΖΝSͺτϋ³κ¦ηκΔ’ιΖ’€Σ‘Ε·B
[Ό«ΖΝA^Α·Ε ιΖ’€Σ‘Ε·ΛB
·
g[Ό«ΖΝSͺ^Α·Ε ιΖ’€Σ‘Ε·B
·
S[Ό«ΖΝSͺ^Α·Ε ιΖ’€Σ‘Ε·B
€ςSΝΜ19Ε·B
·
M
·
O
·
Ξ
·
Α
·
³ζΓ
·
³αΡ
·
Μ
·
gyΐ
·
Syΐ
·
gyυ«
·
Syυ«
·
gKΖ«
·
SKΖ«
·
gϋB«
·
SϋB«
·
g[Ό«
·
S[Ό«
ΰΎΜsγooΙ©Δ«ά΅½ͺAΐΫΝ±κηΝPSͺΆάκιΖ―ΙάάκΔ’ιΰΜΕ·BΕ·©ηAooΕπ·ι±ΖΙΝ³Όͺ θά·B
ΑΙwgASxΜ^CvΝAw±ρΘ«ΏπΰΑ½SΘρΎxη’Ιπ΅Δ¨’ΔΎ³’B
ςSiΆε€΅ρΆεjΝAPSiςSjΙάάκιSΜΕ·B
SΙΝε«ͺ―Δ
·
sPSEEE«’S
·
³φSEEEζΰ«ΰΘ’S
·
PSiςSjEEEζ’S
ΜRΒΕ·©ηAsPSΖ³φSΘOΜ·ΧΔΙάάκιSΙΘθά·B
sPSΖtΜvfΕ·ΛB
sPSΖ’€ΘηAPSΖ’€\»ΰΤα’ΕΝ θάΉρͺAΰΖΰΖΜoTͺPikusalajΕΝΘςisobhanajΖ’€\»πgΑΔ’ιΜΕA»κΙνΉΔ’ά·B
PΰςΰΣ‘Ν―ΆΕ·B
ςSΝA³ηΙSΒΜΊΚO[vΙͺ©κά·B
·
€ςSiPXj
·
£SiRj
·
³ΚSiQj
·
dͺSiPj
JbRΜΝeO[vΙάάκιSΜΕ·ΛBΕ·©ηAςSΝΊρΤΕPX{R{Q{PQTΒ ιΖ’€Ε·B
·
―ΌSiPRj
o
€κΨSS
G
σ
z
v
κ««
½ͺ
μΣ
o
GS
qiΆρj
fi΅j
πi΅ε€°j
Έii΅ε€Άρj
μi«j
Σ~i’ζj
·
sPSiPSj
o
sisO[vj
o
³ΞisO[vj
o
³ΑisO[vj
o
{isO[vj
o
ζΓiζΓO[vj
o
©iζΓO[vj
o
iζΓO[vj
o
αΡiαΡO[vj
o
ΉiαΡO[vj
o
ΚiαΡO[vj
o
«μiαΡO[vj
o
惛ΎisO[vj
o
°isO[vj
o
^isO[vj
·
ςSiQTj
o
€ςS
M
O
Ξ
Α
³ζΓ
³αΡ
Μ
gyΐ
Syΐ
gyυ«
Syυ«
gKΖ«
SKΖ«
gϋB«
SϋB«
g[Ό«
S[Ό«
o
£S
³κ
³Ζ
³½
o
³ΚS
ί
μ
o
dͺS
d
SΜΝ@PR{PS{QTTQ@Β
R@SΜͺΝ
·
Sͺ¨ΗΑΔιII
·
SͺΒ’½BB
·
SΧ’
·
Sn’’
SΖΝ’λρΘκΚΕoκ·ι¨ΘΆέΜΎtΕ·B
ΕΝAwSΑΔΘρΕ·©HxΖ·©κκΞΰΏλρ¦ηκά·ζΛ^^HH
±κͺΘ©Θ©ο΅’ρΕ·B§³ΕΝASΖΝ½©π«ΑΏθθ`΅Δ’ά·B
ΖA»ΜOΙ Θ½ΙΏβΕ·B
Θ½ΖχΝ―ΆfήΕΕ«Δ’ά·©H
¨»ηAα€Ζ¦ιΕ΅ε€BΰΏλρχΝΨΖ©Ε·©ηAfή»ΜΰΜͺα’ά·ͺAχΝ¨ΜΕ΅© θάΉρB
ΕΰA Θ½Ν¨ΜΕ ι―ΗA½©ͺα’ά·B
΅’ΔΎ€ΘηA Θ½ΝΰΜ²ΖπF―·ι¨ΜΘΜΕ·ΛB
±ΜF―·ι«πάΖίΔSΖΎΑΔ’ά·B
Ε·©ηA½Ώͺg€΄ξEvlΰSSΜΝ½η«ΎΖ’€ΙΘθά·B
ΐΫA΄ξΰvlΰ]ΕΒηκΔ’ά·΅A±ΜQΒΝ¨έ’ΙΡΒ’Δ’ιΜΕΝΑ«θͺ―Γη’ΜΕ·ΛB
³ΔAmo·ι@\πάΖίΔSΖ’€ζθίπ΅Δ¨bͺX^[g΅ά·B
³ΔA12ΒΜsPSΙΣκΔ«ά΅½B
ΰ€κρ¨³η’΅ά΅ε€B Θ½ΖχΜα’Ν½Ε΅½©H
·
χΝPΘι¨ΜΕA
·
Θ½ΝΰΜ²ΖπF―Ε«ιΝ½η«πΰΑ½¨Μ
Ε΅½ΛB
±ΜΰΜ²ΖπF―Ε«ιΝ½η«Μπ§³ΕΝSΖ’’ά·B
³ηΙASΙΝ
·
sPSEEEκ΅έΜ΄φΙΘιS
·
PSEEEKΉΜ΄φΙΘιS
·
³LSEEEγΜQΒΘOΜS
Ιε«ͺή³κά·B
»Μ€ΏsPSΝ
·
ζΓͺSEEE~ΜSWνή
·
αΡͺSEEE{θΜSQνή
·
sͺSEEE³mΜSQνή
ΕvPQνή θά΅½B
κΚIΙSπ\»·ιΖ«Aί«΄βAί΅έβADz΄ΘΗFρΘΎtͺ θά·BΕ·ͺA±κηΝRνήΜsPSΜΗ±©Ιͺή³κιΖ¨l¦Ί³’B
C[WΕΎ€Ζ
1.
n
2.
€nAC
3.
ϊ{AAJAAΎ½mAεΌmEEEE
4.
sAεγ{EEEE
Μζ€ΙAκΤε«ΘΰΜ©ηΰκΘͺή΅Δ’ιν―Ε·ΛB
Ε·©ηAwxϋrͺΗ±Ι ι©HxΖ’€ΝΕγΙl¦ά·B
ΰΏλρKvͺ κΞΕ·―ΗBB
ΏΘέΙAί«΄Aί΅έΝαΡͺSΕADz΄ΝζΓͺSΕ·B±κΙΒ’ΔΝγΕά½ΣκΔ’«ά·Λ^^
RΒΜsPSΜΕγΝAsͺSΕ·B
sΖΝ³mΖ’€Σ‘ΕAΘPΙΎ€ΖAͺͺ’Δ’Θ’σΤπ³΅ά·B
ΚΝA³mΖ’€ΖSΜͺήΑΫΘ’Ε·ͺA§³ΕΝ±κΰεΨΘͺήΜκΒΕ·B
ΘΊΘηA
·
lΝ³mΎ©ηλπ·ι
·
λπ·ι©ηκ΅έπμΡΖv€
·
κ΅έπμΡΖv€©ηAΐΫΙκ΅ή
Ζ’€A½ΙΝάΑΔ’ι©ηΕ·B
PΰΘΘρΖΘβΑΔ΅ά€ζ€ΘC[WΕ·©ΛB
sͺSΝQΒ θά·B
sͺSΜκΒΪΝ^Ε·BΖ’€ΜΝΖΰΘΑΔ’ιΖ’€Σ‘Ε·BΕ·©ηA^Ζ’€ΜΝ^’πΖΰΘΑΔ’ιΖ’€Σ‘ΙΘθά·ΛB
sͺSA^ΖΝAΝΑ«θ΅½ͺΰΘA½ΖΘ^ΑΔ’ισΤΜπ³΅ά·B
½Ζ¦ΞAΞΙΝSΝ θάΉρΛH
ΎΑΔAΞΝu₯άκΔΙ’vΖ©Au‘ϊΝ°κΔΔCΏ’’ΘvΖ©vνΘ’©ηΕ·B
»κΝAΎη©ΘΐΕ·ͺA»€·’Δΰu{©ΘHΐΝΞΜΙଳ’{¬έ½’ΘΜͺ’ΔEEEvΖ©Aΐπ^Α½κA^Ζ’€±ΖΙΘθά·B
½ΕΰMΆκΞ’’ν―ΕΰΘ’Ε·ζI
ΏαρΖΐπΐΖ΅Δπ·ιΜΝmbΕ·BΐΆαΘ’ΰΜπΐΆαΘ’Ζπ·ιΜΰmbΕ·B
κϋΕAΐπuΐΆαΘ’ρΆαΘ’©HvΖ^€Μͺ^Ε·B
sͺSQΒίΝ{iΆε€±jSΕ·B
{iΆε€±jΖΝASͺΒ’Δ’ισΤΜ±ΖΕ·B»γΙΎ€ΖA¬Ζ©ΕθΖ©’€C[Wš倩B
ΕΑΔιΖΪΜOΙT΅¨ͺ ιΜΙACΓ©Θ’Ζ’€ͺ θά·ΛB
±Μζ€ΙΐͺΝΑ«θͺ©ηΘ’Ζ’€Σ‘ΕA{iΆε€±jSΰsͺSΜΤΙΘιν―Ε·B
sͺSΜεΘ«ΏΝ³mΕ·B
ΰΜ²Ζπ³mΙπΕ«Θ’Ζ’€Σ‘Ε·ΛB»±ΙΝQνή θά΅½B
ͺΰΘ½ΖΘ^€SB
¬EΕθΕΐπ³mΙπΕ«Θ’B
ΗΏηΰAΰΜ²Ζπ³mΙπΕ«Θ’AΒάθ³mͺΦW΅Δ’ιΜͺζͺ©θά·ΛB
αΡͺSΖΝ{θΜSΕ·B
{θΖ’ΑΔΰAκΚIΙΎ€{θζθΰL’Σ‘ͺ θά·B
Ζ’€ΜΝA~ͺ½³κΘ©Α½Ζ«ΜA΄ξπSΔ{θΖ΅Δ΅€©ηΕ·B
Ύ©ηA
·
ί΅’
·
CC·ι
·
ΉiS
·
©Θ«
·
γχ
·
P`
έ½’Θ΄ξΝSAαΡͺSΖ’€ν―Ε·BαΡͺSΰPΒΜp^[ΕQΒͺ―ηκά·B
αΡͺSΝΣuΜ³ΕΎ―ͺ―ά·B
Ζ’€ΜΰA{θπζΓͺSέ½’ΙNN·ι©΅Θ’©Εͺ―ιΜΝ¨©΅’Ε·ζΛIH
ΆεπΎνκ½uΤΙALΔεΊΕΗΘθΤ·P[XΘΗ
ΆεπΎνκΔΰAζζl¦ΔΆνΆνΖ ͺ§ΑΔιP[XΘΗ
ΰ€κx’’ά·ͺAαΡͺSΝPΙ{θΖ’€Σ‘Ύ―ΕΝ θάΉρBUΒΜ@ΦiT΄{SjΕ΄Ά½ΞΫπͺιSͺSΔαΡͺSΘΜΕ·B
αΡͺSΝAUΒΜ@ΦiT΄{SjΕ΄Ά½ΞΫπͺιSΜ±ΖΕ΅½B
ΰΑΖ’€Ζ
·
΄Ά½ΞΫΙΞ΅ΔAw±ΑΏΙ’IxΖ’€ΜͺζΓͺS
·
΄Ά½ΞΫΙΞ΅ΔAw ΑΏΙs―IxΖ’€ΜͺαΡͺS
Ζ’€ν―Ε·B
αΡͺSΝQΒΕ·B
·
αΡͺSEJδE³s
·
αΡͺSEJδELs
PΕ·Λ^^
Εΰ±Μζ€Ιε«ΘθΕͺ―Δ’ιΜΕAαΡͺSΙΝFρΘ΄ξͺάάκΔ’ά·B
α¦ΞA±κηΝ¨ΘΆέΜ΄ξΕ·ΛB
·
ί΅’
·
CC·ι
·
ΉiS
·
©Θ«
·
γχ
·
P`
ΘΗAάΎάΎ½³ρ ιΕ΅ε€ͺAC[WΝΒ©ρΕΈ―ά΅½©H±κηΝ·ΧΔαΡͺSΙͺή³κά·B
½ΏΝT΄{SΜUΒΜ@\Εξρπσ―ζΑΔ’ά·B
α¦ΞA
Θ½ΜΩΑΨ½πjΕ`NbΖ·ιΖAwΙ’IxΑΔv’ά·ζΛIH
ΕΰA Θ½ͺγΕπ΅½γΙAN©ͺjΕ`NbΖ΅ΔΰCΓ©Θ’©ΰ΅κάΉρBCΓ©Θ’Ζ’€ΝA Θ½ΙΖΑΔΘ©Α½ΘΜΕ·B
tΙΎ€ΖA½ΏΝUΒΜ@\Ε΄Άηκ½ΙΎ―A’’Ζ©«’Ζ©»f΅ά·B±ΜΖ«Ιw’’xΖ΄Ά½ΙΆάκιSͺζΓͺSΕ·B
C[WΕΎ€ΖAw `ΰΑΖΏε€Ύ’IΰΑΖΏε€Ύ’IxΑΔ΄ΆΕ·©ΛB
κΚIΘΎ’ϋπ·ιΖ~]Ε·B
³ΔA±ΜζΓͺSΝ³ηΙARp^[Εͺ―ιͺΕ«ά·B
ζΓͺSΜκΒΪΜν―ϋΝAμΡΜL³Ε·B
q½ΏͺQ[΄oΕΗλΪ€π·ικΘΗB
½Ύ~΅’©ηΖ’€RΕA½RΖΗλΪ€΅½κΘΗB
ά ANN΅Θͺη~𽻀Ʒι©A½RΖ½»€Ζ·ι©Μ·Ε·ΛB
v’έΕͺ―ιΖΝAΎ’·¦κΞA«’π«’Ζv’ρΕ’ι©Η€©Ζ’€Ε·B
±κΝA«’π’’ΎΖv’ρΕ’ιP[XΕ·Bα¦ΞA©ͺΝΆΙκ΅’©ηΗλΪ€Ν³ΎΖvΑΔ’ιl
±κΝA«’Ν«’Ζv’ρΕ’ιP[XΕ·Bα¦ΞAΗλΪ€Ν’―Θ’Ύ―ΗAΆΙκ΅’©ηΗλΪ€΅ζ€ΖvΑΔ’ιl
Ζ’€΄ΆΕ·©ΛB
ΕγΜν―ϋΝΣuΜ³Ε·Bά½ΗλΪ€Μαπ °Δέά΅ε€B
³sΖΝuάνθΜ«©―Θ΅ΙvΖ’€Σ‘Ε·BκlΕΰiρΕs·ι½ίΣuͺ’ν―Ε·B
LsΖΝuάνθΜ«©―LΑΔvΖ’€Σ‘Ε·BκlΆαs―Θ’―ΗAάνθΜ«©― ΑΔίΔs·ιΜΕΣuͺγ’ΜΕ·B
³ΔA±κάΕζΓͺSΜRΒΜͺ―ϋπ©Δ«ά΅½B
¨³η’΅ά΅ε€B
1.
NN΅Δι©A½νS©
2.
«’Ζπ΅Δ’ι©Aπ΅Δ’Θ’©
3.
Σuͺ’©Aγ’©
»κΌκQΒΈΒ ιΜΕA
Q~Q~Q@Ε@WΒΜζΓͺSΜνήͺ ιΙΘθά·B
·
ζΓͺSEμδE«©E³s
·
ζΓͺSEμδE«©ELs
·
ζΓͺSEΜδE«©E³s
·
ζΓͺSEΜδE«©ELs
·
ζΓͺSEμδE«©sE³s
·
ζΓͺSEμδE«©sELs
·
ζΓͺSEΜδE«©sE³s
·
ζΓͺSEΜδE«©sELs
α¦ΞANN΅Δ’ΔA«’±ΖπβΑΔΰβθΘ’Ζv’ρΕ’ΔAΣuͺ’ζΓͺSΜκB
ΗλΪ€ͺy΅ΔdϋΘ’ρΎB
©Β©ι©©Β©ηΘ’©ΜXͺ½άρΘ’ΛI
±ρΘy΅’ΘρΕέρΘβηΘ’ρΎλB
±Μ’ΙκlΙΘΑΔΰ±―ιΌI
ΘρΔl¦Μlͺ’½ηA»€’€ζΓͺSΙΔΝάιΕ΅ε€B
ζΓͺSΝ~ΜSΕ·ͺAκΚIΙ½Ώͺg€w~xΖ’€ΎtΖΝα’ά·B
Ζ’€ΜΰAUΒΜ@Φiά΄{SjΕA΄Ά½ΞΫπwΰΑΖIΰΑΖIxΖAίιSͺ·ΧΔζΓͺSΎ©ηΕ·B
Ύ©ηA
·
¨’΅’ΰΜπΰΑΖHΧ½’
·
ΰΑΖCCjΖt«’½’
·
±ΜΉyΰΑΖ«½’
·
±ΜA}ΜθΙ’ΒΰΒΒάκΔ’½’
·
©ͺͺ¨ΰΏΙΘιΟzπΰΑΖ΅½’
ΘΗΝSAζΓͺSΕ·B
sPSΖΝ«’SΖ’€Σ‘Ε·B
½πΰΑΔ«’ΑΔΎ€ΜHH
Ζ^βͺν«»€Ε·ΛB
»κΝAκ΅έEsKΜΰΖΖΘιS©Η€©Ε»f΅Δ’ά·B
³ΔA±ΜsPSΙΝ[_[ͺRl’ά·Biά ARlΖΎΑΔΰ άΕα¦Ε·ͺj
·
ζΓiΖρj
·
αΡiΆρj
·
siΏj
ΜRlΕ·B±ΜRlͺSΜΕ\κιΖ«A½ΏΝΒη[΄Άιν―Ε·ΛB
³ΔA³φSͺIνθά΅½B
³φΖΝφͺΘ’Ζ’€Σ‘Ε·B
φΖΝΚA΄φΖ’€Σ‘Εgνκά·ͺA±±ΕΜΣ‘Να’ά·B
±±ΕΜφΝAͺΑ±Ζ’€ζ€ΘΣ‘Ε·B
±ΜφΝPE«A»κΌκRΒΈΒ θά·B
«φ |
Pφ |
ζΓi~j |
sζΓi~ΞηΘ’j |
±ΜΗΏηΜφΰΣάκΘ’Sπ³φSΖΎ’ά΅½B
³φSΜSΜ}ΝΘΊΜΖ¨θB
·
i³φjsPΩnSVΒ
o
ΜδEα―
o
ΜδE¨―
o
ΜδE@―
o
ΜδEγ―
o
κδEg―
o
ΜδEΜσS
o
ΜδExS
·
i³φjPΩnSWΒ
o
ΜδEα―
o
ΜδE¨―
o
ΜδE@―
o
ΜδEγ―
o
yδEg―
o
ΜδEΜσS
o
ΜδExS
o
μδExS
·
i³φjB·SRΒ
o
άεψ]S
o
Σεψ]S
o
ΞNS
³ΔAΕγRΒΪΜ³φSͺ³φBμSΕ·ΛBBμSΖΝAΏεΑΖ΅½«Ύ― ΑΔAΚπΰ½η³Θ’SΖ’€Σ‘Ε·B
α¦ιΘηAβΞΙθπo³Θ’Ά½Νͺγ’νέ½’ΘC[WΕ·ΛB
ΐͺΘΑΔA»κͺά½νΙΘΑΔEEE
έ½’ΘzΒΝN±ΉΘ’γ’SΜ±ΖΕ·B
BμSΰA³φBμSΖεBμSΜ2νή ιΜΕAh³φhπΒ―ΔζΚ΅ά·B
±Μ³φBμSΝRΒ θά·B
1.
ΜδEάεψ]S
2.
ΜδEΣεψ]S
3.
μδEΞNS
ΜδEάεψ]S
άΈpκΜΰΎ©ηB
άεΖΝATΒΜξρΜόθϋΖ’€Σ‘Ε·BξρͺόιΜΝΗ±Ε΅½©H
»€Ε·ΛBά΄i΄oνjΕ·B
α¦ΞA Θ½ͺ½©w©½xΖ’€Ζ«AάΈΝΞΫͺαΙGκιΖ±λ©ηX^[g΅ά·B»΅ΔAGκ½uΤΙα―ͺΆάκιΝwΡά΅½ΛB
ΰ΅Aα―ͺΆάκΘ―κΞALͺSΖ’€φέIΘSͺ¬κ±―ι±ΖΙΘιΜΕ·ͺAα―ͺΆάκι½ίΙΝLͺSΜ¬κπκU~ίΔα―Μ¬κΙΨθΦ¦ιKvͺ θά·B
ΘΊΘηASΝ»ΜκuΙκΒΈΒ΅©ΆάκΘ’«Ώͺ ι©ηΕ·B
±Μζ€ΙΨθΦ¦ιΝ½η«πψ]Ζ’’ά·B
όHΜ|CgΨθΦ¦ΕAdΤΜiήϋόπΨθΦ¦ιζ€ΘC[WΕ·ΛB
»΅ΔφέIΘLͺSΜ¬κπA°έIΘά΄ΙζιSΜ¬κΙΨθΦ¦ιSͺάεψ]SΕ·B
¨ΘΆέA`ΜΨΜα¦π©Δέά΅ε€B
1.
lͺ`ΜΨΜΊΕQΔ’ι@¨@LͺS
2.
n΅½`ͺ{gbΖΏιΉͺ·ι@¨@ΞΫͺάεΙ»κι
3.
»ΜlΝΉͺ΅½ΜΕαπoά·@¨@άεψ]S
4.
Ώ½`ΙΣ―πό―ι@¨@α―i¨E@EγEgj
5.
`ΙθπΜΞ΅ΔΖι@¨@ΜσS
6.
n΅Δ’ι©²Χι@¨@xS
7.
n΅Δ’ιΖ»f·ι@¨@mθS
8.
HΧι@¨@¬s
9.
ϋΜΜ`πΑtΖκΙωέή@¨@ν
10.
ά½°ι@¨@LͺS
`πF―·ι½ίΙΝA°Μ¬κπΨθΦ¦ΔΪπoά³Θ―κΞ’―άΉρζΛB
ΰΏλρA±κΝ½ΏΙΝ©oΕ«Θ’ΩρΜ±ΧΘSΘΜΕAμΡΰκ΅έΰΖΰΘ’άΉρBζΑΔAΜδΖΘθά·B
ΜδEΣεψ]S
±κΰψ]SΕ·Bάεψ]SΖ―Άζ€ΙA§³ΕΝSΙΰεͺ ιΖπΰ΅ά·B
±ΜASΜεπΣεΖ’’ά·BΏΘέΙΣεΖΝLͺSΜ±ΖΕ·B
α¦ΞAΟz΅ΔCC·ικAά΄©ηΝ½ΰξρΝόΑΔ«Δ’άΉρB±ΜκAC[Wi@jͺΣεΙGκΔACCͺΆΆιΖπί³κά·B
ΒάθAΣεψ]SΖΝAφέIΘSΜ¬κΕ ιLͺSΜ¬κπ~ίΔAΣ―πΆN³ΉιΝ½η«π·ιSΕ·B
±Μζ€ΙAά΄©ηΜξρΘOΜεiΒάθΣεj©ηΜξρΕAΣ―ͺΆN·ιΖ«ΙΣεψ]Sͺτ΅ά·B
ΞNSi΅ε€«΅ρj
ΞNSΖΝΕάΕεΑ½lͺΞ€Ζ«ΜSΕ·B
»ΰ»ΰεθΖΝASΙsPSi«’SjπOΙ΅½σΤΜ±ΖΕ·B
sPSͺΘ’ΖΝA~β{θͺSΘ’Ζ’€Ε·B©ͺΖάνθΜlβΌΜΆ«¨ΖΜζΚΰΘAέρΘ½ΘΆ½ΜΜκΒΖ©¦ά·B
ΰΏλρ»ρΘSσΤπΒιΙΝA΅΅’g[jOπ±―Θ―κΞ’―άΉρBΰ_πΖι½ίΙ½NΰΨgΙΝ°ήΜΖ―Ά±ΖΕ·B
ΕΝA Θ½Ζΰ_XgΜΜΝ―ΆΕ΅ε€©HH
ΰ΅A―ΆΎΖ΄Ά½Ζ΅½ηA Θ½ΰΰ_XgΕΝΘ’Ε·©H^^
½’Δ’ΝASα’ά·BΘΊΘηήηΝΑΚΘg[jOπ΅Δ«½©ηΕ·B
―Άζ€ΙAκΚΜlΖεΑ½lΜSσΤΰάΑ½α’ά·BήηͺΞ€Ζ«AκΚΜlΜζ€Ι~ΜS«ΕΞΑ½΅άΉρB
ήηΝΞNSΖ’€SΕΞ€ΜΕ·B
άΖί
³φBμSΝAΝ½η«Ύ―ͺ ΑΔΚπΆάΘ’γ’SΕ΅½B
³φBμSΝΘΊΜRΒΕ·B
·
άεψ]SEEEά΄Εξρπσ―ζιOΙυ·ιS
·
Σεψ]SEEE]Εξρπσ―ζιOΙυ·ιS
·
ΞNSEEEεΑ½lͺΞ€Ζ«ΜS
Ε΅½ΛB
ΞNSΝεηΘ’ΖmFΕ«άΉρͺAΌQΒΝκΚΜlΙΰ»κιSΕ·BΕΰAGlM[ͺγ’SΘΜΕA½ΏΝi΄ΆιͺΕ«άΉρB
½ΤρAγΓ@νΖ©Ε²Χ½ηA½©΅ηMπ©Β―ηκιΖv’ά·ͺ^^;
Dά΅Θ’ΰΜπ©½θE·’½θ΅½Ζ«ΙΆάκιSͺi³φjsPΩnSΕ΅½B
tΙADά΅’ΰΜΙGκΔΆάκιSͺ³φPΩnSΕ·B
ΰeΝsPΩnSΖζΔ’ά·B
·
i³φjPΩnSEΜοEα―
·
i³φjPΩnSEΜοE¨―
·
i³φjPΩnSEΜοE@―
·
i³φjPΩnSEΜοEγ―
·
i³φjPΩnSEyοEg―
·
i³φjPΩnSEΜοEΜσS
·
i³φjPΩnSEμοExS
·
i³φjPΩnSEΜοExS
xSͺκΒΣ¦Δ’ά·Λ^^
g―ΰsPΩnSΜΖ«ΝκδΕ΅½ͺA³φPΩnSΕΝyδΙΘΑΔ’ά·B
ΏΘέΙAsPΩnSΝ³φS΅© θάΉρΜΕAsPΩnSΖΎΑ½_Ε³φSΜΰΜΖͺ©θά·B
½ΎAPΩnSΜκA³φPΩnSAεPΩnSΜ2νήͺ θά·B»Μ½ίh³φhPΩnSΖh³φhπΒ―ΔζΚ΅ά·B
³ΔAΕΝΤΙ©Δ’«ά΅ε€I
ΜδEα―i¨―A@―Aγ―j
ίΙΒΑ½PSΜΚΖ΅ΔΆάκιADά΅’ΰΜπ©ιuΤΜSͺi³φjPΩnSEΜδEα―Ε·B
±±Ε’€Dά΅’©Η€©ΝΒlΜDέΜΕΝ θάΉρB
Ά½ΜΖ΅Δ»κͺDά΅’©Η€©Ε»f΅ά·B
α¦ΞAΆS~π©ιΝDά΅ θάΉρBsqΆΕ’Ε·©ηΛB
ΕΰAD΅’ηπ΅½lπ©ιΜΝDά΅’Ζ»f΅ά·BΆ½ΜπKΉΘCΏΙ³ΉιLbJPΙΘι©ηΕ·B
¬κΖ΅ΔΝ±ρΘ΄ΆΕ·B
1.
Dά΅’ΞΫͺαΙGκιiΜδEα―j
2.
»Μξρπ]ͺσ―ζι
3.
»κͺ½©π]ͺ²Χι
4.
»κͺ½©π]ͺθ·ι
5.
]ͺθ΅½ΙΞ΅ΔAΟz·ι
6.
€κ΅’CͺΙΘι
€κ΅΄ΆιΜΝUΤΪΜiKΕ·ΜΕAαΙξρͺGκ½ΌγΝμΡΰκ΅έΰ θάΉρBΒάθAΜδΖ’€Ε·B
¨―A@―Aγ―ΙΦ΅Δΰ―ΆΕA
·
Dά΅’ΰΜπ·uΤΜSͺ¨―
·
Dά΅’ΰΜπkuΤΜSͺ@―
·
Dά΅’ΰΜπ‘ν€uΤΜSͺγ―
Ζ’€ͺήΙΘθά·B
yδEg―
³ΔAΝg―iGojΕ·Bg―Ύ―yδΖΘΑΔ’ά·ΛB
±±Εΰ¬κπ©Δέά΅ε€B
1.
Dά΅’ΞΫͺΜΙGκιiyδEg―j
2.
»Μξρπ]ͺσ―ζι
3.
»κͺ½©π]ͺ²Χι
4.
»κͺ½©π]ͺθ·ι
5.
]ͺθ΅½ΙΞ΅ΔAΟz·ι
6.
€κ΅’CͺΙΘι
α―ΜκAαΙΞΫͺGκ½uΤΝAΙ’Ζ©CΏ’’Ζ©’€΄oΝ½ΰ΄ΆάΉρΕ΅½B
ΘΊΘηαΙGκιΰΜΝυΎ©ηΕ·B
·
ΎzΜυͺχΙ½ι
·
»Μυͺ½Λ·ι
·
½Λ΅½υπαͺLb`·ι
Εχͺ©¦ιΜΕ·ΛB΅©΅g―ΜκAΞΫͺGκ½uΤΙAΙέΖ©CΏζ³π΄Άά·B
ΘwIΙΎ€ΖA±Μ΄oΝΙ_ΕΆάκιν―Ε·B»΅ΔΙ_ΕΆάκι±Μ΄oΝA©ͺΜΣvΖΝΦWΘ΅ΙA©½Μζ€ΙΆάκά·B
‘ρΝAGκιΞΫͺDά΅’ΰΜΕ·ΜΕAΙέβκ΅έπΖΰΘ’άΉρBζΑΔAyδΖΘιν―Ε·B
ΜδEΜσS
sPΩnSΕΰoκ΅ά΅½ͺAΜσSΖΝ]ͺξρπσ―ζιΖ’€Ν½η«Ε΅½B
³φPΩnSΕΰ―ΆΕ·BΞΫͺADά΅’©Dά΅Θ’©Μ·Ε·ΛB
¬κπmF΅ά΅ε€B
1.
Dά΅’ΞΫͺαΙGκι
2.
»Μξρπ]ͺσ―ζιiΜδEΜσSj
3.
»κͺ½©π]ͺ²Χι
4.
»κͺ½©π]ͺθ·ι
5.
]ͺθ΅½ΙΞ΅ΔAΟz·ι
6.
€κ΅’CͺΙΘι
ξρπ]ͺσ―ζιΎ―ΘΜΕA±κΰsPΩnSΜΖ«Ζ―ΆΕΜδΙΘθά·B
xSiΜδEμδj
³φPΩnSΜxSΝAsPΩnSΜκΖ―ΆAξρπ²ΧιΝ½η«ͺ θά·B
ά½¬κπ©Δέά΅ε€B
1.
Dά΅’ΞΫͺαΙGκι
2.
»Μξρπ]ͺσ―ζι
3.
»κͺ½©π]ͺ²ΧιixSj
4.
»κͺ½©π]ͺθ·ι
5.
]ͺθ΅½ΙΞ΅ΔAΟz·ι
6.
€κ΅’CͺΙΘι
ΜσSΖΝAπΜσtΜζ€ΘC[WΕAXΦβ³ρ©ηπσ―ζιν―Ε·B
ΕΰAσtͺπrrβΤ’ΔAgπmF·ιΝ θάΉρΛB
Άα Η€·ι©Ζ’€ΖASΙ»Μπn·ΜΕ·B»΅Δ»ΜSͺπβΤΑΔπmF΅ά·B
±ΜΜgπmF·ιSͺAxSΕ·B
½ΎAsPΩnSΜκΖα€ΜΝAgπ²ΧιΖ«Μ΄oͺΜδΜΖ«ΖAμδΜΖ«ΜQp^[ ιΕ·B
w±κΝ½ΎλΘHxΖSͺπJ―½Ζ«ΙA
·
gͺPΘιLΎΑ½ηAwΣ`ρxη’Ι΅©v’άΉρBiΜδj
·
gͺ€ξ½ΑΥθΜθΎΑ½ηA€κ΅Θθά·Biμδj
¨³η’Ε·ͺA³φPΩnSΝPSΜΚΖ΅ΔΆάκιSΘΜΕADά΅’ξρπσ―ζιΖ’€ΜͺOρΕ·B
άΖί
³φPΩnSΖΝAΘOΙΒΑ½PSiζ’SjΜΚADά΅’ΰΜΙGκΔΆάκιSΜΕ΅½B
Dά΅’ΖΝAΒlIΘDέΕΝΘAΆ½ΜΖ΅ΔDά΅’©Η€©Ε»f΅ά·B
α¦ΞAsqΆΘΆS~ΝDά΅ θάΉρΛBtΙASͺό³κι¬μΜΉΉη¬ΝDά΅’Ε΅ε€B
οΜIΙΝWΒ θά΅½B
1.
Dά΅’ΰΜπ©½uΤΙΆάκιSͺAi³φjPΩnSEΜδEα―
2.
Dά΅’ΰΜπ·’½uΤΙΆάκιSͺAi³φjPΩnSEΜδE¨―
3.
Dά΅’ΰΜπk’ΎuΤΙΆάκιSͺAi³φjPΩnSEΜδE@―
4.
Dά΅’ΰΜπ‘νΑ½uΤΙΆάκιSͺAi³φjPΩnSEΜδEγ―
5.
Dά΅’ΰΜΙGκ½uΤΙΆάκιSͺAi³φjPΩnSEyδEg―
6.
»κηΜξρπ]Εσ―ζιSͺAi³φjPΩnSEΜδEΜσS
7.
σ―ζΑ½ξρπ²ΧιSͺAi³φjPΩnSEΜδExS
8.
ά½ΝAi³φjPΩnSEμδExS
Ζ’€ͺήΕ΅½ΛB
UbNΰΎ·ιΖAά΄©η]ΦDά΅’ξρπ`B·ιSΜWάθΖ’€\»ΙΘι©ΰ΅κάΉρB
ΘγΕAi³φjPΩnSWΒΝIνθΕ·B
§³ΕΝASΝΑ¦Δά½ΆάκΔAgΜζ€ΙΟ»΅ΘͺηJθΤ·ΖΰΎ΅ά·B
α¦ΞAΞπC[W΅ΔΎ³’B
½©R¦Δ’ιΖ«A»±ΙhΞhΖ’€ΟνηΘ’ΰΜͺ ιν―ΕΝ θάΉρB
ΞͺmπRβ΅A»ΜΙo½Mͺά½ΜΞπΒθA»κͺJθΤ³κΔ’ιν―Ε·B
OΜΞΝAΜΞΙMΜGlM[πσ―n΅ΔΑ¦ά·B»ΜGlM[Μσ―n΅ΜA±΅½»ΫπhΞhΖ’€ν―Ε·B
―Άζ€ΙASΰGlM[πAΜSΙn΅ΘͺηAΑ¦½θΆκ½θπ΅JθΤ΅Δ’ά·B
±Μ¬κΝAΜͺΕρΕΰΑ¦ιΝ θάΉρBά½·ΙΚΜ¨ΜΙΛΆ΅ΔAΆ½ΜͺΆάκά·BiΦτ]Άj
‘A Θ½ͺΆ«Δ’ά·B
Θ½ΜgΜΝΆάκΔ©η½\N©½ΑΔ’ι©ΰ΅κάΉρBΕΰA»ΜΝι©Μ©ηSΜGlM[Ν±’Δ«ά΅½B
»κͺA‘ΆΕ‘ΜχΜΙΛΆ΅ΔA Θ½Ζ’€Ά½ͺΆάκ½ΜΕ·B
±Μζ€ΙGlM[Ν±’Δ’ά·©ηAΜβΑ½±ΖΙΣ³ν΅’Κπ«σ―ζιΙΘθά·B
»κπΩnΖ’’ά·B
Θ½ͺ‘΄ΆΔ’ιΝAΘOΜs’ΜΚΖ’€ν―Ε·ΛB
»΅ΔAΜsPSπΒΑ½ΚA‘΄ΆΔ’ιSͺ ιΖ·κΞA»κπsPΩnSΖ’’ά·B
sPΩnSΝVΒ θά·B
·
ΜδAα―
·
ΜδA¨―
·
ΜδA@―
·
ΜδAγ―
·
κδAg―
·
ΜδAΜσS
·
ΜδAxS
ΜδEα―ΘΗ
ίΙsPSiζΘ’SjπΒΑ½ΚΖ΅ΔΆάκιAΞΫπ©ιuΤΜSͺsPΩnSEΜδEα―Ε·B
δΖΝ΄oΜΕ·B
Ε·©ηAΜδΖΝAκ΅έΰy΅έΰΘ’΄oΎΖvΑΔΎ³’B
ΏΘέΙμδΖΎ¦Ξ€κ΅’΄oBκδΖΎ¦Ξκ΅’΄oΜΕ·B
ΘΊΜδ©Ζ’€ΖA½©π©½uΤΝAάΎ’’Ζ©«’Ζ©΄ΆΔ’Θ’©ηΕ·B
α¦ΞΆS~π©Δ’Ζv€¬κπ©Δέά΅ε€B
·
ΆS~π©ιisPΩnSAΜοAα―j
·
±κΝΆS~ΎΖπ·ι
·
ΆS~Ν’Ζ’€C[Wͺcηή
·
ΐΫΙhΘι
Ζ’€¬κΕ·ΛB
©½uΤΝAάΎ’Ζ©h’Ζ©’€CΏΝΆάκΔ’άΉρΛB
ΏΘέΙα―ͺΘ’ΖA½ΏΝΰΜπ©ιͺΕ«άΉρBάΈΝAΰΜπ©ιΖ«w½©©½IxΖ’€F―©ηX^[g·ι©ηΕ·B
―Άζ€ΙAίΙsPSiζΘ’SjπΒΑ½ΚΖ΅ΔA
·
·«½Θ’ΰΜπ·uΤΜSπAsPΩnSEΜοE¨―
·
k¬½Θ’ΰΜπkuΤΜSπAsPΩnSEΜοE@―
·
‘ν’½Θ’ΰΜπ‘ν€uΤΜSπAsPΩnSEΜοEγ―
ΖΎ’ά·B
κδEg―
³ΔAΝsPΩnSEκδEg―Ε·B
g―Ύ―κδΙΘΑΔ’ά·ΛBΌΝΜδΎΑ½ΜΙB
α¦ΞA Θ½ͺ©½Θ’ΰΜπ©½Ζ΅ά·BΕΰA»ΜuΤΝαΙfͺfΑ½Ύ―ΕA½Μκ΅έiΙέjΘΗΰ θάΉρB
Ε·ͺAsPΩnSEg―ΜκΝAgΜΙGκ½Θ’ΰΜͺGκ½Ζ«ΙΆάκιSΕ·ΛB
±ρΘC[WΕ·B
·
½©Ιh³κ½
·
`NbΖΙέπ΄ΆιisPΩnSEκδEg―j
·
IΙh³κ½Ζv€
·
Cͺ]·ι
·
]΅½SΙζΑΔA΄ξIΘκ΅έͺΆάκι
ΐΫΙΐΖ΅Δ󯽴oΝA`NbΖ’€ΙέΎ―Ε·B»κ©ηγΙσ―ικ΅έΝA©ͺΕΒΑ½΄ξΙζΑΔρdOdΙκ΅ήν―Ε·B
Ιέπ΄Ά½Ζ«άΕΝΐΕ·ͺA»κΘ~Ν©ͺΜεΟΙ·θ©νΑΔ’ιΜͺ|CgΕ·B
±ΜαΜκA`NbΖ΅½ΙέͺκδΖ’€ν―Ε·ΛBά UbNΖκοΖΝΙέΎΖvΑΔΰηΑΔΰ\’άΉρB
ΜδEΜσS
ΜσSΝΞΫπσ―ζιΝ½η«π΅Δ’ά·B
±κΝAΏεΑΖΚΜ΄oΕΝπ΅Ι’©ΰ΅κάΉρΛ^^;ͺ©θβ··ι½ίΜα¦ͺ θά·B
SΜ«πlΤΙα¦Δ’ά·B
1.
lͺ`ΜΨΜΊΕQΔ’ι@¨@LͺS
2.
n΅½`ͺ{gbΖΏιΉͺ·ι@¨@ΞΫͺάεΙ»κι
3.
»ΜlΝΉͺ΅½ΜΕαπoά·@¨@άεψ]S
4.
Ώ½`ΙΣ―πό―ι@¨@α―i¨E@EγEgj
5.
`ΙθπΜΞ΅ΔΖι@¨@ΜσS
6.
n΅Δ’ι©²Χι@¨@xS
7.
n΅Δ’ιΖ»f·ι@¨@mθS
8.
HΧι@¨@¬s
9.
ϋΜΜ`πΑtΖκΙωέή@¨@ν
10.
ά½°ι@¨@LͺS
κεpκͺRΩΗoΔ«ά΅½ͺAΤΙΰΎ΅ά·ΜΕA‘ΝCΙ΅Θ’ΕΊ³’B
ΘwIΙΎ€ΖAα¦Ξα―ΝαΕΆάκιwGκ½xΖ’€΄oΕ·BiACRjbNj
Ι»Μξρπ²Χι½ίΙAξρπ]Εσ―ζθά·B»ΜA]Εξρσ―ζιΖ’€Ν½η«ͺΜσSΜΝ½η«Ε·B
PΙσ―ζιΎ―ΜΝ½η«ΘΜΕAμΡβκ΅έπΖΰΘ’άΉρBζΑΔΜδΙͺή³κά·B
±κΝͺΕ·ͺA»γ]ΘwΕΝAά΄©ηΜξρΝAάΈ°Ζ’€ͺͺLb`·ι±Ζͺͺ©ΑΔ’ά·BΘΜΕAΜσSΰ°ΕΆάκΔ’ιΖvνκά·B
ΜδExS
xSΝΜσSͺ]Εσ―ζΑ½ξρΙΞ΅ΔAwΗρΘξρΎλ€HxΖ»Μξρπ²ΧιΝ½η«π΅ά·B
ΰ€κxA`ΜΨΜα¦π©Δέά΅ε€B
1.
lͺ`ΜΨΜΊΕQΔ’ι@¨@LͺS
2.
n΅½`ͺ{gbΖΏιΉͺ·ι@¨@ΞΫͺάεΙ»κι
3.
»ΜlΝΉͺ΅½ΜΕαπoά·@¨@άεψ]S
4.
Ώ½`ΙΣ―πό―ι@¨@α―i¨E@EγEgj
5.
`ΙθπΜΞ΅ΔΖι@¨@ΜσS
6.
n΅Δ’ι©²Χι@¨@xS
7.
n΅Δ’ιΖ»f·ι@¨@mθS
8.
HΧι@¨@¬s
9.
ϋΜΜ`πΑtΖκΙωέή@¨@ν
10.
ά½°ι@¨@LͺS
±ΜαΕΝAΏ½¨ΜΙΞ΅ΔA
·
±κΝΗρΘΚ¨©H
·
HΧκιΜ©HΧκΘ’Μ©H
·
³ΑΔ’Θ’©Η€©H
ΘΗ²ΧιΝ½η«ΜΕ·ΛB±ΜxSཀྵπ²ΧΔιiKΘΜΕAμΡΰκ΅έΰΖΰΘ’άΉρBΒάθAΜδΙΘιν―Ε·ΛB
άΖί
i³φjsPΩnSΖΝAΘOΒΑ½sPSΜΚΖ΅ΔΆάκιSΕ΅½B
sPSΜΚΖ΅ΔΆάκιSΘΜΕA
·
©½Θ’ΰΜπ©ιuΤΜS
·
·«½Θ’ΰΜπ·uΤΜS
·
k¬½Θ’ΰΜπkuΤΜS
·
‘ν’½Θ’ΰΜπ‘ν€uΤΜS
·
Gκ½Θ’ΰΜΙGκιuΤΜS
·
»΅Δ»κηΜξρπσ―ζιS
·
»ΜγΙ»κηΜξρπ²ΧιS
ΜΕ΅½B
ΏΘέΙA©½Θ’E·«½Θ’ΖΎΑΔ’ιΜΝAΒlIΘDέΜπΎΑΔ’ιν―ΕΝ θάΉρB
½ΏΆ½ΜΙΖΑΔDά΅Θ’ΰΜΖ’€Σ‘Ε·B
α¦ΞAΆS~βΦΘΗΜsqΆΘΰΜΝΆ½ΙΖΑΔDά΅Θ’ΜΕADά΅Θ’Ζ’€ίϋΕ·ΛB
φΖ·Ζ΄φΖ’€Ύtπv’o΅ά·ΛB½ΎA±±ΕΜφΖΝ΄φΖ’€Σ‘ΕΝ θάΉρB
»ΰ»ΰAζ’SiPSjΖ«’SisPSjΝΗΜζ€Ιͺ―驨b΅ά·ΛB
ο΅ θάΉρζ^^
RΒΜvfͺΦW΅Δ’ά·B
·
ζΓi~j
·
αΡi{θj
·
si³mj
ζΓΜvfͺόΑΔ’κΞζΓͺSA
αΡΜvfͺόΑΔ’κΞαΡͺSA
sΜvfͺόΑΔ’κΞsͺSΕ·B
±ΜRνήͺ«’SisPSjΕ΅½ΛB
tΙ
·
sζΓi~ΞηΘ’j
·
sαΡi{ηΘ’j
·
ssiΐπΖη¦Δ’ιj
ΜRΒΜΗκ©ͺάάκκΞζ’SiPSjΙΘθά·B
±ΜA«’RvfAζ’RvfπφΖ’’ά·B
φΖΝΨΜͺΑ±Μζ€ΘC[WΕ·ΛB
ΨͺͺπΝιΖrNΖΰ΅Θ’ζ€ΙAφͺ ιSΝΝ’GlM[πΰΑΔ’ά·B
»΅ΔA«’φEζ’φΜΗΏηΰάάκΔ’Θ’Sπ³φSΖ’’ά·B
ΘPΙΎ€ΖAζΰ«ΰΘ’SΖ’Α½C[Wš倩B
φͺάάκΘ’ΜΕAΝΝ ράθΘ’Ε·B
³φSΝRΒ θά·B
·
sPΩnS
·
PΩnS
·
BμS
~EPSΝA~EΕΆάκιζ’SΖ’€Σ‘Ε΅½B
~EΖΝΆ½xΜΕAΏε€Η½ΏlΤΜΆ½xΎΖvΑΔ’½Ύ―κΞεδvΕ·B
΅§ΙΎ¦ΞAά΄©ηόιξρΙΞ΅Δ~πΒιΆ½ΜΜO[vΖΎΑ½Ω€ͺ’’©ΰ΅κάΉρB
±±ΙΝ½ΏlΤA»΅Δ¨AΉAAΘΗA½ΏͺmΑΔ’ιΆ½Ν·ΧΔάάκά·B
ΌΙΰΰΑΖΆέ·ιΜΕ·ͺAΚΜ@οΙΰΎ΅ά·ΜΕA±±ΕΝ±ΜΣΙ΅Δ¨«ά·B
ΘΊ ¦Δ~EΖ’€O[vπΒΑΔ’ι©Ζ’€ΖA»κζθΰΑΖ’xΜΆ½ͺΆέ·ι©ηΕ·B
Ϊ΅ΝAΜFESΕΰΎ΅ά·ΛB
³ΔA¨bπί΅ά·ͺA~EPSΝRΒ θά΅½B
1.
εPS
2.
εΩnS
3.
εBμS
»κΌκ
·
μΡΜ ιΘ΅Εͺ―ι
·
qdΜ ιΘ΅Εͺ―ι
·
ΣuΜ’Eγ’Εͺ―ι
Ζ’Α½Rp^[Μͺ―ϋͺ θά΅½ΛB
Ε·©ηA»κΌκQ~Q~QWνήΜSͺ ιν―Ε·B
Βάθ~EPSΙΝW{W{WQSΜSͺ θά·B
BμSΖΝAΝ½η«Ύ―ͺ ΑΔΚπΒηΘ’SΕ΅½B
½ΏͺiAΞΑ½θA{Α½θAμρΎθAl¦½θA΅Δ’ι·ΧΔΜsΝ«A½©΅ηΜΚπΰ½η΅ά·B
ΘΊΘη½ΏͺiΒιSΙΝAΙΚπΒινͺάάκΔ’ι©ηΕ·B
±ΜΚπΒι^lπΖiJ}jΖ’’ά·Bά AC[WΕΎ€Ζνέ½’ΘΰΜΕ·ΛB
’’SΙΰ«’SΙΰΩΪ·ΧΔΜSΙΖΝάάκΔ’ά·B
Ζ’€ΝA½ΏΝ½ΎΆ«Δ’ιΎ―ΕAΏεΑΖl¦΅½Ύ―ΕΰA³ΜΖπΒθΘͺηΆ«Δ’ιΙΘθά·B
§³IΙΎ€ΖA½ΏͺΆάκΔιΜΰA±ΜΖͺ΄φΙΘΑΔ’ιν―Ε·ΛBiΦτ]Άj
³ΔAεθΙΝSiK θά·B
ΕΙάΕεΑ½lΝAΆάκΖΜTCN©η²―oά·BΒάθAΙΆάκΟνι΄φΖΘιζ€ΘΖπΒηΘ’ΜΕ·ΛB
Ε·©ηA½ΏκΚΜlΤΖΝα€SΕΆ«Δ’ιΙΘθά·B»ΜΕΙεΑ½lΜiΜSͺεBμSΖΔΞκΔ’ά·B
εBμSΰA±κάΕΖ―Άζ€ΙRp^[ΕWνήΙͺ―ηκά·B
Rp^[Μͺ―ϋ
αΙζΑΔARp^[Εͺ―ηκά·B
·
μΡΜ ιΘ΅Εͺ―ιiμδEΜδj
·
qdΜ ιΘ΅Εͺ―ιiqEqsj
·
ΣuΜ³Εͺ―ιi³sELsj
±κηͺQνήΈΒ ιΜΕAQ~Q~QWνήΖΘθά·B
1.
εBμSEμδEqE³s
2.
εBμSEμδEqELs
3.
εBμSEΜδEqE³s
4.
εBμSEΜδEqELs
5.
εBμSEμδEqsE³s
6.
εBμSEμδEqsELs
7.
εBμSEΜδEqsE³s
8.
εBμSEΜδEqsELs
ΕΙεΑ½li’
ΏjΜSΘΜΙAqsͺ ιΜΝ΅αa΄ͺ θά·Λ^^;
½ΎA’
ΏΖΎ¦ΗΰAβ¦ΤΘqdπΝ½η©ΉΔΆ«Δ’ιν―ΕΝΘ’Ζ’€ΘΜΕ΅ε€B
α¦ΞAΤΜ^]ΕΰΕΜ±λΝAκΒκΒmF΅Θͺηͺπ©ΉΔ^]΅ά·ΛB
ΕΰA΅κΔιΖA©½Μζ€Ι^]·ιζ€ΙΘθά·B
’
ΏΝPsΧΙ΅κ«ΑΔ’ά·ΜΕAΆ«Δ’ιΎ―Ε½θOΜζ€ΙPsΧπ·ιν―Ε·ΛB
±Μζ€ΙA΅κΕPsΧπ·ιΖ«ΜSͺqsΎΖΰΎ³κιΰ θά·B
ΩnSΖΝAίΒΑ½SΜΚΖ΅Δσ―ζιSΕ΅½B
α¦ΞA
αΙDά΅Θ’ΞΫͺΣκΔα―ͺΆάκ½ΘηA»κΝίΜsPSiζΘ’SjΜΚΖ΅Δ»κ½ΰΜΕ·Bi³φsPΩnSj
αΙDά΅’ΞΫͺΣκΔα―ͺΆάκ½ΘηA»κΝίΜPSiζ’SjΜΚΖ΅Δ»κ½ΰΜΕ·Bi³φPΩnSj
Άα w±ΜεΩnSΑΔΘ[ΙHxΖ’€ΙΘιΜΕ·B
εΩnSΖΝ³φsPΩnSA³φPΩnSΖΝΝ½η«ͺSα’ά·B
εΩnSΖΝΆάκΟνθΜSΕ·B
l½ΏΝAί’ΕΒΑ½ζ’SΜΚΖ΅ΔεΩnSπ»Θ¦ΔΆάκΔ«ά΅½BlΤΝ½’Δ’εΩnSΕΆάκΔιΜΕ·B
άκΙAgΜΙΆάκΒ«ΜαQπΑ½lΝA³φPΩnSΕΆάκΔ«ά·Bά½AΖ©¨ΝsPΩnSΕΆάκά·B
ΒάθAlΤΖ΅ΔΆάκ½_ΕA·ΕΙbάκΔ’ιν―Ε·B
±ΜεΩnSΙΰWνή θά·Bͺ―ϋΝεPSΖ―ΆΕ·B
Rp^[Μͺ―ϋ
Rp^[Μν―ϋΝεPSΖ―ΆΕ·ΜΕAΘPΙΰΎ΅ά·B
·
μΡΜ ιΘ΅Εͺ―ιiμδEΜδj
·
qdΜ ιΘ΅Εͺ―ιiqEqsj
·
ΣuΜ³Εͺ―ιi³sELsj
»κΌκQΒΈΒ θά·ΜΕAvΜWΒΙΘθά·B
1.
εΩnSEμδEqE³s
2.
εΩnSEμδEqELs
3.
εΩnSEΜδEqE³s
4.
εΩnSEΜδEqELs
5.
εΩnSEμδEqsE³s
6.
εΩnSEμδEqsELs
7.
εΩnSEΜδEqsE³s
8.
εΩnSEΜδEqsELs
½ΏΝA±ΜΗκ©ΜSπΏνΉΔΆάκΔιΜΕ·ΛB
»΅ΔA»ΜSͺκΆ»ΜlΜlΆΙeΏ΅ά·B
μδͺάάκΔ’κΞAμΡͺΆάκβ·’«iΙΘθά·BqΘηAqdͺΝ½η«β·’«iΙΘθά·B
³sELsΙΒ’ΔΜΰΎΝ©½θάΉρΛB
ΜεΟΕΝAΣuͺ’©γ’©έ½’ΘC[WΎΖv’ά·B
λπ΅Θ’
εΩnSΝΆάκΟνθΜSΕ΅½B»Μ«ΏΙζΑΔWΒΙͺ―ηκιπ²ΰΎ΅ά΅½B
½ΎAΐΫΝ©ͺͺΗΜSπΏνΉΔΆά꽩Νͺ©θάΉρB
»κΘΜΙ
·
½ά½άΈs΅ΔA ©ͺΝqsΕΆάκ½ρΎB
·
½ά½ά€κ΅’ͺ±’ΔA ©ͺΝμδΕΆάκ½ρΎ
ΘρΔπΟz΅ΔΰΣ‘ͺΘ’ΜΕ·B©¦ΑΔ»κΝΧ©ΙΘθά·B
Χ©ΖΝAsPSΜvfΜκΒiΚΕΰΎ΅ά·jΕA§³ΕΝΖΙζΘ’ΰΜΖ΅Δͺή΅Δ’ά·B
Θ½ͺΰ΅qΕΆάκ½Ζ΅ΔΰAqsΕΆάκ½Ζ΅ΔΰAΐΝ ράθΦWͺ θάΉρB
Ζ’€ΜΰAΗΏηΙ΅ΔΰβιΝΟνηΘ’Ε·΅AqdΝg[jOΕJΕ«ι©ηΕ·BΰΖΰΖΧgΕΆάκΔΰAg[jOΕΨχLLΙΘκιΜΖ―ΆΕ·Λ^^
»κΙAlΤΖ΅ΔάΜ«ΙΆάκ½Ύ―ΕΰAΘΖΰεΩnSΕΆάκΔ«Δ’ι±ΖΝΤα’Θ’ν―Ε·B»κͺΗκΩΗbάκΔ’ι±Ζ©IΎιOό«ΙΈi΅ά΅ε€OO
³ΔARΒ ι~EPSΜPΒΪΝεPSΕ·B
εPSΜtΝAOΙΰoΔ«½sPSΕ·ΛB
εΖ’€ΜΝAPΙͺ½’Ζ’€η’ΜΣ‘ΕA[’Σ‘Ν θάΉρ^^;PΙAwPSxΖΖΌΜ\»Ζ²ΑΏαΙΘιΜΕAζΚ·ι½ίΙ»€΅Δ’ιΜΕ΅ε€B
±ΜεPSΝ½Ώΰi΄ΆΔ’ά·B
α¦Ξ
·
¨NρθΙΘπδΈΑΔγ°ι
·
FBΙaΆϊv[gπn·
·
eFsΕeπ·sΙΒκΔΑΔ °ι
·
FBΜ¦ΝΙS©η΄Σ·ι
·
aCΜlπ―ι½ίΙ²Χ¨π·ι
ΘΗΜΖ«Ν½’Δ’εPSΕsΑΔ’ά·BεPSΝΰΏλρ’’SΕ·©ηA~β{θͺάάκιΝ θάΉρB
ΰ΅A©ͺΜ΄xπ °ι½ίΙ¨NρθΙΘπδΈΑ½Ζ΅½ηA»κΝζΓͺSΕs΅½ΙΘθά·B
εΘΜΝA½π·ι©ΕΝΘAΗρΘSΕs·ι©Ε·B
³ΔAεPSΝsPSΖ―Άζ€ΙRp^[Μͺ―ϋͺ θά·B
·
μΡͺ ι©Θ’©Εͺ―ι
·
Σuͺ’©γ’©Εͺ―ι
·
mbͺΖΰΘ€©ΖΰΘνΘ’©Εͺ―ι
ΕΝAΤΙ©Δ’«ά΅ε€B
μΡΜL³Εν―ι
·
μΡͺ ικAμδ
·
μΡͺΘ’κAΜδ
Ζ’’ά·B
α¦ΞAlΜκ΅έπ~€½ίΙSwΜΧπ·ιΖ΅ά·B
»ΜΖ«ΙAw πΕ«Δy΅’Θ`xΖ΄Ά½ΘηAμδΕ·ΛB½ΎA½νSΕ½ρ½ρΖΧΙΝ°ήΖ΅½ηAΜδΙΘθά·B
ΏΘέΙεPSΝ’’SΘΜΕAκ΅έΝΖΰΘ€ͺ θάΉρB
ΣuΜ³Εν―ι
·
ΣuΜ’κπA³s
·
ΣuΜγ’κπALs
Ζ’’ά·B
³sELsΝsPΜΖ±λΕΰβθά΅½ΛBΌ©ηΜ«©―ͺΘ©IΙβικi³sjΝAΣuͺ’ν―Ε·B
α¦ΞASwΜΧπ·ικA
·
wlπ~€½ίΙNͺΘρΖΎ¨€ΖΧ·ιΌxΖ’€κΝ³s
·
wά FBΙUν꽩ηΧοΙoΔέι©xΖ’€κΝLs
Ζ’€C[WΕ·B
qdΜ ιΘ΅Εͺ―ι
·
qdͺ ικΝAq
·
qdͺΘ’κΝAqs
Ζ’€ζΚΙΘθά·B
±±ΕqiΏjΖ’€ΜΝqdΜΕAsiΏjΖΖtΜ³mΖ’€Σ‘ΙΘιΜΕ¨CπΒ―Δ^^;
ά½SwΜΧπ·ιαΕm©ίΔέά΅ε€B
·
’ΜΙκ΅ρΕ’ιlͺ½³ρ’ι
·
»Μl½ΏͺΗρΘΕκ΅ρΕ’ι©H
·
»Μl½Ώπ~€½ίΙSwπΗΜζ€ΙpΕ«ι©H
·
»ΜΝ©ͺΙΗΜζ€ΘKΉπΰ½η΅Δκι©H
ΘΗπAζπ΅ΔSwπΧ΅Δ’ικΝqΖΎ¦ιΕ΅ε€B
tΙAwζͺ©ρΘ’―ΗA½ΖΘ’ΜΜ½ίΙΘ軀Ύ΅xΖ’€RΕSwπΧ·ιΘηqsΖ’€ͺήΙΘθά·B
άΖί
εPSΝARp^[Ε»κΌκQΒΈΒΙͺ―κά΅½ΜΕAQ~Q~QWΒΜεPSͺ θά·B
1.
εPSEμδEqE³s
2.
εPSEμδEqELs
3.
εPSEΜδEqE³s
4.
εPSEΜδEqELs
5.
εPSEμδEqsE³s
6.
εPSEμδEqsELs
7.
εPSEΜδEqsE³s
8.
εPSEΜδEqsELs
εPSΖ΅ΔΜGlM[Μ³ΝAPΤͺPΤΔΊΙsΩΗγΘιC[WΕ·B
~EPSΖΝAsPSΜ½ΞΕA’’SΖ’€Σ‘Ε·ΛB
ΘΙπΰΑΔ’’SΖ’€©Ζ’€ΖA«ΜPiKΉjΜ^lΙΘιSΖ’€Ε·ΛB
tΙΎ€ΖAsPisKjΜ^lͺΘ’SΖΰΎ¦ά·B
¨³η’Ε·ͺAsPisKjΜ^lΖΝ
·
ζΓi~j
·
αΡi{θj
·
si³mj
ΜRΒΕ΅½B
tΙAPiKΉjΜ^lΖΝ
·
sζΓi~ΞηΘ’j
·
sαΡi{ηΘ’j
·
ssimbͺ ιj
Ζ’€RΒΕ΅½ΛB
³ΔAΰ€κΒ~EΖ’€Ύtͺ θά·B
±κΝAPΙ½ΏΜZή’EΎΖvΑΔΎ³’B
»κΘOΙ½ͺ ιρΎIH
ΖΎν껀ŷͺEEE
§³ΕΝA½ΏΜZή’EΘOΙΰ’λρΘΆ½ΜΜ’Eͺ ιΖΰΎ΅Δ’ά·B’EΖΎ€ΖλππΆέ»€Ε·ΜΕAΆ½xΖΕΰΎΑ½ϋͺ’’©ΰ΅κάΉρΛB
½Ζ¦ΞA Θ½Ζob^ΜΆ½xΝ―ΆΕ΅ε€©H
ob^ΙΝΖΖ’¦ιΰΜΝΘAHΧ¨ΰΫΨ³κΔ¨ηΈA’ΒΰOGΙHΧηκιSzͺ ι’EΙZρΕ’ά·B
κϋA¨»η Θ½ΝΖΰHΧ¨ΰ θAϊνΆπ΅Δ’κΞN©ΙE³κιSzΰ άθΘ’Ε΅ε€B
»€l¦ιΖA Θ½Νob^ζθ©ΘθKΉΘΆ½xΜ’EΙZρΕ’ιΙΘθά·B
ΖΝΎ¦AlΤEͺΰΑΖΰΆ½xͺ’Μš倩H
§³IΙΎ€ΖAΰΑΖ’Ά½xΜΆ½Μΰ½³ρ’ά·B
»€’€xΜΆ½ΜΜSΝA½ΏΝϊνΆΕΝΒι±ΖͺΕ«άΉρBob^Ιwv’βθπΔIxΖΎΑΔΰAΘPΙΝΕ«Θ’ΜΖ―ΆΕ·B
±Μζ€ΙA½ΏlΤͺϊνΒκι’’Sͺ~EPSΙΘθά·B
FEΖΝAαzΙζΑΔBΕ«ιxΜF―’EΕ΅½B
»΅ΔA±ΜF―’EΜΆ½ΜΜSͺFESΖ’’ARνή θά΅½ΛB
·
FEPSEEEFEΜζ’S
·
FEΩnSEEEFEΙΆάκΟνιΖ«ΜSiΆSj
·
FEBμSEEE’
Ώͺαz΅ΔFEΙόΑ½Ζ«ΜS
³ηΙA±κηΙΝ
1.
T
2.
ζρT
3.
ζOT
4.
ζlT
5.
ζάT
Ζ’€TΒΜNͺ ι½ίAR~TPTΜFESͺ θά·B
]kΕ·ͺAϊ{ΕζTΖΎ’ά·ͺA±κΝΰΖΰΖp[κiΓγChκjΜjhanaiW[ijͺκΉΙΘΑΔ’ά·B
³ΔA±±ΕEΜ¨bπΣθΤθά΅ε€B
EΙΝRΒ ΑΔA
·
~E
·
FE
·
³FE
Ε΅½ΛB
½ΏlΤββ¨ͺ’ι’EΝ~EΕ·B
ά A άΕC[WΕ·ͺA
·
~EEEE¬wΆ
·
FEEEEεwΆ
·
³FEEEEm
η’Μ·ͺ ιΖAΝΒlIΙv’ά·B¬wΆ©η©ΔAεwΆΜ’EΝάιΕ©ͺΒ«άΉρζΛIH
εwΆ©η©ΔΰANASAΕ’Δ’ιmΜ’EΝάιΕπΕ«Θ’ν―Ε·B³ηΙA»κΌκΙά½Nͺ θά·B
¬wPNΆΖ¬wUNΆΕΝά½SRα€ν―Ε·B
ά A±ΜαΕsΖAκΚIΘlΤΜΈ_xΝ¬wRNΆη’š倩HΖ©¨ͺ¬w1NΆΎΑ½Ζ΅ΔB
±Μζ€Θm―ΜiKΜδgπg€±ΖΕAFEΖ³FEπλπ·ι±ΖͺnάιB
±Μ’ΕΝεwΆβmΙΘκΞΘιΩΗAε]ηΏπξΙ΅Δ±Μ’Eπ©ιζ€ΙΘθλTͺdΘθAoθΜΉ©η£κΔ’ΜͺΪΜOΙ ιΐΕ ιBΖ’€Μͺ}cIΜΞ©Ε ιB
³ΔAFEΜγΙΝ³ηΙA¨ΏͺSΘ’SΎ―Μ’EA³FEͺ θά·B
BμSΖΝAΝ½η«Ύ― ΑΔΚπΒηΘ’SΕ΅½B
½ΏΝAiAsPSE³φSEPSΜΗκ©ΕΆ«Δ’ά·B»ΜΩΖρΗΝAΙΚπΒιΖΖ’€^lπάρΕ’ά·B
·
³φS
·
BμS
·
ΩnS
ΘΗΝAΙΚπΒθάΉρͺA»ΜΌΜSΝ·ΧΔ½©΅ηΚπΒιSΞ©θΘΜΕ·B
»΅ΔA»κπά«Uη΅ΘͺηΆ«Δ’ιν―Ε·ΛB
©ͺΕά’½^lΎ©ηAR©ͺΕσ―ζηΘ«α’―Θ’ν―Ε·Bi©Ζ©Ύj
±ΜΖͺΆSΖΘθAΆάκΟνθπJθΤ·±ΖΙΘθά·BiΦτ]Άj
Ζπά«Ώη΅ΘͺηΆ«Δ’ιΜΝlΤΎ―ΕΝ θάΉρBΰAΰA¨ΰAFEΜΆ½Ε ΑΔΰAΖπΒθΘͺηΆ«Δ’ά·B
΅©΅ABκΖπΒηΘ’Ά½ͺ’ά·B»κͺAΕΙεΑ½li’
ΏjΕ·B
’
ΏΝΦτπEoiπEj΅Δ’ά·©ηAρxΖΆ½ΜΖ΅ΔΆάκΔι±ΖΝ θάΉρB»Μ’
ΏͺAαzΙζΑΔFEΜxΙB΅Δ’ιΖ«ΜSͺFEBμSΖΔΞκά·B
ΏΘέΙ’
ΏΘOΜlͺFEΙB΅½Ζ«ΜSΝAFEPSΖΘιν―Ε·BΰΏλρFEPSΙΰΖΖ’€^lͺάάκΔ’ά·B
ͺ―ϋ
FEBμSΰAFEPSAFEΩnSΖ―ΆΕTiKΙͺ―ά·B
·
T
·
ζρT
·
ζOT
·
ζlT
·
ζάT
’
Ώͺαzπ΅ΔATΙόΑΔ’κΞA»ΜΖ«ΜSΝFEBμSETΖΘθά·B
ΏΘέΙ’
ΏΝΕΜεθΙB΅Δ’ιΜΕAΆάκΟνθΜνiΖjπΒθάΉρBΒάθA‘ΆΕΕγΖ’€Ε·B
½ΎA‘ΆΝlΤΕ ιΙΟνθΝΘ’ΜΕAiΝ~ESΕΆ«Δ’ά·B~ESΖΝΎ¦AεBμS©³φBμSΜΞNSΜΗΏη©Ε·ͺB
±±Εΰ€κxmFΕ·ͺA~EΖΝΆ½ΜxΜΕ·B
Ε·©ηA’
ΏΝ~ESΕΆ«Δ’ιΖΎΑΔΰA~ΕΆ«Δ’ιΖΎ€Σ‘ΕΝ θάΉρBlΤΖ΅ΔΜΜͺ ιΘγA»±Ν~EΘΜΕ·ΛB
α¦ΞAlΜΏβΙ¦ιΖ«ΘΗΝAΗ€΅Δΰ¨Ζ’€@ΦπgνΘ―κΞ’―άΉρΛB±Μζ€Ιά΄©ηΜξρΙΛΆ·ι’EΝ~EΘΜΕ·B
³ΔATΒΜTΙ©©νΑΔιTxΰ±κάΕΖ―ΆΕ·B
1.
q
2.
f
3.
μ
4.
y
5.
κ««
ΜTΒͺTxΕATΜκΝSάάκά·B
»±©ηPbgͺΑ¬·ι½ΡΙRΏ^NπκΒΈΒΨθ£·ζ€ΙΈΑΔ’«AζάTΙΝκ««Ύ―ͺcιν―Ε·B
FEΩnSΖΝAFEΙΆάκΟνιΖ«ΜSΕ·B
½ΏlΤΰΆάκΔιΖ«AεΩnSWΒΜ€ΏΜΗκ©πΖΰΘΑΔΆάκΔ«ά΅½B»ΜΆάκιΖ«ΜSπΆSΖΰΔΡά·B
»ΜΆSΜΑ«ͺAκΆUΙν½ΑΔeΏ·ιν―Ε·B
α¦ΞAqΜεΩnSΕΆάκ½ηAqdͺΆάκβ·’«iΙΘιΖ©Ε·ΛB
―Άζ€ΙAFEΙΆάκι½ίΙΝAFEΩnSͺΆSΖ΅ΔΝ½η©ΘΔΝΘθάΉρB»΅ΔAFEΩnSΕΆάκι½ίΙΝA»ΜOΙFEPSͺKvΘΜΕ·ΛB
ΰ΅A½Ώͺ’AFEΙΆάκζ€ΖvΑ½ηAΚuΤAFEPSπΒιKvͺ θά·BiSj
ΚuΤΜSͺAΜΆΙeΏ·ι©ηΕ·B
ͺ―ϋ
³ΔAFEΩnSΜͺ―ϋΰAFEPSΖ―ΆΕTiKΕ·B
·
T
·
ζρT
·
ζOT
·
ζlT
·
ζάT
T©ηX^[g΅ΔAΎρΎρNͺγͺΑΔ’C[WΕ·ΛB
α¦ΞAΚuΤΜSiSjͺAFEPSEζρTΎΑ½Ζ΅½ηAΜΆΝFEΩnSEζρTΕΆάκιΖ’€ν―Ε·ΛB
±ΜκAFEΩnSEζρTΜΆSΜΑ«ΝAFEΜΆ½Ζ΅ΔΆ«Δ’ιΤ±ν―Ε·B
ά Aξ{vOΖΎΑΔΰ’’©ΰ΅κάΉρΛB
p\RΕΎ€ΖAnrέ½’ΘΰΜΕ·BwoAvistaAVAW@Ζ©έ½’ΘB
»κΌκΜNΙΦνιTxΰFEPSΜκΖ―ΆΕ·B
1.
q
2.
f
3.
μ
4.
y
5.
κ««
ΜTΒͺTxΕATΜκΝSάάκά·B
»±©ηPbgͺΑ¬·ι½ΡΙRΏ^NπκΒΈΒΨθ£·ζ€ΙΈΑΔ’«AζάTΙΝκ««Ύ―ͺcιν―Ε·B
FEPSΝAFEΜΆ½ΙΆάκβ·’PSΕ·B
FEΖΝA~Eζθΰ³Μ’’EΕ·©ηAsPSͺΆάκιΝ θάΉρB
α¦ΞA Θ½ͺεwΆΎΑ½Ζ΅ΔAeXgΕ«΅ZͺoΔ«½ηΗ€v’ά·©H
w½Ε±ρΘ‘³ηβρΘ«α’―Θ’ΜIHxΑΔΩΩ΅v’ά·ζΛB
―Άζ€ΙAsPSπΒι©ΜͺΰΝβ θ¦Θ’ΜΕ·BsPSπζθz¦ιeXgΝΘPΙNA΅Δ΅άΑΔ’ι©ηΕ·B
³ΔA»ρΘFEPSΝ³ηΙTiKΙͺή³κά·B
·
T
·
ζρT
·
ζOT
·
ζlT
·
ζάT
Ϊ΅’ΰΎΙόιά¦ΙASΙΒ’Δ¨³η’΅Δ¨«ά΅ε€B
R[q[πC[W΅ΔΎ³’BR[q[Ν
ΙR[q[Μ¬ͺͺn―ι±ΖΕΕ«Δ’ά·B
{R[q[Μ¬ͺR[q[
Ζ’€Ε·ΛB
Ιn©·¬ͺπΟ¦κΞAΕ« ͺιωέ¨ΰΟνθά·B
―Άζ€ΙASΖ’€
ΙSΖ’€¬ͺπn©·±ΖΕAFXΘνήΜSͺΕ«ά·B
»κͺAsPSA³φSAεPSΘΗΕ΅½ΛB
FESΕΝ±ΜSΜ¬ͺͺεΨΘ|CgΕ·B|CgΙΘι¬ͺΝΜTΒΕ·B
·
q
·
f
·
μ
·
yiσj
·
κ««
±κηͺAFEPSΜeXe[WΙΦW΅Δ«ά·B
T
FEPSΜΕΜXe[WͺTΕ·BTΙόι½ίΙΝAΜvfπ―Ι½·Kvͺ θά·B
·
q
·
f
·
μ
·
yiσj
·
κ««
±ΜTΒπνΉΔATxΖ’’ά·BθA«AͺA·ΜπνΉΔΜΖ’€ΜΖ―ΆC[WΕ·ΛBά AFESπΒιiΖΎ’ܡ倩B
Ϊ΅ΝSΜΖ±λΕGκά·ΜΕA±±ΕΝΘPΙΰΎ΅ά·B
1.
qEEE’νδιl¦ι±ΖΕ·B
2.
fEEEΧ©Ο@·ι±ΖΕ·B
3.
μEEEΞΫπDή±ΖΕ·B
4.
yEEEκ΅έͺΘΐyΘ΄oΕ·B
5.
κ««EEEWΝΜ±ΖΕ·B
g[jOiT}^αzjΙζΑΔA±ΜTΒΜvfͺoXζάΑ½Ζ«ΙATΖ’€Xe[WΙBΕ«ά·B
ζρT
ζρTΙΘιΖAqͺΑ¦ΔA
·
f
·
μ
·
yiσj
·
κ««
ΜSΒΜvfΙΘθά·BάιΕPbgͺAΑ¬΅ΘͺηA’ηΘΘΑ½RΏ^NπΨ裡Ēζ€ΘC[Wš倩B
ζOT
ζOTΙΘιΖAfͺΑ¦ΔA
·
μ
·
yiσj
·
κ««
ΜRΒΜvfΙΘθά·B
ζlT
ζlTΙΘιΖAμͺΑ¦ΔA
·
yiσj
·
κ««
ΜQΒΜvfΙΘθά·B
ζάT
ζlTΙΘιΖAyiσjΰΑ¦ΔA
·
Μiσj
·
κ««
Ύ―ΙΘθά·B
ΰ€±±άΕιΖAΌΜx¦ΝKvΘΘιΜΕ·ΛBWΝΎ―ͺA²QΙ€¬ά³κΔ’ισΤΕ·B
yΰΑ¦½ΕA΄oΝSΙ½ΓΘσΤiΜjΙΘθά·B
άΈΝFESΙΣκιάΙ±κάΕΜ¨³η’Ε·B
·
sPSΝζΓAαΡAsπ[_[Ζ·ιζΘ’SΕ΅½BisPφRΒͺάάκΔ’ιj
·
³φSΝAζΰ«ΰΘ’SΕ΅½BiPφΰAsPφΰάάκΔ’Θ’j
·
~EPSΝAsζΓAsαΡAssπ[_[Ζ·ιζ’SΕ΅½BiPφRΒͺάάκΔ’ιj
³ΔA±κη3νΜSΝ΅Δ~ESΖΔΞκΔ’ά·B
~EΖΝO¨b΅ά΅½ΛBα¨@γgΜά΄©ηΜξρΙΛΆ΅ΔA~πΒθβ·’Ά½xΜ’EΕ΅½B
»€’€ΖAlΤΎ―ΕΘ¨ΰΰΰέρΘAάνθΜξρπLb`΅ΔΆ«Δ’ιΜΕ~ESΜΆ½ΜΕ·B
HΧ¨πά΄Ε΄ΆκΞwHΧ½’xΖΘθά·BGπά΄Ε΄ΆκΞw¦°½’xΖΘθά·B»΅Δ~E𴦽’EπAFEΖ’’ά·B
FEΖΝH
EΖ’€ΜΝSΕRΒ θά·B
·
~E
·
FE
·
³FE
Ε·B
½ΏlΤπΣή~EΜΆ½ΝAεά©ΙΜζ€ΘSΜ¬κΕΆ«Δ’ά·B
1.
ά΄ΕξρπLb`·ι
2.
»κπ]Ισ―n·
3.
]Ε»Μξρπ·ι
4.
»ΜΚπΰΖΙs·ι
ΏΘέΙΙΰ]ͺ ιέ½’Ε·ζ^^;
FEΜFΖΝ¨ΏΜΕ·B
u»€l¦ιΖlΤΰFEΆαΘ’©IHvΖΎν껀ŷͺA~EΕ’€¨ΏΖAFEΕ’€¨ΏΝSRΣ‘ͺα’ά·B
½Ώͺi¨ΏΖΎ€Ζ½πv’©Χιš倩H
ΤHp\RHχHΑ΅SHΞH
Ζ©Ε·ζΛIH
FEΜ¨ΏΖΝA»Μζ€Θr’ΰΜΕΝΘAΎ€ΘκΞf±qΖ©’€ζ€ΘΰΖΰΑΖLΧβ©ΘΰΜΕ·B
FEΝAΑΚΘSΜg[jOiT}^αzjπsΑ½l΅©Μ±Ε«άΉρB
½©κ_ΙW΅ΔAΙΐΙάΕWΝπί½ΙAά΄©ηΜξρΙΣθάν³κι’EΖΝΚ³ΜΈ_’EΙBΕ«ά·B
±κΝAg[jOπΒρΎlΙ΅©πΕ«Θ’©ΰ΅κάΉρB
α¦ΞA Θ½ͺΎΑ½Ζ΅ά·B
ϊAFBΖ
Μπj¬ά·B
ιϊAT³ρͺ
πωέΙβΑΔ«ά΅½B»΅ΔT³ρͺΎ’ά΅½B
w±ρΙΏΝ³ρB³Α«Λό±€ΜuΕΖΑΔΰLCΘΤπ©Β―½ρΎζIx
³ΔA±ΜΖ« Θ½ΝΗ€΄Άιš倩H
ΏΘέΙ Θ½ΝΕ·©ηA
·
ΆάκΔ±Μϋ
©ηo½Ν θάΉρB
·
ΰΏλρ€nΘρΔ ι·ηmθάΉρB
·
Θ½ΜFBΰέρΘΕ·©η―ΆF―Ε·B
±ρΘσΤΕΤΜό΅³ππΕ«ιš倩H
―Άζ€ΙA
·
½ΏΝi~EΙΆ«Δ’ά·B
·
ΰΏλρ»κΘOΜ’Eͺ ιΘρΔmθάΉρ
·
½ΏΜmθ’ΰέρΘ~EΙΆ«Δ’ά·
»ρΘΕάΈπΝο΅’Ε΅ε€B
΅©΅A½ΏͺF―Ε«Θ’©ηΖΎΑΔAFEͺΘ’ΖΝΎ’ΨκάΉρBή΅λA½ΏͺiF―΅Δ’ι’EΝA¨»η{Άέ·ι’EΜΩρΜκΕ΅ε€B
½ΏΙ’JΜΉπ·±ΖΝΕ«άΉρ΅AOόπ©ι±ΖΝΕ«άΉρB
±κηΝΘwΜWΕ©λ€ΆΔπΕ«Δ’ιΎ―Ε·B~EΎ―ΙΐΑΔΰAάΎάΎ½ΏΜF―Ε«Δ’Θ’Ν½’ΜΕ·B
FESΜνή
³ΔAFESΰ~EPSΜΖ«Ζ―Άζ€ΙAΜRΒΙͺ―ηκά·B
·
PSEEEζ’S
·
ΩnSEEEΆάκΟνθΜS
·
BμSEEEΝ½η«Ύ―ΜΚπΆάΘ’S
~EPSΜΖ«ΝA±±©η³ηΙ
·
qdΜL³
·
μΡΜL³
·
ΣuΜγ
ΜRp^[Ε»κΌκͺ―ά΅½B
FESΜκΝΜζ€Ιͺ―ά·B
·
T
·
ζρT
·
ζOT
·
ζlT
·
ζάT
ά άiKΜNΕͺ―ιΖvΑΔΰη¦κΞͺ©θβ·’©ΰ΅κάΉρB
³FEΝA¨ΏͺSΘ’SΎ―Μ’EΕ΅½B
ά½AΆ½ͺΆέ·ιRΒΜx
·
~E
·
FE
·
³FE
Μ€ΏAΕΚΜxΙΚu΅Δ’ά·B
³FESΜνήΝRΒΕ·B
·
PS
·
ΩnS
·
BμS
³ηΙA±κηΙ»κΌκSΒΜNͺΆέ΅ά·B
·
σ³Σ
·
―³Σ
·
³L
·
ρzρρz
±κΕAR~SPQΜ³FESͺ·ΧΔo»λ’ά΅½B
BμSΖΝ«Ύ―ΕΚπΆάΘ’SΕ΅½ΛB
BμSΙΝε«ͺ―ΔQΒΙͺήΕ«ά·B
PΒίΜO[vΝ
·
άεψ]S
·
Σεψ]S
±κηΜSΝAΆ½ͺά΄ΕξρπLb`·ι½ίΙυ·ιζ€ΘSΕ΅½ΛB
α¦ΞAθΙ½©Gκ½Ζ΅ά·B
»ΜΖ«AΰΏλρθΙg―ͺΆάκιν―Ε·ͺA»Μά¦Ιάεψ]SͺΆάκΔξρπσ―ζιυπ΅ά·B
±κηΝA½ΏκΚΜlΤΙΰΆάκιSΕ΅½ΛB
»΅ΔAΰ€κΒΜO[vͺA’
ΏΙ΅©ΆάκΘ’SΕ·B
οΜIΙΝA
·
ΞNSi³φBμSj
·
εBμS
·
FEBμS
·
³FEBμS
ΘΗͺ θά·B
’
ΏͺαzΕ³FETθΙόΑ½Ζ«ΜSͺ³FEBμSΖ’€ν―Ε·ΛB
’
ΏΖΝASiKΜεθΜ€ΏAΕΙεΑ½lΜ±ΖΕ·B
ͺ―ϋ
³FEBμSΜͺ―ϋΰΌΖ―ΆΕAΜSΒΕ·B
·
σ³Σ
·
―³Σ
·
³L
·
ρzρρz
’
ΏΙΘΑ½lͺαz΅ΔAρzρρzΜTθΙB΅½Ζ«A»ΜΖ«ΜSΝ³FEBμSEρzρρzΖ’€ν―Ε·B
ΩnSΝAεά©ΙQΒΙͺ―ηκά·B
·
i³φjsPΩnS
·
³φPΩnS
ΜQΒΝAά΄ΕΞΫπF―·ιΖ«ΙΆάκιSΕ΅½ΛB
οΜIΙΝA
·
α―
·
¨―
·
@―
·
γ―
·
g―
·
ΜσS
·
xS
ΘΗͺ θά΅½B
»ΜΌΜΩnSΝΆάκιΖ«ΙAΆSΖ΅ΔΜΝ½η«ͺ θά΅½B
οΜIΙΝ
·
εΩnS
·
FEΩnS
·
³FEΩnS
ͺ θά·B
±κηΜSΝΆάκιΖ«ΜSΕ θA»ΜΆΜξ{vOΖ΅ΔΰΝ½ην―Ε·ΛB
α¦ΞA³FEΩnSΕΆάκιΖ’€ΝA³FEΜΆ½Ζ΅Δ»ΜΆΝΆ«ι±ΖΙΘθά·B
ͺ―ϋ
³FEΩnSΜͺ―ϋΰ³FEPSΖ―ΆΕ·B
SNΙͺ―ηκά·B
1.
σ³Σ
2.
―³Σ
3.
³L
4.
ρzρρz
α¦ΞA Θ½ͺαzCs΅Δ³FEPSE³LΜSΕρΎκAΜΆΝ³FEΩnSE³LΙΆάκιΖ’€ν―Ε·ΛB
άΈAFESΜ¨³η’©η’«ά΅ε€B
FESπΒι½ίΙΝAFETθΙόιKvͺ θά·BFETθΙόι½ίΙΝAT}^αzΖΎνκιαzͺKvΙΘθά·B
±ΜαzΝͺ©θβ·’€ΖWΜαzΕ·ΛB½©κΒΜΰΜAΙW·ιν―Ε·ΛB
α¦ΞA^ΑΜΙFΜΫπ’ΔA»ΜΫπΆΑΖ©ΒίιΖ©Ε·ΛB
»΅ΔATΒΜTx
·
q
·
f
·
μ
·
y
·
κ««
ΜGlM[ͺάΑΔ’«ATΙόθά·B
»΅ΔAxͺγͺι²ΖΙTxͺΈΑΔ’«AζάTθΕΝκ««Ύ―ͺΜ±θά·Bi΅§ΙΎ€ΖyͺΑ¦ΔAΜΜ΄oͺcθά·j
ζάTθΝΖΔΰxΜ’TθΘΜΕ·ͺA»κΕΰΞΫΜ¨ΏΙΛΆ΅Δ’ιν―Ε·ΛB
ΒάθAw ιxΰΜπΞΫΙ΅½αz©ηAwΘ’xΰΜπΞΫΙ΅½αzΙΨθΦνιν―Ε·B»±©η³FETθͺΝΆάθά·B
σ³Σ
σΖΝ½ΰΘ’σΤΖ’€Σ‘Ε·B³ΣΖΝΐθͺΘ’Ζ’€Σ‘Ε·B
FETθΙόι½ίΙΝA ιΞΫΜ¨ΏΙW΅Δαz·ιKvͺ θά΅½B
»±©ηA³FEPSΜκiKΪΕ ισ³ΣΙόι½ίΙΝA»ΜαzΞΫπΝΈ·Ζ’€π΅ά·B
ΝΈ·ΖγΙcιΰΜΝσΖ€’ν―Ε·ΛB»ΜσΙΞ΅ΔA³ηΙαz·ι±ΖΕσ³ΣΙόθά·B
άθΙκΚΜF―’EΖ©―£κΔ’ιΜΕAͺ©θΓη’Ε·Λ^^;
‘·ΝKvΘ’m―©ΰmκάΉρͺAoTΙ ιΜΕκΰΎ΅Δ¨«ά·B
―³Σ
―³ΣΜ
·
―ΖΝSΜ±Ζ
·
³ΣΖΝΐθͺΘ’±Ζ
·
ΖΝσΤΜ±Ζ
Ε·B
SͺΐθΘLͺΑΔ’ισΤΖ’€ζ€Θӑš倩B
¨Ώͺ½ΰΘ’σΤAσπΞΫΙ΅Δαz΅ΔB·ισΤͺ³FEPSEσ³ΣΕ΅½B
ΙAσ³ΣΖ’€σΤπΞΫΙ΅Δαz·ιΕA―³ΣΜTθΙόιͺΕ«ά·B
³L
³LΖΝ½ΰΘ’Ζ’€Σ‘Ε·B
σ³ΣΜΖ±λΕΰ½ΰΘ’Ζ’€Σ‘ͺoΔ«ά΅½ΛB
FEPSπN±·ΙΝA½©κΒΜΞΫAα¦ΞFhηκ½ΫΙSπW³ ΉΔ’αzπs’ά·B
Ύ’·¦ιΖ½©κΒΜ¨ΏiFjπΞΫΖ΅ΔFEPSͺΆάκά·B
»΅ΔA»ΜαzΞΫΜ¨ΏiFjπζθ₯Α½σΤiσjπΞΫΙαz·ιΖAσ³ΣΖ’€³FEΜxΙB΅ά·B
ΒάθAσ³ΣΝΰΖΰΖ¨ΏiFjͺ ιπOρΖ΅ΔΆάκΔ’ιν―Ε·B
³LΝA»€’€OρΖ©²«Ι΅ΔA{Ι½ΰΘ’σΤπΣ‘΅Δ’ά·B
ρzρρz
³FEPSΜΕΜXe[WͺρzρρzΕ·B
ΌOΰ·²’Ε·Λ^^;
±ΜΣ‘ΝASͺ ιΕΰΘΘ’ΕΰΘ’Ζ’€Σ‘Ε·B
Sͺ ιΖ’€ΝAΆ«Δ’ιπΣ‘΅ά·B
SͺΘ’Ζ’€ΝAρΕ’ιπΣ‘΅ά·B
ρzρρzΙB΅Δ’ιlΝAΆ«Δ’ιΖΰρΕ’ιΖΰΎ¦Θ’σΤΜSͺ¬κΔ’ιΙΘθά·B
³FEΖΝAFEπ³ηΙ΄¦½ASΎ―Μ’EΕ·B
lΤβ¨π©κΞͺ©θά·ͺASΎ―κlΰ«΅Δ’ιΆ½ΜΝκΒΰ θάΉρB
½©΅η¨ΏΖΑΒ’ΔΆ½Μπ\¬΅Δ’ά·B
FEŷ绀š½B
f±qxΜρνΙ«ίΧβ©Θ¨ΏΖΝ’¦AκΝ¨ΏΖSͺZbgΕFEΜΆ½Μπ\¬΅Δ’ιΜΕ·B
΅©΅ASΜxͺ άθΙάιΖASΎ―κlΰ«Ε«ιζ€ΙΘθά·B±Μxπ³FEΖ’’A±ΜxΜΆ½ΜSπ³FESΖ’’ά·B
³FESΜνή
³FESΜνήΝA~EPSAFEPSΜΖ«Ζ―ΆΕ
·
PSEEEζ’S
·
ΩnSEEEΆάκΟνθΜS
·
BμSEEEΝ½η«Ύ―ΕΚπΆάΘ’Si’
ΏΜSj
ΜRΒΕ·B
Σ‘ΰ±κάΕΖ―ΆΕ·ΛB
³ηΙFESΕΝA»κΌκͺ
1.
T
2.
ζρT
3.
ζOT
4.
ζlT
5.
ζάT
Ζ’€ζ€ΙATiKΙNͺ―³κΔ’ά΅½BΒάθFESΝR~TPTΜSͺ ιΖ’€Ε·B
³FESΕΰΔ’ΔASΒΜNͺ θά·B
1.
σ³Σ
2.
―³Σ
3.
³L
4.
ρzρρz
ΘΙβηAFEΖδΧΔβⱡ’ΌOΙΘθά΅½Λ^^;
½ΎA±κΙΰΣ‘ͺ ΑΔ±€’€ΌOΙΘΑΔ’ά·BΕΝΤΙ©Δ’«ά΅ε€I
o’ΤSΝ
·
a¬ΉEΚ@ΜQΒ
·
κΉEΚ@ΜQΒ
·
sΉEΚ@ΜQΒ
·
’
ΏΉEΚ@ΜQΒ
ΕWΒΙͺή³κά·B
΅©΅AFETθΙόΑΔ’ισΤΕBpbTi[αzπΐH΅½κA»κΌκΜFETΜxΙΆΔo’ΤSͺΆάκι±ΖΙΘθά·B
α¦ΞA
FEEζρTΜσΤΕBpbTi[αzπsΑΔAίΔεθΙόΑ½Ζ΅ά·B±ΜΖ«ΜSΝa¬ΉΜFEEζρTΖ’€±ΖΙΘθά·B
FETθΝAT`ζάTάΕΜTiKΕ·B
ΒάθAΉEΚΜWΒΜSΖAFETΜTΒΜSͺΞ΅ΔAW~TSOνήΜo’ΤSͺΆάκιΒ\«ͺ θά·B
ΏΘέΙABpbTi[αzΝ§ΜoόθΘΗgΜΙN±ιΆΕΟ»πΟ@·ιΜͺξ{Ε·B
»΅ΔA¨ΏΖSΜ³νπειν―Ε·BΕ·ΜΕA¨ΏͺΆέ΅Θ’³FEΕΝBpbTi[αzͺΕ«άΉρB
»Μ½ίA³FESΖo’ΤSͺΞ·ιΝΘ’ν―Ε·B
·
ΘPΙͺ―ιΖ«ΝAFEPSπl¦ΈWνήΖ΅ά·B
·
ΪΧΙͺ―ιΖ«ΝAFEPSπl¦ΔSOνήΖ΅ά·B
ά½BpbTi[αzΕειΖ«ΝρνΙWΝΰάΑΔ’ι½ίAΘΖΰFEΜTΙB·ιΖ’€ΜͺΚΰΕ·B
Ύ’·¦ιΖAειΖ«ΝKΈFETΜ’Έκ©ΜSΕειΖΰΎ¦ά·BFETΘγΜWΝͺΘ’ΖAΰΜ²ΖΜΟ»ΑΕπ@ΐΙΟ@Ε«Θ’ν―Ε·B
’
ΏΉΕAΟYͺ·ΧΔζθ©κά·B
ΟYͺΘΘιΖ’€ΝA’
ΏΜlͺαz©ηoΔAϊνΆπ¨Α½Ζ΅ΔΰsPSΝΰ€Άάκζ€ͺΘ’Ζ’€Ε·B
α¦ΞAκxXg[uΕΞ΅½±Ζͺ ιlΘηAΰ€ρxΖuXg[uπGΑΔέζ€vΖΝvνΘ’ΝΈΕ·Bή΅λAXg[uπ©½Ζ½ρuλ―IvΖv€ΝΈΕ·B
ΕΰAqΝ»ρΘ±ΖmθάΉρ©ηA½CΕXg[uπGΑΔΞ·ιΜΕ·B
―Άζ€ΙA’
ΏΝsPSΕΆ«ι±Ζͺ’©Ι©ΕsΧΕ ι©πΜ±IΙπ΅Δ’ά·BΎ©ηAΰ€βΞΙsPSΝΆάκάΉρB
³ηΙA’
ΏΚΙΘιΖA±κάΕΆάκΔ’½
·
εPS
·
FEPS
·
³FEPS
Ζ’Α½ζ’Sͺ
·
εBμS
·
FEBμS
·
³FEBμS
ΙΟνθά·BBμSAΒάθΝ½η«Ύ―ΜΚπΆάΘ’SΙΟνιΖ’€Ε·ΛB±Μζ€ΙA·ΧΔΜΟYπζθ’½«nπΈΟiL]ΈΟjΖΔΡά·B
ΈΟ±»ͺ§³ͺί΄·S[Ε θAΙΜKΕ ιΖχίηκά·B
’
ΏΉΕΝAcθ·ΧΔΜΟYͺζθ©κά·B
οΜIΙΝ
·
FζΓiζΓͺSΜvfj
·
³FζΓiζΓͺSΜvfj
·
iζΓͺSΜvfj
·
{isͺSΜvfj
·
³ΎisͺSΜvfj
αΡͺSΜvfΝsΉΕΖθΜΌ©κΔ’ιΜΕAΰ€oκ΅άΉρB±κηͺ·ΧΔζθ©κι±ΖΕAsPSΜͺΑ±ͺΘΘθά·B
sΉΕ
·
{θ
·
κΚIΘ~
ΜQΒΜΟYπζθ«ά΅½B
»±ΕsΚΙεΑ½lͺAαzπoΔϊνΆ΅ΔΰA»κηΙ·ιsPSΝΰ€ΆάκιΝ θάΉρB
ΒάθA
·
ζΓͺS
o
μδE«©E³s
o
μδE«©ELs
o
μδE«©sE³s
o
μδE«©sELs
o
ΜδE«©E³s
o
ΜδE«©ELs
o
ΜδE«©sE³s
o
ΜδE«©sELs
·
αΡͺS
o
JδEαΡE³s
o
JδEαΡELs
·
sͺS
o
ΜδE^
o
ΜδE{iΆε€±j
sPSΜνήΜγΕΝAαΡͺSΜQΒͺΑ¦ΔcθTΒΖΘθά·B
sΚΕΝ~ΰΩΖρΗΘΘΑΔ’ιΜΕ·ͺAFEE³FEΙΆάκΟνθ½’Ζ’€©·©ΘΆΆ~ͺcΑΔ’ά·B
»Μ½ίAνήΜγΕΝζΓͺSͺάΎcΑΔ’ιν―Ε·B
κΚ©η³ηΙεθΜαzͺiήΖsΉΙB΅ά·B
sΖΝΰ€AΑΔ±Θ’Ζ’€Σ‘Ε·BΒάθAΰ€lΤEΙίΑΔ±Θ’πΣ‘΅Δ’ά·B
ΰ΅ΆάκΟνικΕΰAFE©³FEΜ³Μ’Ά½Ζ΅ΔΆάκΟνθά·B
±±Εζθ©κιΰΜΝA
·
{θ
·
κΚIΘ~
ΜQνήΕ·B
{θΖΝαΡͺS»ΜΰΜΕ·B
ΏεΑΖ΅½{θΰ±Μ_Ε·ΧΔΖθΜΌ©κά·B
κΚIΘ~ΖΝA
·
¨’΅’ΰΜπHΧ½’
·
XeLΘlΖκΙ’½’
ΘΗΖ’€Aά΄πμΞΉι~Ν·ΧΔΖθΜΌ©κά·B
ΕΝAΗρΘ~©cι©Ζ’€ΖAFEE³FEΙΆάκΟνθ½’Ζ’€’xΜΆΆ~Ύ―ͺcθά·B
κΉΕΝA½©V΅sPΜΟYπζθΝ θάΉρΕ΅½B
»Μ½ίκΚΙεΑ½lͺAαzπβίΔAϊνΆπιΖ«ΙΆάκιsPSΝΜΖ¨θΕ·B
·
ζΓͺS
o
μδE«©E³s
o
μδE«©ELs
o
μδE«©sE³s
o
μδE«©sELs
o
ΜδE«©E³s
o
ΜδE«©ELs
o
ΜδE«©sE³s
o
ΜδE«©sELs
·
αΡͺS
o
JδEαΡE³s
o
JδEαΡELs
·
sͺS
o
ΜδE^
o
ΜδE{iΆε€±j
‘όΕΑ΅½Ζ±λͺAΰ€ρxΖΆάκΘ’SΘΜΕAcθΝVΒΕ·ΛBνήΜγΕΝa¬ΚΜΖ―ΆΕ·B
³ΔAa¬ΉAa¬ΚΖά΅ΔAΜXe[WΝκΉΕ·B
κΖΝκρΎ―AΑΔιΖ’€Σ‘ΕAκxΎ―ΆάκΟνιπw΅ά·B»ΜΤΙ’
ΏΙB΅Δ΅ά€Ζ’€πΓΙΣ‘΅Δ’ά·B
κΉΕΝA½πζθΜ©Ζ’€ΖAΐΝ½©V΅ζθΰΜΝ θάΉρB
½ΎA~β{θΖ’Α½ΟYΜGlM[ͺa¬ΚΜΖ«ΖδΧΔKNΖγΘθά·B
a¬ΚΖΝa¬ΉΜΚΖ΅ΔΆΆιSΜ±ΖΕ·B
a¬ΚΜ_ΕΝΰ€A·ΕΙOAΒάθ
·
Lg©
·
^
·
ϊΦζ
Νζθ©κΔA‘γκΨΆάκιΝ θάΉρB
ψ«²©κ½^||©ηΝAΰ€ρxΖV΅’^||ͺΆάκΘ’ζ€ΙB
γΜRΒΝΟYΕ·©ηAsPSΜvfΙΘΑΔ’ά·B
ΰ€κxsPSπ©Δέά΅ε€B
·
ζΓͺS
o
μδE«©E³s
o
μδE«©ELs
o
μδE«©sE³s
o
μδE«©sELs
o
ΜδE«©E³s
o
ΜδE«©ELs
o
ΜδE«©sE³s
o
ΜδE«©sELs
·
αΡͺS
o
JδEαΡE³s
o
JδEαΡELs
·
sͺS
o
ΜδE^
o
ΜδE{iΆε€±j
±ΜPQsPSΜ€ΏAΤΜTΒΜsPSͺA‘ρΜRΒΜΟYΖΞ΅Δ’ά·B
ΒάθA«©ΖΝΤαΑ½©πͺ ιΖ’€Σ‘ΕALg©ΖϊΦζΜπ³΅Δ’ά·B
^ΙΝAΎtΜΖ¨θ^ͺΞ΅Δ’ά·BΒάθAa¬ΚΙεΑ½lΕΰsPSΝΆΆά·B
½ΎA»ΜGlM[ΝΖΔΰγA©ΒγΜΤΘOΜVΒΜsPS΅©ΆΆΘ’Ζ’€Ε·ΛB
Α₯
a¬ΚΙειΖ’€ΝAεθΜxgRxAΙΜΑ½ζ€ΘΰΜΕ·BΟYΝcΑΔ’ά·ͺASͺεθΦό’Δ’ιΜΕA©IΙ’
ΏΦό©’ά·B
ά½Aa¬ΚΜlΝΘγVράΕ΅©ΆάκΟνθάΉρBΘΊΘη»ΜΤΙεθͺ··ρΕA’
ΏΙΘι©ηΕ·B
ά½ΆάκΟνικΰAlΤE©VEiΌϋΖΰ~EjΘΗΜεθΜCsΙK΅½κΙΆάκΟνθά·BΰΏλρnEΘΗΜα³ΘκΖΝΰ€³Ε·B
a¬ΚΝΜ±IΙ¨Μ³νππ΅Δ’ά·ͺA»κΕΰΟYΝάΎcΑΔ’ά·BάνθΜhΙζΑΔAζΓͺSβαΡͺSͺΆάκι±Ζΰ ιν―Ε·B
½ΎAlπE΅½’Ζ’€΄ξβAφΚ@₯πΫθ΅½θΖ’€³mΘSΝΰ€ΆάκιΝ θάΉρB
a¬ΖΝεθΜζκiKΪB
ΉΖΝAΟYπζθΝ½η«Μ±ΖΕ·B
a¬π»Μάάσ·ΖA¬κΙa©Α½Μζ€ΘΣ‘ΙΘθά·B
½ΏΝΆάκΟνθπXΖθΤ΅Δ«ά΅½B
»κΝAάιΕRΜΣΰΖπOOAOOάνΑΔ’ιζ€ΘΰΜΕ·B ιΖ«Ν³ΜΆ½Ζ΅ΔΆάκA ιΖ«Να³ΜΆ½Ζ΅ΔΆ«½©ΰ΅κάΉρB
½ΎA’ΈκΙ΅ΔΰXΖ³ΐ[vπάνΑΔ’ιΙΟνθΝΘ’ρΕ·ΛB»±©η²―o·½ίΙΝAεθΖ’€S[πΪw·΅© θάΉρB
»΅ΔAεθΙό©€ΉΙόιΕΜSͺa¬ΉSΘΜΕ·B
a¬ΉSΕζθ©κιΟYΝRΒ θά·B
·
Lg©i€΅ρ―ρj
·
^i¬j
·
ϊΦζi©’²ρΆγj
ά½Aa¬ΉΙκxόΑ½lΝAΕ½ΕΰγVράΕ΅©~EΙΆάκΟνηΘ’Ζ³κΔ’ά·B
ΒάθAVρΘΰΙΕΚΜ’
ΏΙB·ιΖ’€Σ‘Ε·B
Lg©
a¬ΉΕζθ©κικΒΪΜΟYΝALg©Ε·B
Lg©ΖΝAsΟΜ©δͺ ιΖ’€ΤαΑ½©πΜΕ·BΘΊΤαΑΔ’ι©Ζ’€ΖA’Μ·ΧΔΜ¨ΏESΝνΙΟ»·ι«ΏΜΰΜΎ©ηΕ·B
α¦ΞAAμΖ’€μͺ Α½Ζ΅ά·B
±ΜAμΙΒ’ΔAw±κ±»AμΕ ιxΖ’€jΙΘιͺΝΆέ·ιš倩IH
Η±πT΅ΔΰA½Ύ
Μ¬κͺ ιΎ―Ε·B»΅ΔAAμΝ΅Ξη¬κΔ’ΖArΕBμΖΔΡΌͺΟνΑ½θ΅ά·B
ΒάθAAμΰBμΰκΒΜ¬κΜΕAAμπxz΅Δ’ιjΰΘ―κΞABμπxz΅Δ’ιjΰΘ’ν―Ε·B
½Ώΰ―ΆΕ·B
½ΎχΜΖ’€¨ΏΜ¬κΖSΜ¬κͺ ιΎ―ΕA»κπΖΔρΕ’ιΙ·¬άΉρB
©ͺπRg[·ιβΞIΘ©δͺΘ’ΨΙA
·
½ΏΝV»π~ίιΝΕ«άΉρ
·
aCππ―ιΝΕ«άΉρ
·
ππ―ιΝΕ«άΉρ
a¬ΉΕΝA±ΜπΜ±IΙπ΅ALg©πζθ―ά·B
^
QΒΪΜΟYΝ^Ε·B
^ΖΝAΆΜ²Ζ^’Ζ’€Σ‘Ε·ͺAοΜIΙRΒΜ^’ͺ θά·B
·
ίE»έE’ΙΞ·ι^’
·
φΚ@₯ΙΞ·ι^’
·
§ΉECsϋ@ΙΞ·ι^’
’ΈκΙ΅ΔΰAζ²ΧΰΉΈKΙ»f΅Δ΅ά€±ΖπάΖίΔ^ΖΎ’ά·B
α¦Ξ
·
Σ―Δ’Δΰ’ΈκKΉͺβΑΔι³
·
©ͺΝͺρΞΑΔΰΗ€Ή_ΘρΎ
·
Ν«¨PlΙΘιΕ΅ε€
·
‘D«ϊθβΑΔΰρΎηZbgΎ
ΘρΔΜΝA·ΧΔ^Ζ’€ν―Ε·BΗκΰA^ΐπζ²ΧΰΉΈi³΅ΔjΟzΕ»f΅Δ’ι±Ζͺͺ©θά·ΛB
ϊΦζi©’²ρΆγj
a¬ΉΕζθ―ιARΒίΜΟYͺϊΦζi©’²ρΆγjΕ·B
·
ϊΖΝϊίB
·
ΦΖΝΦ§AΒάθ[iVj
·
ζΖΝζi·
j
ΜΕAΤαΑ½ϊίβVΙ·
·ιΖ’€Σ‘Ε·B
½ΜͺΰΘ θͺ½ͺηκΔ’ιVΖ© θά·ζΛB»κΙΝΣ‘ͺΘ’ΖA§³ΕΝΰΎ΅Δ’ά·B
α¦ΞA’―Ι¦ΜVΕπE·Ζ΅ά·B»΅ΔAw»ΜΜ½π_Ι³³°ιΕA½ΏlΤΙ¨bέπIxΖβΑ½θ·ιν―Ε·B
΅©΅A±ΜκAΘΊπE΅Δ³³°ι±ΖͺlΤΙbέπΰ½η·Μ©A«IΘͺͺάιΕΘ’ΜΕ·B
§³ΕΝΐπ©ά·Bΐπ©½Ζ«ΙA»ΜVΝPΘιEΆΘΜΕ·B«ΖπΒΑ½ΜΕ·B±κΝn
ͺΫΖ’€ΜΖ―Άη’ΝΑ«θ΅½ΐΕ·B
±Μζ€ΙAΣ‘ΜΘ’EͺΜΘ’ϊίEVΙ·
·ιπϊΦζΖ’’ά·B
άΖί
³ΔAa¬ΉΕζθ©κιRΒΜΟYπ©Δ«ά΅½B
·
Lg©
·
^
·
ϊΦζ
±κηΝOΖΰΔΞκΔ’ά·B
ΖΝΆΜΣ‘ΕAΙΆπΒι΄φΙΘιΟYΖ’€Σ‘Ε·B
»΅ΔA±κηπάΖίιΖA
ΐπ·έΈέάΕmF΅Δ©η»f΅Θ³’ζB
Ζ’€ΙΘιΜΕΝȒš倩B
iΜθΘ»fΕ·ͺj
α¦ΞA100ΒΜΚͺόΑ½ ͺ θά·B»Μ ΙΝθπόκιΎ―ͺ ΑΔΝ©¦άΉρB
Θ½ΝA»ΜΙθπόκΔARΒΚπζθo΅ά΅½B»ΜΚΜFΝΊρΤΤΕ΅½B
»ΜΖ« Θ½ΝΗ€v’ά·©H
±Μ ΙΝ100ΒΜΤ’ΚͺόΑΔ’ιρΎ
Ζv’άΉρ©H
TdΘlΎΑ½η50Βη’²ΧΔ»f΅ά·B
ΕΰA§³Ν»κΕΰ_ΎΖΎ’ά·B
§³Ν
·ΧΔΜΚπ«ΏρΖ·έΈέ²ΧΘ³’I
»€΅Θ’Ζ^ΐΝͺ©θάΉρζI
ΖΎ€ρΕ·ΛB±κΰ«IΙ©ιΖ ½θOΕ·ΛB
³ΔASΜΕγΜͺήΙΘθά·B
o’Τπ»Μάάσ·ΖA’ΤπoιΖΘθά·B
±±ΕΎ€’ΤΖΝAΆ½Μ³έ½’ΘΣ‘Ε·BΒάθAΆ½Μ³π²―oιΖ’€Σ‘ΙΘθά·B
άΖίιΖAo’ΤSΖΝΦτ]Άπ²―oιSεθΜSΖ’€Ε·B
±κάΕA~EAFEA³FEΜSΙGκΔ«ά΅½B
³FESΝxΜ’SΕ·ͺA»κΕΰΖiζ’ΖΕ·ͺjπΒθAΚΖά½Φτ]ΆπθΤ΅ά·B
§³ΕΝAΆ«ιΝκ΅έΕ ιΖΰΎ΅Δ’ά·BΘΊΘηAv’ΚθΙΘηΘ’©ηΕ·B
οΜIΙΜζ€ΘWΒΜκ΅έͺ ιΖΰ’Δ’ά·B
·
ΆEEEΆάκι±Ζ
·
VEEEV’ι±Ζ
·
aEEEaCΙΘι±Ζ
·
EEEΚ±Ζ
·
€Κ£κEEE€·ιΰΜΖΜΚκ
·
οκEEEΘΰΜΖΜoο’
·
sΎκEEEίΔΰΎηκΘ’±Ζ
·
άζε]κEEEζ€·ιΙ·
Ν·ΧΔκ
½ΏΜYέΝKΈ±ΜΗκ©Ιͺή³κά·B
»΅ΔA±κηΝΆ«Δ’ιΐθKΈΒ’Δρικ΅έΘΜΕ·B½ΏΝ½Ζ©±κη©η¦κ½’ΜΕ·B
Ύ©ηA`GCWOͺΝβΑ½θAa@Ν’ΒάΕΰε·΅ΘΜΕ·ΛB
ΕΰA»€βΑΔKΙΰͺ’ΔΰAΆ«Δ’ιΐθWΒΜκ΅έ©ηΝ¦κιΝΕ«άΉρB
ΘΊΘηAΆ½ΝΆ«Δ’ιΐθΖπΒθA»ΜΖͺ΄φΕά½ΆάκAΆάκΟνθΜ³ΐ[v©ηΝ²―oΉΘ’©ηΕ·B
»±Ε¨ίήlͺ©Β―½πτͺAΆ½πΜ豦ι±ΖAΒάθεθΕ΅½B
άΖίιΖ
·
~EAFEA³FEΜSΝΆ½ΜS
·
o’ΤSΝΆ½πΜ豦½S
Ζ’€ΚuΓ―ΙΘθά·B
ΉS
o’ΤSiεθΜSjΙΝAΉSAΚSΜQνή θά·B
ΚΖΝΚΜ±ΖΕ θAΉΖΝ»±Φ’½ιΉΖ’€Σ‘Ε·B
Ήπΰ€΅ΰΎ΅ά·ΖAΟYπζθΝ½η«Ζ’€Σ‘ͺ θά·B
α¦ΞAκ{Μ^||πC[W΅ΔΎ³’B
Τͺη«AΘΡΙΘθAνπςΞ΅Aά½V΅’^||ͺΆάκά·BΕΰAΰ΅ΘΡΙΘιOΙ²’Δ΅άΑ½ηΗ€ΘιΕ΅ε€H
ΰΏλρΜ^||ΝΆ¦Δ«άΉρΛB
―Άζ€ΙAΟYπͺ±»¬ζθΜͺΉSΕ θAΉSΝψ«²κu΅©ΆάκΘ’ΜͺΑ₯Ε·B
ΉSΙΝΒ¬ΜWΒΜvfͺΞ΅Δ’ά·B
·
³©EEE³΅’v’έiqdΜ±Ζj
·
³vEEE³΅’vl
·
³κEEE³΅’Ύt
·
³ΖEEE³΅’Σιά’
·
³½EEE³΅’d
·
³ΈiEEE³΅’wΝ
·
³OEEE³΅’CΓ«
·
³θEEE³΅’W
±κηΝA·ΧΔSiSΜvfjΕ θA±κηWΒπͺ³ΉΖ’’ά·B
β«Ε·ͺAͺ³ΉΙΰQνή θά·B
·
½ΏκΚΜlͺN±·ͺ³Ή
·
εθΙ’½ιΉͺ³Ή
Ε·ΛB
½ΏΝAw³΅l¦ζ€xΖ©w³΅’Ύtπg¨€xΖ©wΝ΅ά·B±κΰAΰΏλρf°η΅’±ΖΕ·΅ͺ³ΉΙα’Ν θάΉρB
΅©΅AΎ©ηΖΎΑΔεκιν―ΕΝΘ’ΜΕ·B
ει½ίΙΝΉͺ³ΉͺKvΕ·B
Ήͺ³ΉͺΆάκΔ’ιCsΙΝAΰΝβw³΅l¦ζ€xΖ©w³΅’Ύtπg¨€xΖ©’€GlM[·ηΆέ΅ΘΘΑΔ’ά·B
½θOΜζ€Ι³΅’Ύtπg’A ½θOΜζ€Ι³΅’wΝπ·ιν―Ε·ΛBΒάθAWΒΙ½·ι±Ζπ΅ζ€Ζ’€CΏ·ηN±ηΘ’σΤΘΜΕ·B
Εΰ½ΏΝΒ’WΒΙ½·ιπ΅Δ΅ά’ά·ΛOOG
ΖΝ’¦Aͺ³ΉΝlΆπε«όγ΅Δκι±ΖΙΤα’Ν θάΉρ©ηAζθgή±ΖΙΝΖΔΰΣ‘ͺ θά·B
ΚS
ΚSΖΝAΟYͺζθ©κ½γΜσΤπΜ±·ιΖ’€ζ€ΘΝ½η«Ε·B
ΚSΝAΉSΜΚΜSΕΰ θά·©ηA
·
ΉSΝPS
·
ΚSΝΩnS
Ζ’€\»ΰΤα’ΕΝ θάΉρB
ΚSΝΟYͺζθ©κ½γΜσΤπΜ±·ιΝ½η«Ε·©ηκuΕΝ θάΉρB
α¦Ξ^||πψ«²ΜΝκuΕ·ͺAψ«²’½γΜσΤΝΈΑΖ±«ά·ζΛIH
―Άζ€ΙAΚSΰαzπs€±ΖΕ·Μ±·ιͺΕ«ά·B
³ΔA±±ΕwεΑ½lΝΈΑΖo’ΤSͺΝ½η’Δ’ιΜHxΖ’€^βͺν«ά·ΛH
ΐΝAo’ΤSͺΆάκιΜΝεθΜαziBpbTi[αzjπ΅Δ’ιΖ«Ύ―ΘΜΕ·B
εΑ½lΰΚνΝεPSΕΆ«Δ’ά·BiΕΙεΑ½lΝBμSΕ·ͺj
ΘΊΘηAεΑ½lΰlΤΖ΅ΔΜΜͺ ιΘγA²ΡπHΧ½θAQ½θAlΙΰ@΅½όθ·ιν―Ε·ΛB
ΒάθϊνΆΕΝά΄π½ζθΙ΅Θ’Ζ’―Θ’ν―Ε·B»ΜΖ«ΝεPSͺΝ½η’Δ’ά·B
εθΜiK
εθΙΰiKͺ θά·B
ΜSiKΕ·B
1.
a¬
2.
κ
3.
s
4.
’
Ώ
a¬©ηΤΙ’
ΏάΕxͺγͺΑΔ’C[WΕ·ΛB
»΅ΔAxͺγͺι½ΡΙAΟYπUNUNζθ’Δ’«AΕγΜ’
ΏΕΝ·ΧΔΜΟYͺζθ©κά·B
±±ΕΎ€ΟYΖΝsPSΜvfΜ±ΖΎΖvΑΔ’½Ύ―κΞ\Ε·B
¬κΕΎ€Ζ
a¬Ή@¨@a¬Κ@¨@κΉ@¨@κΚ@¨@EEE
Ζ’€Θ΄ΆΕ·ΛBΪ΅ΝγΩΗ²ΰΎ΅ά·B
BpbTi[αz
o’ΤSπΒι½ίΙΝΑΚΘg[jOiαzjͺKvΙΘθά·B
»ΜαzͺBpbTi[αzΕ·B
Ο@αzΖ©CΓ«ΜαzΖ©\»³κικΰ θά·ͺAΖΙ©κuκuΜgΜβSΜσΤπΟ@·ιν―Ε·B
άιΕΜͺ©ͺΖΝΦWΘ’κΒΜ¨ΜΎΖ΅½Ζ«ΙiΐΫ»€ΘΜΕ·ͺjA»±ΙN±ιΟ»πΒΤ³ΙΟ@΅Δ’«ά·B
ϋ@ΝεΙRΒΕA
·
ΐι
·
§Β
·
ΰ
ͺ θά·B
ΐιαzΎΖAΐTπgέgΜπΓ~³ΉΔA§ΜoόθπΟ@΅ά·B
α¦ΞA
ΣηέAΣηέAkέAkέAΣηέAkέAkέAΣηέEEEE
Μζ€ΘC[WΕ·ΛBN±ΑΔ’ι±Ζ ιͺάάπΐ΅p΅ά·BΪ΅Νά½ΚΕ²ΰΎ΅ά·B
ΘͺΘͺήWX
±κάΕwρΕ«½SΜκΝΘΊΜΖ¨θB
·
sPSiPQj
o
ζΓͺSiWj
o
αΡͺSiQj
o
sͺSiQj
·
³φSiPWj
o
sPΩnSiVj
o
³φPΩnSiWj
o
³φBμSiRj
·
~EPSiQSj
o
εPSiWj
o
εΩnSiWj
o
εBμSiWj
·
FESiPTj
o
FEPSiTj
o
FEΩnSiTj
o
FEBμSiTj
·
³FESiPQj
o
³FEPSiSj
o
³FEΩnSiSj
o
³FEBμSiSj
·
o’ΤSiWj
o
a¬iQj
o
κiQj
o
siQj
o
’
ΏiQj
sPSiPQj{³φSiPWj{~EPSiQSj{FESiPTj{³FESiPQj{o’ΤSiWjWXνή
ΪΧΘͺήPQP
·
sPSiPQj
o
ζΓͺSiWj
o
αΡͺSiQj
o
sͺSiQj
·
³φSiPWj
o
sPΩnSiVj
o
³φPΩnSiWj
o
³φBμSiRj
·
~EPSiQSj
o
εPSiWj
o
εΩnSiWj
o
εBμSiWj
·
FESiPTj
o
FEPSiTj
o
FEΩnSiTj
o
FEBμSiTj
·
³FESiPQj
o
³FEPSiSj
o
³FEΩnSiSj
o
³FEBμSiSj
·
o’ΤSi40j©FEPSΜT`ζάTπlΆ·ι
o
a¬i10j
o
κi10j
o
si10j
o
’
Ώi10j
sPSiPQj{³φSiPWj{~EPSiQSj{FESiPTj{³FESiPQj{o’ΤSiSOjPQPνή
nΜlWπάΖίιΖΘΊΜζ€ΙΘθά·B
«³φ |
P³φ |
ρφ |
Oφ |
a¬Ή |
a¬Κ |
κΉ |
κΚ |
sΉ |
sΚ |
’
ΏΉ |
’
ΏΚ |
LξΜνή |
|||
~En |
£Pn |
n |
|
1 |
|||||||||||
{ΆE |
|
1 |
|||||||||||||
μSE |
|
1 |
|||||||||||||
’C
O |
|
1 |
|||||||||||||
~EPοn |
lE |
|
|
|
|
|
|
|
|
|
|
|
11 |
||
lε€V |
|
|
|
|
|
|
|
|
|
|
|
11 |
|||
O\OV |
|
|
|
|
|
|
|
|
|
|
10 |
||||
ιV |
|
|
|
|
|
|
|
|
|
|
10 |
||||
¦V |
|
|
|
|
|
|
|
|
|
|
10 |
||||
yΟ»V |
|
|
|
|
|
|
|
|
|
|
10 |
||||
Ό»©έV |
|
|
|
|
|
|
|
|
|
|
10 |
||||
FEn |
Tn |
OV |
|
|
|
|
|
|
|
|
|
9 |
|||
γV |
|
|
|
|
|
|
|
|
|
9 |
|||||
εV |
|
|
|
|
|
|
|
|
|
9 |
|||||
ζρTn |
υV |
|
|
|
|
|
|
|
|
|
9 |
||||
³ΚυV |
|
|
|
|
|
|
|
|
|
9 |
|||||
υV |
|
|
|
|
|
|
|
|
|
9 |
|||||
ζOTn |
ςυV |
|
|
|
|
|
|
|
|
|
9 |
||||
³ΚςυV |
|
|
|
|
|
|
|
|
|
9 |
|||||
ΥςυV |
|
|
|
|
|
|
|
|
|
9 |
|||||
ζlTn |
LΚV |
|
|
|
|
|
|
|
|
|
9 |
||||
³zLξV |
|
1 |
|||||||||||||
sΜViςj |
|
|
|
3 |
|||||||||||
³MViςj |
|
|
|
3 |
|||||||||||
³»Viςj |
|
|
|
3 |
|||||||||||
³©Viςj |
|
|
|
3 |
|||||||||||
³ςViςj |
|
|
|
3 |
|||||||||||
³FEn |
σ³Σn |
|
|
|
|
|
|
|
|
8 |
|||||
―³Σn |
|
|
|
|
|
|
|
|
8 |
||||||
³Ln |
|
|
|
|
|
|
|
|
8 |
||||||
ρzρρzn |
|
|
|
|
|
|
|
|
8 |
FEnΜ³ηΙγΚΙΚu·ι’EΕ·B
Fε]i¨ΏjͺΘAΌε]iSjΎ―ͺΟ»ΑΕ΅Δ’ά·B¨ΏͺΘ’Ζ’€ΝΪβ¨ΘΗΜ΄oν―ΰΘAΌΜΆ½ΖΜR^NgͺSζκάΉρB
»Μ½ίAΘΖΰa¬ΚΙεΑΔ’κΞA»Μάά©ΝΕαz΅ΔεθπiίΔ’―ά·B
΅©΅ASεηΈΙ³FEnΙΆάκ½κAεθΜαzΜϋ@πwΤθiͺΘ’½ίρνΙ·’ΤεκΘ’Τπί²·±ΖΙΘθά·B
³FEnΙΝΜSiK θά·B
1.
σ³Σn
2.
―³Σn
3.
³Ln
4.
ρzρρzn
FEnΖΝA~Enζθΰ³ηΙxΜ’Ά½ΜΜ’ι’EΕ·BοΜIΙΝFETθπΎ½ͺρΕAVΖ΅ΔΆάκΟνικΕ·B
±ΜFEnΝε«ͺ―ΔΜTΒΙͺή³κά·B
·
Tn
·
ζρTn
·
ζOTn
·
ζlTn
·
ςniζlTnj
Tn
TΘγΜTθπΎ½ͺAVΙΆάκ½Ζ«ΙAΆάκΟνιΒ\«Μ ικB±Μ’EΝΞσ
ΙζΑΔφσ΅ά·BΜRN θά·B
OV
TnΜκΤΊΜNΜΆ½ΜBTnΜκΤγΜNΜεVΙ]€OΕ·BεVπ€lΖ΅½ηAOVΝΊΰέ½’ΘC[Wš倩B
γV
TnΜ^ρΜNΜΆ½ΜBγΖΝβ²·ιΖ’€Σ‘©ηAεVπβ²·ιVΜ±ΖΕ·BεVπ€lΖ·ιΘηAγVΝεbΜζ€ΘC[WΕ·B
εV
OVβγVζθΰυ½ΰ· ηδιΚΕDκΔ’ιͺATnΖ’€―Ά’EΙZρΕ’ά·Bα¦ιΘηAlΤΝ¨ζθΆ½ΜΖ΅ΔDκΔ’ά·ͺA―Άn
Ζ’€’EΙZρΕ’ιζ€ΘΰΜΕ·B
ζρTn
ζρTΘγΜTθπΎ½ͺAVΙΆάκ½Ζ«ΙAΆάκΟνιΒ\«Μ ικB±Μ’EΝ
σ
ΙζΑΔφσ΅ά·BΜRN θά·B
¬υV
Μ²ΖυͺΘ’VΖ’€Σ‘Ε·BζρTnΜΌΜQΒΜΆ½ζθΰAΜ©η·ιυͺΘ’½ί±€ΔΞκά·B
³ΚυV
Μ©η³ΚΜυπ·ι½ί±€ΔΞκά·B³ΚΖΝu½³ρΜvΖ’€Σ‘B
υV
Μ©ηξΘΜζ€ΘρνΙ’υπϊΑΔ’ιVBζρTΜTθΕ ιμ俱Tͺ΄φΖΘΑΔASNφFi ιSͺ΄φΕΆάκι¨ΏjͺΆΆά·B»Μ¨ΏͺυθPΖ³κά·B
ζOTn
ζOTΘγΜTθπΎ½ͺAVΙΆάκ½Ζ«ΙAΆάκΟνιΒ\«Μ ικB±Μ’EΝσ
ΙζΑΔφσ΅ά·BΜRN θά·B
ςυV
γΚΜQVζθΰςυͺΘ’VB
³ΚςυV
Μ©η³ΚΜςυπ·ιVB
ΥςυV
Μ©η·ιςυͺ ½θΙΥΏΔ’ι±Ζ©η±€ΔΞκά·B
ζlTn
FEζlTά½Ν³FETΜTθπΎ½ͺAVΙΆάκ½Ζ«ΙAΆάκΟνιΒ\«Μ ικB±Μ’EΝσ
ΙζΑΔφσ·ι±ΖΝ θάΉρBΜRνή θά·B
·
LΚV
·
³zLξV
·
ςV
LΚV
LεΘΚπL·ιVΖ³κΔ’ά·B
³zLξV
³zΖΝSβSͺSΘA½ΎΜiFε]jΎ―ͺ ιFEVΕ·B
ςV
ζlTnΜΕNΜΆ½ͺZ·ι’EBοΜIΙΝAΟYπ£κ½sΚA’
ΏΚπΎΔ’ιVͺZρΕ’ά·B
’
ΏΚΙΜΆάκΝΘ’ΜΕA±±Ι’
ΏΚΜVͺ’ιΖ’€±ΖΝAsΚΕςnΙ]Ά΅ΔαzCsΙζΑΔ’
ΏΚπΎ½Ζ’€±ΖΙΘθά·ΛBςnΙΝ³ηΙΜTΒΜNͺ θά·B
sΜV
©ͺͺΎ½V{βrπΠΰΜΔιiθϊ·j±ΖͺΘACͺΘιΩΗ·yZΕ«ι’EΕ·B
³MV
½ΏΝSzβ{θΘΗΕMΘθά·ͺA»Μζ€ΘMͺκΨΘ’½aΘ’EΕ·B
P»V
ρνΙό΅AΎκ©η©Δΰy΅»€ΙKΉ»€Ι©ηκιVOͺZή’EΕ·B
P©V
ΖΔΰ΄η©Θα―πΰΑΔ¨θAΐΫΜΪΖmbΜΪΖΌϋΙζΑΔAΌπKΉΙ©ηκιVͺZή’EΕ·B
³ςV
ςΑ½ΰΜͺSΘ’AyΙάθΘ’’EΕ·BFEnΜΕΕΙDκ½Ά½ͺZρΕ’ά·B
~EnΝA
·
nΘΗͺ ι£Pn
·
lEΘΗͺ ι~Pοn
ΜQΒΙͺ―ηκά·B
·
£PnΝA~EnΜΕΰΆ½xͺα’’E
·
~PοnΝA~EnΜΕΰΆ½xͺ’’E
ΖπίΕ«ά·B
~PοnΙΝA
·
lE~Pνή
·
VE~Uνή
ΜvVνήͺΆέ΅ά·B
lE
½ΏlΤͺ·ιΆ½’EB
«ΖπΒλ€Ζv¦ΞAά³ΤΖi¦jάΕΰμι±ΖͺΕ«APΖπΒλ€Ζv¦ΞεθΙB·ι±ΖΰΕ«ι’EΕ·B
lΖΝPΖΰ«Ζΰκθ΅Θ’SπΏAPΖiΗ’s’jA«Ζi«’s’jΜΌϋπmι±ΖͺΕ«ιΆ½ΜΕ·B
¦ά³ΤΖΖΝAΆάκΟνιΖnΕΰΕΰκ΅έΜ½’³ΤnΙΏΔ΅ά€AΕΰ’«ΖB
οΜIΙΝ
·
κπE·±Ζ
·
πE·±Ζ
·
’
ΏiΕxΙάΕεΑ½ljπE·±Ζ
·
§ΙΜΜ©ηπ¬·±Ζ
·
mΜaπσ·±Ζ
ΜTΒπw΅ά·B
lε€V
UΒ ιVEΜκΤΊΜNΜVEB
·
·
·
·
LΪ
·
½·
Ζ’€lV€ΙζΑΔ‘ίηκΔ’ι±Ζ©ηlε€VΖΔΡά·B
ά½±ΜVEΜΆ½ΜΝ{νRΖ’€VEΙ ιRΜ ©η[Ι©―ΔπZέ©Ζ΅Δ’ά·BRAXΘΗΜn_βΒΜ’C
ΘΗΰ±Μ’EΙZρΕ’ά·B
ά½AΒΜ’C
ΖΝ£PnΜ’C
ΖΝά½ΚΜΆ½ΜΕ·B±±ΕΎ€ΒΜ’C
ΖΝVEΜΆ½Μπw΅ά·B
O\OV
UΒ ιVEΜΊ©ηQΤΪΜNΜVEB
PΖπΟρΎRRlΜΒNͺΆάκΟνΑ½κͺA±±ΜVEΕ Α½±Ζ©η±ΜΌOͺ θά·BVEΙ ιRΖ³κι{νRΜ ©ηΈγΙ©―ΔZρΕ’ιΖ³κά·B
ιV
UΒ ιVEΜΊ©ηRΤΪΜNΜVEB
ιΖΝAΰΖΰΖΓγChκΕ ιp[κ©ηhΆ΅Δ¨θAuκ΅έ©η£κιvΖ’€Σ‘ͺ θά·B
ΒάθAιVΖΝκ΅έ©η£κ’ΒΕΰyπσ―ηκιΆ½ΜΜ±ΖπΣ‘΅ά·B±ΜVEΝ{Vi·βάjΖ’€€ͺ‘ίΔ’ά·B
Θ¨A±ΜVEζθγΜVEΝ{νRΜγσπZέ©Ζ΅ΔZρΕ’ά·BiσVj
¦V
UΒ ιVEΜγ©ηRΤΪΜNΜVEB
ρνΙμΡΜ½’VEΕ·B©ͺΕεθπJub_ΝKΈlΤEΙΆάκιΖ³κά·ͺA»Μub_ͺlΤEΙΆάκΟνιΌOΙ’ι’Eͺ±Μ¦VΕ·B
yΟ»V
UΒ ιVEΜΊ©ηQΤΪΜNΜVEB
±ΜVEΜΆ½ΜΝA©ͺͺ~΅’ΖvΑ½ΰΜπ©RΙΪΜOΙμθo΅Δy΅ή±ΖͺΕ«ά·Bζuv¦Ξ€vΖΎ€lͺ’ά·ͺA{ΙvΑ½uΤΙ©ΘΑΔ΅ά€Μͺ±Μ’EΕ·B
Ό»©έV
UΒ ιVEΜΕγNΜVEΕ·B
±ΜΆ½ΙΘιΖA©ͺΕν΄ν΄~΅’ΰΜπΒηΘΔΰAΌΜVEΜΆ½ͺ©ͺΜ~·ιζ€Ι½ΕΰμΑΔκά·B§³ΕΝ«i}[jΖ’€Ά½ΜΰoΔ«ά·ͺA±Μ}[ΰΌ»©έVΜΆ½ΜΘΜΕ·B
£PnΖΝP©η£κΔ’ΔA«sΧΞ©θπ΅Δ΅ά€’EΜ±ΖπΎ’ά·B
α¦ΞA Θ½ͺAΙΘΑ½ΖC[W΅ΔΎ³’B
ϊϊA½ρ½ρΖ{\Ι]ΑΔϊXΕ·B»ΜdΜεΌͺAΌΜΆ½Μ½πDΑΔHΏπ²B·ι±ΖΕ·B
±Μζ€ΙΆ«Δ’ΔΰΩΖρΗΗ’sΧͺΕ«Θ’Ά½Μ’Eπ£PnΖΔΡά·B
£PnΝ³ηΙΜSΒΜiKΙͺή³κά·B
1.
n
2.
{Ά
3.
μS
4.
’C
O
n
nΖΝyͺΎηκΈAκΞ©θσ―ι’EΜ±ΖΕ·BnΝ³ηΙΜ8ΒΜiKΙͺή³κά·Biͺεnj
n
½xΰhΆ΅Δ―Άκ΅έπσ―ιnB
κn
εH³ρͺ³mΙΨήπΑH·ι½ίΙAΨήΙnΜΒ’½
Ε΅ι΅πΒ―ά·int―jB±κΖ―Άζ€ΙA²ΙΧ’SκΕΜπΨθάκΔκ΅ήnB
³kn
²ΙΗνκΔAQΒΜRΜΤΙ¦°ρΎΙAOγΙΞΠͺΆ΅AΌ€ΜRͺΑΔ«Δ΅ΒΤ³κιnΕ·B
CfB[W[YΕAεΘVδͺΏΔιV[ͺ θά΅½ͺA»κͺ½xΰJθΤ³κιC[Wš倩B
©«n
M’βφCΙζΑΔκ΅έβ©·ιnΕ·B
ε©«n
M’βφCΙζΑΔκ΅έεβ©·ιnΕ·B
©«nΜσΕB
ΕMn
ΙΔ©κΔψh΅Ι³κΔκ΅έπσ―ιnΕ·B
εΕMn
ΙΔ©κΔψh΅Ι³κΔε«Θκ΅έπσ―ιnΕ·BΕMnΜσΕB
³Τn
Εΰκ΅έΜ½’nBΌΜ΅nΝAΖ«ΙΝκ΅έͺά¬κι±Ζΰ θά·ͺA±Μ³ΤnΕΝβ¦ΤΘκ΅έͺ±±Ζ©ηA±ΜΌOͺ θά·B
{Ά
{ΆEΝAp[κΕitiracchana-yonijΖ\»³κά·BtiraΖΝu‘ΙvΖ’€Σ‘ͺ θAuSπ¬·³ΉηκΘ’vΖ’€Σ‘ΙΒΘͺθά·B»Μζ€Θ’EΜΆ½ͺ{ΆΕ·B
οΜIΙΝ
·
¨
·
Ή
·
·
©
ΘΗͺΔΝάθά·B
μS
μSΖΝAΜζ€ΘΑ«ͺ ιΆ½Μ±ΖΕ·B
·
XEREμEζnΘΗπ³άζΑΔ’ιμ
·
νΙQ¦Δ’ι
·
ΜΕ«LπϊΑΔ’ι
·
ϋΙ·ιΰΜΝf«ΜΔη꽨βA¬κΏ½tΎ―
»΅ΔA±Μζ€ΘμSΜΠοπμSEΖΎ’ά·B
’C
’C
ΖΝμSΜκνΕAμSζθΰTCYͺε«’ΰΜπ³΅ά·B
΅©΅μSΖ―ΆAνΙQ¦Ικ΅ρΕ’ΔAΗρΘΙΜΗͺ’Δΰ
πωή±ΖͺΕ«άΉρB
πωΰ€Ζ·ιΖA»±Ι ι
ͺ’Δ΅ά’ωή±ΖͺΕ«ΘΘιΖ³κΔ’ά·B
»Μ’C
ΜWάθͺ’C
OΕ·B
nΜlWΖΝA ηδιΆ½πSΒΜ’EΕͺ―½ΰΜΕ·B
οΜIΙΝAΜSΒΕ·B
·
£Pn
·
~Pοn
·
FEn
·
³FEn
±Μ€ΏA£PnΖ~PοnπνΉΔAu~EnvΖΔΤ±Ζΰ θά·B
½ΏlΤπάή ηδιΆ½ΜΆiΆάκjΙΝAΘΊΜ4p^[ͺΆέ΅ά·B
·
£PΆi£PnΙΆ·ιp^[j
·
~EPοΆi~EPοnΙ»·ιp^[j
·
FEΆiFEnΙΆ·ιp^[j
·
³FEΆi³FEnΙΆ·ιp^[j
»κΌκΕAΆάκϋβυ½AΕ΅ϋͺΩΘθά·B
~EPοΆΖΝ~EPοnΙΆάκι±ΖΕ·B~EPοnΙΆάκιLξΝAΘΊΜ9ΜΰΜ’Έκ©πΆSΖ΅ΔΆάκΔ«ά·B
·
³φPΜ俱ΩnS1
·
εΩnS8
³φPΜ俱ΩnSΕΆάκικ
lEΙΆ·ικ
lΖ΅ΔΆάκικAΜζ€ΘαQπΑΔΆάκκΔ«ά·B
·
ΆΪͺ©¦Θ’
·
Ά¨ͺ·±¦Θ’
·
Άϋπ«―Θ’
·
ΆΜFmαQ
·
ΆΜΈ_αQ
·
ΆΜ«@\αQ
·
ΆΜΌ«οL
·
ΆΜ«iρjj
·
ΆΜΗΰθ
ΆΪͺ©¦Θ’ΖΝA{κeΜΩΰΕαFͺΆΆιΧ«ΙΆΆΘ’±ΖπΎ’ά·B
κxκeΜΩΰΕαFͺΆΆ½Ιΰ©©νηΈA½η©ΜΜΕαFπΈ’AaΆ·ιΫΙΪͺ©¦ΘΘΑΔ’ιlΝΆΣΪΖΝΎ’άΉρB
VEΙΆ·ικ
VEΙΰ³φPΜ俱ΩnSΕΆ·ιΆ½ͺ’ά·B»κͺAn_ΙΛΆ΅Δ’ιΒΜ’C
ΖΎνκΔ’ά·B
―ΆΌOΕ·ͺA’C
OΜΆ½Ν£PnΜΆ½ΕAΒΜ’C
ΝVEΜΆ½ΘΜΕSΜΚ¨Ε·B
»ΰ»ΰn_ΖΝAnγΙ ιREXEχEΖΘΗΜημ_Μ±ΖΕ·B
ΒΜ’C
ΝίHZͺ\ͺΕΘ’½ίAn_ΙΑΔΆ«Δ’ά·in_ΜΆSΝρφεΩnSjBΒΜ’C
ΰn_ΰVEΜκΤΊΜlε€VΙ΅Δ’ά·B
εΩnS8ΕΆάκικ
εΩnS8Ν~EPοnΕ ι
·
lE
·
lε€V
·
O\OV
·
ιV
·
¦V
·
yΟ»V
·
Ό»©έV
Μ·ΧΔΜnΕΆSALͺSASΖ΅ΔΆΆά·B
nΜlWΙ¨’ΔA
·
ρφͺAεΩnqsS4πΆSΖ΅ΔΆάκ½Ά½
·
OφͺAεΩnqS4πΆSΖ΅ΔΆάκ½Ά½
ΙΘθά·B
lΤΜυ½
lΤΜυ½ΝA»έΝ¨¨ζ»75ΞΕ·B
lΤΜυ½ΙΝAΎρΎρ¦Δ’ϊi
jAΎρΎρΈΑΔ’ϊiΈ
jΜ2ΒΜϊͺ θά·B
ϊΖΎΑΔΰVΆwIΘΖΔΒΰΘ·’ϊΤΕ·ΜΕA½ΏΙ»Μ·³πΐ΄·ι±ΖΝΕ«άΉρB
·
ΕΝAlυ10Ξζθ’γ²ΖΙυ½Ν{΅ΔAlυ’m_ΞάΕ
·
Έ
ΕΝAlυ’m_Ξ©η100NΙ1ΞΓΒΈ΅ΔAlυ10ΞάΕ
Ζ’€ζ€ΙΟ΅ά·B
ub_ΝAΈ
ΙΆάκιΖΎνκι±Ζ©ηA»έΝΈ
Ι ½ιΖl¦ηκά·B
lυ’m_ΞΖΝA άθΙΰ·’υ½ΖΎ€Σ‘ΕΝΑ«θ΅½Νθ©ΕΝ θ άΉρBά½Alυ’m_ΞΖ’m_
Νά½ΚΜTOΕ·ΜΕA²ΣΎ³’ΛB
VEΜυ½
lε€VOΜυ½
lε€VΝlEΜκΒγΕAVEΜκΤΊΜnΕ·B±±ΜΆ½Μυ½Νκθ΅Δ¨θA500NΕ·B
΅©΅Alε€VΜ1ϊΝlEΜ50NΙ·ι½ίAlε€VΜ500NπlEΜNΙ·Z·ιΖ
50N~360ϊ~500900N
ΖΘθά·B
O\OVOΜυ½
O\OVΝlε€VζθκΒγΜVEΕ·B±±ΜΆ½Μυ½ΝA1000NΕ·B
΅©΅O\OVΜ1000NΝAlε€VΜ2000NΙ΅ά·BΒάθAlε€VΜυ½Μ4{ΙΘθά·B
ζΑΔAlEΜNΙ·Z·ιΖA
900N~43600N
ΖΘθά·B
»ΜΌVOΜυ½
O\OVζθγΜVEΜυ½ΝΤΙ
·
ιVEEE14400N
·
¦VEEE57600N
·
yΟ»VEEE23400N
·
Ό»©έVEEE921600N
ΖΘθAυ½Ν―lΙ΅Δ4{ΈΒ·Θθά·B
£PΆΖΝ£PnΙΆάκι±ΖΕ·B£PΆΕΝA³φSΕ ιsPΩnΜ俱xSͺΆSΖΘθά·B
±Μζ€ΙA£PnΜLξiΆ½jΝA·ΧΔsPΜ³φSΕΆάκι±Ζ©η«ο³φΖΔΞκά·B
nΜυ½
nΜυ½Ν½Ρ½ΡVEΜυ½Ζδr΅Δ\»³κά·B
·ΘνΏ
nΜυ½
lε€VΜυ½nΜ1ϊ900NΖΘθά·B
nΜυ½Ν500ΞΜ½ίAlEΜNΙ·Z·ιΖ
900N~360ϊ~500Ξ16200Ξ@ΖΘθά·B
κnΜυ½
O\OVΜυ½κnΜ1ϊ3600NΖΘθά·B
κnΜυ½Ν1000ΞΜ½ίAlEΜNΙ·Z·ιΖ
3600N~360ϊ~1000Ξ129600Ξ@ΖΘθά·B
³knΜυ½
ιVΜυ½³knΜ1ϊ14400NΖΘθά·B
³knΜυ½Ν2000ΞΜ½ίAlEΜNΙ·Z·ιΖ
14400N~360ϊ~2000Ξ1036800Ξ@ΖΘθά·B
©«nΜυ½
¦VΜυ½©«nΜ1ϊ57600NΖΘθά·B
©«nΜυ½Ν4000ΞΜ½ίAlEΜNΙ·Z·ιΖ
57600N~360ϊ~4000Ξ8294400Ξ@ΖΘθά·B
ε©«nΜυ½
yΟ»VΜυ½ε©«nΜ1ϊ23400NΖΘθά·B
ε©«nΜυ½Ν8000ΞΜ½ίAlEΜNΙ·Z·ιΖ
23400N~360ϊ~8000Ξ66355200Ξ@ΖΘθά·B
ΕMnΜυ½
Ό»©έVΜυ½ΕMnΜ1ϊ921600NΖΘθά·B
ΕMnΜυ½Ν16000ΞΜ½ίAlEΜNΙ·Z·ιΖ
961600N~360ϊ~16000Ξ530841600Ξ@ΖΘθά·B
εΕMnΜυ½
εΕMnΙΘιΖAδr·ιVEͺΘΘι½ίA»Μυ½Ν
Μ1/2Ζ³κά·B
½ΎA±κάΕΜp^[ΕsΖAυ½Ν8{ΈΒ¦Δ’½ΜΕ
4246732800Ξ@@
Μ1/2@ΖΘιΜ©ΰ΅κάΉρB
³ΤnΜυ½
³ΤnΙΰAδr·ιVEͺΘ’ΜΕA»Μυ½Ν
Ζ\»³κά·B
½ΎAΰ΅εΕMnΜυ½ͺγΕqΧ½ΙΘιΜΘη³ΤnΜυ½Ν
8493465600Ξ@@
@ΖΘιΜ©ΰ΅κάΉρB
³FEΜΆ½Μυ½Ν»κΌκAΊLΜΚθΕ·B
·
σ³ΣΜυ½EEE2ε
·
―³ΣΜυ½EEE4ε
·
³LΜυ½EEE6ε
·
ρzρρzΜυ½EEE84ηε
³FEnάΕιΖAσ
Ιͺ«άκι±ΖΰΘ’½ίAσ
ΙζΑΔυ½ͺf½κι±ΖΝ θάΉρB
FEΜυ½
TnΜυ½
TnΜυ½Ν»κΌκΘΊΜΚθΕ·B
·
OVEEE1/3’m_
i21
j
·
γVEEE1/2’m_
i32
j
·
εVEEE1’m_
i64
j
ζρTnΜυ½
·
υVEEE2ε
i8’m_
512
j
·
³ΚυVEEE4ε
i16’m_
1024
j
·
υVEEE8ε
i32’m_
2048
j
ζOTnΜυ½
·
ςυVEEE16ε
i64’m_
4096
j
·
³ΚςυVEEE32ε
i128’m_
8192
j
·
ΥςυVEEE64ε
i256’m_
16384
j
ζlTnΜυ½
LΚVA³zLξVΜυ½Ν»κΌκ500ε
i2000’m_
128000
j
ςnΜυ½ΝΘΊΜΚθΕ·B
·
sΜVEEE1000ε
i4000’m_
256000
j
·
³MVEEE2000ε
i8000’m_
512000
j
·
P»VEEE4000ε
i16000’m_
1024000
j
·
P©VEEE8000ε
i32000’m_
2048000
j
·
³ςVEEE16000ε
i64000’m_
4096000
j
nΜυ½Εΰβθά΅½ͺ
©ΜͺVΆwIΘΘΜΕAΰΝβFEΜυ½ΝvZΕ«Θ’Ε·ΛB
σ
i¦±€j
ε
ΝκΒΜFΜυ½π\΅Δ’ά·iγΜ}ΜκΒκΒͺε
jBFΰΖΔΒΰΘ·’Nπ©―ΔΆάκΔΝΕ΅ΔπJθΤ΅Δ’ά·BFΜυ½Νε«ͺ―ΔΜ4ΒΜϊΙͺ©κά·B
·
Ά
EEEΆάκιϊΤ
·
Z
EEEΐZ·ιϊΤ
·
σ
EEEΕ΅Δ’ϊΤ
·
σ
EEE½ΰΘ’ϊΤ
±κηκΒκΒΜϊΤπ’m_
Ζ’’APε
4’m_
ΖΘθά·B±Μζ€ΙΆάκ½FΝKΈΕ·ιν―Ε·ͺA»ΜΕ΅ϋΙΝΜ3νή θά·B
Ξσ
ΞΠΙζΑΔFͺσκιp^[Ε·BΩΖρΗΜε
ΝA±ΜΞσ
ΙζΑΔφσ΅ά·BiζΜΤΫj
Ξσ
ΕFͺφσ·ιΖ«AFEΜTnάΕͺ«άκΔ€Ιφσ΅ά·B»Μ½ίTnΜΆ½Ν1ε
ζθ·Ά«ι±ΖΝΕ«Θ’ΜΕ·B
σ
ΠΙζΑΔFͺσκιp^[Ε·BΞσ
7ρΙΒ«1ρΜΕ
σ
ͺά·BiζΜΒΫj
σ
ΕFͺφσ·ιΖ«AFEΜζρTnάΕͺ«άκΔ€Ιφσ΅ά·B»Μ½ίAζρTnΜΆ½ΝΕεΕ8ε
άΕΆ«ηκά·B
σ
ΠΙζΑΔFͺσκιp^[Ε·B
σ
7ρΙΒ«1ρΜΕσ
ͺά·BiζΜ©Ϋj
σ
ΕFͺφσ·ιΖ«AFEΜζOTnάΕͺ«άκΔ€Ιφσ΅ά·B»Μ½ίAζOTnΜΆ½ΝΕεΕ64ε
άΕΆ«ηκά·B
ΖΝΖΔΒΰΘ·’ΤΜPΚΕ·B
ΙΝεΙΜ4Β θά·B
υ
lΜυ½Μ±ΖΕ·B»έΝρ75ΞΖ³κAZήκAHΏAςΜL³ΘΗΌΜπΕΈ΅ά·B
Ϊ΅ΝAlΜυ½π²QlΎ³’B
lΜυ½ΝA10Ξ©ηlυ’m_ΞάΕΜΈπJθΤ΅Δ’ά·B
·
10Ξζθ’γ²ΖΙυ½Ν{΅ΔAlυ’m_ΞάΕΜϊΤπ
·
lυ’m_Ξ©η100NΙ1ΞΓΒΈ΅ΔA10ΞάΕάΕΜϊΤπΈ
ΖΰΔΡA
{Έ
ΖΘθά·Bά½A64
1’m_
Ε·B
ΜοΜIΘΝͺ©θάΉρͺAnπυ½πQlΙl¦ιΖΖΔΒΰΘ·’ϊΤΕ ι±Ζͺͺ©θά·B
’m_
’m_
Ν
Μ64{Μ·³ΜϊΤΕ·B
ε
FͺΆάκΔ©ηΕ·ιάΕΜκTCNΜϊΤΕ·B
»ΜTCNΕFΝA
·
Ά
EEEΆάκιϊΤ
·
Z
EEEΐZ·ιϊΤ
·
σ
EEEΕ΅Δ’ϊΤ
·
σ
EEE½ΰΘ’ϊΤ
Ζ’€4ΒΜϊΤπoά·i»έΝZ
Ι ½ιjB±κηκΒκΒΜ·³ͺ’m_
ΙΘθά·BΒάθA1ε
4’m_
256
@ΖΘθά·B
ίΆΖ
ίΆΖΖΝA’νδικΚIΙΖΖΔΞκΔ’ιΰΜΕ·B
ίΆΖΝAΆ½ͺΆilΤΕΎ€ΖσΈΜjΙA
·
ΩnSi\ρφΕΎ€Ζ―j
·
ΩnSΙ·ιSi\ρφΕΎ€ΖΌj
·
ΖΆFi\ρφΕΎ€ΖFj
·
ΖίΆFi\ρφΕΎ€ΖFj
ΘΗπΆΆ³ΉιAί’Ι¨―ιPSEsPSΙάάκιvSΜ±ΖΕ·Bά½AΆNilΤΕΎ€ΖlΖ΅ΔΜ@\ͺυνΑΔ’ϊjΙAlΤΜκΝ
·
ά―~2
·
ΜσS2
·
ή11iεΩnS8{xS3j
ΘΗΜΩnSA³ηΙΝeί²ΖΜΖΆFͺΆΆά·B
xΖ
ίΆΖΜζ€Ι©ͺΕΩnSβΖΆFΘΗΜΚπo·±ΖΝΉΈAΌΜΖΜT|[gΎ―π·ιΖͺxΖΕ·B
xΖΝΌΜΖΜμιΩniΩnSβΖΆFΘΗjΜGlM[ͺΘιζ€ΙT|[g΅A³ηΙΝ»κηΜΩnͺ·Ά±Ε«ιζ€ΙT|[g΅ά·B
xΖΝP«πIΧάΉρ©ηA»κͺPΖΕΰ«ΖΕΰT|[g·ι±ΖΙΘθά·B
οΜIΙxΖΜΝ½η«ΝΘΊΜ3ΒΕ·B
·
P«ΜίΆΖͺΩnπΆή@οπ^¦ι
·
P«ΜίΆΖͺΆήΩnΜΝπ»·ι
·
P«ΜίΆΖͺΆήΩnͺ·Ά±·ιζ€Ιx·ι
α¦ΞA½Ώͺ»’ΕP’s’π·κΞA»ΜΖ«ΜSΙάάκιPΖͺxΖΖΘΑΔAίΜPΜίΆΖͺΩnπΆή@οπ^¦ι±ΖΙΘθά·B
tΙA½Ώͺ»’Ε«’s’π·κΞA»ΜΖ«ΜSΙάάκι«ΖͺxΖΖΘΑΔAίΜ«ΜίΆΖͺΩnπΆή@οπ^¦ι±ΖΙΘθά·B
½½’€ΖAP’s’iSjΝ³ηΙP’±Ζπψ«N±΅A«’s’iSjΝ³ηΙ«’±Ζπψ«N±·ν―Ε·B
xΖΝίΆΖͺΩnπΆή@οπ^¦ιΎ―ΕΝΘAίΆΖͺΆήΩnΜΝπ»·ι«ΰ θά·B
WQΖ
xΖΖΝtΙ
·
P«ΜίΆΖͺΩnπΆή@οπWQ·ι
·
P«ΜίΆΖͺΆήΩnΜΝπγ·ι
·
P«ΜίΆΖͺΆήΩnͺ±Ε«Θ’ζ€ΙWQ·ι
Ζ’€Ν½η«πΰΒΖͺWQΖΕ·B
α¦ΞAαzΘΗΜPsΧΙζΑΔΒηκιPΖΝAΌΜsPΖͺΩn΅Θ’ζ€ΙWQ·ιWQΖΜΝ½η«π΅ά·B
tΙAeβΆtΙΞ΅ΔsPΘs’π΅½κA»ΜΖ«ΙΒηκ½sPΖͺWQΖΖΘΑΔAO’ΜPΖͺΩn·ι@οͺW°ηκ½θΈνκ½θ΅ά·B
ΒάθA
·
»έAPΖπΒι±ΖΙζθAίΜPΖΜΝ½η«πx΅AsPΖΜΝ½η«πWQ΅ά·B
·
»έAsPΖπΒι±ΖΙζθAίΜsPΖΜΝ½η«πx΅APΖΜΝ½η«πWQ΅ά·B
Ζ’€±ΖΙΘθά·B
EQΖ
xΖΖWQΖπ¨³η’·ιΖA
·
xΖΝίΆΖΜΝ½η«πκIΙT|[g΅
·
WQΖΝίΆΖΜΝ½η«πκIΙW°ι
Ζ’€`ΙΘθά·B
EQΖΝ±κη2ΒΜΖΖΝα’AίΆΖΜΝ½η«πSΙE΅Δ΅ά€Ν½η«ͺ θά·B
ιίΆΖΙEQΖͺΝ½η’½κA»ΜίΆΖΝρxΖ«ΩnπΆή±Ζͺ θάΉρB
α¦ΞA¨ίήlΜγAO}[Ζ’€«}ͺ½³ρ«’±Ζπ΅ά΅½ͺA»ΜγόS΅Δεθά΅½B
±ΜΖ«ειiKΕΒΑ½PΖͺEQΖΖΘθAίΜsPΖΜΝ½η«πE΅½½ίA»κηΜsPΖΝΩnπΆή±ΖΝΘΘΑ½ΖΎνκΔ’ά·B
άΖίιΖ
·
’sPΖͺEQΖΖ΅ΔΝ½η’½κAίΜPΖΜΝ½η«πE·ιB
·
’PΖͺEQΖΖ΅ΔΝ½η’½κAίΜsPΖΜΝ½η«πE·ιB
½ΏΝ½©©½θ·’½θ΅½Ζ«ΙASͺΆάκά·B±ΜΖ«ΜSΜ¬κπάεHΖ’’ά·B
άεHΝ17ΜSͺ1ZbgΙΘΑΔ’ιν―Ε·ͺA»Μ€Ώ7Β¬sSͺΆΆά·B17ΜSΜΕΰA±Μ¬sSΝGlM[ͺA¬sSΙάάκιvSΜ±Ζπ’νδιΖΖΔΡά·B
½Ύ΅A7ΒΜ¬sSΜ€Ώ·ΧΔͺ―Άζ€ΙΩnπΰ½η·ν―ΕΝ θάΉρBΖ’€±ΖΕAΩnΙζιlΖΕΝΗΜ¬sSͺΗΜζ€ΘΩnπΰ½η·Μ©ΙΒ’Δͺή΅ά·B
7ΒΜ¬sSΜ€ΏAΕΜ¬sSͺΩnπΰ½η·Ζ«AKΈ»’ΕΩnπΰ½η΅ά·B±Μζ€Ι»’ΕΩnπΰ½η·Ζπ»@σΖΖΎ’ά·B
ΚνA¬sSΝAOΜ¬sSΜ¨’ΙeΏ³κά·B
α¦ΞAο΅’{ΕΰJθΤ΅wK·κΞπΕ«ιζ€ΙΘιζ€ΙΘθά·ΛB±Μζ€Ι―ΆΝ½η«πJθΤ·±ΖΕ»ΜΝͺΗρΗρΘιΜΝKsΙζιΰΜΕ·B
΅©΅AκΒΪΜ¬sSΝOΙ¬sSͺΘAKsΜ―πΎηκάΉρB»Μ½ίAγΙ±6ΒΜ¬sSζθΰGlM[ͺγA»’ΜέΙ΅©Ωnπΰ½ηΉάΉρB
GlM[Μγ’lͺ°½{[ΝάΕΝ©Θ’έ½’ΘC[WΕ·ΛB
ΜΆi’jΙΩnπΰ½η·ΖπΆσΖΖΎ’ά·B
±±ΕΎ€ΩnΖΝ
·
ΆSπΩn³ΉιΆΩn
·
αFASFA«FΘΗπΩn³ΉιΆNΩn
ΜΌϋAά½ΝΗΏη©Μ±Ζπw΅ά·B
¬sSΝ7ρΆΆά·ͺAOΜ¬sSΜeΏπσ―ΔζΙGlM[ͺάΑΔ’«ά·iKsjBΒάθA1ΒΪΜ¬sSͺκΤGlM[ͺγA7ΒΪΜ¬sSͺκΤGlM[ͺ’ν―Ε·ΛB
ΖΖΝSΘΰΜΩΗ’ΙΆΩnπΰ½η΅AsSΘΰΜΝ»’βγX’ΙΩnπΰ½η·«Ώͺ θά·B
±Μ±Ζ©ηA7ΒΪΜ¬sSΝΕΰGlM[ͺSΘΖΕ ι½ίA’ΙΩnπΰ½η΅ά·B΅§Ι’€ΖA7ΒΪΜ¬sSΙάάκιvSͺΆσΖΕ·B
γγσΖΖΝAγγ’iΔ’jΘ~AΈΟπΎιάΕΜΤΙΩnπΰ½η·ΖΜ±ΖΕ·BΕΖΕγΜ¬sSπ’½cθΜ5ΒΜ¬sSΙάάκιvSi¬svjΜ±ΖΕ·ΛB
³ΔA±±ΕκΒdvΘ±Ζͺ θά·B
»κΝAκΒΜHΙ ι7ΒΜ¬svΝA½ΎκΒΜΆΩn΅©ΰ½ηΉΘ’Ζ’€ΰΜΕ·B
ΘPΙΎ€ΖA7ΒΜ€ΏΗκ©ͺΆΩnπΰ½η΅½κA»ΜΌΜ¬svΝΆΩnΝΰ½ηΉΘ’ν―Ε·Λi»ΜΌΜΩnΝΰ½ηΉιjB
±κάΕΜ¨³η’Ε·ͺA’Θ~ΙΆΩnπΰ½η΅€ιΖΝ
1.
ΕγΜ¬sv
2.
ΤΜ5ΒΜ¬sv
Ε·ΛB
κΒΪΜ¬svΝ»@σΖΕ θA’Θ~ΙΩnπΰ½ηΉΘ’ΜΕ±±ΕΝJbgΕ·B
³ΔAΰ΅1ͺΆΩnπΰ½η·κAKΈ’ΙΆΩnπΰ½η΅ά·B±ΜκA2Νγγ’iΔ’jΘ~ΙΆΩnπΰ½η·±ΖΝΕ«άΉρB
tΙA2ͺγγ’iΔ’jΘ~ΙΆΩnπΰ½η·½ίΙΝA1ͺΖΜΝ½η«πΈΑ½Ζ«Ε·B
±Μζ€ΙAΖΖ΅ΔγΙΩnπΰ½η·@οπΈΑ½ΖπωLΖΖΎ’ά·B
ΖΖ΅ΔγΙΩnπΰ½η·@οπΈΑ½ΖπωLΖΖΎ’ά·B
α¦ΞAΕΜ¬svΝ»’ΙΩnπΰ½η·ΖΕ·ͺAΩnͺΰ½η³κιOΙρΕ΅άΑ½ηA»ΜΖΝ@οπΈΑΔ΅ά’ά·B
α¦ΞAά³ΤΖΜ·ΧΔ𨩡½κA’Έκ©ΜΖΙζΑΔ’ΕΝKΈ³ΤnΙΆάκά·B
΅©΅AΌΜ4ΒΜΖΝ³ΤnΦΜΆΩnπΰ½ηΉΘ’ΜΕAωLΖΖΘθά·B
κΚIΙͺ©θβ·Ύ€ΖA
·
έπ΅ΔΰίάιOΙρΕ΅ά€±Ζΰ θά·B
·
κΆ½’Δΰ¨ΰπΰη€OΙρΕ΅ά€±Ζΰ θά·B
±Μζ€Ιl¦ιΖA{»’ΕΩn·ιΝΈΜ±ΖͺΩn΅Θ’±ΖΝζ ι±ΖΘΜΕ·BΎ©ηΖΎΑΔA«’±ΖπΘ΅Δΰ½CAP’±Ζπ΅Δΰ³ΚΖl¦ιΜΝπ©Ε·B
ΘΊΘηA½Ώͺ»’ΕΘ΅½P’±Ζ«’±ΖͺA»’ΕΗ€Ωn·ι©E΅Θ’©ΘΗͺ©ιΝΈΰΘ’©ηΕ·B
΅©΅κΒΎ―mΐΙΎ¦ι±ΖΝAP’±Ζπ·κΞPΜΖπά«A«’±Ζπ·κΞ«ΜΖπά±ΖΙΘθά·B
»κηΜΖΝAyΜΙBκΔ©¦Θ’GΜνΜζ€ΙA’ΒΕΰΩn·ι@οπ€©ͺΑΔ’ιΜΕ·B
³FEPΖΖΝ³FEPΩnπΆήΖΜ±ΖΕ·B³FEPΖΰFEPΖΖ―ΆAΣΖΖCKΖ’€ͺήΜέΙΘθά·B
³FEPΖΝΘΊΜ4ΒΕ·B
1.
³FEPSσ³ΣΙ·ιvS
2.
³FEPS―³ΣΙ·ιvS
3.
³FEPS³LΙ·ιvS
4.
³FEPSρzρρzΙ·ιvS
±κηͺΙ³FEΩnSσ³ΣΘΗΜΆΩnSπΆέά·B
³FEΖΜΆΩnΜΰ½η΅ϋΝͺ©θβ·’Ε·ΛB»κΌκͺΘΊΜζ€Ι΅Δ’ά·B
·
³FEPSσ³ΣπC·ι@¨@σ³ΣnΙΆ·ι
·
³FEPS―³ΣπC·ι@¨@―³ΣnΙΆ·ι
·
³FEPS³LπC·ι@¨@³LnΙΆ·ι
·
³FEPSρzρρzπC·ι@¨@ρzρρznΙΆ·ι
FEPΖΖΝFEPΩnπΆήΖΜ±ΖΕ·B
FEPΖΙΝAgEκEΣΜ3ΒΕΝΘA½ΎΣΖΎ―ͺΆέ΅ά·Bά½A{EϊECKΖ’€3ΒΕΝΘA½ΎCKΜέͺΆέ΅ά·B
FEPΖΝΘΊΜ5ΒΕ·B
1.
FEPSTΙ·ιvS
2.
FEPSρTΙ·ιvS
3.
FEPSOTΙ·ιvS
4.
FEPSlTΙ·ιvS
5.
FEPSάTΙ·ιvS
±κηͺΙFEΩnSTΘΗΜΆΩnSπΆέά·B
γC·ι |
ΚΙC·ι |
C·ι |
|
T |
OV |
γV |
εV |
ζρT |
υV |
³ΚυV |
υV |
ζOT |
|||
ζlT |
ςυV |
³ΚςυV |
ΥςυV |
ζάT |
LΚV |
TπγC·κΞAOVΙAΚΙC·κΞγVΙAC·κΞεVΙΆΩnπΰ½η΅ά·B
ζρT`ζlTάΕΝ―lΕAζάTΝΗΜζ€ΙC΅ΔΰLΚVΦΜΆΩnπΰ½η΅ά·B
ά½AζάTπC·ιΫΙAu½ΏΝSͺ ι©ηκ΅ήAΰ΅SͺΘFΎ―ΜΆέΘηκ΅έΝΘ’vΖl¦ASπ}€ϋόΙC΅½κiC}£CKjA»ΜlͺΛΞSͺ³’³zLξVΙΆ΅ά·B
sΚπΎ½lͺζάTπC·κΞςVΙΆ΅ά·ͺA{lͺ]ίΞLΚVΙΆ·ι±ΖΰΕ«ά·BsΚͺςVΙΆ·ικA»ΜlΝάͺΜ€ΏΗΜͺͺ’©ΙζΑΔΆάκιVΙ·ͺΆΆά·B
·
MͺͺDκΔ’ι@¨@sΜVΙΆ·ι
·
ΈiͺͺDκΔ’ι@¨@³MVΙΆ·ι
·
OͺͺDκΔ’ι@¨@P»VΙΆ·ι
·
θͺͺDκΔ’ι@¨@P©VΙΆ·ι
·
dͺͺDκΔ’ι@¨@³ςVΙΆ·ι
~EPΖΝAγΙ~EPΜΩnπΆήΖΕ·B ~EPΖΰsPΖΖ―ΆΘΊΜ3ΒΙͺή³κά·B
·
gΖEEEΜΕΘ·Ζ
·
κΖEEEΎtΕΘ·Ζ
·
ΣΖEEESΕΘ·Ζ
sPΖΜΖ±λΕΰGκά΅½ͺA΅§ΙΎ€Ζ
·
gΖΖΝ ιΑθΜs’πΜΕΘ΅½Ζ«ΜSΙάάκιvS
·
κΖΖΝ ιΑθΜs’πΎtΕΘ΅½Ζ«ΜSΙάάκιvS
Ζ’€πίΕ·Bά½AγΜ3ΒΖΝΚΕAΜ3ΒΙζιͺ―ϋΰ θά·BiΖj
·
{EEE{·
·
ϊEEEϊπηι
·
CKEEEαzCs·ι
±κη3ΒΰgAκAΣΜ’Έκ©ΙζιPΖΙΘθAΖΖΔΡά·B
~EPΙζιgΖΝΘΊΜ3ΒΕ·B
·
£EΆEEEΆ«¨πE³Θ’±Ζ
·
£χEEE^¦ηκΔ’Θ’ΰΜπάΘ’±Ζ
·
£Χ~sEEEsΟπ΅Θ’±Ζ
±κηΝA’Έκΰ«sΧ©η£κι±ΖπΣ‘΅AgΜΕ½©sΧπN±·ν―ΕΝ θάΉρBΕ·©ηA΅§ΙΎ€ΖΣΖΙͺή³κιΧ«©ΰ΅κάΉρͺAsPΜgΖ©η£κιΖ’€Σ‘ΕA±ΏηπPΜgΖΖͺή΅ά·B
~EPΙζικΖΝΘΊΜ4ΒΕ·B
·
£Οκ
·
££Τκ
·
£e«κ
·
£γYκ
±κηΰAPΜgΖΖ―Ά’Έκΰ«sΧ©η£κι±ΖπΣ‘΅AgΜΕ½©sΧπN±·ν―ΕΝ θάΉρBΕ·ͺAsPΜκΖ©η£κιΖ’€Σ‘ΕAPΜκΖΙͺή΅ά·B
~EPΙζιΣΖΝΘΊΜ3ΒΕ·B
·
£ζΓ~
·
£αΡ
·
£Χ©
ΖΖΝPΖπΒιs’Μ±ΖΕ·Bε«ͺ―Δ{EϊECKΜ3O[vAv10Μs’ͺ θά·B
άΈκΒΪΜΖΝ{Ε·B{ΖΝuΩΗ±·vΖ’€Σ‘Ε·©ηAάνθΙΎΙΘιΰΜπ^¦ιΖ’€Σ‘ͺάάκΔ’ά·B{Ν³ηΙΘΊΜ3ΒΙͺήΕ«ά·B
¨π{·±ΖΕ·B±ΜΖ«ΖΖΘιΜΝ¨π{·Ζ«ΜSΙάάκιvSΕA³ηΙΜ3ΒΙͺήΕ«ά·B
·
OvEEE{»€Ζl¦Δ©η{·άΕΙΆΆιvS
·
χnvEEE{΅Δ’ιΕΙΆΆΔ’ιvS
·
γvEEE{΅½γΙAv’Τ΅ΔμΡπ΄ΆιΖ«ΙΆΆιvS
P’±Ζπ·κΞPΖͺΒηκA«χΏπϊΕ«ά·B±ΜχΏπΌΜΆ½Ιΰ΅ͺ―^¦½’ΖθΑΔ{·sΧͺτόΕ·Bά½Aτό·ιΫΙΆΆιSΙάάκιvSͺτόΜΖΙΘθά·B
ΌΜlͺτό΅Δκ½χΏπσ―ζΑΔμΤ±ΖͺμΕ·Bά½±ΜΖ«ΆΆιSΙάάκιvSͺμΜΖΙΘθά·B
ρΒΪΜΖΝϊΕ·BϊΖΝϊ₯πηιΖ’€Σ‘ΕAΘPΙΎ€Ζ«ΖπΟάΘ’ζ€ΙCπt―ιΖ’€Σ‘Ε·BϊΝ³ηΙΘΊΜ3ΒΙͺήΕ«ά·B
άϊΘΗΜϊπηι±ΖΕ·BsPSͺΆΆΘ’ζ€ΙAgΖAκΖΙζCπzι±ΖΕ·Bά½A±ΜΖ«ΜSΙάάκιvSͺϊΜΖΙΘθά·B
ΏΜ’lβN·ΙΈh΅ΔΪ·ι±ΖΕ·B½ΰvπίΈΙΘπχΑ½θ·ιΘΗͺ±hΕ·Bά½A±ΜΖ«ΜSΙάάκιvSͺ±hΜΖΙΘθά·B
vπίΈΙΌlΜpπθ`€±ΖΕ·BΕZΜΘ’Θ{eBAΘΗͺμ±Ιͺή³κά·Bά½A±ΜΖ«ΜSΙάάκιvSͺμ±ΜΖΙΘθά·B
OΒΪΜΖͺCKΕ·BCKΖΝASπ¬·³Ήι½ίΙαzCsΙΝ°ή±ΖΕ·BCKΝ³ηΙΘΊΜ4ΒΙͺήΕ«ά·B
T}^αzABpbTi[αzΜCsΙΝ°ή±ΖΕ·BCsΘOΙΰ§TπwΤΘΗ’ΜΜΎΖΘιm―πΧ·ικΰCKΙͺή³κά·Bά½A±ΜΖ«ΜSΙάάκιvSͺCKΜΖΙΘθά·B
§@β½ίΙΘ鳦πΕZΘ·±ΖΕ·Bά½A±ΜΖ«ΜSΙάάκιvSͺε@ΜΖΙΘθά·BΏΘέΙΕZIΙu ΜlAlΜbπ«ΏρΖ·’Δ·²’Θ`Ζvνκ½’vΘρΔv’ͺ ικΝε@ΙΘθάΉρB
§@β½ίΙΘ鳦πΕZΘΰ±ΖΕ·Bά½A±ΜΖ«ΜSΙάάκιvSͺΰ@ΜΖΙΘθά·B
ΏΘέΙΕZIΙAu¨ΰπΰη¦ι©ηΰ±€vΖ©ulΙΈh³κ½’©ηΰ±€vΘΗΖ’€v’ͺ ικΝΰ@ΙΘθάΉρB
³©AΒά賡’MOπΰΒ±ΖΕ·B
α¦ΞAΌΙLg©ͺΥfΕ«Θ’Ι΅ΔΰAρL©E³φ©EρμΖ©ΘΗΙ]νΈA’ΜπΟ@·ι±ΖΕΖͺ ι±Ζπ»κΘθΙmFΕ«ιν―Ε·ΛB
»€·ιΖAqdͺάθAΖΜΝ½η«πMΆκιζ€ΙΘθά·B±ΜΖ«ΜSΙάάκιvSͺ©ΌΖΙΘθά·B©ΌΖΝA³©ΒάθdΙΦνιΖΘΜΕA©ΌΖπάήSΝKΈqεPSΙΘθά·B
~EPΖΝSΔνΉιΖΘΊΜ8νή θά·B
1.
εPSEμδEqE³sΙ·ιvS
2.
εPSEμδEqELsΙ·ιvS
3.
εPSEΜδEqE³sΙ·ιvS
4.
εPSEΜδEqELsΙ·ιvS
5.
εPSEμδEqsE³sΙ·ιvS
6.
εPSEμδEqsELsΙ·ιvS
7.
εPSEΜδEqsE³sΙ·ιvS
8.
εPSEΜδEqsELsΙ·ιvS
~EPοnΜέΙΆSΖ΅ΔεΩnS8πΆΆ³Ήά·B
~EPοnΙΜέAήΘΗΜΝ½η«π·ιεΩnS8πΆΆ³Ήά·Bά½A·ΧΔΜ~EnAFEnΙ¨’Δ³φPΩnS8πKXΆΆ³Ήά·B
~EΜP’SΕ ιεPSΖΎ’ά·B»ΜεPSΜOγΙΆΆ½SΙζΑΔAΝάκ½εPSΰeΏπ€―ά·B±ΜΙΒ’ΔΘΊΜζ€Θp^[ͺl¦ηκά·B
άΈAOφΖΝqΜεPS4Μ±ΖΕ·BqdπΖΰΘΑ½P’SΕ·ΛB±ΜOφεPSΜOγπAεPSΕΝρΎκAΝάκ½OφεPSΝ³ηΙκ½PSΙΘθά·B±ΜΖ«ΜεPSπOφΜPΖΎ’ά·B
α¦ΞA¨z{π·ιΖ«ΙA¨z{·ιO©ημΡΜSͺΆΆA¨z{΅IνΑ½γΰμΡΜSΙΏΔ’ισΤΘΗΕ·ΛB
OφΜPΝAΆΩnΖ΅ΔqεΩnS4iOφjπΰ½η΅ά·Bά½AΆNΩnΖ΅ΔεΩnS8A³φΩnS8Μv16πΰ½η΅ά·B
OφεPSΜOγπAsPSΕΝρΎκAΝάκ½OφεPSΝςΑ½PSΙΘθά·B±ΜΖ«ΜεPSπOφΜςPΖΎ’ά·B
α¦ΞA¨z{π·ι±ΖΝχΏͺ ιΖπΝ΅Δ’ιΰΜΜA½©ζθCͺ΅ΘΔ΅Τ΅Τ¨z{΅A¨z{΅IνΑ½γΰγχ΅Δ’ισΤΘΗΕ·ΛB
OφΜςPΝAΆΩnΖ΅ΔqsεΩnS4iρφjπΰ½η΅ά·Bά½AΆNΩnΖ΅Δqπ’½εΩnS4A³φΩnS8Μv12πΰ½η΅ά·B
ρφΖΝqsΜεPS4Μ±ΖΕ·BqdπΖΰΘΑΔ’Θ’P’SΕ·ΛBρφεPSΜOγπAεPSΕΝρΎκAΝάκ½ρφεPSΝκ½PSΙΘθά·B±ΜΖ«ΜεPSπρφΜPΖΎ’ά·B
α¦ΞA¨z{ͺΗΜζ€ΘsΧ©πζͺ©ΑΔ’Θ’qͺAe̩怩άΛΕμρΕ¨z{΅A¨z{΅IνΑ½γΰεPSͺΆάκΔ’ισΤΕ·ΛB
ρφΜPΰOφΜςPΖ―ΆAΆΩnΖ΅ΔqsεΩnS4iρφjπΰ½η΅ά·Bά½AΆNΩnΖ΅Δqπ’½εΩnS4A³φΩnS8Μv12πΰ½η΅ά·B
ρφεPSΜOγπAsPSΕΝρΎκAΝάκ½ρφεPSΝςΑ½PSΙΘθά·B±ΜΖ«ΜεPSπρφΜςPΖΎ’ά·B
ρφΜςPΝAΆΩnΖ΅ΔΆΣΪΜlβΒΜ’C
ΙΜ俱xΆSπΆΆ³Ήά·Bά½AΆNΩnΖ΅Δ³φΩnS8Μέπΰ½η΅ά·B
x: 4ΩnΙζιlΖ
~EsPΖΝAγΙsPΜΩnπΆήΖΕ·B
οΜIΙΝA
·
gΖEEEΜΕΘ·Ζ
·
κΖEEEΎtΕΘ·Ζ
·
ΣΖEEESΕΘ·Ζ
Μ3ΒΙͺή³κά·BΖΝΎ¦A΅§ΙΎ€ΖAΖΖΝ¬sSΙάάκιvSΜ±ΖΕ·ΜΕAgΖAκΖΖΎΑΔΰαa΄ͺ ι©ΰ΅κάΉρB
Ε·ΜΕA
·
gΖΖΝ ιΑθΜs’πΜΕΘ΅½Ζ«ΜSΙάάκιvS
·
κΖΖΝ ιΑθΜs’πΎtΕΘ΅½Ζ«ΜSΙάάκιvS
Ζ’€πίΕεδvΕ·B
~EsPΜgΖΙΝΜ3Β θά·B
Ά«¨πE·s’Ε·B΅§Ι’€ΖA
·
©ηΜgΜΕΆ«¨πE·sΧ
·
ΌΙ½ΆΔiΎtπgΑΔjΆ«¨πE³ΉιsΧ
Μ2ΒΜsΧπN±³ΉιαΡͺSΙ·ιvSͺAEΆΜΖΙΘθά·B
³ηΙAEΆΜΖΙΝ£PnΙΆ·ιΖiΖΉjΖΘικΖ»€ΘηΘ’κΜ2νή θά·B
£PnΙΆ·ιΖΖΘικΝΘΊΜ5ππ·ΧΔ½΅Δ’ιKvͺ θά·B
1.
EΆΜΞΫͺΆ«¨Ε ι±Ζ
2.
EΆΜΞΫͺΆ«¨Ε ιΖͺ©ΑΔ’ι±Ζ
3.
EΆΜΞΫΙΞ΅ΔEΣͺ ι±Ζ
4.
©ͺΜgΜΰ΅ΝAΌΙΎtΕ½Ά½θ·ι’Έκ©ΜΝ½η«©―ͺ ι±Ζ
5.
»ΜΝ½η«©―ΕEΆΜΞΫͺΚ±Ζ
±κηΜπΜ1ΒΕΰ―ιΖΖΉΙΘΝηΈAΚΜ«ΖΖΘθά·B
ά½AEΆΝΞΫΖΘιΆ½Με¬ΙζΑΔίΜd³ͺΟνθά·BΖ’€ΜΰAε«ΘΆ½ΜΩΗ½Μ½γΪiΧEjπΑΔ’ιΜΕAζθίΝdΘθά·B
ά½AEΆΜΞΫͺAϊπηΑΔ’ιΖ©ΏΜ ιlΕ ιΩΗίΝdΘθAeβ’
ΏπE·ΖΘιΖά³ΤΖΙΘθά·B³ηΙAE·ΫΜΝ½η«©―ͺ’ΩΗίΰdΘθά·B
Ώεͺ^¦Δ’Θ’ΰΜΙΞ΅Δ
·
©ηΜgΜΕήsΧ
·
ΌΜΙάΉιζ€ΙΎtπΰΑΔ½ΆιsΧ
πN±³ΉιAζΓͺSEαΡͺSΙ·ιvSͺAχΜΖΙΘθά·BχͺΖΉΙΘι½ίΜπΝΘΊΜ5ΒΕ·B
1.
χΜΞΫͺΌlΜΰΜΕ ι±Ζ
2.
χΜΞΫͺΌlΜΰΜΕ ιΖmΑΔ’ι±Ζ
3.
ήΣuͺ ι±Ζ
4.
©ͺΜgΜΰ΅ΝAΌΙΎtΕ½Ά½θ·ι’Έκ©ΜΝ½η«©―ͺ ι±Ζ
5.
»ΜΝ½η«©―ΙζΑΔΐΫΙή±Ζ
ίΜd³ΝA
·
iΜΏl
·
νQͺϊπηΑ½θΏͺ ι©Η€©
ΘΗΙΆE³κά·B
³Θp[gi[ΘOΖΜ«πΜ±ΖΕ·BΒάθsΟΕ·ΛB΅§ΙΎ€ΖAsΟΖ’€sΧπN±³ΉιζΓͺSΙ·ιvSͺAΧ~sΜΖΙΘθά·B
±ΜΧ~sͺΖΉΖΘιπΝΘΊΜ4ΒΕ·B
·
Χ~sΜΞΫͺ₯΅Δ’ι±Ζ
·
«πΜΣuͺ ι±Ζ
·
©ͺΜgΜΙζιΝ½η«©―ͺ ι±Ζ
·
«ππ·ι±Ζ
Χ~sΜίΜd³ΰΞΫͺϊπηΑΔ’ι©Η€©ΙΆE³κά·B
ΘγΜOΖΝAκεΙΰΆΆιΒ\«ͺ θά·ͺA½ΝgεπΚ΅ΔΘ³κιΜΕgεΖΖΰΎνκά·B±±Ε’€gεΖΝg\Ζ―ΆΣ‘Ε·B
~EsPΜκΖΙΝΜ4Β θά·B
ΟκΖΝRπΒ±ΖΕ·BΰΑΖΧ©Ύ€ΖAΤαΑ½±ΖπΎΑ½θ’½θ·ιsΧπN±³ΉιsPSΙ·ιvSͺΟκΜΖΕ·B
ΟκͺΖΉinΦΆ³ΉιΖjΙΘιπΝΘΊΜ4ΒπSΔ½·κΕ·B
1.
`¦ιΰeͺΤαΑΔ’ι±Ζ
2.
θπλπ³Ή½’Σuͺ ι±Ζ
3.
©ͺΜgΜΰ΅ΝAΌΙΎtΕ½Ά½θ·ι’Έκ©ΜΝ½η«©―ͺ ι±
4.
»κΙζΑΔθͺλΑ½F―π·ι±Ζ
ΰ΅AΟκπΘ΅Δΰθͺ»κπMΆι±ΖΘAά½½ΰΉQͺΘ―κΞ»κΝΖΉΙΘθάΉρB
α¦ΞA Θ½ΜFlͺ Θ½ΙuCDέ΅ΔvΖΎΑΔ«½Ζ΅ά·B Θ½Ν»ΜCDπΑΔ’ιΙΰΦνηΈu²ίρB»ΜCDΑΔΘ’ΜBvΖ¦ιΖ΅ά·B
±ΜΖ«A Θ½ΜFlΝ½©ΉQπνι±ΖΝΘ’ΜΕA Θ½ΜΟκΝΖΉΙΝΘθάΉρͺA«ΖΕ ι±ΖΙΟνθΝ θάΉρͺEEEB
£ΤκΖΝAv·ιΙlπ½ͺ’³Ήιζ€Θ±ΖπΎ€±ΖΕ·ΛBΰΑΖΧ©Ύ€ΖA½ͺ’³Ήι±ΖπΎ€sΧπN±³ΉιsPSΙ·ιvSͺ£ΤκΜΖΕ·B
£ΤκͺΖΉΖΘιπΝΘΊΜ4ΒπSΔ½·κΕ·B
1.
ΜΗ’ρlͺ’ι±Ζ
2.
ρlΜπτ’Δ©ͺΙDΣπό―ζ€Ζ’€Σvͺ ι±Ζ
3.
©ͺΜgΜΰ΅ΝAΌΙΎtΕ½Ά½θ·ι’Έκ©ΜΝ½η«©―ͺ ι±Ζ
4.
»κΙζΑΔΐΫΙͺτ©κι±Ζ
ΌΙͺτ©κΘΔΰAΖΉΙΘηΘ’άΕΰ«ΖΙΘθά·B
e«κΖΝe«ΘΎtΕlπlι±ΖΕ·BΰΑΖΧ©Ύ€ΖAe«ΘΎtπ·ιsΧπN±³ΉιsPSΙ·ιvSͺe«κΜΖΕ·B
e«κͺΖΉΖΘιπΝΘΊΜ3ΒπSΔ½·κΕ·B
1.
{ι±Ζ
2.
e«κΜΞΫΖΘιθͺ’ι±Ζ
3.
©ͺΜgΜΰ΅ΝAΌΙΎtΕ½Ά½θ·ι’Έκ©ΜΝ½η«©―ͺ ι±Ζ
άΕΰΌlΙsvπ^¦ι±ΖπΪIΙ·ιΎtͺΖΉΙͺή³κά·BΕ·ΜΕAeβt ͺqβνqπΆιsΧΝAΌΙ»ΜΖ«ΜΎtͺe«ΕΰAsvπ^¦ι±ΖπΪIΖ΅Δ’Θ’ΜΕΖΉΙͺή³κάΉρB
γYκΖΝ½Ύ»ΜκΎ―Μ³ΚbΜ±ΖΕ·BͺΰtΰΘ’€ν³bΘΗΰ±ΜήΕ·ΛBΰΑΖΧ©Ύ€ΖA³vΘΎtπ·ιsΧπN±³ΉιsPSΙ·ιvSͺγYκΜΖΕ·B
γYκͺΖΉΖΘιπΝΘΊΜ3ΒπSΔ½·κΕ·B
1.
·ιΎtͺ³vΕ ι±Ζ
2.
©ͺΜgΜΰ΅ΝAΌΙΎtΕ½Ά½θ·ι’Έκ©ΜΝ½η«©―ͺ ι±Ζ
3.
»Μ³vΘΎtπA·’½lͺάΖΰΙσ―ζι±ΖB
³vΕ ιΖΝAlͺKΉΙΘι½ίΙ½ηπΙ§½Θ’Ζ’€Σ‘Ε·B
ΘγΜlΖΝAκεΙΆΆιΜΕκεΖΖΎ’ά·B»΅ΔAκεΖΝκ\Ζ―ΆΣ‘Ε·B
ά½΅§ΙΎ€ΖAΟκA£ΤκΘΗͺgΤθAθάΛA±ΖΙζΑΔ\»³κικΝgεΖΙΘθά·B½ΎAΟκA£ΤκΝ½ΜκAΎtΙζΑΔΘ³κιΜΕκεΖΙͺή΅ά·B
~EsPΜΣΖΙΝΜ3Β θά·B
εΙΌlΜΏ¨π³π΅ΔΕΰ~΅’Ζv€CΏͺζΓ~Ε·B΅§ΙΎ€ΖAζΓͺS8Ι·ιζΓSͺζΓ~ΜΖΕ·ΛB
ζΓ~ͺΖΉΖΘιπΝΘΊΜ2ΒΜππ·ΧΔ½·κΕ·B
1.
ΌlΜΏ¨ͺΆέ·ι±Ζ
2.
»κπ©ͺΜΰΜΙ΅½’Ζ·
·ι±Ζ
½Ύu~΅’Θ`vΖv€Ύ―Ε κΞA«ΖΙΟνθΝ θάΉρͺΖΉΙΝΘθάΉρB
±±ΕΎ€αΡΖΝAθΜπθ€ΩΗ{ι±ΖΕ·B΅§ΙΎ€ΖAαΡͺS2Ι·ιαΡSͺαΡΜΖΕ·ΛB
αΡͺΖΉΖΘιπΝΘΊΜ2ΒΜππ·ΧΔ½·κΕ·B
1.
αΡΜΞΫΖΘιΆ½ͺ’ι±Ζ
2.
»ΜΆ½Μπ]ήΩΗΜ’{θͺ ι±Ζ
ΚΜxΜαΡΝΖΉΙΝΘθάΉρͺ«ΖΙΘθά·B
Χ©ΖΝλΑ½©ππΒ±ΖΕ·B΅§ΙΎ€ΖA«©ζΓͺS4Ι·ι©SͺΧ©ΜΖΕ·ΛBΖΉΖΘιΧ©ΜνήΝΘΊΜ3νΕ·B
γΙΩnͺΘ’Ζ’€Χ©Ε·BΩnͺΘ’ΖΎ€±ΖΝAΖͺΩnπΰ½η·Ζ’€±ΖΰΘ’±ΖΙΘθAΚIΙφΚ@₯πΫθ΅½±ΖΙΘθά·B
±±ΙΝΛΞIνθΖ’€f©ΰάάκά·B
ΰΜ²ΖΙ΄φΝΘ’Ζl¦ιΧ©Μ±ΖΕ·B³φ©ΰφΚ@₯πΫθ΅½l¦Ε·B
·
sPΖπΒκΞA»κΙΣ³ν΅’sPΜΚπσ―ζι
·
PΖπΒκΞA»κΙΣ³ν΅’PΜΚπσ―ζι
Ζ’€AΖΜΝ½η«πFίΘ’Χ©Ε·BρμΖ©ΰφΚ@₯πΫθ΅½l¦Ε·B
±κηΜ3ΒΜΧ©Μ’Έκ©ΙζΖ΅Δ·
·ικAKΈnΙΏι±ΖΙΘθά·B±ΜΖ«ΜΧ©πθΧ©ΖΎ’ά·B
ά½A±κηΜ3ΒΜΧ©Μ’Έκ©Ι]ΑΔ’ΔΰA»Μl¦Ι·
΅Θ’_ξΘσΤΙ ιlΜκΝθΧ©ΖΝΎ¦ΈAΚνΜ«©ΖέΘ³κά·B
~EsPΖΜ¨³η’Ε·B~EsPΖΝAΘΊΜζ€Ιͺή³κά·B
gΖ |
κΖ |
ΣΖ |
EΆ |
Οκ |
ζΓ~ |
±κηΜ10sPΖπ±±ΕΝͺiΑ«jΙζΑΔͺή΅ά·B
EΆAe«κΝαΡͺS2Ι·ιvSΕ·B
ΞͺΆΆιΖ«―ΙυΰΆΆά·ͺA±ΜΖ«ΞΝυΜ俱ΆΕ ιΖΎ’ά·B
―Άζ€ΙαΡͺSΙάάκιαΡͺiαΡSjπ俱ΆΖ΅ΔAvSͺΆΆά·Bά½αΡΝ»κ©ΜͺαΡͺΕ·B
Χ~sΝζΓͺS8Ι·ιvSΕ·BΧ©ΝζΓͺ«©S4Ι·ι©SΕ·B
±κη2ΖΙΝζΓͺͺ΅Δ¨θAζΓͺΜ俱ΆΜΝπΨθΔΆΆι±ΖͺΕ«ά·Bά½ζΓ~Ν»κ©ΜͺζΓͺΕ·B
cθΜAχAΟκA£ΤκAγYκΝζΓͺΙζΑΔΰαΡͺΙζΑΔΰΆΆι±Ζͺ θά·B
α¦ΞA©ͺΜ~Μ½ίΙlΜ¨ΰπήΜΝζΓͺΙζιΰΜΕAAΘ±Ζπ³κ½ ’ΉΙθΜΰΜπήΜΝαΡͺΙζιΰΜΕ·B
ΟκΜκΰA€iπθ½’ͺ½ίΙξρπU·ιΘη»κΝζΓͺΙζιΰΜΕAθΙΉQπ^¦ι½ίΙE\Μξρπ¬·Θη»κΝαΡͺΙζιΰΜΕ·B
~EsPΖΝSΔνΉιΖΘΊΜ12νή θά·B
1.
ζΓͺSEμδE«©E³sΙ·ιvS
2.
ζΓͺSEμδE«©ELsΙ·ιvS
3.
ζΓͺSEΜδE«©E³sΙ·ιvS
4.
ζΓͺSEΜδE«©ELsΙ·ιvS
5.
ζΓͺSEμδE«©sE³sΙ·ιvS
6.
ζΓͺSEμδE«©sELsΙ·ιvS
7.
ζΓͺSEΜδE«©sE³sΙ·ιvS
8.
ζΓͺSEΜδE«©sELsΙ·ιvS
9.
αΡͺSEJδE³sΙ·ιvS
10.
αΡͺSEJδELsΙ·ιvS
11.
sͺSE^Ι·ιvS
12.
sͺSE{Ι·ιvS
±Μ€ΏAΕγΜ{π’½11ΖͺΆΩnπΰ½η·Ζ«A»κΝKΈ£PnΙ¨―ιΆΩnΙΘθά·B
ά½AΆΘ~πΆNΖΎ’ά·ͺAγΜ12sPΖͺΆNΩnπΰ½η·Ζ«A7ΒΜsPΩnSπ·ΧΔΜ~EnΖFEnΙKXΩn³Ήά·B
’
ΏΜΚκΰ~E¬sΣεHΜκΖ―ΆAΜ4ΒΜp^[ͺ θά·B
1.
¬s@¨@ΈΟS
2.
¬sEή@¨@ΈΟS
3.
¬sELͺ@¨@ΈΟS
4.
¬sEήELͺ@¨@ΈΟS
’
ΏπΎ½lΜΕΰATθπΎΔ’Θ’lΝ£ΟΖΎ’ά·B
£ΟΖATθπΎ½lΕΥIΙTθΙόΘ’lA±Μ2ΙΦ΅ΔΝAΥIHΝΣεH~E¬sͺΖΘθAΕγΙΈΟSͺΆΆά·B’
ΏΕ·ΜΕAΙΆSͺΆάκι±ΖΝ θάΉρB
ά½AΚνΝΥIHΜΣεψ]SA¬sSAήΝΖEΖEοΖ’Α½πΖθά·ͺA’
ΏΜκΕΝAΚΜHΜκΖ―Άζ€ΙΌFβ{έπΖ΅ά·B
³ηΙA’
ΏΜSΙΦ΅ΔΝAΌOΜΆΜΖEΖEοπΖ΅ά·BΌOΜΆΜΖEΖEοΖΝA‘ΜΆΕΆ·ιΫΜAΆSβLͺSͺΖ΅½ΰΜΖ―ΆΰΜπΖ·ιΖ’€Σ‘Ε·ΛB
’
Ώͺΐ~¬sΙόΑΔΚκΜ4νͺ θά·B
1.
TΙ³ΤHEEEόθΜIνθΙΚH
2.
Ο@Ι³ΤHEEETθ©ηo½γAΟ@HͺΆΆΔΚH
3.
_ΚΙ³ΤHEEE_ΚόθΜIνθΙΚH
4.
½Ι³ΤHEEE’
ΏΙεΑ½ΌγΙΚH
ΥIHΝAάεHΜκAΣεHΜκΜ2νή θά·B±κηΜκπΰ€΅Ϊ΅©Δέά΅ε€B
άεHΖΝαE¨E@EγEgεHΜ±ΖΕ·BΥIHͺάεHΙΘικAΜ4ΒΜp^[ͺl¦ηκά·B
1.
¬s@¨@S
2.
¬sEή@¨@S
3.
¬sELͺ@¨@S
4.
¬sEήELͺ@¨@S
±κη4ΒΜ€ΏAΥIHͺαεHΕ θA1ΤΜp^[ΜκAΥIHΝΘΊΜζ€ΙΘθά·B
·
Lͺ
·
ίLͺ
·
Lͺh
·
LͺΜf
·
άεψ]
·
α―
·
Μσ
·
x
·
mθ
·
¬s~5
·
·
Ά
·
Lͺ~15`16
·
Σεψ]
·
L¬~7
·
Lͺ
±±ΕAΤͺΝ»έΆAΒͺΝΆπ¦΅Δ’ά·B»΅ΔA±ΜΖ«ΜΥIHΝαεHΕ ιΖ’€έθΘΜΕA±ΜΖ«ΜΝFiΖjΙΘθά·B
FΖ’€±ΖΝ17SΜίυ½ͺ θά·©ηA»έΆͺIνΑΔΰάΎFiΖjΝΕ³ΈΙcΑΔ’ι±ΖΙΘθά·B
»±ΕAΆΜΆͺψ«±«FiΖjπΙΖΑΔAΆͺ·ΙX^[g΅ά·B
ΆͺΆΆ½γΝALͺͺ15`16ρΆΆA»ΜγAΣεψ]SπoΔA»ΜΆΕΕΜΜ¬sͺΆΆά·B»Μ¬sπL¬Ζ’’ά·B
L¬ΝA
·
ΆSΙ·ιSiΌj
·
ΖΆFiFj
πΖ΅ΔΆΆά·B
ΏΘέΙLΖΝALπίιΖ«ά·ͺALΖΝΆΆΖ’€Σ‘Ε θAοΜIΙΝγΙ °½uΆSΙ·ιS{ΖΆFvΜ±ΖΘΜΕ·B
ΒάθALΖΝΆΆπ~·ι€Μ±ΖΕA±Μ€ͺ ι½ίΆ½Ν©ͺΜ±Ζπ€¨΅΄Άιν―Ε·B
~E©η~EΙΆάκικΝάεHΜκΖ―ΆΜ4ΒΜp^[ͺ θΎά·B
Ζ’€ΜΰA~E©η~EΙΆάκιΖΎ€±ΖΝAΥIHͺΣεH~E¬sͺΕ ιν―ΕA»±ΙΝήͺάάκιΒ\«ͺ θά·B
1.
¬s@¨@S
2.
¬sEή@¨@S
3.
¬sELͺ@¨@S
4.
¬sEήELͺ@¨@S
ά½A~E©ηεEiFEE³FEjAά½ΝεE©η~EΙΆάκικΝΜ2p^[ͺ θΎά·B
1.
¬s@¨@S
2.
¬sELͺ@¨@S
~E©ηεEΙΆάκιΖ«AΥIHΝΣεΐ~¬sͺΕ θA»±ΙΝήΝΆΆάΉρBά½AήΝ~ESΜέΙάάκιΜΕAεE©η~EΙΆάκι³’ΙεEΜΥIHΙήͺάάκι±ΖΝΘ’ΜΕ·B
S |
ΆΜΆS |
ΆΜ’E |
||||
³φΩnSΜΆ½ͺΚκ |
sPΩnΜ俱x1 |
2 |
εΩnS8 |
10 |
£Pn4 |
11 |
ρφΩnSΜΆ½ͺΚκ |
εΩnqsS4 |
4 |
εΩnS8 |
10 |
£Pn4 |
11 |
~EOφΩnSΜΆ½ͺΚκ |
εΩnqS4 |
4 |
εΩnS8 |
19 |
£Pn4 |
31 |
³zLξΜΆ½ͺΚκ |
PΩnΜ俱x1 |
1 |
εΩnS8 |
8 |
~EPοn7 |
7 |
FEΜΆ½ͺΚκ |
FEΩnS5 |
5 |
εΩnS8 |
17 |
~EPοn7 |
26 |
σ³ΣΜΆ½ͺΚκ |
σ³ΣΩnS1 |
1 |
εΩnqS4 |
8 |
~EPοn7 |
11 |
―³ΣΜΆ½ͺΚκ |
―³ΣΩnS1 |
1 |
εΩnqS4 |
7 |
~EPοn7 |
10 |
³LΜΆ½ͺΚκ |
³LΩnS1 |
1 |
εΩnqS4 |
6 |
~EPοn7 |
9 |
ρzρρzΜΆ½ͺΚκ |
ρzρρzΩnS1 |
1 |
εΩnqS4 |
5 |
~EPοn7 |
8 |
³φΩnSΖΝ·ΘνΏ
·
sPΩnΜ俱x
·
PΩnΜ俱x
Μ2νΕ·B±ΜΆ½ͺΚΖA£Pn©~EPοnΙΆ΅ά·B
ρφΩnSΖΝεΩnqsS4Μ±ΖΕ·B±ΜΆ½ͺΚΖA£Pn©~EPοnΙΆ΅ά·B
~EOφΩnSΖΝεΩnqS4Μ±ΖΕ·B±ΜΆ½ͺΚΖA·ΧΔΜnΙΆ·ιΒ\«ͺ θά·B
FEΜΆ½ΝFEΩnS5ͺSΖΘθά·B±ΜΆ½ͺΚΖA£PnΖ³zLξVπ·ΧΔΜnΙΆ·ιΒ\«ͺ θά·B
³FEΜΆ½Ν³FEΩnS4ͺSΖΘθά·B±ΜΆ½ͺΚΖA~EPοn©³FEnΙΆ·ιΒ\«ͺ θά·B
½Ύ΅A΄₯Ζ΅Δ»έΆζθΰΊΜnΙΆ·ι±ΖΝ θάΉρBα¦ΞA»έΆͺρzρρzΎΖ΅½ηAΜΆΕ³LΙΆ·ιΖ’€±ΖΝ θάΉρB
³FEΆSͺΖιΰAFEΖ―ΆΖΜέΖΘθά·B΅©΅A³FEΆSͺΖιiΖjΝAΘΊΜ2ΒΙͺή³κά·B
·
{έ
·
ε
³FEΙΝliK θά·ͺAζκAζOΜ³FEΜΆ½Ζ΅ΔΆ·ιAΆSΝ»κΌκΘΊΜπΖθά·B
·
ζκ³FEΆS@¨@σ{έΜΖπΙΖι
·
ζO³FEΆS@¨@³L{έΜΖπΙΖι
ΒάθA±ΜΖ«ΜΖΝ{έΕ ιΖ’€±ΖΕ·ΛB
ζρAζlΜ³FEΜΆ½Ζ΅ΔΆ·ιAΆSΝ»κΌκΘΊΜπΖθά·B
·
ζρ³FEΆS@¨@ζκ³FSΜΖπΙΖι
·
ζl³FEΆS@¨@ζO³FSΜΖπΙΖι
ΒάθA±ΜΖ«ΜΖΝεΕ ιΖ’€Σ‘Ε·ΛB
FETπΎικAnΥΘΗΜ{έπΖ΅ά·B
»΅ΔA»ΜγΥIΙΝA»ΜΖ«Μ{έiΖjͺΖ΅Δ»κά·B³ηΙAΆΜFEΜΆSΰAΥIHΖ―Ά{έiΖjπΖ΅ΔΆΆά·B
±±ΕuΖ{έvΕΝ θάΉρBΖΝFAΊAA‘AGA@Μ·ΧΔΜΙΘθ¦ά·ͺAFEΆΜκΝΖΝ{έΖ΅Δ»κιΖ’€Σ‘Ε·B
»’ΜΕγΜHΕ ιΥIHiΣεHjΙ¨’ΔA17SίΜυ½ͺ ι¨ΏiΖEοjͺ»έΖ΅Δ»κΔικͺ θά·B
±ΜΖ«A¨ΏΜυ½ͺs«ιOΙπ}¦ι±ΖΙΘθά·iΤͺjBΖ’€ΜΰAΥIHΕΝ}Μζ€Ι¬sΝ5ρ΅©¬κΈAS12ίΕHͺIΉ·ιΜΕ·B
Ζ’€±ΖΝAcθΜ5ίπΜΆΜΆSΖLͺSͺΖ΅ΔΖι±ΖΙΘθά·iΒͺjB
»΅ΔA»έΆ©η©κΞA±ΜΖ«Μ¨ΏΝ»έΖ’€±ΖΙΘθAΆ©η©κΞίΖ’€©ϋΙΘθά·B
γ}ΝΥIHiΕγΜHjΖΕΜHπ¦΅Δ’ά·BSͺΕ·ιΖAΜίΙ·ΆSͺΆN΅ά·BΒάθΜΆΙ¦ΐΙΆάκιν―Ε·ΛB
»΅ΔAΆSΝΖEΖEοπΖ΅ΔΆΆά·ͺA»κηΝ»έΆΜΥIHΜ¬sSΜΖ―ΆΰΜπΖ΅ά·B
α¦ΞAΥIHΜ¬sSͺίΙΘ΅½PsΧΜC[WπΖ΅½κAΆΜΆSΰ―ΆPsΧΜC[WπΖ·ιν―Ε·B
»΅ΔA~EAFEA³FEΜ’Έκ©ΜΆ½Ζ΅ΔΆ΅ά·B
SΝKΈHΖ΅ΔZbgΕΆΆά·B
α¦ΞAαE¨E@EγEgΕπΖ禽ƫɢΆιHΝάεHΖΎνκAΘΊΜζ€Θ¬κΙΘθά·B
ά½ASΕ@πΖ禽ƫɢΆιHΝΣεHΖΎνκAΘΊΜζ€Θ¬κΙΘθά·B
SΖΝνΙ½©΅ηΜπΖη¦ΔAHͺ¬κ±―Δ’ά·©ηAγ2ΒΜ}Μζ€Θgͺ¬ΕA±΅Δ’ιν―Ε·ΛBάιΕμΜ¬κΜζ€ΙB
±±ΕAΚuΤΜΕγΜHΝΖEΖEοΜ’Έκ©πΖ΅ΔAPEsPSͺ¬sΖ΅Δ¬κιν―Ε·ͺASͺΆΆιp^[ΝΘΊΜ4Β θά·B
1.
¬s@¨@S
2.
¬sEή@¨@S
3.
¬sELͺ@¨@S
4.
¬sEήELͺ@¨@S
~EΜΆ½ΙΝ4ΒΜ·ΧΔΜp^[ͺΆΆιΒ\«ͺ θά·B
ά½A~EHΙ΅©ήΝΆΆΘ’½ίA~E©ηVΙAV©ηVΙAV©η~EΙΆ·ιΆ½ΙΝ1A3Μp^[ΜέΙΘθά·B
ΚΖ«ΙΖEΖEοΖ’Α½ͺ»κά·B±κηΜΙΞ΅ΔKXAPSEsPSͺΆΆά·B
»ΜΜͺα¦ΞAΘO¨πE΅½ΜξiΖ’€ΖΕ κΞAsPSͺΆΆά·B
ά½A’ΎηκιΕ λ€VHΖ’€οͺΖ΅Δ»κκΞA»κΙζΑΔPSͺΆΆά·B³ηΙA±±ΕΆΆ½sPSEPSΝAΚάΕβ¦ΤΘΆΆά·B
α¦ΞA«πy΅έΙ΅Δ’ιqΝOϊ©ηNNͺΈΑΖ±«AtΙA«ͺΕdϋͺΘ’qΝOϊ©ηJTͺΈΑΖ±ζ€ΘΰΜΕ·B
uΚOΙΆoͺ©¦ιvΖΎνκά·ΛBΐΫΙA±ΜΆoΖΝΖEΖEοΖΔΞκAΚΌOΙKXAΖ΅ΔZεΙ\κά·B
ΒάθAΖEΖEοͺΖΘΑΔ©¦½θA·±¦½θAυ’ͺ΅½θA‘ͺ΅½θAGκηκ½θASΕ΄Ά½ηκ½θ΅ά·B
ΕΝAΖEΖEοΖͽš倩H
ΘΊΙΤΙΰΎ΅ά·B
’ΙΆΩnπΰ½η΅ΎιA»’ά½Νί’ΜPEsPΖͺΖ΅Δ΄Άηκά·B
ΖΖΝAΖπΘ·Ζ«Ι©½θ·’½θ΅½ ηδιΜ±ΖΕ·B
³ηΙΖΙΝ
·
·ΕΙΎηκ½Ζ
·
θiΖΘΑ½Ζ
Μ2νή θά·B
α¦ΞA§ΙΤπ¦ικ
·
§EEE·ΕΙΎηκ½Ζ
·
ΤEEEθiΖΘΑ½Ζ
ΖΘθA§ΙΤπ¦ιΖ«ΜPSΙ·ιvSͺΖΙΘθά·B
ά½ΚΜα¦ΕΝA¨πn¨ΕE·κ
·
¨EEE·ΕΙΎηκ½Ζ
·
n¨EEEθiΖΘΑ½Ζ
ΖΘθA¨πn¨ΕE·Ζ«ΜsPSΙ·ιvSͺΖΙΘθά·B
οΖΝA±κ©ηΆ·ιΕ λ€nΙΎηκιA·ΧΔΜΜ±ΖΕ·B
οΙΰΘΊΜ2νή θά·B
·
ΎηκιΧ«ο
·
σpΜο
ΎηκιΧ«οΖΝA±κ©ηΆ·ικΜ±ΖΕAlΤEΘηκΩAnΘηnAμSΘηXEREμΘΗAVEΘηVEΙΘθά·B
σpΜοΖΝA»κΌκΆ΅½κΕΎηκισp¨Μ±ΖΕAlΤEΘηΖE¨E]Eμ’ΘΗΕAnΘηnΜΘΗAVEΘηVEVHΘΗΕ·B
ΜΆNΕΝAΆ½ͺΗΜζ€Θ΄φΙζΑΔΚ©πρ΅ά·B
Ά½ΜΝΘΊΜ4ΒΜ΄φΙζΑΔN±θά·B
1.
υ½ͺs«ι±Ζ
2.
ΖΜs«ι±Ζ
3.
ΌΜs«ι±Ζ
4.
fΖΙζι
ΖͺΒ«ι±ΖΖΝAζVIΙZ½ΘϋΘΗͺY΅ά·B
ά½fΖΙζιΖΝAγVIΘπΙζΑΔΚ±ΖΕ·Bα¦ΞA©EAE³κιAΜAγVIΘaCΘΗͺY΅ά·B
ΐ@ΖΝAΐέ·ιΰΜΖ’€Σ‘Ε·B
’ΜΙΐέ·ιϋΝ`ϊΖΔΞκ
·
S89
·
S52
·
F28
·
ΈΟ1
Μ4νή ι±ΖπΘOΙΰΎ΅ά΅½B
±ΜΕSΝ89νή θά·ͺA»κΝξΙΘικνήΜSΙ’λρΘSͺΖ―Δ89ΜSͺΆάκιΖ’€πίΕ΅½B
α¦ιΘηA
Ι’λρ ²ͺn―ΔA¨βR[q[ΙΘιζ€ΘΰΜΕ·B
Ε·©ηA±±ΕSπ89Ζ¦ιΖASΖΰeͺ©ΤΑΔ΅ά’ά·ΜΕAΐ@π¦ικΝξΙΘιSπ1Ζ¦ά·B
ά½AF28Μ€ΏA18Νΐέ·ι¨ΏiFjΕAcθ10Ν¨ΏΜσΤβΑ«iρFjΕ θΐέ·ιΰΜΕΝ θάΉρΕ΅½BΒάθAΐ@ΙάάκιΜΝΐέ·ιF18ΜέΙΘθά·B
άΖίιΖAΐ@ΖΝ`ϊΜ€Ώ
·
S1
·
S52
·
F18
·
ΈΟ1
Μ72πw΅ά·B
sPS |
lR |
l\¬ |
lηb |
l繫 |
lΕ· |
Zε] |
΅° |
oΜ\ |
_Μ\ |
\ΟY |
ζΓ |
~R |
~\¬ |
~ηb |
ζΓ~g繫 |
~ |
~ζΓΜW |
~ζΓΜ° |
~ζΓΜ |
~ζΓΜ |
ζΓ |
αΡ |
αΡg繫 |
αΡΜW |
αΡΜ° |
αΡΜ |
αΡΜ |
αΡ |
||||
s |
³ΎR |
³Ύ\¬ |
³Ύηb |
³ΎΜW |
³ΎΜ° |
³ΎΜ |
³ΎΜ |
³Ύ |
||
© |
©R |
©\¬ |
©ηb |
ϊΦζg繫 |
© |
©Μ° |
©Μ |
©Μ |
© |
|
|
Μ° |
Μ |
Μ |
|
||||||
^ |
^ΜW |
^Μ° |
^Μ |
^Μ |
^ |
|||||
Ή |
ΉΜ |
|||||||||
Κ |
ΚΜ |
|||||||||
³Ξ |
³Ξ |
|||||||||
³Α |
³Α |
|||||||||
惛ΎE° |
惛ΎE°ΜW |
惛Ύ |
||||||||
{E«μ |
{E«μΜW |
{Μ |
{ |
|||||||
14 |
3 |
3 |
3 |
3 |
2 |
8 |
6 |
7 |
8 |
10 |
ΟYΖ’€ΎtΝζ·«ά·ͺAοΜIΙ½πw·Μš倩H
ΐΝΟYΖΝ½ΏΆ½ΜSπ΅AΟνΉAYάΉιsPSΜ±ΖπΎ’ά·BοΜIΙΝΜ10ͺ΅ά·B
1.
ζΓS
2.
αΡS
3.
sS
4.
5.
©
6.
^
7.
惛Ύ
8.
{
9.
³Ξ
10.
³Α
άΕΰ¨ίήlͺΰ@ΜΕγ\IΘΟYπ10γ°½Ύ―ΕAΐΫΝsPS·ΧΔͺΟYΕ·B±κηΙΦ·ιοΜIΘΰΎΝAsPSπ²QlΎ³’ΛB
oΜ\ΙΞ΅ΔA_Εΰ\ͺqΧηκΔ’ά·Bͺ{IΙΝ―ΆΕ·ͺAα±j
AXͺα’ά·B
_Μ\ΝΘΊΜΚθΕ·B
1.
~ζΓΜi©«ΝζΓSj
2.
LζΓΜi©«ΝζΓSj
3.
αΡΜi©«ΝαΡSj
4.
Μi©«ΝSj
5.
©Μi©«Ν©Sj
6.
K«sΜcΜi©«Ν©Sj
7.
^Μi©«Ν^Sj
8.
ΉΜi©«ΝΉSj
9.
ΚΜi©«ΝΚSj
10.
³ΎΜi©«ΝsSj
©«Ζ΅ΔΝ8νήΙΘθά·B
ΖΝΆ½πΦτ]ΆΙΡt―Δ’ιΰΜΖ’€Σ‘Ε·B
§TΝε«ͺ―Δ
·
oEEEXg[[
·
₯EEEoΖΜΆKΝπάΖί½ΰΜ
·
_EEEv_Ύ―πάΖί½ΰΜ
Μ3Βͺ θά·B±Μ€ΏoΜΕqΧηκΔ’ι\ͺoΜ\Ε·B±ΜΌΙ_Μ\ΰ θά·B
oΜ\ΝΘΊΜ10ΙΘθά·B
1.
~ζΓΜi©«ΝζΓSj
2.
FζΓΜi©«ΝζΓSj
3.
³FζΓΜi©«ΝζΓSj
4.
αΡΜi©«ΝαΡSj
5.
Μi©«ΝSj
6.
©Μi©«Ν©Sj
7.
K«sΜcΜi©«Ν©Sj
8.
^Μi©«Ν^Sj
9.
{Μi©«Ν{Sj
10.
³ΎΜi©«ΝsSj
©«Ζ΅ΔΝAiζΓAαΡAA©A^A{AsjΜ7ΒΙΘθά·B
ΘγΜ€ΏAΤͺΜA~ζΓAαΡA©AK«sΜcA^Μ5ΒπάΊͺΖΔΡά·B»ΜRΝAΆ½πΊEi~EjΙΡt―ιΰΜΕAάΊͺͺ ιΐθAΆ½Ν~EΙ]Ά΅ά·B
άΊͺͺΥf³κΔ’Θ’Ά½ΝAΌΙγρEiFEA³FEjΙΆάκΟνΑ½Ζ΅ΔΰAά½~EΙ]Ά·ιΒ\«ͺ θά·B
ά½A±κηΜ€Ώ©AK«sΜcA^Μ3Νa¬ΉΕΥf³κιΰΜΕA±Μ3πΥf΅Θ’ΐθA£Pn©ηΰ¦κι±ΖͺΕ«άΉρB
³ηΙAcθΜ~ζΓAαΡΝsΉΙζΑΔΥf³κά·B
ά½AΒͺΜAFζΓA³FζΓAA{A³ΎΜ5ΒπάγͺΖΔΡά·BάγͺΝΆ½πγρEiFEA³FEjΙΡt―ιΰΜΕ·B
sΚΙB·κΞAάΊͺΝΰ€ΆΆΘ’½ίA~EΙ]Ά·ι±ΖΝ θάΉρͺAάγͺͺcΑΔ’ι½ίΙAγρEiFEA³FEjΙ]Ά·ιν―Ε·ΛB
°ΖΝA\ΚΙoΔ±Θ’φέIΘΟYΜ±ΖΕ·B
\ΚIΘSΖ΅Δ\κΔι±ΖΝΘ’ΜΕAiΝ΄Άι±ΖͺΕ«άΉρͺAKΘΙoο¦Ξ·ΙΟYΖ΅Δ»κΔιΰΜΕ·B
α¦ΞA`ΜνΙΝΐͺΘΑΔ’άΉρͺA`ΜνΙΝ`ΜΐπΐηΉιφέIΘΝͺ θά·ΛH
±Μζ€Ι‘Ν\Κ»΅Δ’Θ’―ΗA@οͺ κΞ\Κ»·ιΒ\«Μ ιΟYΜνͺ°Ε·B°πζθΙΝ’
ΏΙΘι΅© θάΉρB
°ΙΝΜ7Β θά·B
κΚIΘά~ΜΰΖΙΘιζΓSπΆΆ³ΉιφέΟY
FEE³FEΙΆάκΟνΑΔ·Ά«΅½’Ζ’€ζΓSπΆΆ³ΉιφέΟY
{θΜΰΖΙΘιαΡSπΆΆ³ΉιφέΟY
άνθΖδr·ι±ΖΕ¨²θΤιSπΆΆ³ΉιφέΟY
Χ©ΜΰΖΙΘι©SπΆΆ³ΉιφέΟY
φΚ@₯ΙΞ·ι^’ΜΰΖΙΘι^SπΆΆ³ΉιφέΟY
³ΎΜΰΖΙΘιsSπΆΆ³ΉιφέΟY
a¬ΚΙειΖA©Μ°A^’Μ°ͺΘΘθAΘΊΜ°ͺcθά·B
1.
~ζΓΜ°EEEκΚIΘά~Μ°
2.
LζΓΜ°EEEFEE³FEΙΆάκΟνΑΔ·Ά«΅½’Ζ’€°
3.
αΡΜ°EEE{θΜ°
4.
Μ°EEEάνθΖδr·ι±ΖΕ¨²θΤι°
5.
³ΎΜ°EEE³sΜ°
κΚΕΝAΟYͺάιΎ―Ε·ΜΕAV΅°ͺΘΘι±ΖΝ θάΉρB
sΚΙειΖAζΓ~Μ°AαΡΜ°ͺΘΘθAΘΊΜ°ͺcθά·B
1.
LζΓΜ°EEEFEE³FEΙΆάκΟνΑΔ·Ά«΅½’Ζ’€°
2.
Μ°EEEάνθΖδr·ι±ΖΕ¨²θΤι°
3.
³ΎΜ°EEE³sΜ°
’
ΏΚΙειΖASΔΜ°ͺΘΘθά·B°ΝΟYΜνΕ·©ηAΰ€ΟYΝΆΆι±ΖΝ θάΉρB
Wiͺ’jΖΝt^Ζ’€Σ‘ΕAΗ’SͺΆΆιΒ\«ΙWπ·ιΖ’€Σ‘Ε·B
ΒάθZWΖΝA~EPSAFEE³FEPSAo’ΤSΖ’€ ηδιPSͺΆΆιΜπWQ·ι6ΒΜWΜ±ΖΕ·B
οΜIΙΝΘΊΜ6ΒΕ·B
1.
~ζΓΜWi©«ΝζΓSj
2.
αΡΜWi©«ΝαΡSj
3.
惛ΎE°ΜWi©«Ν惛ΎE°Sj
4.
{E«μΜWi©«Ν{E«μSj
5.
^ΜWi©«Ν^Sj
6.
³ΎΜWi©«ΝsSj
±±ΕA惛ΎΖ°A{Ζ«μͺ»κΌκZbgΙΘΑΔ’ά·ͺA±ΜRΝμpiΝ½η«jAφiΆΆι΄φjAΞ‘iGΞ·ιΰΜjͺ»κΌκ―ΆΕ ι½ίΕ·B
»κΌκ©Δέά΅ε€B
·
μpEEE³CΝ
·
φEEEζΣi©’½’FPπC΅A«πfΈι±ΖπΣ―ιSj
·
Ξ‘@EEEΈi
·
μpEEEρΓβ
·
φEEEe°AΰYAaAϊAΧ©
·
Ξ‘@EEE~iT}[fBj
Φͺ^πKb`Ζη¦Δ£³Θ’ζ€ΙA·
΅Δ’ισΤͺΕ·Ε·BΕ·ΙΝΜ4Βͺ θά·B
ηδι~ΙΞ·ι·
Μ±ΖB©«ΝζΓSB
ϊΦζAδκζπ’½ ηδιΧ©iλΑ½l¦ϋjΙΞ·ι·
Μ±ΖB©«Ν©SB
ͺ³ΉͺΘ’CsΕεκιΖvΑΔ’ιΧ©Ι·
·ι±ΖB©«Ν©SB
δΰΖΝAu©ͺΜΰvΖ’€Σ‘ΕΝ θάΉρBu^δͺ ιΖ’€ΰvΖ’€Σ‘ΙΘθά·BΒάθAδΰΜΕ·ΖΝ^δͺ ιΖ’€ΰΙ·
·ι±ΖΙΘθά·B©«Ν©SB
繫ΖΝPΗέπ·ιΖAuΒΘvΖΗέά·B
ΒάθA±±Ε’€繫ΖΝζΓΘΗͺΆ½ΜΌγΪiΌΜWΜjAFγΪiFΜWΜjπκΜΦτ]Ά©η¦κηκΘ’ζ€Ι繫¬Ζίιlπ\΅Δ’ά·B
繫ΙΝΜ4Β θά·B
π~·ι±ΖΕA»ΜΐΜΝζΓͺS8Ι·ιζΓSΕ·B
{θΜ±ΖΕA»ΜΐΜΝαΡͺS2Ι·ιαΡSΕ·B
β’ΘΗΜK«πCs·κΞAΟYͺ΄ίηκΔΦτ©ηπEΕ«ιΖ’€l¦πΒ±ΖπΣ‘΅ά·BioT@ζ57’so@QΖj
±κΝΒάθAκ΅έΜ½’{ΆΜΆ«ϋπ·ι±ΖΕAΨΰͺΘΘιͺ²ΖA«Ζͺs«ΔAπEΕ«ι±Ζπϊ΅½ΰΜΕ·B
±±Ε’€K«sΖΝͺ³ΉͺΘ’CsΕεκιΖvΑΔ’ιΧ©Μ±Ζπw΅A ηδιK΅EΆ»πάήν―ΕΝ θάΉρB
ΐΜΝ©SB
©ͺΜl¦ΝλθiΧ©jΕ ιΙΦνηΈA»κͺ^ΐΎΖv’έAΌΜl¦ΝFλθΕ ιΖΕ··ιΧ©B
ΐΜΝ©SB
ηbiΡ«jΖΝA2ͺΜΜρπΒΘ¬ΖίΔ¨ΨΜ±ΖΕ·ͺAΰΖΰΖΝuΒΘ¬ΖίιvΖ’€Σ‘ͺ θά·B
ΒάθAζΓβ©ΘΗͺηbΜζ€ΙΆ½πκΜΦτ]ΆΙΒΘ¬ΖίιΰΜΕ ι©ηA±€ΔΞκά·B
ηbΙΰ4Β θAΰeΝRE\¬Ζ―ΆΕ·B
·
~ηb
·
Lηb
·
©ηb
·
³Ύηb
±Μζ€ΙA―ΆΰeπRE\¬EηbΖ3ΒΜΨθϋΕΰΎ³κΔ’ιΜΝ¨ίήlͺlΜπΝΙΆΔΰΎΜΨθϋπΟ¦Δ’½©ηΕ·B
\¬ΖΝΓ΅½μΜζ€Θ¬πΣ‘΅ά·B»κΝΒάθAζΓE©EsΘΗΰLξπκΜΦ]ΜΙ¨¦A£PnάΕ^Ρι±Ζ©ηA±€ΔΞκά·B
l\¬ΝΘΊΜ4ΒΕ·B
·
~\¬
·
L\¬
·
©\¬
·
³Ύ\¬
ΰeΝ»κΌκlRΖ―ΆΕ·ΛB
¨ίήlΝΞ@ΰ@Ζ’€βθϋΕA―Ά±ΖπΰΎ·ιΜΕΰAlΙζΑΔΨθϋπΟ¦Δ’ά΅½BΒάθAX^[giΨθϋjΝlΙζΑΔΟ¦ι―ΗAS[i`¦½’±ΖjΝ―ΆΖ’€±ΖΕ·ΛB
»ρΘν―ΕARΖ’€ΨθϋΜΌΙA\¬Ζ’€Ψθϋΰ ιν―Ε·B
RΖΝA©η’ΰΜͺRκΔ’ισΤπΣ‘΅Δ’ά·B
·ΘνΏAζΓΘΗΜsςͺαΘΗΜZε©ηRκιlπAα¦ΔRΖΔΡά·B
ά½ARΝ’πΙΰα¦ηκA»κΙΖηνκιΖ½ΏΝP«Μ»fͺΒ©ΘΘθAΚIΙ«ΖπΟή±ΖΙΘθά·B
RΙΝΜlΒͺ θά·B
FEΊEE‘EGΙΞ·ι5~π~·ι€Ε θA~RΜΐΜΝζΓͺS8ΙΞ·ιζΓSΜ±ΖB
~Rζθΰxͺ’~
·
FEβ³FEΜVΖ΅ΔΆάκΟνΑΔ·Ά«΅½’Ζ’€~B
·
isΕΜ^δͺ ιΖ’€©πΙΊ€~B
LRΜΐΜΝA«©ζΓͺS4Ι·ιζΓSΜ±ΖB
isΕΜ^δͺ ιΖ’€ν©βAρΎηSΔͺIνθΕΦτΰ½ΰΘ’Ζ’€f©Μ±ΖB©RΜΐΜΝA«©ζΓͺS4Ι·ι©SΜ±ΖB
lΉϊANΘΗͺͺ©ηΘ’±ΖB³ΎRΜΐΜΝAsPS12Ι·ιsSΜ±ΖB
Ά½ΜgΜπx¦ιiΩnπΆΆ³Ήιj {fΘΗΜ±ΖπHΖΎ’ά·B
οΜIΙΝΜ4ΒΕ·B
·
iH
·
GH
·
ΣΜvH
·
―H
±κΝκΚIΘH¨Μ±ΖΕ·ΛBH¨πΖθ±―Θ’ΖgΜπΫΕ«άΉρBζΑΔA±κͺζκΜHΙΘθά·B
ζρΜHͺGHΕ·BGΖΝGSΜ±ΖΕAσπΩn³ΉιΝ½η«ͺ θά·B
άΈAiHΙζΑΔgΜͺx¦ηκΔ’Θ’ΖAGHΰΖι±ΖͺΕ«Θ’ΜΕAiHͺζκΕAiHͺζρΜHΖΘθά·B
»ΰ»ΰ½ΏͺΦτ]ΆΙζΑΔΆάκΟνθπ±―ιRΝA€i~jͺ΄φΕ·B»Μ€ΝΗ±©ηι©ΖΎ€ΖA½Ώͺπ΄σ·ι©ηΕ·B
α¦ΞA½©HΧΔ¨’΅’Ζ΄Ά½Ζ΅ά·B·ιΖA¨’΅’i΄σj¨ΰΑΖHΧ½’i€jΖΘιν―Ε·B
ΕΝA³ηΙΘΊ΄σͺ ι©Ζ’€ΖAͺ½ΏΜ΄oν―ΙGκι©ηΕ·ΛiGjBHΧ¨Μα¦ΕΎ€ΖA»ΰ»ΰHΧ¨ͺγΙGκΘ―κΞ΄σͺN±θάΉρ©ηB
±Μζ€ΙGΖ’€Ν½η«ΙζΑΔ΄σͺΆάκA΄σΙζΑΔ€ͺΆάκA€ΙζΑΔΆ½ͺΦτ]ΆπΚ΅Δ·Ϋ³κι±ΖΙΘθά·B
ΒάθAGΰΆ½Μ¬κπΫ·ιiάε]π±·ιjΖ’€Σ‘Ι¨’ΔHΘΜΕ·B
ΣΜvΖΝA89SΙάάκιvSΜ±ΖΕA’νδιΖπΣ‘΅ά·B
ΖΰΦτ]ΆΜJθΤ΅Ι[ΦW΅Δ’ΔAΦτΙζΑΔΆάκιΖ«Ά½ΝΖΆFπυ¦ΔΆάκά·B
ΒάθAΖΰΖΆFπΒιΘΗΖΎ€`ΕAάε]Μ±ΙΦW΅Δ’ιΜΕHΖπί³κά·B
―ΖΝ89SΜ±ΖΕ·B\ρφΕΰΎ·ιΖ―ΙζΑΔΌFiSΆFjͺΆΆι±Ζ©ηAάε]Μ±Ι[ΦνΑΔ’ά·BΒάθA―ΰHΖπί³κά·B
εΖΝ€lΜζ€ΘSΘΖΩΜζ€ΘΣ‘πΑΔ’ά·B
―Άζ€ΘΣ‘πΒΰΜΙͺΰ θά·BͺΝεbΙα¦ηκA©ͺΜπΙ¨’Δ[_[Vbvπφ΅ά·ͺAΌΜͺͺ[_Vbvπφ΅Δ’ιΖ«Ν»κΙ]€±Ζΰ θά·B
΅©΅AεΝβΞIΘΖΩΕA·ΧΔΜ«πxz·ιζ€ΘC[WΕ·BεΝΘΊΜ4Β θά·ͺA»ΜΑ«γAΌΜεΖ¦Ν΅€±ΖΝ θάΉρB
·
Σ~ΜεiρφEOφ¬sS52Ι·ιΣ~Sj
·
ΈiΜεiρφEOφ¬sS52Ι·ιΈiSj
·
SΜεiρφEOφ¬sS52j
·
ΟΜεiOφ¬sS34Ι·ιdͺSj
±ΜΕAΟΜεΘOΝPΙΰsPΙΰΞ΅Δ’ι½ίAϋό«πΤα€ΖsPΜs’ΙάΑ΅ηΖ’€±ΖΙΰΘθΎά·B
ΟΜεΝPSΖ΅©Ξ΅Δ’Θ’½ίAKΈPΖͺΒίιΜΕ·ΛB
ΝΖΝAGΙoοΑΔΰsΘwφ―Μζ€ΙA½Ξ@Ιό΅Θ’³|IΘΝπw΅ά·B
ΚνAάΝΖΎ¦ΞA
·
MΝ
·
ΈiΝ
·
OΝ
·
θΝ
·
dΝ
Μ5ΒΜP@πw΅ά·ͺA±κΙΞEΑA³ΞE³ΑΜ4ΒπΑ¦Δ
·
MΝΜsM
·
ΈiΝΜζΣi©’½’FPπC΅A«πfΈι±ΖπΣ―ιSj
·
OΝΜϊν
·
θΝΜ{
·
dΝΜ³Ύ
·
ΞΝΜ³Ξ
·
ΑΝΜ³Α
·
³ΞΝΜΞ
·
³ΑΝΜΑ
ΕγΝΖΎ’ά·BiξσΜE€Ν½Ξ@j
ͺΝp[κΕindriyaΖ«A»ΜΣ‘ΝAu©gΜ«Ι¨’ΔΜεΕ ιvΖ’€ζ€ΘΰΜΕ·B
α¦ΞAαͺͺ θά·ͺAαΝ©ιΖ’€«Ι¨’ΔΜεΕ·B»΅ΔAαΝ©ιΖ’€«Ι¨’Δ[_[Ε θA»ΜΌπ©ιΖ’€«Ι]νΉά·B
±Μζ€ΙA»Μ©gΜ«Ι¨’ΔΜεΕ θiSIΘ«π΅Δ’ΔjA[_[VbvπΖιΰΜπͺΖΔΡά·B
οΜIΙΝΜ22Ε·B
·
αͺA¨ͺA@ͺAγͺAgͺiάξFj
·
ͺAjͺi«Fj
·
½ͺi½ͺFA½ͺSj
·
Σͺi89Sj
·
yͺAκͺAμͺAJͺAΜͺiάσj
·
MͺAΈiͺAOͺAθͺAdͺiάͺj
dͺΙ·ιSΝSΕ47 θά·B±κηΝo’ΤS8Ι·ιdͺSΖA»κΘOΜPS39Ι·ιdͺSΙͺήΕ«ά·B
³ηΙAo’ΤS8Ι·ιdͺSΝΜ3ΒΙͺήΕ«ά·B
·
’mπmλ€Ζ·ιͺi’mαcmͺjEEEa¬ΉΙ·ιdͺS
·
«EΰπmιͺiίmͺjEEEγ3ΉAΊ3ΚΙ·ιdͺS
·
mθIνΑΔ’ιͺiοmͺjEEE’
ΏΚΙ·ιdͺS
TxͺTθΙόι½ίΙdvΘππ·ιSΕ Α½ΜΙΞ΅AΉxΖΝει½ίΙdvΘππ·ιSΕ·B
ΚνAΉxΖ’¦Ξͺ³ΉπΣ‘΅A
·
³©
·
³v
·
³κ
·
³Ζ
·
³½
·
³Έi
·
³O
·
³θ
Μ8Βπw΅ά·B΅©΅A\ρΉxΕΝAεθΦΜΉΎ―ΕΘA£PnΦΜΉΰάίΔΉxΖ΅Δ’ι½ίA
·
³©EEE©«ΝdͺS
·
³vEEE©«ΝqS
·
³κEEE©«Ν³κS
·
³ΖEEE©«Ν³ΖS
·
³½EEE©«Ν³½S
·
³ΈiEEE©«ΝΈiS
·
³OEEE©«ΝOS
·
³θEEE©«Νκ««S
·
Χ©EEE©«Ν©S
·
ΧvEEE©«ΝqSisPSΖ·ιj
·
ΧΈiEEE©«ΝΈiSisPSΖ·ιj
·
ΧθEEE©«Νκ««SisPSΖ·ιj
Ζ’€ζ€ΙAΧΜ4ΒΜvfπΑ¦Δ\ρΉxΖΔρΕ’ά·B
³κΜ©«Ε ι³κSβA³OΜ©«Ε ιOSΝKΈPSΖ·ι½ίAΧκEΧOΘΗΝ θάΉρBά½A\ρΉxΜ©«ΜΝ9νήΙΘθά·B
ΚνATxΖΝTπx¦ιΖ’€Σ‘ΕATθΙόι½ίΙKvΘSπΣ‘΅A
·
q
·
f
·
μ
·
yEEEσS
·
κ««
Μ5Βπw΅ά·B½ΎA±ΜΕyΝσSΜ1ΒΜp[cΕ θAΌΙΰσSΙΝJβΜΖ’€p[cΰ θά·B
±±ΕΝσSπAyiμjEJEΜΖ’€3ΒΜp[cΙͺ―A
·
q
·
f
·
μ
·
yiμj
·
J
·
Μ
·
κ««
Μ7ΒπΰΑΔA΅TxΖΔΡά·B
±±Ε’€φΖΝΨΜͺΑ±Ζ’€ζ€ΘΣ‘Ε·BZφΖΝAP«ΜͺΑ±ΙΘι6ΒΜvfiSjπΣ‘΅ά·B
ΒάθA
·
ζΓ
·
αΡ
·
s
·
³ζΓ
·
³αΡ
·
³s
Μ6ΒΕ·ΛBΕΜ3ΒΝsPΜvfΕ θAγΜ3ΒΝPΜvfΕ·B±Μζ€ΙP«Μvfͺ¬ΆΑΔ’ιΜΕGΜΫΙͺή³κιν―Ε·ΛB
sPΜΫΕΝAsPΙΦ·ιΰΜΞ©θπO[vΙ΅Δͺή΅Δ’«ά΅½B
GΜΫΕΝAPiζ’jAsPiνι’jA³LiΗΏηΕΰΘ’jΜΰΜͺKXGΆΑΔO[vΘΑΔͺή³κά·B
οΜIΙΝ
·
Zφ
·
΅Tx
·
\ρΉx
·
ρ\ρͺ
·
γΝ
·
lεiγj
·
lH
ͺ θά·B’ΈκΰAeO[vΜΙPiζ’jAsPiνι’jA³LiΗΏηΕΰΘ’jͺKXάάκά·B
©« |
lOZ |
l³Ξ |
l_« |
άͺ |
άΝ |
΅ox |
ͺΉx |
|
S |
S_« |
1 |
||||||
κ«« |
θͺ |
θΝ |
θox |
³θ |
4 |
|||
q |
³v |
1 |
||||||
Έi |
fΞ |
Έi_« |
Έiͺ |
ΈiΝ |
Έiox |
³Έi |
9 |
|
μ |
μox |
1 |
||||||
Σ~ |
Σ~_« |
1 |
||||||
M |
Mͺ |
MΝ |
2 |
|||||
O |
gΟ |
Oͺ |
OΝ |
Oox |
³O |
8 |
||
Μ |
Μox |
1 |
||||||
gyΐ |
yΐox |
1 |
||||||
³κ |
³κ |
1 |
||||||
³½ |
³½ |
1 |
||||||
³Ζ |
³Ζ |
1 |
||||||
d |
Ο_« |
dͺ |
dΝ |
ς@ox |
³© |
5 |
||
14 |
1 |
1 |
4 |
5 |
5 |
7 |
8 |
·
lOZΝA’ΈκΜ©«ΰOΕ θA©«ΜΝ1
·
l³ΞΝA’ΈκΜ©«ΰΈiΕ θA©«ΜΝ1
·
l_«Μ©«ΜΝ4
·
άͺΜ©«ΜΝ5
·
άΝΜ©«ΜΝ5
·
΅oxΜ©«ΜΝ7
·
ͺΉxΜ©«ΜΝ8
·
μρͺΙΦ·ι©«ΜΝ14
·
SAqAμAΣ~AΜAyΐA³κA³ΖA³½Μ9ΝA»κΌκ1©Ζ
·
MΝ2©ΖB
·
κ««Ν4©ΖB
·
dΝ5©ΖB
·
OΝ8©ΖB
·
ΈiΝ9©ΖB
ΉxΖΝεθΙι½ίΜΐHϋ@Ε·Bͺ³ΉΖ’€ΔΡΌͺκΚIΕ·ΛB
οΜIΙΝ
·
³©i©«ΝdͺSj
·
³vi©«ΝqSj
·
³κi©«Ν³κSj
·
³Ζi©«Ν³ΖSj
·
³½i©«Ν³½Sj
·
³Έii©«ΝΈiSj
·
³Oi©«ΝOSj
·
³θi©«Νκ««Sj
Μ8ΒΕ·B’ΈκΜ©«ΰA42P¬sSΙ·ιSΙΘθά·B42P¬sSΝΘΊΜΚθΕ·B
·
εPS8
·
εBμS8
·
FEPS5
·
FEBμS5
·
³FEPS4
·
³FEBμS4
·
ΉS4
·
ΚS4
»κΕΝA»κΌκΜΣ‘πl¦Δέά΅ε€B
±κΝAͺ©θβ·Ύ€Ζu³΅’v’έvΖ’€ζ€ΘΣ‘Ε·B
α¦ΞA©Θmθ΄ͺα’lΝu©ͺΝΑΚΙΏlͺΘ’ΆέΎvΖ’€v’έπΑΔ’ά·BΕ·ͺAqΟIΙl¦Δ±Μv’έΝ³΅’š倩HΰΏλρA³΅Θ’Ε·ΛI
»ΰ»ΰAlΜΏlπΝ©ι±ΖΘρΔA»€»€Ε«ι±ΖΆαΘ’Ε·©ηB»€l¦ιΖAu©ͺΝΑΚΙΏlͺΘ’ΆέΎvΖ’€v’έΝΤαΑ½v’έΖ’€±ΖΙΘθά·B
±κΝAu³΅’l¦ϋvΖ’€Σ‘Ε·Bl¦ϋΝl½ΏΜv’έπx[XΙ΅ΔΆάκά·B
α¦ΞA³Α«ΜαΕsΖAΰ΅u©ͺΝΑΚΙΏlͺΘ’ΆέΎvΖ’€v’έͺ ικAu©ͺΝlΙΒ·±ΖΕ«θΘ’Ώlπ⨀vΖ©’€l¦ͺoΔιν―Ε·B
RAΤαΑ½v’έ©ηΝAΤαΑ½l¦ϋ΅©ΆάκάΉρBtΙΎ€ΖA³΅’v’έπΒ±ΖΕA³΅’l¦ϋͺΆάκιζ€ΙΘθά·B
±κΝu³΅’ΎtvΖ’€Σ‘Ε·B
l½ΏΝA½©΅αΧιOΙΝAKΈͺΜΕl¦Δ©η΅αΧιΖ’€μΖπ΅Δ’ά·Bΰ΅A»€ΕΘ’ΖA©ͺΜΣ―ΖΝΦWΘ΅ΙA©IΙΎtͺoΔι±ΖΙΘθAsοͺoά·ζΛH
Ύ©ηAKΈΎtΜOΙΝl¦ϋͺζs΅ά·B
±κΝu³΅’s’vΖ’€Σ‘Ε·Bs’ΖΝAl½Ώͺ·ιsSΔΜ±ΖΕ·Bΰ’½θAQ½θA{πΗρΎθAg[jO΅½θAW
[XπωρΎθA|΅½θEEΖ’Α½sΕ·ΛB
±κΰ³κΖ―ΆΕAl¦ϋͺζs΅ΔAl½ΏΜs’ͺθ³κά·B³΅’l¦πϋ©η\»΅½ΰΜͺ³κΕA³΅’l¦πsΕ\»΅½ΰΜͺ³ΖΕ·B
±κΝu³΅’dvΖ’€Σ‘Ε·BOΜA³κE³ΖΖZbgΕ·ΛB³΅’dΖΝ³΅’l¦ϋΙξΓ’Δs€dΕ·B
»ΰ»ΰA³΅’ΖΝuliΆ½jπKΉΙ±vΖ’€Σ‘Ε·©ηA_ΖΖ©AwZΜζΆΖ©Ν³΅’dΜγ\IΘΰΜΕ·ΛB
tΙAE΅Ζ’€dΝAΤαΑ½dΜγ\ΖΎ¦ά·B
±κΝu³΅’wΝvΖ’€Σ‘Ε·B
³΅’v’έΙζΑΔA³΅’l¦ϋͺΆάκά·B»΅ΔA³΅’l¦ϋΙζΑΔAl½ΏΝ³΅’ΎtA³΅’sA³΅’dπ·ιζ€ΙΘθά·B
ΕΰA»κͺ3ϊVεΎΑ½ηΣ‘ΝΘ’ν―Ε·BΕ·©ηAΉΑ©Άάκ½³΅’ΎtA³΅’sA³΅’dπEΟΙζΑΔ±―ά΅ε€Ζ’€±ΖΕ·B
±κΝu³΅’CΓ«vΖ’€Σ‘Ε·B
wΝ΅Δ³΅’ΎtA³΅’sA³΅’dπ±―Δ’ιΖA»±©η³΅’CΓ«ͺΎηκά·B
½ΏΝ’ΜΕN«Δ’ιφΚΦWΜΩρΜκ΅©π΅Δ’άΉρBΎ©ηdΕΦάπ΅½θAlΤΦWΕΒάΓΜΕ·B
»Μ±κάΕ©Ζ΅Δ’½φΚΦWΙCΓ’Δ’±ΖͺA³΅’Ct«ΙΘθά·B
α¦ΞAdΕΎ€ΖΏεΑΖ΅½RcπΒ©ή±ΖΕAdΜ¬ΚͺOΖγͺι±Ζͺ θά·ζΛH»ΜRcΑΔ’€ΜΝAdπ€ά±Θ·φΚΦWΙCΓ’½Ζ’€±ΖΕ·B
±κΝu³΅’WΝvΖ’€Σ‘Ε·B
φΚΦWΙΗρΗρCΓ’Δdπ€ά±ΘΉιζ€ΙΘιΖA»κΙΆΔWΝΰΗρΗράΑΔ’ά·B
dͺΕ«ιlπC[W΅ΔΎ³’B
»ΜlΝdAu ‘ϊι²Ρ½HΧ怩ΘHvΖ©udΚ|ΎΘBΗ€βΑΔT{뀩ΘHvΖ©l¦Δ’ιš倩H
¨»ηAl¦Δ’Θ’ΝΈΕ·BdΜΎ―Ι100W΅Δ’ιΝΈΕ·BΎ©η»ΜlΝ¬ΚͺoιΜΕ·B
oxΖΝεθΜξΖΘιp[ciijΜζ€ΘΣ‘Ε·B
u»ΰ»ΰAO\΅μρͺΜ·ΧΔͺεθΜp[cΆαΘ’©HvΖ’€Σ©ΰ θά·ͺAoxΜκΝεθ»ΜΰΜπ\¬΅Δ’ιp[cΖ’€ζ€ΘΣ‘©Ζv’ά·B
΅oxΝΘΊΜΚθΕ·B
·
Ooxi©«ΝOSj
·
ς@oxi©«ΝdͺSj
·
Έioxi©«ΝΈiSj
·
μoxi©«ΝμSj
·
yΐoxi©«ΝgyΐESyΐSj
·
θoxi©«Νκ««Sj
·
Μoxi©«ΝΜSj
©«Ν42P¬sSΙ·ι»κΌκΜSΙΘθά·B42P¬sSΝΘΊΜΚθΕ·B
·
εPS8
·
εBμS8
·
FEPS5
·
FEBμS5
·
³FEPS4
·
³FEBμS4
·
ΉS4
·
ΚS4
ςΝIπΜςΕ·ΜΕAς@ΖΝ@πIπ·ιA@ππ΅Δ»f·ιΜζ€ΘΣ‘ΙΘθά·B
α¦ΞAu ΜlΝβΞΜ±Ζ’ΘρΎvΖ’€ΜΝͺΰΘΟzIΘ»fΕ θAς@ΕΝ θάΉρB
άΕΐπqΟIΙ»f·ι±Ζπς@ΖΎ’Aς@ΙΝqdͺKvΘ½ίAdͺSͺ©«ΖΘΑΔ’ά·B
ΝΖΝ½Ξ@ΙoοΑΔΰζΖ΅Δhθ©³κΘ’ΕΘΝπΣ‘΅ά·B»κΌκΜ½Ξ@ΝγΝπ²QΖΎ³’ΛB
άͺΜ»κΌκͺ©ͺΜdπ΅Α©θ΅Δ’ΖA»±Ιδι¬Θ’ΝͺΆάκΔ«ά·B»κͺάΝΕ·B
·
MΝ
·
ΈiΝ
·
OΝ
·
θΝ
·
dΝ
±κηΝάͺΜΝ½η«ΙζΑΔΆάκιΝΕ·ΜΕA©«ΰάͺΖ―ΆΕ42P¬sSΙ·ιMSΘΗΙΘθά·B42P¬sSΝΘΊΜΚθΕ·B
·
εPS8
·
εBμS8
·
FEPS5
·
FEBμS5
·
³FEPS4
·
³FEBμS4
·
ΉS4
·
ΚS4
GΜΫΕAρ\ρͺΖ’€ΰΜΙGκά΅½B
ͺΖΝAu©gΜ«Ι¨’ΔΜεΕ ιvΖ’€ζ€ΘΣ‘ΕA»Μ«Ι¨’Δ[_[Vbvπφ·ιΆέΕ·B
ρ\ρͺΝGΜΫΙͺή³κAP@EsP@ͺά΄ΑΔ’ά΅½ͺAάͺΝμρͺΙͺή³κιΜΕP@ΜέΕ\¬³κά·B
οΜIΙΝΘΊΜ5ΒΕ·B
·
Mͺ
·
Έiͺ
·
Oͺ
·
θͺ
·
dͺ
±κηΜ©«ΝPΜ¬sS42Ι·ιMSΘΗΕ·BΏΘέΙPΜ¬sS42ΖΝΘΊΜΚθΙΘθά·B
·
εPS8
·
εBμS8
·
FEPS5
·
FEBμS5
·
³FEPS4
·
³FEBμS4
·
ΉS4
·
ΚS4
TAΉAΚΖ’€Κπΰ½η·½ίΙξbΖΘιΰΜπ_«i¬AΜξbjΖΎ’ά·B
l³ΞΜκΖ―lΙsPSAPΩnSABμSAΚSΝ_«Ζ΅άΉρB_«Ζ·ιSΝ21ΜPSAΒάθεPS8AFEPS5A³FEPS4AΉS4Ε·B
l_«ΝΘΊΜΚθΕ·B
·
Σ~_«i21PSΖ·ιΣ~Sj
·
Έi_«i21PSΖ·ιΈiSj
·
S_«i21PSj
·
Ο_«i21PSΖ·ιdͺSj
lεΖΰeΝ―ΆΕ·ΛB
³ΞΖΝ³΅’wΝΖ’€Σ‘Ε·B³΅’wΝΝ4Β θά·B
·ΕΙΆΆ½«πΥf·ιwΝΜ±ΖB·ΕΙΆΆ½«ΖΝA»’Ύ―ΕΘί’ΕΘ΅½«ΰάάκά·B
α¦ΞA«’±Ζπ΅ΔφJ·ι±ΖΝfΞΕΝ θάΉρB»κπ½Θ΅ΔΡ«sΧπ΅Θ’ζ€ΙCπt―ι±ΖͺfΞΕ·B
’ΎΆΆ½±ΖͺΘ’«πΆΆ³ΉΘ’wΝΜ±ΖB’ΎΆΆ½±ΖͺΘ’«ΖΝί’π’½»’ΜέΕΆΆ½±ΖΜΘ’«πw΅ά·B
’ΎΆΆ½±ΖͺΘ’PπΆΆ³ΉιwΝΜ±ΖB’ΎΆΆ½±ΖͺΘ’PΖΝ»’Aί’Ι¨’ΔΆΆ½±ΖΜΘ’’ΤPAo’ΤPπw΅ά·B
·ΕΙΆΆ½Pπε³ΉιwΝΜ±ΖB·ΕΙΆΆ½PΖΝA»’Aί’ΕΜ’ΤPΜ±ΖΕ·B
±κηl³ΞΜ©«ΝΈiSΕ·ͺA·ΧΔΜSΜΈiSͺΔΝάιΕΝ θάΉρBάΈA±κηΝPΜsΧΕ·ΜΕAsPSΜΈiSΝY΅άΉρBY·ιΜΝSgΙ·ιΈiSΜέΕ·B
ά½APSΕΰPΩnSΙ·ιΈiSΰY΅άΉρB
³ηΙA’
ΏΜέΙΆΆιBμSΙάάκιΈiSΝ±κηΙΝάάκάΉρBΘΊΘη’
ΏΝSΔΜ«ͺf½κΔ¨θAγΜζ€ΘΈiΝsvΎ©ηΕ·B
»΅ΔAΚS4Ι·ιΈiSΰAγΜ4ΒΜΈiμpΖΝΦW θάΉρBiΚSΝΉSΜΩnSΎ©ηj
ΒάθAεPS8{FEPS5{³FEPS4{ΉS421ΜPSΙ·ιΈiSͺAl³ΞΜ©«ΖΘθά·B
OZΖΝAiΞΫjΙΞ΅ΔOiCΓ«jͺ΅Α©θZ·ιiθ
·ιj±ΖπΎ’ά·BOZΜ©«ΝAεPS8AεBμS8Aΐ~¬sS26Ι·ιOSΕ·B»κΕΝΤΙ©Δέά΅ε€B
©gΜ32ΜgΜΜͺiFε]jπΖ΅ΔAJθΤ΅Ο@·ιOZΜ±ΖB
±ΜOZΙζΑΔA©gΜgΜΝΐΝsςΕ ιΖ’€±ΖΙCΓ±ΖΕAu©ͺΜgΜΝ΄ςΕ ιvΖ’€ΠΑθΤΑ½ΰΜΜ©ϋπfΒ±ΖͺΕ«ά·B
κAyAΜΘΗΜ΄oiσε]jπΖ΅ΔAJθΤ΅Ο@·ιOZΜ±ΖBκσΝΰΏλρκΕ θAyσEΜσΘΗΰ³νΕ ι±ΖπΟ@΅ΔAΗΝκΕ ι±Ζππ΅ά·B
±Μζ€ΙAΒάιΖ±λκΨΝκΕ ιΖCΓ±ΖΕAσΝyΕ ιΖ’€ΠΑθΤΑ½ΰΜΜ©ϋπfΒ±ΖͺΕ«ά·B
Si―ε]jπΖ΅ΔAJθΤ΅Ο@·ιOZΜ±ΖB
±ΜOZΙζΑΔSΝ³νΕ ι±ΖΙCΓ±ΖΕASΝνΕ ιΖ’€ΠΑθΤΑ½ΰΜΜ©ϋπfΒ±ΖͺΕ«ά·B
@ΖΝzε]izSjAsε]ivSjΕ θA±κηπΖ΅ΔAJθΤ΅Ο@·ιOZΜ±ΖB
@Ν³δΕ ι±ΖπΟ@·ι±ΖΕA ηδιΰΜΙΝζκ`@iSESEFEΈΟjΎ―΅©Θ’Ζmι±ΖͺΕ«ά·B
±ΜΖ«@ΙΞ΅ΔΆΆΔ’ιAu@ΝδΕ ιvΖ’€ΠΑθΤΑ½ΰΜΜ©ϋπfΒ±ΖͺΕ«ά·B
μρΖΝp[κbodhii{[fBj©ηΔ’ΔAεθΖ’€Σ‘ͺ θά·BͺΖΝͺEp[cΜζ€ΘΣ‘ͺ θά·B
ΒάθAuμρͺΖΝεθΙΦW·ιp[cπO[vΙάΖίΔέά΅½vέ½’ΘΣ‘Ε·ΛB
μρͺΜΫΝΘΊΜΚθB
·
lOZ
·
l³Ξ
·
l_«i¬AΜξbj
·
άͺ
·
άΝ
·
΅ox
·
ͺΉx
±κηΜπS«·Ζ37ΙΘθAάΖίΔO\΅μρͺΖΎ’ά·B
ϊΖΝ^ΐΖ’€Σ‘ΘΜΕAlΉϊΖΝ4ΒΜΉΘι^ΐΖ’€Σ‘ΙΘθά·BοΜIΙΝΜ4ΒΙΘθά·B
κ΅έΜ±ΖB
±Μ’ΝyΕ ιΖ¨α’΅AsKΙ³’ΘάκΔ’ιlΙA±Μ’Ν·ΧΔκΕ ι±Ζ¦·½ίΙζκΙΰ©κά΅½B
κ΅έΜ΄φΜ±ΖB
κ΅έΝ©RΙΆΆΔιΰΜΕΝΘA»Μ΄φΝ€Ι ι±Ζπ¦·½ίΙζρΙΰ©κά΅½B
κ΅έͺΕ·ισΤiΈΟjΜ±ΖB
€ΜΕͺκΜΕΕ θΙΜKΉΕ ι±Ζπ¦·½ίΙζOΙΰ©κά΅½B
κ΅έπΕ·ι½ίΜϋ@Μ±ΖB
κπΕ·ι½ίΙΝA³΅CsπΐH·ιKvͺ ι±Ζπ¦·½ίΙζlΙΰ©κά΅½B
ά½AϊΝβΞIΘ^ΐπΣ‘΅ά·ͺA’ΤIΙ©Δ^ΐΕ ιΰΜΝ’ϊΖ\»³κά·B
α¦ΞAjEΖ’€ΜΝ’ϊΕ·BΖ’€Μΰϊi`ϊjΖ’€§κΕ©ιΖA»±Ι ιΜΝΌFΜWΜͺ ιΎ―Ύ©ηΕ·B
·
κϊAWϊΝA½ΏκΚIΘΆ½Μ’EΜ^ΐΘΜΕ’Τϊ
·
ΕϊAΉϊΝAεθΙΦ·ι^ΐΘΜΕo’Τϊ
Ζ»κΌκͺ―ηκά·B
κϊΝWϊΜΚAΕϊΝΉϊΜΚΖ’€ΦWΙ θά·B
·
κϊAΕϊΝΚϊ
·
WϊAΉϊΝφϊ
Ζ»κΌκͺ―ηκά·B
EΖΝ©«πΫ·ιΖ’€Σ‘ͺ θά·B
α¦ΞAαΝoΙζιF―𬧳Ήι½ίΜvfΕ θA»ΜvfͺΌΙΪ΅½θ‘»³κ½θ·ι±ΖΝ θάΉρBαΎ―ͺoΙζιF―𬧳Ήι½ίΜvfπL·ι±Ζ©ηαEΖΎ’ά·B
―lΙAΘΊͺ\ͺEΕ·B
¨Ώ |
αE |
αF |
¨E |
¨F |
|
@E |
@F |
|
γE |
γF |
|
gE |
gF |
|
FE |
FF |
|
ΊE |
ΊF |
|
E |
F |
|
‘E |
‘F |
|
GE |
n |
|
S |
α―E |
α―2 |
¨―E |
¨―2 |
|
@―E |
@―2 |
|
γ―E |
γ―2 |
|
g―E |
g―2 |
|
ΣE |
άεψ]S |
|
Σ―E |
»ΜΌS76 |
|
@E |
ΧF16 |
ΖΝSͺΆΆιiΖ±λjΖ’€Σ‘Ε·B
SΝAαΘΗΜ΄oνΙAΞΫijͺGκι±ΖΕΆάκά·B±ΜΖ«ΙαεΘΗπZΰAZΰΙGκιΞΫijπZOΖ’€`Εͺή΅AνΉΔ\ρΖΔΡά·B
·
αiαεαFj
·
¨i¨ε¨Fj
·
@i@ε@Fj
·
γiγεγFj
·
gigεgFj
·
Σ
·
FiFFj
·
ΊiΊFj
·
iFj
·
‘i‘Fj
·
GinAΞAj
·
@iΧF16AS52AΈΟj
ζΖΝζi΅γΆαjAΒάθΕ·Ζ’€Σ‘Ε·BΒάθζε]ΖΝΕ·ΜΞΫijΖΘιΖ’€Σ‘ͺ θά·B
άζε]ΰάε]Ζ―lΙA
·
Fζε]
·
σζε]
·
zζε]
·
sζε]
·
―ζε]
Μ5ΒΙΘθά·B
άΈΕΙ@π ιͺάάͺή·ι`Εάε]ͺκηκά΅½B
½ΎAPΙάε]ΖΎ€κA’
ΏΙεΑ½lΜ\¬vfΰάε]AδXΜζ€Θ}lΜ\¬vfΰάε]ΖΘθζΚͺΕ«άΉρB
΅©΅A’
ΏΙεΑ½lΝάε]i©ͺΖ’€lΤjΙ·
΅Δ¨ηΈA»κΘOΜlΝάε]i©ͺΖ’€lΤjΙ·
ͺcΑΔ’ιΖ’€α’ͺ θά·B
ά½A’
ΏΘOΜlΝ»Μ·
ΜΞΫΕ ιάε]παzΞΫΖ΅ΔA’
ΏπΪw·±Ζ©ηA’
ΏΘOΜlΜαzΞΫΖ΅ΔΜάε]Ζ’€Σ‘πΎmΙ·ι½ίΙAάζε]Ζ’€Ύtͺgνκά·B
v·ιΙάζε]ΖΝεΑΔΘ’lΜάε]πΣ‘΅Δ’ά·B
ε]ΖΝuWάθvΖ’€ζ€ΘΣ‘ͺ θά·B
άε]ΖΝΘΊΜΚθΕ·B
·
Fε]i28FΜ±ΖB¨ΏΜWάθBj
·
σε]i89SΙ·ισSj
·
zε]i89SΙ·ιzSj
·
sε]i89SΙ·ιvSπγ\Ζ·ισSAzSπ50Sj
·
―ε]i89Sj
SΝ52 θά·ͺAσε]iσSjAzε]izSjπΖcθΝ50Ε·B±Μ50ΜSΝvSͺiί―Ζ΅ΔΝ½η±Ζ©ηAsε]ΝvSπγ\Ζ·ι50SΖ\»³κά·B
άε]ΝΘΊΜζ€Ιΰα¦ηκά·B
·
Fε]iMj
·
σε]i²Ρj
·
zε]i¨©Έj
·
sε]iΏlj
·
―ε]iHΧιlj
sε]Ζ’€ΏlΙζΑΔAFΖ’€gΜΙσε]βzε]ͺ·θt―ηκA»κπ―ε]Ζ’€HΧιlͺ‘ν€ζ€ΘC[WΕ·ΛB
κΨΖΝA±Μ’ΜκΨΜΰΜAΒάθζκ`ϊi`ϊjπ³΅ά·BκΨΜΫΕΝ`ϊΕ ιASASAFAΈΟπΰΖΙ΅ΔO[vͺ―΅Δ’«ά·B
οΜIΙΝΜΚθΕ·B
·
άε]
·
άζε]
·
\ρ
·
\ͺE
·
lΉϊ
Μ5ΒΕ·B
½ΏΝuvΖ’€Ύtπζg’ά·ͺAΖͽš倩H
ΙΝA·ιAT|[g·ιΖ’€ζ€ΘΣ‘ͺ θά·Bα¦ΞAyΙA¦½νͺθπo·ΙΝA
βh{ͺΖ’Α½ijͺKvΕ·ΛB
πͺή·ι½ίΙAΘΊΜl¦ϋπάΈπ·ιKvͺ θά·B
ΖΝAuAͺBΙζΑΔCΜΖΘιvΖ’€ΦWͺ θά·B
AΖͽš倩H
AΝA±κ©ηqΧι24ΜΜ±ΖΕ·B
BΖͽš倩H
BΖΝAφΜΝAΜΝΘΗΜΝπ¦΅Δ’ά·B
CΖͽš倩H
ΖESEίEHEΘΗΕΆΆιSESEFΜ±ΖΕ·BΒάθAΆZΕΜ«ΏπΰΒΰΜSΔΕ·ΛB±ηπΆΖΎ’ά·B
Ε·ΜΕAΆZΕΜ«Ώπΰ½Θ’{έβΈΟΘΗΝ±±ΙάάκάΉρB
πͺή·ιΙ ½ΑΔϋ@ͺΜ2Β θά·B
ͺΆΆιΖ«‘‘ͺΆΆι
Μζ€ΙAΖ»κΙζΑΔΆΆιΆΜΦW«Ύ―π¦΅Δ’ͺ―ϋΕ·B12φΖΰΎ’ά·B±Μͺ―ϋΜΝAΜΝΙΒ’ΔΝΰ«άΉρB
±Μͺ―ϋΜκΝAΖΆΜΦW«ΝΰΏλρAΜΝΙΒ’Δΰΰ«ά·B
±κάΕγ°Δ«½\ρNΕ·ͺAίE»έE’Μ3ΒΙͺήΕ«ά·B
·
³Ύ
·
s
·
―
·
ΌF
·
Z
·
G
·
σ
·
€
·
Ε·
·
L
·
Ά
·
VEDEίEκEJEYέ
\ρNπA\ρxΖΎ€±Ζΰ θά·B
1.
³Ύ
2.
s
3.
―
4.
ΌF
5.
Z
6.
G
7.
σ
8.
€
9.
Ε·
10.
L
11.
Ά
12.
V
xΖΝAβΞK{Θ\¬vfΖ’€Σ‘ͺ θά·B
±±ΕA12ΤΪΙDEίEκEJEYͺΘ’±ΖΙ¨Cëš倩H
ΘΊΘηAΆͺ κΞKΈVͺ θά·ͺADEίEκEJEYΙΦ΅ΔΝKΈΖΝΎ’ΨκΘ’©ηΕ·B
α¦ΞAVΜΆ½ΙΝDEίEκEJEYΝ θάΉρ΅AlΤΕΰΆάκΔΤΰΘ’κΝDEίEκEJEYͺ θάΉρB
±Μζ€ΙADEίEκEJEYΝ άΕΤΪIΘ\¬vfΕ ι½ίA\ρxΙΝάίΘ’ΜΕ·B
ίΜφΝA³ΎEsΜ2ΒΕ·ͺA³ΎEsΜ2Βͺ κΞ©IΙ€EΕ·ELΰt«]ΑΔιΜΕAίΜsΝ5Ζ¦ά·B
ά½A»έΜΚΝA―EΌFEZEGEσΜ5ΒΕ·B
»΅ΔA»έΜφΝA€EΕ·ELΜ3ΒΕ·ͺA±Μ3Βͺ κΞ©IΙ³ΎEsͺt«]ΑΔι½ίsΝ5ΒΖ¦ά·B
ΕγΙA’ΜΚΝAΆEVΜ2ΒΕ·ͺAΆEVΙΝΐΜͺΘA΅’ΔΎ€Ζ―EΌFEZEGEσΙΌΘηΘ’½ίAsΝ5ΒΖ¦ά·B
ΒάθA5{5{5{520`@ΖΘιν―Ε·B
lWΖΝ
·
ίΜφiίΜΖj
·
»έΜΚi»έΜΆάκj
·
»έΜφi»έΜΖj
·
’ΜΚi’ΜΆάκj
Ζ’€4ΒΕ·B
OAΖΝAlWπΒΘAΜΕ·B
·
ίΜφiίΜΖj
·
»έΜΚi»έΜΆάκj
·
»έΜφi»έΜΖj
·
’ΜΚi’ΜΆάκj
Ζ’€lWΝA
·
ίΜφΖ»έΜΚ@¨@ζκA
·
»έΜΚΖ»έΜφ@¨@ζρA
·
»έΜφΖ’ΜΚ@¨@ζOA
Μ3ΒΜAΙζΑΔ¬θ§ΑΔ’ά·B±κπOAΖΔΡά·B
·
³ΎE€EΕ·ΝΟYΖ΅ΔͺήΕ«ά·BiΟYΦ]j
·
ΖLΖsΜΐΜΝΟYΙζΑΔΆάκ½ΖΖ΅ΔͺήΕ«ά·BiΖΦ]j
·
cθΜ7ΒΝAΖΙζΑΔΩn΅½ΰΜΖ΅ΔͺήΕ«ά·BiΩnΦ]j
Ζ’€3ΒΜͺήͺΕ«ά·B±κηπOΦ]ΖΔΡά·B
\ρNπρͺ·ιΖΜζ€Ιͺ―ι±ΖͺΕ«ά·B
·
³Ύ
·
s
·
―
·
ΌF
·
Z
·
G
·
σ
·
€
·
Ε·
·
L
·
Ά
·
VEDEίEκEJEY
±κηΜ2O[vΜ€ΏA³ΎΖ€ͺ»κΌκO[v[_[ΖΘΑΔ’ι½ίA±κηπ2ͺ{ΖΎ’ά·B
»΅ΔAΨΜͺͺf½κκΞAΗρΘεΨΰΝκΔ΅ά€ζ€ΙA±Μρͺ{πΜf·ι±ΖΕAVEEDEίEκEJEYͺΕ·ιν―Ε·B
±κΙΒ’ΔAΜζ€ΙΰΎΕ«ά·B
·
³ΎΜΕ©ηsͺΕ΅A
·
sΜΕ©η―ͺΕ΅A
·
―ΜΕ©ηΌFͺΕ΅A
·
ΌFΜΕ©ηZͺΕ΅A
·
ZΜΕ©ηGͺΕ΅A
·
GΜΕ©ησͺΕ΅A
·
σΜΕ©η€ͺΕ΅A
·
€ΜΕ©ηΕ·ͺΕ΅A
·
Ε·ΜΕ©ηLͺΕ΅A
·
LΜΕ©ηΆͺΕ΅A
·
ΆΜΕ©ηVEEDEίEκEJEYͺΕ·ι
±Μζ€Ι΅Δ·ΧΔΜκε]ͺΕ΅ά·B
NΜdϋΖΝAΜ12ΪΙζΑΔ¬θ§ΑΔ’ά·B
1.
³Ύ
2.
s
3.
―
4.
ΌF
5.
Z
6.
G
7.
σ
8.
€
9.
Ε·
10.
L
11.
Ά
12.
VEDEίEκEJEYέ
±κηΝα¦ΞA
·
³ΎΖ’€ΙζΑΔsͺΆΆ
·
sΖ’€ΙζΑΔ―ͺΆΆ
·
EEE
Ζ’€ζ€ΘΦW«ͺ θά·B
sΖΝAΆΙΩnπΰ½η·ΖΜ±ΖΕ·B
»Μ©«Ν
·
sPS12
·
εPS8
·
FEPS5
·
³FEPS4
Μ29SΙ·ιvSΕ·B
±κηΜ€ΏA
·
εPS8ΖFEPS5Ι·ι13vSπPs
·
sPS12Ι·ι12vSπsPs
·
³FEPS4Ι·ι4vSπss
ΖΎ’ά·B
±±ΕΎ€―ΖΝAΆEΆNπΰ½η·Ι °ιΩnS32Ε·B
·
³φsPΩnS7
·
³φPΩnS8
·
εΩnS8
·
FEΩnS5
·
³FEΩnS4
ΌFΖΝAΌΖFΙͺήΕ«ά·B
·
ΌΖΝΩnS32i―jΖ·ιSΜ±ΖΕ·B
·
FΖΝsΙζΑΔΆΆιΖΆFΜ±ΖΕ·B
―ΙζΑΔΌFͺΆΆιν―Ε·ͺAα―E¨―E@―Eγ―Eg―Ζ’Α½ά―i±κηΰΩnSjΝΌΜέπΆΆ³ΉAFπΆΆ³Ήι±ΖΝ θάΉρB
³FEΜκΝFͺΘ’ΜΕA―Ζ’€©ηΌΜέͺΆΆά·B³zLξVΝΌͺΘ’ΜΕA―Ζ’€©ηFΜέͺΆΆά·B
ZΖΝZΰΜ±ΖΕ
·
αiαεαFj
·
¨i¨ε¨Fj
·
@i@ε@Fj
·
γiγεγFj
·
gigεgFj
·
ΣiΣεΩnS32j
Μ6Βπw΅ά·B
ΌFΜFAΒάθΖΆFΙζΑΔAα¨@γgͺΆΆά·B
ΌFΜΌAΒάθSͺΖΘΑΔAΣiLͺSΜΝ½η«π·ιΩnS32jͺΆΆά·B
GΖΝGκ½Ζΐ΄·ιΝ½η«Ε·B½ΏΝZΰAΒάθ
·
αiαεαFj
·
¨i¨ε¨Fj
·
@i@ε@Fj
·
γiγεγFj
·
gigεgFj
·
ΣiΣεΩnS32j
ΙͺGκι±ΖΕΰΜ²ΖπF―΅nίά·BGΜ©«ΝALͺSΜΝ½η«π·ιΩnS32Ι·ιGSΜ±ΖΕ·B±ΜGπ³ηΙͺή·ιΖZΰΙΆΔ
·
αGiα―Ι·ιGS2j
·
¨Gi¨―Ι·ιGS2j
·
@Gi@―Ι·ιGS2j
·
γGiγ―Ι·ιGS2j
·
gGig―Ι·ιGS2j
·
ΣGiΩnS22Ι·ιGSj
ΖΘθά·B
σΖΝκyπ΄σ·ιΝ½η«π·ιSΕ·BσΜ©«ΝΩnS32Ι·ισSΕ·B±κΰAGΜκΖ―ΆAZΰΙΆΔ
·
αGΆσiα―Ι·ισS2j
·
¨GΆσi¨―Ι·ισS2j
·
@GΆσi@―Ι·ισS2j
·
γGΆσiγ―Ι·ισS2j
·
gGΆσig―Ι·ισS2j
·
ΣGΆσiΩnS22Ι·ισSj
ΖΘθά·BGΆσΖΝAGΙζΑΔΆΆισΖ’€Σ‘Ε·ΛB
€ΖΝAu»κ’’ζΛBvΖ’€γ’~Ε·BσΝZΙ΅Δ6νή ιΜΕA»κπΖ·ι€ΰΘΊΜ6νήΙΘθά·B
·
F€
·
Ί€
·
€
·
‘€
·
G€
·
@€
±κηΜ©«ΝAζΓͺS8Ι·ιζΓSΕ·BΒάθAαΜ΄σA¨Μ΄σΘΗΙζΑΔ©½ΰΜiFjA·’½ΰΜiΊjΙΞ΅ΔΜ~i€jͺΆάκιν―Ε·ΛB
yσΙΞ΅Δ~ͺΆάκιΜΝAΰΏλρΜ±ΖκσΙΞ΅ΔΰA»Μκ΅έ©η¦κζ€Ζ·ι~ͺΆΆά·BΒάθA’ΈκΙ΅ΔΰZΕπ΄σ΅½ΘηA€ͺΆάκιν―Ε·B
€ΖΝγ’~ΎΖΰΎ΅ά΅½ͺA»Μ€πϊΑΔ¨Ζ’~Ι¬·΅ά·B»Μ’~ͺΕ·Ε·B
Ε·Μ©«ΰ€Ζ―ΆζΓͺS8Ι·ιζΓSΕ·ͺA€ζθΰ³|IΙ’GlM[πΑΔ’ά·B
Ε·ΙΝε«ͺ―Δ4Β θά·BilΕ·j
·
~ζEEE~ΙΕ··ι
·
©ζEEE©πΙΕ··ι
·
ϊΦζEEEεθΜ½ίΙΘηΘ’K΅β΅«½θΙΕ··ι
·
δκζEEEu^δͺΆέ·ιvΖ’€ΰΙΕ··ι@¨@Lg©
LΙΝAΖLΖNLΜ2νήͺ θά·BΖLΖΝAΘΊΜ¬sΙ·ιvS29Μ±ΖΕ·B
·
sP¬sSΙ·ιvS12
·
εP¬sSΙ·ιvS8
·
FE¬sSΙ·ιvS5
·
³FE¬sSΙ·ιvS4
ΒάθAΆΙΆΩnSπΰ½η·Β\«Μ ιvSΖ’€Σ‘Ε·ΛB
’
ΏΜSΕ ιΞNSβAo’ΤSΘΗΰ¬sΜΝ½η«π΅ά·ͺAΆάκΟνθΜ΄φΙΘιΖπΒηΘ’ΜΕA±±ΕΝάίάΉρB
NLΖΝAΖLζθΆΆι
·
ΩnS32
·
ΩnSΖ·ιS
·
ΖΆF
Μ±ΖΕ·B
±±ΕAuΖLΖΝsΖ―ΆΆαΘ’©HvΖ’€^βͺN«ά·ΛOOm©ΙAΰeΖ΅ΔΝΗΏηΰuΆΙΩnπΰ½η·ΖvΘΜΕ·ͺA
·
sΖΝίΆ©η»έΆΙΩnπΰ½η·Ζ
·
ΖLΖΝ»έΆ©ηΆΙΩnπΰ½η·Ζ
Ε ιΖ’€_Εα’ͺ θά·B
±ΜκΜLΖΝΖLΜέπw΅Δ’ά·B
ΆΖΝA~EAFEA³FEΙ¨―ιΩnSE»κΙ·ιSEΖΆFπw΅Δ’ά·BΒάθALΝsΖAΆΝΌFΖΞ΅Δ’ιν―Ε·B
VEDEίEκEJEYΖΝίΖΙζΑΔΩn΅½ΌFͺΗρΗρ¨’Δ’ΫΙΆΆιΰΜΕ·B
ΘΊA»κΌκΜΣ‘πΰΎ΅ά·B
·
EEEΌFiSΖgΜjͺΕ·ι±Ζ
·
DEEE«πN±ι©ΰ΅κΘ’ΠοπSz·ι±Ζ
·
ίEEE»έN±Α½ΠοΙΞ΅ΔΊπ °Δ«ί΅ή±Ζ
·
κEEEχΜIΘκΙπ΄Άι±Ζ
·
JEEEΈ_IΘκΙπ΄Άι±Ζ
·
YEEEDAρζθΰ³ηΙ΅’κΙπ΄Άι±Ζ
mιΧ«@πmηΘ’±Ζπ³ΎΖΎ’A»Μ©«ΝsPSΙ·ιsSΕ·BΕΝAmιΧ«@ΖΝ½©Ζ’’ά·ΖAΜ8ΒΙΘθά·B
·
~EEFEE³FEΙΆέ·ι·ΧΔΜΌFΜ{ΏͺκΕ ι±Ζ
·
»ΜκΜ΄φͺ€Ε ι±Ζ
·
κͺΕ΅½z½ͺΈΟΕ ι±Ζ
·
ΈΟΙιΉͺͺ³ΉΕ ι±Ζ
±κηΜΐπmηΘ’±ΖͺlΉϊΙΦ·ι³ΎΕ·B
OΣΖΝίΆΜ±ΖπΣ‘΅ά·BΒάθAOΣΙΦ·ι³ΎΖΝίΆΙΗΜζ€ΘΆ½Ζ΅ΔΗΜζ€ΘnΙΆ«Δ’½©πmηΘ’Ζ’€Σ‘ΙΘθά·B
γΣΖΝΆΜ±ΖΕ·B’
ΏΙΘηΘ’ΐθAΆΙΆ΅Δ΅ά€ΐπMΆΘ’±ΖͺγΣΙΦ·ι³ΎΕ·B
»έΆ΅©MΆΈAίΆΰΆΰMΆΘ’±ΖͺOΣEγΣΙΦ·ι³ΎΕ·B
³ΎπΖ΅ΔsΘΗͺXΆΆι±ΖπmηΘ’±Ζͺ\ρNΙΦ·ι³ΎΖΔΞκά·B
|
ή |
|
eΛ |
³Τή |
³Τ |
©ReΛή |
γΆΜSSΙ«©―ιOΆΜΝΘSSEFE{έΕ ι©ReΛ |
|
Ζ |
Ζή |
~EΩnΙ«©―ιρΝΘΖ |
L |
俱Άή |
φ |
OΆή |
ξOΆΛ |
|
γΆή |
γΆ |
|
Hή |
FH |
|
Ό½ͺή |
FΌͺ |
SASA¨ΏͺΚΜSASA¨ΏπΆΆ³ΉιΙΒ’ΔΜΰΎΕ·B±ΜΝΜ9νή θά·B
1.
ε
2.
俱Ά
3.
έ
4.
Λ
5.
H
6.
ͺ
7.
s
8.
L
9.
s£
εΖΝAγΙΆΆιΆπ©έΙRg[·ιζ€ΘΝΜ ιΖ’€Σ‘ͺ θά·B»΅ΔεΙΝΜ2Βͺ θά·B
εΖΝSπΖθ±Ι·ιρνΙDά΅’Μ±ΖπΎ’ά·BρνΙDά΅’Ε·ΜΕADά΅Θ’ΰΜΝεΙάέάΉρB
οΜIΙΝ
·
Dά΅’F18
·
S84iαΡͺS2AsͺS2Aκ俱g―1πΜΌj
·
47SiαΡAΉAΚA«μA^πΜΌj
·
ΈΟ
ͺεΙΘθά·B»΅ΔAεΆΖΘιΜΝΘΊΜΖ¨θΕ·B
·
ζΓͺS8
·
εPS8
·
εBμqS4
·
o’ΤS8
·
45SiαΡAΉAΚA«μA^A³ΚπΜΌj
Σ~AΈiASAdΖ’Α½lεͺεΖΘΑ½A€ΙΆΆιΌFπ©έΙRg[Ε«ά·B±ΜΖ«AlεΜ±Ζπ俱ΆεΖΎ’ά·B
ΏΘέΙsͺS2AΞNSΝφΜͺ»κΌκκφA³φΕ ι½ίGlM[ͺγA俱ΆεΙΝάέάΉρB
άΕ
·
ρφAOφΜGlM[Μ’¬sS52
·
ρφAOφΜ¬sSΙ·ιΣ~S
·
ρφAOφΜ¬sSΙ·ιΈiS
·
OφΜ¬sSΙ·ιdͺS
ͺ俱ΆεΕ·Bά½AΘΊͺ俱ΆεΙζΑΔΆΆι俱ΆεΆΕ·B
·
俱ΆεΙΘΑΔ’Θ’ρφAOφΜ¬sS52
·
»κΙ·ι^π’½S51
·
俱Άεͺ¬sΜΖ«ΙΆΆιF
α¦ΞA俱ΆεΖ΅ΔζΓͺSͺΝ½η’½κA俱ΆεΆΙΝζΓͺSͺάάκΘ’Ζ’€±ΖΕ·ΛB
俱ΆΖΝ€iδjΙΆΆιΖ’€Σ‘Ε·BΒάθA€ΙΆΆιi―N·ιjͺ俱ΆΕ·B俱ΆΙΝΜ3ΒΜp^[ͺ θά·B
³FEnΙΆ·ικAΖisjΙζΑΔ―ε]iΩnSjͺΆΆA―ε]ΙζΑΔσε]Azε]Asε]ͺΆΆά·B
±ΜΖ«A―ε]Ν俱ΆΕ θAσε]Azε]Asε]Ν俱ΆΆΙΘθά·Bά½A―Άζ€Ισε]ͺ俱ΆΖΘικΝAcθ3ε]ͺ俱ΆΆΖΘθά·B
Ιάε]ni~EAFEjΙΆ·ικAΖisjΙζΑΔ―ε]iΩnSjͺΆΆA―ε]ΙζΑΔΌFiσε]Azε]Asε]AFε]jͺΆΆά·B
±ΜΖ«A―ε]Ν俱ΆΕ θAσε]Azε]Asε]AFε]Ν俱ΆΆΙΘθά·Bά½A―Άζ€ΙΌε]iσε]Azε]Asε]jͺ俱ΆΖΘιΖ«AcθΜ―ε]AFε]Ν俱ΆΆΖΘθά·B
FγΪΙΰSSΖ―Άζ€ΙA―NE―ΕE―Ζ’€ΦW«ͺ θά·Bα¦ΞAͺWΝsΘΚF8Μ±ΖΕ·ͺA±ΜΙnEͺάάκΔ’ά·B
FγΪΝ―NE―ΕE―Ζ’€ΦWͺ ι½ίAnEͺ俱ΆΖΘικAcθΜεν3ΖΛ~Fͺ俱ΆΆΖΘθά·B
άε]ni~EAFEjΙΆ·ικAΖisjΙζΑΔ―ε]iΩnSjͺΆΆA―ε]ΙζΑΔΌFiσε]Azε]Asε]AFε]jͺΆΆά·B
±ΜΖ«A―ε]Ν俱ΆΕ θAσε]Azε]Asε]AFε]Ν俱ΆΆΙΘιΖqΧά΅½BΖ’€±ΖΝAΌε]4i―ε]Aσε]Azε]Asε]jΖFε]Ε ιSξΰ―ΙΆΆιΝΈΕ·B
ΒάθA
·
Όε]iσε]Azε]Asε]jͺ俱ΆΙΘιΖ«ASξiFε]jΝ俱ΆΆ
·
SξiFε]jͺ俱ΆΙΘιΖ«AΌε]iσε]Azε]Asε]jΝ俱ΆΆ
ΖΘθά·B
ξ{IΙΝA俱ΆΖl¦ϋΝ―ΆΕAΘΊΜ3ΒΜp^[ͺ θά·B
·
SS
·
lεν
·
ξEΩn
ΪΧΝ俱ΆπQΖ΅ΔΎ³’B
ΛΖΝΛθΗ±λΖΘιΖ’€Σ‘Ε·Bα¦ΞA²ΡπHΧι½ίΙΝA¨Mβ’ΘΗΰKvΕ·ͺAͺ{IΙξβcρΪΘΗͺΘ’Ζ²ΡπHΧκάΉρΛB
±ΜΖ«A
·
ξβcρΪΘΗͺ{ΙΛθΗ±λΖΘιΰΜπeΛ
·
¨Mβ’ΘΗΜ»Μκ»ΜκΕΛθΗ±λΖΘιΰΜπΛ
ΖΎ’ά·BΛΙΝΜ2νή θά·B
俱ΆΛΝ俱ΆΖΰeΝ―ΆΕ·B
ξOΆΛΝ³ηΙΜ2νήΙͺήΕ«ά·B
άΈAξOΆΛΖΝAuOΙΆΆ½ξΙΛΆ΅ΔΆΆιvΖ’€ζ€ΘΣ‘ΙΘθά·BοΜIΙΝΘΊΜΰΜΕ·B
·
ίLͺΖ―ΙΆΆιυΜαξi¨ξA@ξAγξAgξj
·
ΆSΖ―ΙΆΆιSξ
·
Εsθ©ηoιΌOΙΆΆιSξ
·
Sζθ17SίOΜSΜΆΚΙΆΆιZξ
άΈAα―ͺΆΆι½ίΙΝAαξΖFͺGκιKvͺ θά·B
±ΜΖ«AαξΰFΰ»κΌκ17SίΜυ½ͺ θA±κηΜZΚͺdΘΑΔ’ιΤΎ―½ΏΝFπ©ι±ΖͺΕ«ά·BΒάθAαͺ³Δ੦ȒBFͺ³Δ੦ȒBΖ’€±ΖΕ·B
Ζ’€±ΖΝAαξΖFͺ―ΙΆΆ½Ζ«ͺΕΰZΚͺdΘιΤͺ·Θιν―Ε·ΛB±ΜΖ«ΜσΤͺυΜαξΖΔΞκά·B
ΆSΖ―ΙΆΖΆFͺΆΆά·ͺA»κΝlΤΜκΕΎ€ΖAg\WA«\WAξ\WΜ3WΕ θA»κηΜΙ»κΌκSξͺάάκΔ’ά·B
»΅ΔA»κηΜξΙΛΑΔΆΆιSͺξOΆΛΆΕ·B
ξOΆΛΖΝAuOΙΆΆ½ξΕ ιΙΛΆ΅ΔΆΆιvΖ’€ζ€ΘΣ‘ΙΘθά·BοΜIΙΝASζθ17SίOΜSΜΆΚΙΆΆιSξͺξOΆΛΕ·B
³ηΙAξOΆΛΆΝΘΊΜΚθΕ·BΥIHΙ¨―ι
·
Σεψ]S
·
~E¬s29isPS12AεPS8AεBμS8AΞNS1j
·
ή11iεΩnS8AxS3j
·
ΉAΚA«μA£A³Κπ’½S44
HΖΝ’νδιlHΜ±ΖΕAlHΝFHΖΌHΜ2νήͺΙͺήΕ«ά·B
FHΖΝA’νδιiHΕ θAΆ½ΜΜOΜ {fπΣ‘΅ά·B»΅ΔFHiiHjΙζΑΔΆΆιAHNφFͺFHΆΕ·B
lHΙ¨―ιAcθΜ3Β
·
GH
·
ΣΜvH
·
―H
ͺAΌHΖΔΞκά·B»΅ΔA»κηπΖ΅ΔΆΆι
·
S89
·
»κΙ·ιS52
·
SΆF
·
ΆΖΆF
ͺΌHΆΕ·Bα¦ΞAGπΌHΖ΅ΔζΓͺSͺΆΆιΖ«AΌHΝGΕ·B
ΌHΆΝA
·
ζΓͺS
·
ζΓͺSΙ·ιGπ’½S18
·
SΆF
Ε·B
ͺΖΝ’νδιρ\ρͺΕ θAρ\ρͺΙζΑΔΆΆιΰΜͺͺΆΕ·B
·
αͺA¨ͺA@ͺAγͺAgͺiάξFj
·
ͺAjͺi«Fj
·
½ͺi½ͺFA½ͺSj
·
Σͺi89Sj
·
yͺAκͺAμͺAJͺAΜͺiάσj
·
MͺAΈiͺAOͺAθͺAdͺiάͺj
ͺΝΘΊΜ3νήΙͺήΕ«ά·B
ίLͺΖ―ΙΆΆιυΜάςFiαξA¨ξA@ξAγξAgξjΜ±ΖπOΆͺΖΎ’ά·BυΜΰΎΝAΛπQΖ΅ΔΎ³’ΛBά½AOΆͺΙζΑΔΆΆι
·
Oά―10iα―A¨―A@―Aγ―Ag―j
·
€κΨSS7
ͺOΆͺΆΕ·BάςFπͺΖ©§Δ½Ζ«ΙAα¦ΞαͺͺOΙΆΆΔ©ηα―ͺΆΆι½ίA±Μζ€ΙΰΎ³κά·B
¨ΏΜΆZΕπiι½ͺFͺF½ͺΕ·Bά½AF½ͺΆΝ
·
½ͺFπ’½½γW
·
½ͺFπ’½α\W
·
½ͺF𒽨\W
·
½ͺFπ’½@\W
·
½ͺFπ’½γ\W
·
½ͺFπ’½g\W
·
½ͺFπ’½j«\W
·
½ͺF𒽫\W
·
½ͺFπ’½ξ\W
Μ9ΜΖΆγΪΕ·B
·
½ͺS
·
Σͺi89Sj
·
yͺAκͺAμͺAJͺAΜͺiάσj
·
MͺAΈiͺAOͺAθͺAdͺiάͺj
±κηͺ俱ΆͺΖΔΞκά·Bά½A俱ΆͺΙζΑΔΆΆι
·
S89
·
»κΙ·ιS52
·
SΆF
·
ΆΖΆF
ͺA俱ΆͺΆΕ·B
sΙΝΘΊΜ3νήͺ θά·B
俱ΆsΖΝA€ΙΆΆΔA©ΒA»κΌκͺΚXΜΝ½η«π·ιΖ’€Σ‘Ε·BοΜIΙΝ
·
S75i³FEΩnS4AOά―10A’
ΏΜSπj
·
»ΜSΙ·ιS52
ͺA俱ΆsΖΔΞκά·Bά½A俱ΆsΙζΑΔΆΆι俱ΆsΆΝ
·
SΆF
·
ΆΖΆF
Ε·B
ξOΆΛAξOΆΛΜ2νΖ―ΆΰΜΕ·B
γΆΖ―ΆΰΜΕ·B
½ΎA»±Ι ιΎ―ΕΆΙΝπyΪ·πLΖΎ’ά·BLΝΘΊΜ5ΒΙͺήΕ«ά·B
©«Ν俱ΆΖ―ΆB
©«ΝOΆΖ―ΆB
©«ΝγΆΖ―ΆB
©«ΝFHΖ―ΆB
©«ΝFΌͺΖ―ΆB
s£ΖΝA©ηͺηΘ’±ΖΙζΑΔAΆΙeΏπ^¦ιΖ’€Σ‘Ε·BΰeΝLΖS―ΆΕ·B
ΖΝASβSπy΅άΉιΝ½η«π·ιΰΜΕA’νδιΜ±ΖΕ·BοΜIΙΝΘΊΜ6νΜͺΖΔΞκά·B
·
F
·
Ί
·
·
‘
·
G
·
@
ά½A±κηΙζΑΔΆΆιΆΝ
·
89S
·
52S
ΖΘθά·B
α¦ΞA½©π©½Ζ«ΙΆΆιάεHπC[W΅ά΅ε€B»Μ©½ΰΜΝAFΖ’€ΙΘθά·B»΅ΔAΙζΑΔΆΆιάεψ]SΘΗΜSΝΆΙΘθά·B
eΛΙΝAΆΜ’ΛθΗ±λΙΘιΖ’€Σ‘ͺ θά·BοΜIΙ3ΒΜeΛͺ θά·B
©ReΛΖΝ
·
89S
·
52S
·
28F
·
ΙΘθΎι{έ
Μ±ΖΕA©ReΛΆΝA©ReΛΙζΑΔΆΆι
·
89S
·
52S
Ε·B
α¦ΞAζΓͺSͺΆΆ½½ίΙA»ΜζΓͺSπ}¦ι½ίz{π΅ΔAΚΖ΅ΔεPSͺΆΆ½Ζ΅ά·B±ΜκAζΓͺSΝ©ReΛΕ θAΚΆΆ½εPSΝ©ReΛΆΖΘθά·B
ΚΜαΕΝAA³ρͺ¨ΰΜSΕ θAB³ρΝ»κπ©Δ«΅½Ζ΅ά·B
±ΜκAA³ρΜ¨ΰΙΞ΅ΔΜζΓͺSͺ©ReΛΕ θAB³ρΙΆΆ½αΡͺSͺ©ReΛΆΙΘθά·B±Μζ€Ι©ReΛΝA©ΌΙKXA©ReΛΆπΆΆ³Ήά·B
ζΓΜΌA©ReΛΝAMAyAκAlAH¨AίAZΘΗͺ θά·BΒάθAPSβsPSͺΆΆιΙ ½ΑΔAΙίΔ’eΏπ^¦ιΰΜͺ©ReΛΕ·ΛB
ζΓ~Μ΄φΖΘιΙίΔDά΅’Μ±ΖΕ·B©«ΝAεΖ―ΆΕ·B
©«Ν³ΤΖ―ΆΕ·B½ΎA³ΤζθΝͺΝ½ηκπA³ΤeΛΖΔΡά·B
άεHͺΆΆιΖ«AKΈάεHΙζ§ΑΔ·ιͺΆΆΔ’ά·B±ΜάεHπΆΆ³ΉιΙΘιπAOΆΖΎ’ά·B
OΆΖΝ»έΜF18Μ±ΖΕ·BOΆΆΖΝΘΊΜΚθΕ·B
·
~ES54
·
_ΟS2iFEPζά_ΟAFEBμζά_Οj
·
³ΚSπS50
±κηΜ€ΏAOΆπKΈΙΖιΰΜΝ
·
Oά―10
·
άεψ]S1
·
ΜσS3
ΜAS13ΕA±κηΝάεHΙ΅©ΆΆάΉρB
cθΜA
·
~ES41
·
_ΟS2iFEPζά_ΟAFEBμζά_Οj
·
³ΚSπS50
ͺAΙζΑΔKXAOΆπΙΖθά·Bά½A³ΚSΝΆ½ΙΞ΅Δψl³ΚSΙάάκιSΕ·ΜΕAF18πΖ΅ΔΆΆι±ΖΝΘ’ΜΕ·B
·
»έFπΖ΅ΔVαΚͺΆΆικA»έFͺOΆAVαΚͺOΆΆΖΘθά·B
·
»έΊπΖ΅ΔV¨ΚͺΆΆικA»έΊͺOΆAV¨ΚͺOΆΆΖΘθά·B
ZξiαξA¨ξA@ξAγξAgξASξjπΖ΅ΔZαz·ικAZξͺξOΆΖΎνκά·B³ηΙZαzΙζΑΔΆΆιAΣε¬sSͺξOΆΆΖΘθά·B
γΆΖΝA~EβFEΖ’Α½άε]ni¨Ώͺ ι’EjΙΆάκικA4³FEΩnSπ’½85SΖA»κΙ·ιS52πγΆΖΎ’ά·B
4³FEΩnSΝ³FEΙ΅©ΆΆΈA³FEΙΝ¨ΏͺΘ’½ίA}Μζ€ΙSͺ¨ΏπT|[g·ι`ΝΖθζ€ͺ θάΉρB
γΆͺT|[g·ιΞΫΙΘιFπγΆΆΖΎ’ά·BΒάθA‘ρΜκAΆͺζΕͺγΖ’€ΦWΙΘΑΔ’ά·B
Ά½ͺ»ΜgΜπΫ·ι½ίΙΝAgΜπ\¬·ι¨ΏΜΌγΙΆΆιSͺOΙΆΆ½¨Ώπx¦Θ’ΖAΆ½ΜΖ΅ΔΫΕ«Θ’Ζ’€όΕ·ΛB
¨ΏΜϋͺυ½ͺ·’ΜΕA}Μζ€ΙγΕΆΆ½SͺT|[gΕ«ιν―Ε·B
ΌΖΝSΖSΜ±ΖAFΖΝ¨ΏΜ±ΖΕ·ΛBΒάθAΌͺΌFΙΞ΅ΔΜΖΝSβSͺAΚΜSβSβFπΆΆ³ΉιΜ±ΖΕ·BΌͺΌFΙΞ΅ΔΜΝΜ5νή θά·B
·
φ
·
T
·
Ή
·
Ζ
·
Ωn
φΖΝAΜZφπ³΅ά·B
·
ζΓ
·
αΡ
·
s
·
³ζΓ
·
³αΡ
·
³s
ΒάθAφΖΝ±κηZφΜ±ΖΕ·B»΅ΔAφΙζΑΔΆΆιφΆΝA
·
SΔΜS89©η³φSπψ’½S71
·
»κηΜSΙ·ι52SisͺS2ΙάάκιsSΝj
·
LφSΆF
·
LφΆΖΆF
ΰ΅ζΓͺS8Ι·ιsSͺφΖ΅ΔΝ½ηκAζΓSΝφΆΙάάκά·BζΓSͺφΖ΅ΔΝ½ηκAsSΝφΆΙάάκά·B
΅©΅Aΰ΅sͺS2Ι·ιsSͺφΖ΅ΔΝ½ηκAsSΝφΆΙΝΘθ¦άΉρB
ΘΊΘηLφSΜΕsͺSΎ―ͺκφSΕ θABκΜφΕ ιsSͺφΖ΅ΔΝ½ηΖAφΆΙΘθ¦ιφͺΰ€ΘΘι©ηΕ·B
LφSΆFΖΝρφά½ΝOφΜSΙζΑΔΆΆιFΖ’€Σ‘Ε·Bά½A³φSΙζΑΔΆΆιSΆFΝ³φSΆFΖΔΞκά·BΘPΙΎ€ΖA³φSΆFΘOͺLφSΆFΕ·B
SΆFΜΪΧΝ±Ώηπ²Ύ³’B
ΖΆFΙΰͺήͺ θA
·
ΆΖΆF©ΆNΖΆF©
·
»΅ΔLφΖΆF©³φΖΆF©
Μv4p^[l¦ιKvͺ θά·B
ΆΖΝlΤΕΎ€ΖσΈΌγΜσΤΕAΆNΖΝlΤΕΎ€ΖΪβ¨ΘΗΜν―ͺΕ«Δι±λΜσΤΕ·Bά½ALφΖ³φΙΦ΅ΔΝSΆFΜΖ±λΖ―ΆπίΕ·ΜΕΘ«ά·B
TΖΝTθΙόιΖΘιΰΜΖ’€Σ‘ΕAοΜIΙΝΘΊΜάTxΜ±ΖπΣ‘΅ά·B
·
qS
·
fS
·
μS
·
yσiσSj
·
κ««S
ά½A±κηTΙζΑΔΆΆιATΆΝΘΊΜΚθΕ·B
·
Oά―~2π’½cθΜS79
·
»κηΙ·ι52S
·
SΆF
·
ΆΖΆF
ΉΖΝεθά½Ν£PnΦΜΉΜΖΘιΖ’€Σ‘ΕAΉΜ©«ΝLφSΙ·ιͺΉx{©SΙΘθά·B
ΒάθALφSiρφSΰ΅ΝOφSjΙ·ι
·
dS
·
qS
·
³κS
·
³ΖS
·
³½S
·
ΈiS
·
OS
·
κ««S
·
©S
Μ9ΒͺΉΕ·BLφSΝ³φSΘOΜSΖl¦κΞAS89|³φS18LφS71@ΖΘθά·Bά½AΉΙζΑΔΆΆιΉΆΝ
·
LφS71
·
»κηSΙ·ιS52
·
LφSΆF
·
LφΆΖΆF
Ε·B
ΖΙΝ俱ΆΖΖeίΖΜ2νή θά·B
俱ΆΖΖΝASΔΜS89Ι·ιvSΕ·B俱ΆΖΆΖΝA
·
SΔΜS89
·
»κηΙ·ιvSΘOΜS51
·
SΆF
·
ΆΖΆF
ΙΘθά·BΒάθA俱ΆΖΖΝΖΰΙΆΆιΌFπ¦·ιζ€ΘΝ½η«ͺ θά·B
eίΖΖΝAίΜ
·
sPSΙ·ιvS12
·
εPSΙ·ιvS8
·
FEPSΙ·ιvS5
·
³FEPSΙ·ιvS4
·
ΉSΙ·ιvS4
Μv33SΙΘθά·Bά½AeίΖΆΝA
·
ΩnS36
·
»κηΙ·ιS38
·
ΆΖΆF
·
ΆNΖΆF
·
³zLξΜΖΆF
Ε·BΩnS36ΖΝ
·
sPΩnS7
·
³φPΩnS8
·
εΩnS8
·
FEΩnS5
·
³FEΩnS4
·
ΚS4
Ε·BeίΖΖΝ’ΙΩnπΰ½η·Ν½η«ͺ θά·B
άιΕAα’±λΙKΑ½m―ΝANπζΑΔ©ηΰKvΙΆΔψ«oΉιζ€ΙAvSͺΕ΅Δ©ηΰeίΖΖ΅ΔΜΝ½η«ͺcιν―Ε·ΛB
»΅ΔA»ΜvSΝΩnπΰ½η·©AωLΖΙΘι©΅Δζ€β»Μ«πI¦ά·B
ΩnΖΘιΜΝA
·
SΆFEΆΖΆFΙΝπyΪ·36ΩnS
·
»κΙ·ιS38
Ε·B±±Ε36ΩnSΖΝΘΊΜ±ΖΕ·B
·
sPΩnS7
·
³φPΩnS8
·
εΩnS8
·
FEΩnS5
·
³FEΩnS4
·
ΚS4
ά½ΩnΙζΑΔΆΆιΩnΆΖΘιΰΜΝA
·
ΩnΙeΏπσ―ι36ΩnS
·
»κΙ·ιS38
·
2\Fπ’½SΆFAΆΖΆFiKXj
ΙΘθά·BΒάθA±κΰΌπΖ΅ΔΌFͺΆΆιΖ’€}Ε·ͺA΅Σ_ͺ θά·BΖ’€ΜΰAΘΊΜΩnΝFπΆΆ³ΉΘ’©ηΕ·B
·
Oά―10
·
³FEΩnS4
·
³FEΙ¨―ιΚS4
Ζ’€±ΖΝA±κηΙζΑΔSΆFΰΆΆΘ’ν―Ε·BSΆFͺΆΆΘ’Ζ’€±ΖΝASΆFΜέΙάάκι\FΰΆΆΘ’±ΖΙΘθά·B
ΌΖΝASΖSΜ±ΖπΣ‘΅ά·B
ΒάθAΌͺΌΙΞ΅ΔΜΖΝASβSͺAΙΆΆιSβSΜΙΘΑΔ’ιΖ’€Σ‘Ε·B
οΜIΙAΌͺΌΙΞ΅ΔΜΝΜ6νή θά·B
·
³Τ
·
Ι³Τ
·
ρL
·
£
·
Ks
·
’
ΏΜSΘOΜ·ΧΔΜS89Ζ»κΙ·ιS52ͺ³ΤΖΘΑΔAΜSπΆΆ³Ήά·B
ΜSΖΝ’
ΏΜSπάή·ΧΔΜS89Ζ»κΙ·ιS52Μ±ΖΕ θA³ΤΙζΑΔΆΆ½ΜSπ³ΤΆΖΎ’ά·B
οΜIΙΰΎ΅ά·ΛBα¦ΞAάεHπαΙo΅ά΅ε€B
άεHΙ¨’ΔΝAuάεψ]S@¨@α―@¨@ΜσS@¨@xS@¨@EEEvΖ’€ΙSͺXΆάκΔΝΕ΅Δ’«ά·B
±ΜΖ«A
·
άεψ]Sͺ³ΤΖΘΑΔAα―Ζ’€³ΤΆπΆΆ³Ή
·
α―ͺ³ΤΖΘΑΔAΜσSΖ’€³ΤΆπΆΆ³ΉEEE
Ζ’€ΙA»κΌκΜSͺΜSΙ³ΤΖ΅ΔΝ½η’Δ’ιν―Ε·B
\»ͺα’ά·ͺAΰeΝ³ΤΖ―ΆΕ·B»ΰ»ΰ³ΤΖΝuΤͺ³Ν½ηvΖ’€Σ‘Ε·B
α¦ΞA~Jπ2ΒC[W΅ΔΎ³’B
2ΒΜ~JπΗκΎ―ΑΒ―ΔΰA°χΎxΕέιΖKΈΤiͺfFjͺΆάκΔ΅ά’ά·B»ΜΤΜ¨©°ΕA~Jπ1Β2ΒΖ¦ηκιν―Ε·B
ΕΰAgΜκΝǀš倩H
u±±©η±±άΕπ1ΒΜgvΖ’€Ιͺ―ι±ΖΝΕ«άΉρΛBΘΊΘηAgΖgΙΝΎmΘΤͺΘνΙA±΅Δ’ι©ηΕ·B
³ηΙAκΒΜgΝΜgΙGlM[π^¦Δ’ά·Bα¦ΞCΜΕκΒε«ΘgπΒιΖA»ΜΜgΰε«ΘgΙΘθά·B
―Άζ€ΙASΙοΜIΘ`ΰΘΎmΙͺ―ι±ΖΝΕ«Θ’½ίA ιSΖΜSΖΝΤ³ΒΘͺΑΔ’ισΤΙΘθά·B
πC[W΅ΔΊ³’BͺΑ¦ιΖ―ΙΕͺΆΆά·ΛB
―Άζ€Ι©gͺΘΘι±ΖπΙζΑΔAΚΜSβSπΆΆ³ΉιπρLΖ’’ά·BρLΜΆΖΘιΰΜΝA·ΧΔΜS89Ζ»κΙ·ιS52Ε·B
±κΝρLΖ―ΆΰΜΕ·B
ΎzπC[W΅ΔΎ³’BϊΝΎzͺΖΑΔ’ΔAπ©ι±ΖΝΕ«άΉρBΕΰAΎzͺΎήΖAΖ½ρΙͺP«nίά·ΛB
―Άζ€Ι©gͺΘΘι±ΖΕAΜSβSπΆΆ³Ήιπ£Ζ’’ά·B£ΜΆΖΘιΰΜΝA·ΧΔΜS89Ζ»κΙ·ιS52Ε·B
KsΖΝ―ΆSβSπJθΤ΅ΆΆ³ΉιΜ±ΖΕ·BοΜIΙA±ΜKsͺΝ½ηΜΝ¬sSͺΆΆιΣΕ·Bά½άεHπαΙ °Δέά΅ε€B
±κπ©ιΖ¬sͺ7ρA±΅Δ’ά·ΛB
·
1ΤΪΜ¬sͺKsΖ΅ΔΝ½η’ΔA2ΤΪΜ¬sͺKsΆΖ΅ΔΆΆά·B
·
2ΤΪΜ¬sͺKsΖ΅ΔΝ½η’ΔA3ΤΪΜ¬sͺKsΆΖ΅ΔΆΆά·B
·
3ΤΪΜ¬sͺKsΖ΅ΔΝ½η’ΔA4ΤΪΜ¬sͺKsΆΖ΅ΔΆΆά·B
·
4ΤΪΜ¬sͺKsΖ΅ΔΝ½η’ΔA5ΤΪΜ¬sͺKsΆΖ΅ΔΆΆά·B
·
5ΤΪΜ¬sͺKsΖ΅ΔΝ½η’ΔA6ΤΪΜ¬sͺKsΆΖ΅ΔΆΆά·B
·
6ΤΪΜ¬sͺKsΖ΅ΔΝ½η’ΔA7ΤΪΜ¬sͺKsΆΖ΅ΔΆΆά·B
±Μζ€ΙA1`6ΤΪάΕΜ¬sͺKsΖ΅ΔΝ½η«A2`7ΤΪΪάΕΜ¬sͺKsΆΖ΅ΔΆΆά·B
ά½AKsΖΘθ¦ιΜΝAΉSEΚS𒽬sS47Ζ»κΙ·ιS52Ε·B
ΉSΝ1Sί΅©ΆΆΈAΉSͺ±―ΔΆΆι±ΖΝΘ’ΜΕKsΙΝΘθ¦άΉρBά½ΚSΝΉSΜΩnSΕ θAΙπyΪ·Ν½η«ͺΘ’ΜΕKs©ηΘ«ά·B
KsΖΘθ¦ιΜΝAΚS𒽬sS51Ζ»κΙ·ιS52Ε·B
ΉSΝA±΅ΔΆΆΘ’½ίAKsΖ΅ΔΜΝ½η«Ν θάΉρͺAKsΙζΑΔΆΆιΆΖ΅ΔΝΆΆιΒ\«ͺ θά·B
α¦Ξa¬ΉΙειxΚBΜHΜκΜζ€ΙΘθά·B
·
Lͺ
·
Lͺh
·
LͺΜf
·
Σεψ]S
·
Υμiίsθj
·
ίsiίsθj
·
iίsθj
·
ν©iίsθj
·
Ήiΐ~θj
·
Κiΐ~θj
·
Κiΐ~θj
·
Lͺ
±ΜΖ«¬sΝuΥμv©ηnάιΜΕA
·
ΥμͺKsΖ΅ΔΝ½η’ΔAίsͺKsΆΖ΅ΔΆΆά·B
·
ίsͺKsΖ΅ΔΝ½η’ΔAͺKsΆΖ΅ΔΆΆά·B
·
ͺKsΖ΅ΔΝ½η’ΔAν©ͺKsΆΖ΅ΔΆΆά·B
·
ν©ͺKsΖ΅ΔΝ½η’ΔAΉͺKsΆΖ΅ΔΆΆά·B
Θ~ΝAΉΖΚͺ«Ώͺα€½ίKsͺΝ½η«άΉρBΒάθAΉΝKsΙΝΘηΘ’―ΗAKsΆΙΝΘθ¦ιν―Ε·ΛB
¨έ’ΙeΏπyΪ΅ ΑΔ’ιΜ±ΖπΖΎ’ά·BοΜIΙΝAS89Ζ»κΙ·ιS52Ε·B±κηΝAάε]ΙΘηΑΔΘΊΜlΒΜΌε]ΙͺήΕ«ά·B
·
σε]iσSj
·
zε]izSj
·
sε]ivSπ[_[Ζ·ι»ΜΌS50j
·
―ε]iS89j
ά½A±κηΙΝ
1.
―N
2.
―Ε
3.
―
4.
―ξ
Ζ’€Α₯ͺ θά·BiΪ΅ΝSΜΑ₯πQΖj
α¦ΞAo^[EΝΏέΒE»Eϋπ΅Α©θ¬ΊΔ¨’΅’¨ΩqπμιΖ΅ά·B±ΜΖ«A»κΌκΜ‘πΎmΙͺ―ι±ΖΝΕ«άΉρΛB»κΌκΜ‘ͺeΏ΅ΑΔAΖΑΜ‘πψ΅o΅ά·B
―Άζ€ΙASΖSΰAu±κΝ―ε]ΙζιvΖ©u±κΝσε]ΙζιvΖ©ΎmΙͺ―ηκΘ’ΩΗΙχΙΦW΅ ΑΔ’ά·B
ε]ΜκAα¦Ξ―ε]ͺΖΘιΖ«Aσε]Ezε]Esε]ͺΆΖΘιζ€ΙA½©ͺΖΘκΞ»ΜΌͺΆΖΘθά·B
αgoijΖ’€κΉίΜΎtπ·’ΔπC[W·ικB
1.
Ίi»έΊFjͺ¨εΙGκ¨εHͺΆΆιB
2.
»ΜΊiίΊFjπΖ΅ΔήΆΣεHͺΆΆιB
3.
Ό{έiρΆέ{έjπΖ΅ΔΌΜc¬ΣεHͺΆΆΔΣ‘ͺͺ©ιB
4.
³ηΙAΌ{έiρΆέ{έjπΖ΅Δ`{έc¬ΣεHͺΆΆAΜ`ΘΗͺC[WΖ΅Δ»κιB
αbhumiiεnjΖ’€ρΉίΜΎtπ·’ΔεnπC[W·ικB
1.
bhuiu[jΖ’€Ίi»έΊFjͺ¨εΙGκ¨εHͺΆΆιB
2.
»ΜΊiίΊFjπΖ΅ΔήΆΣεHͺΆΆιB
3.
mii~jΖ’€Ίi»έΊFjͺ¨εΙGκ¨εHͺΆΆιB
4.
»ΜΊiίΊFjπΖ΅ΔήΆΣεHͺΆΆιB
5.
bhumiiu[~jΖ’€ΊiίΊFjπΖ΅ΔAc¬ΣεHͺΆΆιB
6.
Ό{έiρΆέ{έjπΖ΅ΔΌΜc¬ΣεHͺΆΆΔΣ‘ͺͺ©ιB
7.
³ηΙAΌ{έiρΆέ{έjπΖ΅Δ`{έc¬ΣεHͺΆΆAεnΜ`ΘΗͺC[WΖ΅Δ»κιB
{έΖΝΐέ΅Θ’ΰΜΜπΣ‘΅ά·BκΚIΙAͺ©θβ·Ύ€ΖTOΖ©C[WΖ©Ε·ΛB{έΝε«ͺ―ΔΘΊΜ2ΒΙͺήΕ«ά·B
Ί{έΙζΑΔ½ΏΙmη³κιTOΜ±ΖΕ·B
α¦ΞAulΤvΖ’€ΰΜΰ΅§ΙΎ€ΖΆέ΅άΉρB
Ζ’€ΜΰAulΤvπΙΐάΕΧ©ͺπ΅Δ’ΖAf±qΖSΜWΜΙΘθά·B»΅ΔA»κηͺWάΑΔlΤΖ’€TOπμθo΅Δ’ιν―Ε·ΛB
―Άζ€ΙAf±qͺWάΑΔS΄qΙΘθAS΄qͺWάΑΔΤΖ’€TOπΒΑΔ’ιν―Ε·B
`{έΝ³ηΙAΜ8ΒΙͺήΕ«ά·B
lενͺWάΑΔΕ«½A©RΜY¨ΙΒ―½TOΜ±ΖΕ·BεnARAμACAχΘΗB
ήΨΘΗΜήΏͺWάΑΔlHIΙ¬θ§ΑΔ’ιΰΜΙΒ―½TOΜ±ΖΕ·BΤAχA’·AΊΘΗB
Ά½iάε]ΜWάθjΙΒ―½TOΜ±ΖΕ·BjAAlAΥΘΗB
kΖ’€ϋpπTOIΙίι±ΖΕAΌΜϋpΰTOIΙάθά·B±ΜΖ«ΜΌμkΝϋΚ{έΕ·B
ά½An
Μ©]Ζφ]ΙζΑΔA±±©η±±άΕΝκϊA±±©η±±άΕΝκNΘΗTOIΙί½ΰΜͺ{έΕ·B
άνθΙ ι¨ΏΜ¨©°Ε¬θ§ΒσΤΙΒ―½TOΜ±ΖΕ·B΄AAglAΘΗB
FETθΙόιΫΙαzΞΫΖ³κιAΥAΥμAζAΖΔΞκι{έB
·
ζO³FETΜΖΘι³LΜ{έ
·
FETΜΖΘιΐΚ{έ
·
ΒΥA©ΥΘΗΜFΥ{έ
·
ζκ`@ΙζΑΔΌt―ηκιΛ~{έ
·
ζκΙΞ·ιζρA·’ΙΞ·ιZ’ΘΗΜδr{έ
`{έπmηΉιΎtΜ±ΖΕ·B
α¦ΞAuΤvΖ’€ΌOπΎtΕ·ι±ΖΕA»κΙ·ιC[Wͺμηκά·BuKXͺ ΑΔA^Cͺ4Β ΑΔAXs[hͺ¬ΔEEEEvΖ’€ΙB
Ί{έΝA³ηΙΜ6ΒΙͺήΕ«ά·B
ΆέΖΝΐέ·ιΰΜAΒάθ`ϊΜ±Ζπw΅ά·B
α¦ΞAFAσAzΘΗΝΐέ·ι`ϊΕ θA»κηπΔΡ¦·uFvuσvuzvΖ’€ΔΡΌΝΆέ{έΕ·B
ρΆέΖΝA`ϊΕΝΘ’AΒάθ{έπΣ‘΅ά·B
α¦ΞARAμΖ’€ΜΝ»ΰ»ΰͺ{έΕ θA»κηπΔΡ¦·uRvuμvΖ’€ΔΡΌΝρΆέ{έΕ·B
u`ϊ{{έvΖ’€`ΙΘΑΔ’ιΔΡΌͺΆέρΆέ{έΕ·B
α¦ΞAZ_ΚΖ’€κAuZ_Κi`ϊj{i{έjvΖ’€`ΜΔΡΌΕ θAΆέρΆέ{έΕ·B
u{έ{`ϊvΖ’€`ΙΘΑΔ’ιΔΡΌͺρΆέΆέ{έΕ·B
α¦ΞAΜΊΖ’€κAui{έjΜΊi`ϊjvΖ’€`ΜΔΡΌΕ θAρΆέΆέ{έΕ·B
u`ϊ{`ϊvΖ’€`ΙΘΑΔ’ιΔΡΌͺΆέΆέ{έΕ·B
α¦ΞAα―Ζ’€κAuαi`ϊj{―i`ϊjvΖ’€`ΜΔΡΌΕ θAΆέΆέ{έΕ·B
u{έ{{έvΖ’€`ΙΘΑΔ’ιΔΡΌͺρΆέρΆέ{έΕ·B
α¦ΞA€qΖ’€κAu€i{έj{qi{έjvΖ’€`ΜΔΡΌΕ θAρΆέρΆέ{έΕ·B
αzΖΝSπη¬·ιg[jOΜ±ΖΕ·B
’ΤIΘα¦ΕΎ€ΖAlKeBuΘlͺͺρΞΑΔ|WeBuΙl¦ηκιζ€ΙΘΑ½Ζ΅ά·B
±ΜΖ«A»ΜlΜSΝ¬·΅½ν―Ε·ΛB
ΘΊΘη|WeBuvlπgΙt―ι±ΖΕKΉΕ’ηκιΤͺ·Θι©ηΕ·B
³ηΙ§³ΕΝAuΰ€±κΘγKΉΙΘκΘ’IvΖ’€ΙΐΜσΤπΪw΅Δg[jO΅ά·B
»ΜΙΐΜKΉΜσΤͺΈΟΕ θA»Μ½ίΜg[jOͺαzΕ·B
αzΙΝ2νή θά·B
½Ώπκ΅ίιΟzβΟYΘΗΜΝ½η«π~ίΔAκIΙεθΜσΤπμθo·g[jOͺ~CKΕ·B
~CKΜεπi©«jΝA’ΤPSEBμSΖ·ικ««SΕ·B
·ΧΔΜΌFπA
·
³ν
·
κ
·
³δ
·
sς
Ε ιΖ©ιqdπηΔιΜͺΟCKΕ·B
ΟCKΜεπi©«jΝAεPSEεBμSΖ·ιdͺSΕ·B
~ΜαzΜΞΫΝAΙ °ιOΙͺή·ι±ΖͺΕ«ά·B
ΕΙ~Μαzπ·ιΖ«ΙΖΘιΰΜͺΥμΖΔΞκά·BΒάθΥμCKΙ¨’ΔΕΙΖΘιΰΜͺΥμΕ·B
α¦ΞnΥπCK·ικAάΈΪΜΧ©’«κ’ΘyΕΌa30cmη’Μ~inΥjπΒθά·B
»ΜnΥ©η120cmη’£κΔΐΑΔAnΥπΓ΅ΘͺηunvunvΖOΆά·B»ΜΙAΙΝnΥπΓ΅AΙΝαπΒΆΔSΜΕv’©Χά·B
±ΜΖ«ΜͺΥμΕ θA±ΜΖ«ΜCKͺΥμCKΕ·B
³ηΙΥμπCK·ιΖAαπΒΆΔΰAάιΕαπJ―Δ’ιΖ«Μζ€ΙnΥͺΖ΅ΔΝΑ«θΖSΙ\κΔιζ€ΙΘθά·B±ΜΖ«ΜͺζΕ·B
ά½A±ΜΖ«ΜCKΰΥμCKΘΜΕ·ͺAΥμπΖ΅Δ’ιΖ«ζθΰζθCKΜx’ͺ[άΑΔ’ά·B
³ηΙζπCK·ιΖAζΖ`ΰε«³ΰ΅Aζζθΰζθ΄η©ΘͺSΙ»κΔ«ά·B
ΥμAζΝΰΖΰΖyΕΒηκ½nΥΙζΑΔΕ«½A’νΞFi¨ΏjΙΛΆ΅½Ε΅½B
΅©΅AΙΘιΖSΙF©ηΨθ£³κ½ACKΜΝΙζΑΔΕ«½{έΙΘθά·B»΅ΔAπΖ΅½Ζ«ΜCKͺίsCKΕ·B
³ηΙAπΖ΅ΔίsCKπ±―ιΖAFETͺΐ~΅½ΐ~CKΖ’€σΤΙB΅ά·B
~Μαzπ·ιΙ ½ΑΔAΝ
·
Υμ
·
ζ
·
Ζ’Α½3ΒΜiKπoά·Bα¦ΞAnΥπCK΅ΔFETΙικAΜζ€Θ¬κΙΘθά·B
·
nΥ@|@Υμ@|@ΥμCK
·
nΥ@|@ζ@|@ΥμCK
·
nΥ@|@@|@ίsCK
·
nΥ@|@@|@ΐ~CKiFETj
³ηΙAFEζρTπΪw·κΝAFETΙ©ͺΜv’ΜάάόΑ½θo½θΕ«ιζ€ΙPϋ·ιKvͺ θά·Biά©έj
FETΙ¨’Δά©έπΎΔAζρTπΪw·Ζ«ATΜΙΖ΅½π±―ΔΖ΅ΔCK΅ά·Bα¦ΞAnΥΜκΝΙζ€ΙΘθά·B
·
nΥ@|@@|@ΥμCK
·
nΥ@|@@|@ίsCK
·
nΥ@|@@|@ΐ~CKiFEζρTj
Θ~A―Άζ€ΙFEζάTάΕΎηκά·B»΅ΔAΝ
·
\Υ10
·
\sς10
·
gNO1
·
oό§O1
Μ22Μ~ΜCKΙ¨’ΔΎηκά·B
FET©ηFEζρTΙAFEζρT©ηFEζOTΙΖ’€ζ€ΙΜXe[WΜTθΙB·ιΙΝAάΈ‘’ιXe[WΜTθπ©έΙRg[Ε«Θ―κΞΘθάΉρB
±ΜΖ«5ΒΜ©έͺKvΕ ιΖΎνκά·B»Μ5ΒΖΝΘΊΜΚθΕ·B
oθ΅½γA·ΙάTxiqAfAμAyAκ««jΙSπψ]Ε«ι±ΖB
TθΙόθ½’Ζ«ΝA©ͺΜv’Μάά·ΙTθΙόκι±ΖB
©ͺͺ]ήΤπΈΑΖTθΙόΑΔ’ηκι±ΖB
©ͺͺ\ί\θ΅Δ’½ΤΜΚθΙTθ©ηoηκι±ΖB
άTxπ©έΙΟ@Ε«ι±ΖBψ]©έπΎ½ΘηΞ©IΙΟ@HͺΆΆιΜΕΟ@©έΰΎηκά·B
\ΥΜ€ΏσΥπ’½γΥΙΞ΅A»κͺ³’σΤiσ{έjπOΆά·B±κͺA³FEΜΥμCKΕ·B
³ηΙCKπ±―ιΖAFEζάTΙΞ·ι~ͺΘΘΑΔίsCKΙB΅ά·B
»Μγ³ηΙCKπ±―ιΖA³FEΕ ισ³Σθiΐ~CKjΙB΅ά·B
·
σ{έ@|@ΥμCK
·
σ{έ@|@ίsCK
·
σ{έ@|@ΐ~CKiσ³Σj
³ηΙA»Μ³FE―i³FEPSjπΖ΅ΔAu³ΣΕ ιvΖOΆι±ΖΕAζρ³FE―Ε ι―³ΣΙB΅ά·B
³ηΙA³FE―i³FEPSjͺ³Ε ι±ΖΙΞ΅Δu½ΰΘ’vΖOΆι±ΖΕAζO³FE―Ε ι³LΙB΅ά·B
³ηΙA»ΜζO³FE―πΖ΅ΔAu±κΝβΓΕ ιBvΖOΆι±ΖΕAζl³FE―Ε ιρzρρzΙB΅ά·B
FEζάTΙB΅ΔAθΝͺΘΑΔΎΔΙΘιΖAFEζάTSΙ΅Δ’ιdͺ_ΚπΎηκισΤΙB΅ά·B
ί’Ε_ΚπΎιΙΣ³ν΅’ΏπΟρΎlΙΦ΅ΔΝA’
ΏΉΙB΅½θζάTΙόιΎ―Ε_ΚπΎηκι±Ζΰ θά·B
΅©΅A»κΘOΜlΙΦ΅ΔΝAάΈFETA³FETΜv9ΒΜTθπSΔ}X^[·ιKvͺ θά·B
»΅ΔA
·
FET@¨@όθ@¨@oθ
·
FEζρT@¨@όθ@¨@oθ
·
EEE
Ζ’€ζ€ΙAΤΙTθΙόΑΔ’«A³FEζlTΙB΅½ηAtΙ
·
³FEζlT@¨@όθ@¨@oθ
·
³FEζOT@¨@όθ@¨@oθ
·
EEE
Ζ’€ζ€ΙAΤΙΊΑΔ’«ά·B»Μζ€ΙA9ΒΜTθΙΞ΅Δά©έπΎι±ΖΙζΑΔA_ΚπΎηκιζ€ΙΘθά·B
άΖίά·ΖA
·
_ΚΝFEζάTSΜ ιΑκΘσΤΕ ιB
·
FEζάTΙόΑ½©ηΖ’ΑΔ_ΚΙόκιν―ΕΝΘ’B
·
½ΜκA_ΚΙόιΙΝFEA³FEΜv9TΙ¨’ΔAά©έπΎιKvͺ ιB
Ζ’€±ΖΙΘθά·B
_ΚΙΝΘΊΜ5νή θά·B
uSΙΘλ€BvuηΙΘλ€BvΘΗΖv¦ΞA»ΜΙ©ͺΜͺgπ»μΕ«ι\ΝBͺgΜpέ½’Θ΄ΆΕ·©ΛB
̺⬳ȺΘΗAΚνΜΆ½ΙΝ·«ζκΘ’Ίπ\ΝΕ·B
ΌlΜSπθΙζιζ€ΙπΕ«ι\ΝΕ·B
ίΆΜoβl¦ΘΗπmι±ΖͺΕ«ι\ΝΕ·B
ΚνχαΕΝ©¦Θ’AρνΙΜΰΜβAχ¬ΘFπ©ι±ΖͺΕ«ι\ΝΕ·B
±±ΕΜCKΖΝTθΙόιOiKΜσΤπw΅ά·BCKΙΝΜ3ΒΜxͺ θA40Μ~ΜCKΙ¨’ΔA»κΌκBΕ«ιxͺΩΘθά·B
CKΜζκiKΜσΤͺΥμCKΕ·B
±ΜσΤπΎιΙΝAα¦ΞnΥπΞΫΙCK·ικAάΈΪΜΧ©’«κ’ΘyπΌa30cmη’Μ~`inΥjΙ΅ά·B»κπΞΫΙαzπ·ιΖ«»ΜπΥμΖΎ’ά·B
³ηΙAαzͺiήΖΪπΖΆΔΰinΥπ©ΘΔΰjΣ―γΙC[Wͺ»κιζ€ΙΘθά·B±ΜC[WͺζΕ·B
ΥμCKΝCKΜζκiKΜσΤΕ ι½ίA40·ΧΔΜCKΙ¨’ΔΎηκά·B
ΥμCKͺ³ηΙiήΖAζρiKΪΜίsCKΙB΅ά·B±ΜσΤΙΘιΖAΝζζθΰ³ηΙέΨΑ½ΖΔΞκιΰΜΙΘθά·B
ΘΊΜ10ΝCK·κΞίsCKάΕB΅ά·ͺAΐ~CKΙB·ι±ΖΝΕ«άΉρB
·
§Oi\Oj
·
@Oi\Oj
·
mOi\Oj
·
ϊOi\Oj
·
ΜOi\Oj
·
VOi\Oj
·
β~Oi\Oj
·
Oi\Oj
·
H}z
·
lE·Κ
Βάθ\OΙΦ΅ΔΝCK΅ΔΰTθΙόκΘ’Ζ’€±ΖΕ·ΛB
ίsCKͺ³ηΙiήΖΐ~CKΙB΅ά·B±ΜσΤΕίΔΐ~CKΖΔΞκιTθΙόΑ½σΤΙΘθά·B
\OπΜΌ30ΜCKΞΫͺΐ~CKΙB·ι±ΖͺΕ«ά·BiΒάθTθΙόκιj
TθΙόκιΜΝA30Μ~ΜαzΕ΅½B³ηΙA»κΌκΜαz²ΖΙATθΙόκιxΰΩΘΑΔ«ά·BΘΊΙρ΅ά·B
·
\sς
·
gNOi\Oj
·
il³Κj
·
ίil³Κj
·
μil³Κj
·
\Υ
·
oό§Oi\Oj
·
Μil³Κj
·
l³F
l³FΜ€ΏA{έΕ ιαzΞΫΝσ{έA³L{έΜ2ΒΕ·Bά½A±ΜρΕρ΅½FETΜαzΞΫΰ·ΧΔ{έΕ θA»ΜΝ26Ε·B
ΒάθA40Μ~ΜαzΞΫΜ€ΏA26+228ͺ{έΖΖΔΞκά·B»΅ΔA40-2812ΜcθΜαzΞΫͺAζκ`ΖΖΔΞκά·B
»ΜlΜΑΔΆά꽫iΝAε«ͺ―ΔΜ6ΒΙͺήΕ«ά·B6Β«iΝΘΊΜ5ΒΜξΕ»f΅ά·B
1.
ΰ«ϋΜp¨
2.
|AτσΘΗΜϊνμΖ
3.
D«ΘHΧ¨
4.
©ϋA·«ϋ
5.
PSAsPSΜΆάκϋ
»κΕΝAΤΙ©Δέά΅ε€B
~ͺΆάκβ·’«iB
1.
ΰ«ϋAΐθϋΘΗΜp¨ΝDό
2.
|AτσΘΗΜϊνμΖΝJ
3.
D«ΘHΧ¨ΝΓ’ΰΜAθΜζ’ΰΜ
4.
Dά΅’ΰΜβΊͺ κΞΏεΑΖ΅½ΰΜΕΰ·Ι·
·ι
5.
±ΡζzΑ½θAlπζs©΅½θ΅ͺΏ
·
\sς
·
gNO
{θͺΆάκβ·’«iB
1.
ΰ«ϋAΐθϋΘΗΜp¨Νeμ
2.
|AτσΘΗΜϊνμΖΝG
3.
D«ΘHΧ¨Ν_’ΰΜ
4.
sυΘΰΜβΊͺ κΞΏεΑΖ΅½ΰΜΕΰ·Ι π§Δι
5.
{θAΉiAP`AγχΘΗͺΆΆβ·’
·
l³Κ
·
ΒΥ
·
©Υ
·
ΤΥ
·
Υ
πέΘ«iB
1.
ΰ«ϋAΐθϋΘΗΜp¨ΝΎη΅Θ’
2.
|AτσΘΗΜϊνμΖΝ³CΝ
3.
D«ΘHΧ¨Ν±κΖ’ΑΔΘ’
4.
©ͺΜΣ©ͺΘlΜΣ©Ι]€
5.
惛ΎA°A{ΘΗͺΆΆβ·’
·
oό§O
MͺΆάκβ·’«iB
1.
ΰ«ϋAΐθϋΘΗΜp¨ΝDό
2.
|AτσΘΗΜϊνμΖΝJ
3.
D«ΘHΧ¨ΝΓ’ΰΜAθΜζ’ΰΜ
4.
Dά΅’ΰΜβΊͺ κΞΏεΑΖ΅½ΰΜΕΰ·Ι·
·ι
5.
{ΘΗΜPΖΉͺΆΆβ·’
·
§O
·
@O
·
mO
·
ϊO
·
ΜO
·
VO
qdͺΆάκβ·Aα»IΘ«iB
1.
ΰ«ϋAΐθϋΘΗΜp¨Νeμ
2.
|AτσΘΗΜϊνμΖΝG
3.
D«ΘHΧ¨Ν_’ΰΜ
4.
sυΘΰΜβΊͺ κΞΏεΑΖ΅½ΰΜΕΰ·Ι π§Δι
5.
qdͺΆάκβ·’
·
O
·
β~O
·
H}
·
lE·Κ
l¦ͺ½Ώ
©Θ’«iB
1.
ΰ«ϋAΐθϋΘΗΜp¨ΝΎη΅Θ’
2.
|AτσΘΗΜϊνμΖΝ³CΝ
3.
D«ΘHΧ¨Ν±κΖ’ΑΔΘ’
4.
©ͺΜΣ©ͺΘlΜΣ©Ι]€
5.
qivljͺΆάκβ·’
·
oό§O
ΐΫΝΗκ©κΒΎ―Μ«iΕ ι±ΖΝΘA’Β©Μ«iͺ‘΅Δ’ικͺΩΖρΗΕ·B
ά½AcθΜΘΊΙ °ι10ΜαzΞΫΝA·ΧΔΜ«iΜlΙK΅Δ’ά·B
·
nΥ
·
Υ
·
ΞΥ
·
Υ
·
σΥ
·
υΎΥ
·
l³F4
³ηΙAΥΜκΝAε«ΘΥA¬³ΘΥͺ θά·B
ε«ΘΥΝSΜΓάηΘ’s«ΜSπaη°ΔAαzπΝ©Ηθβ·΅ά·B
¬³ΘΥΝl¦ή«iΜq«ΜSπaη°ΔAαzπΝ©Ηθβ·΅ά·B
ΥΖΝSπκ_ΙW³Ήι½ίΙAΓ·ιΞΫΜ±ΖΕ·BΥΙΝΘΊΜ\Υͺ θά·B
1.
nΥ
2.
Υ
3.
ΞΥ
4.
Υ
5.
ΒΥ
6.
©Υ
7.
ΤΥ
8.
Υ
9.
σΥ
10.
υΎΥ
α¦ΞAnΥΖΝΌa30cmη’Μ~`ΜniyjΕA»κΙW·ι±ΖΕΎηκιTπnΥTΖΎ’ά·BΌA
ΥΘΗΰnΥΖ―lΕ·B
ά½A\ΥΖ’Α½αzΞΫΙΝ»κΌκΕLΜΝͺ θά·B
α¦ΞAnΥπCK΅Δ_ΚπΎ½ΘηΞAσβ
ΚΙnπ»μ΅ΔnΚΜγΖ―Άζ€Ιΰ’½θAΐΑ½θΕ«ιζ€ΙΘθά·B
ΥΘηAJπ~ηΉ½θAnΙφΑ½θΕ«ιζ€ΙΘθά·B
ΥΘηAΜζ€Ιs«Ε«ιζ€ΙΘθά·B
sςΖΝugΜΝςΕ ιvΖ’€v’α’πΕΏjθA ιͺάάsςΕ ι±Ζπ©ιqdπΒ―ι½ίΜαzΞΫΕ·BΘΊΜ10Μsςͺ θά·B
γAϊπoΔc£΅Δ«½}ν΅’ΜΜ±ΖB
AΤΘΗΜFͺG΄Α½ΒΟF΅½}ν΅’ΜΜ±ΖB
gΜΜeΜj꽩η^ͺRκo΅Δ’ι}ν΅’ΜΜ±ΖB
ρΒΙΨf³κ½}ν΅’ΜΜ±ΖB
’βnQ^JΘΗͺH’Uη©΅½}ν΅’ΜΜ±ΖB
θE«EͺΘΗͺ Ώ±ΏΙU΅½}ν΅’ΜΜ±ΖB
άΜͺΚXΙΨθάκΔ Ώ±ΏΙ°ΜΔηκ½}ν΅’ΜΜ±ΖB
¬κo½Εhηκ½ΜΜ±ΖB
εvͺSgΙν’Δ’ιΜΜ±ΖB
Ύ―ΙΘΑ½}ν΅’ΜΜ±ΖB
OΖΝJθΤ΅OΆι±ΖΕ·BJθΤ΅OΆιΞΫΙΝΘΊΜ10 θά·B
’
ΏΘΗΜ§ΏπΖ΅ΔJθΤ΅OΆι±ΖB
oTπΝΆίΖ·ιAΉEΚEΈΟΘΗΜ@ΏπΖ΅ΔJθΤ΅OΆι±ΖB
ΉΘιmcΜΏπΖ΅ΔJθΤ΅OΆι±ΖB
©ͺͺηΑΔ’ιϊΙζιΏπΖ΅ΔJθΤ΅OΆι±ΖB
©ͺͺsΑΔ’ιz{ΜΏπΖ΅ΔJθΤ΅OΆι±ΖB
uMΘΗπΒ±ΖΕVΙΆάκ½VOͺ’ΔA»κηVOΖ―ΆMπ©ͺΰΑΔ’ιvΖ’€ζ€ΙA©ͺΙυνιMΘΗΜΏπΖ΅ΔJθΤ΅OΆι±ΖB
κΨκΜβΕΕ ιΈΟΜΏπΖ΅ΔJθΤ΅OΆι±ΖB
u©ͺΰmΐΙΚΜΎvΖ’€TOπΖ΅ΔJθΤ΅OΆι±ΖB
Ρ―ΘΗΜ32ΜgΜΜͺπΖ΅ΔJθΤ΅OΆι±ΖB
o§Aό§πΖ΅ΔJθΤ΅OΆι±ΖB
ίμΜΜ4Βπl³ΚΖΎ’ά·B
ηδιΆ½π΅ρΕyπ^¦½’iKΉΕ ΑΔΩ΅’jΖv€±ΖB©«Ν³αΡSΕ·B
½Ύ΅A·ΧΔΜ³αΡSΖ’€ν―ΕΝ θάΉρBα¦ΞAκΆ½Χ΅Δ’ιΖ«ΰA³αΡSͺΆΆά·ͺA±ΜΖ«Μ³αΡSΝΜ«π΅άΉρB
άΕA΅έπσ―ιΞΫΙΘιΆ½ͺ’ΔA»ΜΆ½ͺKΉΕ ΑΔΩ΅’ΖOΆιΖ«Ι³αΡSΝΜΝ½η«π΅ά·B
΅©΅AΘqπ©ν’ͺθ½’Ζ’€CΏΝ΅έΕΝΘA{\IΘ€Ε·B
κ΅ρΕ’ιΆ½ΙΞ΅ΔA»Μκ΅έͺΘΘΑΔyΙΘκιζ€ΙΖv€±ΖΕ·B©«Ν³ΚSΜίSΕ·B
yπ΄ΆΔ’ιΆ½ΙΞ΅ΔA»ΜyͺΈΑΖ±«ά·ζ€ΙΖv€±ΖΕ·B©«Ν³ΚSΜμSΕ·B
κΕΰyΕΰΘ’½ΓΜΆ½ΙΞ΅ΔAu·ΧΔΜΆ½ΝΖπ©ΘΖ·ιvΖβΓΙ©ι±ΖB
Θγl³ΚΙ¨’ΔAίμΜ3ΒΜCKΙζΑΔΝFEζlTάΕAΜΜCKΙζΑΔFEζάTΙόθΕ«ά·B
H}πκzΖΎ’ά·B
H¨πHΧι±ΖΙΝAο«ΘΗΜlXΘΟν΅³ͺΒ’Δ«ά·B»ΜΟν΅³πΟ@·ι±ΖΕAH¨π}€v’ͺΆΆά·B±κͺH}Ε·B
±±ΕΝAH¨ͺΕ θAH}ͺ\iπΖιSjΖ’€ΦWΙΘΑΔ’ά·B
κ·ΚΖΝlE·ΚΜ±ΖΕ·BlEΖΝAnA
AΞAΜlενπw΅ά·B©gΜgΜπAnA
AΞAΜlενΙζΑΔζΚ΅Δπ·ιqͺlE·ΚΜΣ‘Ε·B
·
±ΜͺΝnΕ ιB
·
±ΜͺΝ
Ε ιB
·
±ΜͺΝΞΕ ιB
·
±ΜͺΝΕ ιB
Ζ’€ζ€ΙAΟ@·ιν―Ε·ΛB
³FETθπCK·ι½ίΜ4ΒΜαzΞΫͺl³FΕ·B
·
ζκ³FEΙόι½ίΜ@¨@σ{έ
·
ζρ³FEΙόι½ίΜ@¨@³F―
·
ζO³FEΙόι½ίΜ@¨@³L{έ
·
ζl³FEΙόι½ίΜ@¨@ζO³F―
θΙΝTθAΚθAΕθΜ3Β θά·B
Tθ
TθΙΦ΅ΔΝ~ΜCKπQΖ΅ΔΊ³’B
Κθ
ΚθΙ¨’ΔΝA»ΜCsͺ·ΕΙΎΔ’ιΚΙόθΕ«ά·B
α¦ΞAa¬ΚπΎΔ’κΞa¬ΚΙΎ―όθΕ«ά·BκΚπΎΔ’κΞAκΚΙΎ―όθΕ«ά·Ba¬ΚΙΝΰ€όθΕ«άΉρB
»΅ΔAΚθΙόΑΔ’ιΤΝAΈΑΖΚSΜέͺA±΅ΔΆΆAΚS±ͺrβ¦ΔLͺSͺΆΆι±ΖΙζΑΔΚθ©ηoθ΅ά·B
Εθ
ΕθΖΝSπSΙXgbv³ΉιΙΜθΕ·BsΚA’
ΏΚπΎΔA³ηΙFEA³FET·ΧΔπΜ±΅Δ’ιΎ―ͺΕθΙόι±ΖͺΕ«ά·B
άΈAsΚA’
ΏΚπΎΔ’ιCsΝAFETΙόθ΅ά·B
»ΜγAFET©ηoθ΅AFETSβSΜ’Έκ©ΜOΑπΟ΅ά·B»ΜΙAFEζρTΙΞ΅Δΰ―lΙs’ά·B±Μζ€ΙAόθAoθAΟπJθΤ΅Δ³LάΕB΅ά·B
»΅ΔA³L©ηoθ΅½ΫΙAΜ4ΒΜυπ΅ά·B
1.
ίβ«βZΘΗΜlοͺAΞΠA
QAοΘΗΙονΘ’ζ€ΙΏθ·ιB
2.
mcΜΔΡ©―ΙΆηκιζ€Ι\ͺ΅Δ¨B
3.
§ΙΜΔΡ©―ΙΆηκιζ€Ι\ͺ΅Δ¨B
4.
©ͺΜυ½π\ͺ΅Δ¨B
±κηͺIνΑ½γΙAρzρρzΙόθ·ιΖASSΜΝ½η«ͺSΙXgbv΅½ΕθΙόθά·B
±ΜΖ«SΝ©Θ’ΜΕSΆFΝΆΆΈiΕ΅ΔjAΖΆFEίΆFEHΆFΜέͺΆΆΔ’ά·B
ΉΙΝΜ4ΒΜiKͺ θA»κΌκΜΉ²ΖΙΜf·ιΟYΰαΑΔ«ά·B
a¬Ή
a¬ΉπΎι±ΖΕ\ΟYΜ€ΏA©A^SπSΙΜf΅ά·B»Μ½ί©A^Sͺ·ιsPSΝΆΆΘΘθά·BΪ΅Νua¬ΚvπQΖB
ά½A©A^Sͺ΅Θ’sPSΝΆΆιΒ\«ͺ θά·ͺA£PnΙΆάκιΖΙΘιζ€Θ’sPSΝΰ€ΆΆάΉρB
»΅ΔA{Sΰ£PnΙΆάκΟνιΖπΒιΩΗΜGlM[ͺΰΖΰΖΘ’ΜΕi1φΜ½ίjAa¬ΚΙεΑ½lΝρxΖ£PnΙΆ·ι±ΖΝ θάΉρB
ΕΕΰ7ράΕ~EΙΆ·ιΒ\«ͺ θA7ρΘΰΙ’
ΏΙB·ιΜΕ·B
κΉ
κΉΕΝV΅ΟYπΜf·ι±ΖΝ θάΉρͺAζΓAαΡAsΖ’Α½ΟYΜGlM[π³ηΙγίά·BκΉπΎ½lΝκxΎ―~EnΙΆ΅ά·B
sΉ
»΅ΔAsΉΕΝαΡΖ~ζΓͺSΙΜf³κά·B~ζΓΖΝu¨’΅’ΰΜπHΧ½’vu«κ’Θπ
½’vΘΗΜ’νδιxΜ~Ζ’€Σ‘Ε·B
΅©΅AVEΙΆάκΔ·Ά«΅½’Ζ’€ζ€ΘFζΓA³FζΓiLζΓjΝάΎcΑΔ’ά·B
’
ΏΉ
cΑΔ’ι·ΧΔΜΟYisPSjπΜf΅ά·B±κΙζΑΔ’ΈκΜnΙΰρxΖΆάκι±ΖΝ θάΉρB
ΉEΚπΎι±ΖππEΖΎ’ά·BOΑΜ’Έκ©πΖ΅ΔΟ·ι±ΖΕA»ΜΙΆ½ϋό©ηπEΙθά·B
ΒάθA
·
³νπΖ΅Δ³νπΟ·ι±ΖΕA³πEͺΎηκά·B
·
κπΖ΅ΔκπΟ·ι±ΖΕA³θπEͺΎηκά·B
·
³δπΖ΅Δ³δπΟ·ι±ΖΕσπEͺΎηκά·B
³ηΙA»κΌκΜΟΙΒ’ΔΝΘΊΙΪ΅qΧά·B
³νΟ
ΖΝ`ApΘΗΜΑ₯Μ±ΖΕ·BΒάθ}vΝΌFΙΞ΅Δ½©΅ηΜ`ApΘΗΜΑ₯πΖη¦Δ»κΙ·
΅ά·B
±Μ·
©η£κι½ίΙAΕθ΅½ΝΆέΉΈΙA·ΧΔΌFΝΆΕΜΟ»Μ¬κΕ ιi³νΕ ιj±ΖπΟ΅ά·B
ζΑΔ³νΟΙζΑΔΎηκιπEπ³πEΖΔΡά·B
κΟ
ΌFΙΞ΅Δyπ©ι©ηu~΅’vΖ’€θ’ͺΆΆά·B
κΟΖΝA ηδιΌFΝκΜέΕ ιΖ ιͺάά©ι±ΖΕA»κΙζΑΔΌFΙΞ·ι€Ζ’€θ’πfΏΨθά·B
ζΑΔκΟΙζΑΔΎηκιπEπ³θπEΖΔΡά·B
³δΟ
}vΝΌFΜΙuδvΖ’€ΐΜͺ ιΖ©ΔAu±κΝΎvΖ©Au±κΝΜΰΜΎvΖ’€ζ€Ι·
΅ά·B
³δΟΕΝAΌFΜΗ±πT΅ΔΰδΖ’€ΐΜΝΆέ΅Θ’AΒάθσΕ ιΖΟ΅ά·B
ζΑΔ³δΟΙζΑΔΎηκιπEπσπEΖΔΡά·B
α¦ΞAoR[gͺ3Β ΑΔΰAΗΗΜ[gΰΪw·ΪWΝΈγΕ ιζ€ΙA3ΒΜΟΜ’Έκ©Μϋ@ΕΈγΕ ιπEπΪw·C[WΕ·B
OράΕΜ¨³η’Ε·Bΐ~HΕΝqͺΌFΜ³νΘΗπΖ΅ΔAΥμAίsAΖΤΙΆΆά·B
»ΜΜίΙν©SΖ’€ΕγΜίsθͺΆΆά·B»΅ΔA»ΜΜίΙΝΉSΖ’€ΐ~θΙόθά·B
ΒάθΤΕΎ€Ζ
·
Lͺ
·
LͺΜf
·
Σεψ]S
·
Υμiίsθj
·
ίsiίsθj
·
iίsθj
·
ν©iίsθj
·
Ήiΐ~θj
·
Κiΐ~θj
·
Κiΐ~θj
·
Lͺ
Ζ’€¬κΙΘθά·ΛBίsθΖΐ~θͺ¬sΜΝ½η«π΅A¬sΝ7ράΕΖάΑΔ’ιΜΕAΚSΝ2SίΎ―ΆΆι±ΖΙΘθά·B
]kΕ·ͺA¬ΚBΜκAΥμͺΆΆΘ’ΜΕA1Sίσ«ͺΕ«ά·B»Μ1Sίͺ½ΚͺΆΆά·B
³ΔAΘγΜζ€ΙΉͺΆΆ½ΫΙAlΉϊπΌΪπ΅½Ζ’€ΉqͺΆΆά·B
ΉqΙΝA
1.
a¬Ήq
2.
κΉq
3.
sΉq
4.
’
ΏΉq
Μ4Βͺ θA±κη4ΒπάΖίΔq©΄ςΖΎ’ά·B
Ο@qΜΆN
ΐ~HΕΝΚͺΕ΅ΔΕγΙLͺΙΏά·iv·ιΙTθ©ηoιjB±ΜγΙAu©ͺͺΜ±΅½ΉβΚΖΝΗΜζ€ΘΰΜΕ Α½©HvΖ’€ΉβΚπΟ@·ιHiΟ@HjͺΆΆά·B
±ΜΖ«ΜΟ@HΝΘΊΜζ€ΙΘθά·B
·
Lͺ
·
LͺΜf
·
Σεψ]S
·
Ο@q
·
Ο@q
·
Ο@q
·
Ο@q
·
Ο@q
·
Ο@q
·
Ο@q
·
Lͺ
±ΜΖ«ΜΟ@qΰ¬sΕ θA»Μ©«ΝqεPS4AqεBμS4Μ’Έκ©Ε·Bά½AΟ@qΙζΑΔΘΊΜ5ΒπΟ@HͺΆΆά·B
1.
uΝ±ΜΉΙζΑΔΈΟπΎ½vΖΉπΟ@·ιH
2.
uΝΉΜχΏπΰΎ½vΖΚπΟ@·ιH
3.
uΝΈΟπΜ±΅½vΖΈΟπΟ@·ιH
4.
uΝ±κ±κΜΟYπΜf΅½vΖΜi΅½ΟYπΟ@·ιH
5.
uΙΝ±κ±κΜΟYͺcΑΔ’ιvΖcΑΔ’ιΟYπΟ@·ιH
1`3ΤάΕΝAKΈΆΆιHΕ·B4,5ΤΝΆΆιlΖΆΆΘ’lͺ’ά·B
³ηΙA
·
a¬ΉΜγΙΆΆιΒ\«ͺ ιΟ@HΝ5ΒΕ·B
·
κΉΜγΙΆΆιΒ\«ͺ ιΟ@HΝ5ΒΕ·B
·
sΉΜγΙΆΆιΒ\«ͺ ιΟ@HΝ5ΒΕ·B
·
’
ΏΉΜγΙΆΆιΒ\«ͺ ιΟ@HΝ4ΒΕ·BiΟYͺcΑΔ’Θ’½ί5ΤΪΜΟ@HΝΆΆΘ’j
ΉρΉq©΄ςΕAΆΕqπηΔιίΟ@Ζ’€ϋ@ͺΕγΙoκ΅ά΅½B»ΜΫΙAΟΜυΙζΑΔΟͺW°ηκιΖ¨b΅΅ά΅½B
΅©΅A»ΜΫΙΟΜυπUθΨΑΔA³ηΙOΑπΟ΅±―ιΖΘΊΜγΟqͺΆΆά·B±ΜγΟqπsΉq©΄ςΖΎ’ά·B
γΟq
σΕq
ΆΕqΙζΑΔψ«±«ΌFΜΆΕπΟ΅Δ’ιΖA»ΜqΝκwΘθά·B»΅ΔA
ΚΙXΑ¦Δ’J±πΟ@·ιζ€ΙAΌFΜσΕπΟΕ«ιζ€ΙΘθά·B
|Ψq
ΌFΜσΕπΟ΅±―ιΖA»κηͺ°|Ιl·ιΰΜΕ ι±Ζͺͺ©ιζ€ΙΘθά·B
uίΜΌFΝ·ΕΙΕ΅½B»έΜΌFΝ·ΕΙΕ΅Δ’ιB’ΜΌFΰΕ·ιΙα’Θ’BvΖΕ·ι±Ζͺ°|Ε ιΖ’€±Ζπ|ΨqΙζΑΔ ιͺάάπ΅ά·B
ί³qA}£qAE~q
|ΨqͺΆΆ½ͺA³ηΙΌFΜΟπ±―ιΖAΝΌFΙΞ΅ΔνXΜί³iνΈη’jπ©ιί³qͺΆΆά·B
³ηΙί³qΙζΑΔΌFπΟ·ι±ΖΕAΌFπ}€}£qͺΆΆά·B
³ηΙ}£qΙζΑΔΌFπΟ·ι±ΖΕA»ΜΌF©ηE΅½’Ζ’€E~qͺΆΆά·B
±κηΝ―ΆqdΜxΘΜΕ―Ιπΰ΅Δ’ά·B
Θ@q
ί³qA}£qAE~qΙζΑΔΌFπΟ΅½γΕAΌFπΔΡA³νAκA³δΜOΑΕΟ·ι±ΖΕΎηκιqdͺΘ@qΕ·B
±Μ_ΕίΔΌFΦΜ€©η²―o·±ΖͺΕ«ά·B
sΜq
ΌFπΖ΅Δΰ½Μ~ΰ{θΰΆΆΈA½ΓΙ©ηκιqdͺsΜqΕ·B
α¦ΞAqΜ±λΙεD«Ε·
΅Δ’½¨ΰΏαΰAεlΙΘΑΔόίΔ©ΔέιΖ½ΜΦSΰν©Θ’ζ€ΘΰΜΕ·B
q
OΙΆΆ½ͺΟqΙΆΔA³ηΙOΑπΟ·ι±ΖΙζΑΔΎηκιqdB
qΰΌFπΖ΅ΔΆΆιqdΕ·ͺAΌOΙάΕΑ½ΈΟΙΞ΅ΔSͺX«ά·BΒάθAΈΟπΙΖλ€Ζ·ιν―Ε·ΛB
±Μζ€Ι΅ΔqͺΥμAίsAΖ’Α½ίsθΖ΅ΔΆΆά·B
ΒάθAqΜ©«ΝΥμAίsAΖ’Α½ίsθΜΝ½η«π·ιAqεPS4ά½ΝqεBμS4Ι·ιdͺSΕ·B
ΘγAΉρΉq©΄ςΜΆΕq©η¦ΔvΕγΟqΖΘθά·B
oNΙιΟ
sΜqΖqͺ\ͺΙn΅ΔΈ_ΙB΅½κA±κηπνΉΔoNΙιΟΖΰΔΡά·B
oNΖΝΉΜ±ΖΕAuEo΅Δ’ιvΜζ€ΘΣ‘ͺ θά·BΖ’€ΜΰΉΝΌF©ηEo΅Δ¨θAά½ΦτΜκ©ηEo΅Δ’ι©ηΕ·B
ν©S
}vΖΉΜ«ΪΜSΜ±ΖB
·
}vΜ©ΖΝALg©E^πΰΑΔ’ιΆ½Μ±ΖΕ·B
·
ΉΜ©ΖΝALg©E^πΜf΅½Ά½Μ±ΖΕ·B
ν©SΖΝΉΙΝB΅Δ’Θ’―ΗAΜuΤΙΝKΈΉΜζΙB·ιSΜ±ΖΕ·BΒάθAΜuΤΙLg©Ζ^πΜfΕ«ισΤΙ ιSͺο©SΖΔΞκά·Bia¬ΉΜΌOj
ΐ~¬sHΕ’€ΖAqͺΥμAίsAΖ’€ίsθΖ΅ΔΆΆA»ΜΜίΙν©SΖ’€ΕγΜίsθͺΆΆά·B»΅ΔA»Μγΐ~HΙόιν―Ε·ΛB
εθΙιΉΖ»€ΕΘ’ΰΜπΎmΙ©ͺ―ιqdπηΔι±ΖͺΉρΉq©΄ςΖΎνκά·BΉρΉq©΄ςπΎι½ίΙΝAΜ2ΒΜqdπηΔιKvͺ θά·B
2ΒΜqd
vq
ΌFπ³νAκA³δΜOΑiΘΊQΖjΕv·ιqdΜ±ΖB±ΜqdπηΔι½ίΙΜ4ΒΜv@ͺ θά·B
γΪv@
ίA»έA’ΘΗπlΆΉΈΙA·ΧΔΜFε]Aσε]ΘΗ»κΌκΜε]πκάΖίΙ΅Δv·ιϋ@Ε·BοΜIΙΝOΑπQΖ΅ΔΎ³’B
v@
ίΆΙΆΆ½Fε]A»έΆΙΆΆ½Fε]A’ΆΙΆΆ½Fε]ΘΗΤΙζΑΔζΚ΅Δv·ιϋ@Ε·B
α¦ΞAuίΆΙΆΆ½Fε]ΝA»ΜΆΙ¨’Δ·ΕΙΕ΅Δ’ΔA±Μ»έΆΙΝΆέ΅Θ’BΎ©η³νAκA³δΕ ιBvΖv΅ά·BΌΜσε]Azε]Asε]A―ε]Ι¨’Δΰ―lΙv΅ά·B
±v@
κΒΜΆπAβF±AMF±ΖπζΚ΅Δv·ιϋ@Ε·B
α¦ΞAuβF±ΝMF±άΕΆέ΅Θ’BΎ©η³νAκA³δΕ ιBvΖv΅ά·B
ίv@
³ηΙAκΒΜF±ES±πAΆZΕΖ’€ίΙζΚ΅Δv·ιϋ@ͺίv@Ε·B
α¦ΞA
uίΜίΙΆΆ½Fε]ΝAίΜίΙ·ΕΙΕ΅Δ’Δ»έίάΕΆέ΅Θ’BΎ©η³νAκA³δΕ ιBv
uίLͺΜίΙΆΆ½SSΝίLͺΜίΙ·ΕΙαmΑΔ’ΔALͺhάΕΆέ΅Θ’BΎ©η³νAκA³δΕ ιBv
ΘΗΖv΅ά·B
γ©ηΤΙvϋ@ͺΧ©Έ§ΙΘΑΔ’ν―Ε·ΛB
ΆΕq
ΌFΜΆΕπΎmΙΟ·ιqdΜ±ΖB±ΜqdπηΔιΙΝΜ2ΒΜΟ@ͺ θά·B
Ο@
vq𬡽CsͺAΌFπΙΦ΅ΔΟ·ιΜͺΟ@Ε·B
α¦ΞFε]πΟ·ικAu³ΎͺΆΆι±ΖΙζΑΔFͺΆΆA³ΎͺΕ·ι±ΖΕFͺΕ·ιvΜζ€Ι΅ά·B
»ΜΌAσε]Azε]Asε]A―ε]Ι¨’Δΰ―lΙΟ΅ά·B
ίΟ@
Ο@ΙζΑΔAΌFΜΆΕπJθΤ΅Ο·ιΖAΆίAΕί²ΖΜΆΕͺΎΔΙΘθά·B±ΜΖ«ΙAπl¦ΈΙA»ΜίΎ―ΙΣ΅ΔΟ·ιΜͺίΟ@Ε·B
±±άΕιΖίΜΆΕͺΎΔΙΘθA»Μ±ΖΙζΑΔΆΆιυΎEμΘΗΜυͺΟπWQ΅ά·iΟΜυΝΘΊQΖjBεθΙB·ι½ίΙΝΟΜυΙό³ΈΙCKπp±·ιKvͺ θά·B
OΑ
OΑiOjΖΝAΌFΙ¨―ιΜ3ΒΜ«ΏΜ±ΖΕ·B
³ν
½©πΖ΅ΔΆΆ½ΰΜΝAΕΜίΙΝΕ΅ά·B±Μζ€ΙΌFΜΕπΟ@·ι±ΖΕAΌFΝνΕΝΘA³νΕ ι±ΖͺΎη©ΙΘθά·B
κ
gΜπ\¬·ιFε]ΝKΈΕ·ιΰΜΕ θAaΙ`³κιΰΜΕ θA»κηΝπ―ι±ΖͺΕ«άΉρB±Μζ€ΙΌFΙΞ΅Δ|κπ©o·±ΖΕAΌFͺyΕΝΘκΕ ι±ΖͺΎη©ΙΘθά·B
³δ
ΌFΙΝδΖ’€ΐΤͺΘ’±ΖΕ·BΌFΝ άΕ¨έ’ΜΦΦWΕ¬θ§ΑΔ’ιΎ―ΕAβΞIΘδͺxz΅Δ’ιν―ΕΝ θάΉρB
ΒάθAΌFΝ³δΕ ι½ίΙRg[Ε«ΈΟ»΅Δ΅ά€ΜΕ θi³νjAΟ»·ιδ¦Ικ΅έΘΜΕ·BΖ’€ΜΰA³νΖΝκ΅ήά’ΖvΑΔΰκ΅έAΈ€ά’ΖvΑΔΰΈ€±ΖπΣ‘΅ά·B
ΟΜυ
ΟΜCKͺiήΙ΅½ͺΑΔACKπW°ι€ΘΗΜ΄φΙΙΘι10Μ@ͺΆΆά·Bv·ιΙεθάΕΜΉΜ£fIΘUfΕ·B±ΜUfΙ―ΔΉπH€ΖεθΙB΅ΘΘΑΔ΅ά€Ζ’€±ΖΕ·B
±κηUfΜ@πΟΜυΖΔΡά·BοΜIΙΝΘΊΜΚθΕ·B
υΎ
ΟΜCKͺiήΖACKΙζΑΔΆάκ½ΟSπΖ΅ΔA³ηΙSΆFͺΆΆά·B±ΜSΆFΝυπ·ι½ίΙυΎΖΔΞκά·B
μ
ΟSΙ·ιμis[eBjSΕ·B±ΜSͺΘι±ΖΕΟΜCsΝ’μΡπ΄Άιζ€ΙΘθά·B
yΐ
ΟSΙ·ιAgyΐESyΐΕ·BΟΜCKΙζΑΔyΐΜΝ½η«ͺΘιΖCsΜgΜΖSΝΖΔΰΐΈπ΄Άά·B
mM
ΟSΙ·ιMSΕ·B
τγ
ΟSΙ·ιΈiSΕ·B
y
ΟSΙ·ισSΜyσΕ·B
q
ΟSΙ·ιdͺSΕ·B
ΐZ
ΟSΙ·ιOSΕ·B
Μ
ΟSΙ·ιΜSΕ·B
χ~
υΎΘΗπΖ·ιΟΜχ~Ε·B
CsΜqͺςΑΔ’ιΖAυΎΘΗͺΆΆ½κuΝ’Ύ©ΒΔ±Μζ€ΘυΎͺΆΆ½±ΖͺΘ©Α½BΝm©ΙΉΚπΎ½vΖ¨α’πψ«N±·Ξ©θ©A»ΜυΎΘΗΙΞ·ι€EEδ©ΘΗͺΆΆι΄φΙΘθά·B
ΌFΜπΟ@·ι±ΖΕA16νΜ^¨ζΡ8νΜ^π΄¦ιqπx^qΖΎ’A»ΜσΤπx^΄ςΖΎ’ά·B
ά½A±κηΜ^’π°η·½ίΙΝAΌFΜπζΟ@·ιKvͺ θά·B
FΜπΟ@·ια
Ζ΅ΔAΖASAίAHͺ ιΖΟ@΅ά·B
α¦ΞAΆΙΆΆιJΝA³ΎE€ΙξΓίΜΖΙζΑΔΆΆά·B
³ηΙAΆNΙ¨―ιαA¨ΘΗΜFΝΖASAίAHΘΗπΖ΅ΔΆΆά·B
ΌΜπΟ@·ια
PSͺΆΆικΝA»ΜΖ΅ΔΜ@μΣπΟ@΅ά·BsPSͺΆΆικΝA»ΜΖ΅ΔΜρ@μΣπΟ@΅ά·B
ά½ΩnSΝίΙΘ΅½PEsPΖΙζΑΔΆΆABμSΝLͺΜfΙζΑΔΆΆι±ΖπΟ@΅ά·B
ΘγΜζ€ΙAx^΄ςΙB΅½CsΝκIΙ©Ζ^ͺΥf³κι±Ζ©η¬a¬ΚΖΰΔΞκά·B
8νΜ^
8^ΖΝΘΊΜ8ΒΙΞ·ι^’Μ±ΖΕ·B
·
§ΙΞ·ι^’
·
@ΙΞ·ι^’
·
ΙΞ·ι^’
·
OwiϊAθAdjΙΞ·ι^’
·
ίΙΞ·ι^’
·
’ΙΞ·ι^’
·
ίΖ’ΙΞ·ι^’
·
NΜ³¦ΙΞ·ι^’
16νΜ^
ί
·
^δA°AΝίΙΆΆ½Μ©H
·
^δA°AΝίΙΆΆΘ©Α½Μ©HiΆΆΘ©Α½ΜΎλ€j
·
ίΙΗΜζ€ΘΆΎΑ½©Hi€AεbΘΗj
·
ίΙΗΜζ€ΘepΎΑ½©HiΉΔ’ιAΎΑΔ’ιΘΗj
·
ίΙΗΜζ€ΘΆΕA»ΜγΗ€ΘΑ½©Hi€ΜΆΜγ·ΙΘΑ½ΘΗj
»έ
·
^δA°AΝ{Ι ιΜ©H
·
^δA°AΝΘ’Μ©H
·
ΗΜζ€ΘΆ©Hi€AεbΘΗj
·
ΗΜζ€Θep©HiΉΔ’ιAΎΑΔ’ιΘΗj
·
ΝΗΜζ€ΘΆ©η½©H
·
±ΜΆͺIνΑΔAΗΜζ€ΘΆΙΘι©H
’
·
^δA°AΝ«ΆΆιΜ©Hii_j
·
^δA°AΝ«ΆΆΘ’Μ©HifΕ_j
·
«ΗΜζ€ΘΘιΜ©Hi€AεbΘΗj
·
«ΗΜζ€ΘepΙΘιΜ©HiΉΔ’ιAΎΑΔ’ιΘΗj
·
«ΗΜζ€ΘΆΙΘθA»ΜγΗ€ΘιΜ©Hi€ΜΆΜγ_ΙΘιΘΗj
ΌFiS89AS52AF28jπκΒκΒΜ4ΒΜΟ_ΕAΟ@·ι±ΖΕAδ©©η£κ½qdͺΆΆά·B±Μqdͺ©΄ςΕ·B
·
ΑEEE«ΏA©«Μ±Ζ
·
μpEEEΝ½η«Μ±Ζ
·
»σ
·
ΌΪφEEEΆΆιΌΪφ
±ΜΟ@ΙζΑΔAlALξAAΌlAjAΘΗͺΐέ·ιiΐ@Ε ιjΖ’€Χ©πζθν―Ε·ΛB
SΜκ
·
ΑEEEπmι±Ζ
·
μpEEE·ι@ΜζsΖΘι
·
»σEEES±ͺrβ¦Θ’ζ€ΙSΖSπ·ι
·
ΌΪφEEE·ιSiΌjΖAΛΆ·ιξFiFj
GiSjΜκ
·
ΑEEEΙGκι±Ζ
·
μpEEEΖSΖΜΪG
·
»σEEEΖSΖΜW
·
ΌΪφEEE»κΔι
nEiFjΜκ
·
ΑEEEΜ«Ώ
·
μpEEE俱ΆF@iΛ~FjΜζθΗ±λΖΘι
·
»σEEE俱ΆF@Μx
·
ΌΪφEEEΌΜOενi
AΞAj
S΄ςΖΝASͺSΙάW©ηΨθ£³κ½σΤπΎ’ά·BοΜIΙΝA~ΜαzΙ¨―ιίsCKAΐ~CKΜ2νήΜ±ΖΕ·BΏΘέΙάWΖΝAqdπW°ιΜάΒΜWit^jΜ±ΖΕ·B
·
ζΓ~
·
αΡ
·
惛ΎE°
·
{E«μ
·
^
gΖAκΖAΣΖͺ«ϋόΙό©Θ’ζ€ΙCπt―ι±Ζͺϊ΄ςΕ·Bϊ΄ςΝΜ3Β θά·B
ͺΜhμΖ’€ϊ
αͺA¨ͺA@ͺAγͺAgͺAΣͺΖ’€ZͺπηθsPͺΆΆΘ’ζ€Ι·ι±ΖB±ΜϊΕΝAOiTeBjͺξbΙΘθά·B
ΆΜ΄ςΖ’€ϊ
M©ηz{πΰη€½ίΙAν΄ν΄CπgΑ½θ΅Δz{·ιζ€Ιdό―ι±ΖΘA΄ςΘϋ@ΕΎ½Ύ―ΙζΑΔΆ·ι±ΖB±ΜϊΕΝAΈiͺξbΙΘθά·B
lοΙΛ~Ζ’€ϊ
ίAH¨AZAγςΜlοΙAΪIπ«ΏρΖπ΅½€¦Ε³΅ΛΆ·ι±ΖB
ΒάθACKπ£i·ι½ίΙΛΆ·ιΜΕ ΑΔA~πζΓι½ίΙΛΆ·ιν―ΕΝΘ’Ζπ΅Δσp·ι±ΖB±ΜϊΕΝAdͺξbΙΘθά·B
1.cakkhu pasāda – sensitive matter in the eye
2.rūpārammaṇa – object that can be seen
3.āloka (light)
4.manasikāra (attention)
Essential conditions for sota dvāra vīthi to arise:
1.sota pasāda – sensitive matter in the ear
2.saddārammaṇa – object that can be heard
3.ākāsa (space)
4.manasikāra (attention)
Essential conditions for ghāna dvāra vīthi to arise:
1.ghāna pasāda – sensitive matter in the nose
2.gandhārammaṇa – object that can be smelled
3.vāyo -dhātu (air element)
4.manasikāra (attention)
Essential conditions for jivhā dvāra vīthi to arise:
1.jivhā pasāda – sensitive matter in the tongue
2.rasārammaṇa – object that can be tasted
3.āpo -dhātu (water element)
4.manasikāra (attention)
Essential conditions for kāya dvāra vīthi to arise:
1.kāya pasāda – sensitive matter in the body
2.phoṭṭhabbārammaṇa – object that can be felt
3.pathavī -dhātu (earth element )
4.manasikāra (attention)
52 Kinds of Mental
States
Dvipaññāsa Cetasika
parent: Chapter II - Mental States
(Sabbacittasādhāranā-7)
Katham?
2. (i)
1.
Phasso, 2. Vedanā, 3. Saññā, 4. Cetanā, 5. Ekaggatā, 6. Jīvitindriyam, 7.
Manasikāro c'āti satt'ime Cetasika Sabbacittasādhāranā nāma.
c'āti
satt'ime Cetasika Sabbacittasādhāranā nāma.
(Pakinnakā
- 6)
3.
(ii)
1.
Vitakko, 2. Vicāro, 3. Adhimokkho, 4. Viriyam, 5. Pīti, 6. Chando c'āti cha ime
Cetasikā pakinnakā nāma.
c'āti
cha ime Cetasikā pakinnakā nāma.
Eva'mete
Cetasikā Aññasamānā'ti veditabbā. (13)
(Akusala
- 14)
4.
(iii)
1. Moho,
2. Ahirikam, 3. Anottappam 4. Uddhaccam, 5. Lobho, 6. Ditthi, 7. Māno, 8. Doso,
9. Issā, 10. Macchariyam, 11. Kukkuccam, 12. Thīnam, 13. Middham, 14.
Vicikicchā
c'āti
cuddas'ime Cetasikā Akusalā nāma.
5.
(iv)
1.
Saddhā, 2. Sati, 3. Hiri, 4. Ottapam, 5. Alobho, 6. Adoso, 7. Tatramajjhattatā,
8. Kāya-passaddhi, 9. Citta-passaddhi, 10. Kāya-lahutā, 11. Citta-lahutā, 12.
Kāya-mudutā, 13. Citta-mudutā, 14. Kāya-kammaññatā, 15. Citta-kammaññatā, 16.
Kāya-pāguññatā, 17. Citta-pāguññatā, 18. Kāyujjukatā, 19. Cittujjukatā,
c'ati
ek' unavīsat'ime Cetasikā Sobhanasādhāranā nāma.
(Viratiyo-3)
6. (v)
1.
Sammā-vācā, 2. Sammā-kammanto, 3. Sammā-ājīvo
c'āti
tisso Viratiyo nāma.
(Appamaññā-2)
7.
(vi)
1.
Karunā, 2. Muditā pana Appamaññāyo nāmā'ti sabbathā'pi-
(Paññindriya-1)
8.
(vii)
Paññindriyena
saddhim pañcavīsat'ime Cetasikā Sobhanā'ti veditabbā.
9.
Ettāvatā
ca - Teras' aññasamānā ca - cuddasākusalā tathā
Sobhanā pañcavīsā'ti - dvipaññāsa pavuccare.
(translation)
(Universals-7)
[these
'Universal' cetasikas are in variably found in every
consciousness]
2. How
? (i)
These
seven mental states are common to every consciousness.
(Particulars-6)
[unlike
the Universals these cetasikas are found only in certain
classes of consciousness]
3.
(ii)
These
six mental states are termed Particulars.
Thus these
(thirteen) mental states should be understood as 'common to each other' (aññasamāna[2]).
(Immorals-14)
4.
(iii)
These
fourteen mental states are termed 'Immorals'.
(Beautiful-19)
5.
(iv)
These
nineteen mental states are termed 'Common to Beautiful.'
(Abstinences-3)
6. (v)
These
three are termed 'Abstinences.'
(Illimitables-2)
7.
(vi)
These
are termed 'Illimitables.'
(Wisdom-1)
8.
(vii)
With the
Faculty of Wisdom these twenty-five mental states are in every way to be
understood as 'Beautiful.'
Summary
9.
Thus:-
Thirteen
are common to each other. Similarly fourteen are common to Immorals Twenty-five
are 'Beautiful.'
Thus
fifty-two have been enumerated.
NOTES:-
2. Phassa-
Derived from phas, to contact.
For any sense-impression
to occur, three things are essential - namely, consciousness, respective sense
and the object. For instance, one sees an object with the consciousness through
the eye as its instrument.
When an
object presents itself to the consciousness through one of the six senses there
arises the mental state-contact. "It should not be understood that mere
collision is contact (Na sangatimatto eva Phasso).
Like a
pillar which acts as a strong support to the rest of the structure, even so is
contact to the coexistent mental concomitants.
"Contact
means 'it touches' (phusatī'ti). It has touching (phusana) as
its salient characteristic (lakkhana), impact (sanghattana) as
its function (rasa), coinciding (of the physical basis, object
and consciousness) as its manifestation (sannipāta paccupatthāna), and
the object which has entered the avenue (of awareness) as proximate cause (padatthāna)."
Contact
is mentioned first because it precedes all other mental states. "Touching
by contact, consciousness experiences by feeling, perceives by perception,
wills by volition - (Phassena phusitvā, vedanāya vediyati, saññāya
sañjānāti, cetanāya ceteti)". According to Paticca-Samuppāda, too,
Contact conditions Feeling. But strictly speaking, there is no reason for the
sequence because all these mental states are coexistent. The Atthasālini states
- "For of states, arisen in one conscious moment, it is not valid to say
that 'this' arises first, 'that' afterwards. The reason is not because contact
is a strong support. Contact is just mentioned first in the order of teaching,
but it was also permissible to bring it in thus: - There are feeling and
contact, perception and contact, volition and contact; there are consciousness
and contact, feeling, perception, volition, initial application of mind. In the
order of teaching, however, contact is mentioned first. Nor is the sequence of
words among the remaining states of any special significance."
"Contact
is given priority of place, as standing for the inception of the thought, and
as the sine qua non of all the allied states, conditioning them much as the
roof-tree of a storeyed house supports all the other combinations of
material."
(Mrs.
Rhys Davids - Buddhist Psychology, p. 6.)
3. Vedanā -
Derived from vid, to experience.
Feeling
is a more appropriate rendering for vedanā than sensation.
Like contact, feeling is an essential property of every consciousness. It may
be pleasurable painful, or neutral. Pain and pleasure pertain to body as well.
But physical feeling is not of ethical importance.
According
to the commentators feeling is like a master who enjoys a dish prepared by a
cook. The latter is compared to the remaining mental states that constitute a
thought-complex. Strictly speaking, it is feeling that experiences an object
when it comes in contact with the senses.
It is
this feeling that experiences the desirable or undesirable fruits of an action
done in this or in a previous birth. Besides this mental state there is no soul
or any other agent to experience the result of the action.
It
should be understood here that Nibbānic bliss is not connected with feeling.
Nibbānic bliss is certainly the highest happiness (sukha), but
it is the happiness of relief from suffering. It is not the enjoyment of a
pleasurable object.
4. Saññā - Sam + ñā, to
know, (Compare Latin cognoscere, to know.)
The
meaning of this term widely varies according to the context. To avoid
unnecessary confusion, it is best to understand the specific meaning used in
the particular connection as a universal mental state.
The
chief characteristic of saññā is the cognition of an object by
way of a mark as blue etc. It is saññā that enables one to
recognize an object that has once been perceived by the mind through the
senses. "Its procedure is likened to the carpenter's recognition of
certain kinds of wood by the mark he had made on each; to the treasurer's
specifying certain articles of jewelry by the ticket on each; to the wild
animal's discernment in the scarecrow of the work of man."
Saññā, therefore,
means simple sense perception.
"Perception,"
according to a modern Dictionary of Philosophy, "is the apprehension of
ordinary sense-objects, such as trees, houses, chairs, etc., on the occasion of
sensory stimulation."
Perception
is not used here in the sense employed by early modern philosophers such as
Bacon, Descartes, Spinoza, and Leibniz.
As one
of the five khandhas (Aggregates) saññā is
used in the sense of perception.
Could it
be that memory is due to this saññā?
Saññā,
viññāna and paññā should
be differentiated from one another. Saññā is like the mere
perception of a rupee coin by a child. By its whiteness, roundness and size it
merely recognizes the coin as a rupee, utterly ignorant of its monetary value. A
man, for instance, discerns its value and its utility, but is not aware of its
chemical composition. Viññāna is comparable to the ordinary
man's knowledge of the rupee. Paññā is like the analytical
knowledge of a chemist who knows all its chemical properties in every detail.
5. Cetanā -
Both cetanā and citta are
derived from the same root cit, to think.
In the
case of citta - mind or consciousness - the root assumes the
meaning of discernment (vijānana), while in cetanā it
is used in the sense of co-ordination (abhisandhāna) and
accumulation (āyūhana).
According
to the Atthasālini and Vibhāvini Tīkā cetanā is that which
co-ordinates the mental states associated with itself on the object of
consciousness. (Attanā sampayutta-dhamme ārammane abhisandahati). Like
a chief disciple, or like a carpenter who fulfills his duties and regulates the
work of others as well, so does cetanā fulfill its own
function and regulate the function of other concomitants associated with
itself.
A
further explanation has been offered. Cetanā is that which
arrives at action in conditioning the conditioned. (Sankhatābhisankharane
va byāpāram āpajjatī'ti cetanā). Cetanā is that which
plays a predominant part in all actions, moral and immoral.
Shwe Zan
Aung says that according to Ledi Sayadaw, the Burmese Abhidhamma scholar,
"Cetanā acts on its concomitants, acts in getting the object, and acts on
accomplishing the task, i.e., determines action." (Compendium, p. 236).
The most
significant mental state in the Mundane Consciousness (lokiya) is
this cetanā, while in the Supra mundane it is paññā, wisdom
or insight. Mundane thoughts tend to accumulate Kamma. Supra mundane thoughts,
on the contrary, tend to eradicate Kamma. Hence cetanā in the
supra mundane consciousness does not constitute Kamma. Cetanā in
every moral and immoral type of mundane consciousness, on the other hand, is
regarded as Kamma. Although Cetanā is found in Vipāka types
of consciousness too, it is of no moral significance as it lacks accumulative
power.
It is
this cetanā that is alluded to as sankhāra and
(Kamma) bhava in the Paticca Samuppāda. In
the pañcakkhandha, by sankhārakkhandha are
meant the fifty mental states, excluding vedanā and saññā, with cetanā as
the foremost.
From a
psychological standpoint cetanā determines the activities of
the mental states associated with it. From an ethical standpoint, it determines
its inevitable consequences. Hence where there is no cetanā, there
is no Kamma.
6. Ekaggatā -
Eka +
agga + tā =
one-pointedness, or concentration on one object, or focusing the mind on one
object. It is like a steady lamp-flame in a windless place. It is like a firmly
fixed pillar that cannot be shaken by the wind. It is like water that binds
together several substances to form one concrete compound. This mental state
prevents its adjuncts from dissipation and fixes them on one object.
This
one-pointedness is one of the five Jhāna factors. When it is developed and
cultivated it is designated samādhi. "It is the germ of
all attentive, selected, focused, or concentrated consciousness."
(Compendium, p. 241).
7. Jīvitindriya -
Jīvita =
life; + indriya = controlling faculty or principle.
It is
called jīvita because it sustains its co-associates.
It is
called indriya because it controls its co-associates.
Although cetanā determines
the activities of all mental states, it is jīvitindriya that
infuses life into cetanā and other concomitants.
Jīvitindriya is
twofold - namely, psychic life (nāma-jīvitindriya) and
physical life (rūpa-jīvitindriya). Mental States are vitalized
by psychic life, while material phenomena are vitalized by physical life.
As
lotuses are sustained by water, an infant is sustained by a nurse, so are
mental states and material phenomena sustained by jīvitindriya.
One rūpa-jīvitindriya lasts
for seventeen thought moments. Seventeen nāma-jīvitindriya arise
and perish during the brief life of one rūpa-jīvitindriya.
There is
a certain kind of rūpa-jīvitindriya in plant life. But, rūpa-jīvitindriya in
men and animals is differentiated from that which exists in plants because the
former is conditioned by past Kamma.
Both nāma-jīvitindriya and rūpa-jīvitindriya arise
at the moment of conception. They simultaneously perish at the moment of
decease. Hence death is regarded as the perishing of this jīvitindriya. Immediately
after, due to the power of Kamma, another nāma-jīvitindriya arises
in the subsequent birth at the moment of conception. Simultaneous with the
arising of the one nāma-jīvitindriya there arise three rūpa-jīvitindriyas in
the case of a human being.[3]
Just as
a boatman depends on the boat and the boat depends on the boatman, even
so jīvitindriya depends on mind and matter, and mind and
matter depend on jīvitindriya.
8. Manasikāra -
The
literal meaning of the term is 'making in the mind'.
Turning the
mind towards the object is the chief characteristic of manasikāra. It
is like the rudder of a ship, which is indispensable to take her directly to
her destination. Mind without manasikāra is like a rudderless
ship.
Manasikāra is
also compared to a charioteer that sits with close attention on two
well-trained horses (mind and object) as regards their rhythmical
movements. Manasikāra should be distinguished from vitakka which
is to follow. The former directs its concomitants to the object, while the
latter applies or throws (pakkhipanto viya) them on the
object. Vitakka is like a favorite courtier that introduces a
villager (mind) into the presence of a king (object).
Attention
is the closest equivalent to manasikāra, although the Pāli term
does not fully connote the meaning attached to the English word from a strictly
philosophical standpoint. As a mental state it is mere spontaneous attention.
In manasikāra, as in attention, there is no peculiar vividness
or clarity. To saññā may be attributed this vividness to some
extent.
Could manasikāra also
be an aid to memory, as it is common to all types of consciousness, whether
mundane or supra mundane? Hence they are designated Sabbacitta-sādhāranā.
9. Vitakka -
Vi + takk, to
think.
It is
difficult to suggest a suitable rendering for this Pāli term which assumes
different meanings in the Suttas and Abhidhamma.
In the
Sutta Pitaka it has been employed in the sense of notions, ideas, thoughts,
reasoning etc. In the Abhidhamma it is used in a specific technical sense.
'Lifting'
of the concomitants to the object (abhiniropana) is its chief
characteristic. As someone ascends to the king's palace depending on a king's
favorite, relative or friend, likewise consciousness ascends to the object
depending on vitakka (Atthasālini, p. 114).
Vitakka may
well be defined as the application of the concomitants on the object. Manasikāra, as
stated above, is the directing of the concomitants to the object. The
distinguishing characteristics of these two cetasikas should
be clearly understood.
Different
values are attached to vitakka when it is used in different
connections.
As an
ordinary particular (pakinnakā) mental state it is simply
called vitakka. When it is developed and cultivated it becomes
the foremost factor of the First Jhāna. Then it is termed appanā because
the mind is steadfastly fixed on the object. The ordinary vitakka simply
throws the mind to the surface of the object.
In the
subsequent Jhānas vitakka is, however, inhibited, owing to the
habitual association with the object.
A
villager, for instance, who visits the king's palace for the first time, needs
the introduction of a favorite courtier. For his subsequent visits no such
introduction is necessary as he is acquainted with the place.
It is
this developed appanā-vitakka that is known as samādhi or
concentration.
When vitakka is
present in the Supra mundane Path Consciousness (lokuttara magga
citta) it is termed sammā sankappa (Right Thoughts)
because it eliminates wrong thoughts and applies the mind to Nibbāna.
Vitakka is
used in entirely a different sense when used in connection with the
temperaments of individuals. Vitakka carita means one of a
discursive temperament. (See Ch. 1. note 38.)
10. Vicāra -
Vi + car, to
wander.
Like vitakka,
vicāra too is employed in a technical sense in Abhidhamma.
Vicāra is
the continued exercise of the mind on the object.
Examination (anumajjana) is
its chief characteristic.
So far
the renderings for vitakka and vicāra are
initial and sustained application respectively.
Both
terms should be distinguished. Like a bee alighting on a lotus is vitakka, like
its gyrating around the lotus is vicāra. Like the flapping of
a bird about to fly is vitakka, like its planning movements in
the sky is vicāra. Like the beating of a drum or bell is vitakka, like
its reverberation is vicāra.
Vicāra is
also a Jhāna factor. It inhibits vicikicchā (Doubt or
Indecision). (See Ch. 1. note 39.)
11. Adhimokkha -
Adhi + muc, to
release. Literally, the term means 'release-on-to' .
Adhimokkha releases
the mind on to the object. Its chief characteristic is decision or choosing,
and is opposed to vicikicchā - doubt or indecision.
It makes
the decision - 'Just this one'. (imam' evā'ti sannitthānakaranam).
It is
compared to a judge that decides a case. It is also compared to a steady pillar
owing to its unwavering state.
12. Viriya -
Derived
from aj, to go + īr. Vī is
substituted for aj. Vīra is one who strenuously carries on his
work uninterruptedly.
It is
defined as the state or action of energetic persons (Vīrānam bhāvo,
kammam). Or, it is that which is effected or carried out
methodically (Vidhinā īrayitabbam pavattetabbam vā).
It has
the characteristic of supporting (upatthambana upholding (paggahana), sustaining (ussahana).
As an
old house is supported by new pillars even so concomitants are aided and
supported by Viriya.
Just as
a strong reinforcement would help an army to hold on instead of retreating,
even so viriya upholds or uplifts its concomitants.
Viriya is
regarded as a controlling factor (indriya) because it
overcomes idleness. It is also regarded as one of the five powers (bala) because
it cannot be shaken by its opposite idleness. Viriya serves as
one of the four means of accomplishing one's ends (iddhi-pāda). It
is this viriya that appears as Four Modes of Supreme
Efforts (samma-ppadhāna). Viriya is sublimated as one of the
seven factors of Enlightenment (bojjhanga). Finally it has
been elevated to one of the eight members of the Noble Path (atthangika-magga) as sammā
vāyāma (Right-Effort).
Atthasālini
states that viriya should be regarded as the root of all
achievements.
Effort,
exertion, energy are suggested as best equivalents.
13. Pīti -
See Ch. 1. note 40.
14. Chanda -
Derived
from chad, to wish.
The chief
characteristic of chanda is the wish-to-do (kattu-kamyatā). It
is like the stretching of the hand to grasp an object.
This
unmoral chanda should be distinguished from immoral lobha which
is clinging to an object.
There
are three kinds of chanda namely,
Of them
it is kattu-kamyatā chanda, meaning attached to this
particular mental state, that serves as one of the four dominant
influences (adhipati).
Shwe Zan
Aung says - "The effort of conation or will is due to viriya. Pīti signifies
an interest in the object; chanda constitutes the intention
with respect to object.' (Compendium p. 18).
Buddhists
have this dhammacchanda for the realization of Nibbāna. It is
not a kind of craving.
15. Moha -
Derived
from muh, to be stupefied, to be deluded. Moha is
one of the three roots of evil and is common to all immoral types of
consciousness. It is opposed to paññā - wisdom.
The
chief characteristic of moha is confusion with regard to the
nature of an object. Moha clouds one's knowledge with regard
to Kamma and its consequences and the four Noble Truths.
16. Ahirika -
An
abstract noun formed of "a" + hirika.
He who
is not ashamed of doing evil is ahiriko. The state of such a
person is ahirikkam = ahirikam.
One who
has hiri recoils from evil just as a cock's feather shrinks in
front of fire. One who has no hiri, would commit any evil
without the least compunction.
17. Anottappa -
Na + ava
+ tapp, to
be tormented.
Ottappa is
fear to do evil, i.e., fear of the Consequences.
Anottappa is
its opposite and is compared to a moth that is singed by fire. A person who is
afraid of fire would not touch it, but a moth, unaware of the consequences,
attracted by fire, would get burnt. In the same way a person without ottappa would
commit evil and suffer in states of woe.
Both
these terms - hiri and ottappa - are found in
conjunction. Hiri should be differentiated from ordinary
shyness and ottappa from ordinary fear of any individual. Fear
is regarded as one of the ten armies of Māra. A Buddhist is not expected to be
afraid of any individual, even a God, for Buddhism is not based on the fear of
the unknown.
Hiri arises
from within, and ottappa from without. Suppose, for instance,
there is a piece of iron, one end of which is heated, and the other smeared
with filth. The filthy end one would not touch owing to disgust, and the other
end through fear. Hiri is compared to the former and ottappa to
the latter.
The
following note by Mrs. Rhys Davids on hiri and ottappa clearly
depicts the difference between these relative mental constituents:-
"Hiri and ottappa, as
analyzed by Buddhaghosa present points of considerable ethical interest. Taken
together they give us the emotional and conative aspect of the modern notion of
conscience, just as sati represents its intellectual side. The
former term 'is equivalent to shame (lajjā),' the latter to
'anguish (ubbego) over evildoing.' Hiri has
its source within; ottappa spring from without. Hiri is
autonomous (attādhipati); ottappa, heteronomous, influenced by
society (lokādhipati). The former is established on shame; the
latter on dread. The former is marked by consistency; the latter by discernment
of the danger and fearsomeness of error. The subjective source of hiri is
fourfold, viz., the idea of what is due to one's birth, age, worth, and
education. Thus, one having hiri will think 'Only mean folk
(fishers etc.) children, poor wretches, the blind and ignorant, would do such
an act,' and refrains. The external source of ottappa is, the idea
that 'the body of the faithful will blame you,' and hence one refrains. If a
man has hiri, he is, as said the Buddha, his own best master.
To one who is sensitive by way of ottappa, the masters of the
faith are the best guides."
In a
supplementary paragraph the 'marks' (consistency etc.) are thus explained:
'In hiri one reflects on the worth of one's birth, one's
teacher, one's estate, and one's fellow students. In ottappa one
feels dread at self-reproach, the blame of others, chastisement, and retribution
in another life."
(Buddhist
Psychology, p. 20).
Hiri and ottappa are
regarded as the two dominant factors that rule the world. No civilized society
can exist without them.
18. Uddhacca -
U =
up, above, + Dhu, to waver, to shake off.
Uddhutassa
bhāvo Uddhuccam = Uddhaccam - state of throwing up. It is
compared to the disturbed state of a heap of ashes when hit with a stone. It is
the unsettled state of mind, and is opposed to collectedness (vupasama). As
one of the five Hindrances it is the antithesis of sukha, happiness.
In some
rare instances uddhacca is used in the sense of puffed-up
state of mind, corresponding to conceit. Here it is not used in that sense. As
a rule uddhacca is differentiated from māna because
both of them are treated as samyojanas (Fetters).
These
four, viz., moha, ahirika, anottappa, uddhacca - that head the
list of Immoral cetasikas - are common to all Immoral types of
consciousness.
19. Lobha -
See Ch. 1, note 9.
20. Ditthi. -
See Ch. 1, note 11.
The
difference between moha and ditthi should be
noted. The former clouds the object; the latter deals with one's views, such as
"this indeed is truth, and the rest is false". Ditthi is
opposed to ñāna, wisdom. The former rejects the real nature
and views wrongly. The latter discerns the object as it is.
When the
Pāli term ditthi is used alone, unqualifyingly, it is employed
in the sense of micchā ditthi - wrong belief.
Sammā
ditthi or amoha is
used as the antithesis of moha.
21. Māna -
Derived from man, to think.
22. Dosa -
See Ch. 1, note 9.
23. Issā -
Derived from i + su, to be envious, to be jealous.
It has
the characteristic of envying others' success and prosperity. As such it is
objective.
24. Macchariya -
Maccharassa
bhāvo -
the state of an avaricious person.
Commentary
gives another explanation:-
'Let not
this wonder be to others, but to myself'.
(Mā idam
acchariyam aññesam hotu, mayham'ev hotu).
The
chief characteristic of macchariya is the concealment of one's
prosperity. Contrary to issā, this is subjective.
Both issā and macchariya are
regarded as the friends of dosa because each of them arises
with it.
25. Kukkucca -
Kukatassa
bhāvo = kukkuccam = the state of having done amiss.
According
to the commentary evil that is done is ku + kata, and so is
good that is not done. Remorse over the evil that is done is kukkucca, and
so is remorse over the good that is not done.
It has
the characteristic of grieving over the evil that is done and the good that is
not done.
Dhammasangani
explains:-
"What
is worry?"
"Consciousness
of what is lawful in something that is unlawful, consciousness of what is
unlawful in something that is lawful; consciousness of what is immoral in
something that is moral; consciousness of what is moral in something that is
immoral - all this sort of worry, fidgeting, over-scrupulousness, remorse of
conscience, mental sacrificing - this is what is called worry".
(Buddhist
Psychology - p. 313).
Kukkucca is
one of the five Hindrances and is used together with uddhacca. It
pertains to past things only.
According
to Vinaya, kukkucca is healthy doubt with regard to rules, and
is commended. According to Abhidhamma, on the contrary, it is repentance which
is not commended.
26. Thīna -
Derived from the, to shrink, + na. Thena = thāna =
thīna.
It is
the shrinking state of the mind like a cock's feather before fire. It is
opposed to viriya. Thīna is explained as citta -
gelaññam, sickness of the mind.
As such
it is the antithesis of citta-kammaññatā, adaptability of the
mind, one of the sobhana cetasikas.
27. Middha -
Derived from middh, to be inactive, to be inert, to be
incapable.
This is
the morbid state of the mental factors.
Both thīna and middha are
always used in conjunction, and are one of the five Hindrances. They are
inhibited by vitakka, initial application, one of the Jhāna
factors. Middha, too, is opposed to viriya. Where
there are thīna and middha there is no viriya.
Middha is
explained as the kāya-gelañña, sickness of the mental body. Here
body is not used in the sense of material form, but is applied to the body of
mental factors, viz., vedanā, saññā and sankhāra (feeling,
perception, and the remaining fifty mental factors). Hence middha is
the antithesis of kāya-kammaññatā, adaptability of mental
factors.
Both thīna and middha are
explained in the Dhammasangani as follows:-
"What
is stolidity (thīna)?"
"That
which is indisposition, unwieldiness of intellect, adhering and cohering;
clinging, cleaving to, stickiness; stolidity, that is, a stiffening, a rigidity
of the intellect - this is called stolidity.
"What
is torpor (middha)?"
"That
which is indisposition, unwieldiness of sense, a shrouding, enveloping,
barricading within; torpor that which is sleep, drowsiness; sleep, slumbering,
somnolence this is called torpor".
(Buddhist
Psychology, pp. 311, 312).
28. Vicikicchā -
See Ch. 1, note 13.
Vicikicchā, as
a Hindrance, does not mean doubts with regard to the Buddha, Dhamma, Sangha,
etc.,
Majjhima
Nikāya commentary states - "it is so called because it is incapable of
deciding that it is as such."
(Idam'ev'idanti
nicchetum asamatthabhāvato'ti vicikicchā).
29. Saddhā - Sam, well;
+ dah, to establish, to place, to put.
Sanskrit sraddhā is
composed of Srat = faith + dha to establish.
According
to Pāli, saddhā is well-established confidence in the Buddha,
Dhamma, and the Sangha. Purification (sampasādana) of its
mental associates is its chief characteristic. It is compared to the
water-purifying gem of the universal monarch. This particular gem, when thrown
into water, causes mud and water-weeds to subside. The water is consequently
purified. In the same way saddhā purifies the mind of its
stains.
This saddhā is
not blind faith. It is confidence based on knowledge.
One
might question whether a non-Buddhist could also possess this saddhā.
Atthasālini
raises this very question and provides an answer which is rather unsatisfactory
and inadequate.
"Do
men of false opinions not believe in their own teachers?" questions
Venerable Buddhaghosa. His answer is:-
"They
do. But that is not saddhā, it is a mere acquiescence in
words (vacana-sampaticchana-mattameva)".
If saddhā is
limited only to Buddhists, what shall we say when a non-Buddhist places his
faith or confidence in his teacher? Surely his mind also gets purified to some
extent when he thinks of his particular religious teacher.
Could it
be ditthi - false view? Then it is immoral (akusala). In
such a case there is no occasion for a non-Buddhist to experience a moral
consciousness.
Would it
not be more correct to say that saddhā is mere confidence or
faith, instead of restricting it to the Triple Gem?
Dhammasangani
explains saddhā as follows:-
"The
faith which on that occasion is trusting in, the professing confidence in, the sense
of assurance, faith, faith as a faculty and as a power".
(Buddhist
Psychology, p. 14.)
Saddhā is
also apprehension intuitively of experience or knowledge gathered in past
births.
30. Sati -
Derived from sar, to remember.
Sati does
not exactly correspond to the Western conception of memory. Mindfulness is a
better equivalent for sati. It has to be developed. In the
Satipatthāna Sutta are described in detail various methods to develop
this sati. When it is highly developed one acquires the power of
remembering past births. It is this sati that is regarded as
one of the factors of the Noble Eightfold Path.
Sati tends
to present before oneself good things without allowing them to be forgotten.
Its chief characteristic is 'not floating away' (apilāpana). Unlike
pumpkins and pots that float on water, sati plunges into the
object of thought.
It
should be noted that this particular sati is not found in
immoral types of consciousness.
What is
found in immoral consciousness is micchā sati (wrong
mindfulness).
Dhammasangani
explains sati as follows:-
"The
mindfulness which on that occasion is recollecting, calling back to mind; the
mindfulness which is remembering, bearing in mind, the opposite of
superficiality and of obliviousness; mindfulness as faculty; mindfulness as
power, right mindfulness".
(Buddhist
Psychology, p. 16).
Commenting
on sati, Mrs. Rhys Davids says:-
"Buddhaghosa's
comment on sati, in which he closely follows and enlarges on
the account in Mil. 37, 38, shows that the traditional conception of that
aspect of consciousness had much in common with the Western modern theory of
conscience or moral sense. Sati appears under the metaphor of
an inward mentor, discriminating between good and bad and prompting choice.
Hardy went so far as to render it by 'conscience', but this slurs over the
interesting divergence's between Eastern and Western thought. The former is
quite unmystical of the subject of sati. It takes the
psychological process or representative functioning (without bringing out the
distinction between bare memory and judgment), and presents the same under an
ethical aspect".
(Buddhist
Psychology, p. 16).
31. Hiri
& Ottappa - See ahirika and anottappa
32. Alobha -
This is
opposed to lobha (See Ch. 1 note 9).
Dāna or
generosity is implied thereby. This is a positive virtue involving active
altruism. It is one of the three roots of good. Like a drop of water that runs
off a lotus leaf without adhering to it, non-adhesion to an object is its chief
characteristic.
33. Adosa -
This is
opposed to dosa (See Ch. 1 note 9). It is not mere absence of
hatred or aversion, but is a positive virtue.
Adosa is
synonymous with mettā, Loving-kindness, which is one of the
four sublime abodes (brahma-vihāra).
Readers
will note that in enumerating the sublime abodes only two are mentioned, viz.
- karunā and muditā. The reason being
that mettā is implied by this adosa; and upekkhā by tatramajjhattatā, equanimity.
Adosa is
also one of the three roots of good. Like an agreeable friend, absence of
churlishness or coarseness (candikka) is its chief
characteristic.
34. Three
Roots of Good: -
Alobha,
adosa and amoha are the three roots of good. Amoha is
not mentioned amongst the nineteen Beautiful cetasikas because
it is implied by paññā - wisdom.
Atthasālini
gives a vivid description of these three virtues as follows:
"Of
these three, alobha has the characteristic of non-adhesion of
the mind to an object, or of not sticking like a drop of water on a lotus leaf.
Its function is non-appropriation like an emancipated Bhikkhu (Arahat). Its
manifestation is detachment like a man fallen in filth.
"Adosa has
the characteristic of non-churlishness or non-resentment like an agreeable
friend. Its function is the suppression of annoyance or feverishness like
sandal wood. Its manifestation is loveliness like the full moon. The
characteristic, function, etc., of amoha have been explained
in connection with the term paññindriya (Faculty of Wisdom).
Of these three, again, alobha is opposed to the taint of
selfishness, adosa to that of impurity (dussīlya),
amoha to the non-development of moral conditions.
"Alobha is the
cause of generosity, adosa of morality, amoha of
meditation.
"Through alobha what
is in excess is not taken, for the greedy take what is in excess. Through adosa what
is not less is taken, for the hateful take what is less. Through amoha what
is unperverted is taken, for the deluded take what is perverted. Through alobha, one
regards a manifest fault as such and admits it, but the greedy conceal it.
Through adosa one regards a manifest virtue as such and admits
it, but the hateful efface it. Through amoha, one regards what
really is as such and admits it, but the deluded regard what is false as true,
and what is true as false.
"Through alobha there
is no sorrow arising from separation of the beloved, for affection is the
intrinsic nature of the greedy as well as the inability to bear the separation
from the beloved. Through adosa there arises no sorrow from
association with the unbeloved since disagreeableness is the intrinsic nature
of the hateful as well as the inability to bear the association with the
unbeloved. Through amoha there arises no sorrow from not
getting what one desires, for it is the intrinsic nature of the deluded to
think - 'From where could it be got?' etc.
"Through alobha there
arises no sorrow from rebirth, since the former is opposed to craving and the
latter is the root of craving. Through adosa there arises no
sorrow from decay, since the intensely hateful become quickly aged.
Through amoha there is not sorrow from death, for a bewildered
death is painful. There is no such death for the undeluded.
"There
is harmonious living to the lay people through alobha, to the
recluses through amoha, and to all through adosa.
"In
particular through alobha there is no rebirth in the plane of
Petas, since beings are generally born amongst Petas through craving. Alobha is
the antithesis of craving. Through adosa there is no rebirth
in the niraya (Woeful State). Through hate, which is of a
churlish nature, beings are born in woeful states resembling hatred. Adosa is
the antithesis of hatred. Through amoha there is no rebirth in
the animal plane. Due to utter delusion through ignorance, beings are born
amongst animals. Amoha is the antithesis of ignorance.
"Of
them alobha dissuades attraction from lust; adosa from
recoiling through hate; amoha from stolid indifference through
ignorance.
Moreover
through these three there arise respectively these three notions - those of
renunciation, non-anger and harmlessness; and those of loathsomeness,
immeasurableness, and fundamental elements (-dhātu).
"Through alobha the
extreme of indulgence in sensual pleasures is inhibited: through adosa that
of self-mortification. Through amoha there is training
according to the Middle Path.
"Similarly
through alobha the bodily bond of covetousness (abhijjhā
kāyagantha) is destroyed, through adosa that of
ill-will, and through amoha the remaining two.
"The
first two states of mindfulness are accomplished by the power of the first two,
and the last two by the power of the third.
"Herein alobha is
conducive to health, for the unattached person does not resort to what is
attractive but suitable - hence health ensues. Adosa is
conducive to youthfulness, for the unhateful person remains young for a long
time, being not burnt by the fire of anger which causes wrinkles and grey
hair. Amoha is conducive to longevity of life, for the
undeluded person, distinguishing between what is agreeable and disagreeable,
avoids the latter and adopts the former and lives long.
"Alobha is
conducive to the acquisition of wealth, for by generosity wealth is
obtained. Adosa is conducive to the acquisition of friends,
for by loving-kindness friends are won and are not lost.
"Amoha is
conducive to personal achievements, for the undeluded person, doing only what
is beneficial to himself, regulates his own self.
"Alobha is
conducive to divine life, adosa to Brahma life, and amoha to
Aryan life.
"Through alobha one
is at peace with his acquisition of wealth amongst beings and things belonging
to one's party, for through their destruction there is no grief caused to him
by excessive attachment. Through adosa amongst those belonging
to other parties he is happy, for the non inimical person is devoid of the
feeling of ill-will even amongst the hostile. Through amoha he
is happy amongst those who belong to a neutral party, for the undeluded person
is devoid of all attachment.
"Through alobha there
is insight into impermanence, for the greedy person does not see impermanence
in things that are impermanent, owing to his desire for enjoyment.
Through adosa there is insight into suffering for one with a
loving-disposition has abandoned that grasping, the cause of vexation, and sees
things as sorrowful. Through amoha there is insight into
soullessness, for the undeluded person is skillful in understanding things as
they truly are. He sees the guideless fivefold group as guideless.
"As
insight into impermanence and so on is brought about by these three states, so
are these states brought about by insight into impermanence and so on.
"Through
insight into impermanence there is alobha; through insight
into sorrow, adosa; through insight into soullessness, amoha.
"Who
indeed knowing well that this is impermanent would develop a desire for it? Who
indeed perceiving ill in things would develop another ill caused by exceedingly
violent anger? Who indeed realizing the emptiness of a soul would again fall
into utter delusion?
(Atthasālini
- pp. 137-139. See The Expositor Vol. i, pp. 167-170).
35. Tatramajjhattatā
-
Lit., tatra =
there, i.e., with respect to objects majhattatā = middleness,
that is, equipoise.
Impartial
view of objects is its chief characteristic. It is compared to a charioteer who
views equally a pair of well-trained horses.
Tatramajjhattatā and upekkhā (equanimity)
are sometimes used as synonymous terms. It is this tatramajjhattatā that
is regarded as upekkhā of the four Sublime abodes. Hence upekkhā does
not occur amongst the Sublime abodes. It is this tatramajjhattatā that
is raised to the dignity of a Bojjhanga, one of the seven
factors of Enlightenment. Tatra-majjhattatā has also to be
distinguished from hedonic upekkhā or indifference. At times
both these mental states simultaneously arise in the same consciousness, e.g.,
in all upekkhā-sahagata kusala cittas.
This tatramajjhattatā is
regarded both as an intellectual and ethical upekkhā (See Ch.
1. note, 42).
36. Kāya
Passaddhi & Citta-Passaddhi-
Passaddhi is
composed of pa+sambh, to calm, to be tranquil.
Passambh
+ ti = passadhti = passaddhi.
Passaddhi is
tranquillity, calmness, quietude, serenity.
The
chief characteristic of passaddhi is the suppression or the
allaying of feverishness of passions (kilesadarathavūpasama). It
is like the cool shade of a tree to a person affected by the sun's heat. Passaddhi is
opposed to uddhacca, restlessness, or excitement. When highly
developed it becomes a factor of Enlightenment (bojjhanga).
This tranquillity
is twofold, viz., tranquillity of kāya and citta. Here kāya is
not used in the sense of material body. It is the body of psychic factors -
namely, vedanā (feeling), saññā (perception),
and sankhāra (mental states). It should be understood that kāya is
used in the same sense in the subsequent cetasikas. Citta connotes
the whole consciousness. The difference therefore lies between psychic factors
and consciousness as a whole. The same explanation applies to the other pairs
as well.
37. Kāya-Lahutā
& Citta-Lahutā -
Derived
from laghu, light, quick. (Skt. laghutā). Lahutā is
bouyancy or lightness. Suppression of the heaviness of the mind and mental
factors is its chief characteristic. It is like the laying down of a heavy
burden. It is opposed to thīna and middha -
sloth and torpor - which cause heaviness and rigidity in mental factors and
consciousness.
38. Kāya-Mudutā
& Citta-Mudutā -
The
chief characteristic of mudutā is the suppression of stiffness
and resistance. It removes stiffness and becomes pliable in receiving objects.
It is compared to a skin that is well moulded by applying oil, water etc. It is
opposed to false views and conceit (ditthi and māna) which
cause stiffness.
39. Kāya-Kammaññatā
& Citta-Kammaññatā -
Kamma +
nya + tā = Kammanyatā = Kammaññyatā. Lit., workableness or
serviceableness.
Its
chief characteristic is the suppression of unserviceableness or unworkableness
of consciousness and its factors. It is like a heated metal made fit for any
use. It is opposed to all the remaining Hindrances. Atthasālini states that
these two allied concomitants produce serenity (pasāda) in
propitious things, and are adaptable like pure gold, for beneficial works.
40. Kāya-Pāguññatā
& Citta-Pāguññatā -
This is
proficiency or skillfulness. Its chief characteristic is the suppression of
sickness of mind and its concomitants. It is opposed to such passions as
faithlessness etc.
41. Kāyujjukatā
& Cittujjukatā -
This is
straightness or rectitude, and is opposed to crookedness, deception and
craftiness. Its chief characteristic is straightness.
42. All
these 19 concomitants are common to all types of moral consciousness, unlike
the immoral concomitants which do not arise in an immoral consciousness in
toto. No moral consciousness arises without all of them. Along with
this 'Beautiful' group some other moral concomitants may arise according to the
type of consciousness.
43. Virati
-
Vi +
ram, to delight in. Virati is refraining from,
delighting in, i.e., abstinence.
According
to the Atthasālini there are three kinds of virati -
namely, sampatta-virati, samādāna-virati, and samuccheda-virati.
Sampatta-virati is
abstaining from evil as occasion arises considering one's birth, age,
education, etc.
Samādāna-virati is
abstaining from evil in accordance with one's observances. For example, a
Buddhist would abstain from killing, stealing, etc., as he observes the
precepts not to kill, etc.
Samuccheda-virati is
the abstinence of an Aryan Disciple by completely eradicating all the roots of
evil.
In the
case of the former two, violation of good principles is possible; but in the
case of Arahats it is not, because they have destroyed all passions.
Here are
enumerated three Abstinences pertaining to wrong speech, wrong actions, and
wrong livelihood.
Strictly
speaking, these three mental concomitants collectively arise only in the Supra
mundane consciousness (lokuttara citta). In other cases they
arise separately because there are three cetanās.
These
three when present in the lokuttara citta are regarded as
Factors of the Path (magganga), and they constitute sīla (Morality). Sammā-ditthi and sammā
sankappa which constitute paññā (Wisdom) are implied
by paññindriya and vitakka-cetasikas respectively. Sammā
vāyāma, sammā sati, and sammā samādhi which constitute samādhi, (Concentration)
are implied by viriya, sati, and ekaggatā cetasikas respectively.
Sammā
vācā deals
with abstinence from false speech (musāvāda), slandering (pisuna-vācā), harsh
speech (pharusa-vācā) and frivolous talk (sampapphalāpa).
Sammā
kammanta deals with abstinence from killing (pānātipāta), stealing (adinnādāna), and
sexual misconduct (kāmesu micchācāra).
Sammā
ājīva deals
with abstinence from selling poison, intoxicants, weapons, slaves and animals
for slaughter.
44. Appamaññā
-
As the
object of these virtues is the infinite number of beings, they are called appamaññā, lit.,
illimitable (Skt. aprāmānya). They are also called brahma
vihāra -Sublime Modes of Living.
Mettā,
karunā, muditā, and upekkhā are these four
illimitables.
As explained
above mettā and upekkhā are represented
by adosa and tatra-majjhattatā. Hence only
two are mentioned here.
45. Mettā
-
Derived
from mid, to soften, to love. According to Sanskrit mitrasya
bhāvah = maitri; state of a friend. That which softens the mind, or
friendly disposition is mettā.
Goodwill,
benevolence, loving-kindness are suggested as the best renderings. Mettā is
not carnal love or affection. The direct enemy of mettā is
hatred or ill-will (kodha), its indirect enemy is
affection (pema). Mettā embraces all beings without exception.
The culmination of mettā is the identification of oneself with
all beings (sabbattatā).
Mettā is
the sincere wish for the good and welfare of all. It discards ill-will.
Benevolent
attitude is its chief characteristic.
46. Karunā
-
Kar, to
do, to make + unā.
That
which makes the hearts of the good quiver when others are afflicted with sorrow
is karunā. That which dissipates the sufferings of others
is karunā.
The wish
for the removal of sufferings of others is its chief characteristic. Its direct
enemy is wickedness (himsā) and its indirect enemy is
grief (domanassa). Karunā embraces sorrow-afflicted beings. It
discards cruelty.
47. Muditā
-
Derived
from mud, to be pleased.
It is
not mere sympathy but appreciative joy. Its direct enemy is jealousy and its
indirect enemy is exultation (pahāsa). Its chief
characteristic is happy acquiescence in others' prosperity (anumodanā).
Muditā embraces prosperous beings. It discards dislike (arati), and
it is the congratulatory attitude of a person.
48.
Upekkhā -
Upa =
impartially, justly + ikkh, to see, to view, to look.
Upekkhā is
to view impartially, i.e., neither with attachment nor with aversion. It is the
balanced state of mind. Its direct enemy is passion (rāga), and
its indirect enemy is unintelligent indifference. Attachment and aversion are
eliminated by upekkhā. Impartial attitude is its chief
characteristic.
Here upekkhā does
not mean mere neutral feeling, but a sterling virtue is implied thereby.
Equanimity is the closest equivalent. That term, too, conveys only one aspect
of upekkhā. (See Ch. 1, notes 10, 42). It is this upekkhā that
is elevated to a bojjhanga factor.
Upekkhā embraces
all good and bad ones, loved and unloved ones, agreeable and disagreeable
things, pleasure and pain and all such similar opposite pairs.
49. The
following illuminating note by Mrs. Rhys Davids on these four virtues is well
worth reading.
"On
these four great exercises, see Rhys Davids, S. B. E. xi 201, n.; and on their
emancipating efficacy, M. i. 38. Buddhaghosa again refers to the reader to his
Visuddhi Magga for a more detailed commentary (vide chap. ix, and cf. Hardy,
'Eastern Monachism', p . 243 et seq. )... The object of thought (ārammana) in
this connection will be 'limited' if the student dwells in love etc., on but a
restricted number of beings; 'infinite' if his heart embraces vast numbers.
'The
commentator has not a little to say in the present work, however, on the nature
and mutual relations of the 'Abodes' (pp. 193-195). First, the characteristics
of each are fully set forth, together with their false manifestation (vipatti). Clinging (sinehasambhavo) is
the vipatti of love, the essential mark of which is the
carrying on of beneficent conduct etc. Tears and the like are less truly
characteristic of pity (karunā) than is the bearing and
relieving the woes of others. Laughter and the like are less genuine
expressions of sympathy (muditā) than is appreciation of what
others have achieved. And there is a condition of disinterestedness (upekkhā) which
is prompted by ignorance, and not by that insight into the karma of mankind
which can avail to calm the passions.
"He
next designates the four antisocial attitudes which are to be extirpated by
these ethical disciplines taken in order - ill-will (vyāpāda), cruelty (vihesā), aversion (arati), and
passion (rāga) - and shows how each virtue has also a second
vice opposed to it. This he terms its near enemy, as being less directly
assailed by it than its ethical opposite, the latter resembling an enemy who
has to lurk afar in the jungle and the hills. Love and vengeful conduct cannot
coexist. To prevail in this respect, let love be developed fearlessly. But
where love and its object have too much in common, love is threatened by lust.
On this side let love be guarded well. Again the near enemy to pity, more
insidious than cruelty, is the self-pity pining for what one has not got or has
lost - a low, profane melancholy. And the corresponding worldly happiness in
what one has, or in consequence of obliviousness as to what one has lost, lies
in wait to stifle appreciation of the good fortune of others. Lastly, there is
the unintelligent indifference of the worldling who has not triumphed over
limitations nor mastered cause and effect, being unable to transcend external
things.
"The
remainder of his remarks are occupied with the necessary sequence in the four
Abodes, and the importance of observing method in their cultivation, and
finally with their other technical appellation of appamaññā or
infinitudes. In this connection he repeats the touching illustration given in
Hardy (op. Cit., 249) of the mother, and the four children. Her desire for the
growth of the infant is as mettā; for the recovery of the sick
child as karunā; for the maintenance of the gifts displayed by
the youth as muditā; while her care not to hinder the career
of her grown-up son is as upekkhā.
"It
may be remarked, by the way, that when Hardy with a foreigner's want of muditā calumniates
the Buddhist mendicant (p. 250) as one who thinks about the virtues of
solidarity without practicing them, he quite forgets that these exercises are
but preparations of the will for that ministering to the intellectual need of
others to which the recluse's life was largely devoted, and the importance of
which the Western, in his zeal for material forms of charity, does not even now
appreciate at its real value. And Buddhism did not believe in giving the rein
to good impulses unregulated by intellectual control".
(Buddhist
Psychology, pp- 65-37).
50.
Paññindriya -
Pa =
rightly; ñā, to know, paññā, literally, means
right knowing.
Its
chief characteristic is understanding as it really is, or irresistible
understanding, i.e., penetrative knowledge (Yathāsabhāva-pativedho vā
akkhalita-pativedho).
As paññā dominates
in understanding the real nature and as it overcomes ignorance, it is called a
controlling faculty (indriya).
In
Abhidhamma ñāna, paññā, and amoha are used as
interchangeable terms. In types of consciousness connected with knowledge (ñāna-sampayutta) the
reference is to this paññā. By amoha, one of
the three moral roots, is also meant this paññā. As one of the four
means of accomplishing one's ends (iddhi-pāda) it assumes the
name of vīmamsā (lit., examination). When purified by samādhi, paññā assumes
the honorable role of abhiññā (higher knowledge). Highly
developed paññā is elevated to the state of a bojjhanga-dhamma-vicaya (Investigation
of the Truth) and magganga-sammā ditthi, Right View. The
culmination of paññā is the Omniscience of a Buddha.
Paññā, in
the strictest sense of the term, is seeing things as they truly are, i.e., in
the light of anicca (impermanence), dukkha (sorrow),
and anattā (soullessness).
Reason,
intellect, insight, knowledge, wisdom, intelligence - all convey some aspects
of paññā, but none of them exactly corresponds to the Pāli
term. Both knowledge and wisdom are employed here according to the context.
Mrs. Rhys
David's comment on this important term is interesting. She writes:-
"To
fit the term paññā with its approximate European equivalent is
one of the cruxes of Buddhist philosophy. I have tried in turn reason,
intellect, insight, science, understanding and knowledge. All of these have
been, and are, used in the literature of philosophy with varying shades of
connotation, according as the sense to be conveyed is popular and vague,
psychological and precise or transcendental and - passez-moi le mot -
having precise vagueness.
And each
of them might, with one implication or another, represent paññā.
The main difficulty in choice lay in determining whether, to the
Buddhist, paññā stood for mental function, or for the
aggregate product of certain mental functioning, or for both. When all the
allusions to paññā in the Sutta Pitaka have been collated, a
final translation becomes possible. Here it must suffice to quote two. M i.
292, he who has paññā (paññavā) is declared in virtue thereof
to understand (pajānāti) the nature of the phenomenon of pain
or ill (the Four Noble Truths). In D. i. 124 Gotama asks: what is this paññā?
and himself sets out its content as consisting in certain intellectual
attainments, viz., the Jhānas, insight into the nature of impermanence, the
mental image of one's self, the power of iddhi, the cosmic
Ear, insight into other minds, into one's own past lives, the cosmic Eye, and
the elimination of all vitiating tendencies. Buddhaghosa also (Visuddhi Magga
Ch. XIV,) distinguishes paññā from saññā and viññāna. He
describes it as adequate to discern not only what these can, viz.,
sense-objects and the Three Marks (impermanence, pain and non-substantiality)
respectively, but also the path. For him, then, it might be called intellect
'at a higher power'. And in Gotama's reply, all those terms are described in
terms of intellectual process. Nevertheless, it is clear that the term did not
stand for bare mental process of a certain degree of complexity, but that it
also implied mental process as cultivated in accordance with a certain system
of concepts objectively valid for all Buddhist adepts. Hence I think it best to
reject such terms as reason, intellect, and understanding, and to choose
wisdom, or science, or knowledge, or philosophy. Only they must be understood
in this connection as implying the body of learning as assimilated and applied
by the intellect of a given individual".
(Buddhist
Psychology. pp. 17-18).
Different
Combinations of Mental States
parent: Chapter II -
Mental States
3
Tesam
cittāviyuttānam[1] - yathāyogamito param
Cittuppādesu[2] paccekam - sampayogo
pavuccati
Satta sabbattha yujjanti - Yathāyogam pakinnakā
Cuddasā'kusalesv'eva - sobhanesv'eva sobhanā.
4. Katham?
Sabbacitta-sādhāranā
tāva satta cetasikā sabbesu'pi ek'ūnanavuti-cittuppādesu labbhanti.
Pakinnakesu
pana:-
5.
Te pana
cittuppāda yathākkamam: -
Chasatthi pañcapaññāsa-ekādasa ca solasa
Sattati vīsati c'eva - pakinnakavivajjitā
Pañcapaññāsa chasatthitthasattati tisattati
Ekapaññāsa c' ekūna - sattati sapakinnakā.
(translation)
3.
The
combination of each of these thought-adjuncts in different types of consciousness
will hereafter be dealt with accordingly.
Seven
are linked with every type of consciousness. The (six) Particulars are linked
accordingly. The fourteen are linked only with the Immorals, the (nineteen)
Beautiful, only with the Beautiful.
4. In
what way ?
In the
first place, the seven mental states common to every consciousness are found in
all the eighty-nine types of consciousness.
Among
the "Particular" mental states:-
5.
Those
types of consciousness in order are:
Sixty-six,
fifty-five, eleven, sixteen, seventy, and twenty without the Particulars.
Fifty-five,
sixty-six, seventy-eight, seventy-three, fifty-one, sixty-nine are with the
Particulars.[4]
Immoral Mental
States
Akusala Cetasika
parent: Chapter II -
Mental States
6.
7.
Sabbāpuññesu
cattāro - lobhamūle tayo gatā
Dosamūlesu cattāro - sasankhāre dvayam tathā
Vicikicchā vicikicchācitte c'āti catuddasa
Dvādasākusalesv'eva - sampayujjanti pañcadhā
(translation)
6.
(Summary)
7.
Four are
found in all Immorals, three in those rooted in attachment, four in those
rooted in ill-will and so are two in the prompted.
Doubt is
found in the consciousness accompanied by doubt. Thus the fourteen are
conjoined only with the twelve Immorals in five ways.
FOOTNOTES AND
REFERENCES:
[1]:
The root
of every evil is moha (ignorance), because the evil-doer is not aware of the
evil consequences. With it are associated shamelessness to commit the evil and
disregard for the effects that follow. There is a certain amount of
restlessness of the mind when an evil is committed.]
[2]:
As
ditthi gives rise to the conception of "me" and "mine connected
with oneself, it occurs in the consciousness rooted in attachment
[3]:
Māna too
originates with the "I" - conception connected with oneself. As such
it also is present only in types of consciousness rooted in attachment.
Nevertheless, both ditthi and māna do not arise simultaneously in one
particular consciousness. Where there is ditthi there is no māna. Commentaries
compare them to two fearless lions that cannot live in one den. Māna may arise
in those four types of consciousness dissociated with ditthi. But it does not
follow that māna is ever present in them.
[4]:
These four
cannot arise in a consciousness rooted in attachment because there is some form
of aversion in them instead of any of clinging. Even macchariya is a kind of
aversion to others' viewing with oneself.
[5]:
Thīna
and Middha are by nature opposed to adaptability. They lack the urge. As such
they cannot arise in types of consciousness that are unprompted (asankharika)
which are naturally keen and active. They appear only in types of prompted
consciousness.
Beautiful Mental
States
Sobhana Cetasika
parent: Chapter II -
Mental States
8.
9.
Ek'ūnavīsati
dhammā jāyant'ekūnasatthisu
Tayo solasacittesu atthavisatiyam dayam
Pañā pakāsitā sattacattālīsavidhesu'pi
Sampayuttā catuddhv'evam sobhanesv'eva sobhanā.
(Translation)
8.
9.
Nineteen
states arise in fifty-nine, three in sixteen, two in twenty-eight types of
consciousness.
Wisdom
is declared to be in forty-seven types. Beautiful are only in the Beautiful.
Thus they are combined in four ways.
Last Updated: 06 February, 2013
parent: Chapter II - Mental States
10.
Issā-Macchera-Kukkucca - Viratī Karunādayo
Nānā kadāci Māno ca - Thīna-Middham tathā saha
Yathā vuttānusārena - sesā niyatayogino
Sangahañ ca pavakkhāmi - tesam'dāni yathāraham
Chattimsānuttare dhammā - pañcatimsa mahaggate
Atthatimsa'pi labbhanti - Kāmāvacarasobhane.
Sattavīsatyapuññamhi - dvādasāhetuke'ti ca
Yathāsambhavayogena - pañcadhā tattha sangaho.
(translation)
10.
Jealousy, Avarice, Worry, Abstinences (three), Compassion,
Appreciative Joy, and Conceit arise separately and occasionally. So are Sloth
and Torpor in combination.
The remaining factors, apart from those mentioned above
(52 - 11 = 41), are fixed adjuncts. Now I shall speak of
their combination accordingly.
Thirty six factors arise in the Supra mundane, thirty-five in
the Sublime, thirty-eight in the Kāmāvacara Beautiful.
Twenty-seven in the Demeritorious, twelve in the Rootless.
According to the way they arise their combination therein is fivefold.
Last Updated: 06 February, 2013
Supra mundane
Consciousness
Lokuttara-Cittāni
parent: Chapter II -
Mental States
11. Katham?
Chattimsa
pañcatimsā ca-catuttimsa yathākkamam
Tettimsadvayam'iccevam - pañcadhānuttare thitā.
(translation)
11.
How?
Thus in
every way fivefold is the synthesis of mental factors arising in the eight
types of Supra mundane consciousness according to the five Jhānas.
Respectively
there are thirty-six, thirty-five, thirty-four, and thirty-three in the last
two.
Thus in
five ways they arise in the Supra mundane.
Notes:
52.
Aniyatayogi and Niyatayogi -
Of the
52 types of mental states eleven are called aniyatayogi -
unfixed adjuncts. They arise in different kinds of consciousness separately
because their particular objects differ. They may or may not arise in those
types of consciousness to which they are allied. For instance, issā,
macchariya, and kukkucca must arise in a
consciousness connected with aversion. One of the three must arise at one
particular moment. All the three do not occur simultaneously. Besides they are
not bound to be present in such a consciousness. So are the three Abstinences,
two Illimitables, Conceit, Sloth and Torpor.
The
remaining 41 types are called niyatayogi - fixed adjuncts.
They invariably arise in those types of consciousness allied to them.
53.
Abstinences -
These
three are collectively found only in the Supra mundane consciousness, as they constitute
three of eight factors of the Noble Path. They cannot arise in the rūpāvacara and arūpāvacara, nor
in the kāmāvacara vipāka and kriyā cittas. They
deal with three forms of refraining from committing evil through word, deed,
and livelihood. As such they arise separately only in the eight types of moral
consciousness according to the abstinence from the particular evil.
These
Abstinences appear in full force only in the lokuttara-cittas, because
the corresponding evils are completely eradicated by them. In the kāmāvacara-kusala-cittas there
is only a temporary inhibition of evil.
As kāmāvacara-vipāka-cittas are
merely effects they cannot arise in them. Since kriyā-cittas are
experienced only by Arahats, they do not arise in them. In the rūpāvacara and arūpāvacara planes
they do not occur because the need for moral purification, the function of
these abstinences, does not arise there.
54.
Illimitables (Sublime Abodes)-
Of the
four only two are mentioned here. The other two have already been dealt with in
their respective places.
It
should be noted that the objects of these tables are beings. Therefore they
cannot arise in the Supra mundane consciousness which has for its object
Nibbāna. This does not mean that Arahats and other Aryans do not possess these
virtues. They are not present only in the Path and Fruit consciousness.
They do
not occur in the fifth Jhāna as it is accompanied by upekkhā -
neutral feeling. In the arūpa-cittas also they do not arise as
they also are connected with upekkhā. In the eight kiriya
cittas, which the Arahats experience, they arise because the Arahats
also radiate thoughts of karunā and muditā towards
all beings.
FOOTNOTES AND
REFERENCES:
[1]:
Because
their objects are living beings, while the lokuttara consciousness has Nibbāna
for its object.
[2]:
Vitakka
is eliminated in the 2nd Jhāna. The elimination of other factors in the
remaining Jhānas should be similarly understood.
Sublime
Consciousness
Mahaggata-Cittāni
parent: Chapter II -
Mental States
12. Mahaggatesu pana
13.
Pañcatimsa
catuttimsa - tettimsa ca yathākkamam
Dvattimsa c'eva timseti-pañcadhā'va Mahaggate.
(translation)
12.
In all
the twenty-seven types of Sublime consciousness the combination is fivefold
according to the five kinds of Jhānas.
13.
There
are respectively thirty-five, thirty-four, thirty-three, thirty-two, and
thirty. Fivefold is the combination in the Sublime.
FOOTNOTES AND
REFERENCES:
[1]:
They are
found only in the lokuttara cittas and the kāmāvacara kusala cittas
[2]:
Because
they do not arise simultaneously as their objects vary.
[3]:
i.e., 3
Fifth Jhānas and 12 arūpa jhānas. The Jhāna factors of the arūpa jhānas are
identical. Illimitables do not occur in them because they are accompanied by
upekkhā
Sense-Sphere
Beautiful Consciousness
Kāmāvacara-Sobhana-Cittāni
parent: Chapter II -
Mental States
14.
Kiriyacittesu'pi
Virativajjitā. Tath'eva catusu'pi dukesu catudhā' va sangayhanti.
Tathā
vipākesu ca Appamaññā-Virativajjitā. Te eva sangayhantī'ti sabbathā' pi
catuvīsati kāmāvacarasobha-nacittesu dukavasena dvādasadhā'va sangaho hotī'ti.
15.
Atthatimsa
sattatimsa - dvayam chattimsakam subhe
Pañcatimsa catuttimsa - dvayam tettimsakam kriye
Tettimsa pāke dvattimsa - dvayekatimsa karm bhave
Sahetukāmāvacara - puññapākakriyā mane
16.
Na
vijjant'ettha virati - kriyāsu ca mahaggate
Anuttare appamaññā - kāmapāke dvayam tathā
Anuttare jhānadhammā - appamaññā ca majjhime
virati ñāna-pīti ca - parittesu visesakā.
(translation)
14.
In the
Functional consciousness the three Abstinences are excluded.[4] Likewise in the four
couplets they are combined in four ways.
Similarly
in the Resultant consciousness they all arise except the Illimitables and the
Abstinences.[5]
Thus in
all the twenty-four types of Sense-sphere Beautiful types of consciousness the
combination is twelve-fold according to pairs.
15.
With
respect to Sense-Sphere consciousness with roots -Moral, Resultant, and
Functional - there arise in the Moral (first pair) thirty-eight, twice[6] thirty-seven (in the
second and third pairs), and thirty-six( in the fourth pair). In the Functional
thirty-five (in the first pair), twice thirty-four (in the second and third
pairs), thirty three (in the forth pair). In the Resultant thirty three (in the
first pair), twice thirty-two (in the second and third pairs), thirty-one (in
the fourth pair).
16.
Herein the
Abstinences are not present in the Functional and Sublime consciousness.[7] So are Illimitables in the
Supramundane and the two Illimitables and Abstinences) in the Sense-Resultants.
(Note 54)
In the
Highest the Jhāna factors are distinctive[8]; in the Middle (rūpāvacara
and arūpāvacara), the Illimitables (and Jhāna factors[9]); in the Small (kāmāvacara), the
Abstinences, Wisdom and Joy.
FOOTNOTES AND
REFERENCES:
[1]:
i.e.,
Somanassasahagatanāpasampayutta asankhārika and sasankhārika citta - Prompted
and unprompted consciousness, accompanied by pleasure, and associated with
wisdom.
[2]:
Because
they are not fixed adjuncts. They arise at different moments of conscious
experience.
[3]:
Being
accompanied by upekkhā.
[4]:
Because
the Arahats have completely eradicated the Abstinences.
[5]:
Illimitables
do not arise because they have limitless beings as the objects, while the
Resultants are restricted to lesser objects. The Abstinences are absolutely
moral. Hence they do not arise in a resultant consciousness. In the
Supramundane Fruit consciousness they however arise because it is like a
reflection of the Path consciousness.
[6]:
i.e.,
thirty-seven in each of the second and third couplets.
[7]:
i.e. in
the rūpāvacara arūpāvacara planes. Because no occasion arises for such evil to
spring up.
[8]:
The
supramundane consciousness, when classified according to five Jhānas, differs
with respect to Jhāna factors.
[9]:
Ca in
the text includes Jhāna factors.
[10]:
Morals
differ from Resultants and Functionals on account of Abstinences. Morals and
Functionals differ from Resultants on account of Illimitables. Respective
couplets differ on account of Wisdom and Joy.
Immoral
Consciousness
Akusala Cittāni
parent: Chapter II -
Mental States
17.
18.
Ekūnavīsatthārasa
- vīsekavīsa vīsati
Dvāvīsa pannarase'ti - sattadhā kusale thitā
Sādhāranā ca cattāro - samānā ca dasā pare.
Cuddasete pavuccanti - sabbākusalayogino.
(translation)
17.
Thus in
all the twelve types of immoral consciousness synthesis becomes sevenfold when
reckoned according to their different combinations.[9]
18.
Nineteen,
eighteen, twenty, twenty-one, twenty, twenty-two, fifteen, - thus they stand in
seven ways in the immoral consciousness.
Those
fourteen mental states - namely, the four immoral universals, and ten unmorals,[10] are said to be associated
with all the immoral types of consciousness.
FOOTNOTES AND
REFERENCES:
[1]:
i.e.,
Somanassa sakagata ditthigata sampayutta asankhārika citta - Unprompted
consciousness, accompanied by pleasure, connected with misbelief.
[2]:
i.e.,
the unprompted consciousness not connected with misbelief. Conceit and
misbelief do not coexist.
[3]:
i.e..
the unprompted consciousness accompanied by upekkhā. Joy does not coexist with
indifference.
[4]:
Joy does
not coexist with aversion and grief.
[5]:
Being
unfixed mental adjuncts (aniyatayogino). Their objects differ and they arise
severally.
[6]:
They are
the four types of prompted consciousness rooted in attachment and the one
rooted in aversion. Sloth and torpor are present only in the immoral prompted
consciousness.
[7]:
There is
no chanda, the will-to-do, as restlessness is predominant here.
[8]:
Adhimokkha,
the mental factor that dominates in deciding cannot exist in a perplexed mind.
[9]:
(i) 1st
and 2nd asankhārika citta = 19; (ii) 3rd and 4th asankhārika citta = 18; (iii)
5th asankhārika citta = 20; (iv) 1st and 2nd sasanhhārika citta = 21; (v) 3rd
and 4th sasankhārika citta = 20; (vi) 5th sasankhārika citta = 22; (vii) moha
citta = 15. Thus they divide themselves into seven classes according
to numbering.
[10]:
i.e.,
excluding chanda, pīti, and adhimokha from the 13 aññasamānas.
Rootless
Consciousness
Ahetuka Cittāni
parent: Chapter II -
Mental States
19.
Attharasasu
ahetukesu gananavasena catudhā va sangaho hotī'ti.
20.
Dvādasekādasa
dasa satta cā'ti catubbidho
Atthārasāhetukesu cittuppādesu sangaho.
Ahetukesu sabbattha satta sesā yathāraham
Iti vitthārato vuttā tettimsavidha sangaho.
Ittham cittāviyuttānam sampayogañ ca sangaham
Ñatvā bhedam yathāyogam cittena samamuddise'ti
(translation)
19.
Thus in
all the eighteen types of rootless consciousness the mental states, numerically
considered, constitute four groups.
20.
Twelve , eleven , ten, seven - thus their grouping with respect to the eighteen
rootless types of consciousness is fourfold.
In all
the rootless the seven (Universals) occur. The rest (Particulars) arise
accordingly. Thus in detail the groupings are told in thirty-three ways.[7]
Understanding
thus the combinations and synthesis of the mental adjuncts, let one explain
their union with the consciousness accordingly.[8]
FOOTNOTES AND
REFERENCES:
[1]:
In the
consciousness connected with laughter there is no wish-to-do, See Ch. 1, p.31.
[2]:
It is
the manodvāravajjana-mind-door consciousness-that assumes the name votthapana -
Determining.
[3]:
Although
santīrana means investigating, it is a passive resultant consciousness. It
lacks both will and effort.
[4]:
Mano-dhātu
- lit., the mere faculty of apprehension (mananamatta' meva -dhātu). It
comprises the pancadvārāvajjana - sense-door consciousness, and the two
sampaticchanas - recipient consciousness. The ten types of sense-consciousness
are called dvipañca viññāna-dhātu. The remaining seventy-six types of
consciousness are termed manoviññāna-dhātu, as they excel others in
apprehension.
Both
sampaticchanas are accompanied by upekkhā which does not coexist with pīti.
Like the santīrana these two are resultants and are passive. Therefore they
lack both effort and will. In the pancadvārāvajjana, too, as in
manodvārāvajjana effort and will are lacking.
[5]:
The two
santīranas accompanied by upekkhā - both moral and immoral resultants are known
as the ahetuka patisandhi yugala the pair of rootless relinking types of
consciousness. Conception in woeful states is obtained by the akusala ahetuka
santīrana, and amongst human beings as congenitally blind, deaf, etc., by the
kusata ahetuka santīrana. This pair is also accompanied by upekkhā.
[6]:
They are
mere passive types of resultant consciousness.
[7]:
Namely,
i. 5 in anuttara; ii. 5 in mahaggata; iii. 12 in kāmāvacara; iv. 7 in akusala;
v. 4 in ahetuka; = 33.
[8]:
In this
chapter are explained in what types of consciousness the respective mental
states are present and what types of mental states occur in each type of
consciousness.
he
author concludes the chapter advising the readers to explain the union of these
mental states with each consciousness accordingly as, for example, - Universals
are eighty-nine-fold because they are present in all the types of
consciousness, phassa of the Particulars is fifty-fivefold because it arises in
fifty-five types of consciousness, etc.
Summary of Feeling
Vedanā - Sangaho
parent: Chapter III -
Miscellaneous Section
2.
Tattha
vedanāsangahe tāva tividha vedanā: - sukham, dukkham, adukkhamasukham' ti.
Sukham, dukkham, somanassam, domanassam, upekkhā'ti ca bhedena pana pañcadhā
hoti.
3.
Tattha
sukha-sahagatam kusala-vipākam kāyaviññānam ekam'eva.
4.
Tathā
dukkha-sahagatam akusala-vipākam kāyaviññānam.
5.
Somanassa
- sahagata - cittāni pana lobhamulāni cattāri, dvādasā kāmāvacarasobhanāni,
sukhasantīrana - hasanāni ca dve' ti atthārasa kāmāvacara cittāni c'eva,
pathama-dutiyatatiya-catutthajjhāna-sankhātāni catucattālīsa
Mahaggata-Lokuttaracittāni c'āti dvāsatthividhāni bhavanti.
6.
Domanassa-sahagata
cittāni pana dve patigha-cittān'eva.
7.
Sesāni
sabbāni'pi pañcapannāsa upekkhāsahagata-cittān' evā'ti.
8.
Sukham
dukkham-upekkhā'ti tividhā tattha vedanā
Somanassam domanassam iti bhedena pañcadhā.
Sukham'ek'attha dukkhañ ca domanassam dvaye thitam.
Dvāsatthisu somanassam pañcapannāsaketarā.
(translation)
2.
In the
summary of feeling (3) there are at first three kinds: - pleasurable (4),
painful, and that which is neither pleasurable nor painful. Or, again, it is
fivefold - namely, happiness, pain, pleasure, displeasure, and indifference or
equanimity.
3.
Of them,
moral resultant body-consciousness is the only one accompanied by happiness.
4.
Similarly
immoral resultant body-consciousness is the only one accompanied by pain.
5.
There are
sixty two kinds of consciousness accompanied by pleasure (5) - namely:
6.
Only the
two types of consciousness connected with aversion are accompanied by
displeasure (7).
7.
All the
remaining fifty-five types of consciousness are accompanied by indifference or
equanimity (8).
8.
Feeling,
therein, is threefold - namely, happiness, pain, and indifference. Together
with pleasure and displeasure it is fivefold.
Happiness
and pain are found in one, displeasure in two, pleasure in sixty-two, and the
remaining (indifference or equanimity) in fifty-five.
Notes -
3. Vedanā is
a significant mental state which is common to all types of consciousness.
Feeling is its characteristic (vedayita-lakkhana), and is born
of contact. Sensation, therefore, is not an appropriate rendering for vedanā.
Feeling
is defined as: "a conscious, subjective impression which does not involve
cognition or representation of an object.''
Sensation
is explained as: "the content of sensuous intuition, or the way in which a
conscious subject is modified by the presence of an object."
Vedanā modifies
the stream of consciousness and serves both as a life-promoting and life-destroying
force. Pleasure, for example, promotes life; pain impairs it. As such feeling
plays a very important part in the life of man.
Experiencing
the taste of an object is the function of vedanā (anubhavana rasa). Particular
likes and dislikes depend on the desirability and the undesirability of the
external object. Generally they are mechanistic.
Sometimes
the freewill of a person determines the mode of feeling independent of the
nature of the object. The sight of an enemy, for example, would normally be a
source of displeasure, but a right-understanding person would, on the contrary,
extend his loving-kindness towards him and experience some kind of pleasure.
Socrates, for instance, drank that cup of poison with joy and faced a happy
death. Once a certain Brahman poured a torrent of abuse on the Buddha, but He
kept smiling and returned love unto him. The ascetic Khantivādi, who was
brutally tortured by a drunkard king, wished him long life instead of cursing
him.
A
bigoted non-Buddhist, on the other hand, may even, at the sight of a Buddha,
harbour a thought of hatred. His feeling will be one of displeasure. Likewise a
similar feeling may arise in the heart of a bigoted Buddhist at the sight of a
religious teacher of an alien faith. What is meat and drink to one, may be
poison to another.
Material
pleasures, for instance, would be highly prized by an average person. An
understanding recluse would find happiness in renouncing them and leading a
life of voluntary poverty in perfect solitude. Such a solitary life, a
sensualist may view as hell. Yes, what is heaven to one may be hell to another;
what is hell to one may be heaven to another. We ourselves create them, and
they are more or less mind-made.
"There
are, o Bhikkhus, two kinds of feeling-pain and happiness", says the
Buddha. Well, then, how can there be a third which is neither pain nor
happiness? The commentary states that blameless neutral feeling is included in
happiness and the blameworthy in pain.
Again,
the Buddha has stated that whatever is felt in this world, all that is pain. It
is because of the changeable nature of all conditioned things.
From
another standpoint considering all forms of feeling as purely mental, there are
only three kinds - namely, happiness (sukha), pain (dukkha), and
neutral (adukkhamasukha).
Atthasālini
explains them, as follows:-
The
term sukha means 'pleasurable feeling' (sukha-vedanā), 'root
of happiness' (sukha-mūla), 'pleasurable object' (sukhārammana), 'cause
of happiness' (sukha-hetu), 'conditioning state of pleasure, (sukha-paccayatthāna), free
from troubles' (abyāpajjhā), 'Nibbāna', etc.
In the
expression: "By eliminating sukha" - sukha means
pleasurable feeling.
In the
expression: "Sukha is non-attachment in this world".
Here sukha means root of pleasure.
In the
expression: "Since, o Mahāli, form is sukha, falls and
descends on sukha". Here sukha means object of pleasure.
"Merit,
o Bhikkhus, is a synonym for sukha." Here sukha means
cause of pleasure.
"Not
easy is it, o Bhikkhus, to attain to heavenly sukha by
description". "They know not sukha who do not
see nandana". Here sukha means conditioning
state of pleasure.
"These
states constitute a sukha life in this very world".
Here sukha means freedom from troubles.
"Nibbāna
is supreme sukha''. Here sukha means Nibbāna.
From
these quotations the reader can understand in what different senses the
term sukha is used in the texts. In this particular connection
the term sukha is used in the sense of pleasurable feeling.
Nibbāna
is stated to be supreme bliss (sukha). This does not mean that
there is a pleasurable feeling in Nibbāna although the term sukha is
used. Nibbāna is a bliss of relief. The release from suffering is itself
Nibbānic bliss.
The
term dukkha means 'painful feeling', 'basis of pain', object
of pain', cause of pain', 'conditioning state of pain', etc.
''By
eliminating dukkha" - here dukkha means
painful feeling.
"Birth
too is dukkha" - here dukkha means basis of
pain.
"Since,
o Mahāli, form is dukkha, falls and descends on pain" -
here dukkha means object of dukkha.
"Accumulation
of evil is dukkha" - here dukkha means cause
of pain.
"It
is not easy, o Bhikkhus, to realize the pain of woeful states by
description" - here dukkha means "conditioning
states of pain."
In this
particular connection the term dukkha is used in the sense of
painful feeling.
In the
Dhammacakka Sutta the Buddha enumerates eight divisions of dukkha -namely:
All
these are the causes of dukkha.
When the
Buddha addresses Devas and men He speaks of eight kinds of dukkha. When
He addresses only men He speaks of twelve. Instead of vyādhi (disease)
He says soka (grief), parideva (lamentation), dukkha (pain), domanassa (displeasure) upāyāsa (despair)
are suffering. All these five are included in vyādhi which embraces
both physical and mental disharmony.
Soka,
domanassa, and upāyāsa are
mental, while dukkha and parideva are
physical.
Practically
there is no marked difference between the two formulas.
Adukkha-m-asukha is
that which is neither pain nor happiness. It is a neutral feeling. This
corresponds to both stolid indifference and Stoic indifference. The Pāli
term upekkhā, which has a wider connotation, is more
frequently used to denote this kind of neutral feeling.
In an
immoral type of consciousness upekkhā assumes the role of
stolid indifference because it is prompted by ignorance. In an ahetuka resultant
consciousness, such as a sense-impression, upekkhā means
simple neutral feeling which has no ethical value. Adukkha-m-asukha strictly
applies in this connection. Upekkhā latent in a kāmāvacara
sobhana citta (Beautiful type of consciousness pertaining to the
Sense-sphere) may be any of the following states - simple indifference (not
stolid because there is no ignorance), simple neutral feeling, disinterestedness,
unbiased feeling, Stoic indifference, and perfect equanimity.
Upekkhā in
the jhāna consciousness is perfect equanimity born of
concentration. It is both ethical and intellectual.
See Ch.
1, Note 42.
According
to a still wider classification vedanā is fivefold namely.
All
feelings, from an ultimate standpoint, are mental because vedanā is
a cetasikā. But a differentiation has been made with regard
to sukha and dukkha.
Of all
the 89 types of consciousness only two are associated with either sukha or dukkha. One
is the body-consciousness associated with happiness, and the other is body-consciousness
associated with pain.
Both
these are the resultant types of consciousness, effects of good and evil Kamma.
A soft
touch, for instance, yields happiness. A pinprick, on the contrary, yields
pain. In these cases one experiences the aforesaid two types of consciousness
respectively.
Now a
question arises - Why only the body-consciousness is associated with happiness
and pain? Why not the other sense-impressions?
Mr. Aung
provides an answer in his introductory essay to the Compendium: -
"The
sense of touch alone is accompanied by the positive hedonic elements of pain
and pleasure; the other four senses are accompanied by hedonic indifference.
This exceptional distinction is assigned to the sense of touch, because the
impact between the sentient surface (pasāda rūpa) and the
respective objects of other senses, both sets of which are secondary qualities
of body, is not strong enough to produce physical pain or pleasure. But in the
case of touch there is contact with one or other, or all the three primary
qualities (locality - pathavī, temperature - tejo, pressure
- vāyo) and this is strong enough to affect those primary
qualities in the percipient's own body. Just as cotton wool on the anvil does
not affect the latter, but a hammer striking cotton wool imparts its check to
the anvil also.''
(Compendium
of Philosophy p. 14).
In the
case of touch the impact is strong. The "essentials", pathavī,
tejo and vāyo (extension, heat, and motion) - āpo, cohesion,
is excluded being intangible - forcibly and directly strike against the
essentials of the body. Consequently there is either pain or happiness. In the
case of seeing, hearing, smelling, and tasting, there is a bare impact. The
consequent feeling is neither pain nor happiness.
Although
these sense-impressions may be sukha, dukkha, or upekkhā the javana thought
processes conditioned thereby may not necessarily be associated with a similar
feeling.
For
instance, the Buddha experienced a body-consciousness associated with pain when
a rock splinter struck His foot, but His javana thought-process
conditioned thereby would not necessarily be associate with displeasure.
Unaffected by the pain, He would have experienced perfect equanimity. The
immanent feeling in the stream of consciousness would have been upekkhā. Similarly
at the sight of the Buddha, a right-understanding person would automatically
experience an eye-consciousness associated with indifference (upekkhā-sahagata
cakkhu-viññāna) but his javana thought would be
moral. The innate feeling would be pleasure (somanassa).
This
intricate point should be clearly understood.
Somanassa (good-mindedness
) and domanassa (bad-mindedness) are purely mental.
These
five kinds of feeling could be reduced to three, the three to two, and the two
to one as follows:-
(Upekkhā is
merged in sukha, and sukha is ultimately
merged in dukkha).
4. Sukha -
physical happiness should be differentiated from somanassa -
mental pleasure. So should dukkha - physical pain - be
differentiated from domanassa - mental displeasure. There is
only one consciousness accompanied by sukha. Similarly there
is only one accompanied by dukkha. Both of them are the
effects of good and bad actions respectively.
When the
Buddha, for instance, was injured by Devadatta Thera, He experienced a
body-consciousness accompanied by pain. This was the result of a past evil
action of His. When we sit on a comfortable seat we experience a body
consciousness accompanied by happiness. This is the result of a past good
action. All forms of physical pain and happiness are the inevitable results of
our own Kamma.
5. Readers
will note that pleasurable types of consciousness exceed all others. As such
during a life-time a person experiences more happy moments than painful ones.
This does not contradict the statement that life is sorrow (dukkha). Here dukkha is
not used in the sense of painful feeling but in the sense of oppression or
impeding (pīlana). A careful reading of the description
of dukkha, given in the Dhammacakka Sutta will make the matter
clear.
6. They are
the four kusala jhānas, four vipāka jhānas, four kriya
jhānas, and thirty-two lokuttara jhānas. (4 + 4 + 4 +
32 = 44)
7. There
is displeasure only in the two types of consciousness connected with patigha or
aversion. We experience displeasure when we get angry.
Is there
aversion where there is displeasure? Yes, in a gross or subtle form. See Ch. 1.
p. 17, n. 10.
8. Viz.,
6 akusalas, 14 ahetukas, 12 sobhanas, 3 rūpa
jhānas, 12 arūpa jhānas, 8 lokuttaras =
55
Lesson 6 – Vīthi
This the
sixth set of lessons of this Abhidhamma tutorial.
VĪTHI –
The literal meaning of the word gvīthih is estreetf.
In the olden days, if one walks into any street in an Indian town or city, there
would be houses, one after another, without a break – a series of houses.
In the same manner, cittas tend to arise, one after another, in a series, when
an object appears at one of the sense doors.
Hence the name gvīthih – specifically, h citta vīthih.
These series of cittas arise in order to cognize the object.
The order of cittas that arise in a series (citta vīthi) is according to the
citta-code or citta-law (citta niyama) .
In this
lesson, we will learn about this series of cittas.
But first, lets get the fundamentals.
Let me
introduce the time frame (or life-span) as per the Abhidhamma texts regarding
the mental and material phenomena. This is an important concept that needs to
be grasped well. So please make the appropriate effort to understand and
remember this.
The
Life-span of a citta
The
life-span of a citta is a very small fraction of a second.
In 1 second many billion cittas arise and pass away.
This emicrofmoment when a citta exists is called a ecitta khaṇaf or ecitta
momentf.
Each
citta khaṇa has 3 sub-moments (khaṇa) :
1. Uppāda khaṇa – arising moment
2. Ṭhiti khaṇa – existing moment
3. Bhaṅga khaṇa – passing away moment
Main
points to remember:
What is a citta khaṇā?
What is a khaṇā?
What are the 3 khaṇā?
Note:
khaṇā is plural form of khaṇa.
I will use the term ekhaṇaf instead of emomentf in this lesson – mostly
because, it makes it easier to grasp a new concept of time-frame.
(New concept ¨ New word)
Life-span
of rūpa
Each
rūpa can exist for 17 citta khaṇā.
If we consider the 3 (khaṇā) citta sub-moments –
then each rūpa can exist for 17 x 3 = 51 khaṇā (citta sub-moments).
Only 22
rūpa types have this life-span of 51 citta sub-moments.
The 2 viññatti and the 4 lakkhaṇa do not have such a life-span (the former is
merely a distortion of the present rūpa and the latter are merely
characteristics).
The
citta vīthi is a mental process.
The rūpa
vīthi is a material process.
Main
point to remember:
How long does a rūpa last – in terms of the life-span of a citta?
Revision
of what we have learnt so far:
In Pāḷi:
1 CITTA KHAṆA is comprised of 3 KHAṆAs.
In
English:
1 CITTA MOMENT is comprised of 3 SUB-MOMENTS.
Each
speck of matter – rūpa kalāpa – can exist for 17 MOMENTs.
That is
–
Each speck of matter – rūpa kalāpa – can exist for 17 CITTA KHAṆAs.
And thus
–
Each speck of matter – rūpa kalāpa – can exist for 51 KHAṆAs. (17 x 3)
One more
time:
A citta exists for only 1 CITTA KHAṆA. (1 CITTA MOMENT)
A citta exists for only 3 KHAṆAs.
Get a
good grasp of this contrast in the life-span of one citta and one speck of
matter.
In Abhidhamma,
it is taught that cognition occurs at the places where there is sensory
contact.
This may seem different from the western medical proposition of ebrain
centeredf cognition.
But please take note that the recent developments in neuroscience and cognitive
science show that neural networks in organs like the heart, skin etc. perform
cognitive functions, independent of the brain.
If you are interested you can read about the latest developments in cognitive
science and neuroscience using the internet.
What I want to bring to your attention is that cognition occurs at the point of
contact of the sense doors and the sensory objects, as per Theravāda
Abhidhamma. But it is majorly influenced by attention. And it is also
influenced by other extraneous factors like the presence of light for us to be
able to see and similar such factors for other sensory objects as well.
Wefll learn about them further down.
Let us
try to understand what happens when there is cognition of a visible object.
When we can understand what happens during cognition in one sense door, we can
extrapolate it and understand what happens at the other 5 sense doors.
Before
we proceed further, let me explain a little bit about the kind of cittas that
form the stream-of-life.
From the time of rebirth, the bhavaṅga cittas keep arising and passing away
continuously, using the hadaya vatthu in the hadaya dasaka kalapas as the
basis-matter.
Keep this in mind as we proceed to study the series cognitive series of citta
(citta vīthi).
Here, we
will take the case of the cognitive process that begins at the cakkhu dvāra
(eye-door) when there appears a rūpa-ārammaṇā (visible object):
1) At
the cakkhu dvāra (eye-door), where the cakkhu vatthu (eye-base) is present, a
visible sense object may arrive at a certain moment.
2) Then,
a series of cittas begin to arise, in order to cognize the newly arrived sense
object, which is actually a speck of matter or rūpa (kalāpa) that is going to
last for exactly 17 citta khaṇas.
3) As we
learnt earlier, the matter present in the sensitive part of eye keeps arising
and passing away in the form of kalāpas. Of these kalāpas, we will focus on the
cakkhu-vatthu in the cakkhu-dasaka kalāpas and the hadaya-vatthu in the hadaya
dasaka kalāpas, for this particular lesson.
4) When
a visible matter gets in contact with the cakkhu-dvāra (eye-door), it first
affects the arising of the bhavaṅga citta.
5) After
a time span of 2 citta khaṇas {during which 2 bhavaṅga cittas would have arisen
and passed away – see Note (6) (c) regarding this}, a pañca-dvāra-āvajjana
citta arises with that visible matter as its object and turns
the stream of cittas towards cognizing this visible matter. As per its nature,
this citta lasts for 1 citta khaṇa and passes away.
6) a)
Following it, a cakkhu viññāṇa arises at the cakkhu vatthu (cakkhu pasāda)
taking up the visible matter as its object (ārammaṇa). This citta is essential
for cognizing a visible object. But, it will also pass away in one citta khaṇa.
6) b) A significant point to take note is : the cakkhu vatthu and the visible
matter should and will have the same life span – both these rupas would have
arisen at the same time – that is – at the arising-moment of atīta bhavaṅga
citta.
6) c) Note: the prior bhavaṅga citta is called atīta bhavaṅga citta and the
bhavaṅga citta at the time of impact of the object is called bhavaṅga calaṇa,
the last bhavaṅga citta is called bhavaṅga upaccheda.
(gatītah means gpasth ; h calaṇah means shaking, and gupacchedah means
cut-off.)
7) All
the other cittas (except the cakkhu viññāṇa) that arise in this vīthi (i.e.
cognitive series) have a hadaya vatthu as the base rūpa. Please note that each
of these cittas arise based on a different hadaya vatthu – that is – each of
these cittas will arise on a hadaya vatthu as the base rūpa that had arisen
exactly one moment before that citta. (This is a complex point – so you will
need to make appropriate effort to grasp it.)
8) Let
us continue with the cittas in the cognitive series:
The next citta that will arise is a sampaṭicchana citta which will also take up
the same visible matter as its object. And accordingly, it will last for one
citta khaṇa and pass away.
9) The
next citta to arise is a santīraṇa citta – which examines or investigates the
object.
10) The
next citta to arise is a mano dvārāvajjana citta – also called the voṭṭhabbana
citta. It determines or makes a decision regarding the object.
11)
Based on this decision, a series of 5 or 7 cittas – all of the same kind –
arise one after another – in rapid succession. These cittas are called the
javana cittas.
The kind of javana citta can be any of the akusala cittas or kusala cittas or
kiriya cittas. Whether it is akusala or kusala citta type – that depends on the
decision made by the voṭṭhabbana citta. Kiriya type cittas as javana
cittas can occur only in arahants (that includes the Buddhas) and in no one
else.
(This is
because, good and bad kamma (kusala or akusala kamma) is (ultimately) generated
at this stage. Kiriya cittas are indeterminate cittas and by their nature are
neither kusala or akusala – it is in this way that an arahant does not generate
any good or bad kamma.)
Please
go back to the Lesson 4 (Pakiṇṇaka) and do a revision of the different
functions performed by different cittas.
If you have forgotten, spend some time revising the 29 kāma javana cittas and
26 appana javana cittas.
Here is the place to actually apply the information you made much effort to
retain in your memory. If the memory is shaky, it will become more stable when
you put it to use here.
12)
Finally, 1 or 2 tadalāmabana cittas arise, which register the proceedings of
this cognitive series.
13)
Thatfs it – the cakkhu dvāra vīthi is done, completed.
14) By
then, the matter that is the visible object would have completed its life-span
of 17 khaṇas.
15) Once
again the stream of bhavaṅga cittas may begin to arise and pass away at that
location.
16) But,
then follow many many mano dvāra vīthis at the mind-door – closely following
the preceding vīthi at the sense door. Each of those vīthis will take up the
long-gone visible object as their object and continue to assess it in various
ways. All of this will happen in a split second.
In this way, sense organs are able to process multiple inputs in a multitude of
perspectives.
All this
is new to you – therefore take your time to comprehend it as best as you can.
As we
already studied, the base and object must correspond for cognition to occur.
6
dvāra |
6
vatthu |
6
viññāṇa |
6
ārammaṇa |
cakkhu
dvāra |
cakkhu
vatthu |
cakkhu
viññāṇa |
vaṇṇa |
sota
dvāra |
sota
vatthu |
sota
viññāṇa |
sadda |
ghāna
dvāra |
ghāna
vatthu |
ghāna
viññāṇa |
gandha |
jivhā
dvāra |
jivhā
vatthu |
jivhā
viññāṇa |
rasa |
kāya
dvāra |
kāya
vatthu |
kāya
viññāṇa |
phoṭṭhabba |
mano
dvāra |
hadaya
vatthu |
mano
viññāṇā |
dhammārammaṇā |
There
are 6 types of vīthi – in terms of door (dvāra) or in terms of viññāṇas.
1)
cakkhu dvāra vīthi OR cakkhu viññāṇa vīthi
This is
the series of cittas that arise at the eye door or with the cakkhu viññāṇa.
Bh(3) ¨
Pa ¨ cakkhu-viñ ¨ Samp ¨ Santi ¨ Vo ¨ Jav(kāma javana) ¨ Tad ¨ Bh
Bh(3) |
Pa |
cakkhu-viñ |
Samp |
Santi |
Vo |
Jav |
Tad |
Bh |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
|
bhavaṅga |
pañca-dvārāvajjana |
cakkhu
viññāṇa |
sampaṭicchana |
santīraṇa |
mano
dvārāvajjana |
javana |
tadalāmabana |
bhavaṅga |
3 |
1 |
1 |
1 |
1 |
1 |
7 |
2 |
=
17 cittas in one vīthi |
2) sota
dvāra vīthi OR sota viññāṇa vīthi
This is
the chain of cittas that arise at ear door or with the sota viññāṇa.
Bh(3) ¨
Pa ¨ sota-viñ ¨ Samp ¨ Santi ¨ Vo ¨ Jav(kāma javana) ¨ Tad ¨ Bh
Bh(3) |
Pa |
sota-viñ |
Samp |
Santi |
Vo |
Jav |
Tad |
Bh |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
|
3 |
1 |
1 |
1 |
1 |
1 |
7 |
2 |
=
17 cittas in one vīthi |
3) ghāna
dvāra vīthi OR ghāna viññāṇa vīthi
This is the chain of cittas that arise at nose door or with the ghāna viññāṇa.
Bh(3) ¨
Pa ¨ ghāna-viñ ¨ Samp ¨ Santi ¨ Vo ¨ Jav(kāma javana) ¨ Tad ¨ Bh
Bh(3) |
Pa |
sota-viñ |
Samp |
Santi |
Vo |
Jav |
Tad |
Bh |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
|
3 |
1 |
1 |
1 |
1 |
1 |
7 |
2 |
=
17 cittas in one vīthi |
4) jivhā
dvāra vīthi OR jivhā viññāṇa vīthi
This is the chain of cittas that arise at tongue door or with the jivhā viññāṇa.
Bh(3) ¨
Pa ¨ jivhā-viñ ¨ Samp ¨ Santi ¨ Vo ¨ Jav(kāma javana) ¨ Tad ¨ Bh
Bh(3) |
Pa |
sota-viñ |
Samp |
Santi |
Vo |
Jav |
Tad |
Bh |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
|
3 |
1 |
1 |
1 |
1 |
1 |
7 |
2 |
=
17 cittas in one vīthi |
5) kāya
dvāra vīthi OR kāya viññāṇa vīthi
This is the chain of cittas that arise at body door or with the kāya viññāṇa.
Bh(3) ¨
Pa ¨ jivhā-viñ ¨ Samp ¨ Santi ¨ Vo ¨ Jav(kāma javana) ¨ Tad ¨ Bh
Bh(3) |
Pa |
sota-viñ |
Samp |
Santi |
Vo |
Jav |
Tad |
Bh |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
¨ |
|
3 |
1 |
1 |
1 |
1 |
1 |
7 |
2 |
=
17 cittas in one vīthi |
6) mano
dvāra vīthi OR mano viññāṇa vīthi
This is the chain of cittas that arise at mind door or with the mano viññāṇa.
Bh(3)¨Vo
¨Jav ¨Tad ¨Bh { for mind door }
Bh(3) |
Vo |
Jav |
Tad |
Bh |
¨ |
¨ |
¨ |
¨ |
|
bhavaṅga |
mano
dvārāvajjana |
javana |
tadalāmabana |
bhavaṅga |
3 |
1 |
7 |
2 |
Note
that there will be no pañca-dvāra-āvajjana and the ensueing cittas in this
type. We will study this type of vīthi that arises at the mind door in great
detail further down.
Other
factors also play a role in cognition at the five sense doors.
For a
vīthi to arise – all the following essential conditions must be present.
And of
all the essential conditions – manasikāra (attention) plays the pivotal role.
This point is important.
Essential
conditions for cakkhu dvāra vīthi to arise:
1.cakkhu pasāda – sensitive matter in the eye
2.rūpārammaṇa – object that can be seen
3.āloka (light)
4.manasikāra (attention)
Essential
conditions for sota dvāra vīthi to arise:
1.sota pasāda – sensitive matter in the ear
2.saddārammaṇa – object that can be heard
3.ākāsa (space)
4.manasikāra (attention)
Essential
conditions for ghāna dvāra vīthi to arise:
1.ghāna pasāda – sensitive matter in the nose
2.gandhārammaṇa – object that can be smelled
3.vāyo -dhātu (air element)
4.manasikāra (attention)
Essential
conditions for jivhā dvāra vīthi to arise:
1.jivhā pasāda – sensitive matter in the tongue
2.rasārammaṇa – object that can be tasted
3.āpo -dhātu (water element)
4.manasikāra (attention)
Essential
conditions for kāya dvāra vīthi to arise:
1.kāya pasāda – sensitive matter in the body
2.phoṭṭhabbārammaṇa – object that can be felt
3.pathavī -dhātu (earth element )
4.manasikāra (attention)
Essential
conditions for mano dvāra vīthi to arise:
1.hadaya vatthu – central base matter
2.dhammārammaṇa – mind objects
3.mano dvāra – life-stream of cittas(bhavaṅga cittas)
4.manasikāra (attention)
Please
note that, of all the essential conditions – manasikāra (attention) plays the pivotal role.
This point is important – especially for meditation and practical application.
We will
learn in the next section that the length of the vīthi can vary depending on
the how intensely the object was taken up.
Let us
continue with the study of the cognitive series of cittas.
The
first 5 vīthis in the previous section are considered as the pañca dvāra
vīthis.
This is because, these are cognitive series that occur at the 5 sense doors.
gpañcah means five; gdvārah means door and gvīthih means cognitive series
of cittas.
The last
vīthi is called the mano dvāra vīthi as it occurs at the mind door.
Note
that there is only the mano dvārāvajjana citta in this cognitive series.
Also
make note that there is no pañca-dvāra-āvajjana citta or any of the 10 viññāṇas
or the sampaṭicchana citta or the santīraṇa citta – in this cognitive series
that occurs at the mind-door.
The
intensity with which an object appears, plays a role in the efficacy of a
vīthi.
At the 5
doors, an object can appear with great intensity or slight intensity.
At the
mind door, an object can appear clearly or in an unclear manner.
Accordingly,
a vīthi (cognitive series of cittas) is classified into different types.
at
the five sense doors |
at
the mind door |
ati mahanta ārammaṇa |
ati vibhūta ārammaṇa |
mahanta ārammaṇa |
vibhūta ārammaṇa |
paritta ārammaṇa |
avibhūta ārammaṇa |
ati paritta ārammaṇa |
ati avibhūta ārammaṇa |
NOTE:
Some authors consider only vibhūta and avibhūta ārammaṇa for objects at the
mano dvāra.
Try to
memorize these terms and their meaning as best as you can.
The
technical term for this is gVisaya pavattih – that is – the manner in which the
object appears at the doors.
The
following is an excerpt from the text book of Ven. Rewata Dhamma where he
explains how, depending on the length of vithi, the object is considered slight
or intense. He also mentions the fallacy of the differenciating the mind as
conscious and sub-conscious:
When an object enters one of the consciousnesses, through
any of doors, one moment of the life-continuum elapses. (This glife continuumh
is known as atīta-bhavanga). Subsequently, the corresponding thought-process
runs uninterruptedly for sixteen thought-moments. The object, thus presented,
is regarded as gvery greath (atīta-bhavanga).
If the thought-process ceases at the expiration of javana, without giving rise
to two retentive moments (tadālaṃbaṇa) and thus completing only fourteen
moments, then the object is called ggreath (mahanta).
Sometimes the thought-process ceases at the moment of determining (voṭṭhabbana)
without giving rise to the javanas, completing only seven thought moments. In
this case the object is termed gslighth (paritta).
Sometimes an object enters the sense-doors but there is merely a vibration of
the life-continuum, then the object is termed gvery slighth (atiparitta).
When a so-called gvery greath or ggreath object, perceived through one of five
sense doors, is subsequently conceived by the mind-door, then the object is
regarded as gclearh. Similarly, when a thought process, arising through
mind-door, extends up to the retention stage, then the object is regarded as
gclearh (vibhūta).
When a thought-process, arising through the mind-door, ceases at the javana
stage, the object is termed gobscureh (avibhūta).
For example, suppose a person looks at the radiant moon
on a cloudless night. At first he gets a faint glimpse of the surrounding stars
as well. He then focuses his attention on the moon but he cannot avoid the
sight of stars around. The moon is regarded as a great object, while the stars
are regarded as slight objects. Both moon and stars are perceived by the mind
at different moments. According to Abhidhamma, it is not correct to say that
the stars are perceived by the sub-consciousness and the moon by the
consciousness.
(from the textbook: Process of consciousness and matter,
Chapter II. PROCESS OF CONSCIOUSNESS, page 38)
These
are important points. So consider them carefully from time to time and get a
good understanding of the cognitive process as taught in the Therāvāda
tradition.
In this
section, we will study each of these vīthi types in greater detail.
1 kind of ati
mahantārammaṇa vīthi: also called Tadārammaṇa vāra vīthi
It is called eati mahantārammaṇa vīthif because the appearance of the object
ārammaṇaf has very great intensity eati mahantaf – eatif means very and
emahantaf means egreatf.
It is called etadārammaṇa vāra vīthif because it ends in tadārammaṇa cittas.
2 kinds of mahantārammaṇa
vīthi – also called Javana vāra vīthi
It is called emahantārammaṇa vīthif because the appearance of the object ārammaṇaf
has great intensity emahantaf.
It is called ejavana vāra vīthif because it ends in javana cittas.
6 kinds of parittārammaṇa
vīthi – also called Voṭṭhabbana vāra vīthi
It is called eparittārammaṇa vīthif because the appearance of the object ārammaṇaf
has lesser intensity. Here, eparittaf means less, small.
It is called evoṭṭhabbana vāra vīthif because it ends in voṭṭhabbana citta.
6 kinds of ati
parittārammaṇa vīthi – also called Mogha vāra vīthis
It is called eati parittārammaṇa vīthif because the appearance of the object
ārammaṇaf has very less intensity.
It is called emogha vāra vīthif because it is useless, empty, futile. emoghaf
means useless.
Thus we
can see that totally, there are 15 types of vīthis that are
possible at each of the 5 doors. (1 + 2 + 6 + 6 = 15 types)
15 kinds
of vīthi x 5 kinds of doors = 75 kinds of vīthis can
arise at the 5 doors (pañcadvārā).
Note how
the time taken for responding to the impact of the object gets prolonged as we
go further down the categorization. You can use this observation to remember
the different types of vīthis.
Let us
have a short recap of the vīthi cittas :
There
are 80 vīthi
cittas –
that is – cittas that can arise in a vīthi.
Āvajjana cittas – 2
viññāṇas – 10
sampaṭicchana cittas – 2
santīraṇa cittas – 3
javana cittas – 55
tadārammaṇa cittas – 8
Go
through this list of cittas and spend enough time to understand the cognitive
series well.
Let us
zoom in on the 54 pañcadvārā vīthi cittas :
Easy way
to remember the 7 types of cittas that participate in pañca dvārā vīthis:
Panca dvārāvajjana, pañca-viññāṇā, sampaṭicchana, santīraṇa, voṭṭhabbana, javana,
tadālambana.
Actually these 54 pañcadvārā vīthi cittas turn out to be the entire
set of the 54 kāmāvacara cittas.
Also
note that the 14 kinds of cittas that are listed in the table above, when
considered along with the 3 preceding bhavaṅga – gives a total of 17 cittas per
vīthi.
And this
point I also want to bring to your attention that there are cittas that arise
independent of the cognitive series (vīthi mutta cittas) –
these are cittas that are involved in rebirth and in maintaining the
life-stream until the moment of death.
You will
study about them in the next chapter.
But it is good to have a brief acquaintance with what we will learn in the
following chapter.
It will make the learning easier.
So
merely browse through the following list of cittas for now. Note that they are
all vipāka cittas.
There
are 19 vīthi mutta cittas – that is – cittas that can arise without a vīthi (as
the paṭisandhi, bhavaṅga and cuti cittas).
Upekkhā santīraṇa cittas – 2
Mahā vipāka cittas – 8
Rūpāvacara vipāka cittas – 5
Arūpāvacara vipāka cittas – 4
Mano
dvāra vīthi
Next we
will start studying in detail about mano dvāra vīthi – that is – about the
cognitive series of cittas that occur at the mind door.
Do keep
in mind that the mind-door (mano dvāra) in any living being or individual is
that particular beingfs bhavaṅga citta. This bhavaṅga citta functions as the
mind-door or mano dvāra.
In a
mano dvāra vīthi, only 3 types of cittas will arise – gāvajjana javana
tadālambana.h
We have
already had brief introduction to this when we began:
bhavaṅga(3)
¨ voṭṭhabbana ¨ javana ¨ tadālambana ¨ bhavaṅga
Bh(3) |
Vo |
Jav |
Tad |
Bh |
¨ |
¨ |
¨ |
¨ |
|
bhavaṅga |
mano
dvārāvajjana |
javana |
tadalāmbana |
bhavaṅga |
3 |
1 |
7 |
2 |
The
object need not be present for a mano dvāra vīthi to arise – cognition can
happen at the mind door regarding any object – the object can be present or it
was present in the past or the object can be present in the future.
Also all types of objects can be cognized at the mind door – whether it is one
of the sense objects or a mental object or even Nibbāna.
What is
important for clear cognition is whether the object appears clearly or not
(vibhūtārammaṇa).
Cognition
usually occurs at the mind door pertaining to objects of the kāmavacara sphere
– that is – regarding objects of the sensual world. At that time, the cognitive
series will be called kāma javana vāra vīthi.
But if
anybody takes up meditation and they are able to attain absorption or jhāna, at
that time also cognition will occur at the mind door – it will be called appana
javana vāra vīthi. (eappanaf means absorption concentration or jhāna).
So these
are 2 main types of mano dvāra vīthi that we will be studying.
Particularly,
we will go into the intricate details of how the cognitive series arises when
there is jhāna, when someone attains magga or phala and so on.
Mano
dvāra vīthi – chart
For
those who have difficulty in recalling the javana cittas, Ifve added the javana
cittas here. Please make an effort to memorize them – it gives confidence and
avoids stress whenever you encounter the words ejavana cittasf.
Please
note that in kāma javana vāra vīthis – one of the 29 kāma-javana cittas arise
during javana.
In appana javana vāra vīthis – one of the 26 appana javana cittas arise during
javana.
Kāma
javana mano dvāra vīthis:
Explanation:
1) Ati
vibhūtārammaṇa vīthi [ tadālambana vāra vīthi ]
Bh ¨ AtīBh ¨ Bh cal ¨ Bh upc ¨ Voṭṭhabbana ¨ Javana ¨ Tadālambana ¨ Bh
It is called eati vibhūtārammaṇa vīthif because the object appears very
clearly, very distinctly eati vibhūtaf at the mind door.
And since it ends in tadālambana cittas, hence it is called tadālambana vāra
vīthi.
2)
Vibhūtārammaṇa vīthi [ javana vāra vīthi ]
Bh ¨ AtīBh ¨ Bh cal ¨ Bh upc ¨ Voṭṭhabbana ¨ Javana ¨ Bh
It is called evibhūtārammaṇa vīthif because the object appears clearly,
distinctly evibhūtaf at the mind door.
And since it ends in javana cittas, hence it is called javana vāra vīthi.
3)
Avibhūtārammaṇa vīthi [ voṭṭhabbana vāra vīthi ]
Bh ¨ AtīBh ¨ Bh cal ¨ Bh upc ¨Voṭṭhabbana¨Voṭṭhabbana¨Voṭṭhabbana¨ Bh
It is called eavibhūtārammaṇa vīthif because the object apears unclearly,
indistinctly, eavibhūtaf at the mind door.
And since it ends in voṭṭhabbana cittas, hence it is called voṭṭhabbana vāra
vīthi.
4) Ati
avibhūtārammaṇa vīthi [ mogha vāra vīthi ]
Bh ¨ AtīBh ¨ Bh cal ¨ Bh cal ¨ Bh
It is called eati avibhūtārammaṇa vīthif because the object apears very
unclearly, very indistinctly, eati avibhūtaf at the mind door.
And since it does not result in the arising of any cognitive series of cittas,
it is called mogha vāra vīthi.
As we
studied earlier, these are the vīthis that appear in the mind door while
cognizing objects.
Another
point to note is about the tadālambana cittas – notice that they occur only
when cognizing a sensory object that is of great intensity or is really clear.
Make note that these tadālambana cittas will occur only after the kāma javana
cittas. They never occur in any appana javana vīthi.
In
brief, these tadālambana cittas will occur when (1) the vīthi occurs in a
kāmāvara being, (2) while cognizing a kāmāvara object, and (3) only if the
javana cittas before it is one of the kāmā javana cittas.
Appana
javana mano dvāra vīthi
These vīthis
arise only as a result of successful meditation practice – either when one of
absorption states of concentration (jhāna) is attained or when one of the magga
and phala cittas arise which will have Nibbāna as the object.
Remember that these appana
vīthis arise on the successful completion of samatha and/or vipassana
meditation. Not otherwise.
Also study the 26 appana javana cittas one more time – only those cittas can
arise in an appana vīthi.
Now, let
us see what happens when a meditator is about to attain jhāna:
Bh(3) ¨ Ma ¨ Pr ¨ Up ¨ An ¨ Go ¨ Jh ¨ Bh ¨
¨ Manodvārāvajjana ¨ Parikamma ¨ Upacāra ¨ Anuloma ¨ Gotrabhū ¨ Jhāna ¨ Bhavaṅga
¨
1) As
usual, the Bhavaṅga stream of cittas is cut off when the sign or theme of
meditation appears on the mind door.
2) Next, a manodvārāvajjana citta arises, turning the citta stream towards the
meditation sign.
3) Based on the decision of the manodvārāvajjana, a series of 4 cittas begin to
arise – specifically – one of the 4 ñāṇa sampayutta maha kusala or maha kiriya
cittas will arise four times. These 4 cittas are called the eupacāra samādhi
javanasf.
Let us
zoom in on the 4 upacāra samādhi javana cittas :
i) the first one is called parikamma citta – it prepares for the jhāna – here,
it is denoted here as gPrh.
Suppose the five faculties of the meditator are very sharp, well-developed,
then the parikamma stage will be bypassed during this type of vīthi (that is –
this stage will get skipped over because of the sharpness of the faculties).
(The 5 faculties are faith, effort, mindfulness, concentration and wisdom.)
ii) the second one is called upacāra citta – as it is close to the jhāna
attainment – denoted here as gUph
iii) the third one is called anuloma citta – it bridges or connects the lower
kāmāvacara type cittas to a higher jhāna or rūpāvacara type of citta – denoted
here as gAnh
iv) the fourth one is called gotrabhū – as it indicates the change of lineage –
after this the lineage of cittas changes from kāma(avacara) lineage of cittas
to the mahaggata lineage of cittas – denoted here as gGoh.
After
this stage, one of the rūpāvacara or arūpāvacara kusala cittas will arise one
time. After this happens, the bhavaṅga cittas will begin to arise. All of this
will happen when the meditator attains jhāna for first time and is not yet
skilled in remaining in jhāna.
For Buddhas and Arahants, one of the rūpāvacara or arūpāvacara kiriya cittas
will arise – not the kusala cittas – understand this clearly.
The type
of that citta depends on the level of jhāna that is attained at that time.
Note that the person has to get the first rūpāvacara jhāna.
Only if he/she continues to practice after attaining first jhāna, he/she will
be able to get the second rūpāvacara jhāna vīthi.
Although the vīthi is same, the kind of jhāna citta in the vīthi depends on the
level of meditation practice of that person.
At each level of jhāna – the meditator must practice to maintain that state
(jhāna samāpatti).
When the
meditator is able to dwell in jhāna – that is – he is able to maintain the
state of absorption – then the jhāna cittas continue to arise without a break,
until he emerges from that absorption state. Such a state, where the meditator
dwells in jhāna is called jhāna samāpatti.
At that time the ejhāna samāpatti vīthie arises. In this type of vīthi, many jhāna cittas arise
continuously one after another without any break, till that person remains in
jhāna.
The duration of ejhāna samāpattif depends on the factors such as skill,
practice, resolve and so on. The maximum duration a person can dwell in such a
state of ejhāna samāpattif is 7 days.
The
citta series while a meditator is in jhāna samāpatti is as follows:
Bh(3) ¨ Ma ¨ Pr ¨ Up ¨ An ¨ Go ¨ Jh ¨ Jh ¨ Jh (many times) ¨ c
[As an
aside: The rūpāvacara and arūpāvacara vipāka cittas are the result of
practising jhāna meditation so successfully, even at the time of death, that it
leads to rebirth in one of the brahma lokas.]
Abhiññā
refers to one of the 5 special powers. It also requires practise. But first the
meditator must be skilled in all the 5 rūpāvacara jhānas and the 4 arūpāvacara
jhānas – he must have mastered them also in terms of the different kasiṇas.
After that he/she can turn the attention to each of these powers and get
themselves trained.
The five
abhiññās are:
1) Iddhi vidhā abhiññā : the power to fly in the sky, walk on water, pass
through walls and dive into the land as though it is water.
2) Dibba sota abhiññā : the power to hear whatever one wishes to – whether far
or near.
3) Dibba cakkhu abhiññā : the power to see wherever one wishes – whether far or
near.
4) Ceto pariya ñaṇa or Paracitta vijānana abhiññā: the power to read othersf
mind.
5) Pubbe nivāsānussati abhiññā : power to recollect or remember a multitude of
onefs own past lives.
Lokiya
appana vīthi
1) Rūpāvacara
appana vīthi
( when attaining a rūpāvacara jhāna for first time)
Slow (manda) : ¨ Ma ¨ Pr ¨ Up ¨ An ¨ Go ¨ Jh ¨ Bh ¨
Quick (tikka) : ¨ Ma ¨ Up ¨ An ¨ Go ¨ Jh ¨ Bh ¨
2)
Arūpāvacara appana vīthi
( when attaining an arūpāvacara jhāna for first time)
Slow : ¨ Ma ¨ Pr ¨ Up ¨ An ¨ Go ¨ Jh ¨ Bh ¨
Quick : ¨ Ma ¨ Up ¨ An ¨ Go ¨ Jh ¨ Bh ¨
3)
Abhiññā appana vīthi
Slow : ¨ Ma ¨ Pr ¨ Up ¨ An ¨ Go ¨ Abñ ¨ Bh ¨
Quick : ¨ Ma ¨ Up ¨ An ¨ Go ¨ Abñ ¨ Bh ¨
Jhāna
samāpatti vīthi – when one remains in jhāna
Slow : ¨ Ma ¨ Pr ¨ Up ¨ An ¨ Go ¨ Jh ¨ Jh ¨ Jh (many
times) ¨c
Quick : ¨ Ma ¨ Up ¨ An ¨ Go ¨ Jh ¨ Jh ¨ Jh (many
times) ¨c
Memorise
the above diagrams – they are a short form of the explanation given earlier.
Next we
will learn about what happens when someone becomes an ariya – that is – attains
the magga and phala cittas which have Nibbāna as their object.
Lokuttara
appana vīthi
1) Magga
vīthi
For Sotāpanna:
Slow: ¨ Ma ¨ Pr ¨ Up ¨ An ¨ Go ¨ Mg ¨ Ph ¨ Ph ¨ Bh ¨
Quick: ¨ Ma ¨ Up ¨ An ¨ Go ¨ Mg ¨ Ph ¨ Ph ¨ Ph ¨ Bh ¨
From
Sakadāgāmi onwards:
Slow: ¨ Ma ¨ Pr ¨ Up ¨ An ¨ Vod ¨ Mg ¨ Ph ¨ Ph ¨ Bh ¨
Quick: ¨ Ma ¨ Up ¨ An ¨ Vod ¨ Mg ¨ Ph ¨ Ph ¨ Ph ¨ Bh ¨
2) Phala
samāpatti vīthi (when remaining in the phala state)
Slow : Bh ¨ An(Pa) ¨ An(Up) ¨ An ¨ Vod ¨ Ph ¨ Ph (many times) ¨c
Quick : Bh ¨ An(Up) ¨ An ¨ Vod ¨ Ph ¨ Ph (many times) ¨c
3)
Nirodha samāpatti vīthi
Bh(3) ¨ Ma ¨ An(Pa) ¨ An(Up) ¨ An ¨ Vod ¨ Jh ¨ Jh ¨ Nirodha
Samāpatti ¨ Ph ¨ Bh ¨
Jh = Jhāna
citta. This citta will be the type of rūpāvacara or rūpāvacara kusala citta
that is appropriate to the jhāna that is attained by the meditator.
If a person has attained a rūpāvacara or an arūpāvacara jhāna, then that person
can practice to remain in that jhāna state. Such a state where the meditator is
able to stay in jhāna as he or she wishes, with a maximum of 7 days is
called jhāna samāpatti. At that time, eappana samāpatti vīthif arises in that
meditator.
After
the Stream-entry is attained, the person becomes an ariya. From then onwards,
the egotrabhūf citta is called eVODHĀNA citta (denoted as eVodf). This is
because, the change of lineage has become permanent from Sotāpatti magga vīthi
onwards. That person has changed lineage permanently from being an ordinary
worldling to that of a noble person (Ariya). eVodhānaf means cleansing.
Also, in
these lokuttara vīthis, the Parikamma and Upacāra cittas are also considered as
Anuloma cittas.
Nirodha
samāpatti vīthi can be attained only by Anāgāmis and Arahants – and not by
others.
To enter this state both samatha and vipassana meditation will be practiced.
After emerging from each jhāna level, the perceptions of anicca, dukkha and
anatta are employed on that jhāna citta. Then they will proceed to attain the
next level of jhāna – one after another – upto the last formless jhāna.
Just before entering the cessation attainment (Nirodha samāpatti), 2
arūpāvacara jhāna cittas arise. Those 2 cittas will be kusala jhāna cittas in
anāgāmis and kiriya jhāna cittas in arahants.
They can remain in the cessation attainment according to the resolution they
had made before-hand.
They will also emerge from the cessation attainment according to the resolution
they had made before-hand.
When they emerge, 1 phala citta will arise, followed by a stream of bhavaṅga
cittas.
For Arahants, that phala citta will be Arahatta phala citta and for Anāgāmis it
will be the Anāgāmi phala citta.
You can read more about this process and the kind of resolutions that are made
in detail from the text book gProcess of consciousness and matterh by Ven.
Rewata Dhamma.
Note:
A person has to get the first rūpāvacara jhāna initially. Only if he continues
to practice after attaining first jhāna and obtains skill in maintaining that
jhāna and so on, he gets to a level where he can try and attain the second
rūpāvacara jhāna vīthi.
Although
the vīthi is same, the kind of jhāna citta in the vīthi depends on the level of
meditation practice of that person.
All
vīthis do not have 7 javana cittas. Some of them may have only 1 javana citta;
2 to 3 javana cittas; 5 javana cittas and so on. This depends on the kind of
vīthi.
It is very simple. We have learned about those vīthis already. But we have not
taken any special note of the number of javana cittas occuring in them. So it
is nothing new. Lets see what those vīthis are.
VĪTHIS
WITH ONLY ONE JAVANA CITTA:
1) lokiya appana vīthi (when jhāna citta arises for first time)
2) abhiññā vīthi
3) lokuttara appana vīthi (when magga + phala arises for the first time)
4) phala javanas of anāgami and arahant who emerges from nirodha samāpatti
VĪTHIS
WITH 2 OR 3 JAVANA CITTAS:
1) the vīthi with 2 nevasaññānāsaññāyatana javana cittas that arise before
entering into nirodha samāpatti
2) in magga vīthi – the 2 or 3 phala javana cittas that arise after magga citta
VĪTHIS
WITH 4 OR 5 JAVANA CITTAS:
1) when the Buddha emits both fire and water – 4 or 5 paccavekkhana javana
cittas (4 maha kiriya cittas) arise in the vīthi
VĪTHIS
WITH 5 JAVANA CITTAS:
1) the kāmāvacara vīthi at the death-moment has only 5 javana cittas.
VĪTHIS
WITH 6 OR 7 JAVANA CITTAS:
1) in kāmāvacara vīthi – there are 6 or 7 javana cittas.
VĪTHIS
WITH UNLIMITED NUMBER OF JAVANA CITTAS:
1) in jhāna samāpatti vīthis – unlimited number of kusala or kiriya jhāna –
javana cittas arise.
2) in phala samāpatti vīthis – unlimited number of phala javana cittas arise.
After
reading this, go back and look into those vīthis that you have studied already,
making special note of the number of javana cittas.
Also,
you have not yet studied some of the vīthi types, such as the one involving the
Buddha emitting fire and water and the vīthi at the time of death.
We will study about the vīthi that occurs at the time of death in the next
chapter. In the traditional texts, it is taught in the next chapter only. But
if you are curious, you can take a quick peek at the next chapter.
At one
time, the Lord Buddha performed the gTwin Miracleh where he emitted both fire
and water at the same time from his body. You can search for eTwin Miracle of
Buddhaf in the net and read more about it.
There is
one more detail about the appana javana vīthi :
The part
of the vīthi that spans from the Parikamma, Upacāra and Anuloma cittas is
considered as the kāma javana part. Here, any one of the ñāṇa sampayutta maha
kusala or kiriya cittas would arise.
The part
of the vīthi that comprises of the jhāna or the magga and phala cittas is
considered as the appana javana part. Here, any one of the appana javana cittas
would arise.
The
following chart studies how the kind of cittas that arise in the kāma javana
part relates to the kind of cittas that would arise in the appana javana part.
Although
it looks complicated, it is not. So just relax and go through the chart – it is
something you already know and have already studied – it is only that we did
not pay much attention to this detail until now.
If you
have any difficulty understanding or learning this, please leave a comment
below.
SOME
MORE EXPLANATION FOR KĀMA JAVANA VĪTHI:
Bh(3)¨
Pa ¨ Viñ ¨ Samp ¨ Santi ¨ Vo ¨ Jav(kāma javana) ¨
Tad ¨ Bh
The kind
of cittas that arise in a vīthi, depends on the kind of object.
Note
that the javana cittas arise, based on the decision made by manodvārāvajjana
citta – they need not be affected by how desirable or undesirable the object
is.
This
connection between an object that occurs in the present and the vipāka cittas
which are the result of past kamma is an intricate point. You will encounter
this point again while you study paṭicca samuppāda and paṭṭhāna later on and
understand why it is so at that time. But for now, make note of it.
More
details about tadārammaṇa cittas
The kind
of tadārammaṇa cittas that arise in a vīthi, depends on the kind of javana
citta.
Bh(3)¨Pa¨Viñ¨Samp¨Santi¨Vo¨Jav(kāma
javana) ¨ Tad ¨Bh
CONDITIONS
FOR ARISING OF TADĀRAMMAṆA CITTAS:
Tadārammaṇa cittas arise when object is ati mahantārammaṇa or ati vibhūta
ārammaṇa.
1. The javana must be a kāmāvacara javana citta.
2. The object must be a kāmāvacara object.
3. The vīthi must arise in a kāmāvacara being.
This is
an important point – although it is minor. What this means is that when it
involves the rūpāvacara or arūpāvacara worlds or objects or beings – there
would be no tadārammaṇa cittas.
There
are 80 vīthi cittas –
(89 cittas minus 5 rūpāvacara vipāka + 4 arūpāvacara vipāka).
Of them some them arise in some kinds of living beings, but do not arise in
other kinds of living beings. In the same way, some vīthi cittas can arise in
some kind of worlds (lokas) but cannot arise in other kind of worlds(lokas).
loka
/ world |
vīthi
cittas |
|
number
of vīthi cittas that can arise in this loka |
number
of vīthi cittas that cannot arise in this loka |
|
kāmā
loka |
80 |
—- |
rūpa
brahma loka |
64 |
16 |
arūpa
brahma loka |
42 |
38 |
The
vīthi cittas that can and cannot arise in the 2 brahma lokas are:
loka
/ world |
Number
of vīthi cittas that can arise here |
Number
of vīthi cittas that cannot arise here |
what
are the vīthi cittas that cannot arise here? |
rūpa
brahma loka |
64
(80 – 16 ) |
16 |
2
dosa mūla |
arūpa
brahma loka |
42
(80 – 38 ) |
38 |
2
dosa mūla |
Of the
80 vīthi cittas, only some cittas arise in each kind of living being:
With
regard to noble persons who have gained the Path and Fruition cittas:
Use the
above table to gain a clear understanding of the nature of the different worlds
and the beings that live there.
Read through the information given in the table carefully – it will surely
increase your understanding.
This
lesson on the cognitive series of cittas is completed.
You have
just finished learning a lot. Take your time. Please read through the whole
chapter. Your understanding will increase each time you go through this lesson.
All that is taught here is completely new. So you will need time for it to sink
in.
Modern
science is slowly catching upto what Lord Buddha realized and compassionately
taught to all of us about the workings of the mind and matter. This kind of
knowledge will help us to lead our lives more skillfully and compassionately –
with regard to others and especially to our own selves. But for that to happen,
spend a lot of time contemplating on what you have learned in this lesson.
¦VTuṣita ΙΕγ©ηρΤΪΙΆάκ½ μFsetaketu
kāla@
dīpa@Ξ@F@ι
desa_Cn_CnϋCnζ
kula@ΖCΗΖC°©
mātuāyu@parccheda,ΐE
ςΡ€suddhodana,
λvl [ίΈΜΆκmāhāmāyā devī